Hate Watching Oblivion: Tom Cruise, Sci-Fi Tropes, and CGI Marvels

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Way, way back in the past.
I don't think they still dothis, but at Knott's Berry Farm
you could pan for gold.

Speaker 2 (00:06):
Like in a little stream, and you shake it out.
Oh, that's cute.

Speaker 1 (00:11):
And I still have my little containers of the gold
that we panned when we were kids.

Speaker 2 (00:15):
Wait, was it real gold.

Speaker 1 (00:16):
It was real gold and actually there was one person
that worked there who stole lotsof it over a bunch of years.
They finally were like hey.

Speaker 2 (00:25):
I mean, how would you not?
It's gold.
You take one piece of goldevery day.
No one will ever know.

Speaker 1 (00:43):
Welcome to Ain't Watching with Dan and Tony.
I'm Dan, I'm Tony.
On this show, we talk aboutmovies.
This week we're talking aboutthe movie Oblivion from 2013,
starring Tom Cruise and asupermodel and a woman who's
gone on to do better things, hadshe done better things before

(01:06):
this too.
I feel like she was alreadysomebody, the redhead yeah,
she's been in lots of actualgood things.

Speaker 2 (01:12):
She's like she's British.
She does like British stuff.
Right, could be Like realBritish stuff.

Speaker 1 (01:16):
I recognized her name and I was like, oh yeah, I've
seen her in movies that Ienjoyed her in.

Speaker 2 (01:23):
Oh boy, I'm so excited to talk about this today
.

Speaker 1 (01:25):
I've seen movies that weren't transparently, you
understood what exactly wasgoing to happen.
I'm the world's stupidestperson, right?
I can be fooled by anything,except when a thing doesn't do
anything to fool you and saysthe first 30 seconds it's like
this is what the movie's about.
You're like, oh great, andyou're like you get to the

(01:46):
points in the movie where you'relike, oh, this is when they'll
mix it up and they'll confuse meand they'll add tension.
And then they're like, no,we're not going to do that, not
in this movie.
We don't want you confused.
We're not going to callanything into question, tony.
We've got a new segment for theshow.

Speaker 2 (02:06):
Oh, wow, okay, Everybody.
This is a landmark occasionbecause we are four years into
the show.
We've got a new segment.
Here we go.

Speaker 1 (02:14):
It's called Themes.
I think we've done this before,maybe a couple times.

Speaker 2 (02:17):
I think we might have Usually probably sci-fi as well
.
What?

Speaker 1 (02:21):
are the themes that this movie explores.

Speaker 2 (02:24):
Oh, explores, not just posits.
You know what I mean, because Iwould argue that they kind of
like bring up a couple thingsthat you could explore, but I
they don't really explore thereit is.

Speaker 1 (02:35):
That's why we shouldn't talk about this movie,
because it's stupid okay, so Ithis is what I thought was gonna
happen when you said when you?

Speaker 2 (02:44):
because dan goodsell texted me the other night as he
finishes this movie.
And what did you say?
Mind-numbingly dumb.

Speaker 1 (02:52):
Is that what you said to me?
It was mind-numbingly dumb.

Speaker 2 (02:54):
yes, I'm just going to double check.
You Just finishedmind-numbingly dumb.
That's a direct quote from DanGoodsell.

Speaker 1 (03:00):
I could have also said mind-numbingly unoriginal,
because someone else talkedabout it and they were all like
this movie steals from lots ofother movies.
And usually when they say thatI'm like I watched the movie and
I'm like I guess this movie, Iget to the end and I'm like, oh
yeah, that's what they did.
They just stole from othermovies.

Speaker 2 (03:19):
But they stole from good movies and they made it
make relative sense.
It's not like you watch thismovie and you're like I don't
know what's going on.
It's the opposite you watchthis movie and you're like I
know exactly what's going onthis entire time, which
shouldn't be a fault.

Speaker 1 (03:34):
Oh, so hold on a second.
So you're saying, when maincharacters spend 25 minutes
giving a discourse on whatexactly needs to happen, and
that is what needs to happen inthe movie, that makes it an
enjoyable movie to you.

Speaker 2 (03:50):
Not necessarily enjoyable, but I don't think
that it makes it a terriblemovie.
And here's my only one, theonly thing I'm going to say if
it wasn't Tom.
Cruise.
I don't think this movie wouldwork at all Without Tom Cruise's
charisma.

Speaker 1 (04:12):
Okay, then I'll say the only thing I need to say is
even Tom Cruise and his charismacouldn't save this pile of
trash.

Speaker 2 (04:20):
Okay, that's interesting, because I disagree.
I think that he's able toengage me.
Even though I'm like, yeah, no,I know, bud, tom, I know what
you're saying.
I get it Like let's just moveon.

Speaker 1 (04:32):
But I'm still engaged .
The thing is, is you just enjoywatching Tom Cruise wrestle
with the mediocre concepts thatare put forward in this movie?

Speaker 2 (04:40):
Because he does.

Speaker 1 (04:41):
Yeah, yeah, you know what I mean.

Speaker 2 (04:42):
Because he commits.
There's one thing that youcould ever say about tom cruise,
it's he fucking commits, man.
And if he didn't commit, thiswould be this garbage right,
just jarbled beautiful garbage.
But he commits and he takes meon the journey.

Speaker 1 (05:01):
Okay, that's fine, I mean I, I you know, if you want
to sit there and watch tomcruise, commit to commit to
watch tom cruise any day committo a movie that has a bunch of
good looking cgi that you know,pretty good, pretty good looking
I think from top to bottom eveneven today like by today's
standards, this movie, thismovie's 12 old now and I think

(05:25):
it holds up 90%, I think.
Someone was complaining aboutCGI, saying it's gotten worse,
and I wonder if they don't spendas much time slash money.
It seems like they spend thetime and money because at the
end of these movies the newmovies the list of people is 10
million long.

Speaker 2 (05:46):
I have my own theories.
Okay, they're based on verylittle information.
I believe we've come to relytoo much on CGI as opposed to
doing a nice mix of practicaland CGI, for example, in this
movie.
Yeah, so you know how themandalorian is shot on led

(06:07):
screens like it's.
It's a big led wall and they dolike real-time projected
graphics on it and that's theenvironments they're in.
I don't know if you know this.
It's virtual production.
Sure, this is one of theearliest movies.

Speaker 1 (06:20):
So the only thing in the mandalorian they have is an
occasional barrel or crate.
Everything else is painted in.

Speaker 2 (06:25):
Is that what you're saying?
There are sets as well, butwhen you're like outside in the
desert right, and you see desertstretching on for miles,
they're just in a little soundstage with sand on the stage and
a couple of practical and therest of it is all shot somewhere
else and digitally created.

Speaker 1 (06:43):
Oh, okay.

Speaker 2 (06:44):
It's really cool.
The Mandalorian is like thefirst one to do this right and
like full scale with LED walls.
But this movie in 2013, 10years before the Mandalorian
right, that's not the right math, but you can understand, I
don't understand this movie forthe sky.
I don't know what.
Do you call it?
The sky house, whatever,wherever?

Speaker 1 (07:07):
they live in the house.

Speaker 2 (07:08):
Yeah, yeah, yeah so that is on a sound stage that
whole set is built on a soundstage and they actually hung
white muslin around, got it, uh,in a full 360 and they shot
projections onto those.
Now, not to get like too nerdy,but before this movie and a
couple of like 2013 was kind ofwhen it started, but like before

(07:29):
that, they would use this sortof thing to help light.
So, like you could, the hardestthing about using green screen,
blue screen, is lightingcorrectly and getting natural
lights on your actor, sure.
So what you would do is youproject something onto a white
screen or something that wouldbounce the light, so it helps
you know what colors to use tomake it look natural.
This is one of the first bigproductions that actually was

(07:52):
able to use the projections inthe final product.
Usually, you replace them withCGI.
In the end, this sky home wasfully used practically and they
projected the sky was.
I believe I read it was shot ontop of a volcano and they just
kind of did a 360 camera on thetop of a volcano anyhow.
So like that's why it looks sogood up there.

(08:14):
Right, like you look up thereand you're like I don't know,
this looks beautiful.
It's because it's just, it'sjust basically real.
For the most part, yeah, andthere's some of the ship that
you're like.
That doesn't really hold up.
You know some of the shipflying, which is fine okay I
thought it was okay.
I like it's totally okay there'sjust like a couple of moments
where I was like, okay, there,it is right.

(08:35):
Okay, listen, 90 to 95 percentof this movie, I think, is it
perfectly shot and made, likeit's it's wonderful.
Um, so that helps me enjoy thismovie a lot, like I'm watching
and it's beautiful, and I lookedit up halfway through because I
was like man, I, I am reallyenjoying this visually.
What who is this guy turns outit's the same guy that did top

(08:59):
gun maverick with tom cruise?
yeah, of course it's going tolook good Like.
This guy is a visual genius,and can you imagine just for one
second if somebody had put thecare and the thought into the
script as much as they put itinto the actual production, this
movie would be perfect, hewrote it.
This would be like the bestmovie ever.

(09:20):
Dude wrote it.
Well, he wrote like thetreatment and then someone wrote
the script, because he sosupposedly based on a graphic
novel that he never actuallywrote yeah, is that what I
understand?

Speaker 1 (09:32):
what it is is he sort of had an idea and started
working on the thing and thensold the thing and then, never
finished the thing because he hegot to make his movie.

Speaker 2 (09:40):
That all makes sense yeah, I mean it's all about
making the movie.

Speaker 1 (09:43):
That's the thing about this movie is it's just a
pastiche of things and you knowthere's a little bit of whatever
the Will Smith movie is.
Independence Day is thrown inthere.
Sure Planet of the Apes thrownin there, you know.
So it's just sort of a bunch ofscience fiction tropes sort of
glued together In a beautifulpackage.

(10:06):
My problem is it just, you know, you just sit there and you
watch it and just everything isjust absurd.
You know, when you watchIndependence Day the first time,
you understand why there's twothings that occur in
Independence Day.
You understand how Will Smithdefeats the one alien.

Speaker 2 (10:29):
Welcome to Earth.

Speaker 1 (10:30):
Then you understand how Jeff Goldblum is able to get
onto their ship and implant thevirus.
Those are the two things.
Without either of those things,that movie falls apart and is
probably pretty dopey.
But those two things were bothvery smart things.
Still great though.
No, no, no, but you know whatI'm saying.

Speaker 2 (10:47):
No, no, I agree, I agree, I 100% agree.

Speaker 1 (10:50):
That's why it is a good movie.
I haven't seen it in a longtime.
Maybe it's a bad movie when youwatch it now.

Speaker 2 (10:54):
I don't know it still holds up pretty good.

Speaker 1 (10:58):
I just re bravura performance.
You know he is, he kills it sois goldblum's great too,
goldblum's wonderful yeah likeeverybody's.

Speaker 2 (11:07):
You know, the dad is great.
I can't remember that actressname.
I mean, it's the cast.
Unbelievable judd hirsch, right, yes, yes, yes so good, so good
, you know.

Speaker 1 (11:16):
So you got a good cast, great actors, you got the
two main plot points.
Make help you suspend thedisbelief of the whole movie.
This movie you just can'tsuspend.
You have the bad guy aliens outthere and somehow Tom Cruise
gets to fly his helicopteraround wherever he wants,

(11:37):
whenever he wants.
They don't monitor anything,you're just like what's
happening?
How is this happening?
It's weird amount of suspensionof discipline.
You know like, come home and doour thing and make sure bring a
bomb, but bring you know, andwe're not.
We're not gonna think you'regonna bring a bomb, even though
we, we can read your heart rateand know what you're thinking

(11:57):
and know you well, you know,they try, they give you the one
line, dan, it doesn't work foryou.

Speaker 2 (12:03):
I don't, I don't remember the one line that you
asked me to come back.
We can talk about it later.

Speaker 1 (12:08):
You asked me to come back here, oh come on, you asked
me to come back here, yeah, andwhy did they ask you to come
back here After all that we'vedone?

Speaker 2 (12:16):
that's what you're going with.
I don't think so, pal.

Speaker 1 (12:18):
So just those kind of things.
You know, you, you've you'veused tiny threads to connect all
these things and you're justhoping that it stays suspended.
And it just fell down for me,you know, almost instantaneously
I totally get that.
I'm not, I'm not arguing thosepoints and at all, and I mean
there were times in the moviewhere you're just like man.

(12:40):
This would be such an easy fixto make there actually some
tension, where you're not surewho the good guys are or who the
bad guys are.
From minute one you know theguys in white are going to end
up being the bad guys and youknow the guys in black are going
to be the good guys.
I mean it certainly doesn't helpthat the clip that they put on

(13:00):
Netflix shows Morgan Freemantelling you the plot of the
movie.
Oh does it.

Speaker 2 (13:05):
It's terrible, you're like that's not the clip you
can put on there.
I didn't get to watch that clip, Dan, because we canceled our
Netflix.

Speaker 1 (13:16):
Yeah, I know you did that.

Speaker 2 (13:18):
I haven't been able to see that.
That's so funny though.

Speaker 1 (13:21):
So certainly with a better.
You know I haven't seen the TopGun 2, but you know, I know you
like it and everyone I knowsays it's good.

Speaker 2 (13:27):
Wait, whoa, whoa, whoa.
You haven't seen Ian Gary's init.
You got to see it.
Why haven't I seen that?
You got to see it, Dan.

Speaker 1 (13:35):
No, but I understand that.
Yeah, if this had a tense plot,that actually wasn't just a guy
fighting against random dronesoccasionally and you cared about
the human beings when they didget shot, you know.

Speaker 2 (13:49):
Well, sure, I mean, you don't really care, you know,
that's okay.

Speaker 1 (13:53):
You don't understand why there's battleships, you
know, on the bottom of the oceanand then it keeps walking, and
then they're in a library thatgoes down 100 stories.
I don't understand how thatworks, sure.

Speaker 2 (14:04):
Yeah Well, you don't understand sand.
All right, it's a sand thing.
You don't understand how sandmoves?
Okay.

Speaker 1 (14:11):
We want to have a thing that looks really cool,
like this it's like but itdoesn't make any sense.
Oh, okay, but it looks cool.

Speaker 2 (14:18):
So that's what I mean .
It's like visually.
So okay, Visually, this movieis a 10 out of 10.

Speaker 1 (14:23):
This is just like there's eye candy for Tony and
there's eye candy for Tony, so Ilike the movie.

Speaker 2 (14:30):
And ear candy, because the score I also love,
oh okay.
So I think visually it's great,auditorially it's great.
Is that the right word?
Auditorially, I don't know.

Speaker 1 (14:42):
It's, I don't know it's odd or it's, I don't know.
Adioreally, the score is great.

Speaker 2 (14:48):
That's what I'll say noise am good.
Yeah, there you go.
Uh, the performances are.
Two out of the three of themare stellar um, which is not the
best ratio in the world thatgirl has has had a huge career.

Speaker 1 (15:04):
Has she really Go look at her IMDb?

Speaker 2 (15:08):
I don't want to be mean, I'm not trying to be mean.
Let me just be clear.
You're talking about the prettyhot brunette.
Julia.
Yeah, his wife Julia JuliaGuglia.
Yeah, that's 58 credits.
Wow, Some of them are real.
Lots of them are real.

Speaker 1 (15:24):
No, no, lots of them are real.
She's in James Bond.
Oh, is she a Bond?

Speaker 2 (15:28):
girl.

Speaker 1 (15:31):
Is it a?

Speaker 2 (15:32):
good Bond movie.
Wow, yeah, okay, I mean goodfor her.

Speaker 1 (15:38):
Good for her?

Speaker 2 (15:39):
I guess I don't have a lot to say other than that.

Speaker 1 (15:42):
Being a hugely successful super hot model and
that she gets to be a movie star.
I wasn't sold Right.

Speaker 2 (15:46):
I wasn't sold in this movie.
Maybe that's the movie's fault,let's be honest, because, like
I was saying, if it's not TomCruise, I think this story it
just crumbles.
Sure, but I think he canperform it well enough that I'm
like all right, let's go to thenext beautiful scene.
I that I'm like all right,let's go to the next beautiful
scene.
I love it.
So maybe it's not her fault,maybe she's just not.

(16:07):
She's incapable of elevating abad script.

Speaker 1 (16:11):
You know what I mean?
Sure Well, she's not reallygiving a lot to do.

Speaker 2 (16:14):
No, she's just like A lot of just looking.

Speaker 1 (16:17):
I'm going to stand here and this is your classic
movie where nobody talks to eachother.
Somebody's going through athing and they're on comms with
the other person and there'slike silence.
You're like what, wouldn't yousay a little something?

Speaker 2 (16:32):
you would.
But then you watch tom cruise'seyes and you're like, oh, he's
thinking about it, he's, he'sgoing through this shit mentally
and I am, I'm here for it okay,are you?

Speaker 1 (16:42):
are you ready?

Speaker 2 (16:44):
all right.
Yeah, let let's talk about this, Jim.

Speaker 1 (16:48):
Earth before the war, new York before I was born.
Then I creep on some lady inblack and white on the Empire
State Building.

Speaker 2 (16:56):
I wish that that was his line, but continue March
14th 2077.

Speaker 1 (17:00):
Mandatory memory wipe .
Two weeks to finish ourmissions.
Scavengers blew up, the moon,cities were destroyed, invasion
nukes.
We won the war but we lost theplanet and we had to move to
Titan.
But we still have our giant TETsatellite that's floating out
there.
It's a space station, but wealso have to protect these
generators that are stealing.

(17:22):
They're taking our water andthey're doing cold, cold fusion
or whatever, and then making itinto power, and but to keep this
going they have to have a humanbeing.
Who's the one guy who can workon the technology of the drones
that protect the generators?

(17:42):
Because why does a human,random Well?

Speaker 2 (17:46):
because the human being Sorry, the scabs are
trying to destroy them.
Scabs V Scabs With a V Scabs,is it yeah?

Speaker 1 (17:55):
Because they're scavengers.

Speaker 2 (17:57):
Interesting Scabs.
I thought it was scabs thewhole time.
I know you weren't payingattention or listening.
I don't read subtitles, okay,this perfect score.

Speaker 1 (18:06):
It's perfect sound.

Speaker 2 (18:08):
You can't even hear the words.
When we logged in, I waslistening to the score right now
on Spotify.
It's beautiful man.

Speaker 1 (18:15):
Who did that?
Oh, I love it.
Why don't you shout out to whodid the score?

Speaker 2 (18:19):
Well, because I don't know these people, m83.
Oh, m83, love that guy Anthony.

Speaker 1 (18:24):
Gonzalez know these people um m83 oh, m83, love
anthony gonzalez.

Speaker 2 (18:26):
Love him too.
Uh, joseph trappenese, yeah himtoo, and suzanne sun, for those
are all people credited on thegod bless on the score.
I don't know any of thosepeople so they have to have a
tom cruise human has.

Speaker 1 (18:42):
he's the only guy that can work on these, these
things, but he's mind wiped fora reason that's never explained,
that he never thinks and we'relike okay.

Speaker 2 (18:50):
Well, he doesn't seem to question it.
We know why Pretty muchimmediately.
I feel like we know why he wasmind wiped.

Speaker 1 (18:57):
Yes, so we know that these are the bad guys.
The bad guys are the guysstealing all Earth's water and
we don't know why they wouldhire a human.
And that is never answered.

Speaker 2 (19:10):
Well, because you can't answer it.
Because I don't think there'sanything that you could tell me
that would convince me that itmakes sense.

Speaker 1 (19:20):
There's no single line you can write.

Speaker 2 (19:22):
I don't think so, I really don't.
Yeah, I don't think so, Ireally don't.
Yeah, I don't know what to tellyou, but it doesn't make any
sense.
It doesn't make any sense.

Speaker 1 (19:31):
But this is our conceit.
And then he has Is he the wifeor girlfriend, or fuck buddy,
exactly?
What is she exactly?
You don't really know.

Speaker 2 (19:41):
Their relationship is wishy-washy at best, right,
like they're definitely involvedbecause they have some
beautiful pool of making.
Yeah, but you don't reallyunderstand it.
And the great thing is either,do they.
That's the interesting thingabout it is they're just kind of
like I mean, we're here, sowe're together and we're a team,

(20:03):
so let's bone.
Do we ever find out what shethinks?
Not really, um, because youhave like some.
Oh yeah, because she at acertain point.

Speaker 1 (20:16):
What we're going to find out is that I think in the
in the past life, she was inlove with him.

Speaker 2 (20:24):
Yes.
And he was in love with thisother woman who's going to come
back at a point in the movie andhe's already dreaming of her.

Speaker 1 (20:35):
so we already know that that's his real ultimate
love.
And so we don't know if theredhead, if she, loves him and
is complicit in the thing, orshe's figured it out or we don't
know anything.

Speaker 2 (20:53):
True, I think my yes, I agree with you.
She was in love with him in the, in the before times, for sure,
which is why she stays with himwhen they go to their death,
which will come up, which is whyshe stays with him when they go
to their death, which will comeup.
And I think that she, similarto how he feels about this
mystery woman.
I feel like she feels that wayabout him, Like she.

(21:14):
She was mind wiped and sheknows that she loves him, but
she doesn't really know why,because he's doesn't really give
her what she needs.

Speaker 1 (21:25):
Yeah, and I mean, see , these are the themes that this
movie, I think, could haveplayed up to understand.
Sure, because then you wouldhave an actual human conflict,
as opposed to this random.
You're conflicting with analien AI that's sitting out
there.
That doesn't really meananything.

Speaker 2 (21:42):
There are two places that you need to have the
humanity conflict right it'swith her and it's with the scabs
, with a, b, and we don't reallydeal with either of them, which
is unfortunate, because yourwhole the movie isn't about the
AI bad guy, right, like we canall agree.

(22:04):
It seems to think that it isfor some reason, but it's not.
The movie is a love storybetween him and his wife.
That's what it should be.

Speaker 1 (22:14):
And it should be what he has to go through to do that
, or it has to be that peopleare trying to manipulate him
with these people and we'renever really sure who he is
actually in love with and what'sa manipulation Sure, which I
think is what maybe Total Recallis about.

(22:34):
That I think Total Recall,that's what it's supposed to be
about?

Speaker 2 (22:36):
It is exactly about that, God.
I love that movie.

Speaker 1 (22:39):
Neither movie doing it very well, but you know.

Speaker 2 (22:42):
Did we do the remake?
I think we did.
I think we might have too.
Now that we're talking, aboutit.

Speaker 1 (22:50):
Tony and I have talked about this a few times.
We're going to end up trying todo a movie and we're going to
figure out that we've alreadydone 100%, because.
I'm pretty sure we did theColin Farrell one because I have
some memories of watching someof it and I definitely didn't
see it in theaters, right, I'm?
Pretty sure I saw it one timeor watched a little bit of it

(23:10):
and then turned it off, and nowI have a feeling in my mind that
I watched the entire thing andI think the only reason that
would have happened was becauseof this show.

Speaker 2 (23:19):
See, you know exactly how Tom Cruise feels in this
movie.
You have just snippets ofmemory and you're like I don't
know.
I don't know what's going on.

Speaker 1 (23:26):
It's pretty funny.
I reconnected with thischildhood friend that you know.
It's like I remember him and Iremember a few things, but I
don't.
You know, there's so little.
I don't have a lot of memoriesof my childhood, sure.

Speaker 2 (23:40):
Yeah me neither.

Speaker 1 (23:40):
We talked yesterday and he was like and remember
when this happened and we didthis at your house and we went
to this, and I was like I do notremember any of those things?

Speaker 2 (23:49):
I certainly do not.
But thank you, you know, soit's, yeah, that's.

Speaker 1 (23:53):
The memory is a super interesting thing.
That's, you know,compartmentalized, and our
brains make a lot of weirdchoices about what's important.

Speaker 2 (24:02):
Dan, I don't know what to tell you.
I'm looking at the list ofepisodes.

Speaker 1 (24:05):
Nope, it's not on there.

Speaker 2 (24:06):
And Total Recall is not on that list.

Speaker 1 (24:07):
Okay, well, maybe I'm just having a memory of the one
part of them.
I don't.

Speaker 2 (24:11):
But I have the same memory.
I feel like we did it.
I don't know.

Speaker 1 (24:15):
I think maybe I watched somebody else talk about
it then, and then they had someclips in there and I was like
oh, okay I've seen this movie.

Speaker 2 (24:22):
This looks terrible.
I don't know okay anyway.
Well, you know, I'll do alittle more research.

Speaker 1 (24:27):
Maybe we'll do that someday so he's gonna save the
earth.

Speaker 2 (24:29):
He's got a helicopter that he goes and chases, drones
down and then cool helicopterfixes them, but then is also
lazy about doing it well, he'snot lazy but you know he's got
that humanity side to him.
He likes to to talk about theold New York that he read.
Did he say read about?

Speaker 1 (24:47):
I probably didn't say that early on, but at a certain
point I feel like he said, Iread about it.
Oh, maybe he could have,because he has read about things
he does collect books.

Speaker 2 (24:57):
Yeah, but wouldn't that be a concerning thing to
the AI when, if he's like I'mreading books?

Speaker 1 (25:03):
I don't know he couldn't say that to the ai
because, yeah, we get very mad,but the fact that they're not
monitoring comms is pretty weird, right?
I don't know you mean they'renot monitoring it, even though
they they go out of range everyonce in a while.
The flip side, all that is well, you still be recording all
that stuff, you're not having100, you're an ai, so it's
pretty easy for you to keeptrack of what's going on with

(25:25):
the human being yeah, I meanit's 2077.

Speaker 2 (25:29):
Okay, like you've got the technology to record, he's
got a flight recorder from aflight before the war and I
don't know.
It's all.

Speaker 1 (25:37):
It doesn't make any sense so he has to go out and
try to find this drone that'scrashed.
He goes out in a storm.
He's like in the process ofliterally almost crashing,
doesn't talk to his person.
You know his, his girlfrienddoesn't know where.
I'm like not like well, I'mhaving some problems out here.
You know like act like you mean, he's just like gonna die now,

(25:57):
had he crashed, she would haveno idea.

Speaker 2 (26:00):
She'd just be sitting there being like hello, are you
coming back?
What's going on?

Speaker 1 (26:05):
He lands, I think, in maybe Giant Stadium, because he
said it's a football stadium.

Speaker 2 (26:09):
It's definitely a stadium, I can't remember.
I feel like he might have saidhe said it was football for sure
it's definitely footballbecause he talks about the QB,
yeah, so he does a weird thingtalking about football, which
was weird, and you're like, okay, I don't know why this is in

(26:31):
here, but okay, okay, here's thething.
I love this scene but again,only because it's Tom Cruise I
think he sells it to me of a guytalking about a sport that he's
never seen before.

Speaker 1 (26:41):
Trump is very good at playing, See that's the thing,
tony, you love him because he'ssuch a dude very good at playing
.
See, that's the thing, tony.
You just you love him becausehe's such a dude and he just
dudes all over the place and Ijust look at it I'm like who
could?

Speaker 2 (26:51):
dudes all over the place.

Speaker 1 (26:53):
If I was, in a room with this guy, I would be like,
yeah, okay, nice to meet you,good luck with your life.
You don't want to be friendswith him let's be, I'm.

Speaker 2 (27:02):
You know I'm kidding, tom.
If you're out there, if you'relistening, call me, I will be
friends with you.
You, me and Glenn Powell shouldgo get drinks.

Speaker 1 (27:12):
He figures out that you can't fix this drone, and so
he uses gum to fix it.
I guess that's why I guess thisis actually the pivotal scene
that explains why a human beingis there, because the human
being doesn't listen to what itsays.
He knows that he can fix itwith gum.

Speaker 2 (27:28):
Because it's, you know, the classic AI scenario
where AI thinks logically andhumans can think outside the
parameters of a machine.

Speaker 1 (27:38):
So I'm working on this thing with my friend and
she called me in to do somewriting and you know it's a
thing.
And so she sent it over to me,some writing, and you know it's
a, it's a, it's a thing, it's.
So she sent it over to me andI'm like, looking it over, it's
just a simple you know littleparagraphs of stuff and I you
know.
Then I get her on the phone.
I'm like, well, this firstone's really good.
This second one is it's, it'sterrible, and she's all like

(28:01):
well, I spent a lot.
I spent a lot of time workingon the first one.
The second, second one, I wasjust trying to get something.
I was kind of trying to useChatGPT and that was just such a
beautiful illustration ofeverything you need to know, A
smart human being.
when they work on something,they can turn it into something
really nice.
But if you just ask the ChatGPTto give you something, even if

(28:24):
it's based on your ideas.
What it's going to give you isthe lowest common denominator
garbage.
It sounds like garbage, see, sowe solved the movie.

Speaker 2 (28:32):
We've literally solved the movie.
Good for you.

Speaker 1 (28:36):
I needed one line in there with the gum.

Speaker 2 (28:38):
It is interesting?
No way.

Speaker 1 (28:39):
I could have fixed this.
Only a red-blooded Tom Cruise,human American.

Speaker 2 (28:45):
Now, don't you think it would have been more
interesting if it wasn't gum andit was something that would
make sense?
Like because the gum in themachine it's dumb, it's really
dumb.
Well, but if it had beensomething that actually made
sense and the machine was liketelling him to do one thing and
he's like no, no, no, trust, no,no, trust me.

Speaker 1 (29:07):
I, you know, I'll figure this out.
That's a much better scene,Right.
It's saying it's saying goabout it this way, and he's like
no, you got to do this becauseof this and this, but you see
the right, the gum is the gum isthe same as like hitting the TV
to make it work, or hitting thething 100%, I mean.
I get it.

Speaker 2 (29:23):
I understand it.

Speaker 1 (29:24):
It's the trope, as opposed to you, which is well,
how can?
Because we've watched the movieand we know what needs to be
sold at this point.
They don't know what needs tobe sold, because they make the.
I think that's what happenswith Hollywood, right, they make
the whole movie and a reallygood filmmaker knows what needs
to be sold when.
Sure, but a lot of times theymake the movie and they're not

(29:47):
quite sure what needs to be soldwhen, or they forget that they
need to sell things at certainpoints.

Speaker 2 (29:52):
Sure, yeah, it's complex, it is complex, you're
right about that.

Speaker 1 (29:56):
So he fixes it and then he gets a bogey, boop, boop
, boop, and it's a dog.
So there's this dog, we're like, and it's a dog.
So there's this dog.
I'm like, oh cool, he's goingto have a dog companion through
this movie.
This is going to be great.

Speaker 2 (30:08):
Nah, nah, we've done that.
That's a different Will Smithmovie.
Which one is?

Speaker 1 (30:12):
that?
Oh, that's I Am Legend.
I Am Legend based on theRichard Matheson story.

Speaker 2 (30:17):
You knew that.

Speaker 1 (30:17):
Ah, richie Matheson, yep Good guy he has to get the
dog to run away because thedrone's waking up.

Speaker 2 (30:24):
The drone's going to kill him.
It's ready to kill that dog.
I don't like that at all.

Speaker 1 (30:28):
Wow, that's scary, I wonder if that means the drones
are the bad guys.

Speaker 2 (30:38):
Well, not only that, but why would the drone be
programmed to kill a dog?
Because technically, the moviesays the drones are to kill
humans.
No, kill scouts, killscavengers.

Speaker 1 (30:46):
Morgan Freeman says that no, no, no, but that's not
what Tom Cruise thinks.
Tom Cruise thinks they're thereto kill scavengers.

Speaker 2 (30:51):
No, I know that.
I understand that, but inreality Morgan Freeman's like.
No, no, they're designed tokill humans.
That's why we disguiseourselves and use the voice
marks so that the thing doesn'tthink they're humans, Because
it's programmed to kill humans.
But why is it programmed tokill dogs?
It's dark.

Speaker 1 (31:12):
I don't like it Because you want to kill the dog
.
If you're a drone, I don't wantthem to kill the dog because
essentially, it's food for thehumans.
If you kill all the food,that's interesting.

Speaker 2 (31:24):
I understood that.
What do these people eat, Dan?

Speaker 1 (31:28):
It's been 50 years.
They have secret farms.
They probably eat out of reallyold rusty cans.

Speaker 2 (31:33):
I didn't see any of that.

Speaker 1 (31:35):
There's probably.
Like you know, they probablyhave a lot of mushrooms.

Speaker 2 (31:41):
Because that grows in dirt Underground, in the dark
Underground.
Yeah, okay, okay, great.
I know a lot about mushroomsfrom super mario brothers, so
you know, if, if we try toreally understand how the humans
are still alive on the planet,that's you know we're never
going to get there well, we'renot, because the movie doesn't
think about it, and this is whatI'm talking about when I, when

(32:03):
I say when I, when I said in thebeginning that if someone had
taken the care to to write thisscript, build this world as much
as I feel like they put careinto the direction and the and
the sound and the acting likeall of that is super tight, but
the world itself is nonsense,because that's it's a bit of

(32:23):
gobbledygook because you know,every movie, every science
fiction movie of this sort is agiant equation, right?

Speaker 1 (32:30):
It's not like you watch Indiana Jones like the
first one, right?
Pretty straightforward, he'sstealing from this tomb because
he has a map or whatever, goesback to his job.
The government comes, we moveto the next thing.
Then we bounce.
You know we now we got to getthe hip thing and then we got to
go to find out where the thingis and we got to go dig it up

(32:51):
and then we got to get on thesubmarine.
Boom, that's how that allhappens pretty straightforward.
We don't have to build anything.
We understand everyone know.
We understand what the bad guyswant and why they want it.
We understand what the goodguys want and how they're going
to go about getting it.
This thing we have to establishthe good guys, the bad guys, the
maybe bad guys, the maybe goodguys, how they live.
Where they live, it's like whyare they on this magical sex

(33:16):
house in the sky?
Pretty cool.
How hard would it be to justput a bomb on that thing, yeah.

Speaker 2 (33:26):
You would think pretty easy, but there's no one
to put a bomb on it right,there's the scavs.
I guess the scavs yeah, becausethey blow up one of the
hydrogen reactor things.

Speaker 1 (33:34):
You're right, wouldn't they want to?

Speaker 2 (33:34):
kill them Whatever.
Who knows?
Oh, here's a question.
Yeah, those machines have beenrunning for 50 years, right,
that's what they say?
Sure, how much water Would ittake 50 years to suck up our
water?
I just feel like these machinesare running pretty slow Because

(33:58):
there's still a lot of water.
I don't know if you noticedthis, but it doesn't look like
the basin's running dry.

Speaker 1 (34:04):
Oh, but it is running dry because we see those ships
that are sitting there on theground.

Speaker 2 (34:10):
I guess that's true, but when they go to those
machines it still feels likethere's a lot of water.

Speaker 1 (34:16):
I don't know Well no, he said it was two weeks.
It's going to be done in twoweeks.

Speaker 2 (34:23):
So I just thought it was like a change of shift after
two weeks, and then I alsothought that that was a lie and
they were just going to kill himand send in a new drone.
So you're saying that theoceans are done in two weeks?
That was my feeling.

Speaker 1 (34:36):
Flip side of all that is, if you just spent 50 years
sucking it dry and there wereonly two weeks left of water, we
would not be surviving.
That's right, and therecertainly wouldn't be a magical
pond that he had his secretheadquarters at 100%, but boy is
that place beautiful.

Speaker 2 (34:55):
Also, I think I read this was shot in Iceland and it
is gorgeous and we need to movethere.

Speaker 1 (35:00):
Yeah, it's neat, it's very nice Very pretty.
Wow, let's see.
Okay, so Jack is chilling.
He gets out his motorcycle.
He's tracking a missing drone.
He finds a hole.
Does he see the drone down atthe bottom of that hole?
He thinks he sees the drone,but what he really might see is

(35:21):
a giant globe.
I believe that's the globe hesees even though he's looking
straight down and the globe isfurther into the cave is in
there.

Speaker 2 (35:26):
Yeah, yeah, I think pretty sure that's what happened
.
Yeah, maybe there was a mirrorof some sort that was like
showing the globe.

Speaker 1 (35:33):
You know, indiana jones style you know, that's the
funny thing about watchingthese things, about these these
you know, high tech worlds.
It's like we all know what youwould do now is he would just
have a little drone that wouldgo fly right down in there and
look and instate, you know, butimmediately he starts repelling
because that's if you have, ifyou're paying for Tom Cruise,

(35:54):
you have to have him repel atsome point.
Cause you have to have him repelat some point, because he does
a lot of these stunts and Iappreciate it every time.
Let's see, he repels down andthen it turns out to be a trap
and they knock over the bridgethat he walked over over this
gap, but then he makes the jumpand then a drone comes down

(36:17):
there and comes and saves him.

Speaker 2 (36:18):
It starts obliterating people.
It it just starts obliteratingpeople.

Speaker 1 (36:21):
It doesn't really start obliterating people.
What does it start doing?

Speaker 2 (36:26):
I don't know what does it start doing?
It destroys the books because,this is a library.
Yeah, yeah, yeah, I appreciatedthat.

Speaker 1 (36:34):
This I thought was very clever, because it comes
down there, it doesn't reallysee the people, because it
doesn't pursue the people.
It just sees all these booksand it's like I will kill the
books.

Speaker 2 (36:45):
Because, again, it's programmed to kill humans and
they're not humans, but it'salso programmed to kill books,
apparently.
Yeah, knowledge, don't get anyknowledge, tom.
But of course one of the bookssurvives and Tom just picks it
up and you know nobody noticeshim being you know now do you
think that maybe the the scabsleft that one for him?
No because it.
Then how does morgan freemanknow exactly which book it is?

(37:10):
Oh, did he know exactly?
Oh, because he, because hequotes that book later when he,
when they capture him, and I waslike, okay, so was that a whole
?
Did they give him that?
And I was like, okay, so wasthat a whole?
Did they give him that book asa clue to, maybe, your future?
I don't know, it felt a littleweird.

Speaker 1 (37:23):
That's a really stupid plot point.
If they somehow planted itwhere they knew, he would jump
and end up, and it would be theone book that survived, or maybe
they have 100 copies of thatbook.
They're down there with aprinting press.

Speaker 2 (37:35):
Maybe that's the only book in that library now copies
of that book.
They're down there with aprinting press.

Speaker 1 (37:39):
Maybe that's the only book in that library now,
thousands of them, thousands ofthem.
Okay, so his bike runs out ofpower, so he walks to the heli,
then he goes home and takes ashower.
I'm just always amazed at thelack of menace that they place
on him.
He is out there in this world,which I would think would be
just very hostile to him, andhe's just like I'm not afraid, I

(38:05):
don't pay attention to anything.
I'm sitting on, you know, likeI'm chilling on this mountaintop
with my little plant.

Speaker 2 (38:12):
It's like oh, and it's beautiful, yeah, and like
that's what I like about it.
But this whole time I'mthinking to myself, like why
doesn't he have some sort ofspace suit?
Why, like, the earth issupposed to be uninhabitable?
Oh, no, like those are thewords that they use.

Speaker 1 (38:27):
We want to look at him, that's.
That's what we have.

Speaker 2 (38:30):
And I agree.
That's why I said it'sbeautiful and I like I'm on
board.
But I feel like there has to bea slightly different setup.
I understand the fake radiationzones are fake.
We all know that.
But he doesn't know that, no,and yet like he's just walking
around as if it's all good inhis one bubble.

(38:50):
I was just kind of confused byit, but it's fine.

Speaker 1 (38:54):
But they also do this thing where he's you know
perfect white suit, and then hegets dirtier and dirtier as the
movie goes on.
You know, as he collects, youknow the truth.

Speaker 2 (39:03):
After five years of doing that job, he never got
dirty.
One time, I don't know.

Speaker 1 (39:08):
Takes a shower, looks at his poetry book Beautiful
shower he gives.
He had this little plant.
Did you see him get the plant?

Speaker 2 (39:17):
You don't see him get the plant.
You don't see him get it, Idon't think, but you see him
with it on the mountain, yeah.

Speaker 1 (39:22):
I saw that.

Speaker 2 (39:23):
So I assume that he took it from his secret home
place.
I don't know.

Speaker 1 (39:28):
So he has this plant.
He gives it to his girlfriend,she's all like I don't want your
plant.
It could be toxic and kill usall.

Speaker 2 (39:36):
Right, okay, but he's running around without a space
suit, sucking in all thosetoxins every day and then coming
home and making sweet, sweetlove to you.
Those are the things that don'tmake sense to me.

Speaker 1 (39:48):
So he tells her that the scabs were trying to catch
him.
Then they do sexy time in thepool and they have big sexy
music.

Speaker 2 (39:55):
What a cool pool man.
It's the ultimate infinity pool, right?
Because they're up, they'resuper high, it's crystal clear.
They're seeing that it's coolman, it's really cool.
Yeah, you don't like it.
It's visually stunning.

Speaker 1 (40:14):
His relationship with her is kind of a masturbatory
fantasy.

Speaker 2 (40:19):
Sure, which is so.
I thought that she was going tobe Hideous AI.
Oh wait what?

Speaker 1 (40:26):
Well, like you know, it was all an illusion.

Speaker 2 (40:27):
You'd be like yeah, sure, something, because she
definitely plays into that, likeI'm your caretaker, let's make
love, you go, do you Like?
It's a weird, super weirdrelationship, but it's also
interesting because you see herthinking about it.
We never know what exactlyshe's feeling, which we talked
about earlier, but she'sdefinitely feeling stuff.

(40:49):
Sure, you know what I mean.
So, like it's interesting and Iwish that we kind of would have
figured out what was going onwith her before she gets
untimely demised.

Speaker 1 (41:00):
She is part of the manipulation, for sure.

Speaker 2 (41:04):
But how, On what level?
You know what I mean.
Like I'm curious.
I'm very interested in that.

Speaker 1 (41:08):
We'll never know.
We'll never know.
He wakes up to an atomicexplosion.
They blew up one of the hydrorigs.
Then they get this rogue signalfrom off planet.
He also mentions that there's10 more fuel cells floating
around out there that could beblow up.
More of these things Feels likea lot.

(41:29):
The flip side of all this is ifyou're two weeks away from the
end of a 50 year program andthey're blowing up your stuff
you might need later, you canjust does it really matter?

Speaker 2 (41:39):
just leave right yeah , it's two weeks we've been
doing for 50 years you know sobarely an inconvenience two
weeks is.

Speaker 1 (41:48):
Is what?
125th of a year, right 52 and150 of the 125.

Speaker 2 (41:55):
I don't know how to multiply fractions, but it's
small.

Speaker 1 (41:57):
This is a very this is not even one percent.
This is like maybe 0.2 of yourproject and you're still out
there risking it for that.
You know.
Maybe say well, when we get tothe bottom of these oceans,
there's going to be this one bigfish and that's going to be the
tastiest of all the fish I getthat one big fish because, yeah,

(42:18):
no, it doesn't make any sense.
So you know, setting up the twoweeks to go.
You know, and once again, wedon't know if that's true or if
that's a lie, and then we don'tfind out if it's true, if that's
a lie.

Speaker 2 (42:29):
I feel like it has to be.
I agree we don't find out, buthe's only been doing it for five
years, right, because he gotmind wiped five years ago.
That means he was created fiveyears ago, which means to me
that means a different clone wasdoing it before.
Maybe it's like every fiveyears they cycle, I don't know,
but I just I feel like it's notreally over no, okay, so he.

Speaker 1 (42:52):
He gets this, they.
They get the signal.
He flies over and sees theEmpire State Building mostly
covered up in sand.
The memory comes back.
This set.
I did not like this set.
I thought looked really fake.

Speaker 2 (43:08):
Oh, okay, all right, sure.

Speaker 1 (43:11):
He goes in there, sees the antenna the antenna's
signaling to this othercoordinates.
He flies.
Now, can you explain this to me?
This is all just like a setup.
They wanted him to come backthere to have memories.
It's just a but who the Scavs?
This is a phishing.

Speaker 2 (43:30):
But how do they know that he has memories?

Speaker 1 (43:33):
Well, I mean if you want me.

Speaker 2 (43:36):
I don't know.

Speaker 1 (43:38):
They know that he keeps you know, they know that
he's a clone and that theyprobably keep making him.
So they probably have seen overthe years interactions.

Speaker 2 (43:50):
Him gravitate towards things.

Speaker 1 (43:51):
Maybe he breaks down at times and does things right.

Speaker 2 (43:55):
Which is why they have to send in a new one every
so often, maybe at times they'vesent a guy out there and
they're like do you rememberyour wife?

Speaker 1 (44:01):
your wife was named this and he goes.
I'm conflicted.
And then he goes home and thenthey have to shoot him in the
head sure because he'sconflicted.
So you know, yeah, and thatthese are all things in a movie
that I would be interested inright.

Speaker 2 (44:15):
You think that you're gonna get a little bit more
backstory when he's talking toMorgan Freeman about like the
previous iterations and why youfelt that this one was different
.
You know, things of that naturewould have been helpful.

Speaker 1 (44:28):
I would say his handler back at the house but
he's like I'm just going to flyaway into this secret spot and
we find out that he has thissecret cabin by a lake.

Speaker 2 (44:47):
He tells her that he's going off comms for a
little bit, which is apparentlyjust fine, Like it's just
allowed.

Speaker 1 (44:53):
It's like hey, shannon, I'm leaving the house,
you'll not be able to contact me, you won't know where I am.
I would come home.

Speaker 2 (45:00):
Where are you going?

Speaker 1 (45:02):
punch me in the nuts, rightly so what let's?

Speaker 2 (45:07):
let's put this hypothesis to the test, and I
would like to see this happenyeah, she'd be saying like what
are you doing?

Speaker 1 (45:13):
why are you doing this?

Speaker 2 (45:14):
no, you're not, you're not, you're definitely
not doing that I don't know whatyou think you're not.
You're definitely not doingthat.
I don't know what you thinkyou're going to do, but you're
not doing that, yeah because wecarry little phones, Just like,
yeah, I'm going off grid.

Speaker 1 (45:25):
You're like how does that work?
What?

Speaker 2 (45:26):
does that mean?

Speaker 1 (45:28):
How does flying along a thing make you disappear from
the signals?
I don't know Whatever.

Speaker 2 (45:34):
Nobody knows.

Speaker 1 (45:35):
So he can have this special cabin that he found and
he has his record player and heplays records.

Speaker 2 (45:41):
Well, he built it.
No, he didn't build it.
He didn't find it.
Yeah, he built it.
That's what the guy at the endsays.
That's what Tech 52 says.
He's like I knew he built thehouse somewhere because I know
him, I am him, so he built it.
Hold on a second.

Speaker 1 (45:54):
Hold on a second he found this patch of land that's
beautiful and he built a cabinon it.
So if there's a Dan Goodsockclone and another Dan Goodsock
clone if I die the Dan Goodsockclone, who's just as cool as me
he'd be able to say what I'ddone.
He'd be like you know where DanGoodsock would have hid his
money.
He would have hid it rightthere and he'd just walk over

(46:14):
and pull the money out.

Speaker 2 (46:16):
That's what they're saying.
Yeah, because you know youstart at the same point and you
think like each other.
And I think in a more realworld setting right, you would
divert more because there ismore interactions.
But in this world, where it'sjust those two and you do the
same job every day, you don'treally divert that much.
That's my theory.

(46:36):
I just think that knowing that aguy built a secret cabin,
that's, that's a lot well,because he's like that's what I
would do, but he didn't knowwhere you know, so that's the
thing he's like.
I don't.
It's there somewhere, I bet,because that's what I would have
done dan's gold is hidden inthe yard.

Speaker 1 (46:53):
Now we can.
We just dig over here.
That's where his head.

Speaker 2 (46:55):
Just dig the whole yard because there's's
definitely gold.
Dan would bury gold in thebackyard.
I know that, because that'swhat I would do.

Speaker 1 (47:03):
Yeah exactly.
Okay, boom, boom, boom.
Oh, he has one fish.

Speaker 2 (47:13):
Yeah, how does that work?
It doesn't work well.

Speaker 1 (47:17):
Okay, that's a beginning and end proposition.
You don't go up from there.
It's a net gain zero.

Speaker 2 (47:26):
All right.
Well, you know it's cool.
I love little fishies andlittle puns.

Speaker 1 (47:30):
He sees something crash.
He thinks the drones willhandle it, but it turns out it's
one of ours.
Oh no, he sees something crash,but it's different and he
realizes it's pre-war.
So he goes there.
He finds a dude in a pod andthen some other survivors, and
then this drone shows up and itstarts killing them.
But he protects the one thathas his wife in it.

Speaker 2 (47:51):
Yeah.

Speaker 1 (47:52):
Even though the drone like sees the head and doesn't
shoot immediately when it seesthe head.

Speaker 2 (47:59):
Well, you know, because it's got a Target, you
know it's got to figure stuffout Slow.
It's slow AI.

Speaker 1 (48:05):
We have the Waymo cars driving around here and you
know what they don't do theydon't really hesitate.
They'll stop when there'ssomething you know, they think
there's a problem.

Speaker 2 (48:13):
In the way, but they're just like right around
corners.
They don in the way, but theyjust like right around corners.
They don't care, I mean, but itwas way sharper than that.
Have you been in one?
You've been in one, right?
Yeah, dude, it's kind ofintense.
I'm not gonna lie to you,because they the the one thing
they don't do, you are correct,like a human does is hesitate,
so like if there's a gap in acar, it needs to get over.
It's just like me what justhappened.

(48:35):
They're jerky, that's uh,that's how I would describe it.

Speaker 1 (48:37):
They're a little jerky and that's the thing is
they?
They analyze all the speeds andall the angles and they're
gonna make they, they're notgonna miss they're gonna just
like yeah, it's well, you hopenot.
They don't think they're gonnamiss, that's for sure they
certainly do not think they areconfident yeah, because I saw
one leaving like our grocerystore parking lot and I was like
behind it and it was just likeand I was like I would have not

(49:00):
done that, I would have waitedfor everyone to go.

Speaker 2 (49:02):
I'm going to take them.
You all are right, because younever know what's going to
happen.
Yeah, no, they're veryconfident drivers.
That's what we'll say.

Speaker 1 (49:10):
He takes a girlfriend back to the base.
He gets a med kit.
She wakes up.
She's Julia.
She was asleep for 60 years andshe's all like.
I gotta go back to my ship formy flight recorder.
Do you know what's on thatflight recorder?

Speaker 2 (49:29):
I do now.
Oh, okay, Wait.
What do you mean when it?

Speaker 1 (49:32):
happens in the movie.
I did not realize, when wefinally saw the flight recorder,
that we were watching theflight recorder.

Speaker 2 (49:40):
Oh yeah, that's fair.

Speaker 1 (49:43):
I did not put that together because it happens much
later in the movie.
At the very end, almost yeah,within the last 10 minutes, and
you'd think the flight recorder,if it had important information
like that, you would havesprung that shit on him.

Speaker 2 (50:00):
Yeah, information like that, she would have, like
you know, sprung that shit onhim.

Speaker 1 (50:04):
Yeah, well, but you, you want to slowly, you want to
slowly divulge this information.
Uh, victoria tries to drunk her.

Speaker 2 (50:08):
Yes, yeah, so I have.
I have a question and I don'tknow the answer to this.
Yeah, okay, I'm ready.
Does vika?
I'm ready.
Does Vicka recognize?

Speaker 1 (50:19):
Julia.

Speaker 2 (50:21):
She tries to kill her , she tries to put her under and
before Julia can say anything,she talks and she kind of is
like, hey, I'm Victoria, this iswhatever his name is, and we're
here.
And that's when the wife islike okay, that's doesn't.

(50:42):
She's acting like she doesn'tknow who I am.
So now I'm gonna act like Idon't know who you guys are,
because I don't trust her.
Yeah, I just thought I found itvery interesting and we never
really like make a point ofbeing like yeah, no, she knew,
victoria knew vicka knew thewhole time, yeah, and vicka
wanted to kill her.

Speaker 1 (50:58):
Yeah, yeah, yeah, for sure.

Speaker 2 (50:59):
For sure it was going to drug her to death.
We're on the same page.
I was reading some stuff andpeople were like, oh, it's so
weird that she divulgesinformation before Julia can
talk.
And I was like I don't thinkit's weird.
I think she's setting the tonebecause she knows I.
I think she knows everything.

Speaker 1 (51:14):
Yeah, I think she knows everything.
True, Boop, boop, boop, Sixyears here, Treadrugger, they
eat food and you know they sortof talk.
And then Jack is like what wasyour mission?
She's like it's classified, Ineed a flight recorder.
And then he recaps the entireplot of the movie to her and

(51:36):
Julia laughs Ha ha ha.
That was weird, I didn'tunderstand.

Speaker 2 (51:42):
Now, does he need to do this?

Speaker 1 (51:44):
To recap no, because we all know the plot.

Speaker 2 (51:47):
Because we know everything that's going on.
They can have a conversationoff camera about it a little bit
.
I don't need to watch them gothrough it.
I don't know.
I don't know.

Speaker 1 (51:57):
Jack wonders go through it.
I don't know.
I don't know.
Jack wonders why the droneskilled their crew, and then
maybe she's a scav.
And then in the morning Juliaputs on a sexy military uniform
Don't know why.
They have sexy militaryuniforms for her that are in
black Because the future's cool.
They have a whole closet filledwith clothes for her that are

(52:18):
in black Because the future'scool.
They have a whole closet filledwith clothes for her, full of
them.
Pretty weird, right, but he'salso wearing some black.
So I'm like, oh, For the firsttime.
Victoria somehow oversleepsuntil it's completely.
If I lived in a house in thesky, I couldn't wake up earlier

(52:40):
than I normally wake up, becauseI'm mentally ill.

Speaker 2 (52:42):
But, there is no chance A normal person would
wake up whenever the firstsliver of light starts coming.

Speaker 1 (52:49):
Because that stuff would beat the hell in there and
it's shown beating in on her.

Speaker 2 (52:54):
That's why in Alaska they get those blackout blinds
For when it's sunny, for threemonths or whatever.
The weird thing is.

Speaker 1 (53:01):
We have those in our curtains, those things, oh
really.

Speaker 2 (53:05):
Do they work?
Oh yeah, that might be too dark.

Speaker 1 (53:09):
We have those, and then we also put A foam core in
the windows To keep the heat out.

Speaker 2 (53:17):
So the AC can be more efficient?
Yeah, do you have an airconditioning?

Speaker 1 (53:23):
We have a little unit A little guy.

Speaker 2 (53:25):
Yeah, all right, yeah sure.

Speaker 1 (53:27):
I don't use AC much because it gives me headaches.

Speaker 2 (53:31):
Air conditioning gives you headaches.

Speaker 1 (53:33):
Oh yeah, big time.

Speaker 2 (53:34):
Really.
Yeah, I love AC Really.
If I could just have it blowingin my face the whole day, I'd
be a happy camper so they'regone.

Speaker 1 (53:44):
Victoria calls them.
I can't protect you.

Speaker 2 (53:46):
He's like I understand and then but that's
and that's an interesting phrase, right, I can't protect you,
yeah, so like to me, that's alot of what she's doing when
she's talking to the ai, yeah,and she's like we're an
effective team.
She's saying that because shedoesn't want him to get murdered

(54:06):
, because they don't want tohave to cash him in.
Yeah, that's true, right so likeshe knows some shit and I, just
we needed just a little bitmore, because she definitely
knows some shit.
We get to the crash site.
It's nighttime.
It was a long flight, dan, youthink his radiation zone is

(54:27):
small, but it's really big, it'slike Boston North.

Speaker 1 (54:29):
America.
There's a NASA logo.
She finds a beeping device.
He's caught his.
Oh yeah, so the helicopterleaves.
Why did the helicopter leave?

Speaker 2 (54:40):
Because the scavs show up.
Oh, the scavs show up when hesees that he auto-sends it home
so that they aren't able tosteal the ship.

Speaker 1 (54:49):
How would they be able to steal the ship?
Whatever he sends it away, Idon't know, they carry him away.
Oh, victoria calls them andsays we need a drone.
So they send a drone to go helphim.
They chain up Jack.
And then here comes MorganFreeman, always wearing

(55:12):
sunglasses, in the middle of thenight, in the middle of the day
, always wearing sunglasses,smoking a cigar how does he
still have a cigar?
And he's like Because he's cool, he's like we're the scavs.
Lights up, there's all thesepeople looking at him, they're
like we're humans and he's alllike the drones kill humans.
And then he's like why did yousave Julia?

(55:33):
And then you know, I wrote downthis why are women always the
duplicitous manipulators of men?
there it is, I wrote that downthat's what you took out of the
movie that's a theme of themovie is you can't trust women

(55:56):
because they're going to use youexcept for julia, his wife.

Speaker 2 (56:01):
She doesn't do it.
I thought she was, but shewasn't, it turns out.
Yeah it just.

Speaker 1 (56:09):
It just really happened that she came out of
the sky, on pure luck,apparently no, no, no, they did
it that these morgan freemanmade her fall out of the sky.

Speaker 2 (56:17):
Right, I get that.
I'm still confused on how heknew about her or that ship in
general.
It's all confusing.

Speaker 1 (56:28):
The ship went out there, and so they.
He knew that he could call thatyears ago.
They read it in a book, on a CDROM or something but it's 50
years ago.

Speaker 2 (56:37):
Like how do you get in contact with a ship that's
been floating for 50 years?

Speaker 1 (56:42):
you send a signal from the empire state building
oh right, yeah, you're right,because it's so tall.
I remember it's all and it'syeah it's, it has a you know
it's like that's how you pointything on it, you're gonna kill
the ghost.
But you're gonna get aghostbuster and you need the one
that's you know, has theelectricity in it, right.

Speaker 2 (56:59):
Of course.

Speaker 1 (57:00):
Isn't that what they did?

Speaker 2 (57:01):
in Ghostbusters it was something like that.
Is that how they?

Speaker 1 (57:04):
killed V'ger or whoever it was, dom DeLuise, who
was it?
I don't remember yeah.

Speaker 2 (57:10):
Dom DeLuise.
It's all confusing.

Speaker 1 (57:12):
Okay, so they have a drone.
They want him to reprogram thedrone to go up there and kill um
, kill the the ai okay now whycan he reprogram them?

Speaker 2 (57:26):
you mean the repair man?

Speaker 1 (57:28):
yeah, you mean, when you have the maytag man come
into your house to repair youruh, your uh, your dishwasher, he
can also reprogram it to like.

Speaker 2 (57:38):
Turn it into something completely different.
Yeah, exactly.

Speaker 1 (57:43):
You know and like, why would?
They give him that power.
They would not imprint thatinformation into the repairman's
mind.
The ability to make a drone dowhatever.

Speaker 2 (57:52):
Now you can do whatever you want to do with the
drones, but make sure you dothe good things, because we're
giving you all the power in theworld.

Speaker 1 (57:59):
Jack, isn't that?
That's Terminator.
Right, you reprogram the robotto do what you need it to do.
Sure, sure Terminator.

Speaker 2 (58:09):
I don't know.

Speaker 1 (58:10):
Okay, the drones, three drones attack and we have
like a big fight.
We have a big fight and theyend up killing the drones.
Three drones attack and we havelike a big fight.
Um, we have a big fight andthey end up killing the drones
and they say to Jack, jack, goto the radiation zone.
It's all a big lie.
And then they let him out andthey're like here's your
motorcycle, you can leave, cause, oh the good, the drone.

(58:32):
He was supposed to know that itwas the drone.
He no, they Wait, was the droneyou were supposed to reprogram.
It didn't get damaged, did it?

Speaker 2 (58:38):
No, he just said.
No, oh, he just said no, andthey were like we're going to
let you go, go learn the truthand come back once you learn it,
okay, yeah.
It's a trust exercise, Godtrustful, Trustful exactly.
He rides away on his motorcycle.

Speaker 1 (58:50):
He runs out of gas.
Then he goes back.
He's able to call Vicka andthen she sends his thing back to
the thing.
Yeah, he talks to Julia andshe's like the Ted is an alien
object.
She's like that's impossibleand she's like I'm your wife,

(59:10):
remember, remember, remember.
And she shows him the weddingring and he remembers I wrote a
full boring flashback.

Speaker 2 (59:21):
That's so sad.
But he says I'll show you thefuture and then holds up the
ring.
It's so cute.
Where's your heart, danGoodself?

Speaker 1 (59:34):
His helicopter appears, and this is when I
started yelling Shoot her, shoother, shoot her.

Speaker 2 (59:43):
That's what I was yelling.
I was yelling that, just likeJurassic Park, shoot her.

Speaker 1 (59:49):
Because Vicka should have used the helicopter to
shoot Julia.

Speaker 2 (59:53):
Well, I mean, that's when she was like well, it's
finally happening.
He found his wife, knows it'shis wife and now I have to kill
him does that happen?
That, well, that's I like her,that she sees them like hugging,
and that's when she starts likea tear wells in her eye and
then they come back and she'slike nah, you're out, dude,
you're out yeah uh.

Speaker 1 (01:00:15):
So they get back fica's locked them out and she
says it was always her.
So she knows that was that'syour big one.
She knows the whole thing.

Speaker 2 (01:00:23):
She knows.
But what does she know?
How much does she know?
What does she like?
I want to know more about her.
She's very interesting and wejust skim the surface on there.

Speaker 1 (01:00:34):
So she calls in a drone Drone comes, here comes
the drone Unfortunately.

Speaker 2 (01:00:39):
So she calls in a drone Drone comes, here comes
the drone Unfortunately thedrone kills Vicifers Because
they're not an effective teamanymore, and if the one that
they are trusting to keep him incheck is no longer effective,
they just delete her, which isan interesting idea, and I want
to know more.

Speaker 1 (01:00:57):
Julia uses the helicopter to shoot the drone.

Speaker 2 (01:01:02):
Now.
So I am confused.
Can anybody fly the helicopter?
Because it seems to respond tohim and his biometrics right,
Like when he gets close it opensup and it talks to him.
I get confused.
I'm a little confused on thetechnology.
You want me to comment on that?
Yeah, comment, yeah, what doyou?

Speaker 1 (01:01:23):
what do you got to say?
Give it to me, stupid.

Speaker 2 (01:01:24):
She could never shoot the drone with the helicopter I
thought you had a little moreinsight than it's stupid if
vicka vicka, vicka can't controlthe helicopter.

Speaker 1 (01:01:34):
How can she control the helicopter?

Speaker 2 (01:01:35):
yeah, I don't know, it doesn't make any sense well,
it's almost like it doesn't makeany sense um okay now.

Speaker 1 (01:01:43):
So they're trying to run away.
They send three drones afterthem.
We have just this incrediblyboring jay scene where they hide
in.

Speaker 2 (01:01:50):
This is my least favorite scene yeah, it's my
least favorite scene in themovie.
I don't think we needed this atall.
And then it culminates in justlike your standard, oh, I'm
gonna turn sideways and flythrough a very skinny thing,
even though me sideways is stillbigger than the drone
circumference you would think sodoesn't make any sense.

Speaker 1 (01:02:09):
You would think so.
Uh, I wrote.

Speaker 2 (01:02:11):
I wrote as exciting as watching a video game well,
it's funny that you say that Ourboy, what is his name?
Jonathan Kaczynski.
Is that the director's name?

Speaker 1 (01:02:23):
Jonathan.

Speaker 2 (01:02:23):
Kaczynski, you mean Joseph, joseph Kaczynski.

Speaker 1 (01:02:27):
Sorry, everybody, not John.

Speaker 2 (01:02:29):
Kaczynski Joe Kaczynski.

Speaker 1 (01:02:32):
I thought we were talking about the Unabomber.
Oh Jesus, because his name isTed kaczynski.
Okay, there's too many peoplewith similar last names, right,
you know they have the ted, theyhave his uh, his cabin in a
giant warehouse.
The fbi saved his cabin, stopit the whole cabin.

(01:02:52):
You can see it online, thepictures of it.

Speaker 2 (01:02:54):
Craziest thing ever that's cool, but all messed up.
It's super messed up.
Let me be, let's start there,but also that's pretty cool the
fbi needs to start making money,you know.

Speaker 1 (01:03:06):
So let people in.

Speaker 2 (01:03:07):
I've to do tours like block, you know, put some glass
cages over stuff you don't meanto touch.
But I'll go, I'll tour the shitout of that, uh, yeah, uh, what
I was gonna say.
It's interesting you say thatbecause, uh, joseph kaczynski,
this wonderful director who I'mobsessed with now, uh got his
start doing like commercials,and two of his most famous

(01:03:29):
commercials are video gamecommercials.
One of them is for gears of war.
He did the mad world, gears ofwhich is iconic.
I close my eyes, I could stillwatch it, it's so good.
And then he did Halo 3, starryNight it doesn't matter, so good
.
So he started, he got his bigstart in CGI video game

(01:03:51):
commercials.
So it's exactly what it is sothat makes sense.

Speaker 1 (01:03:56):
He knows how to sell stuff to adults that are
actually pre-adolescent boys.

Speaker 2 (01:04:03):
Yeah, yeah, me, yeah, yeah.
He's talking right to my soul,yeah, so not talking to real
human beings?

Speaker 1 (01:04:09):
Wow, like in this chase, they pass the Statue of
Liberty.

Speaker 2 (01:04:17):
I didn't even notice that.
Did they like point it't evennotice that?
Did they like point it out?

Speaker 1 (01:04:24):
Or is it kind of like we fly?
By it and you're supposed tonotice it, but I just didn't
notice it.
There's another big pass by inhere that we'll talk about later
Interesting.
Okay, they win, but they crashin the radiation zone.
He sees some smoke.
He goes over a hill.
He sees another hill, hallie,and then we're like I'm like, oh
wow, is this another one of him?

Speaker 2 (01:04:45):
Oh yeah, for sure.

Speaker 1 (01:04:46):
I didn't, I didn't know that was coming.
I did think that was aninteresting reveal that the
radiation zone basically,basically they grid they grid
out the whole world.

Speaker 2 (01:04:55):
Yeah, they grid out the whole world.

Speaker 1 (01:04:57):
And then different Jacks and Vicas work in each of
these spaces doing the same job.

Speaker 2 (01:05:03):
Okay, which is interesting, and we don't again.

Speaker 1 (01:05:07):
We barely deal with it it turns out, the other thing
is our Tom Cruise is going todie at the end of this one, and
then this Tom Cruise that hesees over there is going to end
up hooking up with his wife andhis daughter.

Speaker 2 (01:05:19):
Wait, what are you saying?
Not hooking up with his wifeand his daughter?
Wait, what are you saying?
Not hooking up, sorry, nothooking up with the daughter,
but like he takes over as herfather.

Speaker 1 (01:05:25):
Oh yeah, Well, there's a thousand other Tom
Cruises.

Speaker 2 (01:05:32):
Well, maybe not a thousand.
We don't know what the grid islike, Dan.
Well, they said a thousand.
Oh, they did Okay.
Well, I guess we know exactlywhat the grid is like, dan.
Okay, well, they said athousand.

Speaker 1 (01:05:40):
Oh, they did okay well, I guess we know exactly
what the grid is like, and it'sa thousand.
So what's going to happen?
Is this going to be like a real, real polygamous situation?

Speaker 2 (01:05:50):
a thousand.

Speaker 1 (01:05:51):
Oh boy, that's a lot that's a lot of dudes to go
through well, no, because so,and this is the way I'm looking
at it.

Speaker 2 (01:05:59):
Right is that tech 49 was the closest to discovering
the truth.
And then?
So that's why morgan freeman'slike oh, I'm interested in you,
right, like you are, you're theone.
But it turns out that he wasn'tthe one.
The key is the wife.
So seeing the wife triggers hismemories, and then he becomes

(01:06:21):
the human jack.
And so tech 52 is the onlyother person that has seen her,
the only other jack that hasseen her.
So he now also is the humanjack because he has seen the
wife, and that unlocks thewhatever you know what I mean so
as long as tech 52s her chainedup in the basement so no other

(01:06:41):
Jacks can find her, it's fine,it's totally fine.

Speaker 1 (01:06:46):
They face off and he just wins.
What does Julia do?
She just stands there like this.
Well, she gets shot.
Oh yeah, she ends up gettingshot.
They have a fist fight and shegets shot.
Oh yeah, she ends up gettingshot.

Speaker 2 (01:06:58):
They have a fist fight, she gets shot.

Speaker 1 (01:07:00):
Dan, if you've been shot, yes.
What I want you to do with mybody, tony, is I want you to
drag me to a cave where there'ssnakes, and then I want you to
leave.
I want you to leave as quicklyas possible.

Speaker 2 (01:07:13):
For an unspecified amount of time.
I don't know how long he's gone, but he's gone for a little bit
.
It's weird, it's pretty weird.

Speaker 1 (01:07:19):
He flew past the Statue of Liberty right, which
is pretty far Thereby, theEmpire State Building.
So it's from DC to New YorkCity.
I don't know how far that is.

Speaker 2 (01:07:32):
I don't know how far it is either, but it's a bit.

Speaker 1 (01:07:35):
By the way, Statue of Liberty that's in New York.
Oh, so it's all New York, Well,isn't it?

Speaker 2 (01:07:38):
like Jersey.

Speaker 1 (01:07:39):
No, but it's okay, I'm not, it's no good I was
thinking DC, because the otherthing we see is well, because we
see the Philadelphia thing.

Speaker 2 (01:07:47):
What's the?
What's that tall penis ob?

Speaker 1 (01:07:53):
What's the tall?

Speaker 2 (01:07:55):
pointy building.
Yeah, what is?

Speaker 1 (01:07:57):
the tall pointy building, the Empire State
Building.

Speaker 2 (01:07:59):
No, no, no.

Speaker 1 (01:08:04):
It's like a monument of some sort the Transamerica
Building in Seattle.

Speaker 2 (01:08:07):
I don't know.

Speaker 1 (01:08:09):
Never mind the St Louis Arch, it's fine.

Speaker 2 (01:08:12):
No, it doesn't matter .

Speaker 1 (01:08:14):
They showed us another real building.

Speaker 2 (01:08:15):
I don't remember this , yeah they showed us another
one and I don't remember this.
Yeah, they showed us anotherone and I was like I recognize
that, but not in a real waybecause I'm not cultured.
The Twin Towers?
No, no, that would be crazy.

Speaker 1 (01:08:28):
We can finally start making Twin Towers jokes.

Speaker 2 (01:08:31):
Can we?
You're just doing it.
I don't know if you've beenallowed to.
It's the Washington monument.
Oh, that was what I was looking.

Speaker 1 (01:08:39):
That's in washington um, he flies away, he goes to
tower 52, the guy who, oh, he'stied up 52, so 52 is there tied
up?
Yeah there's a very terriblejob.
52 is free with.

Speaker 2 (01:08:51):
It's pretty loose, yeah, yeah, he'd be fine.
He's just taking a time out.
You know what I mean, like he'stired, he's embarrassed, he got
beat by himself, he might havegone and had sex with Julia so
that baby might be his Jesus.
What a twist that would be.
He didn't know, but this is mychild.
Oh god, I'm gonna think aboutit.

(01:09:15):
You already thought about it.
This was your idea.

Speaker 1 (01:09:19):
He comes in hot.
There's Vicka, and then he'sall like let's go down to the
surface.
And she's like regulation.
And then what did I write?
Really big Shoot the clone.
Why didn't they just kill her?

Speaker 2 (01:09:32):
Because he does care for her and he was testing her.
He was like are you all thesame?
And it turns out they were allthe same and he's very sad about
, Because I think this is thepoint where he's solidifying
that they are all in on it.

Speaker 1 (01:09:49):
He's got a shooter in the leg and then, as she's
bleeding out, he sticks hisfinger in the wound and extracts
information.

Speaker 2 (01:09:58):
He could do that so much easier.
He doesn't have to torture her,dan, she loves him.
Just play on that, play on thelove.
Jesus, he tried.

Speaker 1 (01:10:08):
He tried that.
He's like let's go down to thesurface.
I want to show you something.
She's like no Regulations.
She's proven herself to be acompany person.

Speaker 2 (01:10:15):
He needs to shoot her in the leg, which is why he
leaves Finger in the hole.
He knows that they'll kill her.

Speaker 1 (01:10:22):
It's fine, gotta stick that, stick into Rhino's
Port.

Speaker 2 (01:10:29):
Twist it in the side.

Speaker 1 (01:10:30):
Summon the wildebeest .
So stupid.
Okay, he goes and takes Juliato his hideout, because I guess
he gotta.
Why doesn't he have a first aidkit at his hideout?
He could have just taken herthere in the first place.
I think they only have one Ineach place, so she would know.

Speaker 2 (01:10:47):
But why doesn't he have a first aid kit at his
hideout?
He could have just taken herthere in the first place.
I think they only have one ineach place, so she would know.
She'd be like hey, where's themed kit?
It's missing.
We only have one healing kitand you took it.

Speaker 1 (01:10:57):
Hold on a second.
They have a full sick bay inthe house.
Why doesn't they have a med kiton the goddamn helicopter?
Yeah, just no, just no.
They only have the one in thehouse, because you got to go
home before you can get healed,you know.
So he leaves her at the hideout.
What's the first thing she doeswhen she?

Speaker 2 (01:11:15):
wakes up and is feeling better.
I don't remember what is itSmells his hat.
Yeah, oh, gross Listen, I havea lot of hats.

Speaker 1 (01:11:25):
I have a problem, do they?

Speaker 2 (01:11:26):
get stinky, they get stinky Wow.
My hats don't get stinky,Especially if you're wearing
them for work.
Like I have different hats, sohere's what I'll tell you.

Speaker 1 (01:11:37):
I have different hats okay, and I have my fancy hats
that I'll wear when I Tony wearsdifferent hats.

Speaker 2 (01:11:43):
I wear like, like my nice hats for like days I need
to dress up and look good andthey are clean and they're
barely worn, they're very sharp,they look brand new.
I have my regular work hatswhich are just like daily use
and they're a little grungy butthey're not bad.
They're like hats that you lookand you're like, okay, yeah,
this guy's, you know, seen a fewdays.
And then I have my work workhats where it's like I'm going

(01:12:04):
to be sweating in the sun for 10to 12 hours, we're going to be
doing manual labor, I'm going towear that hat, those hats stink
and that he's got one hat.
From what I've seen, this guy'shad one hat for five years that
had stinks.

Speaker 1 (01:12:18):
I'm going to tell you right now the cabin built like
a cabin outdoors like a weird,you know like weird windmill
that goes the other direction.

Speaker 2 (01:12:28):
Right Forged that steel.
Yeah, it's good stuff.
Yeah, that had smells.

Speaker 1 (01:12:40):
So if he comes back to Vika, he would stink like a
pig.

Speaker 2 (01:12:41):
Yeah, she'd be like.
Why do you smell like things?
I've never smelled which isoutdoors by the way, she's never
smelled outdoors.

Speaker 1 (01:12:47):
She's never smelled outdoors.

Speaker 2 (01:12:48):
She's never smelled outdoors, but it's there, oh God
.

Speaker 1 (01:12:53):
Okay, no one ever smells my hat.
No one ever smells my hat,shannon doesn't.
I smell my own hat sometimes.
Shannon doesn't smell my hat,toss them.

Speaker 2 (01:13:00):
Every once in a while you got to toss them.
I haven't found an effectiveway of washing hats.
I haven't found an effectiveway of washing hats Because it's
cardboard.
That's my biggest problem.
Exactly so they used to have.
I don't know if you've everseen those.
Back in the day they did thosemetal cages that you could put
it, so it holds its structure.

Speaker 1 (01:13:20):
That's bullshit, it don't work, stupid.
And then she says you saidyou'd build me a house on the
lake.
Then they get it on, I think.

Speaker 2 (01:13:30):
Yeah, they get it on.

Speaker 1 (01:13:32):
It's PG-13, though, but they get it on, yeah, but
the pool where they, that's true.

Speaker 2 (01:13:36):
Earlier, they did show some real getting on You're
absolutely right.

Speaker 1 (01:13:39):
Okay, wait, we got to take a pause from the whole
show.
Oh okay, we're having a seriousdiscussion.
You show, oh okay, a seriousdiscussion.
You're young, right?
Ish?

Speaker 2 (01:13:49):
Me Not really, but I appreciate it.

Speaker 1 (01:13:52):
You're closer to youth than me.
Okay, yeah, we used to haveerotic thrillers.
We used to have Sharon Stonecrossing her legs and doing all
sorts of dirty.
Not allowed anymore.

Speaker 2 (01:14:05):
Correct.
Why is that Because everyone'svery sensitive now and it's just
it's not needed, right, it'snot needed.
Why is it not needed?
I don't know I need it.
I love a good lovemaking scene.
Fifty Shades of Grey me.
I mean that movie's terrible.

Speaker 1 (01:14:23):
That was not good lovemaking.
It's so bad, that's the worstever it's so un-erotic.

Speaker 2 (01:14:28):
Remember when I talked about that Madonna-Willem
Dafoe movie?
Oh yeah, Now that's a movieyou're going to want to watch.
If you haven't watched it,you're going to want to go watch
it.
I don't know.
Do you have a real answer forwhy we're not allowed to make
love anymore?

Speaker 1 (01:14:52):
I, it's the young people.
I think hollywood knows thatyoung people don't want to see
it because your stupid twistersmovie.

Speaker 2 (01:14:54):
Like, did they even kiss in that movie?
No, I mean, I know you love it.
Nothing went on.
Let's break.
Let's you know what?
Let's take a pause and talkabout twisters, because there's
a, there's a big backlash thatdon't even kiss at the end of
the movie.
The movie is not about them,you sons of bitches.
The movie is a love storybetween her and the tornadoes,
not Glenn Powell.
That's a side story.
She falls back in love with herwork.
This is not a movie about them,it's a movie about her.

(01:15:15):
You're watching the moviecompletely wrong.
They shouldn't kiss.

Speaker 1 (01:15:20):
Why don't we have a sexy scene between her and the
tornado?

Speaker 2 (01:15:24):
Now, that is a thing I would watch this shit Like
she's in the truck right and thetruck's getting kind of tossed
around.

Speaker 1 (01:15:33):
You're so weird.
Okay.

Speaker 2 (01:15:36):
You started it, God.
You're baiting me into thesethings and just turning it on me
.

Speaker 1 (01:15:40):
He suits up, he leaves, he goes to see the scavs
.
They talk a lot more.
They talk about how it allbegan with a thousand.
Jack Harpers came and they wereprogrammed to kill.
That's the thing that made nosense to me.

Speaker 2 (01:15:57):
What is that?
You know what I'm going tothrow?

Speaker 1 (01:16:00):
one grenade into the thousand Jack Harpers and
they're all going to die.

Speaker 2 (01:16:05):
No, sir, because they're trained.
I'm going to catch that grenade, throw it right back at you.
Or I'll take a tennis racket.
Knock it right back at you,Because the first wave was the
attack.
Because they tell the storyearlier, it's like they came and
they invaded, but the invasionwas actually all Jack Harper's
which is, I think, interesting.

Speaker 1 (01:16:27):
It says there were thousands of them Like what are
they doing?
Are they in?
I guess they're in little shipsor something.

Speaker 2 (01:16:33):
Yeah, little tiny ships and they're landing in
their little helicopters.

Speaker 1 (01:16:35):
He made it sound like , oh, they were Jack Harpers.
And everyone was like you'reJack Harper, we'll do.
You know, we're not going tofight against you.
And then he's like oh, well,there you go bang bang bang mows
him down.

Speaker 2 (01:16:48):
Yeah, yeah, scarface style.

Speaker 1 (01:16:51):
Okay, good stuff so 50 years ago the hydro rig
started sucking the planet dry,and then he saw him read a book
and he came up with a plan.
And then he's like okay, I'lldo it, welcome back, commander.
He goes boop, boop, boop, boop,boop, boop, boop, boop, boop,
boop.
And then what do they do afterhe does that?

Speaker 2 (01:17:12):
Tony, I don't know what do you mean.
They put it on a little tractor.

Speaker 1 (01:17:17):
Yeah, they mount it on a tractor.

Speaker 2 (01:17:20):
And then slowly drive it outside.

Speaker 1 (01:17:22):
Explain to me how the drones work.
Explain to me how the droneswork.
Do they land on a littletractor and then they tractor
around, or do they just flyfreely any place they want to go
?

Speaker 2 (01:17:39):
No, well, the normal ones do Not.
The new programming that he putin.
You see, the new programmingmakes it so it can't fly freely.
It's a direct line of sighttype of deal.
So he's got to bring it to theright coordinate and then it
just shoots in a straight line.
It's all scientific.

Speaker 1 (01:17:58):
So three drones attack, and this is where we get
.
It's always three, it's alwaysthree.
They come in threes Becauseit's a magic number.
Well, triangle, three sides ofa triangle.

Speaker 2 (01:18:09):
Oh sure, so it's a strategy.

Speaker 1 (01:18:13):
Triangle strategy, that's a video game In the
course of this, when these areflying around shooting everyone,
what do we see?
We see the Liberty Bell.

Speaker 2 (01:18:24):
Oh, Packed away in the back.
There was a crack in it.

Speaker 1 (01:18:26):
huh Packed away in the back I see this bell and I'm
like that's the Liberty Bell.

Speaker 2 (01:18:30):
That's it.
That's it.
That's the one they brought itup from.

Speaker 1 (01:18:33):
Philadelphia, because you know who cares about living
and food.
We better save the.

Speaker 2 (01:18:37):
Liberty Bell.

Speaker 1 (01:18:44):
Do you think that someone just like put it on?

Speaker 2 (01:18:47):
their drone would just pass by and be like oh,
it's the Liberty Bell.

Speaker 1 (01:18:50):
That's not a scav.

Speaker 2 (01:18:55):
See, it's a perfect disguise.
These humans are genius, okay.

Speaker 1 (01:19:00):
So, boom, that's the thing.
They can't send the drone.
The drone got broken.
So Jack's like well, theywanted me to return Julia's body
body.

Speaker 2 (01:19:07):
Put julia in the pod and I'll fly her up there which
is a sentiment I really likebecause it's a love story, right
.
So like, I love this romeo andjuliet type ending super rushed
and they don't take the time tolike make it make any sense,
because he would have to havemultiple conversations with them

(01:19:28):
before he went up and he's likeokay, you know what we give up.
I apologize, I'm bringing herup and I'm turning myself in.
You know, like something ofthat nature has happened,
because he is fighting thesemachines.
They've sent drones to kill himseveral times.
Now If he flies at them,they're're just gonna blow him

(01:19:48):
out of the sky.
They're already trying to killhim.
They have a thousand otherjacks in pods on the ship.
He flies right by him.
They don't need him, dan.

Speaker 1 (01:19:57):
So anyhow, it's almost like he maybe would have
to go and find one of the vickasand convince her to go up there
sure, yeah, I mean something.

Speaker 2 (01:20:06):
I mean I don't, I don't mind it being the wife,
right like because they wantjulia dead.
So if he's like, I'll bring herup, but I'm coming with her
right like we're.
We're doing this together, someI don't know something, but
it's just just flying out thereand it doesn't make any sense.

Speaker 1 (01:20:21):
So while he's flying there, they play the flight
recorder for some reason.
Finally right, and we see thatwhat happened was he was sent
out there to engage the tet.
The tet started, yeah, uh,sucking him in with the tractor
beaming him in.
So he like it was just him andvicka the other, everyone else
was in frozen in time, you know,like in stasis cryo sleep for

(01:20:45):
some reason, I don't know why.

Speaker 2 (01:20:47):
So he cuts?
Because it takes a long time toget there cuts them loose and
so their thing escapes.

Speaker 1 (01:20:52):
But they're sucked in and then they, you know they
basically become the clone army.
That is they they use againstearth because you know it's
better to you have drones thatcan do anything you want, but
it's growing a human beingthat's never dealt with.

(01:21:12):
Any of these drones is betteryeah, it's better, you said it.
Remember bubblegum she lets himin, he flies past all the
clones.
You know, that's one anotherthing.
You leave all the clone growingthings out there where you have
to fly past them.

Speaker 2 (01:21:29):
You know, yeah, yeah, because it's very what is it?
Matrix style.
They just want you to see thatthey're harvesting humans.

Speaker 1 (01:21:36):
And he just flies in there.
And it turns out he did bringthe wife, he brought Morgan
Freeman, morgan.

Speaker 2 (01:21:41):
Freeman, which they told you he was going to do like
an hour ago.
Oh, did they?
Well, yeah, because, morganFreeman, I wish I could see the
look on her face when this thingshows up.
And he's like, well, that wouldbe a one way trip, morgan
Freeman.
Morgan Freeman's like, yeah, Iknow.
And then it's like okay, well,that's how the movie's going to
end.

Speaker 1 (01:21:58):
See, that's the.
I missed all of that.

Speaker 2 (01:22:10):
There's a way to do that more subtle, like if he
just says the one line, it'sfine, but then tom cruise like
is like well, that would be aone-way trip, so you probably
shouldn't want to do that.
And then morphe was like I'mready for it, it's cool if it
happened, if it happens, but itprobably won't happen.
But if it happens, it's like itjust just drop the one line,
just be like.
I wish I could see the look onher face when they did that.
And that's not a dead giveaway,it's a hint, but it doesn't

(01:22:31):
make me think like yeah, that'sfor sure going to happen.
That's 100% how this movie ends.
I don't know.
They blow it up, which you know.
They throw out their one F-bombwhich I did enjoy.
Fuck you, Sally.

Speaker 1 (01:22:45):
Yeah, which I did enjoy Fuck you, sally, yeah,
it's good, you're like no, it'sa good moment, it was not good,
come on.

Speaker 2 (01:22:49):
It's classic Tom Cruise moment right there.
That's a 10 out of 10.
So terrible.

Speaker 1 (01:22:54):
So it turns out that he brought Morgan Freeman, left
Julian at home.
Fuck you, oh, I did write it.
Fuck you, Sally Boom.
Oh see.

Speaker 2 (01:23:10):
Yeah, looks up and I wrote down.
I'm bored.
Oh, that's so interesting when,uh, this explosion, when they
cut to earth.
Oh, it's so beautiful, it'spretty, it's such a beautiful
shot.

Speaker 1 (01:23:14):
Did you ever watch that science fiction movie?

Speaker 2 (01:23:17):
the creator no, I have not watched the creator yet
, but it's on my list, youshould watch it it's.
It's equivalently good lookinglike this movie and it's it and
and completely shot on fx6s andeveryone's crazy about it.
Yeah, it's, it's because it's aconsumer camera, just so you
know well yeah, yeah, very good.
Or I guess I think they call itprosumer because it's the midway

(01:23:38):
point between consumer andprofessional, but it's like a
relatively affordable camera andeveryone's like how did they do
it?
And the answer is money.
Guys, like it's cgi, like theyhave a lot of money to work on
it in post, idiots anyhow sorryand oh, and we'd set up this
ncyf, was it christina in thefield?

Speaker 1 (01:23:59):
and so then, now that christina in the field painting
is at his cabin and jack number52 has been searching for her
for three years, finds thesecret hideout.
And there there is julia withthe daughter.
Um, I'm assuming that if theysurvive for three years they
must have eaten that fish justthe one fish?
yeah, as far as I can tellrationing that one fish they

(01:24:23):
used to be they used to be thesereality shows where they would
put some people back into whatit would have been like in
revolutionary times.
You know at the run of farm anddo all these things.
Yeah, if you didn't have a wife, you would die, because there

(01:24:43):
is Same thing today, just forthe record.
That is very true.
There is so much work that hasto be done one human being just.
You know how did she give birthto that baby?
By herself.
That.

Speaker 2 (01:24:56):
I mean incredible stuff, even in the future.

Speaker 1 (01:25:01):
Maybe she still has a med kit she just med kitted up
so she did have a med kit Iwould have.
I mean she just he left herwith the med kit, so she did
have a med.

Speaker 2 (01:25:08):
I would have liked dan a good movie me too well, I
mean I would have liked aslightly better story.
Like I, I, everything aboutthis movie is a 10 out of 10,
other than the the plot right,which is it brings it down, I'll
agree.
It's like a 7 out of ten for me.
I will re-watch it at some pointbecause I do enjoy it and

(01:25:29):
there's some moments that Ireally like, but I would have
liked him to eat something.
Uh, I know that sounds stupid,but when he's when he goes to
his secret hideaway, I wouldhave loved for him to be growing
something.
That would have made a lot ofsense if you're gonna leave,
right.

Speaker 1 (01:25:42):
If you're gonna leave her there for three years, you
should sort of set her up alittle bit well, just a little,
maybe just a touch, I don't know.

Speaker 2 (01:25:49):
So I, I would have loved that moment, but we didn't
get.

Speaker 1 (01:25:52):
It cracks open a pantry where he's got a bunch of
potatoes and vegetables andthings that he's been you know,
yeah, great bunch of jars.
You know, we, we, we pan acrossthe pantry full of jars, of
things that he's pickled andbecause you know you put stuff
in jars and people know how todo that.
My in-laws pickle everything,everything and that stuff can

(01:26:14):
last a long time, right, can itlast years, 100% yeah.
That would have been nice.

Speaker 2 (01:26:22):
But it didn't happen.

Speaker 1 (01:26:23):
Tony, tell us about something you liked in addition
to this this week.

Speaker 2 (01:26:27):
Yeah, because I mean, I really did enjoy this, dan
Idiot, I finally.
That's so rude, but true, wehaven't.
This is just a trailer forsomething that's going to happen
, which is the thing that Ienjoyed the most this week.
The official Suits LA trailerhas dropped, starring Stephen

(01:26:47):
Amell.

Speaker 1 (01:26:48):
We saw Billboard for it.
I was like we saw Billboard.

Speaker 2 (01:26:50):
Good for them.
That's going to fail.
I am very worried.
I will be completely honest.
I am so very worried that youare correct, but I'm hoping
you're wrong.
The trailer looks good.
Oh dear, that's not a good sign.
It didn't look great, but itlooked good.

(01:27:11):
He looks great, I'll say.
I'll say steven amell is bornto play a cocky asshole and I
he's gonna be great.
I'm not sold on the premise I.
Did you ever watch the originalsuits?
It's like this.
It's like a hook premise whereyou have the lawyer, Harvey, and
then Mike comes in and is not alawyer, but he has an eidetic

(01:27:34):
memory or whatever super smartor something and he fakes his
way as being a lawyer.

Speaker 1 (01:27:38):
Oh, maybe I watched one and that's the premise of
the show.

Speaker 2 (01:27:41):
It was okay, you can't, it was fine yeah yeah,
yeah, no, I mean we think it'ssuper fun, right, it's a USA
show, so it's of that ilk.
You can't just redo thatpremise, right, and they're not.
So like this one just seemslike a lawyer show, sure, like
it doesn't have the wholemystery element to it, so like
what's going to keep me watching?

(01:28:01):
I don't know, I'm very nervous,but I love Stephen Amell and
I'm going to watch it and helooks beautiful.

Speaker 1 (01:28:07):
I watched a couple of .
I watched two or three episodesof the Caitlin Olsen her, thing
, oh yeah.

Speaker 2 (01:28:15):
Yeah, yeah, that's called uh.
Why can't I think of the nameof her show?
We watch it every week.

Speaker 1 (01:28:21):
Yeah, we love it.
She definitely elevates thewhole thing.

Speaker 2 (01:28:27):
I also love the detective, the main detective.
He's fine.
Yeah, he's good.
High potential, high potential.
I had to look it up.
I'm embarrassed, but yeah, highpotential, we watch that we
love it.

Speaker 1 (01:28:36):
She sells the emotions.
You buy the family thing.
She's great, she's-.

Speaker 2 (01:28:43):
Yeah, I don't love her famous husband from SNL.
What's his name, is it?

Speaker 1 (01:28:50):
Colin Jost, who's married to.
Scar Jo what are you talkingabout?
Is he on the show?

Speaker 2 (01:28:57):
isn't he the husband?
Who's the husband?
I don't know who that guy is,just a dude.
Looks kind of like you.
No, he's from SNL, he's not.
You're right, it's not ColinJost.

Speaker 1 (01:29:07):
Yeah, come on, he was Hold on I got to look this up.

Speaker 2 (01:29:11):
Hold on, I've seen him before.

Speaker 1 (01:29:13):
Tony smoking crack.
Tony Tony smoking crack,smoking crack, he's smoking
crack.

Speaker 2 (01:29:18):
I can't.
I got nothing.
Yeah, because you're wrong,you're wrong, we're all going to
say this Anyhow you keep myfavorite thing yeah you keep
going.

Speaker 1 (01:29:38):
All the SNL stuff that's going on.
I watched some of the concertthing Pretty fun, lots of people
being interviewed.
And then there was this greatstory where um, I guess lauren
michael, I guess they wanted todo a.
They wanted to do a sketchabout um taylor swift about like
her fans or something.

(01:29:58):
And so they called taylor swiftand said you know, do you want
to come in and do it?
It would be fun.
And then she got on the phoneto lauren and said to him no,
and I, I think you should dropthis sketch, I don't think you
should do this.
She said that to him, okay, andhe said very specifically, I

(01:30:19):
don't negotiate with terroristsand then they did the sketch and
then, um, she sent him likeroses or something and a big
apology Because it was fun.
Whatever, it doesn't matter.
The point being is, we needpeople like that now that are

(01:30:42):
just willing to stand up thereand be like I'm going to do my.

Speaker 2 (01:30:46):
Look, I don't give a shit what you say to me he's
gone through his thing.

Speaker 1 (01:30:50):
If NBC wants to fire him because he goes too far, you
know like he doesn't, hedoesn't care, because he's going
to do his thing, becausethey've always done their thing.
And you know I've always.
You know you you call a littlebit into question the comedic
choices, but you know it's, it'sa lot of choices that have to
be made constantly.
They're not necessarily thechoices I would make.

(01:31:12):
But then again, I make you knowmy comedic choices are what I,
what I care about.
So, but that's, that's the wayto run a ship and just be like
no, it's not happening.
I, I'm not pulling a sketch,because it might hurt your
feelings, because we are here tohurt everybody's feelings.

Speaker 2 (01:31:31):
On that note, have you seen Saturday Night yet that
movie?
No, we liked it.
We thought it was very fun.
There you go.
It reminded us a lot of Studio60, if you remember that show.

Speaker 1 (01:31:43):
That show was fun.
That was a good show.
Yeah, great show.

Speaker 2 (01:31:45):
Anyhow.
So that's another thing.
If you remember that show, thatshow was fun, that was a good
show, yeah, great show Anyhow,yeah, so that's another thing,
that's a bonus, like from thisweek we enjoyed that movie.

Speaker 1 (01:31:51):
I don't like fictionalized accounts of real
things typically.
I've talked to you about that.

Speaker 2 (01:31:55):
Oh, you might not like because it's not as
fictional as you might want.
Yeah, there's quite a bit ofnonfiction in it.

Speaker 1 (01:32:04):
I saw a clip from it and it was like the sort of I
think it was the introduction ofJohn Belushi and John Belushi
was doing some sort of radio bit.
Maybe it was from the.

Speaker 2 (01:32:13):
National Lampoon thing.

Speaker 1 (01:32:15):
And all the people were like oh, this is the
funniest thing, and he's doingthis bit and the bit was just it
was a dog and they were lovingit and I was like well is it
really supposed to be a dog, oris that really what was funny
back then?

Speaker 2 (01:32:31):
I.
I think that's really what wasfunny back then, because I took,
I mean I told, you.

Speaker 1 (01:32:34):
We watched the steve martin uh documentary and
shannon like she had to bow outbecause he was so not funny
because it was a culture.
It, it was a cultural touchpoint where it worked.
Oh yeah, and now through that,through the lens, you know
certainly a lot of things youdid on Saturday night live were

(01:32:56):
funny, but you watch oldSaturday night lives and they
can there's so many sketchesthat are so painful.

Speaker 2 (01:33:03):
After we watched Saturday night the movie, we
were like we should watch thefirst episode, because the movie
is the, the buildup to thefirst episode, like it's the
that night it's like the two orthree hours before they go live,
and I mean it's weak, rough,right, Like it's rough.
Other than Chevy, oh reallyChevy doing weekend update was

(01:33:24):
was always funny that was the.

Speaker 1 (01:33:26):
Thing.

Speaker 2 (01:33:27):
And I get like you watch it and you're like I get
it.
I get why he is the way he is,and like I probably would have
felt the same way too, like I'mthe best one here, like what's
going on.

Speaker 1 (01:33:38):
I'm doing the hard work.
It's interesting.
Okay, it's very interesting.
I've never heard anyone saythat before, but that makes
perfect sense.

Speaker 2 (01:33:45):
Yeah, wouldn't even say that before, but that makes
perfect sense Because the mediawas all fawning over him and not
over everybody else.
And rightly so, Although I willsay, in Saturday Night Dylan
O'Brien plays Dan Aykroyd andit's incredible.

Speaker 1 (01:34:00):
Dan Aykroyd did a lot of the heavy lifting in those
early years Like a lot of it,for sure, and they also Seth had
on Bill Murray Murray and BillMurray said that when he came in
he came in the second seasonthey'd written three sketches
for him for that first show andhe killed with all those and
then nobody wrote for himanymore and so he was super hot

(01:34:23):
out of the gate and then justwas like Interesting.
So there's.
You know, I'm sure if you watchthat whole first season, second
season, third season, you'd seea lot of things.
That that's so interesting.

Speaker 2 (01:34:36):
I wonder why.
I wonder why they were justlike all right, no, fuck this
guy you know, you know how it is.
There's a, there's a lot ofthose people are all crazy,
especially if he comes out andkills.
It's like no, who's this guycoming out?
I don't know.
It's all political and that'swhat he said.

Speaker 1 (01:34:53):
You know who knows.

Speaker 2 (01:34:54):
Yeah, I mean I can see that being the case he still
feels that way 50 years later.
So there's some amount of truthin it.

Speaker 1 (01:35:03):
It still stings him.

Speaker 2 (01:35:06):
Yeah, yeah, it will sting forever, sir, uh-huh.

Speaker 1 (01:35:10):
Tony, we need a movie for next week.
That's bad.

Speaker 2 (01:35:12):
Wait before we get there.
Dan, his name is Taron Killiam.
Kill him, Taron Killiam, Wait asecond From Saturday Night.
Live, that's who plays the dad,boyfriend, dad type character.

Speaker 1 (01:35:25):
That they hired as the new Manny, that dude, that's
Taron Killam.

Speaker 2 (01:35:29):
That's Taron Killam.
I was like I know, I know him.
I just didn't.
I had the name wrong.

Speaker 1 (01:35:35):
I would have never, guessed that in a million he
does not look great.

Speaker 2 (01:35:40):
Oh, yeah, for sure.
Yeah, yeah, for sure, Anyhow,alright, now let's move on Next
week, we sure, anyhow, all right, now let's move moving on.
Next week we have a movie towatch groundling terran kiln.
Oh, of course, of course ofcourse.
Okay, tony, here's where themovie for next week we are gonna
watch a brand new movie, brandnew this week.
I don't know, it might havecome to theaters.

(01:36:01):
It's also on streaming, that'sall I know.
Uh, and it it's the directorialreturn of Mel Gibson.
What are you talking about?
I'm so glad you haven't seenanything about this yet.
I don't even know what you'retalking about it's starring Mark
Wahlberg wearing some sort of abald cap.

(01:36:24):
And it's called Flight Risk andit's going to be great.
Is it a comedy?
No, it's not a comedy at all.
It's called flight risk.
It's going to be great.
Is it a comedy?
No, it's not a comedy at all.
It's a drama.
It's it's he like hijacks aplane with a prisoner on.
I'm not totally sure what it'sabout but it looks high drama.
The critics aren't loving it.
29%, which isn't terrible, butit's not great.
But I just it's Mel Gibson andMark Wahlberg I got to see it.

(01:36:48):
I got to see this movie.

Speaker 1 (01:36:51):
I'm going to make a prediction?

Speaker 2 (01:36:53):
Okay, I would love to hear this.

Speaker 1 (01:36:53):
This is not going to get a 10 out of 10 from you on
acting.

Speaker 2 (01:36:59):
Okay, that's probably a safe bet.

Speaker 1 (01:37:00):
This is not going to get a 10 out of 10 for visuals
and I do not think it's going toget a 10 out of 10 for the
music.

Speaker 2 (01:37:11):
I don't think you're going to run out and buy this
soundtrack We'll see, dan, younever know, this could surprise
us all.
This could be the greatest filmever made.

Speaker 1 (01:37:19):
What's it?

Speaker 2 (01:37:20):
called Flight Risk.
It's called Flight Risk.
And it's going to be on.
It's only for sale on Vudu, sothat's where we'll be Okay, so
Flight Risk next week oh.

Speaker 1 (01:37:34):
I'm terrified.

Speaker 2 (01:37:35):
I'm going to be like.
I think it's going to be reallygood.

Speaker 1 (01:37:37):
Can I go back to Tom Cruise in the world of Oblivion?
Because?

Speaker 2 (01:37:40):
at least it was.
You're going to love OblivionAt least it was pretty.
After you watch this movie,you're going to think Oblivion
was a masterpiece At least therewas that cool fish in the pond.
One good fish, that's all youneed One good fish.

Speaker 1 (01:37:55):
If you like what we do, give us a thumbs up or
subscribe or leave us a comment.
I think we gained twosubscribers in the past week or
so.
There you go.

Speaker 2 (01:38:04):
Why oh we started posting again?

Speaker 1 (01:38:09):
why, why?
Why would anyone want to?

Speaker 2 (01:38:11):
what are you doing here?

Speaker 1 (01:38:12):
people get a life this one guy this one guy I know
was like you know, we're goingback and forth.
He's like you should do apodcast and I was like I do a
podcast.
He's like what?
I'm like?
I'm like I think we have like230 or 240 episodes.
He's all like.
Then he looked it up and he'slike, oh yeah, you told me about
this before.
I'm like I think we have like230 or 240 episodes.
He's all like.
Then he looked it up and he'slike, oh yeah, you told me about
this before.
I'm like, wow, I just don'tgive a shit.

(01:38:33):
He's like are these bad movies?
I'm like, yeah, they are badmovies, get over it guy you
figured it out, good job.
We'll be back next week, goodbye, everybody Get over it, guys,
you figured it out.

Speaker 2 (01:38:51):
Good job, we'll be back next week.
Goodbye everybody, we'll beback next week.
It's like watching hell.

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