Episode Transcript
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SPEAKER_00 (00:00):
Welcome to Great Day
Colorado.
I'm DJ Mikey D, your guidethrough the mile high city's
incredible music scene.
You know, I've been thinking alot lately about what makes
Denver's music community sospecial.
It's not just one sound, it'sthis beautiful, messy, eclectic
mix that somehow all workstogether.
I mean, where else can you catcha punk show at a DIY space one
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night, then hear some incredibleAmericana at a cozy venue the
next, then dance to reggae thenight after that?
And the crazy part?
You'll probably see some of thesame faces at all three shows.
That's the Denver way.
Let's talk about the ecosystemhere for a minute.
We've got these amazingcommunity driven venues.
I'm I'm talking about placeslike Lion's Lair, the high dive,
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Globe Hall, spots that aren'tjust bars, they're incubators.
And the house show scene, man,that's where the real magic
happens.
Kids crammed into living rooms,sweating together, feeling the
music in their bones.
And you know what I love?
The way artists here aren'tafraid to blend genres.
They're not worried aboutfitting into neat little boxes.
Take Amanda Hawkins.
If you haven't heard her yet,you're missing out.
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She's this incrediblesinger-songwriter who bridges
that gap between Denver's folkand country roots and a modern
indie sensibility.
If you don't know, Amanda was acontestant on American Idol on
season seven.
The last time I worked withAmanda is when she asked me to
be a part of her music videoTrust You're there.
I caught her set at the Bluebirdlast month, and wow, her voice
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just cuts through you, you know,it's expressive, raw, but with
this narrative quality thatpulls you into her stories.
She's playing these intimatevenues around town, local
festivals, exactly the kind ofartist who represents what makes
our scene so strong.
But here's the thing aboutAmanda, she's taking classic
roots forms and bringing incontemporary production.
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It's not just acoustic guitarand vocals anymore, she's
building these arrangements thathonor tradition while pushing
forward.
That's so Denver, respectingwhere we came from while always
looking ahead.
Now let's shift gears completelyand talk about the Iri still.
These guys have been holdingdown the reggae scene in Denver
for over twenty five years.
Twenty five years, that's longerthan some of our listeners have
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been alive.
Rasta man, Ronnie Noel, theirfront man, brings that authentic
Trinidad and tobago energy.
He's been performing since hewas a kid, and you can feel that
history in their music, heavybass lines that make you move,
those offbeat guitar chops, warmbrass sections.
It's danceable, it's uplifting,but it's also rooted in
something real.
What I love about the IRI stillis how they've adapted reggae's
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spirit to our mountain citycontext.
They're not trying to beJamaican, they're being Colorado
reggae, and they've helped buildthis loose but persistent reggae
community that overlaps withska, dub, world music.
It's all connected.
They've shared stages withreggae greats, but they're still
out there playing regular shows,keeping the foundation strong
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for what's now a booming scene.
That's commitment, that's lovefor the music.
Then you've got bands likeBasement Pony representing the
DIY punk and indie side.
These are the bands playing allages shows, house gigs, the
smaller venues that keep ourgrassroots culture alive.
Their sound mixes that punkintensity with melodic
sensibilities, it's raw butthoughtful, you know?
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What people don't realize is howmuch work goes into maintaining
that DIY network.
These bands aren't just playing.
They're booking shows,promoting, building community.
They're the ones making sure ourscene stays accessible and
creative, not just anothercommercial product.
And for those who really want toexplore the edges, we've got
artists like Babe Lorde pushinginto experimental, electronic,
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noise influenced territory.
This is where Denver's genrehybridity gets really
interesting.
Post rock atmospherics mixedwith sampling, abstract
songwriting.
It's challenging but rewarding.
Groups like Babe Lord arecrucial because they push
boundaries, they make audiencesthink differently about what
music can be.
In a scene that sometimes playsit safe, we need those risk
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takers opening up new listeningexperiences.
The beautiful thing is how allthese threads connect.
The alt country folks mightcollaborate with indie rockers,
the reggae bands share billswith punk acts, hip hop
producers work with electronicartists.
It's this web of creativity thatmakes Denver so special.
So if you're listening and youwant to dive deeper, check out
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local venues calendars, followthese artists on streaming
platforms, tune into communityradio.
The infrastructure is here.
Small clubs, independentpromoters, local labels, all
waiting for you to discover yournext favorite band.
That's all the time we havetoday.
Remember, support local music,go to shows, and keep Denver's
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Soundscape vibrant.
This is DJ Mikey D, signing offfrom Denver Soundscapes.
Keep listening.
Stay tuned in as I discussDenver's nightlife coming up
next.
Welcome to Mile High Nights onGreat Day Colorado.
I'm DJ Mikey D, your guide toeverything after dark in the
Queen City of the Plains.
You know, I've been spinningrecords and watching this city's
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nightlife evolve close to adecade now, and let me tell you,
Denver's come a long way fromjust a handful of late night
spots downtown.
What we've got now is thisincredible diversified
ecosystem.
We're talking dance clubs, livemusic rooms, rooftop bars
that'll blow your mind,underground electronic spaces
that feel like you've discovereda secret.
And don't even get me started onthe speakeasies popping up in
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every neighborhood.
It's like the Rocky MountainEnergy metropolitan creativity
and decided to throw the bestparty ever.
Now, if you're new to the sceneor just visiting, let me break
down the geography for you.
Downtown's lodo and the theaterdistrict, that's still where you
go for that high energy dress toimpress club vibe.
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But then you've got the rhinoand five points.
Man, that's where the real magichappens for us music lovers.
Rhino especially, it's like thiscreative playground where you
might find an indie band in onevenue, a techno DJ in the next,
and a hip hop showcase acrossthe street.
The diversity is insane.
And the best part, nobody'sjudging your outfit.
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Denver's generally prettycasual.
You can rock out in jeans and anice shirt and fit right in.
Let's talk venues for a minute.
The Fillmore Auditorium,absolute classic for touring X.
Temple Denver.
That's where you go when youwant that high production
electronic experience, the kindof place where the bass hits you
in the chest and the light showis almost as good as the music.
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Almost.
Beta Nightclub has been holdingit down for the dedicated EDM
heads for years.
And Cervantes MasterpieceBallroom, that place is special.
They do this beautiful mix oflive music and DJ nights that
just captures the soul ofDenver, but you know what I
really love?
The smaller spots like BarStandard that really champion
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local talent.
That's where you discover thenext big thing.
Now here's what's reallyexciting about where Denver's
headed.
We're seeing this resurgence ofunderground electronic culture.
Warehouse parties that feel likethey're straight out of the
nineties, daytime, day raveswhere you can dance in the
sunshine.
It's bringing back that raw,authentic energy that sometimes
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gets lost in the big commercialclubs.
And the programming has gottenso creative.
Many venues are doing thishybrid live DJ thing where you
might have a band play a set,then a DJ takes over and remixes
their tracks right there.
It's seamless, it's innovative,and it keeps the energy flowing
all night.
Summer in Denver Don't even getme started on the rooftop and
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outdoor scene.
There's something magical aboutdancing under the stars with the
city lights twinkling around youand those mountain breezes
keeping you cool.
It's a whole different vibe fromthe winter club experience.
What I'm really proud of thoughis how the scene has embraced
local first booking.
Venues are making consciousefforts to feature Denver
artists alongside the big names.
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And the production quality?
The tech has gotten so good,crystal clear sound systems,
immersive lighting, visuals thattell a story.
We're competing with any majorcity out there.
Safety and inclusivity havebecome huge priorities too.
I'm seeing more venues withclearly marked safety teams,
free water stations, designatedsober spaces.
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It's about creating anenvironment where everyone can
have a good time withoutworrying.
That's the kind of progress thatmakes a scene sustainable.
Okay, let me give you somepractical tips if you're
planning a night out.
First, always, always bring avalid ID, doesn't matter how old
you think you look.
Second, expect cover charges forbig name DJs and popular nights,
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but there are plenty of free orcheap options if you know where
to look.
And this is important.
Use rideshare apps.
Denver's late night publictransit can be limited and you
don't want to be stranded.
Plus, parking downtown is well,let's just say it's an
adventure.
Peak hours are typically fromeleven thirty PM to two hundred
thirty AM.
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So if you want to avoid lines,consider going earlier or later.
What's really cool is seeing hownightlife has become such a
significant part of Denver'scultural economy.
We're supporting local artists,bringing in tourism, creating
jobs.
It's not just about partying,it's about building community
and culture.
Looking ahead, I'm seeing morepop up events, more attention to
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sustainable operations, and thiscontinued diversification that
means there's literallysomething for everyone.
Whether you're into EDM, hiphop, reggaeton, techno, indie
dance, Denver's got you covered.
So whether you're a longtimelocal or planning your first
visit, get out there andexperience it.
The energy in this city afterdark is something special.
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Thanks for tuning into Mile HighNights on GreatdayColorado dot
com.
I'm DJ Mikey D, and I'll catchyou on the dance floor.
Peace out my party peeps.