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August 30, 2018 36 mins
It was such a privilege to speak with legendary Jazz pianist Bob James for our Guest Talks feature. 
Bob James has a long and extensive career in music with 58 albums to date and after a long hiatus is releasing his latest album in trio format, 'Espresso'. 

Discovered by the great Quincy Jones in 1963, it wasn't long after James had began his quest for greatness with countless awards including multiple-GRAMMY® Awards, worked with the likes of Creed Taylor, working on albums for artists like Hank Crawford, Grover Washington, Jr, among others. While with CTI, James found great popular success overseeing significant hits for Paul Simon, Neil Diamond, Maynard Ferguson, and Kenny Loggins.

Long after establishing himself as one of America’s most accomplished composers, arrangers and instrumentalists, multiple-GRAMMY® Award-winner Bob James achieves his long-time ambition to return to the trio format he last utilized on 2004’s Take It From The Top, and embraced as an up-and-coming artist.

 

Scheduled to release August 31, 2018 on the evosound label (Evolution Music Group), Espresso is also James’s first studio recording as a leader since 2006’s Urban Flamingo.

“Evolution Music Group presents high end and cutting-edge fidelity quality products, from packaging to audio,” says James.



The album will be released on multiple formats including high quality 180 gram vinyl, MQA-CD, SACD, and hi-res audio download. 



Though busy since 2006 with an array of projects, ranging from albums and appearances with the all-star contemporary jazz ensemble Fourplay to collaborations with David Sanborn, Keiko Matsui and other renowned artists, James hasn’t reclaimed his place in the spotlight as a solo performer — until now. 



“I wanted to do this as part of a trio — piano, bass and drums,” James explains. “With Fourplay and in other larger settings, I loved that I could solo and then kind of disappear into the setting to accompany other soloists. To play in a trio requires a different level of commitment, with the piano being much more prominent. You need perhaps a greater degree of optimism and bravery. That was how I felt when I first got into music. Espresso is my attempt to recapture that.” 

READ MORE ON https://www.musictalks.xyz/guest-talks
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