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March 11, 2025 3 mins

Exhibitionistas is a conversational art podcast created by me, visual arts curator and writer, Joana P. R. Neves, as an invitation for everyone to engage with contemporary art. Some episodes are centred around solo exhibitions; others are guest interviews engaging with the real art world beyond sensationalist auction sales and obsolete art review styles; and, finally, I also produce special episodes about chosen art angles.

As an art professional with a 20 year experience in the art world with galleries, museums, artist creative processes, and the art market, I provide access to visual arts from the inside. So, I bring up art theory, art history and professional takes on exhibitions and art-making but, as an art lover, I avoid art jargon. Contemporary visual arts engages with popular culture, life experiences, singular perceptions, as much as with ideas and concepts. Exhibitionistas stands at the intersection of life, theory and art.

I also write essays and short art insights on Substack.

To remain on top of our episodes and to get a glimpse behind the scenes, follow us on our socials:

Instagram: @exhibitionistas_podcast  

Bluesky: @exhibitionistas.bsky.social

Or, alternatively, get in touch by email:  exhibitionistaspod@gmail.com

And our Exhibitionistas website.

It might be a bit too early at this stage but if you want to support us, it would be much appreciated. Go to our donation and membership page.

Exhibitionistas is a mix of Ben Luke's A Brush With, The White Pube and Sarah Marshall's You're Wrong About, which are huge inspirations for me as a podcast lover. Big fan.

So if you think someone else might enjoy it too, by all means, share it. Don’t forget to rate and follow Exhibitionistas, it seems trivial but it can make a difference. All kinds of support count, and contribute to more investigation and better episodes.

Thanks to all of those who’ve taken a leap of faith and have become our patrons. From a 5 start review to a substantial donation, Exhibitionistas considers you one of those rare unicorns who support independent journalism.

And finally: I’d also love to start a conversation with you. You can now leave comments on Spotify which is great way to know what you want more of or if you’d like to add something to the topic developed, the artist discussed or simply if you want to leave a note of appreciation. It’s a sad world when only the trolls and the bullies interact with journalists and art critics. So why not bring positivity, ideas, and your own perspective to the digital art village. 


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Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:04):
I'm Joanna Pyroneves, your host,and this is Exhibitionists.
I'm an independent writer and curator with a wide-ranging 2
decades career in contemporary art.
But when I'm asked what I do outside the outworld, the
inevitable reaction is, oh, I don't know anything about

(00:28):
contemporary art. Ouch.
So call it a midlife crisis, call it arrogance, but I gave
myself the task of trying to fill that gap with Co host
conversation episodes centered around a genuine exchange of
thoughts, feelings and precious context around solo exhibitions.

(00:49):
My. Reaction was to rush back and
just say what's important, What do I have to do today?
Who am I? Very, very meaningful, deep and
emotional reaction which really made me question myself and for
that I'm so grateful to Ankara. Liberty is an art advisor and I

(01:10):
love that she who works in and with the art market brings such
a strong existential take. We also discuss current topics
with an open spirit. Experience is going to be really
subjective. Everyone is going to have their
own experience, they own artworkinside this kind of metaverse.

(01:34):
We have fun in the episode aboutartist Hadi Pandal Konsha and I
roast a newcomer Naisa all in good spirit.
I was trying to follow the arms so anticlockwise around the
space and clockwise. What a freak.
You cannot do that. And special episodes based on a

(01:59):
particular topic, such as this one about the sound of drawing
in the work of German artist Irma Blank.
Have a listen. At the turn of the century, as
many artists from her generation, Blank saw, the
information, communication and data were connected.
But her focus was on what communication would become once

(02:22):
the world established itself as a global net across the world.
Thus she started a new series called Global Writings.
Moving away from paper. It seemed that paper, after all,
was a personal affair, a diary, a skin, a body.
So now that you know how much insightful fun you can have with
us, subscribe and listen at yourown pace.
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