Hate Watching Cleaner: Squeegee of Death

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Oh, you're right.
Yeah, so full disclosure.
I watched this full week ago,so let's see how this goes.
Oh, you didn't rewatch it again.
I was really thinking I wasgoing to and then I thought
about it last night.
I was like boy, I just don'tlike this movie enough to watch
it again.

Speaker 2 (00:17):
I thought you might like this one.

Speaker 1 (00:19):
Nope, hey watch it with Dan and Tony.
Hey watch it with Dan and Tony.

Speaker 2 (00:38):
I'm purple, I'm maroon, it looks like you're
purple too.

Speaker 1 (00:41):
Well, your purple's different than mine, so I was
trying to like what's adifferent shade of purple.

Speaker 2 (00:46):
Slightly different shade of purple.

Speaker 1 (00:48):
Ah, well then the color I'm.
The other color, purple.
Oh that would have been a goodjoke.
The other color, purple, ohdamn it.
Can we start the show overagain?
I got a great joke, dan.

Speaker 2 (00:59):
Oh, you got a great joke.
Nope, we can't.
Yeah, fair enough On this show.
We watch a movie, then we talkabout the movie.
This week, tony picked a movie.

Speaker 1 (01:12):
Wait, hold on.
Yeah, I picked a movie andright before we went live I was
like I didn't like this movie.
And you were like, oh, Ithought you were going to like
the movie and now you're tellingme it's not even a movie.
You put quotes around movie.

Speaker 2 (01:22):
It actually is a movie Barely.
Oh, wow, I think it conforms tomovie okay.

Speaker 1 (01:32):
I mean, it doesn't.

Speaker 2 (01:37):
It's a weird one.

Speaker 1 (01:38):
What is it, don oh?
So this is cleaner, not thecleaner, which is what I thought
it was for ever since I saw thetrailer, but it's just cleaner.
Daisley Ridley.

Speaker 2 (01:51):
Daisy.
What's her name?
Not Daisley Ridley Daisy?

Speaker 1 (01:56):
I like Daisley.
I think that's nice.
See, it'd make her stand out.
Clive Owen for three to fourminutes Sort of you buy him for
one day and that's all you canafford.

Speaker 2 (02:07):
that's, that's a good move and some guy they hope
becomes a star well, so I wasdoing.

Speaker 1 (02:13):
That is the only research I did was.
I was like who the hell is thisguy?
Because one.
I didn't think he was very goodand we'll.
We'll get into that more, um,but you kill Clive Owen and give
the reins to this frickin'twerp.

Speaker 2 (02:31):
Oh, wow.

Speaker 1 (02:32):
Apparently Frickin' twerp.

Speaker 2 (02:34):
I don't know if I was going to go that hard on him.

Speaker 1 (02:36):
I'm not a fan of this guy, but he's a huge social
media star.
He's got like 2 millionfollowers on Instagram, so I'm
assuming that that's kind of theidea is that he's you know,
he's got a following, so maybepeople will see the movie
because he's in it.
Well, I don't know, but hewasn't very good, so I think

(02:58):
this is not going to work.
This reminds me of did you?
I don't think we did it, butbut did we watch he's All that,
the sequel to she's All that?
I did not know there was asequel to she's All that.

Speaker 2 (03:10):
Oh shoot.

Speaker 1 (03:10):
I should have picked it for this show.

Speaker 2 (03:13):
Just as we referenced .
She's All that because we werewatching something and there was
a woman on there and she lookedjust like what's her name.
When she dressed up as a man, Iwas like, hmm, kind of, kind of
, given that she's all thatvibes, I'm like not really what
you want to go for I'm glad thatyou referenced it, though you

(03:33):
know like keep it in.

Speaker 1 (03:34):
The keep it in the pop, pop culture moment.
That's good, uh.
Anyhow, he's all that hired uhthis lady who's a massive,
massive social media star oh, Ithink it didn.

Speaker 2 (03:45):
Oh, I think you talked about this.

Speaker 1 (03:46):
Nobody saw the movie, even though Well, I mean, yes,
it was bad, but also nobody sawit, because people that watch
social media for one to twominutes tops don't want to go
see a whole movie.
It's not a big crossoveraudience, so anyhow.

Speaker 2 (04:02):
I don't think it's going to work out for us because
you're a hot dude on the.
The social media does not meanpeople want to see you be an
action star yeah, and I don't.

Speaker 1 (04:11):
He's weird looking.
I mean, if you go to his socialmedia, that is all very like oh
I'm so sexy, look at my chest.

Speaker 2 (04:17):
But so it is just, it is just glamour shots, it's not
him like actually a lot of itis glamour shots.

Speaker 1 (04:22):
Yeah, he's also an adrenaline junkie, so there's
that.
Wow, okay, anyhow, that's the.
I had to look that up because Iwas like who is this guy that
they think can like be thevillain?

Speaker 2 (04:36):
does he do the jumping out of the plane with
the suit?
That doing that shit?

Speaker 1 (04:44):
I don't know, maybe that sounds great, you want me
to do a deep dive on hisinstagram right now.

Speaker 2 (04:49):
Live on the show.

Speaker 1 (04:50):
Everybody his name is taz skyler, which can't be I'm
sure he's born with that name onit what shall we name him?

Speaker 2 (04:59):
we're bringing a new skyler into the world.
This one should be the.

Speaker 1 (05:03):
Taz Skyler Tasmanian Skyler.

Speaker 2 (05:08):
I don't know about him.

Speaker 1 (05:09):
Okay, so the movie's the Cleaner, no the movie is
Cleaner, cleaner, yeah, not theCleaner it turns out Daisy
Ridley is a window cleaner.
I would disagree.
Just based on this movie.
She might have that job, butshe does not do the job.
That's her doing it.

(05:31):
Just awful, just so bad.
Maybe there's not really awindow there.
Maybe that's how fake it is.
Maybe she's just in the middleof the air pretending on a green
screen, but she's not cleaningany windows.
Did you think she came to me ata stoplight and tried to
squeegee my windshield and did ajob like that?
I'd be like no tip for you,lady.

(05:51):
Get out of here, nope.

Speaker 2 (05:53):
Wow, tony's no tipping, look out.
Did you think that maybe atsome point there would be like
some meta understanding of whatcleaner means?
Like maybe she'd clean up themess I I guess some, just
something, because it was so,not that it was just kind of

(06:14):
like the window cleaner was notreally part of her character, it
was just an explanation as towhy she was in a location.

Speaker 1 (06:22):
yeah, why would she ever be in this building?
She cleans windows, I don'tknow.
Okay, guys.

Speaker 2 (06:28):
Now I have another question for you, yeah, which I
could ask later, but I'm goingto ask now, just because she
works at night.

Speaker 1 (06:37):
Yeah.

Speaker 2 (06:39):
Do you think there's any window cleaner in the world
that works at night?

Speaker 1 (06:43):
Honestly, I don't know.
I don't live in a city, youknow what I mean.
I live in a suburb, so windowcleaning not a huge thing here,
true, but I do feel likegenerally you see them in the
mornings you know like rightlike I feel like a night time
hanging from a building justadds a bunch of unnecessary
danger to it.

(07:04):
I don't know, maybe I could bewrong.

Speaker 2 (07:06):
And yeah.

Speaker 1 (07:08):
Okay, okay.

Speaker 2 (07:09):
Let's talk about the movie.
Talk about we set up thebeginning of the movie.
Let's see her as a child.
What happens in her childhood?

Speaker 1 (07:19):
She crawls around on the cupboards.

Speaker 2 (07:25):
It's so stupid.
Scene, one act one Child crawlsaround on her cupboard while
her parents beat their autisticbrother in the other room.
She doesn't even crawl to getaway.
She just sort of starts on oneside of the room, crawls across

(07:47):
the outside room, crawls up thewindow for some unknowable
reason which seems incrediblydangerous, opens the window and
then just kicks her legs out thething and enjoys the London
skyline.

Speaker 1 (08:01):
The London breeze, as they say.
And that's your opening, that'syour action-packed opening,
that's how you start the movie.
Just like well, she's a climber.
Keep that in mind, keep that inmind everybody.
But don't keep that in mind,because when she does climb.

Speaker 2 (08:14):
She's all like this ah, oh jesus oh my god, you know
like isn't that the?
One thing that she should belike.
She should be freakingspider-man since no, no no, you
see, you're misunderstanding.

Speaker 1 (08:26):
So she climbed when she was eight and then didn't
climb anymore until this movie.
This was like bringing it backout in her.
You know what I mean?
Okay, this is the dumbest introto a movie and I feel bad
laughing, because when youdescribe this scene it's very
traumatic, the way it's likethey're screaming at this poor
child.

(08:46):
But it's the fun, it'shilarious, and the whole time
you're like, okay, is somethinggoing to happen?
No, it's not going to happen.
She doesn't even need to climbon anything.
She just climbs up on thecupboards and, like Spider-Man's
, around for no reason.
She could just walk up the sink, that's all she has to do.

(09:07):
I don't understand one secondof this intro at all.

Speaker 2 (09:08):
There's not like traps between her and that
window.

Speaker 1 (09:11):
She's not like navigating.

Speaker 2 (09:14):
The dad has put flypaper out just to make sure
she doesn't do this.

Speaker 1 (09:18):
Or if she snuck out the window and did a cool shimmy
down the building to aneighbor's house because that's
her solace when her parents areyelling, I'd be like, okay, she
did something, she does nothing,she accomplishes nothing in
this scene.
And then once she gets to thewindow, she's just like she just
hangs out.
Yep, she's just like oh great,now I can't hear them three feet

(09:40):
behind me.

Speaker 2 (09:41):
Yeah, she can still hear it, and it doesn't seem
overly concerned that the dad'sgoing to come in there and push
her out the window.
Oh my god, when the beating iscoming, you're like freaking out
.

Speaker 1 (09:53):
Yeah, you gotta go.
Yeah, she's cool Flipping butts.

Speaker 2 (09:58):
It's bizarre, real weird 20 years later wakes up.
I found my new pet peeve forevery movie oh god, yeah, what
is it?
My new pet peeve is the alarmgoes off.
She wakes up, she has tattoosand a full beauty makeup ah,
yeah, for sure I can't take thefull beauty makeup with perfect

(10:22):
hair.
You know like mess your hair upa little and then have her run a
comb through it.
You can't wake makeup withperfect hair.
You know like mess your hair upa little and then have her run
a comb through it.
You can't wake up with perfecthair.

Speaker 1 (10:30):
You just can't.
No, I never do.
And look how short my hair isand there's still like tufts
every time and I got to wet it alittle and just kind of fix it,
Just smudge it just a touch,Because other people know you
get little.
What are they called Colics?
Is that what they're?
When they're like there's likea line I think they're called
cow licks, Cow licks Like as ifa cow licked my head and then it

(10:52):
stuck up.
That can't be right.

Speaker 2 (10:54):
Is that right?
Conan O'Brien's hair?
That move is a cow lick.

Speaker 1 (10:59):
Absolutely.
Well then, what's a colic?
Isn't that a thing, colic?

Speaker 2 (11:03):
is what babies get when they cough and shit.

Speaker 1 (11:05):
Oh, it's a bad thing.
Oh, it's when a healthy babycries inconsolably for prolonged
periods.
Okay, well, I don't have that.
Thank God, you're right, I musthave a cowlick.
Yeah, it's a cowlick.
Been saying that wrong for 40years of my life.
Great.

Speaker 2 (11:22):
So we throw on some rock music, we do a montage.
Tony, what time was she wakingup at?

Speaker 1 (11:29):
Oh, I didn't even notice what time the clock said.
I bet it said 9 o'clock, 11.30.
Pm AM Damn it idiot.
No PM.
It's almost Starts at 9.
She's going to work at 1130 pmGoing to work at 1130 pm.
That's a.
That's.
How can you even sleep thatlate?
How old is she?
She's in her, she's 28, 29,maybe 30.

Speaker 2 (11:51):
No, no, no, it was just 20 years later.
She was not nine or 10.
She was, you don't think?

Speaker 1 (11:55):
so I would say she was seven or eight, that's what
she seemed.
I don't know when that comes,you know, but that's too old to
be sleeping Like 1130,.

Speaker 2 (12:04):
they don't even give an explanation as to why she's
sleeping, was she?

Speaker 1 (12:08):
out partying last night.
What's going on here?

Speaker 2 (12:11):
Actually she has no life, that we know.
Sure, she like has no time forher brother really, but she also
doesn't have a life becauseshe's a window cleaner.

Speaker 1 (12:21):
So she's often sick?
Well, she sleeps all the time.
How?
Because she's a window cleanerso she's often sick.

Speaker 2 (12:29):
Well, she sleeps all the time.
How could she hang out with herbrother?
She's got to get 12 to 15 hoursof sleep a day.
She takes her motorcycle butshe gets a call that her
brother's in trouble, so shegoes.
Her brother is supposedlyautistic.
Yeah, we just watched the wholethe new season of love on the
spectrum and oh, great, greatshow, great people, great.

(12:54):
You know everything about thatshows.
A hundred percent Wonderful.
And you're just like you'regoing to cast, like a totally
non-nerd, a virgin person assomeone with autism and then
just make it weird 're just like, yeah, oh, have be autistic, e
sort of now you know you can'tdo a thing, so just say well, my

(13:16):
autism just kicked in and I, Ican't walk up these stairs yeah,
I not that and we you know weshouldn't talk because we're uh,
not a part of the community,but do in general.

Speaker 1 (13:28):
Would people say like , call it out like that, that
they have autism, that it's,that it's happening, like he
seemed to like when it wastriggered.
He called it out several times.

Speaker 2 (13:41):
There's a lot of, I mean, and that's the thing about
it is you have a lot of thingsyou can look at to try to build
a character that's autistic sureand you have to give them some,
because he doesn't have anymannerisms.
He has no mannerisms andeverybody on like this show and
the people that you see.
Even if they're pretty darn,functioning and living on their

(14:04):
own and doing all these things,they still have very interesting
, very particular mannerismsthat build into that character.
A lot of people have hard timeeye contact.
I know with me I hated eyecontact.
For 30 years of my life.

(14:25):
I never did eye contact withanyone.
I hated it.
I never knew why, but it's oneof those things where you're
like when you're a person that'slike that that kind of stuff
happens to you.
I'm not saying I'm autistic, butI could feel some of the
impulses that these people haveat times.
And you're like oh okay, I seewhere this is coming from, and

(14:48):
so you know, and why was heautistic?

Speaker 1 (14:52):
Yeah, I mean there's no other than maybe the sympathy
card, right?
I don't know, I don't know, hedoesn't, you know he isn't like
a limiting factor in heradventure.

Speaker 2 (15:05):
I mean other than him being there.

Speaker 1 (15:07):
Right, and maybe that was their only way of being
like well, why would he be stuckthere?

Speaker 2 (15:13):
Yeah, You're making him autistic so he can't take a
taxi or can't take care ofhimself, and that she has to
take care of him Like he's ababy kind of, and she doesn't
really do that, no.

Speaker 1 (15:26):
So even if that's your reason, it's not a good
reason.

Speaker 2 (15:29):
Yeah, I don't know.
It's very, very built in, sohe's at this.
I don't know if it's kind of aschool, it's a care home and so
he's gotten thrown out.

Speaker 1 (15:40):
Okay, of another one.
Right, they say another one.
Oh, this is the ninth one, yeah.

Speaker 2 (15:43):
We do a bunch of bits with that.
You know, this is where theysave their.
Comedy is to like do bits aboutthe autistic brother and you're
just like oh God, this is yourbits.
Well, I mean there are no otherbits.

Speaker 1 (15:59):
Yeah, I wish that there were.
Trust me.

Speaker 2 (16:04):
So her motorcycle doesn't work unknowable reasons.
They catch, try to catch thebus.
She keeps cursing.
He doesn't like her cursing foran unknowable reason.

Speaker 1 (16:12):
Also a bit that we'd never play out in the rest of
the movie yeah, never happensagain set up a big which you
would think the cursing wouldget worse with all the murdering
that's about to happen, butit's fine.

Speaker 2 (16:25):
Nope, nope, we'll set up a character interaction.
We will never use it again.

Speaker 1 (16:31):
Or even like with the bad guy at some point that
would be.
You know that would be a funlittle bit to run.

Speaker 2 (16:41):
She gets there just in time.
Oh, she rides in the elevatorwith the big boss guy and then
he says something rude tosomebody and then she mouths off
to literally one of the richestpeople on the planet.

Speaker 1 (16:53):
And you know, in a roundabout way her boss, you
know.

Speaker 2 (16:57):
Yeah, and and when she, and then she goes up to see
her boss and then she seems tothink she's insulated somehow.

Speaker 1 (17:05):
A person who is a piece of shit window cleaner,
who could be fired for no reason, but she is, apparently because
the boss knows, the boss sayssomething and it's like, oh, you
lipped off in the elevator andshe's like, yep, and that's that
was it.
That was it because then theboss is like we need to fire her
and somebody says you can'tfire her.
Didn't all that happen?

(17:26):
And there was no real reasonother than like, well, it'll
look bad if you fire her, sodon't do it.
I don't know man who cares?

Speaker 2 (17:34):
I have no idea.

Speaker 1 (17:35):
Literally nothing, nobody would ever know If they
fired a window cleaner.
Nope, that wouldn't make thepapers.

Speaker 2 (17:42):
Let's just say that Talk to me about the window
cleaner control center.

Speaker 1 (17:47):
Is that what it is?
Because I was so confused whenthey walked in I was like, okay,
this is the security room, butthere is all controls for the.
What is this thing called thetrolley, the vertical trolley?

Speaker 2 (18:04):
What would you call that?
In a painter's they call itsomething.
We'll just call it.
I think I called it theelevator.

Speaker 1 (18:10):
All right, the outside elevator, we'll call it.
So.
I'm confused and it seems likeboth of those people in the room
were dedicated to comms withthe cleaners.
He has a thing literally withinhand's reach that can't control
her elevator but I and I assumethe other ones are also other

(18:31):
elevators right, like I thinkhe's got.
I dude, I'm so confused andagain I, I don't.
I've never done this job, I'mgonna tell you something tony
about those elevators I want youtell me.

Speaker 2 (18:43):
The person sitting in them controls them.

Speaker 1 (18:47):
Well, yeah, in the corner there's a little joystick
right.
And that's how you get, because, listen, if I'm getting in that
machine, I better have controlof where it goes.
Nope, because that's ridiculous.

Speaker 2 (18:57):
I have to talk to some random dude back at the
security Be like hey, bill, canyou bring me up now?

Speaker 1 (19:01):
Like hey, bill, can you bring me up now?
And then Bill's at lunch and hedidn't tell you.
Now you're stuck there what'sgoing on.
This is so weird.

Speaker 2 (19:07):
So weird, such a conceit?
That just doesn't make anysense.
It's just so this weird guy hascontrol over her for the
beginning of the movie.
So that he has control over herand can be evil to her.
It's almost like he's notfiring her, so he can just
continue to be evil to her.

Speaker 1 (19:24):
Maybe that's how he has fun.
He hates his job.
The one solace he has isgetting to bully this young lady
.
Now Dan we should have talkedabout it when you talked about
the bedhead, but how did youfeel about her hair in this
movie?
You're a pro short hair guy.
Nine out of ten.

Speaker 2 (19:43):
Nine out of ten is wild to me's beautiful, oh,
she's incredibly beautiful withthis hair, this hair for me this
hair, two out of ten.

Speaker 1 (19:52):
For me it's the bottom of the barrel.
Just send her my way.
I can't believe.
I I figured I I had a few.
I was like dan loves the shorthair.
I don't know what it is, butyou, you love short hair she's
incredibly attractive, are youcrazy?
That's why the hair to methrows it off.
It doesn't matter.
I figured you were into thehair and I just had to check.

Speaker 2 (20:14):
I mean, there's nothing special about it, but
it's nice.
You know, attractive shortcut.
Sure, it's not like cool, youknow it's not.
You know who has a, who has?
Oh yeah, what's her name?
Like in Charlie's Angels.
What's her name out of coolshort haircut?
Kay Stu, kay Stu.
Yeah, she had like you know shehad, like you know, multiple

(20:37):
colors and, you know, doing awhole thing.

Speaker 1 (20:39):
Yeah, no, I agree, I agree with that, that's true.
The brother is left downstairswith Big Ron, who's like this
character who we get to neverreally spend any time with.

Speaker 2 (20:51):
I really thought there was going to be more
because there's a lot of talkabout Big Ron and how he's
trustworthy.

Speaker 1 (20:55):
I really thought Big Ron was coming back in the third
act.
He doesn't.
Did they kill him?
They must kill him right at thebeginning.
I feel like they have to.
But nobody made a big enoughdeal that I noticed.
But I was.
We were at the end of the movieand I was.
I kept waiting for big ron tocome back and I, I just I just
kind of gave up.

(21:16):
I was like I guess he's dead.
I must have missed, it must bedead somewhere kind of he got
cut out.

Speaker 2 (21:21):
So the bad guys in this thing run an energy
corporation.

Speaker 1 (21:26):
There's going to be a big party tonight.

Speaker 2 (21:34):
The big oil guy is Gerald.

Speaker 1 (21:36):
I think they set up that he had diabetes at one
point, something because he hadto do something.
So, yeah, was it a shot?
Maybe it was diabetes Nevercomes back.
Yeah, back, yeah again, itdoesn't matter.

Speaker 2 (21:47):
So she goes and changes into her window washer
outfit at her locker andwistfully looks at a picture of
her and her brother as childrenand you're like very confusing
for multiple reasons.

Speaker 1 (22:00):
It was a weird shot right.

Speaker 2 (22:00):
You were just like why are we doing this?
It's a weird shot.
Right.
You were just like why are wedoing this now?

Speaker 1 (22:03):
It's a weird shot, but it's also weird because the
one time we saw her as a childwas a traumatic experience, so I
don't generally think that shehad a good childhood.
So looking back on thosememories wouldn't be happy to me
.
One, two she doesn't seem togive a shit about her brother.
She won't take care of him.

(22:23):
She keeps dropping him indifferent homes I don't know
what they're called Care homes,care homes.
She doesn't seem to care abouther childhood or her brother.
So to have her stare at apicture of both of those things
was very weird to me.

Speaker 2 (22:37):
Usually, what it is.
It's like I have to keep thisjob so I can pay for what you
need to survive, so I can takecare of it.

Speaker 1 (22:45):
Yes, and that makes sense.
You can't live with me becauseI have two roommates and it's
just never going to work,because to pay for your stuff, I
can't pay for my stuff.

Speaker 2 (22:56):
I can't afford my own apartment, you know you just,
there are these very easy thingsto do.
But they have set her up withher own apartment that she seems
to be able to sleep until 1130and then go.
Pretty good, one go to work attwo o'clock to six o'clock, so
she works four hours a day.

Speaker 1 (23:13):
four hours, hey, that I'll take it.

Speaker 2 (23:17):
What the hell is.

Speaker 1 (23:17):
She's living on four hours a day, like how much do
you think window cleaners getpaid?
Window cleaner salary yeah, theaverage hourly wage in Los
Angeles is $26 an hour.

Speaker 2 (23:36):
You can't live off that, that's 100.
Four hours a day, that's 100.
Come on now.
Minus taxes, that means she'smaking $70 a day.

Speaker 1 (23:44):
Explains why she can't afford a motorcycle.
Doesn't she live in London?
Yeah, she does.

Speaker 2 (23:49):
It's definitely not here, but that's the first thing
that Google came up, because AIis tracking London, one of the
most expensive cities in theworld to live in.

Speaker 1 (23:58):
For sure, for sure.

Speaker 2 (24:00):
Okay, boom, boom, boom Goes to the locker.
Then she goes out there and shegoes down to this one super
specific window and startscleaning.
And her cleaning is like alittle spray bottle and starts
cleaning and her cleaning islike a little spray bottle, and
then she just sort of goes likeit's just, this building is
gigantic, you cannot be like.

Speaker 1 (24:24):
She's got a little music.

Speaker 2 (24:26):
You're working if you're cleaning a building that
big, especially if you're onlyworking four hours.

Speaker 1 (24:32):
That's a lot of building to cover.

Speaker 2 (24:38):
Then this other second cleaner shows up.
I don't really get his name.
I don't know who he is.

Speaker 1 (24:43):
He's the bad guy.

Speaker 2 (24:45):
See, I'm setting up my bitch Tony.

Speaker 1 (24:51):
You know what?
Let's take that again.

Speaker 2 (24:52):
Let's go back to what this random dude shows up and
he's all like, oh, they likesort of they sort of banter.

Speaker 1 (24:58):
But you know they sort of banter, but also sort of
very much not banter, whichmakes sense later to me, but in
the moment you're like what'shappening?
One, if we have cameras andpeople controlling all these
things, would you really be ableto rappel down next to another
window cleaner, and just talkfor five minutes, like I feel

(25:19):
again?
We've got a lot of buildingpeople.
Be on the cons, be like heyguys, shut the fuck up and go to
work.

Speaker 2 (25:25):
And this is on window one right.
You're like you know, and ifyou want to run a bit, and
actually the guy that's her bossis just really weird.
He doesn't feel like her boss,he feels like he has some
different job, that it justdoesn't feel like the guy that

(25:45):
should be giving her shit.
He just seems like a sleazynightclub owner?

Speaker 1 (25:49):
Yeah, he is, but you know, but sleazy elevator
controller.

Speaker 2 (25:56):
Something happens with Big Ron.
He has to go out and yell at avan, and so the bro has gone
rogue.
Everyone's getting ready forthe big shareholder gala.
Then we more talk with thebuddy.
She got him the job.
Wait, she got her buddy the job.

Speaker 1 (26:13):
Right wait, she got her buddy the job right, so
which is which is a fine way toset that up, but you don't pay
that relationship off later.

Speaker 2 (26:27):
Yeah, like, how does she know?

Speaker 1 (26:28):
how that's weird.
I assumed it was like army,because she's from, she's army,
right she got kicked out of thearmy.

Speaker 2 (26:34):
Yeah, no he doesn't.

Speaker 1 (26:36):
He never says that, no, so I I just assumed that was
coming and I don't.
I don't think it ever wasclarified huh, okay, very weird.

Speaker 2 (26:45):
Um, okay, she better.
There's also this there was amaid in the elevator and I'm
like, oh, this maid's gonna playa big part.
She kind of comes back for onesecond.
Yeah, a little yeah a littlebit and then she disappears
forever.
Um gerald goes and does the bigboss.
The big energy boss goes anddoes coke um yeah, her brother

(27:10):
is just screwing around ondifferent floors for unknowable
reasons.

Speaker 1 (27:17):
Yeah, he's running around having a good time living
his life, so then the windowwasher boss sends the elevator
lift down.

Speaker 2 (27:25):
We call it the lift oh yeah, the lift, that makes
sense.
She gets in it and then hefucks with her.

Speaker 1 (27:33):
Well, because she's supposed to go to a window that
got bird poo on it right or abird strike.

Speaker 2 (27:39):
It means a bird crashed into it and killed
itself.

Speaker 1 (27:41):
So it's dead.
Yeah, very sad, very sad, andshe's kind of not doing that.

Speaker 2 (27:47):
No, no, she is avoiding doing that.
I'm not going to do that.

Speaker 1 (27:52):
So let's just break it down real quickly.
This lady who's doing great hasthis job.
She talks for the first 10minutes of her shift cleans.
Maybe one window doesn't do theone thing that she was asked.
Why does she still have a job?
She's lipped off to the boss.
Why is she-?

Speaker 2 (28:13):
Barely showed up late .
She was like late and barelyshowed up at the she was.
I'm 17 seconds faster than thelate hour, you're just like yeah
no, she needs to be firedimmediately.

Speaker 1 (28:25):
She's terrible.
She should not have a job.

Speaker 2 (28:28):
And then she slips in the lift, drops a sponge, it
goes all the way down, hits adude on the street.

Speaker 1 (28:38):
Murders him.
Right, he's dead.
Well, it's just a sponge, butit's wet.
It's a wet sponge, that's heavy.
I think this guy's dead.
I think this crushed his skull.
They shoot it comedically.
Yeah, no, you're right aboutthat, but there's nothing funny.
There would be nothing rightabout that, but there's nothing
it is.
There would be nothing funnyabout.
Were you laughing?
I was laughing for the wrongreasons.

(29:00):
I was laughing because if thishappened in real life, not only
would she be fired immediately,like they would, the cops would
be called, people would go upthere.

Speaker 2 (29:09):
She would be on that lift all night until she got
arrested she would be losingthat job if she dropped a sponge
and it hit somebody so fast, soinstantaneously nobody even
goes in and tells on her.

Speaker 1 (29:19):
No, people are just like ha sponge from the sky.

Speaker 2 (29:22):
What a day if I looked up and saw a window
cleaner up there and I got hitby a sponge, I'd be walking in
there.
And that security guard at thefront desk?
Yeah, which there is not asecurity guard at the front desk
, which is the most insane thingever.
But we're going to explain that.
So here come these weird guysin masks, you know like full
dance troupe or full whatever,and they just walk in and get in

(29:45):
the elevators and you're likewhat is happening?

Speaker 1 (29:47):
Yeah, wouldn't it have been interesting if they
had set up that they werewaiting for the entertainment at
the party before they got inthe elevator instead of after?

Speaker 2 (29:55):
oh, did they not mention it?

Speaker 1 (29:56):
before the.
From what I remember, the orderwas the opposite.
They get in the other like whothe hell are these guys?
And then we cut to the partylike well, the dancers are late.
I was like what the hell'sgoing on right now it's.

Speaker 2 (30:08):
It's really weird and I I mean I don't.
You've probably been in bigbuildings like this.
There is always a security deskand you always have to sign in.

Speaker 1 (30:18):
You got to check in, you got to write your name, who
you're visiting the room, likecome on guys.

Speaker 2 (30:22):
You don't just march in there and the security guard
looks over and goes well,there's the dancers.

Speaker 1 (30:29):
Come on through everybody.
Don't worry about the metaldetectors, let's go.

Speaker 2 (30:32):
It's supposed to be surprising to us, you know.
We're just like, well, what?
Yeah, you know, but it justmakes us go.
What is happening?
How are the bad guys justwalking in?

Speaker 1 (30:42):
Yeah.

Speaker 2 (30:44):
They go up there.
It's time for the one.
There's two brothers, gerald,and then the other brother who's
going to die pretty quick.
He has to give a speech Goodevening.
The bad guys just take over thecontrol center with nothing,
with nothing.
They just walk through thedoors.
You know, it's like thesecurity center for this giant

(31:06):
building, a location where youcan type into a computer a $33
million transfer.
There's no, you don't got tobuzz in, you don't got to do
anything.
You can type into a computer a$33 million transfer, right,
yeah, there's no, you don't gotto buzz in, you don't got to do
anything.

Speaker 1 (31:22):
There's not a camera.
They just walk in and startshooting everybody.
Yeah, yeah, yeah, I mean it'sfine, right?
Yes, you don't want to have todeal with too much guffaw before
you take over a building.

Speaker 2 (31:30):
A blonde American lady takes over the controls.
We're in.

Speaker 1 (31:35):
Who's she talking to when she talks on that
microphone?
Doesn't he already know?
No, I don't know.
It just seemed a little weird.

Speaker 2 (31:44):
It's all good, he's down at the party, because
they're mingling at the party.
And then they gas Okay, tony,who do they gas Everybody.
What do you mean by everybody,everyone at the party, and and

(32:05):
there are people that like livein this building as apartments
and we see them at times withfamilies.

Speaker 1 (32:10):
I had a question about that because I, I, I was
confused because also at onepoint the brother like goes off
and has sex in a bedroom which Iassume is someone's apartment.
I don't know Because why wouldyou have a bedroom in your
office?
I was very confused on thelayout of this building in
general because she sees like afamily at one point in a window

(32:32):
right.

Speaker 2 (32:35):
So there are apartments on others, because
this is a huge building.

Speaker 1 (32:39):
It's a big building, yeah, Big building.
Lots of windows to clean.

Speaker 2 (32:42):
So I guess there are apartments in these buildings,
and so, in addition to havinggas canisters that they throw
out at the party, they havedelivered pots of gas canisters
to all of the other people thatlive in this building, because
they go off in these other weirdrooms.

Speaker 1 (33:01):
Yeah, Seems like a lot of canisters first of all,
what the fuck?
I don't know, I don'tunderstand.

Speaker 2 (33:09):
In Die Hard with the Nakatomi Plaza.
They're building it right, sonobody works there yet.

Speaker 1 (33:15):
Also, it's the holiday party, so the only
people in the building are thepeople at the party.
And then guess who?
The security guard downstairs.
One security guard, onesecurity.
That poor bastard.
He never stood a chance.

Speaker 2 (33:29):
So they gas everyone.
The bro figures it out andhides in a closet and then puts
towels in the way and he'sunaffected.
We set up that this gas willput everybody unconscious for
exactly four hours.

Speaker 1 (33:46):
I love that it works on a clock.
You know, like that's nice.
Science is great, Don't youthink, Dan?
It's pretty great.

Speaker 2 (33:54):
So they give air to like that's nice, science is
great, don't you think, dan?
It's pretty great.
So they give air to like 10people, let's say, because these
are the people that are thereal hostages, right?
And then Clive Owen takes histhing off and he's all like
we're Earth's revolution, nowthis is where I had a question.

Speaker 1 (34:12):
Hit me with the question how fast does that gas
go away?
Um?
Instantaneously if you givethem air oh, okay, see, I did
again science.
You know, it's truly a wonder.

Speaker 2 (34:24):
I'm assuming it's a like, a reagent or whatever,
it's something that cancels thegas that you breathe.
I don't think it's like air.

Speaker 1 (34:30):
Actually, it's not just like oxygen, yeah it must
be something that I mean itattaches to, it bonds to the
molecules um, and then theyevaporate.

Speaker 2 (34:41):
The thing about knocking people out with gas is
there's people calledanesthesiologists and you know
what they they have to do.
They have to be incrediblyintelligent and incredibly
careful and incredibly payingattention to fucking everything.
Because, they can kill you.
Anesthesia is the mostdangerous thing in the hospital.

Speaker 1 (35:03):
That's why, when I had my knee surgery, I stayed
awake and then they gave me anepidural and it turns out that
hurts way more than I thought itwould, and if I do that again,
I'm going to sleep.
I don't care if I don't wake upagain.
That hurt a lot.

Speaker 2 (35:15):
Yeah, and they give you there's different ones where
they just put you just right,and then if you're just enough
if you're in a real surgery theylike you're done, you're going
down.
Yeah, um, yeah, okay.
So they can't find Gerald.
Who's the big boss?
She's right outside and shesees them.

(35:36):
Take Gerald, she's the bad guy.
So she now knows what's goingon.
The bad guys come grab Gerald,drag him away.

Speaker 1 (35:44):
And she's stuck outside.
Still.
I don't know if we ever reallytalked about it, but she's stuck
outside because the guy won'tbring her back in.
Well, he's dead Now.
He's dead, but's dead.
But at first he was like, oh,I'm just gonna let you sit there
for a while, so, and then hegets murdered.
So she's still out there.

Speaker 2 (36:00):
So there she is up on , you know, let's say, the 40th
floor.
What is, what's her big plan?

Speaker 1 (36:07):
I don't, does she have a big plan?
She's just kind of sittingthere for a while.
No, she, she does, she takesactions, she well, at one point
she tries to break through awindow.
I remember that, nope that'slater.
Nope, what's her first plan?
Hey, oh, she yells back, hey,hey.

Speaker 2 (36:26):
Then what should she, what would she do next?

Speaker 1 (36:28):
Tony, maybe throw a sponge off the thing and get the
people's attention from below.
Would she pull out her cellphone?
You think she has a cell phone?
Oh boy, what is this?
2024?
That's what woke her up in themorning.

Speaker 2 (36:41):
That's true.
That's a good point.

Speaker 1 (36:42):
That's how she talked to the boss, Maybe she doesn't
get service that high in the air.

Speaker 2 (36:47):
I mean you have to have her lock up the cell phone.

Speaker 1 (36:54):
Wait, you're telling me, people in big buildings
don't have cell phone service.
Yeah, isn't that a thing?
The higher you get the lessservice you have right.

Speaker 2 (37:01):
There it is.
She doesn't have a cell phonesomehow now.

Speaker 1 (37:02):
Yeah, that's a good point.

Speaker 2 (37:03):
They never do anything with the cell phone.
But now she doesn't have a cellphone and nobody ever uses cell
phones for anything until later, Until she has earbuds in.
How does she have the earbuds?
Wait, how does she talk to thecop later?
Does she find another?
Does she take a cell phone fromsomeone?

Speaker 1 (37:18):
Yeah, maybe from one of the bad guys, maybe, maybe
from the guy that falls into thecrate thing.

Speaker 2 (37:23):
And then she tries to hotwire the lift.

Speaker 1 (37:27):
Yeah, no, I remember that one.

Speaker 2 (37:31):
Then she stops, she falls out the wires and then
does a, and nothing happens.
Listen.

Speaker 1 (37:38):
What the hell are you doing?
I don't know.

Speaker 2 (37:39):
Tony, hold on a second.
Your car stops working.
You go in the front of the carand you start pulling wires.
Do you really think that car isever?

Speaker 1 (37:47):
going to start If I did it?
No, but if somebody knew how todo it, maybe I don't know and
then you have to twist themtogether.
I remember that, I've seen it.
You know when you twist themtogether and then you're fine.
You can't have a person dosomething like they know what

(38:07):
they're doing when they don'tknow what the fuck they're doing
.
Unless there's a funny linewhere she's like touching him
and she's like, okay, I have noidea what I'm doing, I got to
stop, I'm going to die.
You know like something likethat would be fun, but I don't
know.

Speaker 2 (38:17):
You have to go some direction with it.

Speaker 1 (38:19):
Yeah.

Speaker 2 (38:20):
Okay, now she.
Then she repels down to theball, so she leaves the thing,
goes back onto her wire and goesdown.
Tony, couldn't she just goright back up?

Speaker 1 (38:38):
well, I think up is where she came from.
Yeah, correct me if I'm wrong,but so I think it would make
sense you start at the top.

Speaker 2 (38:45):
Why would you go down ?

Speaker 1 (38:47):
well, what, what reason would you have to go down
?
I have no idea.
It seems like like the wrongmove, other than maybe she just
wanted to leave.

Speaker 2 (38:57):
Yeah, couldn't you leave by going?

Speaker 1 (38:58):
up to where you, but if you go up you have to go
through the building right Like.
I don't want to go through thebuilding, so maybe she's just
trying to go down.

Speaker 2 (39:04):
Why would you not want to?

Speaker 1 (39:05):
go through the building Because there's bad
guys in the building.

Speaker 2 (39:09):
So you think she was trying to go, but she doesn't
have a rope to go all the waydown to the?

Speaker 1 (39:13):
No, I imagine that it doesn't go all the way down to
the ground floor.
I don't know.

Speaker 2 (39:18):
It's so weird, and so she goes down there so that she
can watch what they're up to.
And it turns out these guys areeco-terrorists and they want to
save the world.

Speaker 1 (39:28):
Now you know I have a slight problem because I am on
Clive Owen's side.

Speaker 2 (39:36):
Yes, and the other guy too.
I'm on both of their sides.

Speaker 1 (39:40):
I mean the other guy is a little too cray-cray.
Yeah, yeah, Like Clive Owen,I'm like, yeah, cool, I'll join
that movement.
I agree with you guy.

Speaker 2 (39:49):
Now we're going to have the big political
discussion.
Oh yes, I love politics.
We had a guy, Luigi, goes,stalks out one of the heads of
one of these healthcarecompanies and kills him dead and
then the whole of everything islike this is the most dangerous
man that's ever lived.
We need to perp walk him with athousand soldiers because he's

(40:12):
so dangerous, and a lot of uswatched what he did, which is
very wrong, but we're, we'recertainly not.
We're not well that guy is.
Is this innocent babe in thewoods who you know well I?

Speaker 1 (40:33):
mean I, I have a lot.
I mean we could definitely getin trouble with this
conversation.
I have a lot of feelings onthat because I also like he's.
He's not that bad of a guybecause, listen, he's doing a
job to please other people.
You know what I mean.
Like he's not making the soledecisions.
So it's thing Like you just gotto get rid of the whole system.

(40:55):
Now I don't know how to do that.
Let me be very clear.
I have no idea how to do that,but let's try.

Speaker 2 (41:04):
You know what I mean there are a lot of wealthy
people that work in a veryamoral way to make as much money
as they can, with littleconsideration of what effect
they are doing, have and ifyou're going to make a thing, if
you have a bunch of piece ofshit, oil, people that are
fucking the world and fuckingeveryone, it's hard to feel

(41:28):
sympathetic for any of them.

Speaker 1 (41:29):
It's especially because they killed the one
brother that seemed to be on theside of like.

Speaker 2 (41:36):
We got to make things right no, he was just you don't
think so no he was just theface, he was just the other guy
was.
Was was scummy or seeming, butthe other brother just could
stand up there and give a speechbut it seemed like and I could
be wrong, I might be reading inthis.

Speaker 1 (41:53):
It seemed like he didn't even know about some of
the decisions the brother wasmaking.

Speaker 2 (41:58):
Well then they have to tell us that For sure.

Speaker 1 (42:02):
But I feel like there was a moment where someone
mentioned something and then theone brother was like, well, we
don't do that, that's notpossible.
And then the other brother islike, oh yeah, we do that for
sure, we definitely do that.
Yeah, brother's like oh yeah,we do that for sure, we
definitely do that, yeah, so Ithought I thought there was like
but then we kill him anyhow, sonone of this really matters,
because he dies first anyhow.

Speaker 2 (42:20):
So and these are all.
And we also set up a thing withthe autistic brother about how
he, at the care home, he hackedinto their systems and was
showing that they were rippingpeople off, to which I say, wait
a second.

Speaker 1 (42:35):
He has power over the care home now oh yeah, not only
that, but he also is doingbasically the same thing that
clive owens doing.
Yes, if you really think about,it, which is a weird message in
the same movie where they makedaisy, then kill all these
people that basically did thesame thing the brother did, only
you know way better.

(42:56):
I don't know.

Speaker 2 (42:58):
It's confusing to me.
And we do have a littlemicrosecond thing where she's
all like these people aredifferent than what you did
there, and then he's all like,okay, I will screw the, you know
, I'm going to make sure theyall die or whatever.
As opposed to, you could havehad this moment where the
brother is like I agree withwhat they're doing and you would

(43:18):
have had to.
You know, if you're going toset up a thing where they're
destroying the world literally.
Yeah, these are very big topicsof conversation in your, in your
blockbuster movie and, if youjust like, sweep them under the
rug and say at the end of themovie well, she's going to leak
this information.
Yeah, that's what I was goingto say, these 10 people are

(43:40):
going to get in trouble, andthat's good enough.
They got in trouble.

Speaker 1 (43:44):
Yeah, their way around dealing with moral
consequences is like, well,she's going to do it anyhow.
At the end she's going tobasically do the same thing
anyhow, so it's fine.

Speaker 2 (43:54):
And the one police officer is like you don't have
the thing.
Okay, okay, wink, wink, nudge,nudge.
I would have loved to seesomething in the third act where
the people that are going tomake sure that information
doesn't come out show up andDaisy Ridley has to do something
about them.

Speaker 1 (44:10):
Has to hide it from them.
Because they're just as bad asas these, because they are just,
I agree, yeah, and that's.
It's all kind of like Iunderstand the.
What we're saying is like, well, yeah, but murder is the worst.
Like I feel like that's themoral of the movie is like, yeah
, you could do a lot of badthings, but murder is the worst,
so we got to stop the murderersand find another way, you know.

Speaker 2 (44:32):
So it's just morally, the movie is a little messy I
would go with super messy andand at a certain point I was
just like, oh, I hope theterrorists survive and can pull
off their plan to.
You know, actually do something, you know, and that's not where
you want to be with your movie.

Speaker 1 (44:53):
No, not when you're doing an anti-terrorist movie,
If you're doing a pro-terrorismmovie then maybe Are we getting
to that point where you're likewell, you know.
That's why you know, die hard isnice, right, because you think
that they're terrorists.
And then it turns out they'rejust like, yeah, we just want
money, and that's cool, becauseone we can all agree with.

(45:15):
But also I'm like, well, youdon't deserve the money, so you
can die for doing this, that'sfine, but you give these guys a
cause, one that I think a lot ofthe world would agree with.

Speaker 2 (45:27):
At least a percentage of people seeing this are going
to be.
It gets very morally ambiguous.
Yes, you don't want to seepeople risking their lives to
save oil executives.
I'm sorry.
Not this, not it.
They set them up as monstrous.
That's the thing, 100%.

Speaker 1 (45:47):
I don't agree that they should die, but I also
don't agree that they shouldn'tget in trouble, but I also don't
agree that they shouldn't getin trouble.
So, like you know, listen ifthat guy doesn't kill Clive Owen
.

Speaker 2 (46:04):
I'm rooting for the bad guys.
The whole movie, without adoubt, and even after Clive Owen
gets killed, my sympathiesnever moved on to those people
surviving.

Speaker 1 (46:09):
No sympathy If you don't have sympathy for the
hostages.

Speaker 2 (46:13):
How are you going to gonna care about anything?

Speaker 1 (46:16):
no, I, I hardly care about daisy, I hardly care about
the brother in this.
Like I, you know, I'm having ahard time caring about anybody.
The reason why the movie worksright, what for me at least is
because clive owen I'm on boardwith.
I'm'm like go, Clive, let's dothis thing.
This guy who's named Taz whatwas his name?

(46:36):
Taz?
Taz kills Clive Owen and I'mlike oh good, I hate you by
default because I think you suck.

Speaker 2 (46:43):
Oh, you see you know what I mean.
So it works out.
You got on board becausebecause Taz ruined the movie.

Speaker 1 (46:54):
T the movie.
Tash ruins the movie and I'mlike we need to kill this guy.

Speaker 2 (46:57):
We need to get him out of the movie right now,
because he is messing this allup.
Okay, so we find out that theyhad somebody do something, and
then she was going to go totrial, and then the oil company
had her killed, and so nothingcame out of that.

Speaker 1 (47:13):
And now here's my problem.
Yeah, right, they killed anactivist.
Yeah, and now the activists arekilling them.
Yeah, and any shred of me beinglike well, murder's wrong goes
out the window.
They did it first.
This is a John Wick situation,you know what I mean.

(47:33):
Like good, kill them all.
So you messed up big time.
Window.
They did it first.
This is this is a john wicksituation, you know I mean.
Like good, kill them all.
So you messed up big time.
You messed up big.
There's no heroes.
Oh well, daisy daisy, she's ahero when she, you know, does
almost nothing for 90 of themovie and then they.

Speaker 2 (47:49):
So they kill the one dude, the taz kills the one dude
with a, with a wine bottle.

Speaker 1 (47:54):
For unknowable reasons, Also, I didn't realize
he was killing him Is that weird?
Until he was already dead I waslike, well, he's just got a
wine bottle in his mouth, it'sjust, he's fine.

Speaker 2 (48:05):
It was weird.

Speaker 1 (48:07):
It was super weird.
Yeah, also, clive doesn'treally stop it.
He said he says something likehey, don't do it, hey stop,
please don't.
He doesn't do anything, so thewhole thing's weird.

Speaker 2 (48:21):
What is the movie where the person?
Is like stop, don't go Stop.

Speaker 1 (48:25):
No Stop.

Speaker 2 (48:26):
It's in Willy Wonka, in the Willy Wonka the 70s one,
the people are doing things.
They shouldn't be doing andhe's like I'll just stand there
like stop as the people putthemselves in jeopardy.

Speaker 1 (48:39):
He's just like you want to put yourself in jeopardy
.

Speaker 2 (48:42):
Whatever?

Speaker 1 (48:42):
bro, do your thing, my friend.

Speaker 2 (48:44):
You, do you.
So then she goes back and doesthe one interesting thing she
smears some random stuff thatshe has on the windows and
writes the word sos right, oh,okay, that works.

Speaker 1 (48:58):
so we find out the bad guys now have bombs and then
they're like go find thiscleaner um, now, I wish that
that was more of a thing thatthey're trying to stop her not
only stop her, but calling hercleaner, like if that was the
only way that they knew her andthey were like man, this

(49:19):
cleaner's a problem, get thecleaner, find the cleaner.
Like if there was more of that,I'd be like, okay, yeah,
movie's called cleaner, but itonly gets mentioned once or
twice, and then the bad guyknows her on a personal level.
So there's I just I wantedthere to just be like who the
hell is this cleaner?
Bad guy knows her on a personallevel, so I wanted there to
just be like who the hell isthis cleaner?
Like he knows her whole history.

(49:40):
Oh yeah, she's former army.
She got kicked out.
I know everything about her.
I want there to be like amystery where these trained
badasses are.
Like what the hell is going on?
This lady cleaner is kickingour ass.
What's going on?
Find out who she is.
Who is the cleaner?
Yeah, I don't know somethinglike that.

Speaker 2 (49:58):
You mean because it's almost like one of the good
things that happens in in diehard, which there's like 20,
sure.
Like at one point he like hasto deal with this one guy and he
thinks he's one of the guysthat works there, but he turns
out to be one of the bad guys.
And he also has to keep hisname out of it, cause he's got
what's her name and then my puttogether the.
you know there's just wipesinside just all these little,

(50:20):
these little gems that that addto the jeopardy, and this one,
we're like.
They don't even ever, do theyeven ever capture the brother?
They haven't even had.

Speaker 1 (50:30):
but the bad guy knows that the brother's there
somewhere.

Speaker 2 (50:34):
You know like, okay, we never used that brother as a
fulcrum, never once Like why ishe there?
He's whatever Sets the fire.
The bad guys have bombs.
They try to elevate her up.
She jams one of the things,gerald bites Clive, and then he,

(50:59):
um, he gets shot out the window.
So, yeah, oh, no, no, oh, theyshoot out a window.
I think, oh, they shoot out awindow.
And I was like, well, now wehave an opening, but we never
use that broken window.

Speaker 1 (51:14):
Nope, don't worry about it, that one's too far
away, dan, yeah, too far away.

Speaker 2 (51:18):
Uh, then right when we and Noah Taz shoots Clive
Owen's character and takescontrol of the whole thing.

Speaker 1 (51:30):
Yep.

Speaker 2 (51:31):
So Clive was going to do the exact same thing that he
was going to do, but then hewasn't going to blow up the
building, he was just going tolet all these people Without
murder.

Speaker 1 (51:38):
He was going to let everyone get captured.
Clive was anti-murder.
Got it Because he's an activist.
He's an activist, but he he'san activist but he's not a
murderer got it.
And this guy's like the onlyway to get the job done is to
murder.
Now, my counterpoint to that isagain clive owen watched you
choke a guy with a wine bottleand did nothing.
So I think that clive's one ofthose guys.

(51:59):
It's like, well, I'm not gonnado it, but like, if you do it,
it happens.
Yeah.
So I feel like we could havegotten the plan done either way.

Speaker 2 (52:07):
So basically we find this point, we kind of do a
whole thing where you know halfthe team kills the other half of
the team because one half ofthe team doesn't want to kill,
and at a certain point way atthe end of the movie, the blonde
girl in charge of the controlcenter realizes that they're all

(52:30):
going to die, and so shedoesn't want to die and runs
away.
What did she think was going tohappen?
There is no.
Oh, I guess he said buses,didn't he?

Speaker 1 (52:40):
Yeah, so yeah, I mean , listen, it doesn't make any
sense.
It's messy, obviously, but sothe way to do this better, right
, If anyone's writing a movie,they need to have separate
motives and separate goals.
It can't be the exact same plan, no matter who's in charge,
because it doesn't make anyfucking sense.
He's like, hey, we're doingthis.

(53:01):
We're going to get these peopleto say, hey, did this thing,
and this guy's like that's notthe real plan.
Boom, you're dead.
The real plan is a billiondollars and we're gonna murder
everybody and get rich and flyto Costa Rica.
I don't know.
It has to be very differentplans for this to make any sense
whatsoever.
At like, half the team killsthe other half the team just

(53:21):
because they're like well, youknow, your, your friend's, dead,
so I guess you're dead too.
Doesn't make any sense, doesn't?

Speaker 2 (53:28):
make any sense and there's no conflict, there's
nobody, there's not like oneperson that goes along with it
and then or this blonde womansort of does.

Speaker 1 (53:37):
The blonde lady sort of, but not really.
Yeah, it's all done very poorlyand that's the thing in Die.

Speaker 2 (53:44):
Hard.
When you have that switch,everyone in the audience goes oh
yeah, these guys aren't idiots.
But everything we watch theterrorists do, we're like these
guys are idiots.

Speaker 1 (53:55):
He's the dumbest people in the world.

Speaker 2 (53:57):
Yeah, so you don't care.
It's like okay they're all dead, that's fine.

Speaker 1 (54:10):
Yeah, I don't care about them.
You evil oil executives.
If they all get killed, fine,whatever, I don't really care.
Yeah, there's really no one inthat building.
That I'm like boy.
I hope they don't die by theend of this movie, except for
maybe the maid and she's whocomes back for like two seconds,
two seconds, uh no, killsmarcus.

Speaker 2 (54:19):
People are the problem.
They throw marcus's body out.
I guess they throw it out thebroken window.

Speaker 1 (54:25):
Yeah, out the broken window and then just right onto
her lift, lift, which is prettyweird.

Speaker 2 (54:33):
And he has a gun.
So now she has a gun.
And then Noah shows up at thewindow and he knows everything
about Daisy Ridley's characterand they're having a
conversation like they've knowneach other forever and I'm like,
how does he have all thisinformation?
Well, he's the other windowwasher that she interacted with

(54:53):
before.
I did not.

Speaker 1 (54:55):
I was so confused.

Speaker 2 (54:56):
This is when you realized this is when I realized
it.
I was so confused.
I love that because he does.

Speaker 1 (55:01):
That's actually really good dude doesn't look
like anything well, they, andthey had him in like a hat and
like the gear earlier.
So when he's not in any of that, he does look quite different.
Yeah, that's funny.

Speaker 2 (55:12):
And why is he going into work the same night?
It's like you have a guy thatworks at this building?

Speaker 1 (55:17):
I don't know that.

Speaker 2 (55:19):
And he comes into work.
I mean he needed to have donesomething.

Speaker 1 (55:23):
Right, or you know, all of the people that are there
are the window cleaners, andit's like the window cleaners
are the reason why it are theinside men who let everybody in,
and they're like we all joinedjust to kill you all.
Yeah, that's a fun movie.
And then you can call the moviecleaners, and then really it's
about the other cleaners takingover the building and then the

(55:44):
one saving the day.
That that's a fun dynamic.
She has a gun on him.
Yeah, so I had questions aboutthis part.

Speaker 2 (55:52):
He sort of has a gun on the maid on the floor but,
not really, not very much, andshe's like a fucking super
secret agent.
She could have just blasted himright, unless the glass is
bulletproof.
Well, they shoot through itlater.
Yeah, you're right, I don'tknow.

Speaker 1 (56:11):
I thought it was weird too.
There's a five to six minuteconversation where it's just
like just shoot him, you're fivefeet away, just shoot him.
And then she shoots at thestreet later and she can shoot
1,000 yards away pinpointaccuracy Just shoot him, shoot
him in the window.

Speaker 2 (56:28):
We're going to talk about that in one second, so
whatever.
So they sort of like I knowyour brother's here, I'm going
to hurt your brother Brother'sactually right behind him when
he's doing this Just literallywithin eyeshot, yeah.
Yeah, and then he finallyleaves and we're like, okay, I
don't know.

Speaker 1 (56:46):
Now here's something that bothers me in movies.

Speaker 2 (56:49):
Yeah, I'm going to be Dan Goodsell for a minute and
tell you one of my pet peeves.

Speaker 1 (56:55):
My pet peeve is when you and I are having a
conversation and we're lookingat each other in the eyes and
then somebody else is in thebackground.
That I don't want.
Hey baby, I don't want you toknow, is there?
And then you show me alwayslooking over to them and the
person never looks over theshoulder.
If I'm looking at you in youreyes and you keep looking to the

(57:18):
left of me, I'm going to turn.
I'll be like what is over there?
I'm talking to you guy, andthat's my biggest pet peeve.

Speaker 2 (57:25):
I've seen it in movies where it's a tell and
they react on it and you have tohave them react sure, if you
have to, if you're dumb enoughto look over.
You have to have them becauseyou're being.

Speaker 1 (57:37):
You're gonna notice.
They're gonna notice.
They're looking at you directlyin the eye, threatening your
life and that should have been.

Speaker 2 (57:44):
The setup is forget this stupid maid who doesn't add
any nobody cares about.
I mean, she doesn't even get upand get away, does she?

Speaker 1 (57:53):
I think she just naps the rest of the movie.
I don't think she ever leaves.
I think she's like she's soscared.

Speaker 2 (57:59):
She's like I'm just gonna go to bed now.
She's been gassed, she hasn'tbeen un-gassed, so I guess she's
just gonna lay there for you.
She's just, she's just passedout laying there um, yeah, he,
he has to be talking to her andshe's like you know, you know
he's got to say this what he hasto say.
You could try and shoot methrough the glass, you know,
probably gonna take five shotsand I'm gonna be gone.

(58:21):
And then she's all like, yeah,and then he sees her do that and
it's like he switches, grabsthe brother, and then he's got
the brother like this, like, andthen you're in trouble.
Now you're in trouble,girlfriend.

Speaker 1 (58:35):
And then he you know he can exert that control in
some other way to you know, inactual, any actual control over
the scene?

Speaker 2 (58:41):
yeah, because he never has.
He never has any control reallyover her, ever, ever no, and
you've got to give him that.
That's jeopardy.
That means she's afraid and heractions truly mean something,
as opposed to.
Most of her actions are likewhy didn't you do them whenever
I want?

Speaker 1 (58:58):
Well, to be fair, she spends the majority of the
movie outside not doing anything.

Speaker 2 (59:09):
So you know, I'm not sure it matters anyhow, that is
very true.
Um, okay, so what he does?
So she has a gun and he's likeI'm gonna shoot the maid and
he's all like what you're gonnado is we're gonna call it in
that there's a crazy personshooting down at the street and
that's what the sos was about,but you're gonna shoot down into
the street.
Talk about her shooting downinto the street, tony.

Speaker 1 (59:27):
She is the greatest shot with a pistol of all time.
I guess is it called a handgun?

Speaker 2 (59:33):
Handgun pistol same.
Thing.

Speaker 1 (59:35):
Okay, so she's.
What do we think?
30 floors up 25 to 30 floors up, let's put it at 30.

Speaker 2 (59:43):
It's at least 30.

Speaker 1 (59:45):
She is shooting at people like they do in the
westerns, where it's at likeright at their feet to make them
dance.
But you never want them to belike, oh, I'm gonna shoot you.
She is so good with this shotthat people don't even panic
that much.
They're just like, oh wait,what's going on up there?
They're shooting at us, but notreally we're all safe.
It's the dumbest thing I'veever seen in my life.

Speaker 2 (01:00:07):
The first shot she shoots a coffee out of a guy's
hand.

Speaker 1 (01:00:11):
Out of his hand.
First of all, the like.
Here's a coffee cup.
Right, this is a giant waterbottle that I'm holding.
My hand is half of this and acoffee cup is a third of this,
so his hand is almost the entirecup.
To not hit his hand and justhit cup is unreal.

Speaker 2 (01:00:33):
And she shoots like five shots.
I was laughing through all ofthis.
It was fucking hilarious.
Every one of the shots iswithin inches of a person, as
opposed to her looking downthere and shooting into the
street.

Speaker 1 (01:00:48):
Yeah of a person, as opposed to her looking down
there and shooting into thestreet yeah, into it like a big
open area so no one will gethurt for sure.
No, she, she's like within afoot of everybody each time and
she fires them in fastsuccession.
It's not like she's doing thatthing where you like judge the
wind and you're kind of aimingcare.
She's like pop, pop, pop, pop,pop, pop, pop and she has it
perfectly all over the street.
It is wild stuff.

Speaker 2 (01:01:11):
Or shooting twice and then waiting for people to
disperse, then shooting the rest.

Speaker 1 (01:01:14):
Sure, yeah, once people because they're running
in the panic.
She's like I'm not even worried, I don't even think there's a
chance I'm going to hit somebody.
I'm so good at this.

Speaker 2 (01:01:26):
Oh, it was so funny.
And then a helicopter shows upand they're like put your hands
in the air.

Speaker 1 (01:01:31):
Like you, just don't care.

Speaker 2 (01:01:33):
And they have a big.
Well, initially they didn'thave a big rifle on her.
Later they pull out the bigrifle and pointed at her.
It was so weird.

Speaker 1 (01:01:40):
Which is an interesting order of events,
right, they show up and they'renot going to kill her, and
they're just like, hey, what areyou doing, lady, stop shooting.
And then she's like, oh sorry,I'm not a bad guy.
And they're like what was that?
God Doesn't make any sense.

Speaker 2 (01:01:56):
Okay, now Claire shows up.
She is, who's Claire?
Claire is the lady cop.
Oh, she's the lady cop.
Okay, this gets so bad.
Okay, the the bad guy, okay,the jazz, whatever his name is.
He calls up to the controlcenter and he's like okay,
transfer 33 million dollars 33million dollars into into joey's

(01:02:20):
account, into the cleaner'saccount, so that they'll think
that she's the problem which,listen, is in a vacuum as a fine
plan.

Speaker 1 (01:02:30):
Right like make it seem like she's take stealing
money.
I don't really know, but she'son the outside of the building
like what?
What?
In what world is someone payingher 33 million to stand outside
the building and shoot down?

Speaker 2 (01:02:45):
more importantly, you could just somehow you have
access to all of their accountsand all of their money, all of
the money, first of all.

Speaker 1 (01:02:52):
They have all the money in the world first of all
drain that money into the world.

Speaker 2 (01:02:56):
You know unicef, you know humanity.
Let's start spreading thatmoney around.

Speaker 1 (01:03:02):
Somebody should be doing that full-time right
shouldn't it's all for jo.
That is what I would be doing.
It's all Joe's money.

Speaker 2 (01:03:07):
I would be spreading that money across the planet,
everything into Switzerland, and, even if you're not stealing it
for yourself, like have thesepeople?
But, it said, the only thingthey use the money for is to try
and frame her up.

Speaker 1 (01:03:21):
Yeah, yeah, super weird.

Speaker 2 (01:03:22):
How do they have her account number?

Speaker 1 (01:03:26):
Well, they're best friends, Dan.
Okay, I know your bank accountnumber.
You don't know my bank accountnumber.

Speaker 2 (01:03:32):
You know what you should have said?
Venmo her $33 million.
Venmo her $33 million In theline terrorism.

Speaker 1 (01:03:42):
Terrorism, and then have her receive it on her cell
phone and just be like oh no,I'm in trouble now, Uh-oh.

Speaker 2 (01:03:50):
Okay, now we finally find out that she's ex-army Just
right now.

Speaker 1 (01:03:59):
Does it really take that long?
Oh boy, okay.
So the Do we know why she getskicked out?
Does it say yeah?

Speaker 2 (01:04:06):
we do that.

Speaker 1 (01:04:07):
Do you remember?
Yeah, I remember.

Speaker 2 (01:04:09):
Or is it?

Speaker 1 (01:04:09):
coming up later, don't spoil it.
If you've got a plan, I'll tellyou what happens.

Speaker 2 (01:04:15):
So she's there, claire's talking to her.
Somehow she's got earpieces into do all this talking.

Speaker 1 (01:04:21):
Yeah.

Speaker 2 (01:04:23):
What are they?
Airpods?
I guess her cleaner boss wastalking to her that way.
Now somehow they and she canswitch between 12 different
calls instantaneously never withpushing a button.
It's amazing Apple.
It's Apple.

Speaker 1 (01:04:37):
So good, that's how Apple works, so there's the big
boss police lady.

Speaker 2 (01:04:42):
She has this terrible SWAT guy who she has bad blood
with and it's just like oh god,so bad um they go and look at
the body.
They figure out who clive owensis within like 20 seconds
seconds yes, it's, it's wildthey drop the lift, she almost
falls, um.
And then she's all like I don'tcare, save my brother.

(01:05:05):
Um.
And then she wants to get inand don't care, save my brother.
And then she wants to get inand the cops know everything
about the bad guy.

Speaker 1 (01:05:13):
Then the news knows everything about the bad guy and
the media knows everything.
The media knows everything.

Speaker 2 (01:05:16):
Everybody's names, everything's happening, everyone
has bombs.

Speaker 1 (01:05:19):
And then we set up that Noah has a thing that if
his pulse stops for five seconds, then it'll blow and then you
have that wonderful moment wherehe takes it off for just enough
time and then puts it on.
Let me tell you something aboutpulses.
It takes a second for themachine to find it again.

(01:05:41):
So if he took it off and itturned red, I think you're dead.
I think it takes too long forit to re-find the pulse, for it
to red.
I think you're dead.
I think it takes too long forit to refine the pulse, for it
to matter.
I think you're all dead.

Speaker 2 (01:05:50):
You're not buying that.
That technology isn't solid.

Speaker 1 (01:05:53):
Works instantaneously .
I have a watch that is supposedto do that thing, and it has
never found my resting heartright.
Maybe I'm dead, it could be me,I don't know.

Speaker 2 (01:06:05):
He says no one in here is innocent.
You think I'm the bad guy?
Oh, so they send some SWAT guysin there and then he's watching
them through the computer andthen he's all like you shouldn't
have said SWAT guys, they havefive seconds to get out and then
, as they're running away, heblows up a bomb and kills them
all.

Speaker 1 (01:06:23):
Which is almost identical to Die Hard, only a
million times worse.
What do you mean?
It's stupider in this one.
You remember where they sendthe guys in at the door?

Speaker 2 (01:06:33):
and then they shoot them.
Those are good scenes.

Speaker 1 (01:06:36):
Those are great scenes and they bring in the RV
or the tank and the guy's likeit looks like the police have
themselves an RV.
It's all great.
And this is all shit and it's.
It's weird, they're just like.
I remember that one scene indiehard.
That was really cool.
Let's do that, but withoutcaring at all.

Speaker 2 (01:06:52):
they bring in they bring in the, the, that armored
vehicle, and then the one of thedudes up on runs over.
They're always the bad guys,are always doing things
proactive, they're running.
They're like don't they uselike a big rivet gun?

Speaker 1 (01:07:06):
to mount the thing, and then they lean it out there.

Speaker 2 (01:07:09):
They shoot the rocket , blow up the thing and it's
great, and it's all great theseare.
You know, they're smarter.
The bad guys are smarter thanthe good guys?

Speaker 1 (01:07:19):
Yeah, they're smart.

Speaker 2 (01:07:20):
Yeah, they're doing their jobs Because they know
what the fuck they're doing.
The cops are doing their best,but the bad guys have plans.

Speaker 1 (01:07:26):
Everyone is doing their jobs pretty well.
Everyone's pretty competent inthat movie, and that's the
problem.
You got a bunch of people thatcan do this shit and that's hard
.

Speaker 2 (01:07:39):
And that's when you fucking care.
Joey's talking to Noah andNoah's trying to do something.
There are some really amazinglyfunnily stupid things in this
movie.

Speaker 1 (01:07:49):
Yeah, we'll talk soon .

Speaker 2 (01:07:49):
So Noah lowers on a rope one of the bombs.

Speaker 1 (01:07:55):
Right.

Speaker 2 (01:07:55):
Yes, what does the bomb do, tony Well, just Beep.
Yeah, beep, beep, beep, beep,beep, beep, beep, beep, beep,
beep, beep, beep.

Speaker 1 (01:08:04):
Beep, beep, beep, beep, beep beep beep beep, beep,
beep, beep, beep, beep, beep,beep, beep, beep, beep, beep,
beep, beep, beep, beep, beep,beep, beep, beep, beep, beep,
beep, beep, beep, beep, beep,beep, beep, beep, beep beep beep
, beep beep, beep, beep, beepbeep, beep, beep, beep, beep,
beep, beep, beep, beep, beep,beep, beep, beep, beep Confirmed
the cleaner is dead.
Oh, I didn't even notice thatpart, and you know what Noah

(01:08:28):
immediately says.

Speaker 2 (01:08:30):
I don't think so.

Speaker 1 (01:08:32):
Well, to be fair, I think that people would be a
little more upset than that Thanjust like it's confirmed.
Yeah, she's dead, Ah, shoot.

Speaker 2 (01:08:43):
Explosives, the dumb bro, uh, explosives, the dumb
bro.
He's in a room and behind himhe has all these things, these
containers that I said.
Todd said thick bleach on themand I'm like, well, that's gonna
come in to play it doesn't.

Speaker 1 (01:08:58):
Do you think they're different than thin bleach?
I thought it said thick bleach.
I never went back to check.
I have no idea she's havingstruggle climbing.

Speaker 2 (01:09:05):
She's all like how about you help me out and blow
out one of these windows?
So what do they do to help herout?
By blowing out one of thewindows, Tony?

Speaker 1 (01:09:14):
Do they blow it out?
They shoot five holes in it.
Oh right, and then she has tolike hammer it For like an hour.
For an hour she has to hammerit, yeah, for a while.
Tony, do they only have fivebullets?
Maybe because they didn't comeprepared?
They're not good at their jobs.
Couldn't they have shot like 50bullets.
Well, sure, but that'sgovernment money.

(01:09:36):
You see, you're wasting thegovernment dollars to take the
taxpayers' money.
Okay, they don't want to useany bullets, they don't have to.

Speaker 2 (01:09:44):
Oh sorry, I take it back.
The reason why they only shotfive shots is so we could have
the scene where she talks toClaire and explains to her what
happened in the military.

Speaker 1 (01:09:55):
Well, yeah, she needs some time.
You're right, she needs sometime and catharsis to hammer
that window and get her angerout.

Speaker 2 (01:10:00):
She was in the army and then there was a guy who was
bad and bugged her, and so thenshe left the army because he
harassed her, I guess so shedidn't get kicked out of the.

Speaker 1 (01:10:13):
No, she quit because he was.
Because they say that, justdon't.
They say multiple times, shegets kicked out of the army, I
don't know.

Speaker 2 (01:10:21):
Okay, well whatever we do, an ick newman wasp thing.
You want to talk about theIchnumen wasp thing, tony?

Speaker 1 (01:10:28):
I don't know what you're saying, so I'm not
qualified to speak.
On the ignamus wasps, what is?

Speaker 2 (01:10:36):
it Ichnumen, I believe.

Speaker 1 (01:10:38):
Ichnumen.

Speaker 2 (01:10:39):
Basically, we set up that there's a wasp out there in
nature, that what it does is itstings another wasp and lays
its egg inside them, and thenthe eggs hatch out of the other
wasp.
That's what he's doing when hekilled Clive Owen.

Speaker 1 (01:10:55):
What so?
He's the wasp that stings, andthen more wasps come out.
Yeah, I don't think Iunderstand the metaphor, okay.
Did more people join the cause.
No, I don't even understand.

Speaker 2 (01:11:11):
He's taken over, you know.

Speaker 1 (01:11:13):
I mean, I understand that he's a wasp that killed
another wasp, or something.

Speaker 2 (01:11:18):
I guess maybe that wasp then lives in the old
wasp's house or something anddrinks all its wine, it's his
own house.
Oh gosh, we're not done withthis movie.

Speaker 1 (01:11:35):
She's not even inside the building yet.
She's just getting in now.
Oh God, this movie's dumb.

Speaker 2 (01:11:43):
When she goes into the building, the bro is right
there, instantaneously Dog down.
So the bro's right.
When she goes into the building, the bro is like right there,
instantaneously Right Dog down.
She hurt her foot a little.

Speaker 1 (01:11:53):
Oh yeah, you don't want to hurt her.

Speaker 2 (01:11:54):
She's a pain in the ass.
She put like the dog ramp rightat the end of the couch.
She'll walk around it and thenjump on the couch.

Speaker 1 (01:12:01):
She can just walk right up the ramp.

Speaker 2 (01:12:03):
Just walk up the goddamn ramp.
No.

Speaker 1 (01:12:05):
No, thank you.
No, I jumped.

Speaker 2 (01:12:06):
I jumped on it.
Thank you, I do what I want.
So she's with the brother.
They're like going somewhereand they start walking up the
stairwell and then he's all like, okay, we need some small talk
time in the middle of thestairway and he does a Piers
Morgan thing.
He also does all this Thanosstuff because he's carrying

(01:12:27):
around Thor's hammer.

Speaker 1 (01:12:29):
Yeah, he's obsessed with Piers Morgan.
I didn't understand that thread.
Maybe it's because I'm notEnglish.

Speaker 2 (01:12:35):
Piers Morgan's just a guy that has a talk show.
Nothing special about it.

Speaker 1 (01:12:40):
But don't we not like Piers Morgan?
Isn't that what was?

Speaker 2 (01:12:44):
happening.
He's kind of a Trumper, he'ssort of.
But, I don't know if he's asbig of a Trumper at this point,
but for a while he was.
I think he was on theApprentice and I think, okay, I
think he's kind of like a Donald.

Speaker 1 (01:12:59):
Trump, Whatever, Because we get the.
What would Piers Morgan do?
And I was like I don't know.
I know who Piers Morgan is.

Speaker 2 (01:13:08):
Piers Morgan is not a guy that you would ask that
question of.
He's not a guy that has a bigmoral code or does things a
certain way he's just asemi-news talk show guy.

Speaker 1 (01:13:22):
Who cares he's nobody .
Yeah, I guess maybe it's okaythat I didn't get it then.

Speaker 2 (01:13:29):
Noah freaks out for unknowable reasons.
Okay, we're going to have thebig discussion now, tony.

Speaker 1 (01:13:42):
What have we been doing so far?

Speaker 2 (01:13:44):
So they've taped all these confessions, right, right,
yeah, what's the big plan?

Speaker 1 (01:13:53):
I don't even know, if I know they're releasing them
on social media, right?

Speaker 2 (01:14:00):
And to do that, what do they have to do to those
files?
They have to encrypt them for15 minutes.
Tony, why would you have toencrypt files that you want
everyone in the world to see?

Speaker 1 (01:14:18):
Maybe it's a timed release, so they want all of
them to release at the same time.
Do you think that's what it is?

Speaker 2 (01:14:24):
I don't fucking know it doesn't make any sense.
They, this whole movie could beeliminated if they were just
facebook living right you knowwhat?

Speaker 1 (01:14:35):
no, I got it, dan I actually figured it out, okay.
So there's this thing calledthe algorithm on social media
okay, they're trying to game thealgorithm they're trying to
game it.
So what they're doing isthey're releasing the data right
of the video, but not the videoitself.
So the algorithm's picking upall the data.
It's like oh, I'm going to sendit to all of these people and

(01:14:56):
then, when the video hits, boom,it's in your feed.
That's obviously what'shappening.

Speaker 2 (01:15:00):
It's the algorithm it's just like you, just you're
like I could have my phone anddo what they're doing and
everybody, just by yourself.
They're like we should delaythis as long as possible I yeah,
I don't know.

Speaker 1 (01:15:20):
It's a bad plan.
I think we all can agree.

Speaker 2 (01:15:22):
It's like they're not a great.
They've done all this work sothey can put it on a disc that
can be stolen.

Speaker 1 (01:15:29):
Yeah, I mean, that's pretty dumb right.
Always have a backup is theanswer.

Speaker 2 (01:15:34):
Always upload it to the cloud.

Speaker 1 (01:15:36):
Send email it to yourself.
Sure the cloud's good.

Speaker 2 (01:15:39):
But you have to encrypt it so that they don't
find it Like.
This is something you wanteveryone to find.

Speaker 1 (01:15:47):
Immediately.
Yeah, we want it to happen.
Like it's weird, because inmovies of yore, you know, as in
yesteryear, they would just um,record the video and then send
it off to the news or they woulddo like they would hijack the
news networks and do it live.
Yep, but now we have toolsspecifically designed to go live
anywhere at any time andthey're like we're not going to

(01:16:10):
do that.
Okay, that's not for us.

Speaker 2 (01:16:15):
It's just pathological.
It just flies in the face ofeverything we all know.
We all know that we allliterally could just pick up our
phone and go live to an amountof people and well, maybe not an
amount of people.

Speaker 1 (01:16:32):
Some of us get zero views dan it's fine.
No judgments on on us.

Speaker 2 (01:16:37):
So they go and hide in a boiler room and then the
bad guys go to the boil andwe're like where are we going to
do all of our our, our actionscenes in this one fucking
boiler room set?
That looks like shit.

Speaker 1 (01:16:50):
Yeah, well, it's cheap.

Speaker 2 (01:16:52):
Talk to me about the lighting of the boiler room set.

Speaker 1 (01:16:54):
What lighting?
I feel like there's threefluorescents that light the
whole thing and that's it.
They were just like yeah, let'sjust use natural lighting.
Because there's no outlets onthe wall, so we can't power any
lights, we'll just use thefluorescent lighting.
It looks like shit.

Speaker 2 (01:17:10):
Super flat, right yeah.

Speaker 1 (01:17:13):
It's just terrible.

Speaker 2 (01:17:16):
She attacks a guy with a wrench that kills him
with a gun, saves the bro.
This lady has her dead torights, but somehow she's able
to pull her gun around and shoota steam pipe as opposed to just
around and shoots lady.
Yeah, steam pipes, lady Um, andthen they Kung Fu fight and

(01:17:36):
then the lady gets a drop on heragain, but then I think she's
out of bullets or something.
She sort of clicks it yeah.

Speaker 1 (01:17:46):
I mean something yeah , something cliche.

Speaker 2 (01:17:48):
The brother somehow throws a grenade down my
favorite scene in the movie.

Speaker 1 (01:17:57):
Okay.

Speaker 2 (01:17:58):
Joey, what's her name ?
Is able to hide, but the blondewoman takes the fullest impact
from a grenade ever it shootsher across the room and then out
one of the windows and sheflies.
It's the funniest thing I'veever seen.
I love that scene so much.
Tony, you should go edit thisscene into our show.

Speaker 1 (01:18:21):
Okay, alright, I'll put the thing in there, don't
worry.

Speaker 2 (01:18:24):
So funny.
Edit in when she shoots thecoffee cup.
The guy with the coffee cup, ah.

Speaker 1 (01:18:32):
Oh God, yeah, yeah, no, I'll do the whole shooting
scene so people can understandhow wild that was.
Oh, but Because I'm notrecommending people go watch
this movie.
Spoiler alert for the end.

Speaker 2 (01:18:42):
Now did you laugh when she flew out the window?

Speaker 1 (01:18:45):
Oh, I laughed a bunch in this movie.
I just said the wrong thingsand yeah, no, this was great.
Cartwheel's right out that way.
She's dead, she gone, she'ssuper dead from this little
grenade.

Speaker 2 (01:18:59):
Tony, would you know how to make a new grenade work?

Speaker 1 (01:19:01):
Don't you just hold it down and pull the pin and
then you throw it.
Is that how they still work?
I don't know.
I don't know.
Have we had upgrades to grenadetechnology?
Maybe?

Speaker 2 (01:19:12):
I have no idea how a grenade works now.

Speaker 1 (01:19:14):
I know how to stop a grenade.
Captain America taught me thatyou just jump on it.

Speaker 2 (01:19:19):
I don't think that's.

Speaker 1 (01:19:19):
Don't do that.

Speaker 2 (01:19:22):
Don't do it.
Maybe, if you're made out ofCaptain America flesh, you might
be able to survive.

Speaker 1 (01:19:25):
Which obviously I am.
That's true, as you can tellfrom my physique.

Speaker 2 (01:19:29):
Okay, here we go.
Okay, now we set up the 15minutes to encrypt it and then
we can share it.
And then so he, the blondewoman in the control center, is
then like cutting on a, uh, alittle intro he has and the
intro is this is all going to beworth it.

(01:19:51):
Um, oh wait, no wait.
This is where she says it.
Oh boy, yeah.
Basically she sees the videothat he's gonna gonna put on
there and the video is like I'llbe dead when you're seeing this
.
And she's all like wait, wait asecond, we're not gonna all die
and then so she runs away andthen gets shot what do you mean
instantly by the one otherperson that's still alive there?

Speaker 1 (01:20:15):
oh, so terrible well, you know, you think that you're
gonna live and then they tellyou not, it's hard, it's tough,
tough stuff.

Speaker 2 (01:20:23):
And so then daisy and the brother get in there, and
this is when we have the littletiny bit of conflict, where the
brother realizes that whatthey're doing is actually a good
thing.
Yeah, to which case he shouldhave just sat down and sent that
.
You know what they should havedone, oh man Talk to me.

(01:20:43):
Oh, this would have been so good.
This would have fixed thestupid movie.
She should have said blah blah,blah, blah, whatever.
And then he's like okay.
And then she takes the discright at a certain point but he
has a couple of seconds.
You know he has a minute orsomething there.
You know something happens andshe has to do with it.
She comes back, he hands her.

(01:21:04):
He hands her the disc becausehe's gonna chase the.
The bad guy's gonna chase herwith the disc right, do the
whole chase and at the end shegoes down there and the cop is
there and she's like give me thedisc.
And she's all like and we findout that claire is a piece of
shit too she's all like they'regonna, yeah.

(01:21:24):
And there's like these guysstanding there and they're like
they'll, they'll just kill youyeah we gotta cover this shit up
.
She like reluctantly hands himthe disc, but he had made a copy
or whatever you know, he's alllike.
He's all like oh yeah, I put iton the cloud.
Am I an idiot?
yeah, and you were like and thethat would have given the
brother actually because hedidn't do anything did he?

Speaker 1 (01:21:46):
No, daisy barely does anything.
To be fair, she has like threefights in the movie.
It's very lackluster, soneither of them do very much.

Speaker 2 (01:21:56):
No, but you know that would have been a good twist at
the end.

Speaker 1 (01:22:00):
Sure, yeah, that would have been a nice ending.

Speaker 2 (01:22:02):
Yeah, but they did not do that.
No, no, no.
Then Noah and Joey go there andhe's sitting there and then she
tries to move on him and he seta trap with this thing, whips
around and hits her.

Speaker 1 (01:22:16):
Yeah, I don't know when did he have time to do that
?

Speaker 2 (01:22:19):
Then they fight and then it turns For like a minute.
It was a very short, veryuninteresting fight.

Speaker 1 (01:22:26):
It was a very short, very uninteresting fight.
It was very anticlimactic, asthey say, and she wins, of
course.

Speaker 2 (01:22:32):
Yeah, yeah, pretty easily, pretty easily, and she
has, during the course of thisfight, taken a thing off of his
wrist and put it onto her wrist.

Speaker 1 (01:22:41):
Yeah, he didn't even know.
He didn't even know, didn'teven feel it.
Yeah, I mean, luckily we sether up in the beginning in the
movie as a pickpocket.
Oh wait, no, no, she's aclimber.
I forgot.

Speaker 2 (01:22:57):
I have no idea.
It's almost like you shouldhave set that up at the
beginning.

Speaker 1 (01:23:00):
You would do something.
Maybe she goes and stealssomething from the dad's pocket,
sneaks down, steals his moneyclip, sneaks out of the window,
climbs down, goes and buysherself a pack of cigarettes and
just sits back and relax.
That's the beginning of themovie.
I'm eight years old.

Speaker 2 (01:23:20):
So then she defeats him, and then he's holding onto
the rope and then he's like I'llstill get what I want, because
when I die, blah, blah, blah.
And then she's all like here'sthe thing.
They shot it terribly right.
You can barely tell she'sflipping him the finger right

(01:23:41):
yeah, well, they're at a low.

Speaker 1 (01:23:43):
I think it's because they're at a low angle to
signify where he is at so likewhen it's all you see is like a
little finger sticking up likethat, and it's like what's,
what's that?

Speaker 2 (01:23:53):
and it's at a weird, not as impactful and it's at a
weird angle, so it's kind oflike you know like what's
happening.

Speaker 1 (01:24:00):
You know you should.
I mean, that's a simple shouldhave gone hard, you know, given
the whole fuck you dude, that'sjust, that's like one of those
things where you're shooting andyou just very quickly gonna be
like, oh wait, let's reset andhave you flick off towards the
camera.
Please, daisy, let's get thisaim it towards the camera.

Speaker 2 (01:24:19):
Let's get a couple, let's get a little bit of
coverage on this, because thatlooked like shit, yeah yeah, I
don't know oh my god.
And then she kicks him too,doesn't she just then kick him
to his death?
She kicks him to his death.

Speaker 1 (01:24:31):
Kapow.
Yeah, it's great, easy peasy.

Speaker 2 (01:24:34):
Everyone files out.
She meets the thing MeetsClaire.
Claire's like handed over andshe's all like what?
The disc?
I never had any disc.
Then she's like and you got togive the 33 million back too,
and that would have been theother thing is is what's his
name at the?
You know he's like so then they.

(01:24:56):
So then they breathe.
Oh, then they go.

Speaker 1 (01:25:00):
Let me do the news who's who's 33 million is it's
the corporation, corporation 33million yeah so that would have
been a nice moment to send thatout to everybody you know.

Speaker 2 (01:25:11):
What we should have done.
We should have got to the endwith the brother, right?
He's like oh yeah, I got it all.
They're all getting in trouble.
And she's like what?
Because they meet on theseaside for an unknowable reason
.
Right, yeah, cause they meetlike on the seaside for an
unknowable reason, right, yeah.
And then he should have said ohyeah, and there was all this
money in that, this, thisaccount.

(01:25:32):
She's all like, yeah, he's alllike, yeah, I only took a
million for us, but I also tooka million for this and a million
for this, and and he shouldhave just been listing off a
thousand things as as, and heshould have just been listing
off a thousand things as we fadeout and we're just like we have
taken.
Then you've taken theirill-gotten gains right.

Speaker 1 (01:25:52):
Yeah, no one's going to take that money from them.
Nope, they're still fine, likethe rest of the corporation.
They lost their CEOs, butthey're fine.
They're just going to bring anew board member up and keep
doing what they do Make thebrother work, give him, make him
the hero.
He solved the problem.
He's the social justice hero ofthe movie.

Speaker 2 (01:26:11):
I love it and you know how long you and I have
been thinking about this stupidmovie.

Speaker 1 (01:26:15):
Well, like two weeks for me, Dan, because you were
sick last week.

Speaker 2 (01:26:19):
Well, I didn't really think about the movie after I
watched it.
The only time I've thoughtabout it is in this hour and 31
minutes, and we've alreadyrewritten many of the plot
points of this movie to makethem actually entertaining and
satisfying.

Speaker 1 (01:26:33):
I just want to be clear, because if people think
that I spend a lot of timethinking about this movie in two
weeks, I didn't, that was ajoke.
I didn't spend one secondthinking about this movie once I
pushed stop, okay, terrible.

Speaker 2 (01:26:47):
Anything else you want to say about the acting or
anything like that?

Speaker 1 (01:26:51):
I mean I didn't talk too much about Taz, but I just
want to reiterate I thought hewas really bad.
I didn't find him believable orinteresting.
I didn't like him.
I just want to get that across.
What about Daisy Ridley?
I think she's fun.
Yeah, I like her.
I think, you know, in a bettervehicle she'd be great.
I mean, I love her as Rey.

(01:27:11):
Obviously I haven't seen her inmuch else.

Speaker 2 (01:27:14):
That might be on me, though you didn't watch Black
Doves.

Speaker 1 (01:27:17):
I don't even know what that is, because when you
said it, I immediately thoughtBlack Swan, and she's not in
that.
Black doves is a.
I think it's a netflix.
Okay, well, we canceled ournetflix five to seven episodes.

Speaker 2 (01:27:31):
It's this other guy.
She's like a spy, um 10 out of10.
It's one of those things thatthey put out there and everybody
was like I don't buy this.
And then it came out.
I think it was her.
Oh, maybe it was kira knightley.
Was it kira knightley?
I also love kira knightley now.
Oh, go look it up.
Look up black doves real.

Speaker 1 (01:27:52):
All right, ben ben, but wait, isn't kira knightley
in black?

Speaker 2 (01:27:55):
swan.
Who's in black swan?
No, that's natalie portman,you're right about that.

Speaker 1 (01:28:00):
uh, all right, black doves kira oh it's Keira
Knightley.

Speaker 2 (01:28:05):
Oops, yeah, oops, oops, sorry Daisy.

Speaker 1 (01:28:08):
Confused you Brits.
The two of them look a lotalike and sound a lot alike.

Speaker 2 (01:28:14):
Yeah, they do, they really do.
They do sound a lot alike.
Same posh level and it's BenWhishaw.
Black Doves was great.
Black Doves was 10 out of 10.
And it was one of those thingsthat you were like, oh man,
we'll see about this, and thenyou watch the whole thing and
it's great, and then theconsensus is great.
And they renewed it for asecond season almost

(01:28:38):
instantaneously but, only afterit was on.
So you were like that's what'sreally nice.
Because everybody enjoyed it.

Speaker 1 (01:28:45):
Yeah, like.
Oh, everybody likes it, let'sdo it again.
Come on now.
Gotta love that.

Speaker 2 (01:28:51):
Yeah, so, yeah.
So that's good.
Now we talk about things welike.
We've been off for a week so Ionly have six or seven things I
know.

Speaker 1 (01:29:03):
I had a list.

Speaker 2 (01:29:03):
I've had to whittle it down to two things, but you
go I watched this one netflixand called life list, which is
about like this this, this girl,her mom passes away and her mom
is like has her like things shehas to do since she was 15?
You know, like when she was 15,she wrote out these are all the
things I want to do, and so themom is like you got to do these

(01:29:25):
things and it was good.
It was a lot of pressure.
It was just a sweet normal movieand you're like we need more of
these movies you can just watchand not have any stakes in.
You're just like, oh, this is amovie, I finally watched Wicked
.

Speaker 1 (01:29:43):
Did you like it?
I liked it.

Speaker 2 (01:29:45):
I didn't love it, you liked it, I liked it.
I didn't love it, you liked it.
I don't like the songs.
The songs are not.
It's not music I like.

Speaker 1 (01:29:52):
Any of the songs.
You don't like Gravity, youdon't like Popular, it's okay.

Speaker 2 (01:29:57):
Dan, it's fine.
I mean they're good.
I'm not saying I dislike them,they're just.
They're not the things I like.
They're not what you want.
Now let me ask I dislike them.

Speaker 1 (01:30:04):
They're just.
They're not the things I likeand they're not what you.
They're not what you want.
Now let me ask you how did youfeel about Jonathan Bailey in
Wicked?
Who's that?
He's the prince, the dude thedude, yeah the dude.

Speaker 2 (01:30:16):
I surprisingly liked him a lot more than I thought.

Speaker 1 (01:30:19):
He's so fucking charming.

Speaker 2 (01:30:20):
Oh, you're in love with him.
He's great, ariana is brilliant.

Speaker 1 (01:30:30):
She's so good.
Here's the thing.
I was really unsure about hergoing into the movie just
because I don't listen to themusic and she seems kind of
weird.
She knocked this out of thepark.

Speaker 2 (01:30:45):
She was so good in this movie she plays a at times
unsympathetic character, but attimes sympathetic character.

Speaker 1 (01:30:51):
And to play that line is so hard.

Speaker 2 (01:30:54):
She just dances it so hard.
But then it's also funny thatit's also completely
self-absorbed and you can justfeel her character arc.
And it's just beautiful, it'sgreat and she is vocally a
genius, and I think she'scomedically a genius also.

Speaker 1 (01:31:12):
And then cynthia what I'm on it.
Yeah, I'm just agreeing withyou.
Just based on this movie, I waslike I will.
I will buy into everything youjust said.

Speaker 2 (01:31:19):
Yeah and cynthia is absolutely amazing and I think
they really with all thedifferent ages of people.
I thought you know.
It felt you know because you'resure part of me is thinking, oh
well, these people that shouldbe playing these should be 19
years old.
But no, they're not yeah, I'm.

Speaker 1 (01:31:38):
I'm interested to see how they're not calling it part
two.
But whatever part two is calledthis year, because the the two
songs that are named popular andgravity are like the two big
songs.

Speaker 2 (01:31:52):
Do they have a lot more songs to put in the other
one?

Speaker 1 (01:31:55):
Not really, there's like there's songs but there's
no like hits in the second oneand and I heard that they're
trying to write doing someoriginal songs and I don't know
man, I'm some original songs andI don't know man, I'm I'm a
little nervous.
I loved, I loved wicked and I'mvery excited to see it, but I
just I, I hope it does as well.

Speaker 2 (01:32:12):
I hope people liked it enough to give it the second
half a shot um, yeah, so I, I, Ithink I fell asleep a little
during part of it.
Some of the wizard, some of thewizard stuff, which was like
some of the Jeff Goldblum stuff.
I'll go back and rewatch it ohman.
Black Mirror comes back.
I have started one of those.
There's a really gooddocumentary on Hulu called the

(01:32:33):
World According to Allie Willis,about Allie Willis, who was a
super interesting songwriter whowrote lots of big pop songs and
she also co-wrote the the colorpurple musical and oh wow we
know people she.
She passed away, but we knowpeople that know her, and so
super interesting watch.

Speaker 1 (01:32:54):
Oh wow, okay, um, very cool and I rewatched.

Speaker 2 (01:32:56):
I was re-watching the movie sing, and you just watch
movies that are well made andlike one.
They're introducing all thecharacters and they're
introducing, uh, rosita, the pigplayed by, um, what's her name?
Um, legally blonde, and andshe's like taking care of all

(01:33:18):
the other little pigs.
And at one point she's likewalking and she kicked something
and you're like out of the wayand you're like, oh, she could
dance.
And you're like out of the wayand you're like, oh, she could
dance, sure, and you're like youhave told.
And now, when I see her dance,and she's a good dancer, I don't
question.

Speaker 1 (01:33:34):
Makes perfect sense.

Speaker 2 (01:33:34):
I don't question it for a second, because they have
shown us something, and that'swhat's problem with a stupid
movie like Cleaner, is theynever?
We never have any idea who sheis.

Speaker 1 (01:33:48):
She climbs out a window and then sits in it.
Okay, I can't believe you wouldsay that, Dan.

Speaker 2 (01:33:54):
And the other big news is Voodoo Donuts opened a
new location here in LA, whichis right around the corner from
us.
Oh it's that close.

Speaker 1 (01:34:02):
I saw you posted on Instagram you or Shannon posted
it on Instagram, I can'tremember and I was like the
pictures look good.
It's right, I'm in it's rightby Pink's.

Speaker 2 (01:34:15):
It's where the Chipotle was that was next to
Pink's.

Speaker 1 (01:34:19):
Oh good, I don't really like Chipotle.
Anyway, that's a dangerouscorner.
Now, oh boy, dangerous Corner.
Now, oh boy, dangerous Corner.

Speaker 2 (01:34:24):
Get a little hot dog, a little donut, that's a good
day and it has like a 10 or 12spot parking lot.

Speaker 1 (01:34:30):
That's nice.
Yeah, it's very nice, becausePink's does not.
Pink's is terrible.

Speaker 2 (01:34:36):
What do you got, Tony ?

Speaker 1 (01:34:39):
Oh boy, I also have a documentary.
What Well, I have two thingsthings.
So this past week the greatestmovie of all time turned 30
years old.
It's, of course, disney's agoofy movie oh, they did the
documentary didn't.
And they did a documentary, notjust a goof.
I cried it's.

Speaker 2 (01:34:59):
I just love this I love this movie so much.

Speaker 1 (01:35:01):
It's a wonderful movie.
The doc Doc's great.
You should just watch it.
I don't like kids movies.
It's still underrated as amovie, which is bizarre to me,
and I guess it didn't do well inthe theaters, which I didn't
realize, but anyhow, so watchthat, that's wonderful.
And then we watched, cover tocover over the last week,
mid-century modern, which is aHulu sitcom.

Speaker 2 (01:35:24):
Oh, is that what you been calling?

Speaker 1 (01:35:28):
Is modern, which is uh hulu sitcom.
Is that what you've beencalling?
Is that nathan lane?
It is nathan lane and that guy?
Oh fuck, he is still gotta dude.
Nathan lane is so funny in thisshow.
Okay, he's.
The rest of the cast is notquite nathan lane level well,
yeah, but I don't even care,like I don't even care.
He's so good.
There's moments that I'm likecrying, laughing, just from the

(01:35:50):
way he delivers a basic line.
I just I don't know how he doesit.
He's unbelievable.
Uh, the whole show's worth awatch.
There is uh trump.
What is what do you call liketrauma alert or whatever.
There is uh one of the castmembers passes away during the
film literally, yeah, she passedaway.

Speaker 2 (01:36:05):
So they do like a whole episode tribute to her or
whatever.
There is, one of the castmembers passes away during the
film, literally, like actuallyLiterally.

Speaker 1 (01:36:08):
Yeah, she passed away , so they do like a whole
episode tribute to her and I wasjust fucking wrecked.
So maybe skip episode nine ifyou guys don't want to see that.
But it's great, it's a fun show, it's a fine show, but Nathan
Lane is so good that it becomeslike a good show.

Speaker 2 (01:36:25):
It is an incredible performance that will bring up a
normal show.
Well, that's cool.
Yes, 100%.
You don't have five more things.

Speaker 1 (01:36:33):
I mean, I have more, but maybe I won't have one for
next week, so I'm savingsomething you never know.

Speaker 2 (01:36:39):
We were going to do a special show next week, but
we're not going to do thatbecause I don't want to?
Oh, because Dan found something.

Speaker 1 (01:36:44):
We're not going to do that because I don't want to oh
because Dan found something.

Speaker 2 (01:36:45):
No, I just looked at my list and there's one I wanted
to do, but I don't rememberwhat it was.
So I just was looking at mylist and I was like what's a
movie we should do?
That's going to maybe make usangry, because we're going to be
sitting there.

Speaker 1 (01:36:58):
Get fired up.

Speaker 2 (01:36:59):
It's going to make us angry.

Speaker 1 (01:37:01):
Oh boy, what are we?

Speaker 2 (01:37:03):
doing so we go talk to Adam Sandler, because you've
got to talk to the Sandman.

Speaker 1 (01:37:08):
He's my buddy.

Speaker 2 (01:37:09):
He's my buddy, he's my boy, and you know, he's not
just a comedian now, he's aserious actor.
He did the Uncut Gems.
Then he did another movie thatwas serious, and that movie is
Spaceman.

Speaker 1 (01:37:23):
I don't even know what Spaceman is.
What is Spaceman?

Speaker 2 (01:37:26):
Spaceman 2024.
You don't know what Spaceman is.
What is Spaceman?
Spaceman 2024.
I don't know what Spaceman is.

Speaker 1 (01:37:33):
Where's the six months into a solo mission?
Oh boy, Lonely astronautconfronts the cracks in his
marriage with help from amysterious creature.
What is happening?
What are you talking about?
This isn't a movie that cameout.

Speaker 2 (01:37:47):
How did I not know about this?
It's Spaceman.
I can't believe we didn't evertalk about it.

Speaker 1 (01:37:52):
Yeah, oof, okay.
So we're watching Spaceman andit might be good.
I don't think so, becauseSandler is a decent actor.
He's a great actor.
I like him a lot, especiallywhen he tries.
He's a great actor.

Speaker 2 (01:38:04):
I like him a lot, especially when he tries.

Speaker 1 (01:38:06):
I was watching him on Conan.

Speaker 2 (01:38:07):
You know Conan's like talk show His internet podcast
or whatever it is.
I think something happened tohim.

Speaker 1 (01:38:17):
I think he got broken somewhere.
Oh, that's not good.
Yeah, I think the businessdrove him insane, or not insane,
but just like stole hisenjoyment of the thing he loved
most I mean, which is, I wouldtotally buy that, because I mean
, especially if you watch likethe trajectory of his movies,

(01:38:40):
like response wise, like he wentthrough this like high, highest
of highs, and then got real,real, real low and now he's kind
of back and in favor after he'sbeen doing some stuff but like
that's got to fuck with you.

Speaker 2 (01:38:51):
I think he's afraid to put himself out there because
of the hurt that can occurthrough the process.
So you do safe things, sothat's why we're going to beat
up on him next week.

Speaker 1 (01:39:05):
Yeah, he'll love that .
You know, I actually met AdamSandler once, Sort of we were in
line at the Santa Monica rollercoaster and he was in front of
us Me and my brother so we saidhi to him, told him we were big
fans.
He wasn't interested.
He's having a day with hisfamily.
So I was like no, totally cool,we just wanted you to know.

Speaker 2 (01:39:25):
Oh well, that's nice he was yeah, no he was, I mean,
he was very nice, he wasn't rudeat all, he wasn't a dick, he
just was like oh, thanks guys.

Speaker 1 (01:39:31):
Yeah, he was like oh, thank you, I'm here with my
family and we're like yeah, no,no, totally get it.

Speaker 2 (01:39:47):
Just wanted you to work.

Speaker 1 (01:39:49):
You work for me.

Speaker 2 (01:39:51):
Oh, to be a celebrity .
So, we'll be doing Spaceman.
Maybe it'll be good.

Speaker 1 (01:39:56):
Can't believe we've never heard of this movie.
Yeah.

Speaker 2 (01:39:57):
Spaceman, it did not.

Speaker 1 (01:40:01):
You know, it didn't do much just because I never
heard of it.
I had Netflix when it came outand I never heard of it.
I had Netflix when it came outand I never heard of it.
I was doing something.

Speaker 2 (01:40:08):
I was doing, some research, and I ended up on a
remake of the Magnificent Seven,called Magnificent Seven, just
with the number Directed byAnton Fuqua.

Speaker 1 (01:40:22):
Is that someone I should know he's like?

Speaker 2 (01:40:24):
some weird action guy Came out in 2018, denzel
Washington.
Oh, this is a Chris Pratt movie.
Chris Pratt, yeah, I've heardof this.
I put it on in the background,wasn't watching it Listening to
Chris Pratt Chris Pratt's trulyterrible, truly truly terrible.

Speaker 1 (01:40:45):
That's a given.
Maybe we should do that someday.
Christmas.
Truly terrible, Truly trulyterrible.
That's a given.
That's a given.
Maybe we should do that someday.
No, no, my dad doesn't want todo it.

Speaker 2 (01:40:56):
That means we're definitely going to do it at
some point, because I thoughtabout it and.
I did not write it down.

Speaker 1 (01:41:00):
I'm writing it down right now, you're going to
forget about that movie and then, like six months from now, boom
, I'm going to spring it on you.

Speaker 2 (01:41:05):
I just keep going back to Electric State and how
neither of them could put in aperformance that could keep you
even moderately interested.

Speaker 1 (01:41:14):
Any no-captivation.
Is that a word Captivation,no-captivity?
I don't know.

Speaker 2 (01:41:23):
So we'll be back with Spaceman next week.
If you like what you see, giveus a thumbs up.
All those other things.

Speaker 1 (01:41:29):
Comment like subscribe.
Yeah, and we'll be back.
You're better at that than I am.
Good night, tony.
Goodbye everybody.
Hey watch it With Dan and Tony.
Hey watch it.

Speaker 2 (01:41:48):
With Dan and Tony.
It watching Dan and Tony, it'slike watching yeah.

All Episodes

Episode Transcript

Popular Podcasts

Crime Junkie

24/7 News: The Latest

Stuff You Should Know

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Hate Watching Cleaner: Squeegee of Death

Episode Transcript

Popular Podcasts

.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;}Crime Junkie

24/7 News: The Latest

Stuff You Should Know

All Episodes

Hate Watching Cleaner: Squeegee of Death

Crime Junkie