In The Past: Garage Rock Podcast

Hark! What song through yonder window breaks? It is "(Just Like) Romeo & Juliet" by The Reflections, from 1964. It may be the last gasp of doo-wop, but what a way to go out! You wouldn't believe how many other houses have covered this song - let's start with The Fadin' Colours from the land of Shakespeare. They add fuzz!, horns, and a turbulent arrangement that matches the dramatic subject matter. Littl...

Is "Are You a Boy or Are You a Girl?" by The Barbarians the greatest 60s haircut song? Is it a goofy great? a protest song? You better listen and find out ... The Ravens from Columbus, Ohio grew the song out in '66 and add fuzz ... but it's not exactly garage ... or effective. The punk era saw short haircuts but a paradoxically longer version of the song by The Dogs, from Michigan. It rocks and has some cool bac...

You didn't have to wait long this week for the new episode - but listen to how weary The Kinks are in 1965's dreamy "Tired of Waiting For You." A languid version of the slashing riffs Dave Davies had heretofore been known for! Later that year, New Zealand's Rayders raided the platter-racks with their version of the tune. Detroit's Apostles came out with a fairly funky version with cool drummin' an...

You've had to wait, but we know you won't complain ... because this week we're talkin' bout one of the greatest garage tunes ever - "No Reason to Complain" by The Alarm Clocks. A song of no-'count teenage alienation, and man, it swings! Not many noticed, though - until Tim Warren brought it to the people on Back From the Grave, and then The Lyres covered the tune in '86 and it's cool and...

This week's tune is a pop-psych confection called "Mr. Personality Man" - and there's only three recorded versions, so you'll hear 'em all if you tune in. The original is from The West Coast Delegation, a band confusingly from England. It's got a pretty heavy backbeat reminiscent of Motown or "Pretty Woman" and it doesn't let up. The lyrics deal with a charming but dangerous rogue, ...

Friday the 13th is your lucky day - a new episode a lil' early. We pay tribute to the recently-departed James Lowe of the eminently psychedelic combo, The Electric Prunes. And "Get Me To The World On Time" has possibly the best opening of any psych tune. The lyrics describe love as a bad trip but the sounds suggest other worlds - are we caught between the real world and the vast cosmos? Who knows? The second song is ...

This week we cast our net wide for versions of the classic  "Too Many Fish in the Sea." The original by The Marvelettes is still a fresh catch -- it's a classic Motown 'advice' song with punchy instrumentation, top Tambo and a great sound-off from all the members. Marine biologists might prefer our next version by Mitch Ryder & the Detroit Wheels, which includes a roll call of different types of actual ...

As Erik says, "Pushin' Too Hard" by The Seeds is a garage tune that's more buzz than fuzz. 1 bar of music, 2 chords, no bridge, no chorus, and a relentless beat. It's simple, but is it stoopid? Maybe a little ... Two live covers follow by The Sonics (from the 60s) and Pere Ubu (from the 70s), which go a long way to canonize the tune as a punk classic. Plus Pere Ubu includes frog sounds! The next version, by...

We're debuting a new series called "Greatest Greatest Hits," which looks at an artist or group's top songs. But this one could also have fit in "Better Than The Beatles," because Quebec's Michel Pagliaro really does sound like John, Paul, or George in several of these songs! You could also consider him an early power-pop exponent, but he's pretty much unknown outside of Canada, where his song...

This won't be the last time you hear the Rolling Stones but this is the episode wherein we discuss "The Last Time" from early 1965. After acknowledging the chorus copped from the Staple Singers, we move on to the riff, the riff, the riff! We also note the strange connection to German Oompah music. The second in the parade comes from their producer and manager Andrew Oldham and his Orchestra. Obviously, this is a rear...

When did the 60s symbolically end? Altamont? Kent State? No - when the organ stops playing towards the end of "Gimme Gimme Good Lovin'" by Crazy Elephant. It's bubblegum, but also super rockin'. Who'da thunk it? The first cover of the version was by ... Giorgio Moroder? It doesn't sound like his 70s stuff but it is wild. Third is a 80s Moroder-esque version from Roxy Perry, a blueswoman who didn&a...

It's time to dip your toes into "Dirty Water" - The Standells and their enduring 1965 hit, that is! We gab about the snotty vocals, their appearance on The Munsters, we rank the drum fills - and of course, we crack the code of the song's lyrics. The next version is by The Gants - who add fuzz and relocate the song to Miami. But they musta forgot to learn the song! The Apollos are some North Carolina kids who kee...

This week we're talking about a Girl Group Goofy Great - 1963's "Dumb Head" by Ginny Arnell. The lyrics are dangerously self-deprecating, the production is Spectorian, and there's FUZZ and a kazoo solo - played by GA herself. OH, and an infamous hook - something the Ramonesmight have sold their leather jackets for. The second version is super goofy and stoopid and it's by The Sharades, from England. Jo...

This week the spotlight is on a 1965 folk jangler by The Guilloteens: "I Don't Believe" is a raw, blue-eyed soul vocal outing reminiscent of the Righteous Brothers. They shoulda been on The Flintstones!! In 1966, The Five of Us came out with the first cover version. It's less raw, but it's smooth as Kraft Creamy! The same year, The Moonrakers pepped the song up considerably and made it into a toe-tapper. Th...

You know what they say about the bird in the hand ... this week the bird is Buffalo Springfield's "Sit Down I Think I Love You." It's a nice jaunty tune with Stephen Stills (we think) pitchin' some clever woo at a potential beloved. And three guitarists! Lots of tasteful flourishes, with some fuzz. The second version (& the first one in the bush) is the hit version by The Mojo Men. It's like a Miss...

Let's go to the 99th Floor ... of an apartment block in London, to view the world as The Rolling Stones did in 1965's "Get Off Of My Cloud." The song is the follow-up to "Satisfaction" and the boys were under pressure to keep makin' hits when they just wanted to relax. As a result, it's snotty, and Mick Jagger rises (!) to the occasion to create some early punk poetry. The song crossed the po...