Night of the Creeps | with guest Drew Droege (Bob's Burgers, Key & Peele, Hot in Cleveland) - Happy Hour Flix | HHF

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
In this movie about partying with frat boys, the
thing you're actually worriedabout getting shoved in your
mouth is an alien slug.
We watch Night of the Creeps.
It is 1986, year of our lordand crocodile Dundee.

(00:33):
Karate Kid, part two, back toschool.
Cool color purple.
Star Trek four, ferris BuellerLabyrinth, little Shop of
Horrors, american Tale three,amigos.
Big Trouble in Little China.
Lots of movies coming out thisyear.

Speaker 3 (00:46):
Oh yeah, and of course you would be excused if
you missed what we're going tobe talking about today, because
it opened August 22nd, the sameweekend as Top Gun Aliens Stand
by Me the Fly, Texas ChainsawMassacre 2, and Friday the 13th
part.

Speaker 1 (01:02):
Yeah, I mean.
So I mean for this film, likejust I mean, gets the idea it's
absolutely swallowed up.

Speaker 3 (01:08):
Yeah, I mean, top Gun and Aliens alone were two of
the top five grossing movies ofthat year.
Right and so had you ever seenthis?
Yes, but it was like I probablywith our guest I had seen it
over some in summer school.

Speaker 1 (01:27):
Once again, this is a movie I'd never seen and I love
this because it's like allthese movies that I would
probably have never thought towatch get like brought up and
you make me laugh because youshowed up like with a freaking
Blu-ray of it the other day andI don't know what this movie on
Blu-ray already is almost anoxymoron like that.
I mean the highest quality ofthis for our listeners.

(01:48):
I have a visual prop.

Speaker 3 (01:49):
There it is.
There it is In the room.

Speaker 1 (01:51):
Yes, in the room, and so I am very, very appreciative
to our guests today.

Speaker 3 (01:56):
Oh my gosh, yes, a very special guest today for me
personally and just very excited.
You know he may be known forhis searing and thoughtful and
thought provoking humor, fromChloe to bright colors, to
heathers, to Bob burgers and anyLA comedy stage to Betty White,
and not to mention his majordulcet tones in his beautiful

(02:20):
podcast, minor revelations, andwhich I love.
And of course it is my dearfriend womb to tomb shark,
brother and summer schoolroommate, drew Drogey.
Hello guys, hey Drew.

Speaker 4 (02:34):
I love the intro.
Oh, we really were.
We were summer school roommates.
We were.
We were both in West Side Storyyeah.

Speaker 1 (02:41):
Okay, hold on, hold on.
Who were you?

Speaker 4 (02:43):
You were those sharks we were.
Thank God If there are picturesof this our friend Jeff Shane
Hyde, who says hi, by the way, Ipromise we won't spend this
whole podcast talking aboutcollege reminiscing, but I think
he has threatened to get mecanceled if I ever cross him.
Because there are, we were.
We were in the.
We went to the whitest school.

(03:04):
Yes, there is the age and theyinsisted on doing West Side
Story, which it was, you go.
It was a different.
It was the 90s, which was notthat long ago, right when
they're like.
No, no problem at all that wejust we both played Puerto
Ricans in that show which wewould absolutely say is rightly
incorrect for so many reasonsExactly.

Speaker 3 (03:24):
And not the least of which I just wasn't right for it
.

Speaker 1 (03:27):
No no, I've heard the story before, matt, you were
Chino, right?
That's correct.

Speaker 4 (03:31):
Fabulous, he was wonderful.
He was great.
No, I mean out of the pool.
It had to be you.
You were great in that.
I should just have not done theshow because I was like the
eighth shark on the left, like Ihad no lines.
I spent all semester doing thatshow.
Oh my gosh.
Yeah, I could potentially getcanceled by a dear friend from

(03:53):
college.

Speaker 1 (03:54):
Yeah, thanks, jeff, I've got a question, if you were
if you were Chino, because I'veseen historic photos of Matt
Mundy on stage.
Yes, how big was your hair,quaff, as Chino?

Speaker 3 (04:05):
I think you had short hair then, yeah, I was a show.
I was definitely on the spike.

Speaker 1 (04:09):
Oh, interesting.
Yeah yeah, this is like prepre-hair personality.

Speaker 3 (04:13):
Yes, because that I think that happened after I did
Greece, greece.

Speaker 2 (04:17):
That's the one, I think.

Speaker 3 (04:18):
I came back with a pompadour and a lot of people
and a love for beer that isnever left.
Oh, I love that yeah.

Speaker 4 (04:24):
Now were you duty in.

Speaker 3 (04:25):
Greece.
Who are you in Greece?
No, I was.
Oh gosh, what can I name it?
Roger?

Speaker 4 (04:29):
Roger, yeah, oh, that's right.
That's duty in the movie.

Speaker 3 (04:32):
Yes, roger, I was like oh, that your magic changes
.

Speaker 4 (04:36):
Yeah, yeah.

Speaker 3 (04:39):
And oh and I got to do in that production.
I did a hand jive which was somuch fun.
It was great because I didn'thave to learn all that dance
choreography.
I sang in the back and then dida knee slide all the way to the
front.
Oh, oh cool.

Speaker 2 (04:50):
That's your big moment.
That's my big moment on thestage.

Speaker 3 (04:53):
Everybody else is working their ass off.

Speaker 1 (04:56):
Well, today we are talking about Night of the
Creeps, which is a movie, again,I would never have watched.
I saw the trailer.
Thank you so much.

Speaker 4 (05:01):
Thank you so much for picking this.
I absolutely probably showedthis to you, matt, years ago
because I love this movie.
It's crazy, the movie titlesyou just rattled off from 1986.
I was like that was mychildhood.
Yeah, I was nine years old thatyear and I saw almost all of
those movies in the theater.
Yeah, and I am such a nervewhen you said 1986.
I was like, oh, friday, the13th, part six, in which you

(05:21):
mentioned and, of course, texasChainsaw to.
I'm such a 80s horror nerd,yeah, that I sought out Night of
the Creeps.
I don't, I, I'm not, Idefinitely.
I think I saw this for thefirst time on HBO.
Like it was one of those that I, late night, was obsessed,
right, with this movie and Ihave showed it to so many people
and I just watched it again theother night for to do this and

(05:42):
it is magical trash.

Speaker 1 (05:45):
I love it.

Speaker 3 (05:46):
Magical trash is the right description of this movie
the original title yeah, goahead.

Speaker 1 (05:51):
Before we get into it , we have to thank our friends
over in misguided spirits, onceagain hooking us up with a
custom cocktail that we want youto make at home.
So for today, we have what iscalled the captain's blood.

Speaker 3 (06:00):
This is the head, sorry.

Speaker 1 (06:02):
Sorry, the head wound my, bad my bad.
The head wound.
This is made by Nick, our closebuddy here at the best bar in
Astoria.

Speaker 3 (06:10):
New York Easily.

Speaker 1 (06:11):
It's called Diamond Dogs.
It's on 31st Avenue in Astoria.
It is the coolest bar.
I've known them for a millionyears and they're the greatest
guys.
Definitely go check them out.
So we got the head wound todayand, drew, would you mind
telling us if you're going tomake this at home?
What are you going to do?

Speaker 4 (06:27):
Of course, it looks very easy to make.
It's one and a half ounces ofmisguided spirits, red sky rum,
three quarters of an ounce offresh lime juice, three quarters
of an ounce of simple syrup andthen a dash of Angostura
bitters.
You shake it with ice, youdouble strain it into a coupe
glass and you garnish with alime wheel.

Speaker 1 (06:49):
Garnish with a lime wheel.
There we go.
So that is it.
It is one of the.
You know, this is one you candefinitely make at home.
Some of these are morecomplicated, but this one is.
I love it because it's got allthe stuff that you're going to
have in your bar already at home.
So go ahead and give a shoutout to Diamond Dogs.
Check them out on Instagram.

Speaker 3 (07:06):
All right, all right, hold on, I got to try it.
I got to try it.
Oh, yeah, yeah.
Does it taste like a head wound?

Speaker 1 (07:14):
Oh, it tastes exactly like a head wound.
It tastes like a head wound,okay, so you know.
The first thing I wrote down,my first note on this movie as
we were going, is like thismovie is so horny, like it's so
horny.
This movie is just, it is araging.
Raging, you know, prepubescenterection is what this movie is.

Speaker 3 (07:33):
Yeah, yeah, there's.
So I mean, even I just love it.

Speaker 1 (07:37):
I'm glad I went with that.
Yeah, I was surprised that onemade it through.

Speaker 4 (07:42):
Well, it also.
It's that era of.
There's another 80s moviecalled Society.
That's this horror movie, thatis the horniest 80.
But, like the 80s, had such alike lurid and it was all
connected with like, oh, wheredid my mic went out?
Oh, did you?
Oh, hello, hello, hello, isyour mic?
Are you back?
My mic is gone.

Speaker 2 (08:01):
Oh no, I can hear you .
You can hear me, yeah, I canhear you my headphones are out.

Speaker 1 (08:05):
Oh, just headphones are out, oh, headphones.

Speaker 4 (08:10):
Oh, now I hear it.
Oh, there we are.
Okay, good, just came out inthe back.

Speaker 1 (08:13):
We're not cutting any of this, by the way.
Yes, no, we're not cutting anyof this.
No, don't cut any of it.
No, this is staying in All partof the process yes, people love
seeing this sausage get made.

Speaker 3 (08:22):
This is what happens when you talk about society in a
Fred Beck movie.

Speaker 4 (08:24):
I know people are like we don't talk about society
.
It's like the 80s had that real, like it was.
Everything was hyper-sexualizedand the sexual politics are so
wrong.
I mean, like the way they're,like I'm, I love that girl,
she's going to be mine, I wanther to marry, I'm going to own
her, yes, and it was sort oflike no one's called out for
their just like disgusting malebehavior and it's just sort of

(08:47):
like oh, that's how it is oh,this must be our protagonist.
Yes, exactly, and they werehonestly like.
The characters are moresympathetic in the 50s than they
are in the 80s in this movie,which is another, just hilarious
.

Speaker 3 (08:57):
That's quite a feat actually.

Speaker 4 (08:58):
Yeah, I mean, like you know, you feel bad for the
Tom Atkins character who's likethe cop and you know.
But these fantastic, I meantalk about the best one liners.
The greatest I loved when hegot.
He popped up later in likeRobert Rodriguez movies and he's
you know cause he's such a culticon.
Right, he's also in Halloweenthree season of the witch, the

(09:19):
one Halloween movie that doesn'thave Michael Myers in it.
He is perfect.
He plays the, the like the justthe alcoholic gum shoe.
Yeah, hard guy and his linethrill me, thrill me, that's the
mo, that's the thing that mostpeople remember from this movie
is like the spinning fan andhe's sweating the whiskey out of

(09:39):
his blood and he just answersthe phone every time with thrill
me, no, I suppose.
Oh, the clown, yeah, oh, yes,and all of his, all of his go to
like you know Rocky andBullwing Cole.

Speaker 1 (09:50):
Oh, my God, there's so many good lines, but I'm
telling you, the best line ofthis film is later on, and when
we're at the, the sorority house, and they're going to zombies
coming in and he turns to thewoman who is like he's like duck
, it's Miller time.

Speaker 4 (10:06):
Oh my God.
Yes, I thought you were goingto say the good news is, your
dates are here.

Speaker 2 (10:12):
What's the bad news?
Is they're dead.

Speaker 4 (10:15):
They're dead.
Yeah, oh my God, no, no, no, no.

Speaker 1 (10:19):
Duck, it's Miller time.
I laughed.

Speaker 4 (10:21):
Miller time I did.
It's so crazy.
Um, I, what I love to is likethis is clearly made by someone
who gets the genre becausethere's really, really fun nods
to that sort of 50s thing, likethe idea that, like on the radio

(10:42):
, like all points bulletin,there's an escape con and they
turn the radio right off.
I love it like just things likethat and like the comedy in it
is clearly like it's it's veryaware of what it's sort of
sending up and what it's doing.
I just to meet watching itagain.
First of all, the Dufferbrothers clearly are fans of

(11:04):
Opening credits oh my god when Isaw stranger things for the
first time and saw those lettersKind of like floating over each
other with the credits over Igo.
This so reminds me of an 80smovie and this feels so 80s.
It's literally lifted fromnight of the creeps.
Yeah, and that's what they doin the opening.
Yes, the opening montage andwhat the music is very similar
and I was like, oh, this is sucha nod To that.

Speaker 3 (11:26):
Yeah, that movie and if I I remember you, decker was
saying that obviously was alldone practical.
So it's like yes, those arelike sheets that are that were
dyed and have a fan blowing onthem to give it, to make them
look like they're rippling, likethat, that that those are just
like sheets Hanging up and thenthey like masked around them to

(11:48):
go, oh yeah.
Interesting really.
Yeah, fascinating, I can'tremember, but he goes on about
that logo because he just like Imean, I wrote down yes to this
intro.

Speaker 1 (11:59):
All in on this, and can we the opening this film
opens.

Speaker 3 (12:03):
This is on movies.
It's gonna know when, what youare this movie opens with
fucking aliens.

Speaker 1 (12:08):
What are these creatures?

Speaker 4 (12:10):
They look like demented babies at the
nine-year-old.
I love that the aliens hadbutts right.
They were like these wigglinglittle worm creatures giggling.

Speaker 1 (12:20):
They're no creatures though.
They're like they look like.

Speaker 4 (12:27):
What is it?

Speaker 3 (12:27):
they're like cabbage patch dolls that have been
squished too hard.
Yeah something like that.

Speaker 1 (12:31):
Yeah, exactly like a cabbage patch.
Doll.

Speaker 4 (12:33):
That like they left the head in the dryer a little
too long, yeah but isn't it whatlater, when they, when they've,
when this, the slugs are shotout of their heads, that they
kind of look reminiscent of andthere's some sort of Star Wars,
they look like a ripoff fromsomething, from the, the canteen
, like that.
Oh yeah, that's sort ofglobular thing.

Speaker 3 (12:58):
Like folded flesh.

Speaker 1 (13:00):
Yeah, the folded flesh is what I is like, really
what I responded to, and, andone of them is escaping with
some kind of oh, if this I mean,my god.
It's subtitled in an alien,made-up language.
Yes.
Yes that again made me laugh.

Speaker 4 (13:15):
Yes, you get two subtitles.
You get the alien subtitle andthe actual thing, which is like
the first line is like crap ordamn it of the whole movie and
then it's like they can'trelease the experiment and
that's the only explanation youneed another thing I love Movies
.
Need to go back to this lessexplanation, please in horror

(13:36):
movies, Ah yes the experiment.
All right, that's all I need toknow.
Let's have fun.
I don't need the nerds to sitthere and explain the science of
how this happened, how I got toearth.
No, that ruined it to me.
Aliens is a great movie.
To bring you that up again,it's.
It's just go Prometheus, ruinedalien.
Like there's too muchexplanation.

(13:58):
The longer you talk about this,the less sense it makes.
Yeah, it's not real Like there'san alien run there's Gonna make
you a zombie Hide bitch, likeit's like the greatest I love
that about that's so true itdoes, it jumps right in and it
and I mean and that beautiful.

Speaker 3 (14:18):
Apparently he wanted to shoot the whole movie in
black and white, apparently, oh,oh, which is interesting
because I did love how it pansout.
Like it, just that you're onsorority row in 1959 and 50s
acting is really good.

Speaker 4 (14:31):
Yeah, it feels very authentic to a 50s film like
they they're.
They're not Winking too hard atit, no.
However, there is a very thestrangest delivery of a line
I've ever heard in my life andsince I was a kid, I've never
known what this guy said.
And finally, the other night Irealized what he said, which was
when they're like in the carand she's like what's the

(14:55):
brightest star in the sky?
And he's like in there askingwhat's the brightest star?
And this thing, this globe, iscoming at them.
Yeah, and it's just this giantsupernova that flies over the
car, mm-hmm.
The guy stands up and he says Iwill for that one.
And it's the strangest thing,and I was like and it's, I vote

(15:15):
for that one Is what he'sactually saying the hell, does
that mean I?
vote that.
That's the brightest star inthe sky.
I vote for what's the brighteststart in the sky.
I vote for that one the way hesays Strangest, he goes over for
the room and it's like I pleaseMaybe they didn't afford a dr
because I was like this is whenyou need to go back in that is

(15:36):
amazing Re-loop that guy sonscoming up, we only get one, take
yep.
I vote for no one.
Okay, we're good, we got it.
We got some more cocaine andmove on exactly.

Speaker 1 (15:45):
I mean this, this was a cocaine fee.
Had to be a cocaine fueled.
Oh yeah, I mean, this baby ranon the coca plant, you know
that's what these, that's whatthese little guys are 100% yeah,
also, that scene is so weirdbecause they infuse drama into
it, because the cop comes upright and they're making on
make-out point or whatever.

(16:06):
Yeah and then she's like he,she knows the cop like in a
right familiar.

Speaker 4 (16:11):
Well, they were dating.
She was cheating on him withthe other guy.
Is that, is that what they'retalking about with that?

Speaker 1 (16:16):
Yeah.
I thought it was like an x orsomething.

Speaker 3 (16:19):
No, but that's why she, that's why he comes.
He comes back at the end thereout into the house.
Moms, uh, you know what is it?
Uh, and, and the floorboards.
Yes, oh, I see, yeah, yeah,yeah, see it's not connecting.

Speaker 2 (16:31):
I see, yeah there's it's.

Speaker 4 (16:33):
A lot is happening in this movie because you have all
of the like the zombie part ofit and the alien part of it,
gotcha and the romance.

Speaker 1 (16:42):
And the roar.
Of course, you can't forget theflawless romance.

Speaker 4 (16:46):
The reveal of that axe murderer from behind, like
just the feet coming up on, isyeah, that's terrifying.

Speaker 1 (16:51):
No, that's really good how they did the axe
murderer.

Speaker 4 (16:53):
It was really fun and that slam of the axe, when that
axe goes slamming down on herand it just cuts to.
How does it not pledge week1986 and it's some sort of hui
luis music is playing and it'slike 80s.
Delicious, yeah, yeah,absolutely, that's an amazing.

Speaker 1 (17:11):
Like damn 80s yeah you know she got a killer line
in the 50s too.
She's like I'll even let youfondle my breasts.
I mean Rushing, I mean somebodywrote that down.

Speaker 3 (17:26):
Well, and even I can't believe we're not even out
of the, we're just getting outof the black and white section.
But I one more thing on thatsection is Uh, decker said and
this is just his he was saying Iwas inexperienced, I wanted a
tracking shot for when he hadthe flashlight to go.
Look, and they built a 50 footDolly for yes, so that you get,

(17:48):
and it's just like up a hill thewhole time, and so that shot is
a 50 foot long shot.
Wow, of track.

Speaker 1 (17:55):
It's just amazing, can I say, might not have been
worth it Because I didn't evennotice, didn't notice, it Didn't
notice at all studio film.

Speaker 4 (18:03):
It was a tri-star tri-star yeah it's just crazy
like they had money in this yessituation.

Speaker 3 (18:10):
Well and lively, was you know well kind of a big deal
coming off of uh Europeanvacation, I think right before,
right yeah and and Jill waspretty big too.
She'd been and done a lot ofstuff going in and She'd just
done porches as well.

Speaker 4 (18:24):
Um, which, was amazingly, she was in porches,
yeah, porches too.

Speaker 1 (18:28):
Yeah, I think it was just the original.

Speaker 3 (18:29):
Oh, maybe it was yeah .

Speaker 1 (18:30):
I think it's just the original James is nodding
producer.
James Is not.
I think it's original, onlyoriginal the one that she's not.

Speaker 4 (18:37):
She's not the main girl in porches.

Speaker 3 (18:39):
No, no, I can't remember who she is.
She's also in mask, though I'venever seen porches.
I want to say like it's one ofthose.

Speaker 1 (18:46):
I know the Cover well .
Yes, you know what I mean, Iknow I can.
I remember that from like myteenage years.
Me like that movie looks Likesomething I should get into.

Speaker 4 (18:56):
Yeah and I never did a.
The most mainstream, supposedto be hetero norma, hetero
sexual sex comedy with the mostmale nudity you've ever seen in
your life.
Is porches.

Speaker 3 (19:09):
There's way more male nudity than female nudity in
that movie, which is like who isthis for, but all right, sure,
sure, you know, but it did makeme think of all the uh, we were
just talking about this theother day, about the, the
gorgeous blockbuster VHS art Onyou know covers that we all miss
, and like I absolutely, theporches art just stands.

Speaker 1 (19:31):
It is a total lost thing because we were just
talking about this.
When you'd go to your localvideo store and I'd go like
almost every day and just walkaround and look at and look at
the shelves, I mean like, andyou wouldn't often, you wouldn't
get anything, but you'd justlike be looking at the art and
looking at the.
Oh yeah, but maybe I'll checkthat out or maybe do this and
well, and you're like I.

Speaker 4 (19:49):
There were so many, especially horror movies,
because I remember the night ofthe creeps yeah, poster, it was
the, it was the prom day thechiseled Man's face and was all
like eaten away as a zombie andhe's at the window with a rope
with like roses or something ohyeah, yeah, yeah and um.
But yeah, you do remember.
I remember like Sleepaway camp,discovering that, because it's
like a tennis shoe, like over aknife, like Shove through a

(20:12):
knife, and you're like, oh mygod, I have to watch that movie.

Speaker 3 (20:14):
Oh, and anything like that.
After gremlins, I would youknow something like critters,
you know, or?

Speaker 4 (20:20):
What was the one James with?
They were always coming out oftoilets.
Yes, goolies, yes.

Speaker 1 (20:26):
They'll get you in the end.
Yeah, that is the best tagline.

Speaker 4 (20:29):
We get the you guys pulled this up In the end.

Speaker 1 (20:31):
Yeah, it is the best.
It's like a little ghoul, andJames brought this up.
I mean, you brought it up,james.

Speaker 2 (20:36):
I can never forget.
How can you ever forget that,yeah, they will get you.
They'll get you in the end.

Speaker 1 (20:41):
What a great, great tagline which I thought was
coming in this movie.
To be honest, they have theslugs and then they have the
toilet scene with the bestfriend.
I was like, okay.
Here comes the butt joke it's amissed and they never do like
it's still like it's only these.
These slugs are mouth, onlythey're yeah.

Speaker 4 (20:55):
You know, they're not gross.

Speaker 1 (20:58):
They have standards, yeah.

Speaker 3 (20:59):
They're not.

Speaker 1 (21:00):
Where are we going with this?

Speaker 3 (21:02):
Mouth only.

Speaker 4 (21:03):
I'm a mouth only slug .

Speaker 3 (21:05):
Yes, I'm sorry, I'm from Planet Mouth Only.

Speaker 1 (21:07):
Exactly.
It's sort of the opposite of amafia.

Speaker 4 (21:10):
You can actually read the alien subtitles, you would
understand that.

Speaker 1 (21:13):
Right, exactly, oh, got it.
They say that in the openingsequence Got it.

Speaker 3 (21:17):
That's the part of their culture.
It's, yes, chapter seven of aTolkien book, I mean again a
killer line the best friend.

Speaker 1 (21:23):
Who's the actor, the place, the best friend.

Speaker 3 (21:25):
Oh, stephen, marshall , Stephen, yeah, stephen.

Speaker 1 (21:27):
Marshall.
Yeah, okay, the guy with thatwas at his own.
The crutches, yes, and he.
I mean again, the lines aregreat.
They know exactly what they'redoing in this movie.
He's the missing link.
The guy has one continuouseyebrow.
I mean, they're just likethey're not.
This is not a film that istrying to make you laugh in any
kind of sort of plot drivenintelligence of like scenarios

(21:48):
that are funny.
It is just like the funniestone liners, the funniest joke,
the funniest one liner wins,that's it.

Speaker 4 (21:55):
Yeah.
And then he had the most awfulmakeup department drawn on
eyebrow.
Oh my God, yeah, cross his two.
It looks like the guy co, it'sso bad.

Speaker 1 (22:04):
Yeah, it looks like the eyebrow and like the guy co.

Speaker 4 (22:07):
Oh, the the girl came in.
Yeah, the came in.

Speaker 3 (22:10):
Yeah, this was the inspiration Right here.

Speaker 1 (22:12):
I would if you said that that was true.
I would believe it yeah they.

Speaker 3 (22:15):
they stole that, like James Gunn stole this.
Yeah, yeah, yeah yeah.

Speaker 4 (22:19):
Yeah, they wrote the joke and then they were like
cast a guy, then paint theeyebrow on.

Speaker 3 (22:24):
Yeah, yeah, it'll be.
It'll be all this extra eyebrowmakeup.
What are you doing with it?

Speaker 1 (22:28):
And again talking about like the 980s tropes, I
mean the good old, classic 80stropes, like a walking zombie
mixed with the quintessentialgirl changing in her bedroom.
You know what I mean.
Like you got that sequence inhere and that, that is just.
I mean I was like this movieknows exactly what it is.
And it doesn't offer any kind ofspecial anything.
It gives you exactly that.

(22:49):
There's not like a fun twist onit, it just like.
This is what it is.
We're just we know you likethis shit.
You're here for it, you're herefor this.
You're watching this movie andwe're going to give it to you.
We already gave you the twistof the aliens, god knows.
I'm just going to say God knowswhy it starts with aliens.
It is.

Speaker 3 (23:04):
I could not make heads or tails of this, I think,
I think, I think because ofwhat you were saying, drew, I
think this is because they werelike, well, there's going to be
no explanation, yeah.

Speaker 4 (23:12):
We just need to have something to get zombies.
So it comes from another land.
You don't, you're not going toget the explanation.
These slugs, they're anexperiment.
Yep Go.

Speaker 3 (23:23):
Yep, what would you say?
It's zombies run Right, the,but and that is what was I going
to say with the when they go to, oh, they're betas, can I just
you know the beta epsilons right, so they're betas and we?
I know we have another episodethe last starfighter.

Speaker 1 (23:41):
We talk about betas.

Speaker 3 (23:42):
And they, you know, there is a person that's made to
look like the you know aprotagonist and he's called a
beta.
And there is this whole.
When they did they tested itfor audiences.
The audiences loved the betaand I don't know, just watching
this going, and that was 86 or87.
And I'm like, was there a thingback then, cause these are beta
again.

(24:03):
The irony this is where I wasgoing, I knew I'd talk myself
into it the irony of, like,they're the alpha males and
they're in the beta frat.

Speaker 4 (24:12):
Also the revenge of the nerds, which was 84.
Yeah, 84.
Want to say maybe 85.
Yeah, um, the fraternity wasalpha beta Right.

Speaker 3 (24:23):
Yeah, that's yeah, and this was beta epsilon.

Speaker 4 (24:26):
I wonder beta epsilon is not a real fraternity?
I don't know, surely they hadto make their own for like legal
reasons, although in the 80s.

Speaker 1 (24:32):
They give a shit about legal stuff.

Speaker 4 (24:33):
I mean, they shot so much of this.
They didn't pay Miller light tosay it's Miller time, yeah.
Nor did Miller light pay them.

Speaker 3 (24:39):
No, but my gosh Miller lights are throughout
this movie and also Pepsi.
There's Pepsi and Miller.
There's a lot of Pepsi.

Speaker 4 (24:45):
There's also a very, very long shout out to Striper.
Oh yeah, that's right.

Speaker 1 (24:52):
You know Striper?
Yes, I did not know whatStriper is Striper is a
Christian rock band.

Speaker 4 (24:57):
It was a thrash metal , christian rock band.

Speaker 1 (25:00):
I love Christian metal bands.
Yeah, that is like it is one ofmy favorite contributions.

Speaker 4 (25:05):
The most famous Christian metal band.
They were called StriperStriper, and when he's in the
bathroom the longest shot of himis it says Striper rules right
next to him for the longest timein the bathroom?

Speaker 3 (25:18):
Yes, Wow, I'd forgotten, I think.
Okay, I don't know, but I thinka friend of Decker, or Decker
himself, dated someone who wasrelated to somebody in Striper.
I think there's that, there'sactual real connection, there,
total sense, where, did you findthat out?

Speaker 1 (25:35):
That is like too deep , even for Google.
Like who's out there postingBTS?

Speaker 4 (25:40):
and, like articles of the dark web, finds out every
possible.
He is a just a great researcher.

Speaker 3 (25:47):
Yeah, I like.
This is what tour is for.

Speaker 4 (25:49):
Yeah, Like wait, let me ask a question because you
pull the mic closer.

Speaker 1 (25:53):
pull the mic closer Did you who?

Speaker 2 (25:55):
what is he writing in the bathroom on the wall?
Because I figured Steve or Mattwere going to catch this, or
maybe I missed it entirely.
I know I did the shot startswith him writing it.
I mean, yes, writing a full,like three sentences.

Speaker 3 (26:07):
He's writing on top of somebody else's thing.
I did, you know, man, do youremember?

Speaker 2 (26:12):
by and I said you know, I'm not even going to take
it back because I know that.

Speaker 1 (26:15):
Wow, I feel like I'm letting you down, I'm letting.

Speaker 4 (26:18):
I don't know what he was writing either.

Speaker 3 (26:19):
I do know what was written on the wall.
When he's crawling out, though,it says go monster squad, which
is amazing.
I'm like he hadn't even shotthat, but I knew what he was
coming up.

Speaker 4 (26:30):
He made.
He also directed monster squad.
Yes.

Speaker 1 (26:32):
Yeah.

Speaker 4 (26:32):
Okay, but that was next.

Speaker 1 (26:34):
Yeah, it was next, so he had to have been working on
it then.

Speaker 3 (26:37):
Yeah, or know that he had a movie in mind like that.

Speaker 1 (26:39):
That's ballsy and honestly, I'm here for it.
Like you know what I mean, Dropan Easter egg for your next
film in that's pretty great thatyou haven't shot yet yeah.

Speaker 4 (26:46):
But that's like when John Hughes did plane strains
and automobiles and she's havinga baby at the same time.
Yes, or he was doing.
He did planes, trains andautomobiles first, and that's
why Kevin Bacon does the cameoin it at the beginning where
they're getting the cab.

Speaker 3 (27:05):
Yeah, yeah.

Speaker 4 (27:05):
Sure.

Speaker 2 (27:06):
Sure.

Speaker 4 (27:06):
Later in the movie when John Candy's wife no, I'm
sorry, steve Martin's wife iswatching a movie on TV.
She's watching B roll of she'shaving a baby.

Speaker 3 (27:18):
Wow, the wow Wow.

Speaker 2 (27:21):
Wow See, I didn't know that that is what tour is
for yeah, the all right.

Speaker 3 (27:25):
So wait, james, to bring it home.
What was it, dear?
Did you not even know?
No, we don't even know, wedon't know.

Speaker 1 (27:29):
I feel like I've let everyone down.
No, like I don't know.
I feel like this is we've gotto find out what he's writing on
that wall.

Speaker 3 (27:35):
So for our listeners, I am definitely hawking the the
Blu-ray and I want everybody toget it because it's awesome.
So go watch it and tell me whatit was.

Speaker 1 (27:45):
We're going to have to figure out what it is and
then put it at the end of theepisode.

Speaker 2 (27:48):
That's just going to have to do.

Speaker 1 (27:49):
That's what's going on, like we just we just have to
jump ahead to the end.
You know, to make sure youlisten to.
This is a real buddy buddymovie.
This is like the two like thetrue, like friends, sort of the
core, and it's surprising tospoiler, one of them dies and
you don't expect that's comingLike.
I thought that was legitimatelysurprising.
I was like, oh cool, the guythat like is always giving for
the other ones and they likereally give each other a lot of

(28:10):
shit like that.

Speaker 3 (28:11):
There is a one scene I don't remember this, because
they have like two scenes intheir dorm room that one scene
where he goes in and and JCtells him, tells Chris off,
basically sit down.
I thought that was awesome.
It's a beautiful scene.
It's a fantastic monologue andyou know it's.
It just was real heartfelt.
I was like this guy's talkingto each other and this guy it

(28:32):
felt really real shit.

Speaker 1 (28:34):
Yeah, he's like I felt like real college
relationship, because he's alsolike he pushes back on him.
He said, no, fuck you, man.
Like you know, like what Ireally got.
I was like, yeah, that feelsright.

Speaker 3 (28:40):
So loud, goes to felt re of all the like, send ups
and punch ups.
This, that moment, really satfor me.

Speaker 4 (28:47):
I also I thought the scene with between Tom Atkins
and Jason Lively is wonderful.
The revenge scene is like sowell done.

Speaker 3 (28:55):
Yeah, that whole, like that whole build up of that
side plot, if you will, whichis really actually what the
story is about, right, you know?

Speaker 4 (29:02):
but yeah, yeah, yeah, yeah, it's like unrequited love
, yeah, and like always thinkingthat you know the bad guys are
going to get, that they're goingto win, you know like they're
going to get what they want andyou're not going to get what you
deserve.

Speaker 3 (29:14):
Right, yeah, yeah, and then it's so heartbreaking
to see him.
At the end, though, you know,just in this lugs explode
everywhere and it just it makesme sad.
I think, oh, that's how thisends, God can I?

Speaker 1 (29:26):
I mean the what the fuck is up.
Maybe you guys can explain thisto me with the cop that the
flashback vision, whatever whenhe's like in drinking a white
suit drinking that.

Speaker 4 (29:39):
And then the woman is going out of the other
direction.
Yes, yeah, that's the firsttime you see Tom Atkins is he's
on a beach with a coconut?

Speaker 3 (29:45):
Yeah, what the fuck was that all about?
Okane filled coconut?
It was absolutely.

Speaker 4 (29:51):
And and her reversing out of the water, yeah, when it
goes into the axe murders.
It's genuinely chilling.

Speaker 3 (29:58):
Yeah.

Speaker 4 (29:59):
What is going on?

Speaker 3 (30:01):
Yeah, and he has the shotgun.
Then he has the severed hand.
He's wearing a corsage everytime he cuts back Like it looks
like a real dream sequence thatfirst time you see him and he's
just got the severed hand thatyou can only imagine is her
severed hand Right, right, yeah,and then it cuts back and he's
got the corsage on and then itcuts back and he's got the
shotgun and it's.
It's so awesome because you cansee his head just like

(30:23):
processing all of this and thisis his nightmare.

Speaker 1 (30:26):
Right, yeah, I mean the fact that this thing levels
up like, oh God, he has oneanother fucking killer line.
Hang on, I got to look here.
So my notes, we got him, we gothim, they're down here and he's
like Get the 12 gauge out of mycar.

Speaker 2 (30:40):
Like yes, yes more of this Sign me up man.

Speaker 4 (30:46):
And but not just get the gun like.
That means there are moremultiple guns, yeah yeah.

Speaker 1 (30:51):
Get the 12 gauge.

Speaker 3 (30:52):
So exactly Of all the ones, make sure you get the 12.

Speaker 1 (30:54):
Yeah, this is not vampire night, this is fuck
zombies.
I'm not Get the 12 gauge.

Speaker 3 (30:59):
Well, and it's also too.
What is this Like?
What is this A homicide or abad B movie Like that is talk
about self aware, yeah, I mean.

Speaker 1 (31:07):
You called him a gum shoe and he might be the most
like.
That word is so applicable tohim as he feels like something.
You feel like a piece of gum,you feel off the bottom of your
shoe, like this guy feels likethat.

Speaker 4 (31:19):
Oh, oh, my God, like, oh, just beaten down.
Yeah, like witnessing the worstthing.

Speaker 3 (31:25):
And it's only 86.
He's going to be doing that for30 more years after that.

Speaker 4 (31:29):
Absolutely.

Speaker 3 (31:29):
Yeah.

Speaker 1 (31:30):
Say oh, oh, there's another thing.
What the hell was going on?
That we first go to thesorority and what's?
What's up the lead charactersname?
I can't remember the.
We talk about Chris lively, no,no, the.
Anyway they go to the sorority.

Speaker 3 (31:44):
Jill, she's going to get killed.

Speaker 4 (31:45):
Yeah, cynthia, that's what we go to the Cynthia and
her last name is Cronenberg.

Speaker 3 (31:51):
Cronenberg, I was like.

Speaker 4 (31:52):
Is that a shout out to?

Speaker 3 (31:52):
David, oh, I'll go there.

Speaker 1 (31:55):
But yeah, finish your thought so we see she's going
up, that she comes in, and thenthere's an old lady like staring
out of a room that just goesnowhere.
Nothing happens with it ever,right, like she's just there.
She's kind of giving them alllike the stare down.
That's the house, mother, right?
Yeah, is that?

Speaker 4 (32:10):
like a thing.
A house mother, yes, yes,absolutely.
I mean I didn't know it existedstill in the 80s, but I know
when my mom was in college, allthe girls houses had a house
mother, yes, and a a reallyDowager woman that just lived in
the house and would shine, signthem all in.
So when they left the house atnight they had to sign out, yeah

(32:30):
, and this woman was way up allnight until these women all came
home.

Speaker 3 (32:33):
Is it sorority that?
What?
So?
That's about the woman, or isthat sorority row?
Sorority murders on sororityrow?
I can't remember, but it's thesame thing.
But it's the house mother who'sthe murderer, or?

Speaker 1 (32:44):
what is that person's life who becomes a house mother
that feels like what a lunchlady grows up to become?

Speaker 3 (32:49):
Yeah, you know what I mean.
That's a good place to be, likeI mean, that is like what is
that gay?
Well, it's not good if you'rewatching plan nine and somebody
chops their way out of yourfloorboards to the other.

Speaker 4 (33:01):
You, exactly, that's that that call out.
Oh you really, you missed outon everything, yeah.

Speaker 1 (33:08):
And they're storing brains in this.
I was like, yep, that tracks.

Speaker 4 (33:11):
Yeah, that brings for the science experiment.
All of it is just like theyknow, because this is after in
the lore of zombies.

Speaker 1 (33:17):
This is after the brains section, right.

Speaker 3 (33:20):
Like the return of the living dead.

Speaker 1 (33:21):
Yeah, this is after that.
Right, I think it's right afterso they're just homaging
everything and I like that is Imean, I'm here for it, man, I'm
fucking here for it I'm, and soonly because Decker himself said
it, he is not a fan of thosezombies, believe it or not?

Speaker 3 (33:38):
Interesting.

Speaker 2 (33:39):
Yeah, with the brains , yeah.

Speaker 3 (33:41):
Like that was just not his style, but he was a big
fan of the director and also didlove a lot of them.
So I kind of want to see if wecan remember all some of the
names for these people, do you?
Chris the lead and James?
You may have picked up on someof this, but does anybody
remember his last name?
No, no, romero, no way.

(34:04):
No way, because you were sayingher last name is Cronenberg and
his name is, and so his bestfriends, jc, right?
Uh huh, so his JC Hooper, it'sJohn Carpenter and Toby Hooper.

Speaker 4 (34:18):
Toby Hooper yes, and then there's.

Speaker 3 (34:21):
Sergeant Raimi Okay.
And then we're really gettingthere.
And then, oh gosh, oh, it'sCorman University, george Corman
, oh wow.

Speaker 1 (34:32):
I'm here for it, man.

Speaker 4 (34:34):
What a good.

Speaker 1 (34:34):
How did I miss all of these things and these are all,
where the hell are you findingall of this on night on?

Speaker 3 (34:39):
the creeps, matt.
It's fun.
The you know it kind of bringsyou into the universe.
But so here's the thing GeorgeCorman basically discovered Dick
Miller, who plays oh gosh.
He's in this movie and he playsoh gosh, what's his name?

(34:59):
In Walt?
Walt, and Walt is the characterhe played in Bucket of Blood
from like 20 or 30 yearsprevious.
So basically it's not evenhomage, it's basically the same
character.
The guy was like do you have aform for the flamethrower?

Speaker 1 (35:16):
Oh, yeah, oh, my God, yeah, again, another killer
line.
Now I just also the fact thatit ratchets up to a fucking
flamethrower, of course.

Speaker 4 (35:26):
Is perfect.

Speaker 1 (35:27):
I mean, this is like, this is the best use of a
flamethrower, until once upon atime in Hollywood.
He like he pulls it out andhe's like oh yeah, I got this
old.
You know, I just need thatrequisition.
And he wants the shell.
Yeah, that's, or see, there'sgoing to be a problem.
I don't have a requisition orthere ain't no requisition.

Speaker 4 (35:48):
Oh God, the best, yes , just the best.

Speaker 3 (35:51):
I wish he'd been Hispanic, because then he could
say no one expects us.

Speaker 4 (35:54):
Oh yeah, this requisition, oh yeah.

Speaker 1 (35:56):
Oh my God, how do you do this?
Okay, so I apologize.

Speaker 4 (36:02):
I would like to apologize for my Monday Also in
the cast Academy Award nomineeDavid Paymer.
Yes, is the guy that labtechnician Right?

Speaker 3 (36:13):
Who can remember the number zero?

Speaker 4 (36:16):
Yes, right, which is just like so cool to see like a
journeyman actor, like that.
You're like, yep, that you didthat and you went on and you did
Mr Saturday night, mr Saturdaynight, and it's like, and had a
long, amazing career.
I also love in the lab.
The cryogenically frozen guyhas on tidy whities.

Speaker 3 (36:38):
I was like I wrote down is this Rocky Horror, Like
I know?

Speaker 4 (36:42):
it's almost more lurid when you have a panel
whities are aggressive.

Speaker 1 (36:48):
Every time I'm watching the scene with tiny
whities I'm like Jesus, that's alot of pressure.
Like there's.
I mean you not only got like aweird.

Speaker 2 (36:56):
They're called tidy.

Speaker 1 (36:57):
Yeah, but now like pressure I mean you get, you got
to really.
I mean these things.
You do not want to sit inanything wrong, you know you're
not.

Speaker 4 (37:03):
No, you're not standing in any near any walls.
It's just a weirdness of likeoh well, we're not going to be.
Yeah, we need to be modest andput him in.
Yeah, calling attention to it.
It's like if he was just nakedand obviously I don't need to
see anything, but just likeshoot around it, but then
putting him in tidy whities isjust so funny.

Speaker 3 (37:22):
No, they looked at the studio and they're like
we're not porkies.

Speaker 1 (37:25):
That's got to be a joke.

Speaker 3 (37:26):
Like that has to be a joke.

Speaker 1 (37:28):
Well, I mean, there are things that are just so
satisfying that that that issomething.
If I was making a movie, Iwould do that and I would think
it's fucking hilarious.

Speaker 3 (37:35):
I'm calling it right now.
I think it's a callback to thecreature and Rocky Horror.

Speaker 1 (37:39):
I really don't have any evidence to break that up it
might

Speaker 3 (37:42):
be, yeah, it might be , but you know, I mean that's
late 70s anyway.
So that might be it and he was27 when he directed this movie.
So I mean, that would have been, you know, he would have been
1918 around that time.
So yeah, that'd have beenperfect timing.
Anyway, that's yeah.
Also can we get this is thefact that he wouldn't have Frank
and further in there isupsetting.

Speaker 4 (38:00):
Yeah, she does.
The Dr Frank and further wouldhave been a great professor.

Speaker 3 (38:04):
Exactly If paymer.
That's it.
I don't think paymer is named,so I'm calling it.
That's Frank and further.
No payment.
David Paymer, you played Frankand further.
We've recondit.
There we go.
Oh, speaking of, you're goingto love this, steve Drew, do you
know the show Cop Rock?

Speaker 1 (38:22):
do you?
Remember the talk about CopRock yeah.

Speaker 4 (38:25):
Stephen Bocco's like epic failure.

Speaker 3 (38:28):
Yeah, yeah, so David Paymer was in Cop Rock Wow.

Speaker 2 (38:34):
Yes, yes, amazing.

Speaker 3 (38:36):
And I was listening to Randy Newman recently do the
the the opening that song evenis bad.

Speaker 1 (38:44):
It's just everything about.
Cop Rock is a fantastic failure.
It really is.

Speaker 4 (38:48):
We watched a bunch of people who don't know it, it is
a was a musical Yep Serial likeit was on every week is in
order with.

Speaker 1 (38:59):
Yeah, cops that sing, yeah.
Yeah, it was like a we watched.
We watched a ton of it.
Watch the ton of it.

Speaker 4 (39:04):
He's used to do bad movie.

Speaker 2 (39:05):
I season so we were going to 11.

Speaker 1 (39:09):
Canceled after 11 episodes.
I just read oh god, the guy.
Ceo of die the CEO of Disney.
He was working at a biker.
Yes, bob Iger and he greenlitthat and they talk about it in
this book and it's really funnyanother great decision by Bob.
Exactly.

Speaker 3 (39:20):
Yeah chocolate yeah exactly chocolate.

Speaker 4 (39:22):
What a great fucking.

Speaker 1 (39:25):
Anyway, so they, we did like, we did the first full
episode and I think we did maybeone or two more, and then we
are all Collectively, as a group, like I can't make it through
11 of these, like yeah.
I mean there they're an hour 40something minutes.

Speaker 3 (39:39):
I think we skipped to watch the finale.

Speaker 1 (39:41):
So we did, and this is what I highly recommend watch
the first episode, maybe thesecond, but then on YouTube.
Somebody has done the world abig favor and they've cut in all
the musical numbers back toback.
And I'll see time on their handsand it is very much worth
watching because you get you getthe whole thing and the ending,
the series and is fuckingFantastic, it is it.

(40:05):
The epic level of meltdown thathappens is just unbelievable.
Wow, the show just eats itself.
It knows it's done, oh, itknows it's done, and it just it
consumes itself.

Speaker 3 (40:17):
It is like arrested.
Development didn't go farenough you know like.
Yeah, it's where.
Wow, so we're another one, justgo out.

Speaker 1 (40:26):
We can't do cop rock like I can't watch that again I
know, but I'm, so I'm tellingpeople who haven't seen it.

Speaker 3 (40:31):
It's worth the train wreck.

Speaker 1 (40:32):
Yeah, it is worth doing once to say you did it,
you know what I mean, it's likeriding the Cyclone on Coney
Island, right Like, but youdon't want to do it again.
You may not survive.

Speaker 3 (40:40):
So so we were okay.
So David, we're.
This is David Paymer, who justawesome and, like you were
saying, drew, we love seeinglike the fact that he's got this
small little role and he'sjourneyman actor and then he
gets an Oscar nomination, he's,and then he like Amistad and the
commission he was on for awhile, I mean just a bunch of
shows forever and and he's justObviously a great guy to work

(41:06):
with.
I do love.
Where is it when they go lookfor the, when they go look for
the creature, and and he's gone.
And he's just like Where's RipVan Winkle?
All he must have gotten up and,you know, gone for a walk or
something like that.
And he's like, well, whathappened to him?
Oh, he was, he was studying.
Oh, I must have been workingtoo hard.

Speaker 1 (41:30):
It's so good man, I wrote down like he does that
line later like duh, there'sthis.
The lower is so fun because itgets shot in the head and the
effects are very satisfying.
Yes, absolutely.
And then the slugs come out,and then you have to burn the
slugs.
It's just fun, it is justfucking fun.
And then you end up watchingthe two young leads with a

(41:51):
shotgun and she has aflamethrower.

Speaker 3 (41:53):
Yeah, I'm like.
I didn't know I could be moreat the end to this movie, but.

Speaker 4 (41:59):
I am in baby sign me.
I'm telling you it's one of themovies I love sharing with
people, because they just don'tknow all the treasures.

Speaker 3 (42:07):
Yeah, yes, well, I did now this.
I hadn't thought of this.
Do you think that her havingthe flames through it was a
callback to alien Alien?

Speaker 4 (42:15):
could be I don't know like.

Speaker 2 (42:16):
I don't.

Speaker 4 (42:16):
Think everything's a call back.
James has given me a no.
No, cuz we've been the sameyear the arbiter no, no.

Speaker 3 (42:22):
Aliens is 86, alien is, alien is 79, 86 is when she
is.

Speaker 4 (42:30):
She's a flamethrower, so it's the same year same.

Speaker 2 (42:33):
I wonder if it's from .

Speaker 1 (42:38):
Anyway, he goes with that.
Then they even doubled down onthe funds is like duck, it's
Miller time.
He shoots him in the head andthen slows, come out and he
takes fucking hairspray and acigarette Like first.
I'm like yes.

Speaker 3 (42:51):
I'm here for that.

Speaker 1 (42:51):
Yes, I am here, man, you've got me like, give it to
me baby.

Speaker 4 (42:56):
And he also like before that you get this that
fashion montage or the 80s, yes,like getting ready weird pet
shop boys like kind of likeopening credits, of like
attitudes, bread East and Ellis,like what is happening, right,
like less than zero.

Speaker 3 (43:15):
Yeah, that world Painting of like you just can't
recreate, that like that's justperfect world, of just like here
you go, there's of its time,and I do love the fact that when
we come to the 80s, it sayswhat year it is, because it just
you.
It feels like this is supposedto be a period, yeah it's a
period piece.
About period pieces.
Yes, you know.

Speaker 1 (43:37):
Oh, my god, and I forgot after he, after he fries
the thing, then they put him ona turntable.
He's like spinning around inthe room.
It is just so epic fun it's soepic and then the funniest thing
of this whole movie, though, isin the next sequence.
I remember like there's likethe two little, the two
younglings I can't rememberyounglings.

(43:57):
Historically terrible epicallybad at character names.
I just I'm awful.

Speaker 2 (44:02):
I love younglings, but the two younglings.

Speaker 1 (44:03):
they was shotgun and flamethrower.
Yes, um is how we're gonnarefer to them now.
Yes, Chris and Cynthia andthey're being like converged on
by zombies, like you know, andthey're coming in there like go
to this little shed and hestarts, but he hits the lock so
softly.
Yes, you could definitely tellthat they were like, hey, this
is a real prop.
Like don't you know, don't, do,don't hurt yourself here

(44:24):
because then he's like, and justlike, barely like, you know
like oh, that that's great,you're never gonna break it that
way, buddy.

Speaker 3 (44:30):
Well, and that scene was actually shot after they
Screamed it for people and theydidn't have the that ending and
people were like we need anaction sequence to kind of end
this.

Speaker 4 (44:40):
Oh right and so they reshap my the two different
endings.

Speaker 3 (44:43):
Yeah, well, even, even yes.

Speaker 4 (44:46):
Cuz.
I were the one I just watchedthere and I was like I don't
remember that being the endingand I looked it up which which
ending did.
What did you see was at theending that's on Amazon is Is
the ending where there's aspaceship hovering.

Speaker 3 (44:59):
That's, yes, that's on this, that's.

Speaker 4 (45:01):
That is not the theatrical release, the one that
I remember as a kid and Ilooked it up.
I was like I remember it'swhere she runs up and the dog
the dog is still alive at theend, right and the dog comes
running up to her and she goeshigh and then you see the dog is
a zombie and a slug comes outof the dog, yes, and goes into
her mouth.
That's what I remember.

Speaker 3 (45:21):
That's the original and and, oh my god, yeah, so
that's and that was supposed to.
And then it cuts the blackright.
Yeah, and that is I remember,because even on this DVD or this
blu-ray, I was very excitedbecause I was like, oh, I bet it
has both endings.
Nope, nope, just the, just thespaceship.
And I was like I want, is thislost?
Media now, like this is likelost, this is Wow.

Speaker 2 (45:42):
It's on there, it's on the blu-ray, it's just.
You have to go back to the menu.
Thank you thank you touted theblu-ray.
So much Did you watch youroriginal ending?

Speaker 1 (45:54):
No so, but you just saw it was on there.
Oh, got it.

Speaker 3 (45:58):
Okay, that makes me feel so much better.

Speaker 4 (45:59):
I just because I remember, I know the movie well
and I was like, hold on, I don'tremember a spaceship coming in
at the end of this movie.
And then I was like, oh, it'sso weird.

Speaker 3 (46:07):
And then I remember moving up I was like, oh right,
the dog and this and how funnythough that the they they
changed the ending to bring thealiens back.
They're like all right, fine,yeah, you know, we'll give you
what you asked for.

Speaker 1 (46:19):
Yeah, I mean the cat also.
We haven't called out the catlike the dog effect is great,
but the cat with the the wormwas awesome.
Yeah, that cat was nasty, thatwas great.

Speaker 3 (46:28):
I was literally.
Literally.
It was like this is better,like I think you said it before
we were on it's better than Patcemetery.

Speaker 1 (46:36):
Yeah, I mean it's gross.
It is like scarier than Patcemetery.
Oh yeah, it was great.

Speaker 3 (46:41):
And I love Pat cemetery.
It's not one of my favoritebooks, but the movie Hmm, which
is fun, but that cat, apparentlyFred, I just watched that 80s
pet cemetery and the acting isso bad in that movie.

Speaker 4 (46:53):
Yeah and again, I'm a fan of night of the creeps.
Acting is so bad at cemeterythat it took me out of the movie
.

Speaker 3 (47:02):
Oh man.

Speaker 4 (47:02):
They were so bad in it I thought I would didn't
believe anything that anyone wassaying and that was, and that
was like in a theatrical release, because I oh yeah, that was a
huge studio film- because Iremember was it a silver bullet
and that was a TV movie.

Speaker 3 (47:16):
But I was like that was terrible.
It was like the only werewolfmovie I knew of the look for the
longest time.
Oh, except this makes me thinkJohn Landis right John Landis.
Yeah, he is also a name in themovie One of the detectives is
you're kidding Wow.

Speaker 1 (47:34):
Yeah.

Speaker 3 (47:35):
Wow, yeah, I just as I was talking that through, with
the bad acting to me, to there.
But man, that's, that's just sosad.

Speaker 2 (47:42):
But now we know it's interesting for this movie
because he also wrote animalhouse right.

Speaker 3 (47:49):
All right yeah, landis, and I don't yeah that's
what, because that would havebeen before this, so that's kind
of wild yeah man can we talkabout?

Speaker 1 (47:57):
they're in the basement and they go down there,
and then there's this pile ofworms.
And the cop has duct tape onhis mouth.
That's so I was like yes,fabulous and then he takes it
off.
I was like why would you takeit off?
And he grabs the slug thatjumps on me.
He's like don't even thinkabout it, you little son of a
bitch.
And I'm like, oh, I love, Imean, I just can't.
I love this guy.
I want to be this guy forHalloween.

Speaker 4 (48:19):
Like I mean, can you guys help me?
I've written a note here, but Idon't know what I mean.
Oh, I wrote the duct taperipping off his door.

Speaker 3 (48:27):
Oh, Because he had been, which I did this.

Speaker 4 (48:38):
Yeah, this is also made a note about that.
Is there's something?

Speaker 1 (48:42):
That's one of those details that I was like.
All right, like you know, it'sway more fun.
The on the mouth of him is likeyeah, that's that.

Speaker 3 (48:50):
If you want some TMI.
Before COVID I they were doinga lot of work in my building and
they don't do it up to code.
I'm calling them out and I putduct tape around my door To keep
all the dust out because I keptsure and I was like guys, you
have to put up stuff.
So, anyway, I put this up andthree months later COVID hits

(49:10):
and, like you know what, I thinkI'm gonna leave up the duct
tape.
Yeah, don't be like it's thefog.
Jamie Lee Curtis came andknocked and I was like no.
But yeah, that's.
I think that's the note.
I don't know if it's anythingmore than that, but it's that he
really glad I took a note about.

Speaker 4 (49:31):
I don't know why I remember that.

Speaker 1 (49:33):
I know it's like I just kind of like In my mind, it
just kind of glanced past itbecause it felt like something
there's a detail, but it was not.
It isn't.
It hadn't reached its fullest,you know yeah that's the idea
yet.
And then it did with the ducttape on his mouth.
Oh, can.

Speaker 3 (49:46):
Can I just read to you though that moment, like so
it's before we get to this, andlike when, when?
The two young younglings isthat what we're calling them now
, the younglings?
The younglings, when they whenthey go to the detective.
Detective Atkins is who felloff.
His segue is the beautiful Tapethat he leaves for his friend.

(50:08):
Oh my god, it's heartbreaking,it really is, and he's, you know
.
I wrote it down.
Do you have it?

Speaker 4 (50:15):
I just wrote down the end, when he says I walked all
by myself.
I walked, I love you, I loveCynthia, and it was like God,
yeah, yeah oh, that kid gay.

Speaker 3 (50:26):
I mean he was like cutting.
Yeah, he was it, but it'sgotten in my mouth.
I can feel it, my brain.
I don't have a heartbeat or apulse.
I killed one.
I let him match to it.
I think fire will kill them.

Speaker 1 (50:39):
What a great way to reveal that.

Speaker 3 (50:40):
Yeah, yeah and it's just this pouring out of that.
And then, yeah, I walked, Iwalked and yeah, and he was.
He's the only one in this wholemovie.
He's like I love you.
He was not afraid to say yeah.

Speaker 1 (50:52):
That and he'd been the one early on.
Emotionally don't talk aboutthe character emotional arc for
a second.
That is like you have to like.
Talk to her, you have to engage.
You can't be afraid to be likeyou know.
It can't be this repressedversion of yourself, blah blah,
blah blah.
You can't care what otherpeople think.
So it really hits home, oh andthen that's where the character
learns that, and that's when hestarts acting.

Speaker 3 (51:11):
No, oh, I mean, it's one.
I mean I wrote down herebecause, yeah, I love you.
Good luck with Cynthia.
Yeah, and I just like that'sone of the best.
I was like my gosh, you justcall this guy.
You know Frodo and Sam.

Speaker 1 (51:22):
Yeah, but they counterpoint it with, like a
line like this in the same thing, it's in the same scene, it's
like is there a point to thisstory?
I just want to confess to amurder.
Yeah you know, right cop isgoing on and on and on.

Speaker 3 (51:35):
I had that note and that's like your note.
Earlier I was like I don'tremember why.
I have confess yeah confess Ijust want to confess a murder,
the, and like that when he takesoff, what was it Even through?
I mean just the grossness ofthis.
They get in through your mouthand then they lay eggs in your
brain, oh my.
God walk around while theyincubate, even if you're dead,

(51:57):
you Like yeah.

Speaker 1 (51:59):
I intense yeah.

Speaker 3 (52:00):
I was like you know what, george Lucas?
Sometimes you can just say whatyou mean yeah, and the dialogue
will take care of itself.
Let you know, you don't have tosurround it with a bunch of
stuff.
It's like boom, all right, nice, straight ahead, turn up the
heat and the gas in the kitchenand get the hell out of there.
Yep, they.
But it just makes me think ofthose brains.
The brains are just wonderful.

(52:20):
Should I start these in thatbasement?

Speaker 4 (52:23):
Yeah, yeah, yes, yes, we'll use them in class.
Yes for class.
We have human brains.
That because we always do thatin undergrad.
Oh yeah, exactly.

Speaker 3 (52:31):
Remember all of that.
You know all that braindissection and just like sitting
in the jars and not for a plotpoint, definitely.

Speaker 2 (52:39):
No, no, no no.

Speaker 3 (52:40):
Can we also talk about how heartbreaking his
death was Like when it'srevealed like how his death the
other young, young, young Steveor the other young yeah, jc,
that you know he'd obviouslykilled a few and then he like
burned himself up.
You know that they were allburned, that he was burnt.
I mean, it's just like what thesite of it is really gut

(53:00):
wrenching.
It's one of my favorite justcharacters.
I think Now that I just we talkthis out because he is so.

Speaker 1 (53:07):
Yeah, he was really good.
He was a funny character.
Yeah, like he's the one thatyou know throughout the film, is
not afraid of any of the otherobstructions, like he's trying
to push down and break downwalls and then he dies.
That's really good.
That's a good dramatic choice.
Yeah, because you're built upinto him.

Speaker 3 (53:22):
You know that he's living vicariously through his
friend Chris.
You know Exactly.
Now that he's gone, chris hasgot to live on his own.
Well, now he's got Jill right.
Cindy Kronenberg, it's the.
Oh wait, there is somethinghere.
She was cast in a movie yearslater.
I don't know if it was cannibalcampers, but they call her Mrs

(53:44):
Romero.
And what did I say?
Chris's name is Romero.
Yeah, so a call back.

Speaker 4 (53:49):
So it's like they say they're the same universe.
Yes, it worked out.

Speaker 3 (53:53):
Yep, it worked out.
So we know that they gotmarried and he died early.
So she's Mrs Romero, which Ihe's like.
That's kind of fun, oh my God.
But I just this whole, thiswhole thing is also fun because
I I'm simultaneously trying tosee what they're referencing and
also just enjoying that.
It's going so fast that I'm notgoing to like it Right.

Speaker 1 (54:15):
I mean, it is laser fast.
It's like, yeah, you know,lightning fast.

Speaker 3 (54:18):
Yeah, it's late, like the references are, and the
irony of that is I know that thethat Decker was brought to task
for how slow his first cut was,and that he was.
He just did not think ofanything about timing and the
only thing that he couldn'tquote fix was the zombie walk.

Speaker 1 (54:37):
Like they all walk so damn slow.
I love a good.
You know when you establishit's a slow zombie, you know
it's going to be like.
It allows for a lot of fun.
To be had like because you geta lot of time as they condense
on you.
So there's something to that.
It changes the threat, but youend up with like fun things
where we're like trapped in acoat closet.

(54:58):

Speaker 4 (54:58):
We're trapped in a you know a shed outside Right,
and it's it's part of it, it'sjust it was before.
We had fast moving zombies, soit was just like zombies are.
Yeah, if it's, if you're goingto do an homage, you're not
going to reinvent what zombiesare.
And so we had 28 days later, orwhatever.
With zombies, we're like rightright.
Rage virus yeah.

Speaker 1 (55:18):
I think it was 20 days later that really did that.
Yeah, that was the first one.

Speaker 3 (55:21):
Yeah, and then, and then it was Sean yeah, but that
like yeah, I guess that's to thepoint.
Like they, they would havemoved slowly because that's what
he's doing, the homage Right.
It is funny that, like all thereferences are happening so fast
, but the movie itself is wellpaced, I think.

Speaker 4 (55:36):
I think so too.
It's 87 minutes, yeah it justyeah.

Speaker 1 (55:40):
The movie really is a film making fun of film noir,
yeah, and making fun of like 80s, you know, creature horror,
like zombie movies and they justare kind of smashed together,
Like you know.
Sometimes the scene is a noirand sometimes it's a stupid 80s
horror movie, but some of itjust really works because
they're both just so overlydramatic and overly like cranked

(56:02):
up on the character yeah, andit's what it's like.

Speaker 4 (56:05):
The creature features , you know, it's like the blob
and creature of the black lagoonand brain.
So yeah, brain leeches and yeahlike body snatchers and then
you go into like, then it goeslater into the night of living
dead and then it's like, yeah,into the 80s and it's like that
whole thing of like you know,and and again.
Women are objects that there'sso many similar things that they

(56:29):
sort of see in between the two.
That I know is how much of itthey are aware of.
But hey, it works for me.

Speaker 3 (56:35):
I love this and that made me think, just with the
objectification, made me thinkof the relationship with Brad,
which is great, great name, bradof course he's always named
Brad.

Speaker 4 (56:45):
The villain is always named Brad.
It was like, yes, and that dyejob on his hair.

Speaker 1 (56:51):
And we've not even talked about this guy Makes him
look like he's a tender 48.

Speaker 4 (56:57):
And it's like who is that guy?
Who's just like playing it,like it's like Nicholas Cage and
Peggy Sue got married Doingthis like weird, like yo dude
California.

Speaker 1 (57:09):
Dude, because the villains are always blonde.
Yes, yes.

Speaker 3 (57:13):
That's right.

Speaker 1 (57:13):
Never going to let me in.

Speaker 3 (57:14):
You know like, yeah, that's in and then of course not
.
And he had in.
This is actually a really coolcut here.
So his, his boys in the fratright included Kurtzman and not
Nick, not Nick Otero, butanother one of the special
effects makeup guys they were.
They were the his frat boysbecause he knew that later they

(57:37):
would have to become zombies andhe's like I don't have enough
money to hire anybody else.
So he used the makeupdepartment to put it on
themselves because they wouldknow how to do it.
They could do it more quickly.

Speaker 1 (57:49):
Interesting.
I don't know if you could do itmore quickly.
Well, they did it to each other.

Speaker 3 (57:52):
Yes.
And then they had, and thenGreg Nick Otero who is a friend
of the two of them, is notcredited in the movie, but he
shows up as a zombie and theysay really yes.
Yeah, and then, like two yearslater, they start their own
business, the three of them, butthey're all like that's special
effects.
And then they just kind of showup as frat boys and I guess
Greg was not on, he just came toset one day and they're like

(58:13):
hey, you want to be a zombie?
Yeah, sure, but I just lovethat.
I think that's so cool, that'svery cool.

Speaker 1 (58:18):
That's interesting and but it was.

Speaker 3 (58:19):
It was Fred's thinking I don't have enough.
You know, I don't want to trainanybody how to do this.
I don't have enough time, Idon't have enough money.
You guys be the frat guys,because you're going to have to
do the makeup later and you'regoing to have.
You know, you're already here,you're on set, yeah.
And because those were shotalso like at UCLA and USC and I
think so this.
So there, when they, when hecomes out in in the front of the

(58:42):
, I think it's right after themurder has happened and it says
like headless corpse, which iskind of funny because he's not
headless, he's just split open.
But it's like headless corpse atCoramon University.
Oh right, right, yeah.
And so when they have the faceoff with the 48 year old blonde
guy, brad, and Brad, like, takesout his crutch just to make
sure this is the villain- wedon't like him yeah.

(59:06):
It is.
That is actually outside ofFred Decker's Amater.
And he was, he was.
He did not get into their filmschool.

Speaker 1 (59:18):
And so that's kind of like a middle finger.

Speaker 4 (59:19):
Yes, and so he comes back and shoots a middle finger,
that gets winded up.
She does, she does it, which isgreat.

Speaker 1 (59:27):
You know who else does where the funny?
I'd never seen that before andI laughed so hard when I saw it
in Guardians of the Galaxy thefirst one.
That's what he's like.
He doesn't.
He's like oh, I'm sorry, Ididn't know what this did, but
she did it here and I thought itwas hilarious.
I was like, oh my God, this islike he's doing the eighties.

Speaker 3 (59:42):
That's hilarious, yeah, and I wonder, like I
hadn't thought about that.
But that easily could be whatthat moment is.
And a little nugget if you lookin the back you can see one of
the eighties like a second 80 orsomebody telling people to get
off screen.

Speaker 1 (59:55):
Oh, that's hilarious.

Speaker 2 (59:55):
She's on screen.
Oh, that's funny.

Speaker 4 (59:57):
Yeah like everybody else is up, but she's the one
when is this.

Speaker 3 (01:00:00):
It's in that moment where they're having the fight
and like he kicks the crutch out, crutch out.
It's in that moment we watchthat You'll see somebody in the
back with like a clipboard andlike oh, that's hilarious.

Speaker 1 (01:00:10):
hands like get out of the frame, oh well, you get
away with it in that scene too,because there's just so much
going on like that.

Speaker 3 (01:00:16):
Yes.

Speaker 1 (01:00:16):
Such a driving visual , like you're never going to
look at the back.

Speaker 3 (01:00:19):
No, and there's exactly.
There's so much in the frontthere, but it's.
But I just love the irony ofyou're going to be on camera,
wait, wait you are a camera,boom and shot, maybe shot.

Speaker 4 (01:00:30):
Yes, don't don't retake it, just moving on.

Speaker 3 (01:00:33):
Moving on, yeah, moving on.
I vote for that one.
I vote for the war.
But it did you know I had justrewatched?
Oh, I just rewatched the blobtoo and that, going back to what
you said about the acting, theacting in the 50s is so good,
it's so like legit.
And because my what made methink about it was my, my mom

(01:00:54):
watched that movie and loved itand, like the, whole blob or
blob blob and loved it, wasscared to death of it.
She has this wonderful story Ithink I've told you, steve, but
my, you know, we're in the South, right, and there's no AC in
the South.
And then AC first comes out andit's only in big buildings, and
so one summer day my mom is hotand wants to get cooled down

(01:01:17):
and there's why people would goto the double features and why
musicals like theater, would bethree hours long because it
would be more air conditioning.
Yeah, exactly, and so my momlooks at what's a long movie
showing this afternoon that Ican go see, and she sees this is
my sweet little southern bellmother goes to see Rosemary's

(01:01:38):
baby.

Speaker 4 (01:01:38):
Oh yeah, that's a great one for her.

Speaker 3 (01:01:42):
In like.
She said it was like because itwas in the middle of the day.
There's nobody there and it wasright.
After they invented, like, the,or invented whatever you call
it created those seats that movedown Like and then, like, they
have the two hinges as soon asyou Sure yeah, yeah, yeah, yeah,
because they were fixed likestadium Right, like they come up
and flat now, at the same timeExactly, and because of that

(01:02:04):
they were so loose and the airconditioner would hit them and
you, she could hear the clackLike a clack clack clack, oh,
while she's watching.

Speaker 1 (01:02:12):
By Rosemary's baby.
Yeah, terrible.
I think it would be a really itwould be a movie of itself.
Watching your mom, watchRosemary's oh yeah, so true.

Speaker 3 (01:02:21):
Oh, my gosh.
I mean talk about Doiley andLace and I love my mother so
much and that when she confessedthat to me, I had her watch the
pilot of Mad Men with me and tobe like, is this good mom?
And she's like, how did I missthis?
When did this come out?
And you know, I was like whenit first came out she's like
even the acting is stiff.
I love it.

Speaker 2 (01:02:44):
She's like the acting is 60 stiff yes.

Speaker 4 (01:02:47):
Yes, oh man.

Speaker 1 (01:02:49):
Well, drew, I have to say thank you so much for
coming on to take the time to dothis.

Speaker 4 (01:02:53):
I love first of all, love nothing more than talking
about this movie, and what adelight talking about the.
You drew druggy the ambassadorof you know the creeps.

Speaker 1 (01:03:01):
This is a great.
This is one I would never havewatched and I'm so glad I did so
.
Looking at it now, does thisdrew, does this movie hold up
for you, now that you've seen,100 percent?

Speaker 4 (01:03:11):
Totally holds up, um, especially given what we were
talking about in the genre andalso just as an 80s slasher,
gore fun campfest Absolutely.

Speaker 3 (01:03:24):
Totally fun.
What about for you, matt?
Yes, yes, and I think it's.
I think part of its relevancealso is the fact that, even
though it was, I think he leanedon the homage as a way to feel
comfortable about what he wasdoing.
I think it becomes a beautifulmuseum piece because of that.
Like it's fun, it's, it'srelevant now and I love it as a

(01:03:48):
nostalgic movie.
But I also think there's somuch beauty there because, yeah,
yes, you have the references toCorman and you know Landis and
everybody we've talked about,but, as a result, it asks us to
not forget certain film literacyand how important that is.
And so for me, I that's.
That's where it lands for methis is.

Speaker 1 (01:04:09):
This thing is like this is cotton candy silly, not
80s slasher.
This is a if that's what you'rein the mood for, 100 percent is
a hold up Like this is.
You know it is a.
This is the perfect category ofawesome, shitty movie.

Speaker 2 (01:04:25):
Yes, you know what I mean.

Speaker 1 (01:04:26):
Like that's that, for me, is what this is.
So 100 percent, if that's whatyou're looking for.
That's what you got.
Drew.
If people were to follow you,what do you?
What do you got going on?

Speaker 4 (01:04:33):
Where can they see what you're up to?
If you're in New York City, youcan come and see me and
Titanique on stage and UnionSquare.
I'm doing that this fall, butI'm on the Instagram at drew
underscore Drogi and thenwhatever the other socials are
all those?

Speaker 2 (01:04:48):
things everyone's, whatever they're called now
Exactly.

Speaker 3 (01:04:51):
What about you?
Matt X me.
No, the twist twist me.
I still haven't figured out howto do that one yet.
No, I'm a Moe Mundi.
The Moe Mundi on the Instagrams, and we do have.
I'll let you.

Speaker 1 (01:05:05):
No, no, no, no, take it away, man.

Speaker 3 (01:05:07):
No, we have our movie premiering.
I don't know when this will air, but our movie is premiering in
October heard andcongratulations.

Speaker 1 (01:05:16):
That's awesome, thank you very much.
It's going to be great.
It's also a zombie flick, youknow, so, yeah, so hopefully
you'll enjoy it, drew you got alittle.

Speaker 4 (01:05:23):
I cannot wait to watch it.

Speaker 3 (01:05:25):
Yeah, we don't.
We don't have, we don't haveany Cormans in there, we don't
have you know.
Or we tried to get Dick Miller,but he was dead.

Speaker 1 (01:05:34):
And.
But we asked if he would comeas a zombie, but his agent said
unfortunately we're not going toassume him, he doesn't get up
for it.

Speaker 3 (01:05:40):
Yeah, he doesn't get up for this, but no, it's so.
And Steve, what about yourself?

Speaker 1 (01:05:45):
You can follow me at Steven C Pierce on you know the
Instagrams Probably the only oneI really keep somewhat up to
date and yeah, then check out.
I'd say you know we got a.
Actually, our film Buking Gaze,which is a concert film, now is
available on Prime for free.
That's right.

Speaker 3 (01:05:58):
That just happened.
The Rockumentary Buking Gaze?

Speaker 1 (01:06:00):
Yeah, it's very cool, very cool.
A little unique band that makeall their own instruments and I
would say but go check out herIf you can.
It'll be available everywhereyou know you can buy films and
everywhere there are in theaterson October 13th here.
So, guys, awesome, we did it.
We did it.
Night of the creeps Creeps whata fun time.

Speaker 4 (01:06:19):
Drew is awesome to meet you, man.
Thanks for having me so good tomeet you, Steve.
Good to see you, man.
It's so good to see you, drew.
Good, let's go and see youmovie.
Let's go and see you movie.

Speaker 2 (01:06:31):

All Episodes

Night of the Creeps | with guest Drew Droege (Bob's Burgers, Key & Peele, Hot in Cleveland)

Episode Transcript

Popular Podcasts

Stuff You Should Know

24/7 News: The Latest

Dateline NBC

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Night of the Creeps | with guest Drew Droege (Bob's Burgers, Key & Peele, Hot in Cleveland)