Film Trace

The penultimate episode in our Rise of A24 season features two psychological free falls, Denis Villeneuve's Enemy (2014) and the infamous Roman Polanski's The Tenant (1976)

Special Guest: Hollywood Insider and great friend of the show, Ryan

Slipping identity is one of the better themes for existential horror, but its narrative power can easily list the story until it capsizes. There is perhaps nothing scarier than losing one's self. ...

In our seventh episode of The Rise of A24 series, we revisit the pitch black thriller Green Room (2016) and its even even darker precedent Straw Dogs (1971).

Special Guests: David, comedian and musician from Chicago, check out his band Humdrum

Green Room is perhaps the most divisive film that splits apart your Film Trace cohosts. Chris loves this punk rock thriller, and Dan resolutely despises the film. For nearly a decade now, the t...

In our sixth episode of The Rise of A24 series, we plunge into the cold dark heart of humanity with It Comes at Night (2017) and The Crazies (1973)

Special Guests: Bridget D. Brave, horror writer and horror film aficionado

I will admit. These are a couple of tough films. It Comes at Night is bleak. The Crazies is messy. They both share a common Hobbesian DNA. That is, human beings can be pretty awful to each other. A24's marketing m...

In our fifth episode of The Rise of A24 series, we go to church with Paul Schrader’s First Reformed (2018) and Carl Theodor Dreyer’s Ordet (1955).

Special Guests: Jen and Sarah of the great podcasts - Movies & Us and TV & Us

Paul Schrader has spent a lifetime wrestling with the question of transcendence. From Taxi Driver to Master Gardener, his protagonists are often solitary men seeking clarity and redemption in an indiffere...

In our fourth episode of The Rise of A24 series, we are covering the newly minted cult classic Under the Silver Lake (2019) and the art cinema bonanza of L'Avventura (1960)

Special Guest - James Adamson, the host of the great Double Reel Podcast, a monthly magazine podcast for the discerning film nerd.

A24 had a cult following well before it broke into the mainstream in the 2020s. Their surprise win at the 2017 Oscars for Best Pictu...

In our third episode of The Rise of A24 series, we are covering Kogonada's quiet meditation on familial AI, After Yang (2022) alongside the wondrous Late Spring (1949) by Yasujiro Ozu.

Special Guest - Lillian Crawford is a freelance writer covering film and culture for publications including Sight & Sound, BBC Culture, The Guardian, Times Literary Supplement. In addition to her writing, Lillian is a prolific programmer and cura...

“If Blumhouse is in a slump, I’d like to tell that story. I don’t want other people to tell that story.”

Jason Blum, The Town, July 2025

In a baffling moment of industry transparency, Jason Blum called into The Town podcast on the morning after M3GAN 2.0’s disastrous opening weekend in late June to discuss what went wrong. Jason is the founder and leader of the highly successful Blumhouse Productions, a movie...

In our second episode of The Rise of A24 series, we are covering the gonzo horror of the Philippou brothers in Talk to Me (2023) and the roots of elevated horror in Andrzej Żuławski's Possession (1981)

Special Guest - Returning to the podcast, Writer and Horror Film Aficionado, Andrea Gomez

A24 has built a reputation for edgy horror films. They helped to popularize the concept of elevated horror in the 2010s: The Witch, It Comes at N...

We are back with a new season of Film Trace. In this season, we will survey the short but illustrious history of film studio upstart A24. We will analyze how they have made such a massive impact on filmmaking in such a small amount of time.

In this premiere episode, we are covering two new releases from A24: Sorry, Baby and Eddington. These two films act as bookends to the house style of A24. On one side - soft, highbrow, and cerebr...

In the season finale of our Visionary Remakes season, we investigate two versions of The Maltese Falcon, the original from 1931 and the more famous 1941 version.

The Maltese Falcon has almost become shorthand for both Humphrey Bogart and the beginning of film noir. That famous film was preceded by a film adaptation a decade earlier, which itself was preceded by the hard boiled crime novel a year prior. The 1941 film has totally ecli...

In episode seven of our Visionary Remakes season, we traverse two classic westerns. First, Kurosawa's Yojimbo (1961) and its nearly immediate Italian reaction, Sergio Leone's A Fistful of Dollars (1964).

The western has always been seen as a distinctly American film genre. The "west" in the word is the American West, a grand nearly ungovernable stretch of land filled with plains, deserts, mountains, rivers, and precarious cliffs, bo...

In episode six of our Visionary Remakes season, we explore two versions of the King Kong myth, the original from 1933 and the 1970s remake. We toss in a dash of Peter Jackson's 2005 version as well.

Special Guest: Riley - Good friend of the show and true film buff

King Kong is a cultural institution. How that happened is still a mystery to us children of the 1980s. We grew up with the original. The 1976 version had been memory hol...

In episode five of our Visionary Remakes season, we dissect the original The Fly from 1958 as well as David Cronenberg's bombastic remake from 1986.

Special Guest: Daniel Malone - Host of the great You Talkin' to Me? podcast where Daniel watches classic films with his son for the first time. Check it out!

The impetus of this season was to explore how remakes can add, take away, or supercede the original. Of course, all remakes add ...

In episode four of our Visionary Remakes season, we cross-examine two versions of Cape Fear, the original starring a creepy and enigmatic Robert Mitchum, and the 1991 remake from Martin Scorsese starring a crazed and manic Robert De Niro.

Special Guest: Amanda Jane Stern - writer, producer and star of the award-winning psychosexual thriller Perfectly Good Moment. Streaming now on Tubi! Co-host of the podcast Don't Be Crazy.

Both ver...

In episode three of our Visionary Remakes season, we bite into Dawn of the Dead, the original by George Romero from 1978 and the kinetic remake by Zack Snyder from 2004.

Special Guest: Karl Delossantos, founder and film critic at Smash Cut, editor at The New York Times, a Rotten Tomatoes-approved critic, and member of the Online Film Critics Society.

George Romero's Dawn of the Dead (1978) was my favorite film through my 20s and 30s...

In episode two of our Visionary Remakes season, we survey the recent Coen brothers remake of True Grit (2010) and compare it to the original film, a John Wayne vehicle from 1969.

Special Guest: Brian Eggert is the owner and film critic of Deep Focus Review, where he has written movie reviews, in-depth essays, and critical analyses since 2007. Brian also regularly appears on KARE 11, the NBC affiliate for the Twin Cities, to review a...

A new season of Film Trace is here! This season we will try something a bit different. We are focusing on Visionary Remakes. In each episode, we will watch a remake made in the selected decade and then go back and compare it to the original film.

First up, we are covering Nosferatu. This season was inspired by Robert Eggers' remake which came out late last year. The film was a surprise hit at the box office and is currently doing v...

A House Divided: 2024 Films We Love, Films We Hate

In this special episode, Dan and Chris delve into the films that split them down the middle—where one of us loved a movie, and the other couldn't stand it. It's our version of cinematic crossfire, complete with slightly heated debates and a dash of common ground by the end.

Episode Highlights:

--Intro: House Divided Origins--

• Trap & Longlegs

--The Divide--

• I Saw the...

In the season finale of our Manhunt series, we trace the trajectory of Fritz Lang's exceptional beginnings with M (1931) to his wilting end in While the City Sleeps (1956).

Fritz Lang had already created two masterpieces, Metropolis (1927) and M (1931), by the time he reached middle age. He went on to direct twenty-three more films throughout his long career. While some of these subsequent films were great, it would be difficult to ...