Grave Tone: Horror Podcast

In a Violent Nature 2 is coming, and we got to sit down with the man who makes Johnny tick.

Ry Barrett — actor, stuntman, and the face (well, mask) of one of the most talked-about slasher characters in recent horror memory — joins Arthur and Meaghan for a full conversation about what it takes to play a silent killer, how he prepared for the sequel, and what fans should expect when Johnny hits a summer camp.

We get into ...

Backrooms is here, and we went on opening night.

Kane Parsons, the 20-year-old who built the Backrooms universe on YouTube as Kane Pixels and became A24's youngest feature director in the process, delivers something that genuinely holds up. This is slow-burning psychological horror with real atmosphere, a committed lead performance from Chiwetel Ejiofor, and a level of visual dread that stays with you well after you leave the theat...

Passenger (2026) review: André Øvredal returns to horror with a supernatural road trip that looks incredible and scares hard, but leaves questions unanswered. In this episode, we dig into the Autopsy of Jane Doe director's latest film, where a young couple's van life adventure turns into a demonic nightmare after they stop at a fatal highway crash.

Lou Llobell and Jacob Scipio play Maddie and Tyler, and we talk about what works (th...

Obsession (2026) review: Curry Barker's horror film is terrifying, hilarious, and emotionally devastating. We rate it 9.5/10.

Arthur and Meaghan review Obsession, the new supernatural horror from 26-year-old writer/director Curry Barker. We break down Inde Navarrette's award-worthy performance as Nikki, the be-careful-what-you-wish-for premise powered by the One Wish Willow, Barker's rise from YouTube comedy (That's a Bad Idea, Mil...

At the Place of Ghosts is the kind of film that stays with you long after the credits. Bretten Hannam's Mi'kmaq supernatural thriller follows two estranged brothers, Mise'l and Antle, who are forced back together when a malevolent spirit from their shared childhood begins poisoning them from the inside out.

Their only option: enter Sk+te'kmujue'katik, the Place of Ghosts, a forest where time folds on itself and the living walk alon...

Annie Neugebauer is a two-time Bram Stoker Award-nominated horror author, and her work gets under your skin the way only the best psychological horror can. In this interview, we sit down with Annie to talk about The Outsiders Sequence, her series of wilderness horror novellas published through Shortwave Publishing, including her debut novella The Extra and the upcoming follow-up The Other, dropping June 9, 2026.

We get into the big...

Hokum review: Damian McCarthy's new horror movie is a near-perfect Irish folk horror film starring Adam Scott. We break down everything.

Hokum just dropped, and we had to talk about it immediately. Damian McCarthy, the director behind Oddity and Caveat, delivered something special here. Adam Scott plays Ohm Bauman, a horror writer who checks into a remote Irish hotel to scatter his parents' ashes and ends up locked in a haunted hon...

I Know What You Did Last Summer (1997) revisited — the post-Scream slasher that traumatized a generation. Full review and breakdown.

The Childhood Trauma series is back on Grave Tone Podcast. Megan was nine years old when this movie shut her down, and we're going back to figure out exactly why. Wild production history, the convoluted plot decoded, and an honest look at whether this Kevin Williamson slasher holds up against Scr...

Lee Cronin's The Mummy review, Blumhouse's R-rated possession horror reviewed, with full spoilers, ending explained, and a spoiler breakdown of what actually happens to Katie Cannon.

Arthur and Meaghan sit down to review Lee Cronin's The Mummy (2026), the Blumhouse and Atomic Monster reimagining from the director of Evil Dead Rise. Starring Jack Reynor, Laia Costa, May Calamawy, Natalie Grace, Shylo Molina, Billie Roy and Verónica F...

Exit 8 is a 2025 Japanese psychological horror film directed by Genki Kawamura — the producer behind Your Name and A Silent Voice — and it's based on the 2023 indie video game The Exit 8 by Kotake Create. After earning an eight-minute standing ovation at the Cannes Film Festival and grossing over ¥5.2 billion in Japan, it's finally arrived in North American theatres via NEON, and Arthur and Megan are here for it.

This is...

Faces of Death (2026) review: Arthur and Meaghan break down Daniel Goldhaber's TikTok-era cult horror reimagining, starring Barbie Ferreira and Dacre Montgomery. In theatres April 10 via IFC Films / Shudder.

Is the 2026 Faces of Death worth seeing? We went opening night and came back with some thoughts. Here's the honest take, no nostalgia for the original, no safety net, just the movie on its own terms.

⬇️ WHAT WE COVER IN THIS EPIS...

Unrewatchable horror movies, we all have a list. This week Arthur and Meaghan dig into the horror films they love but will never, ever put on again: Hereditary, Hounds of Love, The Mist, Gerald's Game, Hostel, Annihilation, Mandy, The Ring, Silent Hill, and more.

And the thing is, being unrewatchable isn't always a knock. Some of these are genuinely excellent films. The reasons vary: some are too dark, some hit physically wrong, som...

Mike P. Nelson has made a habit of walking into beloved horror franchises and doing something completely unexpected with them. He did it with Wrong Turn in 2021, he did it twice in VHS 85, and now he's done it again with his reboot of Silent Night Deadly Night, a film that somehow turned Pixar, the Bill Paxton thriller Frailty, and an Indiana Jones homage into a killer Santa movie that went genuinely viral before it even hit theate...

Horror doesn't wait around, and neither do we.

Grave Tone is a horror podcast covering the genre across film, TV, books, and games, with new release reviews on the day they drop, deep dives into the movies that traumatized us as kids, and interviews with the directors and actors actually making the horror.

We go in with opinions. We come out with takes. Subscribe wherever you get your podcasts.

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THEY WILL KILL YOU (2026) Review | Satanic Cult Horror, Zazie Beetz, Kill Bill Vibes & Full Spoilers — Grave Tone Podcast

Arthur and Megan just got back from the theater and they're reviewing They Will Kill You — the new horror-action-comedy from director Kirill Sokolov, starring Zazie Beetz, Patricia Arquette, Myha'la, Heather Graham, and Tom Felton.

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Grace is back, her sister's in danger, and the whole world is apparently run by satanic billionaires. Arthur and Meaghan review Ready or Not 2: Here I Come and break down whether this blood-soaked sequel actually earns its place next to the original.

Ready or Not 2: Here I Come is directed by Radio Silence (Matt Bettinelli-Olpin and Tyler Gillett) and picks up exactly where the first film left off — Samara Weaving covered in b...

In this special midweek bonus, Arthur and Megan sit down with Eric Miller, a horror writer who's navigated pretty much every corner of the genre across multiple decades and formats. He's written and produced screenplays, including the SyFy Channel's cult creature feature Ice Spiders (yes, the one with the ski resort and the giant spiders), along with Night Skies, Swamp Shark, and Mask Maker.

He's an editor whose anthology Hell Come...

Arthur and Meaghan review A24's Undertone (2025) — Ian Tuason's directorial debut and one of the most talked-about horror films of early 2026. A paranormal podcast host receives ten mysterious audio recordings at her dying mother's bedside, and what starts as content slowly becomes a waking nightmare.

They break down the film's extraordinary sound design, its slow-burn atmosphere, the meta joy of two horror podcasters reviewin...

We just saw THE BRIDE! (2026) — Maggie Gyllenhaal's punk feminist reimagining of Bride of Frankenstein — and we have a LOT to say. Jesse Buckley gives one of the best performances of the year, Christian Bale is doing full chameleon mode, and the dance sequence alone is worth the price of admission.

Arthur and Meaghan break down the full film — what works (a lot), what doesn't (that third act), and where this sits i...