Hate Watching Interview With The Vampire: Emo Vamps, Campy Cruise and So Many Beautiful Men

Episode Transcript
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Speaker 1 (00:00):
Get ready for some spooky vampires.

Speaker 2 (00:04):
They're just sad vampires, Stan.
They're not spooky, they'rejust really really sad.

Speaker 1 (00:09):
No, they're sad.

Speaker 2 (00:10):
They're spooky, they're very emo.

Speaker 1 (00:14):
No, they're very spooky.

Speaker 2 (00:17):
I'm spooky in the sense, like boy.
I hope I don't end up like them, because they're very sad.

Speaker 1 (00:35):
Welcome to Ain't Watching with Dan and Tony.
I am Dan, I am Tony.
On this show we talk about amovie that Shannon picked.

Speaker 2 (00:45):
Yay, Shannon.
Shout out to Shannon.

Speaker 1 (00:47):
Friend of the show Shannon.
Friend of the show.
Shannon Occasionally watchesthe show.
I've seen it happen.

Speaker 2 (00:53):
Does she really?
I don't believe it.

Speaker 1 (00:56):
I've heard her.
I don't know that she listensto the entire thing or all of
them, but she has listened tosome of them.

Speaker 2 (01:02):
Wow, I mean listen.
That's pretty good for us, butshe has listened to some of them
.

Speaker 1 (01:06):
Wow, I mean listen.
That's pretty good for us.
On each show, before we start,we talk about the movie we
watched last week.

Speaker 2 (01:12):
No, we'll talk about the movie in a minute.

Speaker 1 (01:14):
We don't do that segment Each week.
Did you learn something new?
Yes, I absolutely want to talkabout something.

Speaker 2 (01:21):
All right, you finish your setup and then we'll go
back.

Speaker 1 (01:25):
Shannon picked the movie, my wife, she picked it.
She picked Interview with aVampire, 1994, two hours and two
minutes.

Speaker 2 (01:35):
Yeah, it felt it.

Speaker 1 (01:36):
We don't.

Speaker 2 (01:38):
It did feel like the past.
Sometimes they don't, but thisdid.

Speaker 1 (01:42):
But before we go into that, last week we watched
Fountain of Youth and I waswalking the dog and I was like
you know what movies are about,you have characters and the
characters have motivations todo something, and that's the
whole idea of movies.
Interesting concept.

(02:03):
The typical good movie.
The typical let me just say,the typical good movie.
The character has a motivationand then they usually have a sub
motivation.
So their motivations, like Iwant to discover the lost city.
But what I really want to do isI want to come to terms with my
father's legacy.

Speaker 2 (02:19):
Okay, sure there we go.
Did you re-watch lost city of zor whatever that's called?
You should just have just saidLost City.

Speaker 1 (02:25):
I've watched some of that movie.
It's a great movie.
That's a very fun movie.
I'm sure if we dissected thatmovie we would be like well,
what is Sandra?
Bullock's character wants acertain thing.
What's-his-name's characterwants a certain thing Channing.

Speaker 2 (02:38):
Tatum Channing Tatum wants a thing.
Daniel Radcliffe, could DanielRadcliffe, could you name the
people in the movie, dan?
They're very important to me,okay.

Speaker 1 (02:44):
All three of those people have different things
they want and they intermesh andthen they all get them or don't
get them at the end, andthrough what they went through,
and Brad Pitt.

Speaker 2 (02:56):
Look at that.
That's seven.
What is it?
Bacon, seven layers of bacon,or whatever.

Speaker 1 (03:00):
There it is Brad Pitt in a role where he was acting,
he learned and he didn't havemarbles in his mouth.
So if you don't, put marbles inthe guy's mouth, he can act.

Speaker 2 (03:11):
This was a long time ago.
He was still young, you knowwhat I mean.
He was still figuring it out.

Speaker 1 (03:17):
He said kind of when he signed on to the movie he
felt like he had a lot to do.
You know he had like he had anarc and there's a character arc
for him.
They don't do it, they talkabout it occasionally.
Yeah, yeah, yeah, that'scorrect, but he said kind of,
when Tom Cruise came in asLestat, his thing sort of

(03:42):
disappeared and he was juststanding around in the movie
Because he really feels likehe's just standing around.

Speaker 2 (03:52):
Unfortunately, I think the problem is like tom
came in at a 12.
Right, this is like cruise at a12.
I'm not saying it works.
Let me be very, very clear.
I'm not saying that that lestatworks in this movie, but he is.
He is going at a 12 like he isdoing things.
Whether they're appropriate ornot we can discuss in a little
bit.
But I think brad was playinglike a super under you know what
I mean and tom's like superover.

(04:13):
So I assume everyone was likeoh, tom is doing the thing, tom
is great.
I feel like that's probablywhat happened.
And then brad just felt lost inthe shuffle.

Speaker 1 (04:24):
And in the reviews that's kind of everyone was like
Tom Cruise is doing a thing andyou're like, is he?

Speaker 2 (04:31):
Some people liked it, some people hated it, from what
I could tell, but at the timeit felt like more people liked
it than didn't.

Speaker 1 (04:37):
Yeah.

Speaker 2 (04:38):
From what I could tell you know it was a success.

Speaker 1 (04:40):
It was a successful movie.

Speaker 2 (04:52):
The long you know, the shannons of the world, who
were diehard fans of the bookwere kind of like.

Speaker 1 (04:55):
I don't know well, there was a big backlash when
tom was cast.

Speaker 2 (04:56):
From my understanding I remember that even ann rice
was like I he's not lestat.
And then eventually she camearound to it.
Whether that's true or not, Ihave no idea.

Speaker 1 (05:03):
I think she said that she came around to it.
I do not believe she camearound to it.
Whether that's true or not, Ihave no idea.
I think she said that she camearound to it.
I do not believe she camearound to it.

Speaker 2 (05:07):
Yeah, I mean that's fair.
I have heard that the show theLestat is much better.
I don't want to say betterbecause some people like Tom,
but more book accurate maybewould be a proper term.

Speaker 1 (05:21):
They had the rights right.
She sold the rights before thebook came out, which is yeah, I
don't even understand how that'spossible.

Speaker 2 (05:27):
It's just awesome.

Speaker 1 (05:29):
It's amazing.
And then she finally clawedthem back and made the TV show
and I read about the show andit's sort of interesting because
the show takes place like abunch of years after this movie
and they sort of.

Speaker 2 (05:44):
Oh, interesting, he's back again.

Speaker 1 (05:46):
Louis is back talking to the reporter again.
Oh he after he had talked tothe reporter again essentially
in this movie, I think orprobably the book more
accurately, because at the endof the movie Lestat is
definitely taking him as a newconcubine.

Speaker 2 (06:03):
So exactly, that's the the whole point.
Is it sort of the movie Lestatis?

Speaker 1 (06:04):
definitely taking him as a new concubine.
Exactly the whole point is itsort of deals with and then
things don't exactly match up.
So you're kind of like what'shappening?

Speaker 2 (06:13):
What's going on, can we?

Speaker 1 (06:14):
trust super interesting, and they also talk
about how it deals with gay andqueer issues all over the place.

Speaker 2 (06:22):
And this movie, the book you mean right, or the show
the new, and this movie, thebook you mean right or the show,
the new tv show and the book,and absolutely definitely yeah
and not this movie, this movieis the least dealing with queer
issues.
It's, it's, it's painful how itis, they don't go anywhere near
anything, it's yeah it's it.
It is very 90s though because,like it's very of, it avoids it,

(06:46):
like it doesn't condemn it, butit avoids it at all cost.
Right, they're like we know,you know what we're talking
about, but we're gonna keep it asecret, right, no one's gonna
talk about it.
Uh, if you understand it, youknow you get it, but we're not
gonna talk about it.
I didn't like that.
I just don't just Just embraceit.

Speaker 1 (07:05):
Well, yeah, but they wanted to make a lot of money
and they felt like, I mean, here's Did it, it did well, it did
well.
Oprah Winfrey went and saw itleft after 10 minutes because it
was too gory and she felt itwas demonic or something.

Speaker 2 (07:26):
Oh cool, this movie.
Just that probably boosts sales.
You know what I?

Speaker 1 (07:31):
mean, I guess, maybe when they ate the dogs, which
was weird, that was weird.

Speaker 2 (07:36):
Well, yeah, that was weird.
Yeah, yeah, but yeah, I don'tknow I didn't find this.

Speaker 1 (07:41):
That's a strange reaction.
I didn't find this movievisceral at all.
Well, it was the 90s right.

Speaker 2 (07:45):
Yeah, you know 90s, maybe we were much more innocent
.
I don't really remember thatBecause I mean I had already
watched the Lost Boys, andthat's way racier than this
movie, you know.
Because the Lost Boys and waybetter Years before this right

(08:07):
Like a yeah oh, because this iswhat 94 right, and I think it
was lost boys mid to late 80s,86 or something, and the lost
boys that's 87, so I mean stillseven years before years.

Speaker 1 (08:15):
Um, yeah, you know and and we'd have the shiny and
not the shining salem's lot ontv, which I guess creeped a lot
of people out.
This movie is zero.

Speaker 2 (08:25):
But here's the thing, right, if you go back and you
watch the tv, salem's lot fromthat time not scary at all,
right, but it was scary at thatpoint, at that time.
So like in the 90s.
We were just a different.
We were less dissented, we wereless pieces of shit.
Let's just call it as it iswe're terrible human beings now.
We're getting worse and worseas time goes on yeah.

(08:46):
So this movie it's it's notromantic it's not creepy, no,
but it should be it should be.

Speaker 1 (08:54):
You know, like have these guys fall, you know, fall
in love, you don't have to sayit, but they don't even act like
they're in love.

Speaker 2 (09:01):
they don don't act like it, and that is, I think,
one of the biggest detriments ofthe movie, because the whole
storyline kind of relies on thatrelationship and it doesn't
really feel like a relationshipever.
You know what.
I mean None of therelationships feel like
relationships If I remembercorrectly, and we should ask
Shannon this I feel like in thebook there's a lot of talk about

(09:23):
like I love you more than lifeitself, like I feel like it's a
deep, deep love.
I could be wrong, but I'm Iit's been.

Speaker 1 (09:30):
I haven't read it since high school, but I feel
like it was much moreinfatuation yeah, and she said
there was lots of making outbetween the men and there were
sure implied you know funnybusiness going on between them,
funny business.

Speaker 2 (09:48):
As Dan avoids the topic, Butt play.

Speaker 1 (09:53):
Oh yeah, so you know, it just feels so soulless.
I don't even think these guyslike each other.
I don't even feel like theylike each other.

Speaker 2 (10:06):
Yeah, no, it's not.
There's no connection betweenthem, which is a huge, huge
problem.
I mean, that's all you knowwhat I mean.
The whole movie hinges on that,in my opinion, and that is not
there.
Maybe not the whole movie.
Once we get Kirsten Dunst in,the dynamic changes for sure

(10:27):
Something starts happening, butthe first hour of that movie
needs to feel much more weightedwith emotions.

Speaker 1 (10:34):
Kirsten Dunst shows up.
Kirsten Dunst shows up andyou're like, oh wow, People can
act and interact and sort ofhave relationships.
I wanted to ask you a question.

Speaker 2 (10:43):
Picture yourself as Tom Cruise or Brad Pitt can act
and interact and sort of haverelationships.
I wanted to ask you a question.
Yeah, picture yourself as TomCruise or Brad Pitt.
You are a mega Hollywood star,you are a leading man, and then
an 11-year-old girl comes intoyour movie and acts, circles
around you.
How do you feel inside?
Do you think that hurtemotionally?

Speaker 1 (11:04):
There was one scene where she I think it was in the
theater and you know Louie'ssitting there.
She's sitting there and she'slike acting with her eyes and
he's just a dead fish sittingthere.

Speaker 2 (11:17):
So the difference is right.
Brad is just sitting there andthey're like roll cameras on
Brad.
All right, reactions Great.
And now, kirstirsten, could youmaybe have a feeling?
Could you think about somethinginstead of just sitting there
like a, like a goober?
Um, yeah, you know, becauseacting is all about
internalizing and feeling things.

(11:37):
Um, and brad, I you know, maybeyou just hadn't learned, but
when was legends of the fall?
Was that before or after this?
Because I thought again haven'tseen that since probably middle
school, high school.

Speaker 1 (11:49):
Is that the horses or the fly fishing?
The fly fishing, oh, I likethat movie, tom Scare Right, me
too, and I thought he was greatin it.

Speaker 2 (11:59):
So I just I wonder if that was before or after.

Speaker 1 (12:01):
I don't know I think he was just checked out and I I
think he just didn't.
He didn't because I'm sure hejust got.
That note is like don't don'tlook at tom lovingly, don't do
this, don't do that hey, hey,don't be gay.

Speaker 2 (12:14):
That's what they were saying the whole time you gotta
tone the 90s were a wild timeman.
Uh, legend of the fall same.
So I get first of all, he had agreat year, probably monetarily
, yeah, but that's interestingbecause I remember him being
very good in that movie.

Speaker 1 (12:32):
Because that's real father and son relate, because
it's two brothers and a dad.
Right, yeah, him and AidenQuinn, all this sort of
relationship stuff.

Speaker 2 (12:40):
Anthony Hopkins, he did all that stuff Well it's
also another stacked cast, Iguess, but this is also a
stacked cast.
It's hard.
This is tough.
Yeah, it's hard because she'sbetter than him.
Oh yeah, it's just verynoticeable.
Well, my big problem with thismovie is that it needs to be

(13:04):
played like Shakespeare.
Well, it's written like.
Just the dialogue, is you know?

Speaker 1 (13:09):
Tries to be.

Speaker 2 (13:10):
Of the time, as you might say.

Speaker 1 (13:13):
Yeah, yeah, it just needs to be played, mannered and
just like you know that wasVictorian right yeah it is
Victorian.
Am I confusing?

Speaker 2 (13:22):
my time periods?
No, no, because I don'tactually know.
I think it is Victorian.
Now I confusing my time periods.
No, no, because I don'tactually know.

Speaker 1 (13:25):
Dan, I think it is Victorian Now.
Victorian might be 1830s, Idon't know.

Speaker 2 (13:29):
I don't know what the I'm going to Google it right
now.
If I'm right, you owe me asteak dinner.

Speaker 1 (13:33):
What the exact breakdowns are, but I think
Queen Victoria is like the 1830sand 40s.
Maybe yeah, you're right, wasshe?

Speaker 2 (13:42):
Yeah, you're right, I'm sorry.

Speaker 1 (13:43):
I don't know what post-Victorian is.
This is sort of post-Victorian,who knows.
But it needs to feel moremannered and like this yes.
Because Christa Dunst comes inthere and she brings the thing
that I think Louis was supposedto be, which was the taste of
what the new world is.
Yes, you needed Lestat to bethis mannered guy that falls in

(14:04):
love with the ruggedindividualism of America.

Speaker 2 (14:08):
Sure, which is what they say he is.

Speaker 1 (14:12):
Does that help?
It is what they say he is, andtherein lies a Frisian.
He wants to be doing this andthen he's being this way.
And then Claudia comes alongand's even more of you know
she's 30 years after him.
I think she's even more justlike, ah, the fire of America,

(14:33):
and we don't get in that.
We don't get any of that, wejust sort of get.
Tom Cruise feels like anAmerican.
He never feels like he's a300-year-old vampire.
Sure Right, you know, antoniokind of feels like a
400-year-old vampire.
Sure Right, you know, antoniokind of feels like a
400-year-old vampire Kind of.

Speaker 2 (14:47):
Yeah, he kind of does , he kind of does.
It is interesting that theyboth have the same like
motivations, though in the endWell, they all want the hot dude
which the hot new young thangthat's what they want.

Speaker 1 (15:00):
They want that new sweet ass.

Speaker 2 (15:07):
By the way, way, he is very pretty.
Oh, you thought you thoughtbrad was very pretty.
Oh, very pretty.
Yeah, I don't.
I don't think he's like he'snot hot, right, because for me,
like you know, you got to be alittle rugged to be hot, but
like he's very pretty, very,very pretty shannon, did you
read hate it all the way, hatedall the wigs.

Speaker 1 (15:23):
She's like thought the wigs all well yeah fake and
terrible and I'm like theydidn't do anything.
They didn't bother me that much.

Speaker 2 (15:30):
One way or the other, yeah.

Speaker 1 (15:32):
I was indifferent to the wigs.

Speaker 2 (15:33):
Some of them felt too wiggy, Like they're too.
What's the word?
Volumous?
Is that?

Speaker 1 (15:40):
the right word.
They had too much volume.
Yeah, no, I agree.
Thank you, smart way to do that.

Speaker 2 (15:47):
Yeah, it's like you gotta get its hair, guys.
It's gotta be on your head alittle bit, but it's fine
Whatever.

Speaker 1 (15:54):
And then Kristen Dunst's Claudia.
Her hair 10 out of 10.

Speaker 2 (15:58):
Just like beautiful.

Speaker 1 (15:59):
Just like whoa, I wanna look at this.
This is a character I wannalook at.
She always she felt opulent,she felt rich.
You know they kind of peoplelove the production design and
you're like I love all the stuffaround her.
But then you know some of thestuff with them and the rooms
and the pianos and the fakeblowing.
You're just like, oh my God.

Speaker 2 (16:21):
It's terrible.
I mean listen, I thought it wasa very nice looking movie.

Speaker 1 (16:25):
Okay, good.

Speaker 2 (16:25):
Okay, I did.
I enjoyed it.
I mean it's very gothic.
It doesn't feel like a realworld.
You know what I mean.

Speaker 1 (16:32):
Yes.

Speaker 2 (16:32):
But it's a vibe, for sure.
Yes, now did you read that AnneRice was upset when Tom Cruise
was cast?
Yes, and that one of the peopleshe was looking at was tom
hanks?
Oh, I didn't read that she.
Can you believe that shit?

Speaker 1 (16:51):
that would have been terrible, god they would have
been so bad her own.
Who she wanted her number onefor list that was julian sands
her number one?

Speaker 2 (17:00):
yes, but she mentioned in a Facebook article
that she was after seeingPhiladelphia she wanted to go
after him for Lestat.

Speaker 1 (17:14):
I hated Philadelphia.

Speaker 2 (17:17):
Well, it's even a more depressing movie than this
movie.
It's not that it's depressing,it's just like-.
Oh, that's my problem withmovies.

Speaker 1 (17:24):
Just a court movie.
It's like oh, it's a courtmovie, but like a sad court
movie, but that's you know, butyou always forget.

Speaker 2 (17:31):
You could say A Few Good Men is a court movie, dan,
but that's not a sad court movie, that's a cool court movie.
Do you not like A Few Good Men?

Speaker 1 (17:40):
I think I've maybe seen it once you can't handle
the truth.

Speaker 2 (17:44):
It's great, dude.
You should see it again.

Speaker 1 (17:46):
It's good I love court movies and I see I forget
that they, you know, to sort ofdeal with the issues that they
dealt with in philadelphia.
They have you had to back intoit through a court sure, yeah,
yeah, that makes sense andyou're just like.
I just want to see the moviethat's I want to.

Speaker 2 (18:03):
I want to.
I just want to hear the story.
I don just want to hear thestory.
I don't want to be told thatyeah, I get what you're saying,
I think.

Speaker 1 (18:08):
Yeah, Just like this movie.
They had to back into it andyou got to the point where it's
just like can you just show uswhat's really going on here,
Except for I?

Speaker 2 (18:17):
love Christian Slater and was excited every time he
was on the screen.
He was okay.
I'm not saying he was great,I'm saying I like him Not in the
movie.
I just really like ChristianSlater Supposed to be.

Speaker 1 (18:30):
River Phoenix, but he died four weeks.

Speaker 2 (18:32):
Died four weeks.

Speaker 1 (18:33):
Christian Slater gave all of his money to charities.

Speaker 2 (18:37):
Yeah, pretty great.
All very sad to me, everythingabout this movie.
Very sad, dan, that's what I'mgoing to say about this movie.

Speaker 1 (18:44):
Very sad, dan, that's what I'm gonna say.
It's all very sad.
It's made you sad.
Wow, it did.

Speaker 2 (18:48):
Tony had emotions like a human being I don't know
if it's like a human being, butI had emotions, I did not um san
francisco night.

Speaker 1 (18:58):
We're in a hotel.
Here we have christian slater'scharacter whose name is Daniel,
which I do not believe we eversay.
That name Took a long time toever say.
Brad's character's name who isLouis Once we get to Louis took
a long time to ever say Lestat.
We said Lestat, I think, beforeLouis, but it took a long time.

Speaker 2 (19:17):
So, dan, I'm 40 years old.
This movie came out when I wasabout nine.
This movie came out when I wasabout nine.
Excellent, so from the age ofnine to 40,.
I have said it as Lestatbecause I did not remember this
movie.
I did not know his name wasLestat, so I've said it Lestat
for 30 years.

Speaker 1 (19:35):
You just figured it, oh wow.

Speaker 2 (19:37):
When they said it in the movie, I was like Brad,
you're saying his name wrong.
And then it came to me that heprobably wasn't saying his name
wrong.

Speaker 1 (19:45):
It was wrong and then it came to me that he probably
wasn't saying his name wrong.
It was probably me and rice,probably standing there,
probably saying how you'resupposed to say the name
correctly so he's going to betelling Christian Slater his
life story.
Why?
yeah, why and that's my pointfound the youth.
We don't know why any of thosecharacters do what they do.
The people in this movie.
We don't know why any of thosecharacters do what they do.

(20:06):
The people in this movie, wedon't know why they do anything.
We do not understand louis.
Um, he's not going anywhere,he's just.

Speaker 2 (20:15):
He's just pinballing around but also was was
christian slater following him.
Well, I was following.

Speaker 1 (20:24):
You said you were following.
You were following everyone'sfollowing each other everyone's
following everyone.

Speaker 2 (20:31):
Well, but why?
Why?

Speaker 1 (20:36):
oh, it doesn't matter , we don't know.
Oh, okay great.

Speaker 2 (20:39):
That was a very dramatic pause yeah.

Speaker 1 (20:42):
Well, this movie does this a few times where they're
like it was the best of times.
It was the worst of times itwas the worst of times and then
you have, you know, in tale oftwo cities, then you have this,
this book that's really thickand we get to see the best of
times, this thing and the worstof times, probably.

Speaker 2 (20:57):
Yeah, we do, yeah, oh yeah, I've never read it.
I it's too big for me good book.

Speaker 1 (21:02):
Um, the point being is is they do some of these
things at times, but then theydon't show us either.

Speaker 2 (21:09):
Sure yeah 100%.
I guess I'll trust you.
You know what I'm saying.
Like, if you tell me that, I'lljust believe it for now.

Speaker 1 (21:16):
There it is.
You believe it?
1791, I was 24.
I was a man, new Orleans.
I had a dead wife and a kid andI was suicidal because of that.
So I'm boozing it up and I'mSee, this is the whole setup.
He's playing cards and then hehas four aces.
Which good luck.
You're never going to get fouraces in your whole life.
The percentage is that verytiny.

(21:37):
And you're like well, is hecheating or is he not cheating?
The other guy accuses him ofcheating, pulls out the gun.
It's like I'm going to kill you.

Speaker 2 (21:45):
Then he's all like go ahead, put it right in the
chest.
Buddy, kill me, give me thatshot on the chest.

Speaker 1 (21:53):
Why does the guy not kill him?

Speaker 2 (21:56):
I don't know, because he's chicken shit.

Speaker 1 (21:58):
We don't know.
They don't answer that question.

Speaker 2 (22:00):
Well, you don't know.

Speaker 1 (22:07):
Well, well, you don't know.
Well, he says you know you lacksomething of your convictions.

Speaker 2 (22:11):
I don't understand the words they speak.
He should you know.
Also, how do you know thatthose were aces?

Speaker 1 (22:14):
Those were like blank cards.
As far as I could tell right,there's a single dot in the
middle.
That's an ace.
That's an ace.
Ace is a one.

Speaker 2 (22:20):
No, ace is like a zero.
No, you're right.
No, you're right.
No, there is no one.
I guess you're right.
Wow Listen, I don't play a lotof Solitaire, Dan Okay.
No that's cards.
It's called cards.
I don't play any backgammon.
No, that's not cards.
Is that cards?

Speaker 1 (22:40):
Backgammon no.

Speaker 2 (22:42):
Rummy 500.

Speaker 1 (22:44):
It has cards in it has cards in it also cards.
I longed for death um but didhe though?
here's the thing I feel likeit's probably really easy to
kill yourself back in those daysyeah, you know what I mean,
yeah yeah, I'm just saying like,I'm not saying he should have
or anything, but I just feellike maybe we're being a little

(23:06):
disingenuous with the way we'resaying these things yeah, so
Lestat up in the second floor,falls in love with him, goes and
saves him when he's about to berobbed, flies him up in the air
only part of flying.
We ever see him, do I believe?

Speaker 2 (23:24):
yeah, yeah, tom yeah.

Speaker 1 (23:26):
And he starts drinking him and then he drops
him in the river.
Yep, so he can decide to die ifhe wants to die in the river.
I guess.

Speaker 2 (23:37):
No, I think it's after the river that he has to
make the decision right.

Speaker 1 (23:41):
Yeah, but I mean-.

Speaker 2 (23:42):
It was confusing because he doesn't get to choose
.
He either has to drink back ornot.
Yeah, we'll talk about thatdecision, right.
Yeah, but I mean it wasconfusing because he doesn't get
to choose.
He just he either has to drinkback or not.

Speaker 1 (23:48):
Yeah, we'll talk about how you get changed, right
we'll talk about the choicething in a second, but I mean, I
think maybe him dropping him inthe river.
It's like, well, if you want todie, then just drown yourself
to death, or something yeah,just stay in there, I guess.

Speaker 2 (23:59):
Yeah, if you crawl out, I'll, I'll give you some of
my juice.

Speaker 1 (24:05):
Some of my juice At home.
He is sick.
Lestache shows up and he's alllike you're sick and you can't
eat food because you're going tobe a vampire.
But I can give you another life, but I'm going to let you make
a choice, A choice I never had.
Okay.

Speaker 2 (24:22):
Yeah, yeah.

Speaker 1 (24:24):
So he goes, he sees his final sunrise, or, yeah, his
final sunrise.
It's weird, it doesn't looklike a sunrise.

Speaker 2 (24:31):
And it's also not like a good sunrise.
No, they should have waiteduntil they had like a really
nice vibrant sunrise.

Speaker 1 (24:37):
I mean they should have shot a sunrise.
It looked like a sunrise.

Speaker 2 (24:40):
Sure, I mean, it would have helped.

Speaker 1 (24:43):
Yeah, um, he goes back there, uh, and then list
that they get the big music andthen it's time to choose and he
kind of goes like yeah, whateverI'll do it, which is not what a
guy that was longing for deathwould say.

Speaker 2 (25:04):
Very confusing.

Speaker 1 (25:06):
So we don't the initial, the big initial thing
that sets up the entire movie.

Speaker 2 (25:12):
Yeah, Doesn't make any sense.
I wanted to die.
Someone told me I could die andinstead I decided to live
forever.
That's the opposite.
It's the complete opposite ofwhat he said he wanted to do.
Very confusing, unless he fallsin love with Tom Cruise on
sight, but we don't play thateither.

Speaker 1 (25:33):
If he looked into his eyes and was mesmerized and
just was like oh, you have togive us a look in your eyes and
in your mouth, just like the,you know, because at the end,
christian slater's like I wantto be a vampire too.
Yeah, once again, I don't buyit, he's just like no, I don't
make any sense I want to haveall that power and you know

(25:55):
because?

Speaker 2 (25:56):
it sounds really cool when this guy has just been
hours telling him what a tormentit was being like my life is
the worst, uh, and he's like Iwant that, I want to do that, I
want to be sad for 200 yearsgive it to me.

Speaker 1 (26:09):
I wouldn't do it that way.
I'd be like one of the coolvampires and ride a motorcycle.

Speaker 2 (26:13):
Well, that's, isn't that what we all think?
You know, we always think we'regonna be one of the cool ones,
and then we're just not.

Speaker 1 (26:19):
No no, vampire comes at me, I'm like, no, no kill, I
do not want to be a vampire, Idon't want to live forever.

Speaker 2 (26:26):
I think I'm in.

Speaker 1 (26:27):
You want to live forever.

Speaker 2 (26:30):
Well, I mean, I'm not against it With that beard, do
you want that?

Speaker 1 (26:32):
beard growing back like that every time.

Speaker 2 (26:35):
I mean I would shave better before it happens.

Speaker 1 (26:38):

Speaker 2 (26:39):
It would be like a Santa Claus, where he shaves and
just curls right back.
I could be a part of that.
I want to see what the futureholds.
You know like where does thisplanet go?
Because right now we're on abad track.
Does it make it another hundredyears?

Speaker 1 (26:53):
I'm curious.
You want to sit through ahundred to see how terrible it
goes.

Speaker 2 (26:58):
That's like that's exciting to you.
If I could choose, I would timetravel.
If we had a time machine, Iwould just hop 100, 100, 100 and
just check it out.
That would be more what I wouldprefer, but if my only option
is live forever, I'd take it.

Speaker 1 (27:15):
Wow, Tony wants to live forever Dan.

Speaker 2 (27:17):
Let me be very clear I'm not going to kill people.
I will eat off animals.

Speaker 1 (27:23):
You just have a big dead pile of rats.

Speaker 2 (27:26):
Well, I was thinking, and I don't really know, you
don't have to drain somethingall the way, right?
So if I farmed cows?

Speaker 1 (27:34):
They implied that that one did it again, and I
just drained cows yeah sure.

Speaker 2 (27:37):
Like I could just have a littlesuckle on a cow, have a little
suckle on a cow, and thenthey're all fine still.
And we lived for 20 years untilthey give me little cows.
What are those?
Called Calves?

Speaker 1 (27:48):
So you're going to live out or you're going to have
, like, your own farm where youeat the cows?

Speaker 2 (27:52):
Oh yeah, I would live off the land, you know, because
also, I don't want peoplearound too much because I would
probably eat them, because Idon't think I have the best
self-control, as you can seefrom my large stature Like, if
people tasted as good aschocolate does, I'd be in real
trouble.
You'd be eating people.
I'd be eating people left andright, never stopping.

(28:14):
So I got to be isolated on afarm with some cows.

Speaker 1 (28:17):
Yeah, yeah.
So he's now a vampire.
His body dies.
He goes back as a vampire.
We get a few more rules, somevampires can read minds.

Speaker 2 (28:31):
It's not really a rule, though, is it?
You know, like some people cando some stuff, Other people do
other stuff.
You know who knows.

Speaker 1 (28:37):
Whatever?

Speaker 2 (28:37):
suits the story.

Speaker 1 (28:39):
I said to Shannon is there magic in this?
And she's like I don't know.

Speaker 2 (28:45):
I'm like that's about right.

Speaker 1 (28:47):
Yeah, just like so much of this movie's kind of
like that you're just like well,this sort of rules, you know,
crucifix is no coffins.
Yes, why, why coffins?
There's no explanation as towhy, you know.
I mean, can you just sleep insome place that's dark and safe?

Speaker 2 (29:01):
I think so, because I don't think tom has a coffin at
the end, right?
No, well, right, so he's justin a cabin that is dark.
I, I don't know it's, it'sloosey-goosey for sure go see um
.

Speaker 1 (29:14):
So yeah, now they're vampires and okay, they're
vampires, um, and then we starteating ladies at the bar.
They they kill a girl somewhereand then just throw three coins
on the table.
I'm sorry, there is nosituation.
You know, this one's one ofthose things where it's like we

(29:35):
killed two or three people anight and we just left bodies
laying around everywhere.
It's like no, this is too much.

Speaker 2 (29:42):
The 1700s were wild.

Speaker 1 (29:44):
That's what I heard I think Jack the Ripper killed
like nine people and he was thebiggest story in the world.

Speaker 2 (29:53):
He's still famous now he didn't kill 100 people.

Speaker 1 (29:55):
I don't think.

Speaker 2 (29:56):
Yeah, they did.
They killed hundreds.

Speaker 1 (29:58):
I think it was like nine people.
So you leave nine people layingaround, which is what they're
going to do in three fuckingdays.

Speaker 2 (30:06):
Yeah, because he says twice a day, right, two or
three people a day.
Yeah, like that's a lot ofpeople.
We should do that math at somepoint.

Speaker 1 (30:16):
It's a lot of people, and I also said this they're
always living in the lap ofluxury.
They always have infiniteamounts of money, and I said
that, yeah, I'm curious aboutthe lap of luxury they always
have infinite amounts of money,and I said that to Shannon.

Speaker 2 (30:25):
Yeah, I'm curious about the money as well.
Where did that all come from?
Because they never work.

Speaker 1 (30:29):
This is what Shannon said.
She's all like oh, you can'tworry about that, you know.
Oh, I'm like, what are youtalking about?

Speaker 2 (30:35):
You got to give us a line.

Speaker 1 (30:37):
You know where it's like I had a.
You know he, tom Cruise, pullsout some gold or something or he
kills somebody that has a bunchof whatever Sure, give us a
line.
He's like and whenever we needmoney, we need someone wealthy,
we need someone of thearistocracy, whatever.

Speaker 2 (30:55):
Just give us a line.
Dan loves he needs a line.
Everybody you got to give him aline.

Speaker 1 (31:05):
Need a line, just because then I don't have to
think about it.
And so when they go, if yougive us one line, then they can
go to a thousand cities and athousand lifetimes and you're
like, well, that's how they havethe money.

Speaker 2 (31:11):
No, okay, all right, dan here we go yeah so if they,
if they lived for 300 years,okay, the two of them.
There's two vampires.
That is 300 times 365 for days,times three for how many times

(31:32):
I eat, times two for how manyvampires.
That is 657,000 people in 300years.
That is more than thepopulation of Minneapolis, where
I grew up.

Speaker 1 (31:43):
Two-thirds of a million people they're going to
have to kill over 300 years,feels like a lot.
That's a lot of trail for aneffective animal.

Speaker 2 (31:50):
I feel like someone will notice.
Someone's going to notice, yeah.

Speaker 1 (31:55):
And in later vampire things they talk about that.
You mesmerize them, you drinksome, you don't kill them.
You get people that work foryou that like being drained, you
know many things, and so theylike it.
But they want to have this bigsexy line that they're killing
two to three people a day.

Speaker 2 (32:16):
It's just too many.
It's just too many people, okay.

Speaker 1 (32:20):
So Louie, so they're there at dinner after they
killed this one girl.
And then Louis, you knowthey're sitting there and Lestat
picks up a rat, kills it,drains it into a glass and then
gives it to Louis, kind ofunprovoked.
Louis drinks it and then herealizes that you can live off
of animal blood and not humanblood.

(32:40):
And then he's all like, okay,now I'm going to stop taking
human lives, I'm going to dothat.

Speaker 2 (32:45):
Right yeah, I'm going to do that.
Right yeah, I'm going to dothat.
That sounds way better becauseI'm full of guilt.
But he hasn't been full ofguilt, he hasn't expressed this
guilt at all, but he told youabout it when, just now, when he
was like oh, we can do this.

Speaker 1 (33:10):
I don't want to do this anymore because I'm guilty,
because I was guilty yesterday,because I've been feeling
guilty, even though we didn'ttalk or see it, I've been
feeling it.
The whole idea is you set upthe situation and then you, then
you have the resolve.
You don't do the resolve andthen explain oh yeah, I have the
situation, so, so that resolveyou just set up for me, I'm
gonna go with dan.

Speaker 2 (33:22):
The movie's already over two hours.
Okay, we gotta move along.

Speaker 1 (33:26):
He's telling us the thing afterwards.
Just tell us it before.
It's not very hard it seemedpretty difficult.
I don't know about you okay, uh, so he's not eating anymore.
We talk about the two to threetonight, but the stats?
Aat's a snob.
He likes to kill society people.
Once again, this is New Orleans.

(33:47):
There's not 10,000 people insociety If you're killing two or
three people in society everynight.

Speaker 2 (33:53):
Society is going to notice really quick, they're
going to know and it's going tobe gone pretty soon there's just
not that many available.
So that is the exact wrongthing to do.
Not that I'm condoning killingpoor people Kill poor people.
But in that situation, ifyou're doing three a day you
kind of got to you can't hit thepeople that people are going to

(34:15):
notice right away.

Speaker 1 (34:17):
Then we have this really weird throwaway line,
which is a throwaway line thatoffended me.
Uh-oh, we look for evildoers,because evildoers tasted better.

Speaker 2 (34:29):
Sure, but then we never-.
No, they don't.
We never dealt with thisevildoer.

Speaker 1 (34:33):
You know who they like.
They like young little boy.
They like young people.
They like a girl that's 21years old and never had sex.
That is who they like, that isexactly who they like.
You know, the pure blood youknow, they like purity, they do
not like evildoers.

Speaker 2 (34:50):
No, it's very weird that that I don't even remember,
that being said, to be honest,because it probably just didn't
make a lick of sense.

Speaker 1 (34:57):
Nope, doesn't make sense in the movie.
So then we go to the societything.
He picks up this old ladythat's got a young guy, and then
we set up this whole thingwhere she killed her husband.
Blah, blah, blah.

Speaker 2 (35:09):
Because she's an evildoer.

Speaker 1 (35:10):
Because she's an evildoer.
They march her outside, theyeat the boy and then the old
lady's like oh, I'm so old, whyare you interested in me.
And then he's all like becauseI'm going to eat you, louis does
.

Speaker 2 (35:22):
And then he's like I changed my mind I'm gonna eat
you or instead I'm gonna eatyour sweet little dogs.
I didn't like it.

Speaker 1 (35:26):
I didn't like that at all normally you kill some dogs
in a movie.
I am, I hate your movie.
I instantly hate your movie.
This one I'm like whatever Idon't.

Speaker 2 (35:36):
It was weirdly ineffectual.
Yeah, I agree, but it was stilllike a weird choice for me.
I wasn't.
I wasn't mad because normally Iwould be mad, but I was just
like what?
This is weird because?
And then they kill her anyhow,like the snap her neck, which is
pretty cool.
Um, I don't know, it's a weird.
It's a weird movie it's a weirdmovie.

Speaker 1 (35:57):
It's a very weird movie.
Uh, dr pistol stack kills herpissed, everyone's pissed.
Uh, he's all like life withoutme would be.
Even.

Speaker 2 (36:05):
Oh, he starts eating chickens, the local that's the
line that bothers me the most islife.
What does he say?

Speaker 1 (36:13):
he says life without me would be even more, even more
unbearable right and we didn't.

Speaker 2 (36:20):
I don't know if I agree with that.

Speaker 1 (36:21):
He said I haven't seen.
No, I know, but yeah.

Speaker 2 (36:26):
And I just haven't seen evidence that Louis would
be worse off without him.
No, I feel like the opposite istrue.
So it's just a weird line, Idon't know.

Speaker 1 (36:34):
Louis is much happier when he's wandering around.
Even when he's like looking forvampires in Europe and can't
find them, he's happier.
He's much more happier.

Speaker 2 (36:42):
he just likes to wander and just chill like he's.
That's kind of him.
You know he's just a homebodyin a way.
You know he doesn't like tosocialize and go out and eat
fancy people he's eating thechickens.
The locals get riled up, somany chickens, by the way, just
like a hundred chickens.
Is that how many chickens ittakes to satisfy you in one

(37:02):
night?
I'm confused on how long thisis going on, but it's a whole
coop of chickens just bloodied,um he wants.

Speaker 1 (37:13):
Louis wants to know the meaning of it all.
Like what?
What is the vampirism?
What does vampirism mean?
And you're kind of like you'renot, you're never going to get
good answers to that, but youknow.
But Lestat won't give himanswers, he's like I'll, I'm not
telling you anything, causethat's my secret?

Speaker 2 (37:30):
Yeah, the thing is, he makes it seem like there is
one, and I just don't believethat to be true and you're not.

Speaker 1 (37:37):
You're not wholly convinced that that's what louis
is missing yeah, no, not at allum what's that takes off.
The servant girl comes in,which I think is sandy newton
okay, so we she's definitely inthe movie I saw her in the
credits and I was like I don'tremember her being in it.

Speaker 2 (37:56):
Okay, there you go.

Speaker 1 (37:57):
That's got to be her.

Speaker 2 (37:58):
Good for her.
I wonder if this is how she gotmission impossible.
I wonder if Tom and her likehit it off and then he was like,
hey, come do mission impossiblewith me.
That's cool.

Speaker 1 (38:06):
Good for her.
Um, he nib, and then she freaksout, and then the workers
attack and then he's like thisplace is cursed, I'm the devil,
and he sets his house on fire.
The stats comes back, and thisis which is cool.

Speaker 2 (38:25):
It's a cool scene he is genuinely lighting a place on
fire, like I'm sure it's not ahouse, but like he's running
through that flame set, shit,shit.

Speaker 1 (38:35):
I was like, wow, practical effects are scary but
cool and it seemed like it wasbrad pitt and it felt like he
was.

Speaker 2 (38:41):
It was all it had to have been yes, yeah, which is
the only time in the whole movie, maybe, that he's active, and
it might just be real fear fromfrom the actor himself being
like I gotta get the fuck out ofhere.
This place is on fire.

Speaker 1 (38:54):
Lights his wife's painting on fire.

Speaker 2 (38:57):
Yeah, yeah, interesting.
Is that a symbol of something?
I don't really understand it.
It's above my head.

Speaker 1 (39:03):
I don't know.
And once again, if he is ahomosexual guy, maybe he's not
mourning his wife, maybe thatwas freedom and maybe he's
conflicted because them dyinghas finally offered him freedom.
You know, there's a lot ofwhatever.

Speaker 2 (39:18):
Interesting.

Speaker 1 (39:18):
We're never going to talk about any of that stuff.

Speaker 2 (39:20):
Right, that's not a part of this movie.

Speaker 1 (39:29):
So Lestat jumps back in and says another line pissed
me off.

Speaker 2 (39:33):
Burn everything we own.

Speaker 1 (39:34):
He's pissed off he says we, he says we.
I listened to it twice, I know.

Speaker 2 (39:38):
And you're kind of like yo, bro, this is his
plantation, I guess, yeah, youdon't own shit, guy, it's not
yours, Get out of here.
Yeah, well, he thinks it isWell because they're in love.
So you know common law,marriage and whatnot.

Speaker 1 (39:48):
Yep, there it is.
So he saves Louie and they haveto go to a filthy cemetery to
sleep because their coffins areburned, and then Louie's all
like we belong in hell.

Speaker 2 (40:05):
I suppose I mean I don't disagree.

Speaker 1 (40:08):
They move to the waterfront.
They eat a couple of hot lady,bleeds her into a glass, tips
Louis with it Classic vampire.
Yeah, louis's out there eatingrats.
There's a plague in town.
He goes to the plague area andhe finds a dead woman with a
small child.
He goes over to the small child, small girl.

(40:30):
She's all like, yeah, pleasehelp us.
And then he vamps her.
Yeah, and then Lestat's beenfollowing him around like
creeping on him and he is happy.
So what he's going to do ishe's going to turn this little
girl into a vampire.

Speaker 2 (40:47):
In order to trick his boyfriend into staying.
That's basically what'shappening here.
He's pulling the goaliemetaphorically, and I love it.

Speaker 1 (40:56):
Somebody falls asleep in a sewer and then I think
what's happening here?
He's pulling the goaliemetaphorically and I love it.
Somebody falls asleep in asewer and then I think what's
his name?
Louis takes off and he fallsasleep in the sewer and then
he's all like how did you findme?
And he's like I just followedthe corpses of the rats.
Yeah, so they're going to turnClaudia into a vampire and she

(41:17):
gets off which?

Speaker 2 (41:18):
is pretty messed up, by the way.

Speaker 1 (41:20):
Oh, yeah, very sad storyline here.
And she's like drinking toomuch off of Lestat and Lestat's
like get off of me girl.

Speaker 2 (41:28):
Because she's a kid.
She doesn't know how to controlherself, just like me.

Speaker 1 (41:34):
Then they say where's my mom Gone to heaven?
Bl, blah, blah, blah.
And so Louis has decided tostay for the girl and it sort of
becomes my two gay dads.

Speaker 2 (41:48):
Yeah, but only we don't talk about it.

Speaker 1 (41:54):
She becomes a fierce killer.

Speaker 2 (41:58):
Yeah, okay, well, let's talk about it.

Speaker 1 (42:00):
She shows up and we finally have some tension in the
movie.

Speaker 2 (42:04):
We have a thing that's going on in the movie.

Speaker 1 (42:05):
Yeah Right, he's made this little girl who is active
right and sort of mischievous attimes and problematic at times.

Speaker 2 (42:15):
And just does stuff.

Speaker 1 (42:16):
And then they have to sort of father, I mean Louis.
The stat doesn't, but Louisdoes.
Louis has to sort of be hereyou know kind of deal with her
Kills, like a lady making herher dress.
Then we do this whole weirdthing where she has her own
coffin but she creeps intoLouis' coffin once she's gotten
her rest.
She has her own coffin but shecreeps into Louie's coffin once
she's gotten her rest.

Speaker 2 (42:36):
Yeah, it's like when the kids crawl into their
parents' bed to sleep, you know,because they I don't know bad
nightmares, or something.

Speaker 1 (42:42):
And the one rule is never kill people in the house.

Speaker 2 (42:46):
Which is very funny.
It's good, it's a good rule.
You know that's a good way toget caught.

Speaker 1 (42:59):
And she's out there like luring ladies in the middle
of the night.

Speaker 2 (43:01):
She's like, sits on a bench and cries and the women
come over there and she eatsthem.
Oh my, that's funny.
Yeah, and I would beinteresting to me as if louis
had to deal with the fact thathe created someone that is then
killing people, even though hedidn't want to kill people it's
interesting concept, but yeah,it'd be interesting is he living
on rats now, or is he eatingpeople again?
No, once he kind of just goesback to eating people.

Speaker 1 (43:20):
I think once they're all together, I'm pretty sure
it's to the expedient typicalparent just doing the expedient
thing giving the kid the ipadwe'll do whatever you want, okay
, all right, stop crying yeahchicken mcnuggets every meal
okay fine, hell yeah this.
They have this nice little,this, this little uh montage
where there's man ChickenMcNuggets every meal Okay fine,
hell yeah.
They have this nice littlemontage where there's a guy

(43:41):
teaching her piano.
She goes doll shopping, sheeats the doll guy and then she
eats the piano teacher.
I wrote funny, that was great.
They see this whole family, youknow, like man, woman, kids,
baby, and then they imply thatthey ate all of them, yeah,
including the baby.

Speaker 2 (44:02):
Including the baby, which is like just a little
appetizer, you know.

Speaker 1 (44:06):
Yeah, she's a sexy lady bathing in an open window.
I'm like what's going on withthis?

Speaker 2 (44:12):
Yeah, I still don't really know.
I mean it's very sad.
This is like the second mostsad thing in this movie to me.
Oh really.

Speaker 1 (44:21):
Yeah, sexy lady bathing, pure Creole a little
little.
What's her name says I want tobe her.

Speaker 2 (44:30):
Yeah, this is when she realized, starts to realize
that she's never going to growup, she never gets to experience
adulthood, she's just stuck asa child for entire.
That's a very sad notion to meyeah, it is uh.

Speaker 1 (44:43):
30 years later she's still a girl, but she's not a
child.

Speaker 2 (44:47):
Lestrat is still buying her dolls it's kind of
weird which seems weird.
Yeah, it seems it's been a longtime.
Guy, Mentally she's not a child.
You know that because you're300 years old, You're not an
idiot.

Speaker 1 (45:00):
So he's like I'm going to throw away all your
dolls and they dig through there.

Speaker 2 (45:07):
And under all the dolls is the Creole girl Smoking
hot dead body and he rages ather.

Speaker 1 (45:12):
He cuts her hair and then her hair just comes back.
Well, she cuts her hair andthen her hair just comes back
and she cuts her hair.

Speaker 2 (45:17):
She cuts it, yeah, as like an act of defiance or
something, because she's likeyou, dress me like a doll.
I'm never going to change this.
She cuts her hair and it justgrows right back.
That would be upsetting.

Speaker 1 (45:28):
Yeah, unless you had beautiful hair like her.

Speaker 2 (45:31):
Yeah Well, my hair.

Speaker 1 (45:41):
If I got turned into a vampire now and I was just
bald for 300 years, I'd bepissed.
Yeah, you'd have to be sad foryou.
And then she wants to know howto make a vamp and Lestat's like
no, not going to tell you.

Speaker 2 (45:51):
Yeah, I can't.
Yeah, which is the right call,by the way, because she'd
probably just make 100 friendsand then it would be crazy town.

Speaker 1 (45:58):
Yeah, that would be crazy town they go.
She wants to go back to theplague house and she's like I
don't know how it was created,and then she finds out that they
both did it, so she's pissed atboth of them, and but once
again they just start backtogether.

Speaker 2 (46:17):
Yeah, and then she's like I can't stay mad at you.
Yeah, that's pretty much it.
That's the resolution of that.

Speaker 1 (46:26):
So basically, the two of them are sick of Lestat.

Speaker 2 (46:28):
And so, claudia, you should be.

Speaker 1 (46:29):
Claudia finds some, and this is an interesting scene
.
She finds these two twin boysand then she's all like I gave
him a little bit of wine.
He's like they're all for you,lestat, and he's all like for me
, for me.
And then she gives him thislook where you're like you know
that she's up to no good, shejust gives this, I'm up to no

(46:50):
good, and then Lestat justtotally misses it.

Speaker 2 (46:58):
And that's the point, he that he asks uh, do we
forgive each other?
And then, you know, she saysyes and gives him that look
where it's like no, no, but hejust dives right in so he's
either dense or he's dense hemight just not understand women,
dan.
Okay, they are a confusinggroup, all right so it turns out
that she's she.

Speaker 1 (47:18):
They're both dead, but she's giving them laudanum
which keeps them warm and sohe's.

Speaker 2 (47:25):
I don't know what any of that means, but I was like,
okay, I'll just ride along herelaudanum's like uh.

Speaker 1 (47:31):
It's like uh, what is laudanum it's?
It's like I think it might comefrom like an opium thing.
So you're going to get.
You're going to be like stoned.
If you're a laudanum, I thinkyou're like stoned, but euphoric
.
I think that's what laudanum islike.

Speaker 2 (47:47):
That sounds fun.

Speaker 1 (47:49):
I'm sure if we look it up you'll be like oh, I'm
sure it's like a poppy extractor something.

Speaker 2 (47:53):
I also don't know how to spell it, so I was like eh,
too much work.

Speaker 1 (47:56):
L-A-U-D-E-N-A-U-N.
I think maybe.

Speaker 2 (48:01):
It sounds like you just made up 19 more letters
than there should be in the word.

Speaker 1 (48:05):
we were talking about you don't know what you're
talking about.
And then they slit his throat.
And then they she's smiling asshe's bleeding out on a nice
scene.
The blood of his blood iscovering the carpet and they
have to step back so that theblood doesn't get on his feet.

Speaker 2 (48:22):
She's like lift me up so that she doesn't get blood
on it.

Speaker 1 (48:24):
Yeah, it's pretty great you know, and that's the
thing about this movie you'relike oh, there's scenes like
that, that you're like oh, okay,things are, there's some really
nice moments.

Speaker 2 (48:33):
Yeah, there's some really nice moments.
Yeah, there's some really nicemoments.
There's a lot of beautifulshots.
There's some good stuff in here.
Tom Cruise isn't part of it.
Brad Pitt's, I mean.
Listen, I'm not saying they'reterrible.

Speaker 1 (48:46):
But they're not great .
It's not a terrible movie.
But you could.
No, it's not a terrible movie.
There's a lot of parts that areincredibly boring.

Speaker 2 (48:56):
Oh.

Speaker 1 (48:59):
Yeah, not a terrible movie.
There's a lot of parts that areincredibly boring.
Oh yeah, yeah, you can't saythat about the found a youth.

Speaker 2 (49:02):
It wasn't boring.
It wasn't boring, but I was madthe whole time.
I think I I don't know whichone I would pick.
To be honest, they're bothfrustrating in their own ways
yeah um, that's a lie.
I'd rather be bored than angry,because they keep messing it up
.

Speaker 1 (49:16):
I'd rather enjoy the fun of Kristen Dunst's character
.

Speaker 2 (49:20):
That was more fun than anything in.

Speaker 1 (49:22):
Fountain of Youth by a factor of 10.
Did you see that in thethumbnail for the Fountain of
Youth I put the drumming octopusin the background of the
thumbnail?
No, I didn't.
It's very small so you can'tsee it.
But I put the drum and octopusback there.

Speaker 2 (49:39):
Oh, dan, you're obsessed.
I love it.
Good for you.
That's what we call an Easteregg everybody.

Speaker 1 (49:46):
Right when he turns Louis into the vampire, he's
like ah, you have all thesemagic powers and you can see
things.
And the thing he sees he looksat the statue, and statues, like
eyes, are like looking around,then it closes its eyes yeah,
it's weird it's weird and I saidto shannon what we needed was
we needed like a scene of louisfalling in love with the

(50:09):
vampirism yes, and just being.

Speaker 2 (50:12):
It has to be magical.
It has to be like a beautiful,magical feeling and you want to
keep that up.
So how do you do that?
You got to drink some blood.

Speaker 1 (50:19):
We give it about.
It could be 90 seconds because,just like I said, the piano
teacher, dollmaker killing thedollmaker killing the piano
teacher.
That was not a long.
You know, this was not a bunchof stuff that we were wasting
time on.
We just need to see that he'sinterested in being a vampire
and that it's selling himsomething.

Speaker 2 (50:40):
Yeah, there's something about it that he likes
, in spite of the fact that itkind of sucks.

Speaker 1 (50:46):
Yeah, if you're not having himfall in love with the dude, you
got to have him fall in lovewith vampirism.

Speaker 2 (50:51):
He doesn't fall in love with anything.
Well, he falls in love with thegirl, yes, the daughter, yeah,
yeah.

Speaker 1 (50:57):
But it's not.
But also it's a platonic love.

Speaker 2 (51:02):
It's just it's I don't tell that to all the
creeps out there that are likeoh the kiss, oh the kiss.
Was there a kiss?
I mean we should, we'll wait,we'll, let's wait, we'll tell me
towards the end of the movie.
I don't have the kiss writtenin here, so I don't know what it
is.
You don't have the mostinfamous kiss in movie history
written in here.

Speaker 1 (51:20):
Wow, no the most infamous kiss in movie history
is the one in Blank Check.

Speaker 2 (51:27):
No, I don't think so.
I think it's Blank.

Speaker 1 (51:30):
Check Tony.

Speaker 2 (51:32):
First of all Blank.

Speaker 1 (51:33):
Check that one is awesome.
Exactly, first of all,absolutely, that one is awesome.
Okay, because, exactly becausethat's all the creepy guys that
love that one.
Uh, this is where I'm gonna be.

Speaker 2 (51:43):
Duff is going for me and they never did.
I just I don't understand whatI was doing wrong back then.
Damn um.

Speaker 1 (51:50):
so they take him, they wrap him up in a carpet,
they take him to to the swamp.
It's just so good they push himin there with the reptiles.

Speaker 2 (51:58):
Into the gators.

Speaker 1 (51:59):
And the gator rolls into the thing.
I was like I like this.
They're going to go to Europe.
They study what they need to do.
They're getting ready.
It takes them a month to getall their shit together.
They're going to set their twobirds free, the doorbell rings
together.
They're going to sit there, twobirds free, the doorbell rings.
He's like that must be thecarriage.
He goes to the doorbell.
There's nobody there.
I'm like oh no, oh no, here wego.

(52:23):
You know, and that's the thingwhen a scene breaks out in this
movie, it could be a scene.
Yeah.
You're like oh, okay, I'm intoit.
You know, ooh, ooh, ooh, ooh.

Speaker 2 (52:40):
Let's, let's go, let's do this.
There's list at playing thepiano and then he gives like
this is my, this is visually myfavorite scene.
Oh, you like that.
He's got that.
He's got.
The drapery is like around.
He's got that old, terrible,scary makeup and he's just
tickling the ivories.
It is.
It's so gothic and iconic.
I love it so much I hate that.

Speaker 1 (52:57):
I hate the alligator, the snakes, the toads and the
putrid life of the mississippi,but he can barely get you know,
I don't buy it.

Speaker 2 (53:09):
Yeah, I mean if, if you had, yeah, listen, I think
tom cruise is a great actor, aswe I'm sure we've talked about
many times.
I love Tom Cruise.

Speaker 1 (53:18):
He can do.
Certain actors can do certainthings very, very well.
Yes, 100%.

Speaker 2 (53:23):
That doesn't mean, everyone can do everything and
that's okay.

Speaker 1 (53:26):
No, that's all right.

Speaker 2 (53:27):
Some people can do everything.
Who, who, dan?
Are you talking about me?
You're sweet, you're just asweet, sweet guy.

Speaker 1 (53:43):
If they're funny and stupid.
Yes, so very, very specific,got it okay, cool.
I mean, that's that's the thing.
If you're acting and tony, youcan act.
That's the thing it.
People may not understand it,but I've seen it.
I've seen it.

Speaker 2 (53:51):
I always talk about it I always talk about we.

Speaker 1 (53:54):
We did this one improv once class and they were
doing Meisner.
Right, Was it Meisner we weredoing?

Speaker 2 (53:59):
Yeah.

Speaker 1 (54:00):
And you were doing Meisner and it's just saying the
same line.
You get two people saying thesame line.

Speaker 2 (54:06):
I've told this story before, but it's one of my
favorite stories of all timebecause I learned so much that
day I learned as much, and it'salso one of the only nice things
you say about me, so you tellthe story anytime you want to,
dan.
And so Tony was up there withsomebody and each time Tony said

(54:27):
the line, he told a differentjoke, which is the name of the
game.
By the way, people Tell adifferent joke with every line.
I'm just doing a better jobthan other people.

Speaker 1 (54:31):
Yeah, oh, you mean, that is what you're trying to
get to.

Speaker 2 (54:35):
Yeah, oh, you mean that is what you're trying to
get to?
Yes, in that exercise.
That's what you're trying tolearn in that exercise is like
how to deliver a linedifferently and get a different
type of joke.

Speaker 1 (54:46):
But you weren't like.
I want to do it now.

Speaker 2 (54:49):
Or.

Speaker 1 (54:50):
I want to do it now.
You weren't doing funny voicesto get your laughs, you were
emoting and putting intentionbehind each line and it became
funny and it was it was abeautiful thing to see it.
It was, you know I wasn't theonly one laughing there were.
You know everybody was was intoit.
I don't know if they allunderstood what was happening,
but now, somebody did probablyit was great, it was, it was

(55:13):
super nobody at the groundlingsbecause they kicked me out of
the groundlings.

Speaker 2 (55:17):
That's not even true technically.
I technically graduated fromgroundlings.

Speaker 1 (55:22):
I also don't think that they care about acting.

Speaker 2 (55:26):
They also didn't seem to like me, dan.
Okay, I've tried to be friendswith a bunch of them.
I follow them around and I callthem on their I'm kidding.

Speaker 1 (55:37):
Never seen a single one of them, since Acting is a
weird thing, you know, acting.

Speaker 2 (55:41):
Yeah, I mean acting is weird, so and we, I don't
know why we do it.
It's dumb.
Anyhow, back to what we weretalking about, I just don't
think Tom was the right choice.
No that was a long-winded way,Like I applaud him for going for
it, because he did Like he'strying stuff and he's given, you

(56:01):
know, a lot of something.

Speaker 1 (56:07):
I just never think it lands right.
It's just not the.
And Tony does have somedeficiencies.
He can't do, he's not great atregional accents and he knows
I'm so bad at accents he knowsnot to go there and that's the
thing is the person that neededto play Lestat, needed to do
something, they needed to existin some sort of different space,

(56:33):
and he kind of and I guess atone point Brad Pitt was like
well, we need to switch rolesand I'll play Lestat and you'll
play Louie and you're like TomCruise would have been a better
Louie.

Speaker 2 (56:47):
I actually agree with that notion.
Someone should have let Brad dothat.
At least try it.

Speaker 1 (56:54):
Because he is more of an embodiment of the age.

Speaker 2 (56:58):
For sure Of America?
Yeah, for sure he's a veryAmerican energy.
Yeah, and you know,unfortunately in this movie,
when he's not supposed to be.

Speaker 1 (57:08):
You know, and if Brad Pitt is like being weird and
aloof and strange and, like youknow, if he was to reach over
there and touch Tom Cruise'sface, tom would be like you know
, there would be like a Frisianthere where you know, it would
be interesting and I, I think, Ithink he could be more

(57:28):
seductive in with with less,because Tom Cruise was never
seductive, he never tried to beseductive.

Speaker 2 (57:35):
So and that's, that is a big I don't want to say
problem, but like that's a bigthing for me is because we're
all supposed to fall in lovewith him.
He's even in the movie.
He says nobody could resist meand I'm like I think I could.
I really do think I could.
Like if someone put me to thattest, I think I'd pass it pretty
easily and that's a problem.

(57:55):
But I do think you're right.
If Brad looked at me with thoseeyes and was sexy, like if he
was emoting sexuality, I thinkI'd fall for it.

Speaker 1 (58:05):
And I could buy the character he's playing as a
300-year-old guy.
That's completely disaffected.
And then he just adds a littlebit of mustard in there about
being interested in, it's likeI'm so tired I get whatever I
want, but you're what I want,you're like oh okay, I can feel
that he wants something.

Speaker 2 (58:26):
Okie dokie, come on over.
Red Rover, red Rover, send Bradright over.

Speaker 1 (58:33):
But nope, but um nope .
So they set him on fire, andthat was that might have been my
biggest laugh of the movie.
When they set up on fire, I waslike you got problems that was
funny.

Speaker 2 (58:48):
I love it.
He's burning to death andyou're like this is comedy
everybody very good.

Speaker 1 (58:53):
Uh, they run, they get to the boat and then they.
Then we have another classicline.
That is so weird.
They're sailing without us andyou're like, wait a second, not
a lot of time has passed and you, your carriage, was how are
they sailing without you?
I don't understand.

Speaker 2 (59:09):
I don't know.
It doesn't make a lot of sense.
I dan, I can't.
I can't get over this.
Let's real quickly.

Speaker 1 (59:16):
Yes, you're a good actor.

Speaker 2 (59:18):
God, let it go and cut and print.
That's going to stay in mythoughts forever.
Thanks, dan.
The thought of reversing rolesLike I wish that they would I
would love to see even now.
I think we should do that now,like 30 years later.
Let's reverse it and let's seehow that goes, because we're
both still acting.

(59:38):
Ai can do it.
Or AI can do it, because isn'tthat what happened in Pineapple
Express?
Wasn't like the Seth Rogen andthe Dave Franco roles?
Didn't Seth write that role forhimself?
And then?
for whatever reason they decidedto switch because Franco's
always a straight man and thenthat just worked.
It just worked really well withSeth being the straight man and

(59:59):
Franco not, and I don't know.
I just think sometimes maybe weget too stuck on our ways, you
know, try something new.

Speaker 1 (01:00:09):
They get on the boat.
Oh, that's what I wanted to do.
I wanted them to run onto theboat and then we could have this
hilarious scene where they'retrying to get the boat to get
moving.
Okay, okay, okay, sail, sail.
That's how I would havedirected that scene.

Speaker 2 (01:00:30):
Well, that would have been a very different movie,
but I would have loved it.

Speaker 1 (01:00:34):
New Orleans burns up you know another death for
Lestat Okay.

Speaker 2 (01:00:41):
I mean, but they burn down like a whole town you know
Like it's a lot of fire.
I don't know, it's not good.

Speaker 1 (01:00:48):
It's not good.
They get to Europe, there's avolcano, they walk around a lot,
nothing's happening.
And finally Brad is walking inthe Paris streets, september
1870.
And here comes this weird guyin a top hat and he starts
mirroring his actions and thenhe starts walking up the walls

(01:01:09):
and dancing and then he knockshis hat off.
Shannon hated this scene, hatedit.

Speaker 2 (01:01:14):
Yeah, I loved it, oh Dan.
It wasated it.
I loved it, oh Dan.

Speaker 1 (01:01:19):
I loved it.
I'm like what is happening?
Where are we?
This is weird.

Speaker 2 (01:01:25):
I think the difference for you two is she
had that exact same reaction,but just in a very different way
.
The words she said were theexact same, but we say it more
like what is happening?
Why is this happening?
Who is this idiot?

Speaker 1 (01:01:42):
And then Antonio Banderas shows up.
He walks over, gives him a cardfor the theater of vampires.

Speaker 2 (01:01:49):
Which is weird.
But okie doke.

Speaker 1 (01:01:52):
Boom, we cut to the vampire theater scene.
I think this was a scene Iliked the most in the movie.

Speaker 2 (01:01:57):
I get that.

Speaker 1 (01:01:59):
We do a couple little bits where they chop some
people in half.
This guy falls in the well, andthen they drag out this young
lady that we all know is a realvictim, and then she's like
someone help me, and then theystrip her down.

Speaker 2 (01:02:16):
Which feels very unnecessary, by the way.

Speaker 1 (01:02:18):
No, no, no, no, no, very enjoyable, Thank you.

Speaker 2 (01:02:24):
Very enjoyable.
Thank you, vampires.

Speaker 1 (01:02:26):
If I'm going to terrorize a woman, she's going
to be naked on the stage withall of my friends around.

Speaker 2 (01:02:31):
That's very weird.
I don't know.
I don't know about it.
They're vampires that's veryweird.
I don't know.
I don't know about it.
They're vampires.
They should be weird vampires.
I mean, they are weird.
They're already weird.
That guy was doing mime stuffin the alleyway dan, he's
already weird.

Speaker 1 (01:02:45):
Nobody likes him I mean, if you're gonna sell me on
vampirism, you know, show methis thing.
I'm like, well, now I'mthinking about it now, let's
okay.

Speaker 2 (01:02:54):
Vampire may not be so bad.
You got my interest.

Speaker 1 (01:02:59):
This is a little stage play.
I could do that every night,that'd be fun I.

Speaker 2 (01:03:04):
There's no way that it's gonna run for very long,
because people are gonna realizethat those people are now
missing I know nonsense theimplications of everything.

Speaker 1 (01:03:13):
It's just like you have a whole theater where you
do this every night.

Speaker 2 (01:03:18):
How is that working?
You have 100 to 200 witnesseswhere the cops will be like, hey
, what happened to that girl?
And they're like, well, theymurdered her on stage.
I think it was fake, but nowshe's missing, so it was
probably real officer.

Speaker 1 (01:03:32):
And there's one lady in the thing where she's all
like take me.
And they're like we'll do youlater.

Speaker 2 (01:03:40):
Which was great that was a fun little because you
know people are fucked up Peopleare weird, yeah.

Speaker 1 (01:03:46):
So boom, boom, armand comes up, he bites her and you
know, louis is like monstrous.
He does not like it and hethrows her back.
They pick her up and she'sdescended upon by all the
vampires.

Speaker 2 (01:04:01):
Just visually great, oh yeah, when they all close in
like yeah, visually stunning.
I was a little confused becausehe kept talking about how they
were going to make her theirbride and then they tore her to
pieces.
So that was a lie.

Speaker 1 (01:04:17):
I think bride is synonymous with lunch.

Speaker 2 (01:04:20):
Oh, I see.
Okay, yeah, I'm going to havebride pretty soon.

Speaker 1 (01:04:26):
There it is, Ah damn.
That's a joke.
They've got to keep track ofTony's jokes.

Speaker 2 (01:04:34):
We can end this episode now.
I'm all good, let's just wrapit up.

Speaker 1 (01:04:37):
They go downstairs.
Beautiful set, that's wherethey live.
They live down there, and so westart talking about what is a
vampire, what's not a vampire.
Does God exist, does God notexist?
I don't know.
Yeah, I mean, you know, what isthere to know?

Speaker 2 (01:04:53):
Nobody knows the answers.
You know, yeah, I mean, what isthere to know?
Nobody knows the answers.

Speaker 1 (01:04:58):
Yeah, so they leave, they go back to their apartment
and then Claudia's like Louiswants Armand and Armand wants
Louis.
Were you surprised?

Speaker 2 (01:05:14):
I was a little surprised.

Speaker 1 (01:05:16):
Yeah, I mean, I won't say I was surprised, I just
didn't.
I didn't read any of that youdidn't feel that yeah, like I
want to feel that I didn't feelit I would like to feel it.

Speaker 2 (01:05:27):
Uh, because when she said, I was like are you sure,
are you saying the names right?
Because I didn't feel any ofthat tension whatsoever and
that's you know once again.

Speaker 1 (01:05:36):
That is, that is taking all of the, the gay stuff
just so far out of it that youhave to have this other
character explain that these twocharacters are now in love with
each other.
You're like wait, yeah, waitwhat happened?
Sure, I don't think so yeah,and once again you had to have
shown at least some of it.

(01:05:56):
You know our antonio had to dosomething.
He had to do something, that youknow.
Maybe he says, can't, we, can't, we just stay a little longer
and claudia's like gives him ascowl, we can now.
I have to eat okay, gtfo youknow, they give you zero,
nothing, absolutely nothing.

Speaker 2 (01:06:15):
I was blindsided by the love.

Speaker 1 (01:06:17):
Yeah.
So now we're like, okay, that'swhat's happening, and we find
out that the only law you can'tdo is kill a vampire, and then
all these guys can read yourmind.
So you know they killed thestaff.
They know, oops Problems, oopsProblems.
And then we sort of find outthat all the vampires descended

(01:06:43):
to decadence.
They descended to decadence andby doing that they sort of lose
their edge and die or getkilled or whatever.

Speaker 2 (01:06:53):
Yeah, I guess.

Speaker 1 (01:06:57):
Yeah.
And so Louis, who is the newworld vampire and still embodies
humanity somehow, ish yeah Isseen as something special, at
least to Armand.

Speaker 2 (01:07:13):
And Tom Cruise.

Speaker 1 (01:07:14):
And Lissette, because I was just wondering you know,
what do they see in him otherthan you know he's a good
looking man?
Now we kind of explain it.
We didn't show any of this,that they were into this while
any of it was happening but well, the movie was happening.
Yeah, for sure, yeah, so now wehave an explanation as to why
the movie's happening.
We finally understand some ofthe what are we 90 minutes in?

Speaker 2 (01:07:38):
I don't know Something like that.
We're a ways into the movie.
It's a ways.

Speaker 1 (01:07:42):
And we're just finding out why the movie's
happening.

Speaker 2 (01:07:45):
You're like oh.
I see, okay, here we go Atleast they're telling us now.

Speaker 1 (01:07:50):
Third act.
And Armand knew the stat Okay,so Claudia wants a mom.
She brings home a lady and thelady lost her daughter.
So Louis is like, okay, I'mgoing to do this, but this is
going to be the last of myhumanity.
After I do this, all myhumanity is gone, not true?

Speaker 2 (01:08:09):
Not true at all.
Not true at all.
Really, he's very dramatic.
He is very dramatic.

Speaker 1 (01:08:14):
And you wish he was more dramatic.

Speaker 2 (01:08:15):
He's very dramatic.
He is very dramatic and youwish he was more dramatic, right
Like, he has lines that arevery dramatic and I wish that he
embodied it a little bit more.

Speaker 1 (01:08:22):
This movie could get so much soapier, and it would
just add to the movie, be so fun, just like darn it.

Speaker 2 (01:08:31):
What was the Johnny Depp movie Shadows, dark Shadows
?
Yeah, that was a terrible movie.

Speaker 1 (01:08:36):
It's a bad movie, but he was at least sort of trying
a thing.

Speaker 2 (01:08:41):
Yeah, it was campy and there was some fun parts.
So the vampires.

Speaker 1 (01:08:45):
They come for it.
This whole scene's greatJustice.
They grab them, they take themto the catacombs, they lock
Louis in a box, they explain toLouis that they're going to just
leave him in there for ahundred years, and he's going to
be miserable.
And Armand is like on the otherside of the door doing nothing.

Speaker 2 (01:09:01):
So was he locked up or, just like I'm not involved?
They?

Speaker 1 (01:09:06):
intentionally show him closing the door, not being
involved Because later on hegets accused of doing all this
because he did do it.

Speaker 2 (01:09:17):
And he's like I didn't do any of it.
Any of it.

Speaker 1 (01:09:18):
He's like, okay, but you're complicit yeah, yeah, he,
he stood by and let it allhappen.
Yeah, they put, and they, theyput the girls in a.
Well, we know what's going tohappen to the girls, and they do
they.
We have a nice seat, and thenwe, we brick up louis in a metal
casket in the wall.

Speaker 2 (01:09:35):
Oh, we missed the kiss.
You're right, it doesn'tactually matter to this movie at
all.
When he's like this is the lastof my humanity and he's laying
out on the patio or whatever, oh, okay, she's basically like
she's saying thank you, I loveyou, dad, you know, whatever.
And then she kisses him on thelips very briefly and then we
cut away like immediately andthat made like waves.

(01:09:56):
When it happened, everyone was.
And then like, and then like abunch of people in interviews
were basically like sexualizedand she's 11.
So they were like oh, did youenjoy kissing one of the most
hollywood's most beautiful men?
And she's like no, I'm a kidlike.
This is not, I'm not interested, I don't.
It was super weird and stillweird now, um, but in my head.
So I haven't seen this in solong.

(01:10:17):
In my head I had blown up thekiss so much because of all the
drama around it.

Speaker 1 (01:10:21):
So you were ready for the kiss and I was like what?

Speaker 2 (01:10:23):
I can't wait to see this weird kiss again between
this 11 and 31-year-old person,Like what, it's going to blow my
mind.
And then it happened.
I was like, oh yeah, I mean,that's not.
I don't know.
I mean, it's still weird.
Right like that's still a weirdthing for an 11 year old
actress to have to do, but itwasn't like Scandalous I would

(01:10:44):
say, you know.

Speaker 1 (01:10:45):
But I was writing down whatever he was saying when
he was Laying there, so Ididn't even see it.

Speaker 2 (01:10:49):
It's not done with the same intention as blank
check.

Speaker 1 (01:10:53):
Let's just Put it that way, dan they didn't set it
up at a location and then musicscore it in where you're like
yeah and like exact and make itlike cool.

Speaker 2 (01:11:03):
They're like this is the coolest thing that's ever
happened in this kid's life.

Speaker 1 (01:11:06):
It's not that sort of thing, which is a huge missed
opportunity okay they're in thewell, the sun comes up, they're
screaming, and then boom, herewe have Armand freeing up Louis
and Armand says another line.
That doesn't make any sense.
I can't save her Right.

Speaker 2 (01:11:25):
I couldn't save her.

Speaker 1 (01:11:26):
No, he didn't say I couldn't save her.

Speaker 2 (01:11:28):
No, that's what I'm saying I said I can't save her.
Right, because the second partof that sentence is because I
waited too long on purpose.
So, like now, we can't save her, but it's already, she's
already dead.
That's what I'm saying.
Like he waited, he specificallywaited until he knew she was
dead to free this guy, so thatthere was no chance of saving

(01:11:48):
him, because he wanted Claudiagone so he could have Louis.

Speaker 1 (01:11:52):
So Louis runs there, gets there they're just ash and
they're clutching each other andit's very similar to the mother
in the playroom and you're like, oh, okay.
Well, that's a symbolic.
It's like the Claudia plotlinemakes sense.
You're like oh, this is a wholeplotline that makes sense, has
a structure, boom, okay.

Speaker 2 (01:12:15):
And then we just kind of move on, which is a problem
for me.

Speaker 1 (01:12:20):
Yeah.
So everyone says Big Claudiahas his marriage, mom.
He looks at Stephen Ray andthen he's like I would have my
revenge.
Oh, he cries back withChristian.

Speaker 2 (01:12:36):
Slater With Christian Slater.

Speaker 1 (01:12:38):
Yeah, I felt nothing.
Then we have this nice revengescene where he goes and he burns
up the theater and sickles someof the dudes, decapitates them.

Speaker 2 (01:12:49):
Yeah, great, great scene.

Speaker 1 (01:12:52):
Oh, then he fights.
He fights Stephen Ray thedancing one, and just really
nice scene where he has the sickold Stephen Ray's character
runs around behind him reallyfast.
But he knows where he's going,so he just swings around and
cuts him in half.

Speaker 2 (01:13:07):
Yeah, it's cool.
That was nice, good littlescene.

Speaker 1 (01:13:09):
And then Armand rescues him.
When he goes outside and it'ssunlight, with a carriage yeah,
great stuff him.
When he goes outside and it'ssunlight with a with a carriage
yeah, great stuff, uh.
And then armand, they have abig discussion, you know, um,
and he's armand is like.
I will teach you to be powerful, beautiful and without regret

(01:13:35):
yep I him.

Speaker 2 (01:13:36):
You lost him at that last one.

Speaker 1 (01:13:38):
Yeah.

Speaker 2 (01:13:40):
He goes like no, because he's like hey, all I
have is my regret bud.

Speaker 1 (01:13:46):
Yeah, and so he like almost gives him a kiss and he's
like peace out.

Speaker 2 (01:13:51):
And he's like well, if that's all I need to learn, I
can learn that on my own.
Does he say that?
Yeah, he says that.
Well, if that's all I need tolearn, I can learn that on my
own.
Does he say that?
Oh, yeah, he says that, oh,okay, Because he's the most emo
vampires you know, untilTwilight, obviously.

Speaker 1 (01:14:04):
Shannon said that in the book they went off together
for a while.

Speaker 2 (01:14:08):
Yeah Well, so that's what the end of this movie is
definitely like Hollywood it up,from what I remember I I don't
totally remember the ending, butit's not this it's not.
It's not what happens here uh,it's really weird.

Speaker 1 (01:14:23):
He wanders around.
Yes, he says the world was atomb to me, he misses claudia,
but then he comes to the unitedstates and then they invent the
movies and so he watches andhe's the rock I get, because
that's how I escape as well.

Speaker 2 (01:14:38):
So you know me and the stat.
Nope, me and louie got a lot incommon.

Speaker 1 (01:14:42):
He's gonna like he's, it's gonna rock, because it
would have been rough for like alot of years with television,
because television in the middleof the night was just just
terrible, you know, it was just.
I don't know if you rememberthis, but it was.

Speaker 2 (01:14:56):
It was terrible right , I think the only tv I watched
that night was scrambled porn,dan yeah, so I don't have to
tell you, for a lot of yearsthere wasn't that, there was
just the normal channels andthen you're right, it was
terrible, yeah so he's loving it.

Speaker 1 (01:15:11):
he's watching the movie.
He's watching Superman.
That was really weird, greatstuff.
He leaves a screening ofTequila Sunrise because he's got
to watch Sunrise movies.

Speaker 2 (01:15:25):
I was like that's Because he loves Sunrise.

Speaker 1 (01:15:26):
That's really dorky.
Walks back home and he's alllike I smelled someone Old Death
.
Goes into the creepy house andboom, there's Lestat sitting in
a chair rocket chair.
Still alive, still alive-ishand he's all like Louie, my
beautiful Louie, you know, giveme some blood, give me some
blood bud Like nah, no blood foryou.

(01:15:50):
Talk about the helicopter, tony.
I mean, this is finally givingyou something to talk about.

Speaker 2 (01:15:55):
Oh, great, something I don't understand.
So a helicopter withsearchlights comes right outside
his window, like steering thesearchlight directly in on his
body, like 10 feet out of hiswindow.
They're looking for him like100%.
I don't know why, but they'relooking for him.
And then they found him andthey're like now we can leave.
But in the middle Tom's like ah, the light, the light.

(01:16:18):
And Brad Pitt's like it's fakelight, don't worry, you're fine.

Speaker 1 (01:16:21):
He's not like it's false light.

Speaker 2 (01:16:25):
False light.
Sorry, what the hell is falselight?

Speaker 1 (01:16:27):
He says it like we should know, what that means.

Speaker 2 (01:16:31):
It means there's no UV rays.
But also, this is not the firsthelicopter ever invented, so
why doesn't Tom know thatalready?

Speaker 1 (01:16:41):
I'm very confused by this scene.
It was so weird and like why?

Speaker 2 (01:16:45):
is there a?

Speaker 1 (01:16:45):
helicopter beaming a light in there.
I'm like I don't understand,Right outside.

Speaker 2 (01:16:48):
And it's right outside the window.
It's not like it's high in thesky like it does in LA, where
searchlights kind of go acrossthe ground.
You see sky like it does in la,where, like, searchlights kind
of go across the ground, you seeit, it's literally levitating
right outside the window,searchlights right in the pilots
, like hey, there's two dudes inthere, okay, let's go, and then
they leave.
I don't know man, do you?

Speaker 1 (01:17:05):
know how, I don't know.
Do you know, helicopters work?

Speaker 2 (01:17:08):
I don't really do, they do they do, they levitate
tony?
I don't think yeah, they hover,they levitate.
They levitate off the groundwith their propeller blades up,
top and behind so he's likesorry, bro, peace out.

Speaker 1 (01:17:21):
He leaves, and then he goes and talks to the, the
reporter the reporter.

Speaker 2 (01:17:27):
Is that immediate, is that like the same night?
You think, no, I don't know, itdoesn't matter.

Speaker 1 (01:17:32):
But no, uh, yeah and the, the, you know.
So the reporter gets to thiswe're up to, we're up to speed.
And he's all like, make me intoa vampire, make me into a
vampire.
And he's all like, ah, it's notgonna happen, but I'm good,
maybe I'll eat you well what hesaid.

Speaker 2 (01:17:47):
He says I, I failed again or something like that,
and I was like what?

Speaker 1 (01:17:51):
does that mean, I don't understand he's having
trouble with journalists.
I don't know.
It's weird.

Speaker 2 (01:17:57):
This is my third journalist this week, Ah shoot.

Speaker 1 (01:18:01):
And then he runs away , gets in his car, drives away
in his car and it's all likewhew, that was a close escape.
I got away from the vampire bynot doing anything.

Speaker 2 (01:18:10):
At all.

Speaker 1 (01:18:11):
Then he reaches back.
He's like, ah, push my taperecorder so I can listen to the
story again.
And the story starts playing,and then boom, the stat is in
the car.
The stat is eating.
The stat chomps him.
They crack, they don't crashthey.
They stop at the side of theroad, then the stat gets in
charge of the car and he hasdrunk.
What does he say?

(01:18:32):
He says like really stupid.
I feel better already.

Speaker 2 (01:18:37):
Yeah, that's what he says.
Now I have a lot of questions,because ostensibly it's been
like what?
A hundred years since that BradPitt's been back and Lestat has
just been staying in that cabin.
Yeah, I guess.
So why does he all of a suddenhave the energy to go drink
someone's blood?
Why hasn't he done it beforenow?
Just because he's so sad, is it?
Is that what's like?

(01:18:57):
He's just so lonely that he'slike I'll just stay here.

Speaker 1 (01:19:01):
I don't understand it maybe put some cat food out
that's my guess.

Speaker 2 (01:19:10):
Attract some animals, that's yeah, he's getting
better animals.

Speaker 1 (01:19:13):
You know, he just he, all right, he's moving up the
food chain.

Speaker 2 (01:19:16):
Slowly getting better day by day.
I found a $5 bill and I boughtcat food here.
Whiskers, I don't know man, Idon't know either.
It's very strange.
But then he's going to keepthem, and then we get that sweet
sweet song.

Speaker 1 (01:19:34):
What's the name of that song?
It's a Rolling Stones song.

Speaker 2 (01:19:38):
Yeah, yeah.

Speaker 1 (01:19:42):
Pleased to meet you.
Sympathy for the Devil and whois singing it?

Speaker 2 (01:19:48):
Who is doing it?
I don't know who's doing it.

Speaker 1 (01:19:50):
Guns N' Roses.
Oh, guns N' Roses, I like themtheir final song that they did
before slash and duff left ohman, tough stuff, tough stuff.

Speaker 2 (01:20:04):
Every rose has its tone.
Is that them, or is that poison?

Speaker 1 (01:20:08):
that's poison um, they do, yeah, my 80s music
straight september rain and theydo sweet child of mine.

Speaker 2 (01:20:16):
Right, that's guns and roses.
I got that right.
Yeah, my 80s music straightSeptember Rain.

Speaker 1 (01:20:19):
Mm-hmm and 80s Sweet Child of Mine.
Right, that's Guns N' Roses, Igot that right, sweet Chili
O'Mine.

Speaker 2 (01:20:23):
Sweet Chili and Lime.

Speaker 1 (01:20:25):
Is that?

Speaker 2 (01:20:25):
a joke that's been said before.

Speaker 1 (01:20:27):
No, it's Sweet Chili O'Mine.
They don't spell child, theyspell C-H-I-L.

Speaker 2 (01:20:31):
Oh, I thought you said Sweet Chili, chili and lime
, as in like a chip.
That would be a greatcommercial for a chip that is
sweet chili and lime.
Sweet chili and lime, right, Ithought that's what you said,
Dan, that's almost what I said,so at one point in this movie it
took 18 years to get to thescreen.

Speaker 1 (01:20:53):
They were going to gender swap Louis and make him
into a woman, and that woman wasgoing to be Cher.

Speaker 2 (01:21:01):
Cher, do you believe?

Speaker 1 (01:21:04):
Okay, and she even recorded a weird song that was
going to be like a-.

Speaker 2 (01:21:08):
Well, now I'm back in .

Speaker 1 (01:21:10):
Love and she used the song later in one of her other
albums.
But yeah, that's incredible.
I don't think it would haveworked.

Speaker 2 (01:21:20):
That would be.
No, I don't think that wouldhave worked at all, but also
like that's how hard they'retrying to stay away from being
gay.

Speaker 1 (01:21:26):
That is how hard they're like.
We don't want to be gay.

Speaker 2 (01:21:29):
so bad, we're just going to change the genders of
one of the characters.

Speaker 1 (01:21:33):
That is how terrified they were.

Speaker 2 (01:21:35):
The 90s?
Yeah, the 90s man Yikes.

Speaker 1 (01:21:38):
And that's what I always say is, like you know, we
live in a terrible world.
Terrible things happen andterrible government things try
to terrible government us, butcertain things get better.

Speaker 2 (01:21:50):
Yeah, hopefully more stuff gets better faster than it
is, not to get political.
This movie was from 1994.

Speaker 1 (01:21:59):
This was not like 100 years ago, this was like 30
years ago and the world is acompletely different world than
it was when this movie came outwith the kind of stuff that you
can address and deal with.

Speaker 2 (01:22:12):
But I do miss Zubas.
Remember Zubas Pants?
They're like yeah, the pants,zubas.
Remember Zubas Pants?
They're like yeah, the pants,zubas.
Yeah.
Yeah, they were like stripedtiger striped but like vibrant
colors.
I'm going to try to find some.
I bet someone still sells them.

Speaker 1 (01:22:26):
I'm sure they still make them.
Let me rephrase that I'm surethey make them again.

Speaker 2 (01:22:32):
That's fair yeah.

Speaker 1 (01:22:33):
Oh man, yeah, that's fair yeah oh man, we're gonna.

Speaker 2 (01:22:37):
We're gonna get under two hours this time, thank god,
I would hope so.
We're only at 90 minutes,should we just?
Should we start another, a newmovie right now?

Speaker 1 (01:22:43):
just after last week's was two hours, was two
hours long it was, it was longour absolute longest for one of
the worst movies we've ever.
I I don't even know how we hadtime to complain about
everything, that much I don'tknow, but we did a great job.

Speaker 2 (01:22:59):
I don't listen back to any of our episodes.

Speaker 1 (01:23:01):
Yeah, I do because we're fucking funny.
Um, I like my own voice.
I like now are you like anartist that doesn't like looking
at your own stuff?

Speaker 2 (01:23:12):
I would love to tell you yes, because I feel like
that's what the good artistsalways say is like I don't watch
my own work.
I love watching myself on screenI watch my stuff ad nauseum,
but I mean I also pick apart allthe flaws.
That's how I feel.
Like I learn is I look at themlike, okay, you shouldn't be
doing that.
I flare my nostrils a lot and Ihate that.

(01:23:34):
So I have to be very cognizantwhile I'm acting, to not flare
my nostrils.
Yeah, yeah, I don't know whatit is, but, like you know, wait,
hold on.

Speaker 1 (01:23:41):
You mean you like they just get big, that's like
an active choice, so I gotta bevery careful about that is that
an active choice?
You got like a time to flare no, it's not.

Speaker 2 (01:23:51):
I have to actively choose not to do it because,
like, there's two emotions mysad emotion flares my nostrils
and my anger emotion flares mynostrils.
So when I'm angry, I have to bevery cognizant not to flex my
nose muscles, because I flex alot of muscles in my face when I
get angry.
But I have to be very cognizantto not to.
Anyhow, I do watch my own stuffand I like my voice some of the

(01:24:14):
time.
I like when I'm talking normaland I have this voice.
This, I think, is a very sexyvoice but when I get excited.
I do get muppety, you know, so Idon't love that, but I can't
help it that's why you likeworking with me.

Speaker 1 (01:24:27):
I out muppet you every time we got, we're dual
muppets, so you know someonesaid that in one of the comments
.
For who's that?

Speaker 2 (01:24:35):
oh, oh, so now my greatest fear has come to life
Someone else called it out.

Speaker 1 (01:24:39):
They called me.

Speaker 2 (01:24:42):
You're right.
You're right person.
It's Dan, it's not me.
It's Dan.
Are you sure it wasn't me?
You sure it was you did theysay Dan?

Speaker 1 (01:24:51):
I am sure it was me I don't know, could have been
either one.

Speaker 2 (01:24:58):
It's hard to be sure.
They're probably still notlistening, because I don't think
that was a compliment, so wecan't ask them which one it was.

Speaker 1 (01:25:07):
Tony.

Speaker 2 (01:25:09):
Yes Dan.

Speaker 1 (01:25:09):
Anything else to say about the interview with the
vampire?
Not a vampire, the vampire.

Speaker 2 (01:25:14):
Is that a debate?

Speaker 1 (01:25:19):
A versus the I.
If you were to ask me what thename of this movie was before I
watched it, I would have saidinterview with with a vampire oh
interesting, I think.
Yeah, it's.
No, it's a baby.

Speaker 2 (01:25:28):
Yeah, the vampire interview with the vampire yeah
interesting, yeah, so there yougo um.

Speaker 1 (01:25:35):
Tony, tell us about something you like this week.

Speaker 2 (01:25:39):
So we started speaking of Victorian, which is
probably why this was in my head.
We started watching a 2020dramedy called the Great.
That's on Hulu and it'sbasically let me, let me, it's.
Who's it about, catherine theGreat?
Oh, okay, who was, I believe?
You know From somewhere, andshe moves to Russia and becomes

(01:26:02):
like the Empress of Russia andthe guy who plays Lex Luthor In
the new Superman.

Speaker 1 (01:26:08):
Oh, Nicholas Holt.

Speaker 2 (01:26:09):
In the X-Men, nicholas Holt, thank you.
He plays the Emperor and he isbatshit Crazy in this show and
it's delightful.

Speaker 1 (01:26:15):
Shannon watched that whole show.
I watched a little bit of it,yeah.

Speaker 2 (01:26:20):
We've only watched a couple episodes.
It's wild.
There are things that I'm justlike what is going on, but it's
fun.

Speaker 1 (01:26:26):
We're having a lot of fun with it Crazy sex shit, if
I remember correctly.

Speaker 2 (01:26:30):
Yep, you remember that correctly.

Speaker 1 (01:26:33):
He's a full perv bonkers dude and that correctly.
He's a full perv bonkers dudeand they get into it.
They like, they don't just like, oh, better skirt.
They're like, we're going rightin they don't skirt around.

Speaker 2 (01:26:41):
They're not like this movie where they skirt around
all those sexuality.
No, they're full in it and it'sgreat.

Speaker 1 (01:26:48):
We live in a better world now.

Speaker 2 (01:26:51):
We really do.
We do, but except for the Zubas.
If I can find Zubas, I'm backin.
All right, dan, what did youwatch this week?

Speaker 1 (01:26:58):
There's a new show on YouTube, but it's on like the
Netflix is a joke.
It's called the Big Pitch,something, something with Jimmy
Carr.
Jimmy Carr, it's a British show, but it's British comedians
pitching movies essentially toJimmy Carr, who's sort of there
acting as a Netflix agent.

Speaker 2 (01:27:21):
Yeah, okay, I'm in.

Speaker 1 (01:27:22):
So it's, you know it's a lot of the great British
comedians, but it's pretty funny.

Speaker 2 (01:27:29):
Yeah, that sounds delightful.

Speaker 1 (01:27:30):
Bringing in the thing , and it's sort of that creative
process where they do the pitchand then they try to improve
upon it, and then they talkabout who might be in it or how
you would market it, et cetera,et cetera.

Speaker 2 (01:27:41):
You know all the way Is there only two episodes so
far.

Speaker 1 (01:27:45):
There's a bunch more to go.

Speaker 2 (01:27:47):
Okay, but yes, I'm going to watch this.

Speaker 1 (01:27:49):
We just watched the two of them last night and
they're just very fun.
You know little 25 to 30 minutethings that you can just watch
and enjoy and you know, ifyou're not digging it then you
can take off.
Tony, we need another moviebecause I think we're going to
run out.

Speaker 2 (01:28:09):
I do not think we're going to run out, but we are
going to do something that'srelatively new.
We did miss it when it came out, because other things came out
at the same time and you saidyou didn't want to do it, so I'm
going to make you do it anyhow,and it's, of course, snow White
.
We're going to watch Snow White.
We're going to watch it.
It's a kid's movie man Okaywhatever.
It's a kid's movie, but we gotto.
I have to watch it unless we doit for this podcast.

Speaker 1 (01:28:34):
Rachel Siegler, siegler.

Speaker 2 (01:28:36):
Great, great.
That's not who I'm worriedabout.
Who?

Speaker 1 (01:28:39):
are you worried about ?

Speaker 2 (01:28:41):
Who's the queen?
What's her name again?
Oh, it's Wonder Woman.

Speaker 1 (01:28:44):
It's Wonder Woman.

Speaker 2 (01:28:47):
Yeah, yeah, yeah, she's supposed to be, yeah, why?

Speaker 1 (01:28:48):
can't?
She's supposed to be superterrible.

Speaker 2 (01:28:50):
And I'm very excited about it.
I gotta see it.
I love her though.
Yeah, she's great in the Fastand the Furious movies.

Speaker 1 (01:28:59):
She was great in those and she was great in the
first Wonder Woman movie.
She was great.

Speaker 2 (01:29:03):
We never watched what is it, 1984 or whatever.
We never watched that onebecause we heard bad things so
we just avoided it.
Keep the good memories of thefirst one.

Speaker 1 (01:29:12):
I did not finish it.
I wondered how Pedro Pascal hada career after that movie oh
god, really now I have to.

Speaker 2 (01:29:23):
I didn't even know he was in it dan he plays um.

Speaker 1 (01:29:27):
He plays what's his name that set up the justice
league max.
He plays maxwell lord lord ohdo you know who maxwell lord is?

Speaker 2 (01:29:35):
I do, yeah interesting and I don't know.
Do you know who Maxwell Lord is?
I do, yeah, interesting.

Speaker 1 (01:29:38):
And I don't know if you you know, did you read the
Justice League?
When they came back, they gotreformed, with Max Lord being in
charge, and that's where theguy Gardner, I think I've
dabbled.

Speaker 2 (01:29:49):
I don't think I've like you know.

Speaker 1 (01:29:52):
He was an incredible character.
And I mean, that's where theguy Gardner Green Lantern that
was his name that's where theyset that guy in stone and they
are running him exactly likethat Interesting.
Yeah, it's definitely a space.
You know that comic is the onethat's sort of, I think,

(01:30:13):
defining a lot of what JamesGunn is going to be doing Sure,
sure, yeah.

Speaker 2 (01:30:17):
So Well, I do think.
I think they at least talkabout Lorde in the new Superman.
I don't know if they're, Idon't know if he's going to be
in it, as a character, but he'sdefinitely like mentioned at
some point, I think.

Speaker 1 (01:30:29):
Yeah, so they make.
He's kind of the secondaryvillain in Wonder Woman 84.
Wonder Woman 84.
Wonder Woman it's just very badInteresting, and the cheetah
thing with what's her name,right, yeah.
You know, and it's like it'sall predicated on, like a
magical gem that makes yourwishes come true.

Speaker 2 (01:30:49):
Right, because dead Chris Pine comes back or
something I don't know.
I couldn't see it.
I couldn't do it.
That part was interesting.
He's not there the whole movie.

Speaker 1 (01:31:00):
Well, I mean, that aspect of the movie was what I
found interesting Okay.

Speaker 2 (01:31:06):
You know, the rest of it was just so weird.
Well, he's great.
I love him.

Speaker 1 (01:31:10):
He's great and that's the thing about it is he's
great in there.
And he comes in there andyou're like, oh, he's so
believable.
And then what's his name's?
Max lord is the leastbelievable thing.
And then christian wiggscheetah is also unbelievable.
And you're like that was thething about the first wonder
woman movies.
It felt very believable and andwhatever that one where what's

(01:31:31):
his name was playing batman andwonder woman came in.
Ben affleck was playing onebatman and then she was in one
of the Batman movies orsomething with him.

Speaker 2 (01:31:41):
Yeah, she comes in in Batman v Superman, which is
silly.
She comes in at the third actof that, when they're fighting
the big bad guy as Wonder Woman.

Speaker 1 (01:31:49):
I think it was in the first Justice League movie.

Speaker 2 (01:31:52):
The three of them are sort of the two of them are in
it.
Yeah, they're also in that.
Yeah, the three of them aresort of the two of them are in
it.

Speaker 1 (01:31:55):
Yeah, they're also in that.
Yeah, and I liked that part ofit.

Speaker 2 (01:31:58):
I thought that was really interesting.

Speaker 1 (01:32:00):
You know, I thought that part made sense, but
whatever, whatever happened tothat weird guy that was playing
the Flash, that Ezra dude.

Speaker 2 (01:32:09):
Ezra, I think bad things Is he done?
I think it's not.
I mean, I don't know for sure,but he was definitely in trouble
.

Speaker 1 (01:32:17):
Because you know he used to talk, Sorry, I believe
it is, I believe pronouns arethey?
I believe I apologize, I'lllook up that dude and see
whatever happened, or that themLook them up and see whatever
happened.

Speaker 2 (01:32:27):
Yeah, I don't think it's great, if I remember
correctly, but I don't know.

Speaker 1 (01:32:32):
Didn't end well for them.

Speaker 2 (01:32:33):
Okay.

Speaker 1 (01:32:33):
Yeah, okay, what was the movie we were doing?
Oh, snow White.
Yeah, we're doing Snow.

Speaker 2 (01:32:38):
White, we're doing classy, classy Disney Snow White
.
I'm sorry, dan, we have to doit, I don't care what you say.

Speaker 1 (01:32:44):
It's my choice.
I'm hoping it's 96 minutes long.
That's what I'm hoping.

Speaker 2 (01:32:55):
Oh, they did.
Can you do?

Speaker 1 (01:32:57):
that, oh yeah.

Speaker 2 (01:32:58):
It's only an hour 49.

Speaker 1 (01:33:00):
It's not that bad.
It's not that bad, I'll livewith that.
Yeah, we haven't done a lot ofmusicals.
I like musicals.

Speaker 2 (01:33:09):
I also enjoy musicals .
Have you ever watched Galavantyet?
Did I tell you about?

Speaker 1 (01:33:12):
that I think I watched the first episode or two
.

Speaker 2 (01:33:14):
I love Galilee.
It was okay oh my God you likeWell, you should watch more of
it, Dan.

Speaker 1 (01:33:18):
You like more straight up Broadway-ish things
and I like older stuff.

Speaker 2 (01:33:23):
Yeah, ah, yeah, the boring things.

Speaker 1 (01:33:25):
I'm an Oklahoma person, and I'm a 30th-.

Speaker 2 (01:33:28):
Oklahoma, where the wind does something about the
plains.
I got some of those words right.

Speaker 1 (01:33:33):
Those are the that's, but we both like Moulin Rouge.

Speaker 2 (01:33:40):
Right.
That's where we overlap RightMoulin.

Speaker 1 (01:33:43):
Rouge I was singing.
Let me talk about a real movie.
I sing that one where that onewhere he seduces her and they
fall in love with a song Anelephant that's the, you know.
It's like that one where heseduces her and they fall in
love with a song On the elephant.
That's the, you know.
It's like you want a show wheretwo people are falling in love
and it's not a bunch of dialogue, it's just a song and looks and

(01:34:05):
you're like, oh yeah they loveeach other.

Speaker 2 (01:34:07):
He's very charming in that movie.
He's so good.
He's so so good.
Ewan McGregor Love that guy.
We could be heroes greg, I lovethat guy.
We could be heroes.
Yeah, I watched that.
I watched that one just for oneday I watched that whole.
You will be me.
No, I won't, I'll.
I'll drink all the time.
Sorry, I had the whole moviememorized.
I don't know if I've ever toldyou that.
Do you really?
Yeah, yeah, I do.

(01:34:28):
It's a good movie, obsessed,except for I turn it off before
she, um, before that it happens.

Speaker 1 (01:34:34):
No spoilers here, your ending is a happy ending
you're damn right.

Speaker 2 (01:34:38):
It is because that's what we want in life and that's
what happens when people haveconsumption.

Speaker 1 (01:34:43):
They have happy endings, don't they?

Speaker 2 (01:34:44):
don't.
I don't even know what it means, so I can just ignore it.
Dan, that's what life is aboutconsumption, ignorance uh, not
survivable.

Speaker 1 (01:34:52):
I don't think I got to consumption okay.
So if you like what we see,give us a thumbs up, subscribe
or leave a comment.
You know you can.
We did Shannon's movie, wecould do your movie.

Speaker 2 (01:35:04):
Yeah, we did.
Now we're doing my movie, sosomeone else should pick.
Get out there, Chad.
No, I get to pick next time I'malready down to pick.
Nah, don't let Dan pick.
Don't let Dan pick.

Speaker 1 (01:35:13):
Dan's pick is bad, let's shit and pick movies,
something I want to do.
I have a bunch of things Istill want to do.
We still have a few more monthsand then we'll be done, we'll
solve.

Speaker 2 (01:35:22):
Oh, okay, god, what I I didn't realize that we were
quitting, so I guess the clock'sticking everybody.

Speaker 1 (01:35:27):
I keep seeing like these 80s movies that you're
like oh man, that looks so bad.

Speaker 2 (01:35:32):
What a treat yeah.

Speaker 1 (01:35:34):
Okay, we'll be back with snow, was it?

Speaker 2 (01:35:37):
this year Snow White.

Speaker 1 (01:35:38):
This year Snow White.
I think it's this year, yeah,this year.

Speaker 2 (01:35:40):
Yeah, it just came out in like June, earlier June,
I think June 11th on Disney Plus.

Speaker 1 (01:35:45):
Oh, it just came out, so like a couple weeks.

Speaker 2 (01:35:47):
Great, yes, yeah, yeah.
So it came out a.

Speaker 1 (01:35:52):
We'll see you then.

Speaker 2 (01:35:54):
Goodbye everybody.

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