Electra Castillo es una figura destacada en la música panameña. Su historia en la música comenzó con la influencia de su padre, quien era músico profesional. Desde joven, Electra se sintió atraída por la música y decidió estudiar oboe. Su carrera profesional comenzó cuando conoció al maestro Efraín Castro, quien la aceptó como su alumna. A lo largo de su carrera, Electra ha dirigido coros, orquestas y ha formado su propia orquesta de mujeres. Además, se ha convertido en una gestora cultural, promoviendo la música en Panamá y trabajando en la dirección de la Red de Orquestas y Coros Juveniles del Ministerio de Cultura. Electra Castillo habla sobre el programa de la Red de Orquestas y Coros Infantiles y Juveniles de Panamá, que brinda oportunidades musicales a niños y jóvenes de todo el país. Destaca la importancia de involucrar a los padres y de proporcionar instrumentos a aquellos que no pueden pagarlos. También menciona la creación de la Orquesta Carmen Cedeño, compuesta exclusivamente por mujeres. Su objetivo principal es allanar el camino para que los jóvenes puedan seguir carreras musicales y contribuir al crecimiento de las artes en Panamá.
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Electra Castillo is a prominent figure in Panamanian music. Her history in music began with the influence of her father, who was a professional musician. Since she was young, Electra was attracted to music and decided to study the oboe. Her professional career began when she met teacher Efraín Castro, who accepted her as his student. Throughout her career, Electra has conducted choirs, orchestras and formed her own women's orchestra. In addition, she has become a cultural manager, promoting music in Panama and working in the direction of the Network of Youth Orchestras and Choirs of the Ministry of Culture. Electra Castillo talks about the program of the Network of Children and Youth Orchestras and Choirs of Panama, which provides musical opportunities to children and young people throughout the country. She highlights the importance of involving parents and providing instruments to those who cannot afford them. She also mentions the creation of the Carmen Cedeño Orchestra, composed exclusively of women. Its main objective is to pave the way for young people to pursue musical careers and contribute to the growth of the arts in Panama.
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