British sound designer Johnnie Burn delves into his work as the re-recording mixer, sound designer and supervising sound editor on post apocalyptic horror film, 28 Years Later. He discusses sonic callbacks to 2002’s 28 Days Later, how the sounds of the infected have evolved, the use of the 1915 Taylor Holmes recording of Rudyard Kipling’s Boots, the inspiration he took from filming locations, how the multi-camera iPhone rigs’ bullet-time effects affected the sound design, the studio tech he couldn’t have done it without, and *that* ending.
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