Hate Watching Flight Risk: Flying High and Falling Hard

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Tony is desperate to be desperate to have acting yeah
Of any kind.

Speaker 2 (00:06):
Of any kind.

Speaker 1 (00:08):
That's all actors really want.
I mean, yeah, and it's kind oflike all of them right.

Speaker 2 (00:13):
Yeah, we just want to do it.
You know, like, I feel like themajority of us don't need to be
rich.
We just want to do it, we justwant to be invited, that's all.

Speaker 1 (00:23):
Yep, that is the central conceit of the actor and
that's what I said to him.
I am not an actor.

Speaker 2 (00:35):
Couldn't care less.

Speaker 1 (00:42):
Welcome to Hate Watching with Dan and Tony.
I'm Dan, I'm Tony.
Each week we talk about a movie, we dissect it, we get to its
core, we understand what'sbehind the filmmakers thinking.

Speaker 2 (00:55):
No, don't promise that on this movie.

Speaker 1 (00:57):
Filmmakers.

Speaker 2 (01:00):
You didn't like this one.
No, no, I loved this movie.
This is a horrible movie.
This is a terribly made,terribly written, horrible movie
and I had an absolute blastwith it, Just had so much fun.
I have some notes.
I think that it could have beenbetter.
It could have been better.
It could have been better.

Speaker 1 (01:20):
I find that hard to believe.

Speaker 2 (01:22):
I'll just tell you right now Stop knocking Mark
Wahlberg out.
Don't make him unconscious for40 minutes of your movie,
because he's the best part ofthe movie.
His creepy, weird, sexual likethis guy is making me laugh all
through the movie and you keepknocking him out Unbelievable.

Speaker 1 (01:42):
Did you ever believe in what he was doing?

Speaker 2 (01:46):
Who did you believe in this movie?
Don't as if that's like somesort of level setting for this
movie.
Who did you believe?
Because I'll tell you what it'snot the agent, the main lady.
She'd never said one word thatI believed.
Topher Grace is fine.

Speaker 1 (02:00):
He's just kind of being Topher.

Speaker 2 (02:02):
He's just kind of doing himself.
I feel like a lot of the takesare just like yeah, just do
whatever you want on this one.
Let's see how it goes, becausethey don't always make sense in
the movie.
But it's fine, because he makesme chuckle.
It's none of the people on thevoiceover on the radio or the
telephone, because I'm prettysure they didn't read a script.
I'm pretty sure someone justcalled them and were like hey,

(02:28):
just repeat these lines to me,don't worry about context
whatsoever.
This movie man.
This is Mel.
What are you doing?

Speaker 1 (02:34):
What are you?

Speaker 2 (02:35):
doing Mel.
This movie is called.

Speaker 1 (02:36):
Flight Risk Flight Risk it's a tight hour and 31
minutes of mostly boringexposition.
Mostly boring exposition.
Mostly boring exposition.

Speaker 2 (02:45):
Yes, because you keep knocking out your only
antagonist.
If you knock out the antagonist, we got nothing to do.
We have nothing to do for 20minutes at a time.

Speaker 1 (02:56):
The interesting thing is he's often awake when
they're trying to make criticalphone calls, and he's like yeah
and not doing much Doesn't makea peep, right.
You know when he's like oh,I'll be polite while you're
talking about the phone call,that's gonna help get me to my
own death sooner.
But you know, when that's done,I'm just gonna talk about, I'm

(03:18):
gonna go rage.
I'm gonna talk about rapingTopher Grace.
I'm gonna do so much about rape, it's just like you know how
I'm going to rape you.
It's going to be enjoyablebecause I'll be raping you.

Speaker 2 (03:30):
I'm good at rape, I'm going to enjoy this.
I should have written down howmany times he said I'm going to
enjoy this, because I feel likethat was his motto.
He said it probably 15 timesthroughout this movie.
I will say Dan, in his defense,in defense of this character
who was quiet during the phonecalls the phone calls didn't
actually seem that helpful, sohe's probably listening and

(03:52):
being like I'm fine, I don'teven have to worry right now,
because these people are allidiots.

Speaker 1 (04:00):
They're all incompetent idiots and they have
no idea what they're doing.
Well, it is interesting thatwe'll talk about how this movie
gets set up in a minute.
Sure, you're always like, oh,he's done something and they're
going to trick them.
There's going to be.
You're always waiting for thered herring or the switch or the
turn it never comes.
There's nothing, no, prettystraightforward.

(04:22):
Yeah, it's like at first wedon't know Wahlberg's the bad
guy.
Then, like within about 30seconds of meeting him, we're
like, oh, he's the bad guy, oh,okay.

Speaker 2 (04:32):
Well, I think at first you're like, oh, he's a
bad guy because he's skeecy.
But then you're like, oh, no,wait, he's the bad guy.
Now it all makes sense why hecame into this plane and why he
came into this plane.
And I was immediately like, oh,this guy is giving me the
creeps because he's a bad guy.
And Mark Wahlberg not the bestactor in the world.
So, yeah, he kind of telegraphsit and it's probably script
related, but he never comes inand tries to fool you, that's

(04:55):
for sure.

Speaker 1 (04:56):
What do you know about the script Tony?

Speaker 2 (04:58):
I don't know anything about it.
Was there a script?

Speaker 1 (05:06):
Oh, there was a script.
I know absolutely nothing.
I did zero research on this.
This is one of those scriptsthat was top of the blacklist.

Speaker 2 (05:12):
Now let's have a conversation, and I'm going to
pose it in the framework of ifyou're outside of Hollywood, but
really it's because I have noidea what the blacklist is.
But tell the people outside ofHollywood, dan, what is the
blacklist?
I don't think they understand.

Speaker 1 (05:25):
Understand, oh, but you know what?
The blacklist is I.

Speaker 2 (05:28):
It's a thing that I hear about all the time and
they're like oh, these scripts,the blacklist, oh, there's a
podcast about the blacklist andI'm like I don't.
I don't really know what it is.
How does a script get to theblacklist?
What does it mean if it's onthe blacklist?

Speaker 1 (05:40):
oh, how do you get to the top of the blacklist?
I know this, but now I there'sa um, there's a competition site
for screenplays that you canput your screenplays on there
and then enter competitions,which I, which I did a little
bit of, and I won't say I hadsuccess.
But you know, occasionallyyou'd get somebody, you know,
some one of your things will bein a contest or something and

(06:00):
people will say positive thingsand you'll move up and you move
up.
This thing it's Coverfly, Ithink it's called Coverfly.
Okay, it might be the one thatgets you to the blacklist, but
Coverfly definitely has I thinkit's Coverfly has a group of
scripts that are at the top.
These are the ones that havewon multiple contests and people

(06:22):
have read and said this is goodand so at a certain point you
get up into this.
Vaunted is that the right wordVaunted status of the blacklist
or the red list or whateverthese lists are.
And these are the bestunproduced, unpurchased scripts
that are kind of floating outthere and it's usually like 10
scripts that you knoweverybody's like.
Oh, this is the one you know Inthe case of this script, this

(06:45):
is the one where they're flyinga guy back and you end up with
this tight situation wherethere's a bad guy and a marshal
and a witness.
You should.

Speaker 2 (06:54):
It should be tight, it should be.
It's a good setup.
It's a nice setup.

Speaker 1 (07:00):
It could be a good setup and it could be tense and
you could care about something,but this movie, basically the
marshal is the good guy,wahlberg is the bad guy who
wants to rape the witness.
Very bad and the witness hadworked for a mob guy or whatever
, and then he stole a bunch ofmoney and then ran away.

(07:22):
So they're bringing him back totestify against the mob guy.
But Topher's character is justa whimpery nerd guy.
He never vacillates betweenallegiances, which is what you
would need him to do.

Speaker 2 (07:39):
Well, they kind of just like a very little bit at
the beginning, remember, likethat first conversation.
He's like, hey, I'll give yousome money and we'll just not do
this anymore and that's it,yeah he doesn't he tried one
time.

Speaker 1 (07:53):
Well, well, and also the the bad guy is gonna throw
the the marshal out the thewindow or kill her or whatever.
Yeah, and he's, you know, andhe like I think he questions
tofus, you know.
He's like are you okay withthat?
And he's like what do you know?
Sure yeah, yeah you know, andthis, this is, this is a point

(08:14):
where you see who his characteris.
Is he?
Is he a total dick?
It's only about himself.

Speaker 2 (08:18):
But we find out he turns out to be like kind of
bonus good guy, which we likeyeah, yeah, you know, he's just
kind of fine, he's just like hey, I made some bad choices, but
uh he said he should be put inthe middle of constant moral.

Speaker 1 (08:32):
There's no moral dilemmas in this movie.
No one has a moral dilemma fora fraction of a second and
without that all we have is justthe jeopardy of the situation
and the jeopardy of thesituation.
And the jeopardy of thesituation is dopey constantly.

Speaker 2 (08:45):
Well, it's dopey.
And also I feel again withknocking him unconscious
whenever they need to likedivulge some sort of scripty.
I just feel like you're losingthat urgency.
There's no urgency to almostanything that's happening.
And these phone calls.
I can't wait to talk aboutthese phone calls.
But these people on the phone.

(09:05):
When she's like, hey, I'mflying a plane and I don't know
how to fly, everyone's like,okay, well, let's see what we
can do.
Huh, no one is like let's getthis person on the ground, for
the love of God.

Speaker 1 (09:19):
Nobody cares about anything, and when a lot of your
major interactions are phonecalls, we have we.
There was a thing that I don'tknow somebody taught us in
improv.
They were like always stand up.

Speaker 2 (09:32):
When you're sitting down, your energy goes down, and
when you're talking to somebodyon the phone for extended
periods, especially who you'renot really talking to, like
let's, let's keep this in mindthese conversations not
happening in real timewhatsoever oh, so you really
think that that they canned allof that?

Speaker 1 (09:51):
they?

Speaker 2 (09:52):
they there's not a.
There's not a chance that thosepeople ever talked in real life
.
Not a chance.
I just the the way that theinflections work between the.
There's just no way.
There's no way, because thisperson on the plane gets pretty
excited sometimes.
I don't think she's great, butshe has some sort of level of
emotion.
What's her name?

(10:13):
Leah.

Speaker 1 (10:13):
Rimini Leah.
Rimini is the woman.

Speaker 2 (10:17):
She never puts any sort of feeling on any words.
She's like hey, I sold you outand basically told the bad guy
that you're the bad guy.
And all leah says is like hey,you know I love you, but thanks,
bitch.
What, what do you?
What do you be upset?
She just put a target on yourback.
You, you're dead.
The next scene we never hearfrom you again and you did not

(10:39):
care at all you could.

Speaker 1 (10:41):
You're gonna die and you're like well, that's, that's
.
Thanks a lot, so bad it's allso bad guess I'll call my
children and say goodbye, yeahno, it's just it's.

Speaker 2 (10:57):
It's an embarrassing, all of it's embarrassing, to be
honest with you.
Also, what's weird?
Did you notice that the guy whovoices hasan is not the guy who
plays hasan at the end?
You know, I'm gonna tell yousomething, tony.

Speaker 1 (11:12):
Oh, oh, please tell me something never saw the end
of this movie.
Okay, first time ever I haven'tfinished a movie, though on
show.
I was to the last five minutesand I think you got onto your
account and I got kicked off.
And I was like, oh, I'll go backand watch it again.

(11:33):
I'll watch it, you know, thismorning, because it was
literally five minutes and Iforgot that I didn't finish it.
And then I was reading the plotdescription on Wikipedia and I
was like, oh, what wait, whathappened?
I didn't.
I'm like, oh geez, I didn'tfinish it and this was, like you
know, two minutes before hewent on.
So I was like, yeah well, youknow, whatever I read, what

(11:56):
happened?
Nothing.
How did you know it was adifferent guy?

Speaker 2 (12:00):
uh, because I saw in the credits there's two credits
for Hasan.
There's Hasan and then Hasanparentheses voice and I was like
what?
Which you didn't see, I assume.
But he shows up at the end andhe never speaks.
It's like there's a slow motion.
They make eye contact, hesmiles, and then something else

(12:21):
happens and he never speaks.
I was like well, that's weird.
And then you read the creditsand there's a guy that played
the voice and there's a guy thatplayed the body.
I don't understand why thathappened.
Somebody needs to tell me.
But it's not going to happen.

Speaker 1 (12:35):
Yeah, it's weird.
It's a weird movie.
It's a terrible movie.

Speaker 2 (12:40):
But it's a terrible movie.
There's a lot of weird choicesthat I just I would love to talk
to somebody who was in thisproduction and just ask some
questions.
I just need to know someanswers how, why, when?
Now were they just sitting on asoundstage with green taking

(13:04):
off and, like the first veerthat they do, that looked like
real plane.
But even when we do the firstentrance of the airport, there's
like a some sort of I don'tknow if it's a- you mean the
crash?
A drone shot?
no, no, when we first see theairport and there's a drone shot
moving over the airfield andthe airplane and then there's a

(13:27):
cop truck or something there.
Those are both fake, those areboth.
Yeah, those are both added inpost.
You can tell because thecoloration and the lighting is
completely wrong on both ofthose vehicles and I was like
that is so weird.
You don't even have money toget a shitty crop duster plane
Like what is going on here.
Guys, I don't know.
So I don't know if that's juststock footage.

(13:49):
Maybe that's what it is.
I'm just maybe that is juststock foot.
That's getty images right thereand they're just adding in some
elements that they shot on agreen screen.
I don't know.

Speaker 1 (13:59):
It's um, it's interesting when they talk about
, you know, ai movies and allthis.
And that's where all the ai isgoing to end up in these weird
little bits in in lower levelmovies that they just need to.
You know it's like it's likethe because it's cheaper.
It's cheaper and like theplugins for bullets, and you
know there's all this kind ofstuff.
It's just it's people thinkingthat they can have the veneer of

(14:22):
something that looks moreexpensive, but it just makes you
go worse.

Speaker 2 (14:27):
It just makes it look so much worse.
Just spend $400, rent a planefor the day.
Just set it on a streetsomewhere, I don't even care,
you don't even have to rent it,just be like hey guy, is this
your plane?
You mind if we shoot it andgive you a hundred dollars,
he'll do it.

Speaker 1 (14:40):
I don't know, but it has to look the right way and
they probably wanted that shotlater, that's true.
All they had was that CGI planethat they paid for.

Speaker 2 (14:52):
But yeah, I have to imagine everything is.
They're just in a littlecockpit and you got probably
just green screen around, bluescreen, green screen, one of the
two, because I don't think theyhave enough money to do any
sort of digital stuff.
But yeah, yeah, it's fun, funstuff.
And the flip side of all thatis it never.

Speaker 1 (15:12):
Nothing ever feels real.

Speaker 2 (15:13):
You're just like yeah , I mean even the motel you're
about to say hey, we open on amotel, motel fake.
Hey, we open on a motel, themotel's fake.
That's a fake scene.
You can tell Because the signlights up and it doesn't light
up anything around it.
It's all fake, man, it's weird.

Speaker 1 (15:36):
But that's the thing, it was interesting.
At one point you're like, oh,maybe they'll crash and then
they'll have to be in the snowand something will happen.
But this movie you couldn'tever crash because you couldn't.

Speaker 2 (15:49):
Well, they do crash, Dan.
Did you not see that part?

Speaker 1 (15:53):
Yeah, sort of this little model Like this.
Oh, it got stuck.
Just leave it in.
We only got an hour and 31.
We need to leave every secondin this movie.
Um, but you couldn't.
You couldn't spend that money.
It's interesting, I waswatching this movie guns akimbo

(16:15):
oh, daniel radcliffe, I loveguns akimbo and so I watched
this stupid movie and then Iwatched most of guns akimbobo
last night.
Didn't watch the end.
Sure.

Speaker 2 (16:26):
That's kind of your thing.
You just don't finish moviesnow.
That's fine Well.

Speaker 1 (16:30):
I fell asleep and then I woke up and saw the one
girl blew up and I was like, ohokay, well she's gone.
Sure, I thought they were goingto fall in love, but I,
whatever.
You can't really fall in lovewith a psychopath.
But, point being, just likeeverything in that movie is like

(16:50):
him crawling out of windows,him doing this Him going through
a thing in the movie and beingin the movie, right, and that
all feels real.
It does.
So.
Here's the movie, right, andthat's that all feels real.

Speaker 2 (17:06):
It does.
So here's the thing, right.
The flip side of that is, likeone of the draws of this movie
is that it takes place in onesetting, right, we're not.
The phone calls all happen offscreen.
You're not cutting to anybodyon the, so like it's cheap.
Right, there's an episode offriends, the one where no one's

(17:27):
ready, or something like that.
They wrote this episode becausethey didn't have.
It was like one of those inbetween episodes they didn't
have money for locations, sothey wrote an episode that is
entirely inside of Monica'sapartment.
They never leave the apartmentand it's one of the best
episodes they've ever done.
It's so tight, everything is sotightly done because it's all

(17:48):
right here You're not goinganywhere, you're not worried
about anybody, but the fivepeople in this room, six people
in this room, that's how manypeople are friends and it's
brilliant, right?
So, like there's the flip sideof things.
It's like if you put everythingin one room, you would think
that the tension would beconstantly there because we're
never leaving.
I should feel claustrophobic, Ishould feel trapped on this

(18:09):
plane with this guy.
You need to feel these thingsbecause we never leave.
But I'm just like, yeah, we'recool, we're cruising to the
Bahamas.
I don't give a shit.
This is the dumbest plane rideI've ever been on.

Speaker 1 (18:19):
Well, that's because there's no relationship between
the characters.
Oh yeah, 100% because there'sno relationship between the
characters.

Speaker 2 (18:27):
Oh yeah, 100 mark.
Walberg wants to rape tofer andmaybe, maybe, do something bad
to the woman.
I think he wants to rape themboth okay so, but he really
wants to rape tofer yeah like ifhe was ranking them, tofer
would be way up here on the rapescale and she'd be down he'd
get five rapes for every threerapes that the woman would get.
Yeah, no, it's weird.

Speaker 1 (18:48):
But so that's not a relationship and Topher's like
he's uncomfortable and afraid ofhim, but there's no
relationship there Becausethere's no connection or
interaction.
You know, if you're like, likeI said, if tofer was in between
the two and at times had toconstantly make choices, and you
know, are you with me, are youwith her, are you with her, you

(19:09):
with?

Speaker 2 (19:10):
his own survival right, like he should.

Speaker 1 (19:12):
He needs to have to like navigate this situation, as
opposed to just sitting backand just being like well you
know, you know, and at one pointtofer should be like I'm I'm
gonna kill him, I'm going back'slike no, you're not killing,
she tases him.
We're just like it's constantthing about who has status right

(19:33):
.
Nobody has status in this.
They're all just a bunch ofpeople that are all like, well,
I guess what's going to happenwith you, know?
And she's bad at her job, oh,she's terrible at her job.

Speaker 2 (19:46):
Why is she bad at her job?
That's a that's a bad decisionshe doesn't.

Speaker 1 (19:48):
She doesn't secure weapons, she doesn't secure
people right right, she doesn'tsecure people.

Speaker 2 (19:53):
That's my biggest problem.

Speaker 1 (19:55):
You've got a bad guy back there and you're like well,
this piece of leather will holdhim.
He's up there like she refusesto kill him.

Speaker 2 (20:03):
Yeah, she's like I won't kill him because I'm I'm a
better person.
He's to go to jail.
That's a fine way to build thatcharacter.
But she doesn't lock him up atone point.
She like knocks him out withthat flare and from what I can
tell, he's just laying in theback for at least five minutes
just untethered, just likehanging out enjoying his life.
It's real weird.

Speaker 1 (20:23):
Once you set up that, you have autopilot where you
can just any.
You just click a switch andeveryone.
You know it's, it's a stageplay, you know it's like yeah,
wherever you want, do whateveryou want, doesn't matter.
Go make a cocktail, doesn't?
Who cares?
You know, it should have beenthat somebody was always on that
had to be on that stick, right?

Speaker 2 (20:41):
yes, so you should always, autopilot should have
been destroyed.
I don't know how a plane worksbut autopilot should have been
disabled.
Mark Wahlberg should have justdone that before he got on the
plane.
He should have just snip, snip.
I assume it's one cable, Idon't know anything about it?

Speaker 1 (20:55):
Just gotta snip twice .
Don't snip once, snip twice.

Speaker 2 (20:59):
One here, one here.
Autopilot's done, but youMeasure once, snip twice.
She almost doesn't need to bein the cockpit at all.
She could be in the back likeholding a gun and just be like
Topher.
Hey, look out this window.
If you see a mountain, let meknow and I'll come fly the plane
.
Otherwise, we're fine, we'recruising, yeah, you could have

(21:20):
had it.

Speaker 1 (21:20):
So someone has to be on the stick constantly, and so
when tovar's on the stick, hehas whoever's on the stick has
some power and control.
Yes, and each time it switcheswe see the power shift, you know
, and and you know.
So she's on there and tovar'slike doesn't want to go back and
he's trying to decide, you know, do I want to be with you or
with with him?

(21:40):
And he's all like, he's like gotie him up, and he's all like
no, I'm like go tie him up, andhe's all like no, I'm not going
to, I'm going to shoot you.
Okay, shoot me.
Then he's coming up to get you,you know, and then you have to
shoot it.
These are moral conflicts thatcould happen in this situation.

Speaker 2 (21:56):
There's no moral conflicts in this show at all.
Should Mark Wahlberg be thereto kill him, or let me pitch
something else?
Should Mark Wahlberg be thereto give him an ultimatum and be
like hey, come with me, we'regoing back to Mr Gio Vetti or

(22:17):
I'm going to kill?

Speaker 1 (22:18):
you.
There's a big pile of moneysomewhere.
There's a big pile of moneysomewhere and Gio Vetti, or
whatever his name is, he wantsthe money back.

Speaker 2 (22:25):
Yeah.
And so he's got to decide, like, am I going to try?
Wants the money back?
Yeah, and so he's got to decidelike am I gonna try and do the
right thing with this government, lady, or life, a crime, and
either way I could die.
I don't really know like I, Idon't know, I don't know, it
doesn't matter, it didn't happen.

Speaker 1 (22:39):
I was just wondering, yeah these, these are all
things that you know.
I, I can't believe this if thescript I doubt the script dealt
with all these things.
I don't believe it.
I think that you know.
I think those scripts, yeah, alot of times they're, like you
know, kind of sexy.
You know, like you said, ohsexy, it's three, three
characters and in a triangle andthey battle it out.

Speaker 2 (22:59):
Okay, that sounds it should be a nice tight thriller
full of character development,moral choices.
You're right, because you'renot doing action right, like
it's not an action movie.
So the the conflict needs tocome from within.
Yeah, it has to be this, thistriangle of conflict, and it's
just not.
It's just not at all, it's alot of.

Speaker 1 (23:20):
So a lot of phone calls and then people giving
their weird backstories.
I got kicked off of the casebecause I let a prisoner go to
the bathroom alive she wasburning alive and I just ran
away.
You're like, wait a second,right, that's what.
That's what the story was,right it's a?

Speaker 2 (23:39):
that's exactly what the story is burning alive, and,
and this woman.
She ran nothing like yeah, shejust ran away.
So this is cowardice.
She's already already on fire.
Okay, like, what am I going toreally do?

Speaker 1 (23:51):
But that has to be the sense.
You know, if that's yourcharacter trait, then that's
what she has to get over.
Right, she wouldn't run intothe fire.

Speaker 2 (23:58):
What a perfect experience to get over losing
one of your people, to save thisone.
But she never has that urgency.
She's never like no know I needto keep you alive because I'm
not losing another one like youare my redemption.
You, you have to live.
She doesn't really care, she'slike I mean, I want you to live

(24:20):
because you, I really want youto testify.

Speaker 1 (24:22):
It would be good for us if you testify please, yeah,
this probably helped me get mymain job back, but she doesn't
seem that invested in gettingher job back I don't.

Speaker 2 (24:32):
I'm gonna go on a limb and say she shouldn't get
her job back.
I'm just kidding.
She should never get her jobback.
She should be at a desk for therest of her life.
I'm sorry she is not good the.

Speaker 1 (24:43):
The best part in the movie is where she's they're
like trying to use the radio,all radio, and then she.
And then she's like, oh yeah, Igot a satellite phone in my
pocket.

Speaker 2 (24:50):
I have a satellite phone in my pocket this whole
time.
She's the dumbest person in theworld.

Speaker 1 (24:56):
Okay, we've talked about this movie enough, goodbye
.

Speaker 2 (24:59):
Almost 20 minutes, real quick though.
So it was on the blacklist.
You said yeah.
So now I don't know.
If you know this, you can tellme.
If you don't know, people canjust bid on those scripts.

Speaker 1 (25:10):
then on the blacklist and then they just get made.
Yeah, it's an unproduced and, Ibelieve, an unoptioned script,
so you just walk over there andoption it anytime you want.
And I believe a few otherblacklist movies have been made
and I'm thinking the resultswere equivalent to this

(25:31):
interesting.

Speaker 2 (25:31):
We should find a list okay, I'm gonna try to find a
list of like all the blacklistmovies that were made, and we'll
just do them all yeah so westart the movie.
That's interesting yeah, let'sdo it uh snowy day at the igloo
motel.

Speaker 1 (25:42):
There's topher grace.
He's considered oh, I wrote asan actor.
He's considering how to revivehis career.
This movie.

Speaker 2 (25:49):
Wrong choice.
Didn't work out for you bud.

Speaker 1 (25:55):
There's some movie where he played the tech
millionaire and he's really good.

Speaker 2 (25:57):
I don't remember what it was, but I really enjoyed it
.

Speaker 1 (26:00):
He's making cup of noodles which is not actually
called cup of noodles.
It's called cup noodles Cupnoodles, not cup of noodles.

Speaker 2 (26:06):
Cup noodles, really.
Why do we think it's called cupof noodles?
Because we're insane.
I thought you were going to sayit's the Mandela effect.
I was trying to lead you intothat, but you think it's just
because we're all crazy.
Yeah, okay, cool.

Speaker 1 (26:20):
He actually wasn't making cup noodles.
He was making well, becauseit's called cup noodles, because
it comes from Japan and theyjust called it cup noodles.
We call it cup un-noodlesbecause we're a bunch of
Americans.

Speaker 2 (26:29):
Because we're a bunch of hillbilly hicks.

Speaker 1 (26:31):
Yeah, sounds better, I'll get myself a cup of noodles
.
Well, there was Lipton cup ofsoup.

Speaker 2 (26:38):
So they're just conflating it yeah.

Speaker 1 (26:40):
And there was one called Mugga Lunch.
I can show you Mugga Lunch.

Speaker 2 (26:45):
Yeah, don't eat that one.
Mugga lunch yeah, don't eatthat one.

Speaker 1 (26:47):
That doesn't sound good at all.
Are you going?

Speaker 2 (26:49):
to go get it.
You have one.
I can't wait for this.
Bring us a cup.
What do you got?

Speaker 1 (26:56):
There's a vintage.

Speaker 2 (26:57):
Cup of soup Onion.

Speaker 1 (26:59):
Yeah, that's why we got a cup of noodles Onion soup.

Speaker 2 (27:04):
Onion soup is the greatest thing ever.
That can't be right, dan.
What do you put in it?
You make it into dip, like aFrench onion dip.

Speaker 1 (27:13):
Yeah, that's how you make onion dip.
I didn't know that.
You take a pouch of onion soupand you mix it into a thing of
sour cream and you have the bestdip in the world.

Speaker 2 (27:24):
Interesting Listen recipes by Dan.
Thank you, I didn't know that Idon't make things.
I make meatballs, which is twoparts barbecue sauce, one part
great jelly, and then you justput it in a slow cooker with
some meatballs and they aresweet and salty.
Oh my God.

Speaker 1 (27:42):
How do you try that?
Oh, you buy pre-made meatballs.

Speaker 2 (27:46):
Yeah, you think I make them.
You could also do it withcocktail weenies, if that helps.
The little smokies those aregood too in there.
It's the same sauce, so it'sthe same ingredients, just
different meat, and it bothworks.
I learned two things this week.

Speaker 1 (27:59):
First they're called buffalo wings because they're
from the city of Buffalo.

Speaker 2 (28:05):
No way Is that true, that is true.

Speaker 1 (28:08):
They've said this all over the Superbowl oh, I, we,
uh.

Speaker 2 (28:13):
We turned that off pretty quick.
We were like, ooh, this isterrible.
We just watched the halftime.

Speaker 1 (28:18):
Um, that was smart, yeah.
And the other thing I learnedwas that Cindy Lauper saying the
peewee, peewees playhouse atheme song Pee-wee's.

Speaker 2 (28:27):
Playhouse theme song.
You learned two very differentthings this week.
I love it.
I didn't know that either.
That's I mean great, great forher.

Speaker 1 (28:35):
You could tell the story about the two things you
learned next week on the showand they will be the same things
I learned.

Speaker 2 (28:40):
I'll have to seek out something to learn.
I don't generally learn things,yeah, so I'll do my best.
What?

Speaker 1 (28:46):
are we talking about Cup, so I'll do my best.
What are we talking about?
Cup noodles?
Nope, I don't know?

Speaker 2 (28:50):
Yeah, he's making cup noodles in the hotel.

Speaker 1 (28:56):
Boom Topher hears a noise at the window.
He's on the run.
We know he's on the run.
What's at the window, tony?

Speaker 2 (29:03):
Oh no, you're going to make me name.
Is it a moose?
Is it an elk?
What is it?
It's a CGI moose.
No, this is a real moose, it'sdefinitely a real moose.

Speaker 1 (29:13):
I love the CGI moose.
I was like if this movie keepsthis up.

Speaker 2 (29:18):
But it doesn't.
It doesn't at the very end.

Speaker 1 (29:20):
At the very end is the big payoff.

Speaker 2 (29:22):
You're right.

Speaker 1 (29:23):
No, you're right, you're right payoff at the end I
.

Speaker 2 (29:26):
This whole intro scene is really terribly done,
but in a funny way you know whatI mean like it's much funnier
than the next 85 minutes.
No, and then you're right, theend is very funny again, um, but
I just wish that it was thislevel of camp throughout the
whole movie and I think I wouldhave enjoyed it a lot have.

Speaker 1 (29:46):
Have you been watching the new Reacher?

Speaker 2 (29:49):
Yeah, that's the thing that I love this week.
You spoiled it, Dan.
Oh, you don't like it.
It's interesting.
We'll talk about Reacher later.
Okay let's talk about it, let'sput a pin in it.

Speaker 1 (29:59):
There's the same sort of officer martial woman in
Reacher.
She's great, you're just like Ilove her.
She's great, you're just like Ilove her.
Is she doing a Boston accent?
Is that what she's doing?

Speaker 2 (30:11):
You think I can name.
I can't even do accents, Dan.
I can't name an accent ofsomeone else doing it.
But yeah, that sounds right.

Speaker 1 (30:20):
Okay.
So then he says fucking Alaska.
Then the troopers bust in andthey grab him and say okay,
you're going to testify againstthe bad guy.

Speaker 2 (30:28):
But wait, where do they put him?
This is my favorite part of themovie.
They put him in cuffs and thenthey are going to throw him on
the bed and Topher's like notthe bedspread, it's crusty.
That's the best laugh of thewhole movie.

Speaker 1 (30:42):
He makes a bunch of jokes and they're fine.
He can deliver a joke.

Speaker 2 (30:46):
Yeah, of course.
Yeah, if you let him, whichsometimes they do, sometimes
they don't.

Speaker 1 (30:52):
He wants full immunity.
She's like makes a one call,let me call in and see if you
can get full immunity.
And then they're like maybe.

Speaker 2 (31:01):
Yeah, not how any of this works, but yeah, he goes to
the.
Can we do this?
Hold on On her phone call.
What does she say?
She says, oh yeah, okay, hereit is, I wrote it down.
I was like, so she calls it inand we don't hear the other side
of the conversation, thankfully.
And the first word she says is,yep, clean capture.
What does that mean?

(31:21):
What does that mean?

Speaker 1 (31:23):
They didn't shoot anyone.
What did?

Speaker 2 (31:24):
that person ask her.

Speaker 1 (31:26):
Did you have to shoot him in the nuts?

Speaker 2 (31:30):
That's what I asked.
Just the left one, just theleft one.
He's still got one left, that'smy number one question.
So dumb, clean capture.
No, okay, you're dumb.
Sorry, the dialogue's not greatin this movie.

Speaker 1 (31:42):
We do a whole setup where he's all like I gotta pee,
and then they let him go peeand then that's it.
There's not.
He doesn't really figure out away to try to escape again, he
just wants no, they're doing the.

Speaker 2 (31:56):
uh, the joke that you've heard a million times,
which is like hey, if I havehandcuffs, you're gonna have to
touch my peepee while I go tothe bathroom, and that's like
the beginning.
And then we're credits becausethat's a great joke no one's
ever done before and it workedreally well.

Speaker 1 (32:12):
Oh, Should have had the number two.
I was watching something elsewhere they're talking about
number two and you're going tohave to wipe my ass.
What was I watching?

Speaker 2 (32:21):
Sure See, because people make these jokes all the
time.

Speaker 1 (32:23):
They did all that stuff in Guns Akimbo.

Speaker 2 (32:27):
Oh yeah, yeah, there you go and they do, they did,
they did number two, becauseit's a little more intensive.

Speaker 1 (32:34):
A movie, yeah, and at one point he then what's his
name?
Helps him put on his clothesand then he's like, uh, he has
to eat a hot dog and he's likeput it in my mouth and the guy's
like he draws the line and putin his mouth.
Okay, you know, this was funny,it was funny in that movie.
You you were like okay, this is, it's a mess and he's got
cotton glue to his hands.
Yeah, he does Chartered.

(32:57):
So we go see the charteredplane they're taking.
We do a Spirit Airlines jokeand here we meet Daryl Booth, as
played by Marky Mark, as playedby Donnie Wahlberg, marky
Wahlberg, whatever One of theWahlbergers, mark.

Speaker 2 (33:13):
Yeah, Mark Marky.

Speaker 1 (33:14):
Mark and he plays I'm the world's biggest Yoko.
I'm such a Yoko, now why doeshe play?

Speaker 2 (33:22):
Yoko.
Well, right, so they're inAlaska, right yeah?
Why does he sound like he'sfrom the South.

Speaker 1 (33:28):
So they're in Alaska, right yeah?
Why does he sound like he'sfrom the South?
Why does he sound like anythingbut himself?
So as to make them realize thatthis is like a weird caricature
that he's put on to be weird?
I?

Speaker 2 (33:38):
don't know, I don't know.
It's bizarre.
Why does he have hair?
Why is he wearing a toupeeunder the hat?
Because he's going to take offthe hat and he's bald.
Because he's gonna take off thehat and he's bald?
They don't know who he is.
It's a big.
The hair isn't doing anything.

Speaker 1 (33:54):
They don't have a thing where it's like look out
because one of mariotti's guysis around.
He's he's weirdly bald.
He's got sort of a friar tuckhaircut.
Watch out for the friar tuckman also.

Speaker 2 (34:06):
Just a hat accomplishes the same thing.
You don't need a fake toupee tohave the little tuft coming out
.
I don't.
It's super weird man now, is he?
wearing a bald cap no, so thisis the only thing that I looked
up, because I was like man, thislooks really weird because it
doesn't quite look like a baldcap, but it also looks like they
didn't make up it at all,because it doesn't.

(34:27):
His face two tones right, it'slike super pale.
The top of his head has neverseen the sun before in his
entire life and then his face isnice and tan and I was like, if
he's an actual bald man, thatdoesn't make a lot of sense to
me.
So I had to look it up and heshaved his head.
Yeah, yeah, he shaved his headevery day before filming.
That filming only lasted 22days, so it wasn't that much of

(34:48):
a sacrifice.
But uh, yeah, he'd be in themakeup chair and they would
shave spots in his hair becausehe didn't want to wear a bald
cap, because he thought it wouldlook bad.
And then it turns out it lookedbad anyhow, and I'm sure that's
embarrassing for him.
It's one of those things youprobably instantly regret.

Speaker 1 (35:05):
I mean, it happened I mean a good makeup person
should have been able to putsome makeup on that big pedipal.

Speaker 2 (35:11):
Yeah, you would think that you not even that much.
Just maybe powder, it, maybeput on like a foundation, I
don't know Just to match thecolors, because again, he is a
person with hair, so his headhas never seen the sun before in
his 54 years of life.
I made that number up.

Speaker 1 (35:28):
Why are you so pale?

Speaker 2 (35:31):
I'm pale everywhere, though it matches, because I
don't go outside.
I'm afraid of it.
All right, I stay indoors atall times.

Speaker 1 (35:42):
I'm like the best tanner in the world.
You know that right.

Speaker 2 (35:45):
Are you a bronzer?
Do you bronze?
No, I burn.

Speaker 1 (35:48):
It's like I go out there in the sun.
I just turn like the perfectcolor.

Speaker 2 (35:52):
Everything's perfect so I didn't mean you, do you use
bronzer?
That was confusing.
I mean, does your skin get likea nice golden brown, or
whatever they call it?
Yeah, because I don't tan.
Yeah, I just go straight toburn.

Speaker 1 (36:05):
Yeah that that's because you come from an Arctic
climate.

Speaker 2 (36:11):
I do, and I sure do, probably going back there soon.
I'm a sun person.
You're an LA native.
People don't always know thatabout you, dan.

Speaker 1 (36:20):
Well, southern California, they take off.
He's Daryl Booth.
Okay, oh, he's the bad guy.
It's bumpy Because he's bald.

Speaker 2 (36:34):
Topher makes a joke about that, that it's something
about it's worse getting rapedby a bald guy.
I don't remember exactly whatthe line is, but it's in there
somewhere and I was like that'sreally offensive.

Speaker 1 (36:47):
Because that's embarrassing.
It's like if I get raped by aguy with a full head of hair.

Speaker 2 (36:51):
That's good looking, it's okay, it's fine like it
wouldn't be great, but I'm youknow it's fine.
At least he's good looking, butas soon as you're bald, it's
like this is the worst thingthat's ever happened
unbelievable, these people manoh man, that must sting.

Speaker 1 (37:11):
They take off.
They put on headsets.
Wahlberg and the marshal put onheadsets, so they're talking.
And now Topher Grace.
They can't hear Topher Gracebecause it's really loud In a
plane like that.
It's very loud, 100% yeah.
Even though it wasn't very loudin this movie, of course.

Speaker 2 (37:29):
Well, yeah, because that would be a lot for the
audience.
And if we had to do this thingwhere it's loud until someone
puts on the headsets and then itquiets down, as if we're the
ones with headsets, I meanthat's just a lot of post work.
So we're not going to do it,don't got it.

Speaker 1 (37:45):
They hit a bird, so they fly higher.
Then Topher sees the thing onthe floor.
It's the actual pilot's nameand picture, and so now we know
he's the bad guy.
Then he tries to get herattention so he finally bites
off a button spits it at her,which is pretty incredible to

(38:05):
think about.

Speaker 2 (38:06):
He went one for one.
Nicely done Well, but he couldhave bounced off and she'd been
like what is going on?

Speaker 1 (38:13):
She doesn't care.
Wahlberg gets a barf bag andthen she.

Speaker 2 (38:20):
There's a moment, dan , where they're talking, the two
people up front are talking,and then we cut to Topher doing
like mocking them oh, I'm thisrelatively attractive person and
I'm doing that.
And then we cut right back tothe people up front and he is in
a like he wasn't doing that atall.

(38:40):
So I think there's just areally funny moment to me where
they're clearly filming insertsof this scene and like Mel must
have just been like Topher, dowhatever you want on this one,
do whatever you want.
And then they just cut it in.
But he doesn't do it in thewide, so it doesn't match up.
So he's like doing this and allof a sudden he's like this,
looking out the window as youcut in the middle of the
conversation.

(39:00):
It's unfortunate, but theyreally wanted to get that joke
in there, I think um, then she,the Marshall's starting to
suspect.

Speaker 1 (39:09):
She's like how'd you know about seattle?
Because you're a yankee andyankees always want to go back
to the lower 48s.

Speaker 2 (39:19):
Please stop does he say the lower 48s?
Because that's actually apretty good line.
Of course it's a good line.
Um, okay, damn good.
So you know what else is a goodline that he says?
At some point he says, and Iquote you remind me of this gal
I used to fiddle with, which isone of the grossest ways.
I've ever heard anyone saysomething like that and I was

(39:40):
like, okay, that's kudos towhoever wrote that line.
Probably Mark Wahlberg, let'sbe honest, but it was gross.
It turned me off immediately.
Probably Mark.

Speaker 1 (39:49):
Wahlberg, let's be honest.
But like it was gross, itturned me off immediately.
So then she asks the whole,like the most classic trap thing
.
When I flew up here I flew withthis pilot, mcgurky, and
McGurky says that blah, blah,blah, and then he's all like oh
yeah, mcgurky.

Speaker 2 (40:05):
he's a real good guy.
We used to hang on out down atthe barn, McGurky wasurk.

Speaker 1 (40:09):
He's a real good guy.
We used to hang on out down atthe barn McGurk.
It was a lady.
Let's fight, fight, fight,fight, fight, let's fight.

Speaker 2 (40:16):
She loses, she gets knocked down, yeah, pretty
handily, and then Walbert getsto lay out the plot.

Speaker 1 (40:25):
Mr Mariotti is angry and Cofar's like I'll give you a
million in crypto.
And then he's all like there'sreasons why I would rather rape
you than get a million in crypto.
We're never gonna talk aboutwhat these reasons are.
There's no history, but I hesays a really funny line.

Speaker 2 (40:42):
He's like do I look like the kind of guy who fucks
around with crypto, which was agood line?
The problem is then tofferimmediately pivots and says,
well, I can get you cash I haveI could do cash.
That's where it fell apart.
If crypto was the only thingthat he could offer, because
that's like I don't know, maybethat's the only way he's liquid,
or whatever.
That's I great.
This guy doesn't understandcrypto.

(41:04):
I don't understand crypto.

Speaker 1 (41:06):
Yeah, not that I understand anything but there's
always this intimation thatthere's some deeper connection
between these characters.

Speaker 2 (41:13):
Yeah, but there's not .
But there's not Other than thesweet, sweet loving that Mark
wants to do with the two of them.
That's all he cares about,which outweighs every other
logical decision he'll have.
He wants to rape them so badlythat he refuses to kill the cop
blade.
He's going to disappear.
He wants to rape them so badlythat he refuses to kill the cop
blade he's going to disappear.
He wants to kill, like justkill them both and then just

(41:34):
leave.
But he wants to have sex withthem so badly that he can't even
do his job properly.
That's weird.

Speaker 1 (41:42):
That's a weird thing.
He does say I do this for fun,I do this for free.

Speaker 2 (41:48):
I know it's weird, it's really weird this is weird.

Speaker 1 (41:51):
If you're, if you're setting up a character that
weird in your movie, you gotta,you gotta get.
You're gonna give every othercharacter a bunch of backstory
that they talk about.
You don't give him anybackstory and doesn't he do a
whole thing.
It's like you don't know whatmy real name is and we, yeah,
something like that yeah figureout what his real name is,
because no one cares what yourname I don't why would I care
what your name is?

Speaker 2 (42:11):
to me, you're a guy on a job.
That's all.
That's all I know so far,that's good for you.

Speaker 1 (42:16):
I don't need to know the name of the person that's
interested in raping me because,even if you did, it wouldn't
mean anything, because hedoesn't matter to anything um,
and then I guess she just wakesup and then attacks him and
tases him.
Is that what happens?

Speaker 2 (42:36):
well, she's kind of awake for a while like you see
her pull out the taser and getready wake up now.
Wake up now and yeah, you knowthe use she gets tased and he's
he returned.

Speaker 1 (42:51):
He turns out bald, then he's talking about raping
her, then he tases her, then shetases him, and then she tases
him more than he tased her.

Speaker 2 (43:01):
So her tasing I mean she tases him at that last one
for a good 20, 20 seconds, Ithink.
And I don't know.
I've never been tased.
No, I'll just I'll.
I don't know, I've never beentased.
No, I'll just I'll let you knowthat my wife has been tased
because she took a self-defenseclass and one of the things is
they make you get tased, so youknow what it feels like.
Anyhow, I don't think you'resupposed to tase somebody that
long.
I think that's really bad forthem.

Speaker 1 (43:23):
Oh yeah, you can kill , I would assume.

Speaker 2 (43:25):
But he's fine, Other than his chest is literally
smoking when we see him next.
Other than that he's fine.

Speaker 1 (43:34):
I watch the cop videos sometimes and it's always
the best when they tase people.
There's like this one wherethis guy's running across the
lawn, they hit him with thetaser and literally he just face
plant Flat out, he just nothingin his body continues to work,
oh man.
Bam, he's just bam.
He's on grass.
But yeah, there are people thatcan take a tasing.

(43:56):
And then there's a lot ofpeople who are just like I'm
done, Done, done, done.

Speaker 2 (44:00):
For sure, I'm definitely the latter, but I do.
I feel like Mark Wahlberg wouldbe the former.
I think he's 40 seconds on him,40 seconds on him, 40 seconds.

Speaker 1 (44:12):
But of course, during all this, now the plane is
crashing, she pulls up.
They don't crash, they click onthe autopilot.

Speaker 2 (44:19):
Dan, can you tell me something about airplanes?
Yes, so this airplane isbasically in a nose dive, almost
right.
Yes, shouldn't they be?
Maybe not zero G, but shouldn'tthey be?
Maybe not zero G, but shouldn'tthey be lifting off their seats
a little Like I hit turbulencein a plane for like one second
and I'm off the seat a little?
Shouldn't there be some sort ofdistortion?

Speaker 1 (44:41):
of gravity.
I don't know that makes sense.
I hadn't thought about that.
But yeah, I mean, flying aplane is very hard.
You have to keep the nose right, you have to keep the airspeed
right because you'll stall out.
There's all sorts of terriblethings that happen.

Speaker 2 (44:57):
Yeah, I've played a lot of flight simulators in my
day.

Speaker 1 (44:59):
It's tough, is it?

Speaker 2 (45:00):
It's tough yeah.

Speaker 1 (45:03):
But are you playing Piper Cubs or are you doing like
jets?

Speaker 2 (45:07):
What did you just say , piper?

Speaker 1 (45:09):
Club Piper Cub.
Piper Cub is like a small, youknow, single fixed wing.

Speaker 2 (45:13):
No, I'm flying jets, mostly military jets because
they're fast.
I like to pretend I'm in TopGun.
Is that really so bad?
Jeez guys, it's pretending.

Speaker 1 (45:28):
Winston's freaking out.
He's pissed himself.
We never really deal with thepiss, or see the piss.

Speaker 2 (45:33):
It dries immediately.
From what I can tell, becausewe can see his legs he's got no
pee-pee on him at all.

Speaker 1 (45:40):
She has to cut off her restraints and Winston helps
her.
Winston's like, shoot him.
And then she's like I'm notgoing to kill him.
She goes and searches him, sheties him up, she finds a paper
on him and then she's all likeshe looks at the one paper and
goes, oh, and then he's all likewhat's on that piece of paper?

Speaker 2 (46:01):
What is it, what is it, what is it.

Speaker 1 (46:02):
No, no, no, no, no, no.
It's like could you telegraphyour emotions a little more to
the person who doesn't need theinformation.

Speaker 2 (46:10):
I don't think she could.
I think, even if she triedreally hard, I think she's at a
10.
I really do.
There's no room for up, there'sonly down.

Speaker 1 (46:18):
This is the only time she ever pulls up to 10.
You know, it's like make surethat Topher understands.

Speaker 2 (46:24):
You really need him to ask about this piece of paper
, really sell it.
And on that piece of paper is apicture of his mom's house and
the address why would this guyhave a picture of the mom's
house and the address in likeanother state that he's not in?
Yeah, I guess.
My only guess would be like totry to persuade Topher to do
something, but he's not there todo that, he's only there to

(46:46):
kill him.
So it's confusing.

Speaker 1 (46:51):
Okay, he's freaking out about his mom.
Then she tries to use the radio.
She talks to this one guy andhis first thing so she's on the
radio this guy says you don'tsound like a pilot.
After one line he's like youdon't sound like a pilot.

Speaker 2 (47:07):
Well, she didn't do a call sign, dan.
All right.
It's like if you get on a cvradio and you do, you try to
talk as a human and they're likewhat the hell's this?
Get off the radio, boy.

Speaker 1 (47:23):
You know that sort of thing uh, then she, she
realizes you know when they,when they lose this guy.
Oh, I have a satellite phone inmy pocket.
She talks to a guy, she talksto a person, and the person is
like we're going to find you apilot, and then Marky Mark wakes

(47:44):
up.
Wake up, they point a gun athim, and then we realize he is
psycho.
Sure, yeah, Talk about.
Hass up, wake up, they point agun at him, and then we realize
he is psycho.

Speaker 2 (47:57):
Sure, yeah, talk about hasan, the person that's
helping her fly.
I okay, there's something wrongwith him and I don't know what
it is.
Maybe we'll get into it in thesequel, right, but he is not a
real human.
I know that.
I know it's got to be.
The machines are trying to dosomething.
I don't know what the, what,the whole plan is, but the ai
wants to for grace, and that'swhat I got from this movie.

(48:21):
This guy can't deliver a lineand sound human to save his life
.
She is.
She's not a pilot, she's flyinga criminal and he's just the
weirdest fucking thing.
He's like oh okay, yeah, sureyou, we should go out to dinner
sometime.
What's happening?
Why is he?
Why is he hitting on her alittle bit, but also not really

(48:45):
at all.
He, it's the.
It's embarrassing.
It's the worst voiceover workI've ever heard in my entire
life and I'm so glad that theguy that shows up in the movie
isn't the guy doing that.
But I'm going to tell you rightnow, if I was the guy who shows
up as Hassan at the end of themovie, I would be fucking livid
that everybody thinks I justdelivered that performance.

(49:07):
That would be the mostembarrassing, gut-wrenching
moment of my life.
If I saw this movie at thepremiere and I was like who the
fuck did that voiceover?
Why are they pretending it's me?
Because it's terrible.

Speaker 1 (49:19):
More importantly, if this is your movie and someone
gives you that performance,you're just like we got to do
this again.

Speaker 2 (49:25):
Mel, just do it yourself, buddy, I don't even
care.

Speaker 1 (49:28):
Just do it yourself, buddy, I don't even care, just
do it yourself, man, mel coulddo it, I mean, and she doesn't
even kind of react to it, right?

Speaker 2 (49:35):
Because they're not.
I'm telling you.

Speaker 1 (49:37):
right now they are not talking, but one of them has
to go first and then hear theother one, right?

Speaker 2 (49:42):
Do you mean logically , or you think that's really
happening in the movie?
Wait a second.

Speaker 1 (49:47):
So she's just responding to.
So both of them are respondingto voices that don't exist.

Speaker 2 (49:54):
Exactly.
I guarantee you that someone isreading off camera for her, so
she is not hearing this Hassanguy deliver those lines.
Someone is reading next to heroutside of the cockpit Got it.
Is my guess.

Speaker 1 (50:10):
I don't know, I don't know anything that makes more
sense.

Speaker 2 (50:13):
I would be even willing to wager.
Nobody is saying anything andthey're just kind of going blind
.
But I don't know, I can't provethat.

Speaker 1 (50:21):
Because he's so weird , so creepy.
He's so weird and it's like youwere talking.

Speaker 2 (50:29):
You used to be like you turned it over, and you'd be
like we are in trouble,something's going on on the
ground.
We are in trouble, they'retrying to murder us.
That's what I would say.

Speaker 1 (50:37):
So all these parts.
There's no acting available toanyone.
She can't act because she's notacting against someone.
I'm telling you.

Speaker 2 (50:45):
That has to be the case.

Speaker 1 (50:45):
She's not acting because he's not acting against
her performance.
No everybody's in separatebuildings.

Speaker 2 (50:51):
Oh, I think we're isolated and I think we're just
slopping it together in post andit does not work.

Speaker 1 (50:58):
It's so terrible.

Speaker 2 (51:00):
But also I am willing to wager that Mel did not do
the help with the voiceover work.
I'm going to give Mel Gibsonthe benefit of the doubt which I
guess I shouldn't, because he'sa bad guy, right that he was
not there for whatever.
If it was a phone call or aZoom and they're just recording
it, I don't know what it is, butthere's no way that the

(51:22):
director is there and listeningto that and is like, yeah,
that'll fit in my movie.

Speaker 1 (51:26):
See me, because none of them do.
So you're saying some guy justself-taped this and shipped it
in.

Speaker 2 (51:31):
I swear to God, this is my educated guest, dan.
Wow, this is what I'm tellingyou.
I could be way off.
Who knows, maybe they have aboom mic and the guy's standing
right outside and they're reallydoing it, but if that's the
case, it's the worst acting thathas to be more than the movie

(51:55):
cost to make.

Speaker 1 (51:56):
It does not say on Wikipedia how much was spent
making this movie.

Speaker 2 (52:00):
There's no way.
It's more than $20 million.

Speaker 1 (52:02):
Really.

Speaker 2 (52:02):
You can make this off of $2 million, well, but you
got Mark Wahlberg.

Speaker 1 (52:07):
Well, yeah, I mean ignoring the salaries, yeah.

Speaker 2 (52:11):
Well, that's got to be all of it, though, right,
don't you think?

Speaker 1 (52:24):
I mean, I don't know the main lady.
I guess there's a question.
If you're not paying, you knowif we, if we just have, you know
actors, nobody knows like youand me and and suke, yeah, we're
the three characters.
I'm playing walbert, you'replaying toffer grace and suke's
playing marshall.
I'm incredible, um okay, I okay.
Well, I'm gonna tell suit, kate, you said that uh,
unfortunately, I'd probably playthe programmer and you'd
probably be walmart, wouldn'tyou?

Speaker 2 (52:42):
yeah, you do.
I'm already bald.

Speaker 1 (52:44):
You know it's working out in my favor all we need to
do is get you a hat.
Um, how much would that moviecost us to make?

Speaker 2 (52:54):
I mean, obviously there are different levels, but
to make it at, this level, Imean you're looking at two mil
right Like not a lot but, morethan we can afford.

Speaker 1 (53:05):
No no, no, I understand, I'm just saying
However To do all the stuffthey're doing without paying
exorbitant prices for actors youcould do it for about two
million dollars.

Speaker 2 (53:14):
I'm going to tell you right now, though we could make
this movie better and justnever show the outside of the
airplane, because that's whereyou're gonna sink a lot of your
money.
Right, you get an airplane set,you, that's it.
That's pretty much 90 of yourmovie.
Right, and then you rent amotel that's 100 bucks.
Right, you can do.
You can do this movie verycheap, but the outside's gonna

(53:35):
look even worse, which isshocking because it already
looks terrible, but it wouldlook worse because you know
we're not good.
We're not good at it, but youcan.
You can make this movie forrelatively cheaper okay, uh, he
starts singing.

Speaker 1 (53:50):
Who's singing?
Oh no, hasan tells him to headto the head to the coast, and
then turn left.

Speaker 2 (53:56):
Okay, we're mark walberg starts singing a little.

Speaker 1 (53:59):
He does some singing.
Now we do more rape talk.
Then he sees that this knifethat was there at the beginning
of the movie is underneath oneof the chairs.

Speaker 2 (54:10):
Now we need to talk about this.
Okay, so the knife flies out ofMark Wahlberg's hands earlier
and hits Topher in the forehead.
Okay, the butt of the knifehits him, which is a classic
joke, right?
And then it falls to his feetslightly under the seat.

(54:30):
Yep, he knows where the knifeis.
Yes, and it just happens to beright next to the piece of paper
with the license, or whateverthe aircraft license of the
pilot which he picks up andgives to the lady.
Yep, nobody picks up the knife,it's laying right next to it.

Speaker 1 (54:50):
I believe she went looking for the knife and
couldn't find it.

Speaker 2 (54:54):
It's right next to it .

Speaker 1 (54:56):
Dan, it's perfectly exposed right on the floor that
anyone could see.
And they show it several timesand I believe she did go looking
for it at one point where itwould have been in the same spot
and could not find it.
It's ridiculous, because shegoes looking for it and then has
to use the crappy scissors inthe first aid kit.

Speaker 2 (55:14):
He can't see it, she can't see it, but he knows where
it is.
That's what bothers me.
He literally hit him in theface, fell to the ground.
He knows exactly where it isand that's where she looks also.

Speaker 1 (55:28):
Yeah, that's bad.
No, she's a terrible agent.

Speaker 2 (55:32):
She is really bad.
She's incompetent at best Okay.

Speaker 1 (55:37):
Boom, he starts singing.
He sees the knife.
They're heading towards themountain.
Turns out they got to go higher.
They go higher, but they don'tgo high enough, and so this
plane flies through a big pileof snow and keeps going.

Speaker 2 (55:53):
It's totally fine.
Listen, I've never done itright, so I don't know exactly
what would happen.
Maybe it could work.
Maybe it could work.
I'm betting it wouldn't.
And to the point where, ifsomeone was like, hey, it's
going to work and you should tryit, I'd be like no, sir,

(56:14):
because there's no way that'sactually going to work and I'm
going to crash.

Speaker 1 (56:18):
What are you supposed to do?
What is every other decentmovie that does this exact same
bit?

Speaker 2 (56:29):
This is a bit that's a common bit.
What do they do?
They just barely make it andthey hit a little bit of stuff.
Maybe they lose their wheels orsomething.
That's what happens they loseSomething that doesn't really
matter.

Speaker 1 (56:36):
They lose their landing gear, which does matter,
that's the word, which meansthat it's going to be harder for
them to land when the timecomes.

Speaker 2 (56:44):
It's already pretty hard, dan, she does not do a
good job.
Yeah no, this plane goesstraight through.
It's so weird.

Speaker 1 (56:55):
I don't know.
The knife slides all the wayback right to where Mark
Wahlberg is.
And what does he do with thatknife?

Speaker 2 (57:01):
It's my second favorite part of the movie.
He grabs the knife with hisfeet and then is trying to throw
it up to his body with his feetbehind and nobody notices this
and it's hilarious to me.

Speaker 1 (57:15):
And then what does he end up doing with that knife?
Once he catches it, does he doanything?
No, he never catches it and weforget about the knife.
Okay, that's what I thought.
Yeah, yeah, he just like givesup, right, I have no idea.

Speaker 2 (57:26):
He gives up because he grabs it with his feet, he
throws it up and like it hitsand rolls down his body and he's
like, ah, shoot, or somethinglike that.
Nobody's paying any attention.
He's back here like trying toget the knife, and then I think
he just forgets about it.
He's just like, ah, too muchwork, I'll figure out another
way, because I'm back here andnobody's watching me anyhow, so

(57:46):
it's fine.

Speaker 1 (57:48):
Then he starts talking to her.
He talks to her about how shekilled a prisoner.
She freaks out that he knowsabout her life.
Okay, she attacks him.
How do you know that?
How do you know that?
And then we talk about burnedalive and wails on him.

(58:08):
She punches and punches him andthen, when she gets tired of
punching him, she leaves.
And it turns out that he hasnow pickpocketed her glasses.

Speaker 2 (58:17):
Her sunglasses.
First of all, I forgot aboutthe glasses.

Speaker 1 (58:21):
We need to go back and talk about that, because
she's not wearing sunglasses inthe beginning of this movie oh,
I don't know, but if she putsthem on, not in the big she puts
them on, she puts them on yes,she does so after she has no
sunglasses on for the first 20minutes of this film.

Speaker 2 (58:36):
Right, then they have the little scuffle and she
locks him up in the back.
Yeah, and at some point shejust pulls aviators out of her
pocket and puts them on.
For no other reason, except forin two scenes Mark Wahlberg
needs to steal her aviators inorder to escape.
She pulls them out of nowhere.
Maybe the sun came out.
It's just totally random, Wellshe has like an fbi pouch, but

(59:02):
you have to establish thatearlier I don't care.
You can't establish it rightbefore you need it.
That's dumb.
You got to put just make itsimple, because I didn't even
know where she got them from.
I thought maybe they were markwalberg, because she just like
found him, was like, oh, theseare cool.
Now I'm a pilot, because whydoes she have aviators to begin
with?
It's all weird.

Speaker 1 (59:20):
She has sunglasses.
You need sunglasses to lookcool.

Speaker 2 (59:23):
If you're a marshal, she doesn't, though, because she
drives outside into to theairport.
She's outside for before theairport never has sunglasses on,
but now that she's inside theplane, after about 30 to 40
minutes, she's like you knowwhat?
I guess I need sunglasses now,you're such a continuity bitch.

(59:44):
But CB, that's what you'd callme, for sure.
But moving forward, she'spunching him in the face, dan.
Okay, very ineffectively, we'llsay, because he's not bleeding
at all at first, and she'spunched him three or four times,
but then she hugs him.
There's like this weird that'show he gets the glasses, because
his hands, remember, are uphere, yeah, so she's punching

(01:00:05):
from a standing position andthen basically leans forward, so
he's grabbing her boobies andthen she's like wrestling him in
like a headlock situation,which that's not even a move you
would do when someone's tied up, and then she gets away and
then she elbows him and then hefinally bleeds and then she goes
back up front like nothing everhappened and he's just like now

(01:00:26):
I got your sunglasses.
How would she not notice thathe has sunglasses in his hand?
It's all weird, it's terrible.
It was terrible.
You love this movie.
It's terrible.
This is terrible.
You love this movie?
I do.
I had a great time, you can'ttell.

Speaker 1 (01:00:43):
I'm having a blast.

Speaker 2 (01:00:48):
So then he takes apart the glasses and then is
going to use them as not to pickthe lock but to scrape the To
saw through, saw through.
I don't really know anythingabout it, but that seems hard.

Speaker 1 (01:00:58):
Then she finishes the story about what happened where
there was the, the prisoner.
She let pee and then they threwa molotov cocktail in there and
then she ran away as the ladyburned to death I, I like that
you chuckled on that line.

Speaker 2 (01:01:09):
It's funny, as she burned to death.
Yeah, it's weird.

Speaker 1 (01:01:11):
It's weird man so now she's like, okay, there's a,
there's a mole in the department, and so she thinks the mole is
her boss.
And so then she calls thedirector and then the director's
assistant's like, hey, that isSummerhouse.
And then she's all like you gethim on the phone and people are
gonna die.

Speaker 2 (01:01:33):
It's so weird that one he just has like an
assistant that doesn't knowanything that's going on.
It's really bad, Like wouldn'tshe be at the office maybe and
like see all these other peoplefreaking out?
I mean, when you were running,like a giant it's not like this
is like a gigantic operation.

Speaker 1 (01:01:52):
Yeah, I think that the, the, the assistant to the
chief, would would know you know, probably know a little bit,
maybe not the particulars of thecase.
That's the person who has toknow the most.

Speaker 2 (01:02:02):
Well, you're right, so whatever, Super weird, who
are you?

Speaker 1 (01:02:06):
What's happening?
I don't think so.
He's barbecuing today.

Speaker 2 (01:02:12):
He's so busy, so busy in the sun.

Speaker 1 (01:02:15):
That's the thing about it is you're setting up
these obstacles that are justdumb obstacles, Say, oh my God,
he's out at his house.
We have trouble gettingreception out there.
We're going to probably have tosend an agent out there with a
satellite phone to get him orsomething.
There's a million things youcan do that aren't like.
You know how incompetent we are.

Speaker 2 (01:02:37):
We're really incompetent, You're going to
have to prove the dumbest agencyever.
Us Marshals Waste.

Speaker 1 (01:02:44):
Okay, they get to the coast, they call Hassan and
then she's figured out Now sherefigures out that it's not her
boss.
That's bad, it's the director.
That's bad.
So she calls her boss and it'slike hey boss.

Speaker 2 (01:02:57):
But she already told the director that it was her
boss.

Speaker 1 (01:03:00):
Yeah, so the director now wants to kill the boss,
because then that'll.

Speaker 2 (01:03:05):
Doesn't really make any sense.
She's the perfect scapegoat.

Speaker 1 (01:03:09):
So Topher pulls out.
So they're flying along thecoast and he's trying to figure
out where they are.
So they see a shipwreck, andthen Topher pulls out his
binoculars.

Speaker 2 (01:03:19):
From they are.
So they see a shipwreck, andthen Topher pulls out his
binoculars From the same placethat she got her sunglasses.

Speaker 1 (01:03:22):
It's Felix the cat's magic bag.
Everything is in there,Whatever you need we got.

Speaker 2 (01:03:26):
What do you need?
What do you need?
Reach in the bag 30 minutes toAnchorage.

Speaker 1 (01:03:31):
The point at which they say it's 30 minutes to
Anchorage, I'm like good God.

Speaker 2 (01:03:38):
What are we going to do for 30 minutes to Anchorage?
I'm like good God.
What are we going to do for 30minutes?
We've got 30 minutes left.
Holy buckets, daryl is free.

Speaker 1 (01:03:44):
Oh, so this is what the knife was for.
Daryl gets free, he runs upthere and he stabs Topher in the
chest twice.
Yeah, whoa, and that's bad,right, I've never been stabbed,
but like one is in his gut andthen one is for sure in his lung
.
Um, I don't know.
We'd have to ask shannon, likewhat, how long you could survive

(01:04:05):
she's been stabbed, no, but sheworked her boss used to work
the.
He was like the gunshot guy youknow he'd oh wow, do all the
really think?
so she went for a heart, but Ithink she also.
I think Greg was the gunshotguy.
He did all the big ones.
When you came in with 100bullets in you, he'd take them
all out 50 Cent.

(01:04:26):
He worked on 50 Cent.

Speaker 2 (01:04:28):
Did he do 50 Cent?

Speaker 1 (01:04:29):
Yeah, but yeah no, I mean, it feels bad yeah.

Speaker 2 (01:04:33):
That's all I'm going to say.

Speaker 1 (01:04:35):
So, and then Topher, I think he pulls the knife out
and maybe stabs him, and thenshe-.

Speaker 2 (01:04:42):
It doesn't stab him, he cuts.
So Mark Wahlberg is choking herwith a seatbelt.
Oh, okay.
And so Topher pulls out theknife out of his chest and then
slices the seatbelt with oneswoop, like it's some sort of
sword.

Speaker 1 (01:05:00):
You don't want to pull the knife out first of all.

Speaker 2 (01:05:02):
No, because then blood's going to just flow on
out of you, I'm pretty sure.

Speaker 1 (01:05:07):
There was a police show.
Might have been Homicide.
There was one where what's hisname?
Not the guy who plays the Hulk.
Who plays the Hulk?
Lou Ferrigno.
No, the new guy.

Speaker 2 (01:05:21):
New Mark Ruffalo.

Speaker 1 (01:05:22):
Might have been Mark Ruffalo.
It was somebody, okay.
And what happened to them isthey were in the subway station
and then they fell down on thetracks and then the subway
rolled their whole bottom oftheir body between the platform
and the thing.
So're oh my god your head andyou got all this, but you're all

(01:05:42):
.
Your intestines and legs havebeen, have been wound up into a
ball, and so oh yes this is ahorrifying episode are you
talking about?
oh my, god he's alive, but inlike super amounts of shock and
if they pull him out, he diesinstantly.
Well, sure they have to likekind of, yeah, you're gonna be
fine.

(01:06:02):
Oh, my god and I think thatmight be the whole episode is
sort of being down there withhim as as he dies that's first
of all.

Speaker 2 (01:06:11):
I will never watch whatever that was, because that
sounds horrible.

Speaker 1 (01:06:14):
That sounds way too intense, but you know he pulls
the knife out similar to thisyeah, yeah, he's fine, don't
worry about him I believe sheshoots him with her gun twice
and shoots him with a flare gunyeah, yeah, yeah.

Speaker 2 (01:06:27):
So I don't, I don't know, I'm gonna let me tony, I'm
gonna tell you something aboutguns I don't know anything about
guns you don't want to get shotwith a gun you don't.
Well, you know, there was a longtime.
No one, do this, please.
I wanted to get shot with a gun.
I wanted to get shot in a placethat, like, wouldn't cause
permanent damage, and a buddy ofmine was a cop.

(01:06:48):
Uh, he became a cop aftercollege and I was like I really
want you to shoot me, dude.
I want to know.
And he's like there is no spot,this is a true story.
This is a true story.
I was, I had weird, I wasmessed up as a, as a young adult
Anyhow.
So he like sat me down and hewas like listen, there's no spot

(01:07:09):
where I can shoot you, that Ican guarantee that nothing will
happen to you.
And I was like okay, but whatare the?

Speaker 1 (01:07:17):
give me like, give me the odds and he's like I'm not
doing it pretty, tell where thebest place would be yeah, like,
let me percentage of survival,and not even just survival, just
permanent damage.

Speaker 2 (01:07:28):
You know what I mean.
Like I don't want to bepermanently damaged, but I want
to have like a cool scar, likein lethal weapon, where it's
like oh yeah, I got a buckshotright in my abdomen and I'm fine
, that's.
That was always.
What I wanted was a cool storyto tell.
I'm over it now, right to beclear, like I'm over that phase
of my life, I don't want to doit anymore.
I'm scared of needles, so Ican't imagine what a bullet

(01:07:49):
would feel like.

Speaker 1 (01:07:50):
But you've you've told a lot of stories of this
show.
That's a doozy.
That's right up there you watcha movie like Lethal Weapon.
It's like I won't be like thatman.

Speaker 2 (01:08:05):
Because it's cool man , it's cool Battle scars, right
that's a cool story, but it'snot a battle scar.

Speaker 1 (01:08:09):
You didn't do anything.

Speaker 2 (01:08:11):
But when I tell the story, the same way it happens
when I tell the story about mytorn knee, when I tore cartilage
in my knee, I tell everyone itwas a surfing accident.
I wasn't surfing, I waswatching my brother surf and
taking pictures and I got takenby the tide and I tore my
ligament in my leg.
But that's not what I tellpeople.
I tell people I was surfing andit was a surfing accident.
So it would be the same idea.

Speaker 1 (01:08:33):
He was taken by the tide.
Oh, he was taken by the tide.
Oh yeah, tony, so scary.

Speaker 2 (01:08:45):
You're insane.
Sorry, I didn't know what wewere talking about.

Speaker 1 (01:08:47):
You know, there's an artist, chris Burden, who has a
piece of performance art hadhimself shot.

Speaker 2 (01:08:52):
See, and people probably thought it was cool.
Chris is very cool, see, I justwanted to be cool.
All right, she just picked upsmoking.

Speaker 1 (01:09:02):
Okay, winston's dying .
They first date him a bit.
They give him morphine A bit,she gives him one piece of cloth
.

Speaker 2 (01:09:09):
It's like put pressure on it, that's not going
to do anything.
One slice of gauze.
First of all, he got stabbedtwice, so one slice of gauze
isn't going to cover both ofthem.
And then she's like hey, I'mgoing to give you morphine Now
again.
I don't do a lot of shots,shots, shots, shots.
But can you everybody, can youdo shots through clothes?

(01:09:32):
Sure, yeah, okay.

Speaker 1 (01:09:38):
I just always assume, because they always roll up my
sleeve.
And then you know why do theyroll up your sleeve?

Speaker 2 (01:09:42):
I assumed, so that I wouldn't get it all over my
clothes so they can.

Speaker 1 (01:09:45):
So they can.
They can put alcohol and makesure there's right like you have
all sorts of crap so it'scrawling on top of you saying
you want to.
You want to clear all thatstuff, kill it all with alcohol
and then okay, and then stick itinto a nice.

Speaker 2 (01:10:00):
Theoretically, she could just go right through my
clothes and it'll be fine, okay,I never knew that that's a true
story.
I don't know.

Speaker 1 (01:10:06):
I mean, I'm sure there's some clothes that are,
you know, because you gottaremember, you know your needle
right is a.
It's a piece of metal that hasa little hole through the middle
and then then the tip thing'scut off and then there's.
It's kind of a weird way.
I'm not sure how the end is,but yeah, that's the thing.
You don't want to blunt thatneedle by going through a blue

(01:10:28):
jet or something, yeah sure.

Speaker 2 (01:10:31):
That's just going to make it Mess up the rest of it.

Speaker 1 (01:10:32):
Yeah, because that's the thing when they go into you,
for when they're tapping intoyou for blood, there's all sorts
of different sizes of needles,and the bigger the needle, the
more painful it is.

Speaker 2 (01:10:47):
Yeah, yeah, I don't like that either.
And the really good.

Speaker 1 (01:10:49):
People just use the little tiny needles to just get
it right in there.

Speaker 2 (01:10:53):
But then doesn't it take longer, like while I'm
doing the?

Speaker 1 (01:10:56):
rolly thing?
Yeah, of course, Because it'ssmaller, I want to be.

Speaker 2 (01:10:59):
I want to be in and out.
Just cut it, just slice it,pour it over a goblet Like they
do in the movies, and I'll beout.

Speaker 1 (01:11:05):
The phlebotomist.
That's the person who takesyour blood.
They're the phlebotomist.

Speaker 2 (01:11:11):
Oh, that was a real word.

Speaker 1 (01:11:12):
All right, okay, he's dying.
Morphine's him up, she saysthank you.
And then he's like you know,you should have shot him when I
told you to shoot him.
She's all like well, and theanswer is duh, that's a given.
They call Hassan.
They're like you can pick upthe speed, but they don't have a
lot of fuel.

(01:11:33):
But they're like okay, we'regoing for it.

Speaker 2 (01:11:38):
And you're all like, okay, that's cool.
Uh, he's hasan, doesn't reallycare about anything that's
happening, so he's just like,yeah, you're gonna run out of
fuel, but okay, good luck uh,she unlocks tofer.

Speaker 1 (01:11:47):
You know, now we know they're on the same side.
We never really thought theyweren't on the same side, but
now we thought they're in thesame side, sure didn't and then
he does a whole.
I could have done anything, butinstead I turned into a big
jerk that did crime stuff.

Speaker 2 (01:12:02):
Yeah, so I hate this speech.
I liked it.
His whole speech is I went theeasy way.
Yeah, I don't think working fora crime boss, hiding his money
and then embezzling money is theeasy way to do anything.

Speaker 1 (01:12:19):
It's lucrative but, I don't think it's easy.
He's thinking that's like theshortcut, it's the quick, risky
way really.

Speaker 2 (01:12:30):
Yeah, sure, I'm okay with that.
I don't know, Easy.
Just felt like the wrong word.
That is the wrong word.

Speaker 1 (01:12:37):
Yeah, I liked it, I thought this was nice and I
thought he acted it well, he's agood actor.
He's a good actor and you'relike, and I was like, okay, now
he has to die.

Speaker 2 (01:12:46):
Yeah, but he's not going to Dan.

Speaker 1 (01:12:48):
What do you mean he has to die in this movie.
He's not going to die, he hasto die right, Doesn't he have to
die?

Speaker 2 (01:12:57):
He should.
Yeah, he doesn't die, it's fine, don't worry about it, okay Sad
.

Speaker 1 (01:13:06):
And then he wants her to go see his mom and the score
on this movie is terrible.

Speaker 2 (01:13:15):
Some of the worst I think we've ever heard.

Speaker 1 (01:13:17):
Okay, some of the worst I think we've ever heard.
Okay, that's yeah, because Iwas like this is, this is an
emotional scene that you have tounderscore, yeah, to bring it
home, and I'm like they're notdoing anything and then they
just go into some other musicand you're like, oh, that's part
of the reason why this movie isso bad is they haven't spent
any money on a score yeah, it's.

Speaker 2 (01:13:38):
It's.
It's bad.
Yeah, real bad, especiallyafter seeing oblivion not too
long ago, which is just a 10 outof 10 score.
I'm still listening.
I listened to it all week going, going to work back.

Speaker 1 (01:13:49):
It's beautiful so she calls the the big.
So the her boss is dead, butthe big boss she calls him and
is all like.
I'm onto you.
Bitch Topher told us about this$25,000 a month that you were
getting this guy.
This guy ruined his entirecareer and was taking a gigantic

(01:14:12):
risk.
For $25,000 a month, Well, sure, but over a year, that's more
money.

Speaker 2 (01:14:17):
Risk for $25,000 a month?
Well sure, but you know, over ayear that's more money.
That's probably almost anothersalary.
What is that?
$250,000 plus $300,000?
That's what?
$300,000?
That is not a lot of money.
No, it's not a lot of money.

Speaker 1 (01:14:34):
They're eight miles out.
Tune the radio.
They're on the radio.
Marky Mark's still alive.
Why didn't you kill me?
This military plane comes upand they're all like, what's
with the military plane?
This is gonna bring you in.
And then marky mark's like, oh,that plane is there to destroy
you if you try and crash into aschool yeah, which is actually

(01:14:57):
kind of the same thing.

Speaker 2 (01:14:58):
He doesn't even really give a counterpoint, he
just kind of explains what itmeans.
He's you know what I mean likehe's not getting under their
skin, it's just like, well, yeah, I mean, if you veer, off
course they're there to makesure you don't.
You know, like one way or theother, they're here to bring you
in.
That's what they all said, thesame thing.

Speaker 1 (01:15:15):
I I was really confused on why he thought this
was the antithesis to what theywere saying he thought he was
truth bombing them and that theyneeded to do what he wanted
them to do, which was yeah, landthe plane normally yep, but
everyone just wants to get onthe ground, so I don't.

Speaker 2 (01:15:32):
I'm very confused.

Speaker 1 (01:15:33):
It's very weird scene um, there's a big crosswind.
So hasan's like, yeah, weshould probably do a practice
run.
And then she's like, no man,I'm going for it.
Marky Mark has now pulled hishands through the cuffs and he's
got these bloody weird hands.

Speaker 2 (01:15:49):
He does this cool.
He breaks his thumb.
Does he break his thumb?
Yeah, he does that pop and thenhe's able to slide it because
the thumb is just hanging out.
He does that like pop and thenhe's able to slide it because
the thumb is just like hey, itwas pretty cool.

Speaker 1 (01:16:02):
It was like one of the only times I was like whoa,
that didn't look good.

Speaker 2 (01:16:09):
And then she shoots him three times and then Hassan
on the radio goes were thosegunshots?
Yeah, he said that, Justtotally dead.

Speaker 1 (01:16:18):
Were those gunshots.
Did someone just fire a Justtotally deadpan?
Were those gunshots?
Did someone just fire a gun?
Oh my God, Is everything okay,hey?

Speaker 2 (01:16:23):
what's going on up there?
Are you guys in some sort oftrouble?
Yes, Hasan, we are in trouble.

Speaker 1 (01:16:28):
Let me play you some cool jazz to get you through the
night.
Coming on 104.
They run out of fuel.
He says that's a good thing,and here's the one line in the
movie I liked.
He's like that means you'll beless flammable, less flammable
which is a great line.
It's a great line.

Speaker 2 (01:16:45):
Delivered so poorly again, but a great line, maybe.
Maybe you know what I'm justgonna.
I'm gonna say maybe that's theonly line that made it from the
original draft and the writer'snot the worst writer in the
history of the planet, maybe.

Speaker 1 (01:17:01):
Good line, I don't know.
So she brings it in Wheels flyoff.
All the fire trucks are chasingthem, which you're right.

Speaker 2 (01:17:09):
The wheels should have already been off, so this
should have made more sense.
Yeah, Whatever?
Yeah.
Anyhow yeah, whatever, yeah,anyhow Did you see that plane up
in Canada that flipped over.
Yeah, I did, Everyone made itright.

Speaker 1 (01:17:23):
Everyone lived Last.

Speaker 2 (01:17:24):
I checked.

Speaker 1 (01:17:25):
Every one of those people is getting $30,000 free
and clear and can still sue orpursue whatever they want.
Oh, wow.

Speaker 2 (01:17:34):
Okay, they want, oh wow.

Speaker 1 (01:17:36):
Okay.
So it's like they're like we'regoing to front load you a bunch
of money so that maybe youdon't hate us as much.

Speaker 2 (01:17:45):
Sure, yeah, I mean listen, I'm glad everyone's okay
.
Get the compensation you need,friends.

Speaker 1 (01:17:54):
Daryl flies out the open window.
Now.
What a disappointment.
What do you mean as he'sgetting up the firetruck?
It was fucking great.

Speaker 2 (01:18:05):
Sure, but he needs to be thrown out of the plane.

Speaker 1 (01:18:09):
Oh, she needs to throw him out.

Speaker 2 (01:18:11):
Here's the thing she's on this whole, like I'm
not going to kill him.

Speaker 1 (01:18:15):
I'm not going to kill him.

Speaker 2 (01:18:16):
I'm better than that.
She has to kill him.
That has to be her arc there'mnot gonna kill him.
I'm not gonna kill him.
I'm better than that.
That has to be her arc there.
Instead, it just like god islike yeah, all right, you know
what?
He's a bad guy, I'll do it foryou, since you're too chicken
shit to do it.
It's a cool death, but sheneeds to be the one that like
kicks him out of the plane andthen he gets run over.

Speaker 1 (01:18:37):
Hasta la vista, bitch here.
Here I'll read the runway fuck,that's what I just said.

Speaker 2 (01:18:45):
That's pretty good, that's pretty good.
And then firetruck, firetruck,firetruck.

Speaker 1 (01:18:49):
Yeah, that's fun, and this is when I stopped the
movie.

Speaker 2 (01:18:52):
Yeah, I mean, you don't miss a ton.
That's not true.
You did miss another greatmoment.
So they slide to a stop right.
Eventually toffer has beenunconscious hey, fans, that's
how I imagine this guy sounds.
So toffer wakes up and he has ayou know funny line.

(01:19:13):
That's like hey, we landed,cool, great little bit.
And then the, the paramedicscome on the plane and they're
like oh, we got to get him offbecause he's been stabbed twice.
So they unhook him.
And then one guy just grabs himaround the chest and drags him
out of the plane, which, like,not careful at all, they don't

(01:19:33):
bring in one of those gurneythings and lay him down and
slide him out, he just bear,wrestles him out of the plane.
Could not have been comfortable.

Speaker 1 (01:19:42):
They couldn't afford one of those stretchers Very
expensive.

Speaker 2 (01:19:46):
And then they bring him into the ambulance and then
leave the ambulance completelyunattended.
They don't immediately rush himoff to the hospital, they just
put him in the ambulance,stabbed twice, bleeding out.
So what?

Speaker 1 (01:19:59):
you're saying is they do not affect any life-saving
medicine on him Not?

Speaker 2 (01:20:06):
even one.

Speaker 1 (01:20:07):
Not even a little bit .
You're in the protection of anambulance, right, this magical
ambulance.

Speaker 2 (01:20:11):
So you are fine, you're fine, so you are totally
fine.

Speaker 1 (01:20:14):
Once they get you to the ambulance, you're good.

Speaker 2 (01:20:16):
It's a healing.
It's kind of like being in thepokey center in your pokeball.
They just put you on a littleconveyor belt and you're healed.
So he's bleeding out in thething and then Hassan comes out
of the car and does like a yay,we did it thing and they have a
moment.
And then a bad guy walks behindHassan and gives him eyes, and
so the lady, the marshal's likeoh, I'm clocking that.

(01:20:39):
He goes into the ambulance,which is again completely
unattended no one is looking atTopher Grace, who's been stabbed
twice and shuts the door andshe's like, well, that's weird.

Speaker 1 (01:20:50):
It's time to shut the door.

Speaker 2 (01:20:52):
He's a random dude.
Close the doors.
So she's like, well, that'sstrange.
So she goes over and opens thedoor and this guy has got Topher
Grace in a plastic bag and he'soh, I can't breathe.
So then she shoots him threetimes, kills him.

Speaker 1 (01:21:10):
How does she have all those?

Speaker 2 (01:21:11):
bullets.
Listen, I don't have any idea.

Speaker 1 (01:21:13):
Maybe they gave her a new gun.

Speaker 2 (01:21:16):
So then she takes the thing off Topher and he gets a
great line.
He says this fucking day, whichwas very funny.
And then the movie ends in areverse, shot out the back of
the ambulance of all of theseEMT workers slowly coming and
being like what just happened inhere?
They're all just curiouslylooking Did someone get shot?

(01:21:38):
What happened over there?
And then credits Mel Gibson.
It was so weird.
I don't understand what theywere all looking at.
As far as they know, one oftheir EMTs just got murdered, in
front of them Probably, andnobody cares.
Nobody cares at all how did MelGreat movie?

Speaker 1 (01:21:58):
Did Mel direct a real movie like the passion of
christ?

Speaker 2 (01:22:02):
or something, movies yeah, he did passion of christ,
he did braveheart he did umhacksaw ridge was like the last
one he did.

Speaker 1 (01:22:10):
That was really good hold on the guy who directed
this movie directed braveheartyeah, baby, come on.

Speaker 2 (01:22:18):
You don't know anything about mel's, pat mel's.
I can't, I can't, be pro mel inthe world.
Um, I'm anti mel as a human.
Let me just be very clearfilmmaker I love it.
He's done some good stuff backin the day, so let's go, let's
go over his directing thing here.
Uh, man without a face,braveheart.
Passion of the Christ.

(01:22:38):
Apocalypto, apocalypto I can'teven say the name of that.
Hacksaw Ridge and Flight RiskReally went down there.
Hacksaw Ridge was nine yearsago, so it's been a minute.
He has lost the ability.
For sure I haven't been on stagewith comedy and I haven't lost

(01:23:00):
my my kind of better now thanit's ever been you know, I had a
dream, really just a few nightsago, that we were on stage
doing improv and I was just, uh,totally frozen.
Yeah, I had, I had completestage fright.
I was like I can't think ofanything to say.
It was weird, I've never hadthat dream before.

Speaker 1 (01:23:19):
But I was killing.

Speaker 2 (01:23:20):
Oh yeah, you were crying.
Yeah, yeah, don't worry, youwere slinging them out, you were
setting me up and I was juststriking out the whole time.
I don't know what was going on.

Speaker 1 (01:23:29):
I like the good old days.
Those were good old days.

Speaker 2 (01:23:38):
Yeah, they were.
Anyhow, this movie was great.
Thanks for letting me pick it.
It was terrible.

Speaker 1 (01:23:42):
But you know, when I see an hour and 31, I'm like God
bless Tony.

Speaker 2 (01:23:46):
You love it right?
Yeah, I saw that the other daywhen it came out and I was like
a cool 90?
.
Yeah, we can do this.
This will be fun.

Speaker 1 (01:23:53):
And I didn't even watch the last five minutes, so
it didn't matter, You're a good85 and under baby.
Okay, something we like thisweek.
Maybe I talked about SaturdayNight Live last time.
I don't know if I did or not.
I don't think you did.
Watching all the Saturday NightLive, 50s stuff, just great.

(01:24:13):
Yeah, there's this one aboutSandberg did this one about
anxiety, this song about anxietythat I'm just oh, oh,
interesting, okay, so good.

Speaker 2 (01:24:25):
And then like was that on the nsl 50s?
What did I just say?

Speaker 1 (01:24:29):
it was the snl 50 digital short they did for the
50 I'll have to watch theepisode everybody on on the show
having anxiety.
You can just watch all theclips.
It's all on.

Speaker 2 (01:24:39):
YouTube, which is great.

Speaker 1 (01:24:41):
And then I started to watch all the Sarah Sherman
desk bits and she is justphenomenally funny and all these
people that I I'm never goingto be good game, blah, blah,
blah.
No, Saturday Night Live is thesame.
It's like Tim Robinson was.
Saturday Night Live is the same.
You know, it's like TimRobinson was on Saturday Night
Live.
I watched the thing with himand he talked about it.

(01:25:04):
He was on for one year andstruggled.
They did a thing for him thatthey've never done for anyone,
and they were like you canfinish out your contract as a
writer, so he wrote for anotherthree years.
Oh, I guess I didn't evenremember him being huge talent
he was on, yeah, one year theybrought him in and he struggled,
he, you know, he, it was rough,very rough for him, um, but

(01:25:27):
then, you know, he got threemore years writing, learning,
learned, you know, learned toreally learn really how to write
.
And then went and diddetroiters and then um which is
great I can never remember.
I think you should leave nowwhich I did not like at first
and I have come around on thatand it's one of the best sketch
things ever created I still feelthe same way, which is there's

(01:25:50):
too many poop jokes, but whenhe's not doing poop jokes, I
think it's very good there'sjust some.
You know, I rewatched the.
The one, I mean there's two,the two will forte ones.
The one where he's on the planeyeah, and then the one where he
there's a car parked in the inthe in the side in the sidewalk
and he crawls under it oh yeahit's like yeah, that's good one

(01:26:13):
of the greatest catches gets hisponytail cut.
You're just like.
These are some insanely brokenpeople making some.

Speaker 2 (01:26:22):
We watch two of them on regular rotation.
When our life is bad, these aretwo things we turn to.
It's the one where he sees thepig his neighbor's pig and he
thinks it's like some sort ofmonster.
And he's like like the firstthing I thought of when I
thought I was gonna die was that, oh, I'm so glad I don't have
to go to work tomorrow.
What have they done to us?

(01:26:43):
That that's my first like that.
That sketch is a 10 out of 10for us.
And then there's one, the onewhere he's driving and he's like
he's driving poorly and the guybehind him's honking, him
honking.
And he's like don't you knowhow to drive?
And tim rolls down the window.
He goes no, I don't.
Actually it's one of myfavorite moments ever, ever
scripted.
Just no, I don't know how todrive.

(01:27:04):
It's great.

Speaker 1 (01:27:05):
Yeah, he's, he's wonderful, yeah and we'll see
how the the crazy uh movie withuh paul rudd is I've watched the
trailer.

Speaker 2 (01:27:13):
It's.
It looks weird.

Speaker 1 (01:27:15):
I'm ready for it that trailer is like we're not going
to tell you if this is a comedyor a horror movie and we're
really not going to give you anyreal.
We're going to have clues ofwhat it could be, but we're not
telling you with this trailerwhat this movie's about.

Speaker 2 (01:27:28):
I'm very ready for it , very excited.

Speaker 1 (01:27:30):
What do you got for us, Tony?

Speaker 2 (01:27:33):
We talked about Reacher, so let's talk about
Reacher.
Season three dropped.
The first three episodes havedropped.
We watched them all Thursdaynight immediately and we love it
.
But what's good talking?

Speaker 1 (01:27:45):
I don't like watching shows where you can get caught
and you have to, you know,constantly fool people.
I don't like that.
That tension makes meuncomfortable.
I've watched.

Speaker 2 (01:27:56):
I think this is not the season for you.
I've watched like that tension.
That tension makes meuncomfortable.

Speaker 1 (01:27:58):
I've watched this is not the season for you.
I've watched most of it and Idon't think he's great at
selling that.
He's actually working for thatguy.
You're like he, just he's notvery good at being undercover.
You're like I would be like Iam not trusting you at all.
Instantaneously.

Speaker 2 (01:28:17):
There's something off about you guys.
Well, I think I mean not to.
I don't want to give anythingaway, but people do seem to
figure it out.

Speaker 1 (01:28:25):
Yeah, and then you know he has to get rid of them.
It's just it's a little too.
It's a little too.
I got it.
You know, he, he, he needed, heneeded to be a little more, a
little better at undercover.
But you know, when he walks outof the water and is wearing his
underwear in front of what'sher name, she's just like and I

(01:28:47):
was feeling the same way.
Yes, I know you were.

Speaker 2 (01:28:48):
Tommy, I mean the body dude.
It's unbelievable, this guy.

Speaker 1 (01:28:55):
It is a very fun character and you know, when
he's putting the beat down onpeople it's always very oh, it's
great yeah, the fight, thefight scenes are just so good.

Speaker 2 (01:29:03):
Yeah, and the yeah, all right.
Yeah, we, we're love, we'rehaving a great time.
It's it's sillier than theother two seasons a little, you
know, like it's not jokey, butit's just like a little.
It's just a little further downthe unbelievable scale than the
other two seasons, but we'rehaving a blast and we can't add
this Pauly guy, this giant Paulyguy that's somehow a foot

(01:29:24):
taller than unbelievable.

Speaker 1 (01:29:26):
I cannot wait for them to fight that's going to be
an epic fight.

Speaker 2 (01:29:30):
I'm just looking forward to it.

Speaker 1 (01:29:32):
So I had one movie picked out which we're going to
have to do at some point.
And I was like, no, I don'twant to do that.
And One movie picked out whichwe're going to have to do at
some point and I was like, no, Idon't want to do that.
And then, for some reason, Icame on this other movie and I
was like, yeah, we're going todo that.
It's Conan from 2011.
Conan From 2011.

Speaker 2 (01:29:50):
Like the actor Conan no, or Conan the Barbarian.

Speaker 1 (01:29:52):
Conan the Barbarian from 2011.

Speaker 2 (01:29:54):
2011.
Who's Conan in that one?

Speaker 1 (01:29:58):
Jason Momoa Jason.

Speaker 2 (01:29:59):
Momoa.
All right, I'm ready for this.
This is like that can't be good.

Speaker 1 (01:30:02):
It's one of those movies where you go to the
Rotten Tomatoes and people arelike this is the worst fantasy
movie I have ever seen.

Speaker 2 (01:30:11):
Yes, I'm very excited .

Speaker 1 (01:30:14):
I love a little Khal Drogo.

Speaker 2 (01:30:16):
Come on, baby.

Speaker 1 (01:30:16):
So we're going to go Conan and see how that goes.
Great and just call it.

Speaker 2 (01:30:21):
Conan, I think it's going to go really well.

Speaker 1 (01:30:22):
Don't call it Conan the Barbarian when you do the
thing next week.

Speaker 2 (01:30:25):
Just Conan, okay, all right, I'm going to call it
Conan the Barbarian starringJason Momoa, and then you'll
have to type all that inbeautiful stuff.
I'm excited.
Flight risk silly movie soterrible.

Speaker 1 (01:30:41):
I enjoyed it give us a thumbs up, give us a comment
or subscribe, because thenyou'll just keep getting it in
your inbox every day, every day,which is exactly what you want.
You want more more, more moreand we'll be back next week
talking about coding.
Goodbye everybody.
More and more and more, andwe'll be back next week talking
about coding.

Speaker 2 (01:31:01):
Goodbye, everybody yeah.

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