Episode Transcript
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(00:04):
Gaze reading where the greatsdrop by trendy authors.
Tell us all the who, what andwhy.
Anyone can listen Comes we arespoiler free.
Reading from stars to book clubpicks we're the curious minds
can get their picks.
Say you're not gay.
(00:24):
Well that's okay there somethingeveryone.
Hello and welcome to Gay'sReading.
I am your host Jason Blitman, Ijust came back from the LA Times
Festival of Books where.
(00:46):
I was moderating a panel withsome fabulous authors and got to
hang out with a bunch of greatfolks.
Thank you to those of you whostopped and said hello.
It was really fun to see a wholebunch of people who love books
all in one place, and it wasreally special and really great.
And if you've never been, uh, Ihighly recommend perhaps trying
to get to one, get to one, getto the LA Times Festival of
(01:08):
Books, or if you've just neverbeen to a book festival, they
are certainly really fun, lovelyplaces.
To be and to, uh, find yourpeople.
If you are new to Gay's Reading,welcome and if you have been
here before, welcome back.
I'm happy to have you.
today's episode, I am inconversation with Annie Hartnett
(01:29):
talking to me about her book,the Road to Tender Hearts, and I
have.
Been obsessed with AnnieHartnett for so long now because
I loved her book UnlikelyAnimals a few years ago.
It was so much fun.
And my guest, gay reader todayis Debbie Millman, what else is
going on today?
The Correspondent by VirginiaEvans comes out today.
(01:49):
I have not had a chance to readit yet, but I've heard such
terrific things.
It is a book that is toldthrough correspondence, which I
think is really fun.
Um.
As always, if you like whatyou're hearing, please share us
with your friends.
Follow us on social media.
We are at Gays Reading onInstagram.
We're on Blue Sky.
Another book that comes outtoday is The Lilac People by
(02:11):
Milo.
Todd and I have been lookingforward to this book all year,
and I have a q and a with Milothat is posted on the Gays
reading Substack, so you shouldgo check that out over on the
Substack, the link to that inthe show notes, in the link
tree, on the Instagram, all ofthose things.
Of course, I am still partneringwith Aardvark Book Club.
(02:32):
You can get your first bookthrough Aardvark for$4 and free
shipping when you go to aardvarkbook club.com and use the code
Gaze reading.
It is such an incredible deal.
And they are so awesome.
I don't know if you follow themon social media, but they're a
great social media follow.
They are.
They're just great.
It's a great company and, um, Ihighly recommend checking them
(02:54):
out.
Art rec book club.com code gaysreading book$4.
Who could ask for anything more?
Um, great.
Annie and Debbie's bios are inthe show notes and there are a
handful of things that Annietalks to me about and once we
stopped recording, I asked ifshe would send me pictures of
(03:14):
some of the things that comesup.
So those photos can be found onthe substack as well, make sure
to go check that out.
I.
I'm still laughing after lookingat them.
Alright, those are all thethings.
I hope you're great and enjoythis conversation with Annie
Hartnett and Debbie Millman.
Jason Blitman (03:34):
truly unlikely
animals was, I loved it.
Annie Hartnett (03:37):
oh, thank you.
Thanks so much.
Jason Blitman (03:39):
It is so weird.
You are so weird.
I'm obsessed with you.
Annie Hartnett (03:44):
Thank you.
Thank you.
Jason Blitman (03:46):
Okay.
What?
We're not here to talk aboutunlikely animals.
We are here to talk about
Annie Hartnett (03:51):
Another weird
Jason Blitman (03:51):
to tender hearts.
Another weird one.
Obsessed.
It's funny'cause they're not thesame book, obviously.
But they're like cousins.
Annie Hartnett (04:01):
Yeah.
They, yes.
There, there are.
I can't write another old manbook, that's for sure.
For a while.
Forever.
cause yeah.
So both both Tender Hearts andun unlike the animals have a old
man or older man character.
They're both, people get, I getin trouble these days for
(04:21):
calling men in their sixties oldmen.
so PJ in the Road to TenderHeart.
Is 63.
So he's not old.
He's older,
Jason Blitman (04:32):
older,
Annie Hartnett (04:33):
lived hard.
Jason Blitman (04:34):
Yeah.
Annie Hartnett (04:35):
men in their
sixties who lived hard do come
across as old men.
Jason Blitman (04:39):
What do you think
it is that makes one old?
Annie Hartnett (04:43):
that's a good
question because Clive in
unlikely animals is 68 and heworks hard to stay young by he
uses a lot of slang.
He likes to hang with prettymuch anybody.
Pj also PJ Holiday in tenderHearts.
He would hang with anybody.
He's got all the friends at thebar.
He probably has a lot of youngerfriends, so I don't know if it's
(05:06):
so it's not PJ Holiday has hadthree heart attacks.
He is a hoarder.
He he doesn't take good care ofhimself.
So I just, yeah.
But every time I start talkingabout the book now and I'm like,
oh, it's about an old man.
People are like, you're, he's inhis sixties.
(05:28):
Okay, fine, he is,
Jason Blitman (05:31):
He is an older
man than you are.
No, but now I'm really stuck onwhat makes one old
Annie Hartnett (05:37):
I don't know.
Jason Blitman (05:38):
I'm like, really,
I have this, I've had this long
conversation.
I say long conversation.
It's a long conversation withmyself that has permeated
through a number of interviewsnow about what's the, what makes
you an adult?
Like where is, when do you crossthat threshold?
And I think because I believethat it.
Is all made up and we neverreally do, and you're waiting to
(06:01):
become an adult.
And I wonder if the same is forold, if you are younger than the
person that you're talkingabout, they're considered old to
you.
But that threshold never reallyexists because they're always
gonna be younger than someone Idon't know.
Annie Hartnett (06:14):
If you are, if
you're 63 and you're hanging out
with 90 year olds, you're gonnafeel like you don't relate to
the way their
Jason Blitman (06:25):
And you're and
you could call yourself young
Annie Hartnett (06:27):
Yeah.
Jason Blitman (06:28):
in fact, but if
you're hanging out with 23 year
olds, You're olds Conundrum.
Conundrum, Annie.
Annie Hartnett (06:35):
Yeah, even we
were in the airport a couple
weeks ago and I was, there waslike this food court and there
were all these college studentseating Chick-fil-A and I was
like, one, I did not know howcollege students felt about
Chick-fil-A.
Jason Blitman (06:50):
It's upsetting to
this gay person.
Annie Hartnett (06:52):
they, yeah, it's
I just didn't, I didn't know
that every single collegestudent, and I was also just
struck by these are babies.
These are small children who arehaving sex and doing drugs and
eating Chick-fil-A, and theyjust look so young to me.
So
Jason Blitman (07:11):
I feel like you
just titled your next book.
Annie Hartnett (07:16):
sex and drugs
and Chick-fil-A
Jason Blitman (07:18):
Yes.
Annie Hartnett (07:20):
done?
Jason Blitman (07:21):
But we need to
call it something else because
we can't give Chick-fil-A thatpromotion.
It could just be fried chicken,sex and jugs and fried chicken.
Annie Hartnett (07:28):
that, that is a
good title.
Jason Blitman (07:30):
I would read
that.
I don't even care what it's,especially if you wrote it.
I like know what it's about.
It's about an old man.
Annie Hartnett (07:36):
Oh man, that
would be maybe more exciting to
me.
An old man, sex and Drinks andChick-fil-A, but yeah, I already
wrote that book.
Jason Blitman (07:45):
That's totally
fair.
Okay.
Road to tender hearts.
It is about an old man.
It is about pj.
Do you have a one liner, a two
Annie Hartnett (07:52):
I don't have a
one-liner, as having read both.
My first book, rabbit Cake, youcan do a one-liner, but it's
really hard to do a one-linerwith tender hearts and unlikely
animals.
But, so here's my not one-linerelevator pitch.
Pretend we got stuck at fourthree.
So the Road to Tender Hearts isabout an older man named PJ who
(08:13):
is reading the obituaries.
Of his hometown newspaper andcomes across the obituary of his
high school.
Oh, his high school friend.
And he realizes that if thatfriend is dead, then the woman
that man married is singleagain.
And so he decides to drive crosscountry to win his high school
(08:36):
crush back.
So that's one sentence, but thenalso
Jason Blitman (08:40):
I know.
I was like, wait, but there's awhole other storyline that we're
missing.
This is child erasure.
Annie Hartnett (08:46):
Yeah.
Yeah.
But then also he ends up beforehe can leave on the trip he ends
up with the surprise custody ofhis great niece and great nephew
and his daughter his biologicaldaughter is concerned that her
dad is, has custody of thesechildren.
So she comes along on the tripand so does a stray cat who can
(09:09):
predict death.
Yeah, so that's the whole car
Jason Blitman (09:14):
Animals and
death.
Animals Plus death equals anAnnie Hartnett book and plus, I
guess plus old men.
Right?
Where does that, so I, it's, Ifeel like that intermingled,
which is like this Mac Conessabout your style and your super
(09:35):
dry humor all mixes together tocreate a person who I'm like.
Guessing who you are as aperson, but really to just sum
it up, it you cr I'm deathanimals that we can see we can
hear what they're thinking and agr colorful group of characters.
(09:59):
Show us a lot about your senseof humor.
Annie Hartnett (10:01):
Yeah.
Jason Blitman (10:01):
Where does your
sense of humor come from?
Annie Hartnett (10:05):
My sense of
humor definitely just comes from
my family, like how I wasbrought up.
Although we don't all have thesame sense of humor, I feel like
it's an Irish sense of humorthat's like the black, black
comedy.
And then I grew up in a townthat is I don't know,
predominantly Jewish or halfJewish.
I don't know what the percentageis, but it's a town with a lot
(10:25):
of Jewish people in it.
So I feel like there's alsoJewish humor and Irish humor are
similar.
And then my family everyone'sfunny in their own way.
Although they're, there isdefinitely like a attitude of
just laughing no matter what,and making fun of people no
matter what.
Like kicking people when they'redown for a joke is totally
(10:49):
acceptable in, in the family,but also accepting people in for
whoever they are.
So there's this we'll make funof you, but we will love you no
matter.
We I've told this story a coupletimes that is horrific that I
had my grandfather who was.
He is PJ Holiday is named aftermy dad, PJ Hartnett, and then
(11:14):
his dad, my grandfather was alsoPJ Hartnett, so there's two PJs.
And so I was, I really wanted tobe direct about I'm really
basing it on these men in mylife.
And my grandfather died when Iwas.
16 and he was just like thepatriarch, the like glue of the
(11:34):
family.
Everyone looked up to him.
He was he was just a, he wasjust a character.
And his famous quote was to mygrandmother I can drive better
drunk than you can sober.
And so we always say that toeach other.
Which is totally that's theinappropriate humor.
And so when we were Catholic atthe time when he died, and so he
(11:57):
had an open casket and my highschool boyfriend came to the the
wake and my uncle put this poor16-year-old boy in a headlock
and put him up to the dead bodyand was like, I'm so glad you
got to meet the old guy.
And like child abuse.
(12:20):
Um, It was funny.
It was horrific.
Jason Blitman (12:25):
That's, that
makes total sense to me.
You said you were Catholic atthe time.
Annie Hartnett (12:31):
Oh yeah.
When no one, none of no one isCatholic anymore.
People
Jason Blitman (12:36):
That was just a
very deliberate thing of a
deliberate way of
Annie Hartnett (12:39):
I have to
separate myself.
It, we stopped going to my, myfamily, my parents were both
Irish Catholic growing up.
And so when they had children,they didn't really know what to
do with our religious upbringingand their college roommate, or
my dad's college roommate wasvisiting and they were talking
(13:00):
about it and.
He didn't have kids yet, but sohe, they listened to what he
said and he said you wanna givethem something to reject so that
they don't come home fromcollege total.
Like strangers who have foundlike, some super religion.
So that was my parents.
(13:21):
That's, there was theirphilosophy, except like we went
to church and we went it wasn'tlike a little bit of exposure.
We went to church, we went toCCD but then the, the scandals
came out and at the same timethat my other grandfather died
and he was my other grandfatherwas an amazing guy and was like
(13:43):
really active in the civilrights movement and was a
principal and.
Boston public schools and was acool person and this priest
reduced him to like, should havegone to church more wasn't as
active in the church as he couldhave been.
So it was a kind of a, theperfect storm of we are not,
none of us are doing thisanymore.
Jason Blitman (14:04):
Yeah.
Annie Hartnett (14:05):
so I was never
confirmed.
So I'm not a Catholic inanyone's eyes,
Jason Blitman (14:09):
I never had a bar
mitzvah, so I am still a child
Annie Hartnett (14:13):
oh yeah.
We will get you a DJ and acartoonist and we'll play Coke
and Pepsi.
Jason Blitman (14:22):
and someone who
does the, like spray paint hats
Annie Hartnett (14:25):
Oh, yes.
Yep.
Jason Blitman (14:26):
Yeah.
And like cool socks for thedance floor.
So you were talking about PJ andit being based on, or inspired
by whatever term feelscomfortable for you your dad and
your grandfather.
He has a very modern andunconventional relationship with
Ivy, his ex-wife and Fred, herboyfriend.
(14:48):
They lived down the road.
I don't need to, I don't need totell you.
You could tell the listenersand.
Where does that come from?
Do you have examples of that inyour life?
It was such a just a, like amodern hip way of defining what
a post-marriage could look like.
Annie Hartnett (15:05):
Yeah it I do I
don't know if I have real life
examples of that.
I have in my.
In my life though, examples of alot of men who are very
dependent on women.
He, PJ and Ivy got divorcedlet's see, like 10 years ago,
let's say.
I don't, I forget the exacttimeline, but he's still very
(15:27):
dependent on her, has breakfastwith her every morning, like
worships her, but also he is.
He is openhearted enough to alsolove her new boyfriend, and he
knows that he's a fuck up andthat he knows that like he
doesn't blame Ivy for leavinghim.
(15:50):
He blames like his lifecircumstances, but he they went,
so they went through a tragedy15 years earlier that their
oldest daughter died.
So the question I wanted to askwas, how does how does, married
couple recover, how do they moveon from.
(16:13):
Having a child die.
And I think a lot of marriagesdon't survive that.
So I did, and I did not thinkthat their marriage would
survive that based on thischaracter I was creating.
Pj unless Ivy was gonna spendthe rest of her life unhappy,
but they still love each other.
Like they she still, she doesn'tlove him, doesn't love him in
(16:34):
the way that she wants to bemarried to him, but she doesn't
wanna cut him off either.
And then so they, yeah, theydeveloped this friendship that
is a really nice friendship.
And then, Fred is an evolvedenough creature that he's
accepting of PJ too.
Everybody loves pj.
He's so messed up and he's he'sso imperfect, to have a
(16:54):
character who has three DUIs,but asking.
You two, think he is wonderful,is a lot, but he, so he won the
lottery.
He's if it were a Tom Hanksmovie, it would be like the
luckiest man in small townPineville if it weren't for, the
(17:16):
tragedies of his life.
And so yeah, so he's had somereal luck where he won a million
and a half dollars.
But he's a hoarder.
He lives alone.
His ex-wife left him.
But she stays friends with him.
And then, but he, and he givesaway all of his money to anyone
who asks, which is really whatis one of the main things that
(17:37):
is based on my dad.
No one please, no one.
The man is not on the internet.
Do not tell him about GoFundMebecause he would like, he.
He just will always, he's sogenerous, will always buy people
dinner.
I did an in conversation with myfriend Claire Beans, who's a
wonderful writer.
And we went out in celebrationfor her book launch with all her
(17:58):
like friends from.
All the many walks of Boston andlike my dad doesn't know Claire,
and he covered the restaurantbill.
And I was like, dad, like why?
That's and yeah, so he saw, oncehe saw, he's not like a really
wealthy guy.
It's
Jason Blitman (18:15):
did not win the
lottery.
Annie Hartnett (18:17):
no, he did not
win the lottery.
Although he, part of it isinspired by that because he will
always play Powerball and hewill then.
He will talk to me about whatwill happen if he wins Powerball
and who's gonna get, say he wonwins$68 million.
And he'll be like, all right, Iwill give your aunt a million
(18:38):
dollars.
I will give.
And he just goes down and I'mlike, dad, please don't think
about this.
Jason Blitman (18:46):
Because the odds
are not in your
Annie Hartnett (18:49):
not gonna
happen.
You don't need to make a plan.
And then he, like he, he will,he was watching the news once
and there was this Chineserestaurant where there was like
this racist incident against theowners and he sent them a check
in the mail and now he's likefriends with those it wasn't
even in his town.
It's just he's so generous, butalso in this sort of way that
(19:11):
you're like, uh.
Yeah.
Yeah.
A little bit.
A little bit.
Not like he's not, in the poorhouse or anything,
Jason Blitman (19:19):
No, but maybe you
don't need to send the check to
the restaurant of the peoplethat you never met, or,
Annie Hartnett (19:23):
Yes.
But so seriously, GoFundMe he'snot on Facebook.
Jason Blitman (19:27):
Won't tell
Annie Hartnett (19:27):
God he's never
been on.
Yeah.
Don't tell
Jason Blitman (19:29):
what would you
do?
Annie Hartnett (19:30):
I have a little
bit of the same problem that
like I've never playedPowerball.
I like scratch tickets a lot.
But like scratch tickets, you'renever gonna win that much money.
I think I did play like MegaMillions once, and then I did
find myself in the same sort ofoh, obviously I'm gonna win, so
what am I gonna do with it?
Like, how much would I give tocharity?
(19:52):
I think the question of.
Of when you win that much moneyis how much do you keep so it
makes your life better anddoesn't ruin your life.
And I think the answer would belike, I would keep$10 million
and then I would give the restto a global warming charity
(20:13):
because I would not wanna I, andthat would be, I would just
throw it all
Jason Blitman (20:17):
However much it
was.
Annie Hartnett (20:18):
Yeah.
however much it was.
Jason Blitman (20:19):
What's like the
one extravagant thing you would
do for yourself?
Annie Hartnett (20:23):
oh
Jason Blitman (20:24):
I have no idea
what that answer is for me.
Annie Hartnett (20:26):
Yeah, I'm not
like an extravagant person.
We have driven with a car thatis missing a door for a year.
Jason Blitman (20:36):
A whole door.
Annie Hartnett (20:37):
It's, the door
was reattached, but not all the
way.
So it like has a big gap in it.
Jason Blitman (20:45):
Does it just
rattle the whole
Annie Hartnett (20:46):
It's, I just
drove my friend to I had to
teach in Maine and my friendcame along and she was like, I'm
sorry.
I was like, is your window down?
And I was like, oh no it's, mycar and our neighbor who is a
mechanic, put the car door backon for us.
'cause my husband was, he was ina rush to get to me.
(21:07):
So we for the first time had twocars at the time.
We finally, we'd lived with onlyone car for as long as we've
been married.
But we got two cars last fall.
And so he was rushing to me, toswitch off with me so I could go
to an event.
'cause he was at, I was at danceclass with our kid and he was
driving outta the driveway andthere was like a.
(21:28):
The light on that said the doorwas open, which is always the
trunk and the Honda fit.
If people have Honda fits, italways happens to the, so he got
outta the car and he is on thephone with me I'm on my way, I'm
on my way.
And he was just like overtlystressed for no reason.
And so the car kept driving andripped the door off, and it was,
so we had our neighbor, who'sthe mechanic come to.
Jason Blitman (21:51):
Wait a minute.
Hold on.
I would need to go back and makesure that I'm understanding this
correctly.
The trunk was, the light for thetrunk was on.
Your husband gets out of thecar, leaves the door open,
leaves the car running, the carkeeps moving,
Annie Hartnett (22:05):
car keeps moving
and he's on the phone with me
and he is oh shit shit, shit.
So the other funny thing aboutit is they're, they don't make
Honda Fits anymore.
So he had to drive, I guess thisis all related to the book, it's
a road
Jason Blitman (22:21):
No, you know what
hundred percent is.
Annie Hartnett (22:24):
So he ended up
driving to Connecticut to get a
door and because, so we had toact fast because the body shop
is like, there's only one HondaFit Door left in all of New
England.
So he drove from where we livein Massachusetts.
Jason Blitman (22:41):
it's a Honda,
doesn't fit door.
Annie Hartnett (22:44):
Oh, good one.
So we got a we have a silvercar.
Her name is Helen Muran'causeshe's a silver fox.
We get a white door and they putit in the back of the Honda Fit
and he drives back home.
And this was a year ago or?
(23:06):
11 months ago to be accurate.
And guess what is still in theback of the Honda Fit and we
can't get it out.
Jason Blitman (23:17):
A tree branch.
Annie Hartnett (23:19):
no, there is a
white door, a car door in the
trunk, or like the whole backseat of the door car.
So we have a car that has like adoor that is like three inches a
jar.
And then there's a car, whitecar door in the back of the
Honda Fit and it's jammed inthere, so we can't get it out.
Jason Blitman (23:41):
Wait, so the
Honda Fit door that he went to
go pick up got stuck in thebackseat.
Annie Hartnett (23:45):
Yes,
Jason Blitman (23:50):
What?
Wait, why didn't they justinstall it at the body shop?
Annie Hartnett (23:54):
I, it was like a
junky yard place.
Like it wasn't like a,
Jason Blitman (23:58):
Oh my God.
Annie Hartnett (24:00):
and we.
Jason Blitman (24:03):
Your books make
so much more sense now.
Annie Hartnett (24:09):
they're, oh
yeah.
They're not comedies.
It's just real
Jason Blitman (24:11):
Oh my god, that's
so not only is a door slightly
ajar, it's the driver's side
Annie Hartnett (24:18):
You can't, but
you can't.
Yeah.
It's the driver's side
Jason Blitman (24:20):
right?
Annie Hartnett (24:21):
and you can't
sit in the back because there's
a car door.
Jason Blitman (24:28):
I'm like seeing
stars.
I'm laughing so hard.
That is so funny.
So a road, obviously you don'tdo road trips with this car,
Annie Hartnett (24:38):
No, don't.
I did just drive five hours
Jason Blitman (24:41):
friend.
Yeah.
Yeah.
But like other I mean like afamily road trip you're not
Annie Hartnett (24:45):
So I can't even
pick my kid up at school in that
class.
Jason Blitman (24:49):
but are road
trips like a thing in your
family?
Annie Hartnett (24:52):
We did a road
trip around Ireland.
Jason Blitman (24:57):
Oh.
Annie Hartnett (24:58):
like we never
would go outta the country,
except that was the only likeinternational trip we ever went
on as a family.
And we mom planned it out pre,pre.
Pre iPhones.
So she had this map and wedidn't have a plan of, we were
gonna spend the night everynight.
But you could just drive aroundIreland and stop at b and B's.
(25:18):
So that's what we did.
in a small car, my dad in the,he would drive most, for most of
the trip.
He could only come for twoweeks.
And then my mom was left with meand my three brother or two
brothers the rest of the trip.
So three of us in the back.
And my little brother, likeimmediately threw up.
So we would always make him sitin the same seat and just call
(25:40):
it the throw up seat.
And we would taunt him the wholetime.
And he he ended up I ran out ofbooks to read because I, I had
brought like as many red wallsas I could probably pack, but I
was in fifth grade and I ranoutta books to read.
Two formative things happened onthat trip I borrowed my
(26:02):
brother's book that he hadbought in the airport called
True Irish Ghost Stories.
And I was so spooked.
'cause they were, I was like,they're true.
I was just like, obviously
Jason Blitman (26:15):
says so in the
title.
Annie Hartnett (26:17):
it says so right
there.
So I was terrified during theentire trip and I like didn't
sleep and I drove everyonecrazy.
And then at the end of the tripmy mom was tired of driving
around country, so she foundlike a little house to rent like
somewhere, I think it was inlike Donal or something.
And so we stopped for a week.
(26:41):
I.
And it was all these littlecabins and I was so crazy at
that point'cause I had not sleptfor a month.
And and it was, there was alittle like dinky playground in
the middle of these cabins.
And every day there would bekids out on the playground.
And at some point I was like,there's fewer and fewer kids on
(27:01):
the playground every day.
Obviously they're beingmurdered.
And so I told my little.
Yeah, by the true ghost actuallyI had changed it to now it's a
serial killer in my mind.
So I told my, I was in fifthgrade.
My brother's four years youngerthan me, so he was in first
grade.
I told this like baby child,that the reason we had fewer
(27:26):
kids to play with every day isbecause they were being killed.
But I told him not to worrybecause they were seven cabins
and we were leaving on the sixthday.
So I had done the math that Iwas like, they'll never get to
us.
Don't worry, it's not ourconcern.
So that is that is the mostmessed up thing I've ever done
(27:47):
before since,
Jason Blitman (27:49):
wow.
And that changed your lifebecause now you write the way
you write,
Annie Hartnett (27:54):
Yeah.
Jason Blitman (27:54):
and that was your
road trip.
Annie Hartnett (27:56):
that was my road
trip.
Jason Blitman (27:57):
You've never done
like an in, in the states road
trip.
Annie Hartnett (28:00):
I did an in the
states road trip, but not with
my own family.
I did an in the states road tripI was in college and I had just
broken up with my boyfriend whoI had for five years and I
needed to get outta town'causeI.
We could not be around each, Icould not get back together with
him.
I needed to take myself outtathe town.
My friends went to Bard andtheir friends had just just
(28:24):
graduated this couple, and theywere.
Going to try to move.
They couldn't decide whetherthey were gonna, she was from
San Francisco, he was fromSeattle.
We were driving back fromMassachusetts to Seattle and
then we were gonna go down toSan Francisco and they didn't
know which city they were gonnalive in.
So they just were arguing aboutit the whole way and their
(28:47):
relationship was falling apart.
I didn't know them.
They were my friend's friends.
One thing I just loved aboutthis road trip is that we wanted
to get to San Francisco.
We wanted to get to Seattle orfirst, and then down to San
Francisco, but we had no otherreal plans, like which is the
best way to do a road trip.
(29:08):
Especially across the UnitedStates.
'cause there's just so muchweird stuff, which if you stop
at all the roadside attractions,like both the ones that people
know about people are like, makesure to stop at Wal Drug.
Make sure to stop at like theCorn Palace.
but I also didn't know aboutlike even some,'cause I was 21
and there were many things aboutlife I didn't know.
(29:30):
Many things I still don't know,but I didn't know about the
Badlands and so when we droveinto the Badlands just appear
outta nowhere and you're like.
Whoa.
There's the moon is just righthere in the middle of nowhere
and you can just it's cra itlooks crazy.
And so it was, so that was areally memorable experience,
(29:50):
both trying to get over somebodyand then having these all like
really fun, weird experienceswith these people who became my
friends, but were.
Two of them, out of the three ofthem were total strangers.
And then when we got to SeattleThomas, who was Dr.
Who was one of the drivers, washe had, his family had a, a
(30:13):
really nice camp on one of theSan Juan Islands.
So we went over to the San JuanIslands, which are unbelievably
beautiful, and his dad and hiswhole family was there and his
dad was there.
And his dad was one of thosepeople who gets up at 4:30 AM
and is just like, is wasbuilding his own house.
And had these, had built theseincredible outhouses made out of
(30:36):
driftwood, which didn't havedoors on them so that you could
look out at the ocean.
Jason Blitman (30:41):
going to the
bathroom.
Annie Hartnett (30:43):
Yes.
Which were like and it was justlike all this sort of memorable
stuff, but I was so exhausted bythe time I got there that I was
like I'm still broken heartedand I just want to like, so I
spent one entire day in bed whenwe were there and we all
gathered around for dinner andthere were a lot of people
there.
(31:04):
And we also saw thishomeschooled one school house.
Production of Macbeth that thechildren put on, which I feel
like was super formative in alot of my work and like making
children do things that they'relike really should not be doing
in any appropriate way.
but we're sitting around thetable and someone asked oh,
Annie, what did you do today?
(31:24):
I didn't see you today.
And somehow the dad knew and hejust goes, in my voice, he says.
I napped and I cried,
Jason Blitman (31:37):
Oh, you were red
like a bug.
Annie Hartnett (31:40):
I hear his voice
in my head.
I'm not even touch in touch withThomas or his family anymore,
but sometimes when I'm feelingbad for myself, I'll just hear
this voice in my head that goes,I napped and I cried.
Jason Blitman (31:52):
If you are no
longer in touch for just
happenstance reasons, you shouldreach out and tell him that.
I feel like that's very funny.
Annie Hartnett (32:00):
I should.
I should.
I really should.
Yeah.
Jason Blitman (32:02):
There is a
character in the book who worked
for a greeting card company.
And it just so happens that atthe time of recording my
birthday was a couple of daysago and I got a birthday card
from my mother who.
Has sent me the same card, Ithink six years almost in a row.
(32:23):
Not fully in a row, but had I'vereceived the same card from her
six times.
Not exaggeration, noexaggeration.
We need to change it up.
Who do we need to write to?
We
Annie Hartnett (32:35):
it?
What does it
Jason Blitman (32:37):
It's so generic.
There's nothing.
It.
There's nothing particularlyspecial about it.
Annie Hartnett (32:43):
But it does have
words on it.
It like speaks to her in someway.
Jason Blitman (32:46):
Yes.
All these years it's beennothing short of magical
watching you become who you aretoday, is what it says on the
front, and then you know, someversion of that inside.
Annie Hartnett (32:55):
That's a pretty
nice sentiment.
Jason Blitman (32:57):
It's so nice.
But Hallmark needs to know whento retire a card and bring in
Annie Hartnett (33:05):
it up so that
they have to do the work for
Jason Blitman (33:09):
Yes, exactly.
But also I don't know if you, ifthis is based on a person, in
real life, am I going on a rantright now about greeting cards?
Yes, because.
Annie Hartnett (33:18):
I've been on a
few tangents.
Jason Blitman (33:21):
I, they are
infuriating to me the fact that
like people get paid real moneyto write.
Wishing you a lovely day on yourbirthday, on your day of birth,
Annie Hartnett (33:34):
Yeah I think
those jobs will go away.
Thanks, Dan.
So you'll get yours.
You win.
Jason Blitman (33:44):
I, that's maybe
true, but how do we become a
greeting card writer?
Should we start our own company?
We could come up with quirkythings and you could draw them.
Annie Hartnett (33:54):
yeah I did start
a grading card company.
Jason Blitman (33:57):
What?
Annie Hartnett (33:58):
Yeah.
It wasn't successful
Jason Blitman (34:00):
Say more.
Tell me everything.
Was it called full of heart net?
Annie Hartnett (34:05):
no, it was it
was full of heart.
I was 22 and I was living inbasically a commune, but it was
it was like a outdoor schoolwhere we would teach like every
week that, so in ca, in, inCalifornia, outdoor education is
(34:26):
mandated, so like kids in eitherthe fifth or sixth grade have to
go.
To basically summer camp for aweek and learn about the
outdoors in the outdoors.
So there's these camps, likethey're usually summer camps
that are then like, rented outduring the year by these
companies where you're, if youthe, there's young people like
(34:49):
20 somethings who work there andlive there, and every week you
get a busload of fifth gradersand you teach them the exact
same stuff every single week.
And so we would teach them,about the water cycle.
We'd take them on hikes and wewould teach them about I don't
remember what el, what else wetaught, but like science in the
(35:11):
outdoors.
And then we'd also do like ropescourse, and tr it was like
bonding as well as and then sowith the other counselors, we
worked there and lived there andhad a empty summer camp on the
weekends.
So it was just this.
Wild experience.
And during my downtime I was,I'm always looking for, I just
(35:34):
have a lot of, extra creativeenergy.
This was before I was reallywriting, I think so decided to
start a business.
And at the time my, my bestfriend's mom was dying of breast
cancer.
So I decided to start a businesscalled T Nips Greeting Cards,
(35:55):
and it was made out of, so youprobably made
Jason Blitman (36:01):
I wonder why I
didn't do well.
Annie Hartnett (36:04):
You probably
made art projects with like hand
prints, thumbprints that likeyou turn into an So I had me and
all my other friends sit aroundand we made nipple prints in
paint.
And then I made drawings withthose prints and and a lot of my
(36:25):
friends still have them framedin their house.
But I didn't really do very wellselling them, but my dad loved
the idea and he wa he was like,we gotta make this an LLC.
Jason Blitman (36:37):
He is gonna be
your investor with his lottery
money.
Annie Hartnett (36:42):
So that was my
grading card company.
So if
Jason Blitman (36:46):
feel like we
could maybe circle back.
Annie Hartnett (36:54):
Yeah.
So if,
Jason Blitman (36:56):
follow up
questions.
That's where a different podcastOh my god.
A person needs three things tobe happy, something to do,
someone to love, and somethingto look forward to.
What are those three things foryou?
Annie Hartnett (37:17):
Yeah.
So that's a quote from the bookthat
Jason Blitman (37:19):
it is
Annie Hartnett (37:20):
is yeah, but I,
but the backstory's really
important to me.
I grew up I had these likesurrogate grandparents who grew
up who lived across the streetfrom me, and their names were
Mrs.
Chris and Dr.
Chris.
And Mrs.
Chris had us a reading club forfor the little girls in the
neighborhood'cause her kids weregrown.
(37:41):
So we would go over to her houseevery Wednesday and she would
read to us and serve us tea andcookies.
And it was like, and we did ituntil sixth grade.
Like she would read to us, weread so many books and then she
switched it to a writing club.
So that was the first writingclub I was part of.
Jason Blitman (37:58):
God.
Annie Hartnett (37:59):
And then Dr.
Chris is this was thiscardiologist.
He was like this renownedcardiologist, but he was mostly
retired when I was growing up.
And he played piano and he wasthe, he gave me EB white's
essays when he found out I wasinterested in like animals and
writing and together theylearned Italian and they had
(38:19):
adopted another kid as well astheir four kids and they just
had this.
She's still alive and they hadthis really interesting full
life.
And like she, she's a pollworker.
She would call me if I hadn'tshowed up to the elections.
So when I think of someone whohas had a good life, they have
had a truly good life.
(38:39):
They have done good things.
They have, they have theirretirement just looked like.
People should try to learnItalian after they retire so
that they can go to Italy.
So they just, they had a goodlife, especially from when I was
able to observe it when theywere older.
And she's still alive.
She's in her nineties.
She is still as sharp as tack.
(39:00):
Yeah she's amazing.
Like she, she's not anydifferent than she was when I
was growing up.
She now lives like 40 minutesfrom me, so I get to see her
sometimes.
And Dr.
Chris died two years ago.
And so at his funeral, this wassomething his son said, is that
the advice that Dr.
Chris always gave him was thateveryone needs something to do,
(39:23):
someone to love and something tolook forward to.
And that's the key to happinessif you can fulfill all those
things.
And I was, I just had such, hewas gone by then, so he never
said it to me, but it just waslike such simple and really.
Good advice.
Jason Blitman (39:39):
And really from
someone who meant a lot to you.
Okay.
The story was so much thank youfor, it's breaking to tell me
this whole thing'cause it reallywas worth it.
Annie Hartnett (39:47):
yeah.
Sorry.
It I can't follow directions,but,
Jason Blitman (39:50):
No, don't be
sorry.
I didn't tell you not to.
Annie Hartnett (39:52):
Yeah, no it
really, yes.
So it's said by, a characterwho, if you hear the story and
then read the book, you'll.
What but so something to do forme
Jason Blitman (40:08):
You're not
allowed to say writing
Annie Hartnett (40:10):
I'm not allowed
to say writing something to do.
So something to do, someone tolove and something to look
forward to.
I'm not allowed to say writing,we live now, we moved out of
Providence and we live inLakeville, Massachusetts, which
is the town that Pineville inthe book is based on, it's rural
and I don't really know anyonehere.
(40:32):
I have friends, but they're notin this town.
So I'm just very dedicated tomaking the space that I have in
my yard like a habitat space.
So I'm, I got into gardeninglast year.
I do have a friend who's a supergardener, so she's helped me
with it.
And then we have bird, we haveblue bird boxes.
(40:55):
And And even I learned from theguy who owned the house before,
he was also really into.
Habitats like having wood pilesin your yard is really good for
snakes.
Learning that stuff, especially,we are so powerless against most
things that are happening, butlike the.
Jason Blitman (41:13):
What
Annie Hartnett (41:16):
And I, I don't
know what to do about I'm, I
think a lot of us are justparalyzed.
It's what's gonna happen?
So having that concrete thingwhere I can I can feel like I'm
making a difference to So that'sone thing I can
Jason Blitman (41:30):
something to do
and see.
I'm glad I said you're notallowed to say writing'cause
that is a
Annie Hartnett (41:33):
Oh, yeah.
Okay good.
Yeah, I mean that, that'ssomething that I'm actively and
I learned that from my parentstoo.
My parents live much more in thesuburbs, but my mom, my dad puts
out little bowls of water forthe rabbits, and my mom is,
yeah.
Yeah.
My mom is a super bird watcher.
Yeah, my parents are reallyawesome.
(41:55):
They're I'm very lucky withthem.
Jason Blitman (41:57):
That there's,
there are levels of bird
watchers, like novice, mediocre.
But she's a super bird watcher.
Annie Hartnett (42:06):
she's an award
winning bird watcher
Jason Blitman (42:08):
Is she Actually,
Annie Hartnett (42:10):
Yeah.
Jason Blitman (42:10):
Oh the amount of
follow up questions I have for
this whole conversation, Annie.
Annie Hartnett (42:20):
I just feel like
so comfortable with you.
I'm like, not usually the silly,but um,
Jason Blitman (42:25):
your brand.
Annie Hartnett (42:26):
yeah, no, that
is my brand.
But no I just feel like, yes,this is this is fun for me.
The, yeah, no, my mom, we haveto get a table.
Like I have to make sure I don'thave a book event that,'cause
she's getting this big award.
But what's really funny is that,my dad, they have been together
since they were 18.
(42:47):
Lost their virginities to eachother, which my mom would
absolutely kill me for saying.
But um,
Jason Blitman (42:54):
Good for them.
Annie Hartnett (42:55):
when, oh my
gosh.
When I when,
Jason Blitman (42:57):
on gay's reading.
Annie Hartnett (42:58):
When I, like
when the boyfriend, the road
trip boyfriend, when we brokeup, my mom asked me.
What does a broken heart feellike?
And I was like, oh my God, youdon't know.
And I was like, it feels bad,mom.
It feels super bad.
Jason Blitman (43:14):
astonishing.
Annie Hartnett (43:15):
Yeah.
There's not that many peoplethat I'm like, you don't, you
have no idea what it feels
Jason Blitman (43:20):
That's a very
interesting story of someone who
never had their heart broken.
Annie Hartnett (43:25):
yeah,
Jason Blitman (43:25):
Like I don't
even, I don't know what that
feels like,
Annie Hartnett (43:29):
yeah, it's
different.
It doesn't feel.
It's similar to a death, butit's not a death.
Jason Blitman (43:34):
right.
Annie Hartnett (43:35):
Yeah.
Jason Blitman (43:36):
Anyway,
Annie Hartnett (43:37):
anyway, but
what's funny to me is that
there's this other bird watcherwho's like a real, like a
celebrity bird watcher who callsour house sometimes.
And my mom will knock overfurniture to be like, he's on
the phone and my dad gets prettyjealous.
It's very funny.
So that's something to do,something someone to
Jason Blitman (44:00):
You're not
allowed to say your husband or
your child
Annie Hartnett (44:03):
Okay.
Jason Blitman (44:04):
again, it's just
too much of, too easy of an
answer.
Annie Hartnett (44:07):
easy.
This is a funny thing for me tosay.
'cause I just said I live inthis town where I don't really I
am gonna keep it.
Who knows?
You never know who you're gonnameet.
But I'm like chronically lonelyalso, and just, I love people
and I like, I'm always like.
I, I want to like, I want bestfriends all the time.
(44:29):
I have these real strongmemories of like summer camp and
college and like those feelthose when you had your friends
that lived with you all the timeand you were really comfortable
just holding hands and climbinginto bed together and watching a
movie and like adult.
Jason Blitman (44:44):
Yeah.
Annie Hartnett (44:45):
Yeah.
And adult friendships aren'tthat way so much.
But I do.
It really is, I, one thing thatnone of my college friends live
near me.
We just went on vacation withone of my college friends and we
went, she works for Save theChildren.
(45:05):
Which is was being gutted andshe was just like texting me
like, I might lose my job.
And even if I don't, I'm workingin this like completely, carved
out organization And,
Jason Blitman (45:19):
was like, let me
call PJ Hartnett.
He'll save the day by donatingmoney.
Annie Hartnett (45:24):
She, what our
solution is a pretty funny one.
She said but at least she hasfour pomeranians no kids but
often has to travel for work.
Her Pomeranians are EU citizens,which she told me and I was
like, they have EU passports.
They're Pomeranians.
They were born in Berlin whereshe used to live in Berlin.
Anyway, she said, I don't haveto travel for work, so if you
(45:46):
wanna go somewhere.
So my kid had been pestering meto go to Disney World.
And so I was like, this isprobably not what you had in
mind, but do you wanna go toDisney World?
So she came to Disney World withus and it was the best time.
So someone to love is someonelike that friend who will do
(46:10):
that is, that is really fun andsilly.
Jason Blitman (46:13):
can.
Does she have a name?
Can we shout her
Annie Hartnett (46:15):
Oh, her name is
Winter.
Yeah, her name is
Jason Blitman (46:17):
Of course.
Her fucking name is Winter.
Of course.
Of course.
Winter has four Pomeranians thathave a U, passports, like of
course.
That's her name.
Annie Hartnett (46:27):
She started out
with only two and she was living
in Germany and they don't Spainneuter in Germany until they're
a year old.
So she took them, she had justdecided that she didn't wanna
have kids and she was likehaving panic attacks about like
having children.
She was like, no, I'm always, Ilike my freedom, I just don't
wanna have children.
(46:48):
And I was like, good choice.
But even though I'm obsessedwith my child, but I did think
it was a good choice.
And she went to the vet and thevet was like, oh, we can't.
One of these dogs is pregnant,and I don't, and so I was like,
this is so funny.
You wanted your freedom and nowyou have four.
Jason Blitman (47:13):
I'm shocked that
hasn't made it into one of your
books yet.
Annie Hartnett (47:15):
Oh, I should,
Jason Blitman (47:16):
Shout out to
winter.
And okay.
What about something to lookforward to?
Annie Hartnett (47:20):
Something to
look forward to.
So it probably cannot be bookrelated.
Jason Blitman (47:23):
You are right.
Good job.
Can't be booked to her.
Can't be released.
Annie Hartnett (47:28):
Can't be
released.
Something to look forward to.
I dunno.
Just think about all the thingsthat are going on right now.
Um,
Jason Blitman (47:37):
Hopeless.
It feels like there's nothing tolook forward to.
Annie Hartnett (47:40):
Let's see.
Something to look forward to.
I'm a New Englander.
And I just love seasonschanging.
And so just like seasonschanging is I'm about to garden
and my birthday is coming up, soApril 22nd, so I You're an
Aries,
Jason Blitman (48:00):
an Aries.
Annie Hartnett (48:00):
Taurus, I'm a,
Jason Blitman (48:02):
Oh interesting.
Thinking about something to lookforward to can reset every day.
Annie Hartnett (48:07):
Yep.
Jason Blitman (48:08):
Like you could
look forward to something
tomorrow and then you could havea new, something to look forward
to the next day and that justkeeps the buoy of being happy in
Annie Hartnett (48:16):
I also finally
understand why people go on
vacation.
I had never been on a vacationother, like I had never as an
adult, like I'd gone on familytrips, went to Ireland as but we
never, yeah,
Jason Blitman (48:29):
get it together,
drew.
Annie Hartnett (48:30):
Oh, drew does
not like to go on
Jason Blitman (48:32):
What the hell?
Annie Hartnett (48:33):
No.
Drew's.
The Drew's the only man in theentire world who brought a
laptop to Disney World.
Jason Blitman (48:41):
Wait, are you
counting Disney World with your
child and winter as vacation?
Annie Hartnett (48:46):
It's the only
vacation I've ever been on,
Jason Blitman (48:48):
Oh,
Annie Hartnett (48:49):
but I
Jason Blitman (48:50):
and sad.
But I'm happy for you.
But that sounds like a lot ofwork with a Kit Disney,
Annie Hartnett (48:57):
Oh, is.
She's almost, she'll be six thissummer.
Like I saw people with reallyyoung children there, and I'm
like, oh, you are in hell.
Jason Blitman (49:06):
No.
Six is probably fun to be there.
Annie Hartnett (49:08):
yeah.
It was totally fun.
It was just like fun, like pure
Jason Blitman (49:12):
Did you get to
sit by the pool and relax at
all?
Annie Hartnett (49:15):
No, I've never
done something like that.
Like I've never,
Jason Blitman (49:20):
And you can also
be excited for book launch and
book tour and all those things.
Annie Hartnett (49:24):
I am excited
because it is a book that I like
when people have the same sharemy sense of humor.
I like when people tell me whatmade them laugh, and I'm like,
yeah, that was messed up, wasn'tit?
Jason Blitman (49:36):
So when the book
arrived, I like was so obsessed
with unlikely animal.
I mean, The amount of people Itold had to read it is endless.
But when this book arrived,literally I read the epigraph.
Was like, I need her.
I don't even care what the restof the book is.
If I only have to talk to herabout the epigraph.
(49:58):
That's all I need to do.
'cause that's how funny it is.
It's, there's a nationallampoons vacation quote and a
quote from Papa Hartnett.
Annie Hartnett (50:07):
What does the
Papa Harding one say?
Jason Blitman (50:09):
Shut up and look
out the window.
Annie Hartnett (50:16):
yeah, so that
was from that was from the Irish
vacation.
So that's why I didn't go on anyvacations after that.
Jason Blitman (50:24):
Oh my God.
So funny.
Annie.
Such a pleasure having you.
Thank you for being here today
Annie Hartnett (50:30):
Thanks for
having me so much.
Jason Blitman (50:32):
Everyone go by
the Road to Tender Hearts by
Annie Hartnett.
Go by unlikely animals.
Go by rabbit cake and follow youon all of the social medias and
such to be abreast of all thethings.
You mark my, my third.
You are a third complete coupleto on gay's reading,
Debbie Millman (50:50):
Oh wow.
Jason Blitman (50:51):
a nicer
compliment than a, than a second
half of a couple who's happy tocome on the show.
Debbie Millman (50:57):
Yeah.
Well, Roxanne had a lot of verynice things to say about you.
Jason Blitman (51:01):
That's very, very
sweet.
How are you today?
Debbie Millman (51:03):
I am in my
office at the School of Visual
Arts in Manhattan.
And um, after this I'm going togo to Frenchtown, New Jersey,
where I'm having a pre-booklaunch event, um, with a very
dear friend of mine, um, that Iknow from the design community
(51:23):
who ended up buying, renovating,and now running a bookstore.
Jason Blitman (51:29):
Oh my God,
Debbie Millman (51:30):
Yeah, Barbara de
Wilde, she's extraordinary.
French Town bookstore is justbeautiful.
Jason Blitman (51:36):
that sounds
amazing.
Debbie Millman (51:37):
Yeah,
Jason Blitman (51:38):
I, after reading
your book this morning, went
around to all of my houseplantto just like give them love.
'cause
Debbie Millman (51:47):
yeah.
Jason Blitman (51:48):
just needed to.
Debbie Millman (51:49):
Oh good.
Thank you.
Jason Blitman (51:51):
And I wanna hear
about the book in a second.
Um, Debbie Millman, I'm thrilledthat you were on gay's reading
and as today's guest, gayreader, the first, and obviously
most important question is, whatare you reading?
Debbie Millman (52:02):
I know I was
actually, um, preparing and
going through my, some of mybooks, my stack of books, and
also my Kindle.
Because of my podcast, I read alot.
I read a lot of books for.
Prep for the show because I'minterviewing people that have
just written books, so I'm gonnastart with that.
Jason Blitman (52:22):
familiar.
Debbie Millman (52:24):
Yeah, so I
interviewed John Key.
You could probably see his bookright there.
Black Queer and Untold, which isincredible.
It's an incredible book.
You can have him on the show.
He's amazing.
I've recently read that, AdrianTona was on the show recently
and I read an incredible book ofhis.
I've read a bunch of his, butI'm only gonna include one in
(52:45):
this list.
I read about four of his books.
They're graphic novels.
Um, but Killing and Dying is atour divorce, just an absolute
tour divorce.
I had, I did a live interviewwith Seth Godin, um, at Creative
Mornings at the very, very endof last year.
I'm including this because Ikeep coming back to it as well.
(53:06):
Um, and it's called, this isStrategy, and it's, it's a
brilliant book, and I've alsorecommended that to all my
students.
Jason Blitman (53:14):
what about it do
you recommend your students or
why?
Why is it that you
Debbie Millman (53:17):
Well, I, I run a
graduate program at the School
of Visual Arts in branding, andSeth's book is one of the most.
Concise and candid, um,overviews of what brand
strategy, marketing strategy,and business strategy really
(53:39):
truly is and what it entails todo well, and, and so that's why
I'm including it.
Um, I also run, I run two bookclubs.
I run a book club for Printmagazine, which is, I'm, I'm a
part owner and, and that'smonthly and I run a book club
for the Joyful Heart Foundation,which is quarterly.
(54:02):
And, um, I'm very excited.
I'm, I'm, I'm about to startreading The Tell by Amy Griffin.
'cause that's our next book.
But our last book was with ourlast book club was with Chanel
Miller.
And so I read her young adultnovel.
Um, Magnolia Woo Unfolds it all,and it's charming and delightful
(54:25):
and beautifully illustrated.
And I adore Chanel.
Um, I read Sarah Lewis is theUnseen Truth, which is also a
peer, um, which is also areally, really remarkable book.
The Work of Art by Adam Moss,which is also two books below
Black Queer, and then told, um,olden Art School by Nell
(54:50):
Painter, which is also aterrific book about her going
back to school to study art as amiddle-aged woman
Jason Blitman (55:00):
Mm.
Debbie Millman (55:01):
and.
Jason Blitman (55:02):
those sorts of
stories.
Debbie Millman (55:03):
And then just
some books for me that I've only
read for me because I, I wantedto and have enjoyed them.
Jason Blitman (55:09):
for you?
Once you tell me your list?
I need also need your advice offinding
Debbie Millman (55:12):
Okay, well, I
fly a lot, so I, I also, and I
need, I need to be able to readfor just pure pleasure and not
be like, you know, highlighting.
I, I all for, for designmatters, I always buy two copies
of the book, the hard copy, andthen a Kindle copy because in
the old days I used to have toput.
Post-its on every page and thenunderline things and then
(55:34):
transcribe it all.
But now all they do is highlightand, and then, uh, export them,
which saves me a lot of timeand, and ruining a lot of books.
Um, especially if they'resigned.
Because if I interview somebodyin person and I have their book,
of course I ask them to sign it.
Um, but I, I recently read, it'sa, it's a little bit left of
(55:55):
center here, um, a book calledSeven Brief Lessons on Physics
by Carlo Elli.
Very easy to read.
I am endlessly fascinated by howthe universe works or what we
think, or how we think theuniverse works.
And, and these lessons arereally, um.
(56:16):
Language that anybody canunderstand, and it talks about
electromagnetism and wavelengthsand black holes and all the
things that I spend endlessamounts of time thinking about
and can never come to any realconclusion or,
Jason Blitman (56:31):
end up on your
radar in the first place?
That
Debbie Millman (56:33):
well, I do read
a lot of science books when I
can.
Um, that's just a,
Jason Blitman (56:38):
the world better?
Debbie Millman (56:40):
yeah, and, and
just, and just because I love
it, I, I also watch a lot of.
Space documentaries and, yeah,I, I,
Jason Blitman (56:49):
we were just
watching a, a deep blue
documentary the other night,
Debbie Millman (56:53):
oh, nice.
Yeah.
Jason Blitman (56:55):
My husband has a
degree in chemistry.
He is very, very
Debbie Millman (56:58):
Oh.
Jason Blitman (56:59):
focused.
know he, he teaches me a lot.
Debbie Millman (57:03):
So, so yeah.
And then I also read All Foursby Miranda July, which I think
everybody in the world has readat this point.
And then most, most, mostrecently, um, the Backyard Bird
Chronicles by Amy Tan, which Iloved.
I loved, and I also loved herillustra, her paintings, they're
not even illustrations.
They're beautiful.
Beautiful photographs ofpaintings of birds, um, which is
(57:26):
something else that I reallylove.
I love birds.
So yeah, that's just a, a list Ihave.
I, I could have, I couldcontinue.
Jason Blitman (57:33):
list.
Debbie Millman (57:34):
So I just
finished a season of design
matters, and so with a show, atleast one show a week, and many,
many people that are authorsthat have wr written more than
one book, you know, I can't justread.
Their most recent book.
Also, I have to at least try toread some of their back list so
it's, it can get very intense.
Jason Blitman (57:55):
that's where
audio books come in handy for
me.
Debbie Millman (57:58):
Mm-hmm.
Oh, yeah.
Jason Blitman (57:59):
do audios with
Backlist.
Debbie Millman (58:01):
Yeah.
I don't, I don't do that.
Um, yet, I haven't, I haven'tmade that transition yet.
The only book, the only bookthat I've listened to was
Barbara Streisand's memoir,
Jason Blitman (58:12):
It's
Debbie Millman (58:13):
but I, I had to
stop, I had to stop Jason
because it.
I, I revere her.
I, I revere her.
You know, in a, in a previouslife I was a gay man.
I revere that.
I mean,
Jason Blitman (58:28):
girl.
Come on.
Debbie Millman (58:30):
and, and, and
she reads it in a way that makes
it seem like she's so friendly.
And I'm like, I, I, I don't knowthat I could be your friend.
I need to keep you on mypedestal.
And so after like threechapters, I was like, I just
need to read this.
And, and hear it in a moreformal manner in my head because
(58:52):
she was too familiar.
Like just too, it was too much.
I love her so much that havingher be that friendly and kind of
funny.
Not that she's not funny in, inevery,
Jason Blitman (59:04):
was very, it was
very close.
Debbie Millman (59:07):
yeah, I can't
really explain it, but I was
really, it was verydisconcerting to have her in my
ears in that way.
Jason Blitman (59:14):
so funny.
You were like, Nope, I need aseparation.
Debbie Millman (59:17):
Yeah.
And also that book is beautiful.
I mean, it's just gorgeous.
The cover's gorgeous.
It's a beautiful book.
Jason Blitman (59:24):
I couldn't
believe how, mm, what's the word
I want to use?
I felt for Barbara Streisand is.
Debbie Millman (59:36):
Yeah.
Jason Blitman (59:37):
oh, you are
allowed to be B, capital S,
Barbara Streisand.
You can be whoever you want.
You could walk into any room.
You can
Debbie Millman (59:46):
Yeah.
Jason Blitman (59:46):
you want and
you've earned it.
Debbie Millman (59:48):
Yep.
She's so humble.
I mean, I couldn't get over it.
And, and also the first coupleof chapters, she talks so much
about food.
It's fabulous.
Jason Blitman (59:59):
If you wrote a
food book, what would it be?
About?
Debbie Millman (01:00:01):
Well, I just
wrote a gardening book, which
included Roxanne's menu recipe,kind of.
I'm never gonna write a foodbook.
My food book book would be howmuch I appreciate my wife's
cooking by Debbie Melman.
Jason Blitman (01:00:14):
Um, I would read
that.
Okay.
Before I wanna talk about yourbook,
Debbie Millman (01:00:21):
But let's keep
talking about this.
This is more fun.
Do you want me to tell you agreat story about Barbara
Streisand?
Jason Blitman (01:00:28):
Yes.
Debbie Millman (01:00:29):
Okay.
This is a story I often tell mystudents because I was so blown
away by, by, by the whole thing.
So it starts probably well overa decade ago.
I was reading an article in theNew Yorker about stage fright
and, and how many peopleactually have stage fright.
(01:00:50):
And they interviewed BarbaraStreisand's manager because
apparently Barbara Streisand hasreally terrible stage fright,
which I didn't know.
And apparently when she was veryyoung and first getting started,
the big public concert she didin Central Park, she forgot the
lyrics to some of her songs orone of her songs.
(01:01:11):
Now I could get up on stage andsing all of Barbara Streisand
songs without losing any of thewords.
But that's beside the point.
So apparently ever since then,that's why she didn't tour for
so many decades because she hadthis terrible stage.
Right.
Yeah.
Because she was afraid of, ofnot remembering her lines or her
words of of songs.
(01:01:32):
So that's part one.
Jason Blitman (01:01:35):
yeah.
Debbie Millman (01:01:35):
Next chapter.
I saw her twice.
I saw her at Madison SquareGarden, which was amazing.
Jason Blitman (01:01:41):
Yes, me too.
Debbie Millman (01:01:43):
And, and I
didn't think anything of it
about, you know, I don't evenknow at that point if I had, if
I had read the article in, inNew Yorker about her stage
fright.
But then I went to the show atBarclay Center.
And the tickets were crazyexpensive and no one wanted to
go with me, not for the price ofthe tickets.
(01:02:04):
So I went by myself.
I wore the t-shirt that I hadgotten from the previous concert
and, and I went, and when you'reby yourself, you just notice so
much more.
Jason Blitman (01:02:14):
Yeah.
Debbie Millman (01:02:15):
Now, oh, back to
the first chapter.
One of the things that struck methat the manager had said was
that actually BarbaraStreisand's greatest talent
isn't her singing, acting,directing, decorating, none of
that.
What her greatest talent is, isdoing all of those things while
suffering from debilitatingstage fright.
Jason Blitman (01:02:35):
Mm.
Debbie Millman (01:02:36):
So when I saw
the second concert, I was by
myself.
And I, you know, sang along toStony End and the way we were
and all of the greats.
And, but for whatever reason, I,I looked around a lot more than
I had in the previous concert.
And I looked up at one point atthe ceiling of the Barclay
(01:02:58):
Center and saw, tucked awayamong the wires and the lights
was a teleprompter with all thelyrics.
Of all the songs and my heartburst because she figured out
(01:03:20):
how to hack away the stagefright and do it anyway.
And, and I tell my students, ifBarbara Streisand suffers from
stage fright and has figured outa way to get around that and do
it anyway, because the choice todo it is bigger than the fear,
then you have no excuse.
Jason Blitman (01:03:42):
I saw the
teleprompter, and I have to say,
not only was it lyrics, it wasalso every joke, every line,
everything, and even, even morebrilliant than performing under
those circumstances, she talkabout what a performer she is.
It was as though she wasn'treading,
Debbie Millman (01:04:01):
Right.
Yep.
Jason Blitman (01:04:03):
was delivered as
though it was off the top of her
head, and I was like, you'refucking brilliant.
Debbie Millman (01:04:07):
It, yeah, I saw
the same thing, all the, all the
little nuances of that she wassaying, which did really seem
off the cuff.
Yeah.
Jason Blitman (01:04:16):
magical
Debbie Millman (01:04:18):
Yeah.
Jason Blitman (01:04:18):
it happen like
that.
Anyway, obsessed love BarbaraStreisand.
Debbie Millman (01:04:24):
For 20 minutes
about garlic and me for 20
minutes about Babs, and thereyou have it.
Jason Blitman (01:04:28):
we go.
Right on different coast tocoast, the two of you.
I wanna hear about your book andhow it came to be.
Love letter to a Garden.
It is adorable.
It is beautiful.
And like I said, made me want togo love on my, my house plants.
Debbie Millman (01:04:51):
I see one
beautiful one behind you.
Jason Blitman (01:04:53):
know I said to
your publicist, I was like, I
sort of just wanna take mycamera around my house and make,
have Debbie make sure I knowthat I'm taking care of them
correctly.
Debbie Millman (01:05:01):
Oh, I would,
yeah, but you can do that too.
Jason Blitman (01:05:06):
Oh my God.
So funny.
All right, so how did this bookcome to be?
Debbie Millman (01:05:09):
It was.
One of the big surprises of mylife, I have to tell you, I've
had a lifelong journey to tryand be a gardener, but most of
my efforts have resulted in,utter failure really, and I
started to get a little bitbetter.
At planting things.
(01:05:31):
When I started dating Roxannebecause she had a beautiful
house in Los Angeles with afront yard and a backyard, and
they weren't.
Really gardened.
They were well manicured grass,your sort of standard shrubs,
boxwoods, et cetera.
(01:05:52):
Um, but because I had alwaystried to have gardens and was
making one in New York, in mybrownstone, albeit slowly and
somewhat dubiously, and thenduring Covid, I, we decided that
it would be better for me to goand stay with her in Los Angeles
as opposed to her and come andstay with me in, um, in New
(01:06:13):
York, mostly because we'd have alittle bit more freedom, being
able to drive around, have acar, be able to go to the beach,
be able to sort of see more sky.
I had started doing a lot ofvisual essays around my
traveling.
I do a lot.
I go on a lot of expeditions,and I'm a big travel adventurer,
and so the way that I have beendocumenting my, my, I.
(01:06:37):
Ex escapades, which was alsoquite spontaneous, was to make
these little visual essays.
And I do a lot of work with thefolks at Ted who run the TED
Conference.
Um, my podcast is part of theiraudio collective, and they asked
me when Ted had gone completelyonline because of Covid to.
(01:07:00):
Do some interstitials betweenthe talks, some, some visual
essays that sort of came to lifewith narration.
And I did, I did three of them.
I did one, uh, a love letter totraveling, a love letter to
storytelling, and a love letterto gardening.
Jason Blitman (01:07:17):
Hmm.
Debbie Millman (01:07:17):
So about a year
and a half ago I got an.
Email out of the blue from aneditor at Timber Press and
Timber is owned by Ette, askingif I would be interested in
creating a visual book aboutgardening.
And I wrote back and was like,I'm not sure if you are writing
(01:07:42):
to the right person here.
Um, I'm not a gardener.
I am.
I am a wannabe gardener.
I am a, I am on a quest tobecome a gardener, but if you
are asking me to write a bookabout gardening, then every
gardener on the planet willprotest because there.
Jason Blitman (01:08:02):
has already
turned them down?
Debbie Millman (01:08:04):
There's nothing
I can teach anybody about the
actual discipline of gardening.
And I said, if you're lookingfor a quest to become a
gardener, if you're looking forsomebody to document all their
failures and what they did wrongand how they've come to a
modicum of success, then I'myour girl.
And they wrote back and said,yes, that sounds like a fun
book.
So that's what I did.
Jason Blitman (01:08:25):
I love that.
Okay.
But I also really want the loveletter to storytelling.
Debbie Millman (01:08:31):
Oh yeah.
Jason Blitman (01:08:32):
on that next?
How do, can I find thatsomewhere?
Where is it?
Who do I have to, who do I haveto call?
Debbie Millman (01:08:38):
If you do search
on my name, it'll, they're still
there.
Jason Blitman (01:08:42):
okay.
I'll link all of this in theshow notes too so everybody can
go watch them.
Um,'cause that sounds beautiful.
there was something that yousaid in the book that really
struck me.
You said as you've gotten older,you've gotten less comfortable
doing things that you're notgood at.
And I find that so interesting.
'cause I, I feel like Iconstantly hear the opposite.
(01:09:03):
As people get older, they sortof don't give a shit about.
How, how people, what peoplethink of them.
have you combated that at all?
Debbie Millman (01:09:11):
Good question.
I am doing more things that I'mfundamentally uncomfortable
doing because I'm not good atthem.
Those two things are learninganother language, which French.
Roxanne and her family all speakfluent French.
(01:09:31):
Her family's from HA from Haiti.
Um, so they speak Creole French,but they also know more
traditional French.
And after a hip operation that Ihad two years ago.
I was very severely warned thatif I didn't do physical therapy,
that it would not be a goodthing for my hip or my body.
(01:09:55):
And because I'm a huge walker, Iwalk everywhere and I love
walking.
I really took the PT veryseriously.
But up until that point in mylife, um, the last time you
could find me in a gym was insixth grade.
Jason Blitman (01:10:11):
Got it.
Debbie Millman (01:10:12):
And so that was
super hard for me.
So now I'm super proud of thefact that I can do things.
And so those are two of thebiggest things I've spent a lot
of my life.
I.
Wanting to do things and beingtoo afraid to do things for lots
and lots of reasons, not justbecause of failure, but probably
(01:10:36):
what goes below that is thehumiliation of being seen as
failing at something.
Um, but there's so many, likewoulda, coulda, shouldas that
now that I'm in my sixties, I,I've become very impatient with
myself in this regard.
And I'm more like.
If not now, when, like, how muchlonger are you gonna be saying
(01:10:58):
you wish you could speak anotherlanguage or you wish you could
do and blah, blah, blah.
So I'm taking those, those,those sort of hopes and dreams a
little bit more seriously.
Jason Blitman (01:11:11):
I love that.
Thank you for sharing, sharingall of that.
I think, uh, there are importantthings to remember.
Debbie Millman (01:11:16):
Yeah.
Jason Blitman (01:11:16):
One quick
question before I let you go.
Debbie Millman (01:11:19):
Oh, we can talk
forever.
Jason Blitman (01:11:21):
I Great.
I have time, so if you have sometime, well, something to ask
before we go.
Debbie Millman (01:11:26):
Okay.
Jason Blitman (01:11:26):
I, I want to
amplify people in our lives that
we care about.
you're not allowed to say,Roxanne,
Debbie Millman (01:11:34):
Okay.
Jason Blitman (01:11:34):
if you were to
die suddenly, who is clearing
your internet search history?
Debbie Millman (01:11:41):
Oh my God.
Jason Blitman (01:11:44):
Who do we trust
with our life and our secrets?
Debbie Millman (01:11:48):
Um, oh my God.
Oh my God.
I would probably ask four peopleto do this or in different, in
different ways.
Jason Blitman (01:12:02):
love.
Debbie Millman (01:12:03):
Maybe five.
Um, I would, I would ask.
Jason Blitman (01:12:07):
stages so that
Debbie Millman (01:12:08):
Yeah.
Jason Blitman (01:12:08):
knows all the
secrets.
Debbie Millman (01:12:09):
Right.
Yeah.
I would ask kid, my dear friendwho, Has some, oh, well, I'm not
gonna go there.
I would ask Chip kid, the bookdesigner, to clear my reading
history.
Jason Blitman (01:12:23):
Oh.
Debbie Millman (01:12:25):
I would ask my
cousin, Eileen, who I talk about
in the book to clear out mygardening history.
I would ask Emily Oberman, oneof my dear asbestos friends, to
clear out all of my, um, TMZ,uh, culture slash culture ish
(01:12:53):
history
Jason Blitman (01:12:54):
uh.
Debbie Millman (01:12:55):
and, um.
I would ask my friend DeedeeGordon, who's, who's also
somebody that I've done a lot ofbusiness with, to clear out all
of my banking info
Jason Blitman (01:13:07):
Oh
Debbie Millman (01:13:08):
Roxanne got all
the money
Jason Blitman (01:13:09):
yes, of course,
of course.
Debbie Millman (01:13:11):
and, and all the
business stuff.
All the boring business stuff.
Yeah.
Jason Blitman (01:13:15):
So
Debbie Millman (01:13:15):
Oh, and then I
would ask Mario Poppo another
really good friend of mine to,to clear out all the other
ancillary stuff about scienceand.
Jason Blitman (01:13:24):
The miscellaneous
Uhhuh Uhhuh.
So funny how awesome that youhave such a long list.
Debbie Millman (01:13:31):
Oh yeah, I do.
Well one, one is my cousin, oneis my ex.
You know, all lesbians are
Jason Blitman (01:13:38):
matter.
It
Debbie Millman (01:13:39):
so
Jason Blitman (01:13:40):
I think that's so
fantastic.
I wouldn't
Debbie Millman (01:13:42):
thank you.
Jason Blitman (01:13:42):
any of my
cousins, so.
Debbie Millman (01:13:44):
well, Eileen is
featured in the book because
she's really the person who'staught me most about gardening
than anyone.
Jason Blitman (01:13:50):
Tell me why I
need to watch all 10 seasons of
Colombo.
Debbie Millman (01:13:55):
The guest stars,
Faye Dunaway.
Jason Blitman (01:13:59):
Oh my God.
Debbie Millman (01:14:00):
Cash.
Jason Blitman (01:14:02):
It like really
wasn't on my radar until I read
that in your book.
I
Debbie Millman (01:14:05):
A young, very
young, like probably 19.
Kim Catrell, Jason Robbar, Imean everybody.
Who was anybody?
At that time in the seventieswas on that show.
Jason Blitman (01:14:22):
That's
Debbie Millman (01:14:22):
It was
incredible.
Just incredible.
Jason Blitman (01:14:25):
watching.
'cause you watched all 10
Debbie Millman (01:14:27):
All 10 seasons.
And I would watch them again andso would Roxanne.
We loved it.
And the pace that the, you know,it's a two hour show and the
first half hour to 45 minutes,you don't even see Colombo.
It's all about the, theperpetrator doing the bad deeds.
So we know who it is, but thenColombo comes in and the, and
(01:14:50):
the perpetrator, the, thecriminal was always a famous
person like Johnny Cash, FageOnaway.
I mean, it was incredible thenumber of famous people that
were on Colombo,
Jason Blitman (01:15:01):
Interesting.
And I'm fascinated by that styleof the storytelling because
murder she wrote, Sherlock,you're, you're on the journey
with the
Debbie Millman (01:15:10):
right?
Jason Blitman (01:15:11):
don't know who
did it.
Debbie Millman (01:15:12):
Yeah.
Jason Blitman (01:15:12):
is a very
interesting turn.
Debbie Millman (01:15:14):
very slow tv.
You, you know, it's often inthat first half hour, you don't,
there's not even any dialogue.
You see the sort of machinationsof this bad behavior and the
music.
And do you know that StevenSpielberg directed the very
first episode of Colombo?
Jason Blitman (01:15:30):
No, I didn't know
that, but now I do.
Debbie Millman (01:15:32):
Yeah.
Right now, no words.
Jason Blitman (01:15:34):
I just got so
much information into my brain
that is so funny.
we could talk endlessly aboutall of the things.
You are a delight.
I can't wait for people to checkout the book to maybe be
inspired to start their owngarden.
I need to be Googling what alemon cucumber is because.
(01:15:56):
saw that and I was like, I needto know more.
Does it taste like a lemon?
Is
Debbie Millman (01:16:00):
Yeah.
Jason Blitman (01:16:01):
yellow?
Debbie Millman (01:16:02):
It's yellow,
it's round.
It sort of has a roundish shapeto it.
Not quite oval like lemon.
Um, but it's round.
Um, I have to say, if you'regoing to grow cucumbers, I would
go with, um, Persian or Englishcucumbers.
Jason Blitman (01:16:20):
I just had never
heard of a lemon cucumber
Debbie Millman (01:16:21):
Yeah.
I mean, I, I got the littleseedlings and then grew them and
they took, so that was like, Ialso tried other cucumbers, but
failed.
Jason Blitman (01:16:31):
Mm-hmm.
Debbie Millman (01:16:32):
I like that the,
um, actual sort of outside of
the cucumber, but the seeds arevery big and I don't like
cucumber seeds.
I love cucumbers, but I alwayscut the seeds off
Jason Blitman (01:16:46):
Interesting.
I find them sort of benign, butI can respect it.
Debbie Millman (01:16:51):
in, in
traditional cucumbers and in
lemon cucumbers, they're verybig.
Part of the reason I like curvycucumbers or Persian or English
is that the, the, the seeds aremuch, much smaller.
Jason Blitman (01:17:01):
I'm probably
eating Persian and English.
Yeah.
Debbie Millman (01:17:04):
Yeah, they're
long and thin.
Jason Blitman (01:17:06):
Right, right,
right.
Exactly.
Oh my God, love.
Debbie Millman (01:17:09):
Like I wish my
legs were,
Jason Blitman (01:17:11):
no, we're
perfect.
We're all perfect.
Well this has been a delight.
You're fantastic.
Thank you so much for being myesque reader today.
Debbie Millman (01:17:20):
My pleasure.
It has been an honor, anabsolute blast.
Jason Blitman (01:17:24):
You are so sweet.
Annie, Debbie, thank you both somuch for being here.
Everyone, you're the best.
Thank you so much for listening,and I will see you next week.
Bye.