Unfiltered Takes: Drama with Tisa Tells, McDonald’s Violence, and Maturing As An Artist

Welcome to this week’s Indie Artist Music Hustle with Blonde Intelligence. I am your host Ms. Roni and I always seek to give you exquisite cranial repertoire. The dark underbelly of online commentary takes center stage as we examine the vicious attacks against content creator Tisa Tales. What begins as criticism of her P. Diddy coverage reveals something far more troubling - male commentators using intimidation tactics fueled by jealousy rather than legitimate grievances. When we discover one attacker's history of violence against women while on probation, the pattern becomes clear: this represents a broader societal issue of men who feel entitled to control and demean women.

Moving beyond the digital realm, we confront the shocking McDonald's stabbing case that's divided social media. While many have experienced difficult managers, the normalization of violence as a response to workplace conflict represents a dangerous trend. Drawing from my own food service background, I share more appropriate ways to handle workplace tension without resorting to harmful actions. The revelation that the perpetrator had previously stabbed another manager at Taco Bell exposes this as a pattern of behavior rather than an isolated incident.

The conversation shifts to the music world where Drake's crew recently disrespected T-Pain, questioning if DJs even knew the pioneering artist. This dismissive attitude toward someone who revolutionized a sound in American music culture feels especially inappropriate coming from a Canadian artist. T-Pain's contributions to music deserve recognition, not ridicule. Perhaps it's time for Drake to consider his audience and legacy more carefully, as his continued production of music targeting younger demographics raises questions about artistic maturity and respect for those who paved the way.

Have thoughts on these topics? Connect with me on all social platforms @BlondeIntelligence or through my website www.blonde-intelligence.com where you can shop merch and book consultations. Your perspective matters in these important conversations about respect and accountability in our media landscape.

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Episode Transcript

Speaker 2 (00:22):
Intro Music.
Welcome to this week's IndieArtist Music Festival.
With Blind Intelligence, I'myour host, ms Ronnie, where I
always seek to give youexquisite cranial repertoire.
Last week I talked to you abouthow some commentators on
YouTube was coming for TisaTales.

(00:43):
Haters on YouTube was comingfor Tisa Tales and I was
watching I guess in myrecommendations more about, I
guess the little altercationcame up and I remember watching
her own live and her tellingsomebody that she thought that
they were and she said I thinkthe way that you're coming up on

(01:05):
me is ignorant.
So later on I find outeverything because I was talking
about some people doingcommentary on her.
Well, apparently and I didn'teven look his name up because
I'm just not going to do itApparently this other YouTube
commentator is angry with herbecause of her coverage of the

(01:28):
Sean P Diddy Combs case.
Now I feel like you can be a fanif you would like, and some
people can separate the musicfrom the person, separate the
music from the person.
Some people will not supportsomebody who does things like

(01:48):
that in private and act anotherway in public.
So I agree that people can formtheir own opinion and I think
that's where it stops.
Because he wanted to viciouslyattack her.
And I was watching anothercommentator.

(02:09):
He was actually defending Tisaand the guy he was like what
kind of man say?
And he'll do it again.
See, I have a problem alreadywith men that like to argue with
women.
I feel like that you're not intouch with your feminine side or
you're mad at somebody aboutsomething, but I feel like that

(02:30):
a man should not argue with awoman.
I think the bible says that youneed to go sit on the roof.
So, um, he had all thisaggression for her.
That's red flag number one forme.
Number two another girl on thevideo that I saw was saying hold
my purse, hold my purse.

(02:52):
He finna confront Tisa Tells.
He said, yeah, that bitch lie.
Okay, so she's supposed to bemad about the Jonathan Odie guy
that she didn't get somethingfactual or it was partially
factual or whatever it was, andshe's a happy set girl running

(03:13):
down the street laughing.
So my thing is if, because allit is is jealousy, jealousy,
make you run like that, and whythe gym can't make you run like
that, because that was so out oforder, calling that girl out
her name like that, so I know.
On the comment I was like whois the heavyset girl running
laughing and she called herselfqueen, somebody, I don't know,

(03:36):
but I think that both of themwere in poor taste.
So then I see another videowhere the guy who attacked Tisa
ex-girlfriend came out talkingabout how he was assaulting her
in several different ways.
Now he's on probation and thenhe go attack somebody, talking

(04:01):
viciously and saying that he'sgoing to do it again.
If you attack somebody andsaying that you're going to do
it again, that's a threat, mr Onprobation.
But all these things that hedone to this girl that she was
telling about and she was likeand all I wanted to do was just
leave and go home, and I can seewhy he would probably be a big

(04:25):
Diddy fan.
I also have a problem with menwho don't respect women, men who
think they own women and atsome point even with your own
spouse.
Men that take women for granted.
Now I don't know where you canget.
You can kick, punch, hit andtalk all kinds of ways to the

(04:48):
woman, because the Bible saysthe woman is your helpmate.
So if you're going to beat upon a woman, then you need to
expect the consequences that'sgoing to come with it, because
you may not get whooped infederal court or with your
probation or with whatever.

(05:08):
And I was talking to my man andhe's telling me I don't believe
in karma.
I said you don't have tobelieve in it if you don't want
to, but it'll hit your ass.
So the young man that did thatto that girl and then when it
supported diddy, when the Lordget on your ass and he let those
demons loose on your ass is allI got to say because I looked

(05:32):
at his mugshot his eyes was allbuck and his head shape kind of
funny.
And I'm thinking to myselfwhat's wrong with the girl who
was held hostage by him,allegedly Because what did you
see about him that you like thatyou ended up in a room with him
by yourself.

(05:52):
I'm not going to a room bymyself.
Who somebody eyes bugged outlike that, unless y'all like
shut up on that one.
But I think that the way thatthey came at Tisa was so
ridiculous and, as the commentsaid, even just from seeing it,

(06:13):
it's just hate.
It's hate because she came upso quick.
It's hate you don't know whoher informants are.
It's hate you don't know who bedropping a pen and you hate
that she's growing so fast.
And jealousy is a feel liketheir reactions to some people

(06:33):
is not even personally connectedto them.
It's very unwarranted and youprobably need to go back and
look at yourself, because youlook like some real idiots.
Then I can tell that somethingis wrong with some most of the
people in this world, especiallythe united states, because then
I saw a story about um.

(06:56):
This girl went to work atmcdonald's and felt like she was
being picked on and got senthome twice in a row from work,
and so she decided to go homeand put on a mask and come back
and stab this woman to death.
And I hear people talking aboutso what if the manager had six?

(07:18):
Uh, and I've been with managerswho talk to you like a dog and
do this, and now I've quit jobs.
Let me tell you something aboutme Now.
I have worked in food before.
I actually really love it, andI had an unruly worker who

(07:40):
decided that she was going tosit down and read her newspapers
instead of finishing the jobthat we had to do.
I said well, you know, it'salmost serving time.
I said, and if we're notfinished, we can't push back
serving like how you would do ata restaurant, so you can't sit
down and read your paper.
And her response to me was Iain't now one of your fucking

(08:04):
niggas, oh, okay.
Well, I'd like for you to getyour person to go on to the
house.
That's what you do.
Cause she left, cause the biguproar, my supervisor came down,
thought she was was gonna talkcrazy.
Let me tell you something, baby.
First of all, especially now, Iam college and graduate school

(08:33):
educated over and over and over.
How many another over do I needto put in there again?
So don't come at me talkingcrazy.
And no, I'm not gonna quit.
And it don't matter what job itis, because I work part-time,
working at the goodwill.
You're not gonna talk to mecrazy, because I have self-worth
and I know that what I'm worthand it don't matter if this is

(08:56):
your protocol for your jobwhatever I do is gonna make it
better.
Whatever I do is gonna make itbetter.
So, yeah, you have, because I'vebeen seeing some, some managers
be talking to people crazy andI'd be like I'd be asking them
who they're talking to.
The manager look crazy.
Yeah, that's unprofessional.

(09:17):
You don't talk like that.
If you got a problem with youremployee, you do have an office
in the back.
That's where you count drawersdown there, right?
So two people could be right atthe same time and people were
praising the girl.
You definitely could that sheliked knives.

(09:45):
Come to find out.
She had two other instanceswhere it happened in other
states.
She stabbed her manager at TacoBell.
Now my first job was Taco Belland I'm just trying to think
back to my manager.
I had one manager that I reallyliked and they was really
trying to plot on her and sheturned out to be one of the best

(10:10):
people that I know.
That's another one.
She wanted to fight.
Meet me out up here on my offday.
Stupid, if you're coming toyour job on off day to fight,
you're still getting fired.
Ignorant, you're still gettingfired.
And she will argue with some ofthe employees.

(10:35):
And one girl was like you needto shut up talking to me.
Maybe she shouldn't have saidthat.
She gonna tell her you justwant my aqua fresh.
You like my pearly whites,don't you?
Now, what do our teeth haveanything to do with you manager,
telling to her, telling you toshut up talking to her?
No, so I do not agree with thegirl killing her and the people

(10:59):
who say said well, in myexperience, that's your
experience, that's yourexperience something wrong with
her.
She likes stabbing people, butin your experience you didn't go
stab the damn manager to deathwhy you didn't do it.
If you can agree with what shesaid, so that's the reason why I
said something wrong with someof these people.
But I'm going to leave it atthat.

(11:21):
And no, I'm not going to leaveit at that because I want to
talk a little bit about Drakedropping a new single.
I think it was last week wheresome of his crew, some of
Drake's crew, was asking DJs doyou know who T-Pain is?

(11:43):
Can you play me a T-Pain?
Do you know T-Pain?
Let's, just, as everybody else,set the record straight.
You know who T-Pain is.
We all know who T-Pain is.
T-pain created a sound.
He carried a sound further thanroger and zap.

(12:05):
So to be from canada and thentry to insult more of american
culture is a problem, and drakecan have fans, that's okay.
But what people are not okaywith it is the action, and
actions speak louder than words.
Don't ask what the hell did youmiss, because you ain't been no
damn where to miss nothing.
Okay, please tell your crew toleave the American heritage

(12:29):
alone.
Go ahead, make some Canadianheritage, because the actions is
is terrible and I'm not gonnacall you any kind of names
because I think a futuristick-pop.
I may have that wrong and anduh, delete it.
Oh, I like, delete it.
And, as he say, y'all you mightnot like this, you know I don't

(12:52):
give a anyway, so that's how alot of people should feel about
it.
But I think that t um T-Paindid give sound advice and he
took the advice himself.
And Drake, you're too old to bemaking the music that you are
making.
You're still catering tochildren.

(13:13):
So how about you just go onahead and go behind the scenes
and make music for Nickelodeon?
But that's all that I have forthis week.
Maybe I may come back and saysomething else, but remember,
you can find Indie ArtistMusic's Hustle with Blonde
Intelligence on all podcasts andplatforms.

(13:34):
My handle is at BlondeIntelligence.
My own ex is at R-R-O-N r?
O n e I c e at bernice um.
I don't even promote thefacebook page at all, because
facebook was full of shit.
They deleted my page eventhough I could prove who I was,

(13:57):
but they left my business pageconnected to that page that I
cannot get into.
So, until Facebook, have moretransparency and probably need
to get a freaking customerservice number.
I'm, I'm, I'm sick of them.
Um, anyway, you can copy merch.

(14:18):
On my website,wwwblonde-intelligencecom.
I have a contact page where youcan contact me, ask me any
questions, book a consult oranything of that matter.
So I'll see you next week.

(14:38):
Bye, hey girl.

Speaker 1 (14:39):
Let me tell you about this podcast or anything of
that matter.
So I'll see you next week.
Bye, hey, girl.
Let me tell you about thispodcast.
Girl, everybody has a podcastthese days, but this one
interviews new and interestingindie artists.
It's called Indie Artist MusicHustle with Blunt Intelligence.
Really, where can I find it?
It's on all podcastingplatforms, streams live on
social media and onRPENTradiocom.

(15:01):
What'd you say it was called?
Again, it's called Indie ArtistMusic Hostel with Blind
Intelligence.
Girl, I'm going to have tocheck her out.
Give it a check, girl.