"Alright Hear This"

Episode Transcript
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Speaker 1 (00:00):
Yo, yo yo.

Speaker 2 (00:01):
This is Tone Folks aka the Messiah Manners and you're
now tuning into Infinite Banner Podcast with DJ sound Wave. Yeah, motherfucker,
Hey what up?

Speaker 3 (00:10):
Steals Lagashi Waga Never Records, shout out the Infinite Banter Podcast.

Speaker 1 (00:18):
DJ sound Wave.

Speaker 2 (00:19):
You already know West Coastiness Infinite Banter Podcast.

Speaker 4 (00:24):
Baby here it is another episode of the Infinite Banter podcast.

(00:57):
What is happening? My name is Mark John, also know
as DJ sound Wave. Big up for checking out the
show and all the two hundred and something ones I've
done before this. As you heard before the song started,
before the intro music kicked in. We got two guests
on the show today. He got Messiah of Madness, who's
been on the show before. You might remember he was
on last fall, and then Dios Nagassi from Reagan Era Records.

(01:21):
This would be his third time on the show and
they both have an album out right now. Although Messiah
Madness goes by the moniker tone Folts is aka kind
of like what I'm doing at the beginning here, the
aka also known as Tone Folts, he does all the
production on this album, while deals Nagassi handles the microphone
skills repping Reagan era records. The album is called Iron Angelus.

(01:44):
It's Pittsburgh where Tone is from, and Los Angeles where
Deals is from. They come together and they put together
like the hardest hitting album I've heard in a while.
You know, this is not the one to play around
the kids. Play this one, you know, right around on
in the car and just you know, let it go. Man.
This this takes me back to those old eras sitting

(02:05):
in those old nineties cars and just driving around and
playing something like this and you know, leaving the thoughts
in the car and getting out and going to jewel
or where the hell you're going and go back to
normal life. But while you're in that car, man, you
can kind of feel like you're in that zone of
what's going on on a record you might be listening to.
And I think that's what this album brings you. It's

(02:26):
a very visual album, a lot going on with it,
and salute to them for putting this together. So we're
gonna talk about this album and a lot more, and
so stay tuned for that. We're gonna talk to Dils
Nigasi and Tone folks coming up shortly. But we never
go forward without going back. We always look back. Check
the rearview mirror in that car while you're playing this album.
And listen to a clip from the last episode which

(02:48):
featured Get Them Rizzy and Piff Penny and they have
a new album out called Epiphany. So here's them talking
about it on the last episode of the Infinite banch
Of podcast Flashback.

Speaker 3 (03:00):
And you know what, you know you took me back
when you said that people stash stuffing them. Yeah, granted,
you know my aunt, my grandmother.

Speaker 5 (03:07):
If you see your foes joint sitting up in their closet,
you know it's got some goodies in it.

Speaker 2 (03:11):
You feel ain't no coffee man.

Speaker 3 (03:16):
So there was nothing in the Paul just can.

Speaker 1 (03:18):
But like you said, grease or that was like the coins.

Speaker 4 (03:21):
Yeah, you cut a slit in that little plastic thing
and you could drop coins in there. Remember third, Yeah,
that's a bank.

Speaker 3 (03:30):
That was the big when mom wasn't going out byre shit.
You better stash it in that can.

Speaker 2 (03:36):
Yep.

Speaker 1 (03:36):
If you want a piggy bank there it is.

Speaker 4 (03:40):
Just had no idea they were. They weren't making coffee
for people, they were making containers. We didn't care.

Speaker 3 (03:45):
About the coffee they was in the stash business.

Speaker 1 (03:51):
Yeah, that's what they're saying.

Speaker 4 (03:52):
Like, definitely go back and check out that episode. And
if you get a chance to check out that album
Epiphany from Piff Penny and get them Rizzy, reach out
to them on all the socials and cop that album.
They're selling it independently, so definitely go support, go check
them out, and definitely check out that episode. A lot
of fun talking about Folger's cans. I can't stop thinking
about the old days of coffee cans because nowadays we

(04:17):
have coffee in the house. We have that rise. It's
mushroom coffee, but it comes in little pouches and then
we just put it in a little container, so it's
very different from the old days. You don't get like
the giant can from the Jewels. It's my second Jewels
reference on here. You gotta put the s on there.
That's that Chicago thing from the Jewels or the Dominis,
and you had that coffee sitting there on the countertop

(04:39):
for months, which would end up being the oil can,
or you'd be in the closet with money in it
or some other stuff, some other things. But yeah, now
I just have the pouches of coffee and you know,
I'll say this, you know, Rise, give me some money
because I'm shouting you out on here. It's great stuff.
I don't like mushrooms, you know, as far as eating

(05:00):
or anything like that. But in this coffee you can't
even It doesn't taste or smell like mushrooms. And it's
delicious stuff, man, Because I don't like coffee. They tastes
like coffee. That sounds very crazy. I like coffee, but
I don't like coffee. I want my coffee that tastes
like something else. So I want ice in there, I
want cream, I want all the shit you put in
there that basically makes coffee like ten percent of what's inside.

(05:22):
That's how I like to do my stuff. So this
mushroom coffee doesn't taste or smell like that stuff that
my man one Valdez was picking out, you know, in
the fields with the coffee beans. No, this is different,
and it's supposed to help with your gut and your
health and all that. And you don't get that thing
later on of the day where you crash. I didn't
realize I was doing a commercial, but Rise, get at me,

(05:43):
give me, give me some money. Talking about Rise coffee
definitely anybody out there, you know, go ahead and get it.
Try it out. Else that are getting older need to
do some other thing, especially if you like coffee every day.
All right. This episode today is featuring Deals Nagassi and
Tone Folks. Their new album Iron Angelus is out right now.
Stay tuned for that. Also later on a couple quick things.

(06:03):
I have a I wouldn't call it a special announcement,
but there's been something I've been kind of contemplating doing
for a long time. I'll speak on it at the
end of the episode, so definitely stay tuned for that. Actually,
Dios kind of at the end of the interview kind
of throws it out at me, and you know, I'm
not gonna do what he suggested necessarily, but it's related
to it, So teaser to listen to the whole interview
as well as what I'm gonna say afterwards. And also,

(06:26):
I did this before when I talked about Phil Collins,
like I don't even know when that was last fall,
end of the summer or something like that. There's another
eighties group that now all of a sudden, I'm obsessing.
I know I liked them when I was growing up,
but now I've got a new appreciation for them, and
I will tell you who that is at the end
of the podcast here, So stay tuned. A lot going on.
Dios is here, Tone Folks is here. We're talking about

(06:48):
Iron Angelus. You listen to the Infinite Batch of podcasts.
Find out on all platforms, rate and review the show.
Check out Spotify for the playlist and the poll questions.
My latest poll question is what's your favorite coffee? So
if you go to the episode with Biff Benny and
get them risy, you'll see that on there. Go ahead
and put your vote in. I don't think Folgers was
winning last time I checked. Check out the show on

(07:08):
social media ats Infinite Banter podcast. Definitely go on Good
Pods and Apple Podcasts to rate and review it. There's
some episodes on YouTube as well, and definitely check out
the sponsor superseven dot com slash Infinite Banter podcast. All right,
let's go deal. Snagassi is here, Tone Folks is here.
Iron Angels is in the building. But before we do anything,
the show never begins until the one and only the

(07:29):
King from Queen's Man Words Glasses. We can see the
legend DMC gets on. He says these words, and now
you know, it's infinite banter time. Yo, Yo, what's up?
This is me DMC to K I and G the
greatest MC in history.

Speaker 6 (07:42):
And right now you're listening to infinite banter because we
will banter on forever, because this is the only place
for all of you all to ever be.

Speaker 4 (07:52):
I be infinite Banter. Before we talk to tone folks and
Deal's Nagassi about the new album, Iron Angels, let's play
a track from the album to give you a feel
for what the album is like. And when you hear
this interview, we're gonna talk about this song right here.
It's called Japanese Whiskey, featuring skrills from Reagan Aero Records.

(08:12):
You've heard us talk about Reagana Air Records on this
podcast before, so those who've been listening for a long
time should be familiar with who they are, what they
represent out in LA. But this track right here is
called Japanese Whiskey, and we talk about the effects of
Japanese Whiskey in the interview, so stay tuned for that.
And you know, like I said before, you know they're
not playing on this album. It's one of the hardest
albums I've heard in a while, so you know, be ready.

(08:34):
This is not for those of you who wanted to
hear something that was more soft, you know, like Drake
or something. This ain't the podcast for you. So here
we go. Japanese Whiskey from Tone Folks, Deal Snigassi featuring
Skrills on the new album Iron Angelus. And on the
other side of this track you'll hear from Tone Folks
and Deal Snigasi. You're talking about this song the album

(08:55):
a lot lot more and I'm serious and I say
a lot more. Here we go Japanese Whiskey an infinite
Badger podcast. Let's go. We dreat Japanese whiskey.

Speaker 7 (09:15):
After three and four Shatsagin risky po niggas in the
Bee hopping out walk down with the si Me, we
drink Japanese whisky. Had three and folks Shatsagate resky four
niggas in the Bee lea hopped out walk down with
the sin Me.

Speaker 6 (09:36):
I'm at the Prayer Shop House for lunch. Alaska King
krab Legs. Take my filake cut with casion crust Japanese whiskey,
then Washy Mock. We get the refills before we want
wait to get a thousand bucks, big boy shit.

Speaker 1 (09:49):
I dragged my nuts, my pinky.

Speaker 6 (09:51):
Ring, got your little mommy things singing, I'm in love.
I pack guns because I'm hauling drawers, and when I
open up the trunk, the birds fly like funeral doves.
Selling dope for on the pavement, twenty four hours, round
the clock for the slave shit dope beds.

Speaker 1 (10:07):
I pray to God stop.

Speaker 6 (10:08):
Making them, because the way the money coming in, I
can't make enough niggas.

Speaker 1 (10:13):
I brave, Johnny lost, Stop taking us.

Speaker 6 (10:15):
All we want to do is get rich, stack the
paper till we get our forty acres. Bitch reactive and
it's gonna beat Japanese whiskey. In our classes, we drink
Japanese whiskey.

Speaker 7 (10:28):
Happen three and four shasagain, risky po niggas in the
Bitch Lea hopping out hoof down.

Speaker 4 (10:36):
With the sin Me we drink Japanese whisky.

Speaker 7 (10:40):
Had the three and foch shas again, risky phoon niggas
in the bit see will walk down.

Speaker 8 (10:48):
With the sit low niggas in the Drea Leak who
we lurk it the Japanese risky got of niggas worthy
it show turn the shoe, nigga, don't be nervous if
it make the news. Sing your serf purpose and my
nigga up for the chain and SISTI cook, nigga, get
it shoot up or get your ass hit up.

Speaker 1 (11:06):
If twelve year behind.

Speaker 4 (11:08):
Us, nigga, i'm'a cute up.

Speaker 8 (11:10):
I'm aadawn ship and the wings gonna give a fuck.
I'm a fly paster on jeez, I blow a stack,
I be selling crack through the burglar paws in the trap.
A fuck your pitch and the best friend because I'm
gonna mack my host freaky and like the subjick from
the back off the whiskey Chapaneese employee. Let's make a
movie and I'm gonna record it. I on threw the

(11:32):
socks I'm gonna leave on my shoulders. We could get
it in, but I don't want to see your face.
Send them on it.

Speaker 4 (11:39):
We drink Japanese whiskey. Happen three and four shuts again whiskey.

Speaker 7 (11:45):
Four niggas in the bitch lea hot blow, walk down
with the sin. We drink Japanese whiskey. I have three
and four shusts again reriskey. Four niggas in the Bitch lead.

Speaker 1 (12:00):
Walking down with.

Speaker 3 (12:06):
Yo Yo y'oll.

Speaker 1 (12:07):
We live with Infinite Banter DJ sound Way. This is
Halo to Los angel representing that Reagan era.

Speaker 4 (12:15):
You're tuned into the Infinite Banter podcast. I am DJ soundwaving.
I'm really high to be joined by two guests or
part of a new project called Iron Angelus. Both were
previous guests on the show and they're joined forces to
put together a straight heater of an album from La
reping Reagan Era Records Deals Nagassi and from Pittsburgh Tone
Folks aka Messiah of Madness. What's up, guys, Yo?

Speaker 1 (12:37):
What's good? Good?

Speaker 4 (12:41):
No doubt?

Speaker 2 (12:42):
Man?

Speaker 4 (12:42):
We got Pittsburgh, Chicago, Los Angeles all in the building
where I feel like that the whole country covered. Man,
having all three of.

Speaker 2 (12:48):
Us here min West and the West Coast there.

Speaker 4 (12:51):
It is so for people listening to this podcast, they've
heard both of you guys on this show before. But
I am really curious to know how did you you
guys first link up? You know how long you guys
known each other?

Speaker 2 (13:03):
How long have it been? Like about two years now?

Speaker 3 (13:06):
Yeah?

Speaker 1 (13:08):
About that? About that we linked up?

Speaker 2 (13:11):
You know, I come out here a lot. You know
the records. Actually, I'm out in La as we're speaking,
and I come.

Speaker 9 (13:19):
Out here a lot. I did records and we have
a common friend. DJ shown up from Digging Daily and
he linked us up.

Speaker 4 (13:27):
That's what it's all about. And so when you're out
in La Tone, I mean, you know, I'm in Chicago
some kind of similar weather. What's it like when you
go out there?

Speaker 3 (13:34):
Man?

Speaker 4 (13:35):
You see that that's sunny? Does that that son and
everything that make you feel different about you know, the
music you're creating, just the feeling of the atmosphere and
the weather and all that out there.

Speaker 9 (13:44):
It's definitely different. Like out here is like hot and sunny.
All Pittsburgh is damp cold. You don't get no you
don't get no sun in Pittsburgh.

Speaker 4 (13:54):
Nah, dude, Yeah, you took the words right out of
my mouth, man, because here in Chicago we haven't had
so in like seven days. It looks like got them
out here. And you know what you already know is
they filmed Batman movies in Chicago and Pittsburgh for a reason.

Speaker 2 (14:07):
Right, So right.

Speaker 4 (14:09):
Talking about the scene out there in La you know,
Tone was setting up how it's like in Pittsburgh. Talk
about you know, I was reaking their records but killing
it for so long. You guys been doing your thing
on LA. But talk about just the feeling of you know,
somebody from another city comes in and you guys are
kind of working together to come up with this project,
and just the background of LA and how that helps
kind of mold you guys into putting this thing together.

Speaker 3 (14:30):
My Mama, that sound like a riddle, like like the
fate of the universe. Yeah, on answer and that ship
you were like humanity has no help Nah, from what
I gathered. Man like me and tone I should is

(14:52):
when you're talking about this the other day, like it's like,
you know, styles the definitely match. It's like an organic
type of thing his production, and it's not really far
rooted from my production. Like you know what I'm saying,
Like we in the same imagine, Like we're in the
same playground, but we was on different you know what
I'm saying, We was on different things at the time.

(15:12):
Now we now we're sitting in the same sandbox, you
know what I'm saying. At this time, like he was
doing this, I was doing that. But like if you
listen to the project, it's not really like you, yo, Dad,
you're so reggae shit, and what it's not that kind
of sounds like reggae shit, you know what I'm saying.

Speaker 1 (15:27):
So I don't know. I mean it was it is
a blessing for us.

Speaker 3 (15:31):
To stumble upon each other and and do what we've
been doing.

Speaker 4 (15:35):
And talk about the idea of you know, you guys
taking different roles, right, I mean, both you guys do
your thing on the mic, but both you guys had
the production background and sticking to each other's, you know,
roles on this one. You know, one of you does
a production one of you does. For those haven't heard
the album yet, talk about that, you know how one
of you did the production side and one of you
stuck more to the vocal side.

Speaker 3 (15:55):
So in relation to that, you know, I think I
feel like kind of it was I didn't even need
to really be spoken, didn't need to be spoken. He
sent me some beats, so, you know, me sent me
a couple of beats, and we you know, we were
met up and we picked some other ones. But it
was kind of like, already know I'm gonna do the rahmah.
But I think what came as a surprise two tone

(16:17):
is or you know what I'm saying, like when I
get when when the other brothers start getting on there,
when the raging heads start popping up.

Speaker 1 (16:23):
You know what I'm saying.

Speaker 3 (16:24):
I think he probably was kind of like he's just
gonna do it on his own because we did a
few records and I didn't have nobody on them. But
you know what I'm saying, when you get me, you're
gonna get You're gonna get the ragons too. You know
what I'm saying, I gotta I gotta shed light for
my team, you know what I'm saying.

Speaker 4 (16:40):
Yeah, speak on that tone about doing the production side.
And were you ever like wanting to grab the mic?
You know, we're kind of getting like anxious, like many
to get on this track. It's too hard for me
to not not get on it.

Speaker 2 (16:51):
Na. Now, I just want to stay in my lane, right,
you know, listen, you know I'm Tonel.

Speaker 9 (16:56):
Just be tone, you know what I mean. Just stay
on the production side of it, right because like at
the time, really was just banging out like all kinds
of tracks and just this is my production lane. And
like when I was doing that, Rios talking about slowing
down on production, like he didn't want to produce on

(17:16):
the next project, so we was both in the same
kind of same kind of zone. Like he's more on
his lyric zone. I was more on my production zone.
And we just put it together like.

Speaker 4 (17:27):
That and talk about the mindset for that, you know,
like for deals. For you, for instance, I'll ask you first,
when you are strictly doing production, do you have to
kind of change your mindset or is it similar to
when you're doing vocals in rhymemen and stuff. Is there
is there like a different mind frame you have to come.

Speaker 3 (17:42):
With, you know how. It's kind of like a gifferent
the curse bro. Like you know what I'm saying, Like
when you're making your own beats? Are you making beats
that you can feel the pocket extremely easy for some reason,
you know what I'm saying. When you're doing outside work
with the other with other producers, it seems to.

Speaker 1 (17:58):
Be a little bit arder to me.

Speaker 3 (18:00):
But with Messiah Man, it's like tone folks. His production
style was literally like right across the street for you
know what I'm saying, for what we used to do,
so it was right at home even when I played it,
you know, for the rest of the crew, it was like,
I will shop, you.

Speaker 1 (18:17):
Want me all over, you want me to get on there?

Speaker 3 (18:19):
Like it because you know the sound was familiar, if
you will, but original. Don't get me wrong, tone folks
own thing. It just so happens, bro, Like it just
so happens. Our sound is similar.

Speaker 2 (18:35):
And then like that's why we cool, you know what
I mean, Like there's a lot of similarities with us,
a whole lot of similarities.

Speaker 4 (18:42):
Definitely, and that's our project. Like this gets made right,
I mean, you both have to be coming from the
same place and bringing that same mindset to come up
with something like this. And you know, I hear it. Man,
it takes me back to those old like grimy West
Coast era days. Man, you guys really well. It was
like the concept when you guys first started realizing and
puts them together. Did you guys have an idea in mind,
like the sound you want it to sound like, or

(19:04):
you know, I kind of feel you're trying to give.

Speaker 2 (19:06):
Only thing, you know. I was like, man, this gotta
be hard.

Speaker 4 (19:09):
Oh man, dude, Yeah, that was.

Speaker 9 (19:12):
About to make the hardest you know, I'm always about
to make the hardest project possible.

Speaker 2 (19:16):
But this ship just came out God damn right. I
listened to it sometime.

Speaker 3 (19:21):
I was like, yeah, man, I'm pretty much the same sentiments. Man,
it's something that's you know, it's organic. I again, it
didn't take us very long to create this album, regardless
what I'm saying the contrary belief or what other people
will be doing.

Speaker 1 (19:42):
I don't even know if it really took us as.

Speaker 3 (19:44):
Far as recording wise, and with the production, I'm not
sure if it even took three days.

Speaker 2 (19:49):
And most of it was done in like two days.

Speaker 3 (19:52):
Yeah, hey, what what what? You know what I'm saying,
that's something that that impressed me. And it's like, I
gotta I have to deal with Tom, you know what
I'm saying, Like we like it's a brotherhood regardless, but
somebody that's moving like that, capable of completing such tasks
within hours. When there's other people that will tell you, Okay,
I'll get back to you in like a week and

(20:12):
a half, two weeks, I'm talking within a matter of
hours he's sending back you.

Speaker 1 (20:18):
Know what I'm saying, Like the pre joints, the pre
listen that you listen.

Speaker 4 (20:22):
Type shit, and it feels like there's like a momentum
going right, like you guys just it's like NonStop. You
just keep moving forward with this this project and it's
kind of coming out organically right where it's not stagnant
at all, and you guys are definitely keeping it going
to get this thing done so fast like that.

Speaker 3 (20:38):
Yeah, yeah, you know it's happening like that, bro, Like
it's happening like that. But again, me and Tom were
just chilling yesterday, like like you know what I'm saying
face to face, We was in the studio and just
hanging out and yeah, this level man, like that's just
that's just us, you know what I'm saying, the way

(20:58):
we communicate. But yeah, I don't I don't feel no pressure, bro.
Like again, like I just feel like this is my brother.
Perhaps I'm gonna say this, like you know what I'm saying,
Like he's advanced. You got me, are you know we
have we have a little difference in the age in
our age gap. So I'm just like, yo, that's that's
a big bro, like or he's me in the future,
because like it's nothing that he sends. Really when he

(21:20):
sends what he's sending that, I don't be like I
gotta do it because it sounds like something I wouldn't
do anyway, you know what I'm saying. Yeah, So that's
that's actually like that's a plus for real, Like because
people sing you crazy music.

Speaker 1 (21:32):
It's saying like they'd be like, Yo, go ahead and
do this. How want you going to charge to do this?

Speaker 3 (21:35):
Hey man, I'm gonna charge forty four thousand dollars to travel.

Speaker 1 (21:43):
If you're not feeling the music. You know what I'm saying.
It's hard, but we don't have that problem.

Speaker 4 (21:48):
Speak on that tone, like when you're doing your production
and you know you're sending the production over to these
guys and you just the feel and you're getting because
you know they're vibing off what you're doing.

Speaker 9 (21:56):
Man, I tell you what, I'm glad they love it because,
like I say this, and this is a fact deal
to my top five as far as lyricists go, Wow,
there you go.

Speaker 3 (22:07):
I appreciate that tone. That's crazy. I appreciate that.

Speaker 2 (22:11):
God damn, I was waiting for something like this.

Speaker 3 (22:15):
Hey. I don't know if it's gonna, you know, tamper
with the interview, but hey man, that that really does,
like that hits the soft spot, hits the spot I
saw the spot on Goliath, do what else?

Speaker 2 (22:28):
That's little ship and when we in the lab, it's crazy.

Speaker 9 (22:34):
Yea, he writes that great, but that great, that fast,
It just blows my fucking mind, Like, how.

Speaker 2 (22:40):
The hell you right like that?

Speaker 3 (22:42):
You was there last night though they put on the
reggae joint. Man, you get to the reggae joint here,
you wrote me hooks. Yeah, I don't know, I just
love music manat the crew. I just I don't know,
Like I don't know where, where or what kind of
person I would beat. Maybe I would definitely be disgrunt too.
I would be definitely disgrunt if I couldn't do no

(23:03):
music man.

Speaker 4 (23:05):
That is a fact. I can imagine that. And you
guys have worked a lot of artists in the past too,
and you know that, you know you could go your
whole career, your whole time, trying to find that right
producer or the right MC or the right combination right.
Sometimes things just don't fit right, like square in the circle,
circle square with all that stuff, right, But you guys
obviously found a connection here and it's just the work shows.

Speaker 1 (23:27):
Man.

Speaker 3 (23:28):
I appreciate that, brother, thank you.

Speaker 4 (23:30):
No doubt. And it wouldn't be you know it deals
in the Gassi, you know, project without rigging Era in
the building. Right, So you got Halo on here, Squills
is on here. Talk about having the home team representing
fully on this album.

Speaker 3 (23:42):
Hey man, you know a big shout out the Halo shoot,
I mean shout out to diverse all of it is
that doing got busy man, the same complaints. I'm not
sure if I actually voiced them before, but I get
it on It's the same complaints man, when you got
when you got a big crew and when you got.

Speaker 2 (24:00):
It's with you.

Speaker 3 (24:01):
Man, It's just kind of hard to get everybody on
one accord if you will. Like you know what I'm
saying more more or less, everybody needs to come to
the baby shower. Bro, you get you get?

Speaker 1 (24:14):
Is a'm this now? I can't really make it. Yeah,
I don't know.

Speaker 3 (24:18):
I don't know what it is, but you know it
can be frustrating at times. It's satisfying a lot because
I know the chemistry.

Speaker 1 (24:26):
We all know the chemistry.

Speaker 3 (24:27):
So when we do what we do, you know, it's
it's like when fucking votrying or the Power Rangers keep.

Speaker 1 (24:33):
The enemy, you know what I'm saying, Like they jump
up back the end.

Speaker 3 (24:36):
But when when when it's not like that, you know
what I'm saying, it's the opposite, you know what I'm saying.

Speaker 1 (24:42):
Like it's it's it's a slow pain man. You know
what I mean.

Speaker 3 (24:44):
When when you notice your brother, you know this, this
is what we're supposed to be doing, and somebody don't
show up. We can't make the vote tron like the
kids is looking for the full vote trin.

Speaker 1 (24:54):
You can't have the vote trying with one. It won't
form correctly. Mis you know what I'm saying.

Speaker 3 (25:01):
But that's I mean for me, that's that's the sad
part of having like a crew and everybody's dope, and
just when things we're not able to vanquish the foe
with the full dumps and that that you would have
if everybody was there.

Speaker 1 (25:16):
That's the problem.

Speaker 3 (25:17):
We're gonna we always win, bro, whether it's Halo alone,
whether it's me, you know what I'm saying, whether it's Tone,
whoever it is, We're gonna win individually. But it's it's all.
It always looks better when the whole team is playing.

Speaker 4 (25:29):
Being a transformer ner that I keep thinking about constructor cons
turning in the devastator. I feel like that's what you
guys did here. You know, you guys are all together
coming through with this and just wrecking shit. And uh yeah,
tone man talk about working with so many you know,
artists from Breaking era, man, because I know that you're
out there a lot, so you're familiar with all these
guys of course, but just having them all, you know,
come through and you know, just putting one hundred percent

(25:49):
into this and making sure they're available and everything.

Speaker 2 (25:51):
I'll tell you what, man, they come out, it's like
a big party. The party you're getting it in laughing.
But we get work done, but it don't even seem
like work because we're just chilling, you know, cocking shit,
talking a lot of ship.

Speaker 4 (26:10):
Hard man. That camaraderie, man, That's that's what it comes
down to, because I think some of that gets lost
right when you don't have everybody's working through the internet now, right,
Sunny Beats is somebody never met or never see when
you guys are all together like that, I'm sure that
has to come out in the music, right.

Speaker 3 (26:25):
Oh yes, it does, Yeah, definitely, And nobody's you can't
have soft skin and be around us pretty much.

Speaker 2 (26:33):
You better not.

Speaker 4 (26:35):
No sensitive cats.

Speaker 3 (26:37):
Yeah, like we're kind of crazy man at that point,
like I kind of you know, I'm overlooking what was
happening yesterday. In my mind was playing it back, like yeah,
we we're like I think we are alphas. It's kind
of aggressive, you know what I'm saying. It's like you
on the hockey team and some shit, like the majority
of us served in the military, you know what I'm saying.

(26:58):
So we already we kind of you to that that
locker room banner already like banter if.

Speaker 4 (27:04):
You will see they throw that out there, go ahead.

Speaker 3 (27:08):
We're an infinite banter and how it is right definitely,
But you know what I'm saying, like you just kind
of be like among his brother like, man, yo, look
like you're going bad, motherfucker. You know what I'm saying.
They can be like me, look at my ship. Man,
when you start to questioning yourself, you're like, damn, listen, Yeah,

(27:31):
she looks crazy. You look like it looked like somebody
looking at your ship through a microscope.

Speaker 1 (27:36):
They're trying to see Mars or something. Yeah. I don't know.

Speaker 3 (27:38):
You you gotta you gotta live with you be like yeah,
all right, well I think I'm aware.

Speaker 1 (27:42):
I had to the club tonight.

Speaker 3 (27:44):
I'm not gonna I'm not gonna just go with my
hat all.

Speaker 1 (27:46):
I'm aware I had tonight. You know what I'm saying.
Good looking, bro, if that's what you say.

Speaker 2 (27:51):
But this a goddamn ad. Somebody say something and somebody.

Speaker 3 (27:55):
Yeah, somebody else add on to it. They put their
two cents on, Like you fucking come bag. Why wouldn't
you just let this man say what he's saying that
you add on?

Speaker 1 (28:03):
It's crazy.

Speaker 2 (28:05):
That's what I'm usual to be doing. I'm on the side.

Speaker 1 (28:10):
Well man.

Speaker 4 (28:11):
One of my favorite tracks in here is a Japanese whiskey,
and I feel like that's the kind of drink that'll
hope you get to that level you're snapping on each.

Speaker 1 (28:19):
Other like that tong tong you tone? Can you do it?

Speaker 3 (28:23):
Can you do it?

Speaker 2 (28:24):
Do what?

Speaker 1 (28:25):
Explain what happened?

Speaker 2 (28:27):
Ship? Big Hurt came through with the Japanese whiskey.

Speaker 1 (28:30):
Making hurt Big Heart. Big Heart is remember of Ringing.

Speaker 2 (28:33):
That's a second song we recorded.

Speaker 1 (28:35):
Man.

Speaker 4 (28:35):
I love that track, dude.

Speaker 1 (28:37):
You know what I found it?

Speaker 3 (28:39):
I found it like a need for it, just because
not only was the whiskey good, the whiskey. You know
what I'm saying.

Speaker 1 (28:44):
It was good.

Speaker 3 (28:45):
It was he you know, he prayed a pretty penny
for it. I don't I'm not sure if he was
trying to make up four times when he get over
there motion he being Larry the Moon. I don't know
if he's making up for time, but he was doing
that shit. But he came in pretty expensive. You know,
it was high tasting. Again.

Speaker 1 (29:05):
We stopped recording were we wasn't recording.

Speaker 3 (29:07):
We were just sitting there and I remember this, Bro,
I'm not gonna front man.

Speaker 1 (29:12):
I'm not a sucker.

Speaker 3 (29:13):
I'm not a frunner.

Speaker 1 (29:14):
I'm not a runner. Man.

Speaker 3 (29:15):
I remember looking at the bottle and I said, Yo, this.

Speaker 1 (29:19):
Is Japanese whisky.

Speaker 3 (29:20):
You know what I'm saying. And herk goes, yeah, fool,
I brought some selection. You know, hurt is like a soolo.
You know what I'm saying, Like you you know what
I'm saying. It's not a bad thing. It's not a
bad thing. We are a diverse group of people pretty much,
but purcaslo.

Speaker 1 (29:35):
You know what I'm saying, something to that.

Speaker 3 (29:37):
Degree to this niggas say yeah, fool, which mean like
you think I bring some fucking punk shit.

Speaker 1 (29:41):
And I'm like, I didn't say none of that.

Speaker 3 (29:43):
Man, just seeing this Japanese whiskey, I said, Yo, Nori,
Yanka Nori. He's always talking, He's always screaming and yelling
about the ship on drinking.

Speaker 1 (29:51):
So when I said that, uh, Scrills squills, eyes.

Speaker 3 (29:54):
Open up like, fucking you know what I'm saying, Portos
photos to the next dimension. What do you mean?

Speaker 1 (29:59):
What do you mean? Fucking nord Yang is always talking
about this ship on the drink champs.

Speaker 3 (30:03):
He's always streaming and yelling about Japanese. He was like,
we got to try this ship. I said, I already
had it. Man, you understand that I've had it before
in my life. It's not an amazing thing, you know
what I'm saying. It's cool, it's whatever. So we proceed
to go ahead. As soon as Scrills drinks it fucking
remarkably smooth.

Speaker 1 (30:23):
It is smooth if you ever had it. And as
soon as he says, we.

Speaker 3 (30:27):
Drink Japanese like so he took the ship down. He said, damn,
that's and he started singing, start laughing, yeah, and then
we said, you know what it bro if you enjoy
it that much, and the way that you're singing about it.

Speaker 1 (30:40):
Let's keep that, let's go ahead to make and then.

Speaker 3 (30:44):
Tom he played the beat and it just so happened
to go with it, man, Like that was a fun song.

Speaker 2 (30:49):
Man.

Speaker 3 (30:49):
Like we was talking, look my bad, I'm sorry to
keep running on with this ship. But it's like, here's
the thing. So somebody was telling us last night. They
was like, man, you know, we need to go somewhere
wherever it is like a destination spot, stay there for
two weeks and just create what we're creating.

Speaker 1 (31:03):
I'm like, I'm not against me. I'm like, I'm not
against that dude.

Speaker 3 (31:07):
Like, but there's been times man, Like there's been times
we'll be at the studio bro for like two three days,
you know what I'm saying, Like that's to sound crazy,
but it's like it's not crazy though when you're there
and you in the moment and the moment doesn't die though,
Like it's it's hard to say, bro, Like it's rare

(31:27):
to find that type of shit, but the music that
comes out, Bro, it's like you know what I'm saying,
Like as far as hip hop or whatever we're doing,
shout out to Chris, like he does R and B
like he does different things. But when you imagine to
be somewhere and you like I can't leave, or even
the hours are just flying by.

Speaker 1 (31:46):
I don't know, it's like a portal or some shit.

Speaker 3 (31:47):
Bro, we'll look up it'll be like two days later,
Like Nigga, I gotta get the.

Speaker 1 (31:52):
Fuck in the shout. This is crazy. What are we doing?

Speaker 3 (31:55):
But the music that comes out of that shit is
no is The weight of the music is different, and
I don't even know how to explain it. You know
what I'm saying, The weight of it. You know what
I'm saying that it's like that when they say you know,
you die and the body loses certain to present a
mask and shit like that, whatever the fuck we're doing
whatever a song ways when you're there for like a day,

(32:17):
when you're.

Speaker 1 (32:18):
In the studio for like a day or two and
you create it, it's.

Speaker 3 (32:20):
An extra amount of weight on those records, even if
it's digital.

Speaker 4 (32:24):
You know what I'm saying right speak on that tone?
Is that how the feeling is too, when you're in
the studio for two three days at a time like that.

Speaker 2 (32:31):
I never did nothing like that until I came here.

Speaker 3 (32:34):
Yeah, he thought we were crazy. I thought this nigga
was gonna call the police. I thought he was telling
the police. He was looking at us like, man, y'all
niggas is crazy. But he said it like times in
a row.

Speaker 2 (32:45):
Yeah, man, like usually like when from the recording they
back home, I do what the fuck I gotta do?
Get done? Get out like there, Like I said, it's
a damn party. Well it's a goddamn circus.

Speaker 4 (33:03):
No concept going on.

Speaker 9 (33:05):
Yeah, the line tag bears pairs all the.

Speaker 3 (33:10):
Time going on, and that, Hey, don't be don't be surprised.
Don't be surprised if it's like a like a shoulder
come out of this ship.

Speaker 1 (33:18):

Speaker 3 (33:19):
I'm not I'm not really with it like for that,
but as far as like you know, loving it, I'm
not edit for that type of ship. But I believe
that people are other artists, young artists or people that's
trying to create should get a chance to see how
other people create, because it can spark something in you,
you know what I'm saying, or or it can it
could adjust how you do your ship. Like you know,

(33:41):
see wee getting like that we're not getting enough music.
Then I don't want to do it that way. You
can see and take from it or you can be
like it's kind of like when I think of it,
I think like when you was a kid and you
was about to go play basketball, right, you know, everybody
get to park at eleven. You start watching the Jordan highlights.
You know what I'm saying, You shit, I'm about to
Jordan on you, about to hit him like this. You

(34:01):
watch the highlights and you go out and you you
go create.

Speaker 1 (34:05):
It's different. So I don't know, I kind of look
at it at like that way.

Speaker 4 (34:08):
Too freaking every way like MJ right, I mean you gotta.

Speaker 3 (34:12):
Do yeah, yeah, yeah, man, for real, those highlight tapes.
Imagine imagine how many raps was rolled off of eight
mile when they first seen it. You know what I'm saying. Right,
that was our Jordan tape, but we had our own
Jordan tapes before that. But it's still like eight miles
like a Jordan tape at a time, you know what
I'm saying. Before you had it on YouTube and people

(34:33):
was getting busy.

Speaker 4 (34:34):
Just the era, Reagan era, That's what it's all about, man,
The different times that we're coming up, and you know
how things are doing it now and you're like combining
right that era from before with current and just coming
out with this this record here. I wanted to bring
up another song on here what it is that was
the first single right off the album. Yeah, yes, yep,

(34:54):
talk about the mindset of you know, this is the
one I want to we want to put out their
first to kind of get people a taste of what
we're coming with.

Speaker 3 (35:01):
Okay, so look let me say it like this regardless
you know what what what sh we beat?

Speaker 1 (35:06):
Right?

Speaker 3 (35:06):
Uh?

Speaker 1 (35:07):
Told is my big bro Like you know what I'm saying,
Like in an age bracket, you know what I'm saying.

Speaker 3 (35:12):
So I gotta respect. I respect, I respect my big bro.
He met my big brother over here, he met my
uncles and ship like you know what I'm saying, Like,
so I have a lot of respect for for my
people that you know what I'm saying. That's that's higher
levels than me. And uh he tones coming crazy though,
you know what I'm saying, Nigga Color, he's the messiah
of madness of all.

Speaker 1 (35:32):

Speaker 3 (35:33):
Don't forget this part. You're not just tone all the time.
This Nigga's messiah man, he's like a mad villain of
some other ship, you know what I'm saying. So he'll
be talking to you one day and then he'll call
like later that day and it'll be like, dah, you gotta.

Speaker 1 (35:46):
Be like this, Like they can just talk to you
like four hours ago, you wasn't. He wasn't talking like.

Speaker 3 (35:54):
It took me a while. It took me a little
while to figure him out, you know what I'm saying,
But I get it.

Speaker 1 (35:58):
He's like, uh, like the Doctor Jackal, it's the hid.

Speaker 3 (36:01):
Type ship, right, but in both characters, it's always the truth.
It's just a different level of the way he's delivering it,
you know.

Speaker 1 (36:09):
What I'm saying.

Speaker 3 (36:10):
Like he is as Doctor Hyde, he may be he
may be giving you the truth, but it's like kind
of sugar coat it a little bit. Then what he
gets to the other it's like, nah, it's the raw truth.
It's still the same truth, but it's just different levels
of it. So he was like, you gotta have that.
That's the one. I said, Man, Yeah, you know what
I'm saying, Like to I like this other record, but

(36:31):
this is the second time I talk to you today,
and you shounded different about it.

Speaker 1 (36:35):
You know what I'm saying, We're gonna all right, nigga, Like,
you know what I'm saying.

Speaker 3 (36:37):
Whatever, We're gonna go how you want to go, because
you should really adamant about what you're saying about the
song is true.

Speaker 1 (36:46):
But look, look, hey, look watch this.

Speaker 3 (36:48):
The really the realist thing, the realest thing I can
tell you and the realist I can keep it is.
There was an intro that Skrill did it. Skrilled is
a reckless nigga dog like, hey, vote me on this,
put the ship in air quotes or whatever.

Speaker 1 (37:03):
The fuck. Scrill is reckless.

Speaker 3 (37:04):
He's got a wild mouthful boudhy like the nigga be
saying crazy shit. You know what I'm saying, I'm I'm
one hundred percent certain Snigga's been in and a lot
of fucking rumbles behind it, behind shit that he says.
So he took the liberty to say some crazy shit
on front of our album. He already notices this is

(37:26):
Tom Foes. This deals in the Gassi record. Yes, I'm
gonna give you the privileged Scrills. I'm gonna give you
the you know what I'm saying, I gonna let you
like It's like ray Coon album. I'm gonna give you
the privilege the ghost face this ship. Bro, whatever you
want to hop on, just come correct. I'm gonna give
you the privilege to do it.

Speaker 1 (37:41):

Speaker 3 (37:41):
You're taking a little stress off my show. He took
the lady got he got comfortable that then.

Speaker 1 (37:46):
Got on there talking about Joag gotta give me eighty percent.

Speaker 3 (37:50):
You ain't hurt no shit, And I'm like, what then
the fuck is it saying?

Speaker 1 (37:56):
Right, I'm ready to grab the nigga out of the studio.

Speaker 3 (38:00):
Right, I'm like, man, what what the you doing? Like
Yo's it's about to be Rumbleville in the chambers, right,
I'm like, Yo, what nigga?

Speaker 1 (38:07):
What the fuck is wrong with you?

Speaker 2 (38:08):
Bro? You get here talking this ship?

Speaker 3 (38:10):
Don't say he started laughing. Don't get that madness laugh
leave Oh you don't leave that ship on our album.
He put on his album, We don't need this album.
It was like, you know what I'm saying. We went
back and forth for a while. Look Toad goes back home.
He calls back, you know what I'm saying. Maybe like
two weeks later he's like, I really like his intro. Man,

(38:31):
Fuck that nigga, you know, like it's like, yeah, it
was crazy, but we decided to get that ship off
of it and it was for the best part. Like
how do I come to Infinite Advancer? And I'd be like, yeah,
if the Advancer man, I'm doing, I need fucking ninety
percent of your revenue, man, your stocks and all of it.

Speaker 1 (38:51):
I need not you ma get this.

Speaker 3 (38:53):
Dude off to my fucking tag. Bro, what is he
talking about you?

Speaker 2 (38:58):
The way he kicked it sounds flying them up.

Speaker 3 (39:03):
Yeah, Yo, it's mad love the squirrell though even like
you I mean this niggas, he's like, uh eddie k Bro,
He's like eighty K to the fire heart beat in
Reality of the Ship. You know what I'm saying, Like
he means, well, he wants to do this, but just
he winds up just doing crazy ship at the end

(39:23):
of the day. You know what I'm saying, It's it's sad,
but it's it's uh, it's a common happening in music
with with groups, if you will, somebody is always the oddball.
Or you know what I'm saying, somebody don't some some other.

Speaker 4 (39:36):
Ship you need that, you need that and this podcast,
by the way, you don't want to need it's nothing there.

Speaker 1 (39:44):
We don't need it. He actually don't want it, but
it just happened. But it's love. Though.

Speaker 3 (39:52):
I can't never front I can't front of my nigga.
I'm not gonna fronto though. But yeah, it's uh, you know,
it gets frustrated because at the end of the day,
we all bed. At this point, we out of high school.
But I don't know, it doesn't have a sense of excitement.

Speaker 2 (40:06):
And then I.

Speaker 4 (40:06):
Feel like I heard this intro without actually hearing the
intro because you guys described it so well, so you
know what I mean.

Speaker 3 (40:13):
Yeah, I took I had to go there. I'm sorry, man,
I probably should do. I probably should have did all
that shit.

Speaker 1 (40:17):
But you gotta keep it real, man.

Speaker 3 (40:19):
We tell the truth, and I'm pretty sure niggas got
different stories about me. They'll be like, oh, d O
think somebody called me a fucking pre Badonna?

Speaker 1 (40:27):
Yeah, who was hurt? Was it hurt? Hurt called me
a pre Badonna? Yesterday?

Speaker 3 (40:30):
I said, nigga, what I'm standing in the trash cans?
Nigga like, I'm gonna you are pre Badonna? What the
fuck are you talking about? Everybody has their old opinions
about everybody.

Speaker 4 (40:40):
Brothers in the trash can.

Speaker 2 (40:43):
That's what I said. Man, it's so damn crazy over there.

Speaker 1 (40:46):
God damn yeah, Like everybody everybody's like.

Speaker 3 (40:51):
Me there, like you know, go off, but the whole crew,
everybody is like pretty volatile, you know what I'm saying.
It's hard to believe that we all get along and
we love each other like brothers, because everybody's like a
fucking grenade or a torpedo, you know what I'm saying.
And niggas can do hard Like when you looking at
the framework of people like this, this is not a

(41:12):
fucking one hundred and twenty pound guy. It's not one
hundred and thirty pound guys. You talking about niggas like
to twenty to forty, you know what I'm saying, to
sixty like, and they jumping around like you know, like
niggas will fuck you up you get the wrong It's bad, bro,
it's bad, but it's good.

Speaker 1 (41:27):
Motherfuckers get drunk and get to pushing each other and
she's like yo, man, jill dog like.

Speaker 3 (41:32):
But it's like it's like a big big brothers man Like,
that's just what it is, Man's it's definitely physical, and
it gets verbal like nigga, shut your punk assh up.

Speaker 1 (41:41):
What you're gonna do?

Speaker 3 (41:44):
Get in the row, and then the rumbles, then the
rumbles and stud You know what I'm saying.

Speaker 4 (41:48):
As long as the equipment in the friends you don't
get broken, I guess everything's good, Yo.

Speaker 3 (41:52):
But sire was that you?

Speaker 1 (41:54):
You broke the fucking guitar. And it's like, oh, sh break,
yeah dollar guitar? Bro?

Speaker 4 (42:00):
What did you do?

Speaker 2 (42:01):
Man?

Speaker 4 (42:01):
How'd you break the guitar?

Speaker 1 (42:04):
And the ship hit the ground? It was like everybody's talking.

Speaker 3 (42:07):
It's music playing too, but you here like a bron
Everybody looks over beside It's like, oh damn, what happened
to that?

Speaker 1 (42:13):
But it's right next to him, right next to you.

Speaker 3 (42:18):
It's like a five thousand dollars guitar. Bro that hey,
he shout out to man, Shout out to arm.

Speaker 2 (42:25):
Man.

Speaker 1 (42:25):
It's something broke on that ship. Bro.

Speaker 3 (42:27):
He just put it back in the case.

Speaker 4 (42:28):
Yo, Oh my gosh, didn't break. He's like, wait a minute, yeah.

Speaker 3 (42:36):
Big shout out to chamber music. Shout out to chamber music. Man.
They facilitate us, you know what I'm saying. They that's
that's family. You know what I'm saying. That's right, I know,
you know what I'm saying. They they they own ship
and they always be wanting to be but they Reagan's too,

Speaker 1 (42:50):
At the end of the.

Speaker 4 (42:51):
Day, any change, you guys might be putting out some
future projects anything guys want to promote here, can we
see another one of these albums from both of you guys?

Speaker 2 (42:58):
Okay happened?

Speaker 3 (42:59):
And yeah, the way we're moving right now is definitely
it's unique in the in the sense of we can
work together. Like you know, it's not like I don't
really gotta sit I don't got to sit down and
think about whatever, like Halo whatever, Halo, I shoot Halo
to beat, he pull up to the studio, You ready
to go.

Speaker 1 (43:17):
It's just because I.

Speaker 3 (43:18):
Know again, I feel like our production style is similar.
It's not the same, but it's in the same realm,

Speaker 1 (43:25):
So, yeah, we over here, we all are with it.

Speaker 3 (43:29):
You know what I'm saying is just sitting down man,
Like I'm gonna tell you this real quick.

Speaker 1 (43:34):
This is a quick U tit.

Speaker 3 (43:36):
We was in the process of rolling out the Black
Violin too.

Speaker 1 (43:40):
You know what I'm saying. We did the U he
started with the Conway record again.

Speaker 3 (43:43):
This is the Black Violins are are executive producer, co
produced by I'm in this from the Chamber Music and
his approach other than my approach when I when I
do the production in the executive production by and Z
for reagas his production is Yo, let's get these names involved, right.

Speaker 1 (44:02):
You gotta get the names, like you, so you gotta
have the name. I don't want to hear you got
the names man, joking the ship.

Speaker 3 (44:08):
You gotta have the names. So I'm like, whatever, Bro,
I'm cool, Like I believe in my team. Man, if
you listen to those regular albums. You listen to all
of my first records, like it was nobody.

Speaker 2 (44:17):
Big on there.

Speaker 1 (44:18):
You listen, you listen to the Iron Angelists, we didn't.
It's enough.

Speaker 3 (44:23):
It's enough rappers, Bro, And I believe in my team
like that believes in us. But IM, it's just he's
more business. He's on some You know what I'm saying.
So fast forward, really quick. We got the Conway record out,
which is crazy boom. We turn around, we get the
young Z record. The young Z record is out. Shout
out to too Nasty. That's our man's in the UK.
He he makes your masters everything. I don't know too

(44:46):
to Too Nasty was on a vendor or something, and
it was taking him a while to get the Angelust done.
He listened, too Nasty, I want, I want you if
you can't put that mother bug in quotes. They were
taking him a while, like it usually takes him like
two to three weeks to turn back the records, like
an album. This ship was going on two months. I'm

(45:06):
talking to Tone Tones getting frustrated. Everybody's kid fresh album.

Speaker 1 (45:12):
Yeah.

Speaker 3 (45:12):
But now we but look, I'm like, yo, yo, just chill, bro,
we're rolling out like we got these big names. They're
bringing more attention to us. Finally we get the album
back and the next thing and next day I look up,
Tone say.

Speaker 1 (45:23):
It's out, it's out.

Speaker 3 (45:24):
I said, wait, wait, wait, Tone, we gotta put the
Black Violet two out in the rollout. He said, I
don't give a fuck about another day. This mother fucking
don't angelus we out. I said, damn, this man is
gret I know why they call him the Messiah man.

Speaker 1 (45:38):
This is crazy. So pretty much.

Speaker 3 (45:41):
He he cut off the Black Violin two and now
y'all getting the Messiah mannis take the tone, folks, dios nagazi.

Speaker 1 (45:51):
Which is dope.

Speaker 3 (45:51):
Though you know what I'm saying you you have to
come in somebody with that much passion, you know.

Speaker 1 (45:56):
What I'm saying. And it's a dope project.

Speaker 3 (45:58):
It's it's really it's one of the dopest projects that
I've done in a long time.

Speaker 1 (46:03):
Like he he brings the anger out. You what I'm saying.

Speaker 3 (46:07):
If you listen to this and he listened to all
of the other records that I've done, you hear a
lot more anger. I guess Tom knows how to piss
people off very well.

Speaker 4 (46:18):
Is that your gift?

Speaker 3 (46:22):
Besides?

Speaker 1 (46:24):
But no, I love my brother man, and I wouldn't
have it any other way. Man.

Speaker 3 (46:27):
I thank God that we crossed paths and that he
was able to make something as brilliant as what we did.

Speaker 1 (46:34):
Bro.

Speaker 3 (46:34):
Like again, within the two years that we've been running
this Reagan era and doing all this, this is the
biggest record that has come.

Speaker 1 (46:41):
Out on my end.

Speaker 3 (46:42):
Also, yeah, man, like and thanks to the most high
But it's something, it's something in it, bro, you know
what I'm saying, Like I know, between me and him,
like I genuinely look at him as my big brother.
Like you know what I'm saying, Like from the conversations
that we was having prior to even uh you know,
sending beats or writing raps and we were just having conversations,
is just building for a little while.

Speaker 1 (47:05):
And I guess it shows in the music.

Speaker 3 (47:07):
But again, this is the biggest it's doing some things
that I didn't really know what's possible. Honestly, to tell
you the truth, I don't know them.

Speaker 9 (47:20):
Like poor songs already playing on the radio, like on
film radio.

Speaker 4 (47:25):
Crazy, that's what's up right there. Yeah, it just lets.

Speaker 3 (47:29):
You like it's not just us, it's not just us
that likes it.

Speaker 1 (47:33):
I guess you know what I'm saying, Like.

Speaker 4 (47:36):
Yeah, it puts that stamp on it, you know, not
that you guys need that, but it helps, right that
gratification knowing.

Speaker 1 (47:43):
Were not paying for radio. You don't have a bunch
of you don't have a bunch of protogram director costs you.
I'm saying, to make those listen, you know bunch of money.

Speaker 3 (47:49):
That cost we We not we're not playing nobody like that.
You know, we said we're not paying nothing but for
them just to like the music and go with it
knowing a state of how that works. It's definitely empowering.
It's like encouraging. I'll be like, yo, ship if we
hit this, this kid going there fucking like you know
what I'm saying, like, we don't never got to stop.

(48:11):
We could, we could keep, we can do we can
do this another album, the man.

Speaker 2 (48:15):
That's easy too.

Speaker 4 (48:16):
See there it is. Everybody, make sure you cop this
album and let people know where they could find the
album and follow both of you guys, you know when
Tony and not pissing people off, how they can follow
you online and get it and get in touch of you.

Speaker 3 (48:32):
Dls.

Speaker 4 (48:33):
How do you guys reach out to the people and
let people know about this album where they can find it?

Speaker 3 (48:37):
Yo, you could go, Uh, it's everywhere, right, So it's everywhere.

Speaker 2 (48:41):
It's everywhere.

Speaker 3 (48:42):
It's like it's everywhere now Apple, I know, Apple having
a heart.

Speaker 1 (48:45):
Time picking it up our heart.

Speaker 2 (48:48):
These are title you know, look up deals from the
Gazi Tone Fools or put it in the iron I
and you see the album cover black album Cubble with
the Guns and the Kyos.

Speaker 4 (48:58):
That was part one of my Inner you with Tone
Folts and Deal Snagassi wanted to bring up the interview
here because you know, the second half is a lot
different than the first half. So I figured it's a
good time to kind of reset play a track from
the album. So I'm gonna play a second track from
their new album, Iron Angelus this right here. It's called
What it Is. It's also featuring squirrells like the first
track you heard earlier, Japanese Whiskey. So I'm gonna get

(49:20):
into the first single that's off the new album, Iron Angelis.
Stay tuned for more with Tone Folks and Deal Snagassi
after this track What it Is from the new album
Iron Angels here on the Infinite Banter podcast.

Speaker 6 (49:32):
They were calculated, command and relentless in their pursuit of control.

Speaker 4 (49:38):
It's riggygy.

Speaker 7 (49:42):
Sing new things.

Speaker 10 (49:45):
It's thrilla, mother fuck is better, Wicked. Nash was funny,
puck up at the litit like Birdie, Timlip, I'm way
above the rim and chemic blog and Tims, you can't.

Speaker 4 (49:59):
Wash it up, black milk.

Speaker 10 (50:00):
You look at my being eyes, respect the elder, taking
your build up, take your hat, or you walk in
my shelter for I grabbed this torch and turning the
welder claim your answer, No, you're like my sorel up bitch.
I'm taking forces coast and while he's ricking them, Oh
say it.

Speaker 8 (50:20):
From no Magni's uncle, save your ass and level club
on the property. Hop in the Bronco jips.

Speaker 2 (50:26):
But the police follow.

Speaker 4 (50:27):
Me, titch, Oh my hot mess.

Speaker 10 (50:30):
Ain't I I could take it shine and make you mind?

Speaker 11 (50:33):
Can't I want it?

Speaker 3 (50:35):
Not your mother?

Speaker 7 (50:35):
But you gotta ask may how you know?

Speaker 4 (50:38):
You gotta wait till I crossover. It's like, hey, y'all,
what this what it was?

Speaker 11 (50:43):
It was wiggings never bringing this pitch. Niggas was for
your dream like your.

Speaker 7 (50:49):
Flood, like your floods to the black real niggas in
the froom.

Speaker 1 (50:53):
What this like? This was just in this bitch with
me mosa.

Speaker 2 (51:00):
If they bleed, they if they.

Speaker 1 (51:03):
Say cock your glocky do shut.

Speaker 11 (51:07):
My rick schleckted right ustad a purple cuffort?

Speaker 4 (51:11):
What's in my cup?

Speaker 11 (51:12):
That hacking purple stuff?

Speaker 6 (51:14):
I just got my base statement with the lifted up
all the numbers on this picture of the nigga filling buff.
I'm hunting around trum inside the savage truck. God niggas
better be tormin natives. You eye enough trust chuck today
I picked the eye end up. Stop passing niggas future
nigga toime is up.

Speaker 4 (51:33):
I'm a rega, So my role is a.

Speaker 6 (51:35):
Presidential hand sweep the face like an open palm that
fairly hits you.

Speaker 1 (51:39):
Get through you take nobody care to hear you. It's
making clear his crystal you kim kate and a.

Speaker 6 (51:45):
Thorn swim suit and see it's falling like leaves bottom.

Speaker 2 (51:48):
Believe me.

Speaker 6 (51:49):
I steeze tracks of beast pollen, God bless you, sting wraps,
nack like poetry, gems, respect route.

Speaker 1 (51:56):
But my swore swing like rule japang.

Speaker 3 (52:00):
What it was?

Speaker 1 (52:01):
It was?

Speaker 4 (52:01):
Why it's never written.

Speaker 11 (52:03):
This pitch niggas was or your dream like your flow like.

Speaker 1 (52:09):
Real niggas in the front.

Speaker 3 (52:11):
What this is?

Speaker 4 (52:13):
What this was?

Speaker 1 (52:14):
Just so in this bitch with me, mom, If.

Speaker 11 (52:18):
They fling, they fly, they.

Speaker 4 (52:21):
Say cock the clock.

Speaker 7 (52:22):
You don't blow.

Speaker 5 (52:42):
What the students to real big I say on the
infinite bands with DJ soundards, make sure you come.

Speaker 2 (52:47):
To a check it out.

Speaker 3 (52:47):
Every time.

Speaker 2 (52:48):
We bring nothing but the best of the best of
the best to a friend to tell another friend that
comes through for the Infinite Bend of her.

Speaker 4 (52:55):
So here is the second part of my conversation of
all kinds of things with the Sniggs and Tone folks. Yeah,
those remember Dios on other episodes. You know, it's not
about the music all the time. We talk about a
lot of other stuff, something that has nothing to do
with anything I had planned going into, you know, having
a conversation with him. So it's more the same here.
The first part is more about the music. The second

(53:16):
part here is something completely different. So that's why I
wanted to break it up here a little bit and
put out a disclaimer. No animals were hurt or harmed
during this second part of this interview or the first part.
You know, both parts. You're like, well, he's saying that
he tells a wild story, so so be ready, you know,
real fun coming up here. Don't take anything serious. It's
all just jokes and stuff and storytelling. Don't don't get

(53:38):
too wrapped up into any of it. Just Deal Snigassi
and Tone Folks having fun on the Infinite Banter podcast,
which you'd like to do. Here, here we go the
second part of my interview with Tone Folks and Deal
Snigassi talking about well, sort of talking about their album
Iron Angelis, but more importantly talking about a lot of
other stuff that has nothing to do with the album.
So stay tuned. Here here we go my second part
of my interview with Tongu Fun and deals Nagasi here

(54:01):
on the Infinite Banter podcast.

Speaker 3 (54:03):
Yeah yeah, and again like that wasn't my idea either
for the cover. I'm telling you, told this, told this
big bro. And then he'll talk to you one way
and then he'll call.

Speaker 1 (54:11):
You back the other one.

Speaker 3 (54:12):
Like it's like he'll talk to you as a businessman
and then he'll call you back as an enforcer later.
You know what I'm saying, Like he'll call you a
toe post. And then Messiah Mann has calls you, yeah, man, whatever, brother,
you got it?

Speaker 1 (54:25):
Man, I don't.

Speaker 3 (54:25):
I don't want no trouble you saying like, well Messiah
Man is called You's like, all right, I know it's you.

Speaker 1 (54:31):
I don't want no trouble man. You are told folks right,
I ain't got damn to man said, all right, is it?

Speaker 4 (54:40):
Do you even realize it?

Speaker 2 (54:43):
I don't even know. But that's what everybody's saying, like
they don't know who the fuck they're gonna get.

Speaker 1 (54:49):
I know, I know, depending the time of day, that's
what it is, all right.

Speaker 4 (54:52):
So right now it's tone right, But later on his Messiah.

Speaker 3 (54:58):
You gotta get on the airplace. So it's told that
go allow. They're not gonna allow.

Speaker 1 (55:01):
Besides, mad that's on the airplace. So he's told. Right now,
you know what I'm.

Speaker 3 (55:04):
Saying, the nigga like, uh, David batter and sucking the hunk.

Speaker 4 (55:11):
You don't want to get him angry.

Speaker 3 (55:13):
Hope, no, hope, don't like sample.

Speaker 1 (55:17):
He must hard.

Speaker 9 (55:20):
Sometimes I call my mother homeboys Supreme, he's like this
tone fools.

Speaker 2 (55:24):
I don't want to talk to tone. He handed the
funk up. You want to talk to the messiah, man.

Speaker 4 (55:30):
See some people want that. They want to they want
to get in the rumble with.

Speaker 3 (55:35):
Him for real. Man. But it's the duality of ship man.
And you know, I appreciate it. You know what I'm saying.
I actually do you know what I'm saying. It reminds
me low key, it's bad, it's good, but this is life.
It reminds me of my drunk dad. Nigga, Like we
come home from school, Dad might be like that nigga
might be half buzzed He like, what's up?

Speaker 1 (55:56):
What you doing in school? Like?

Speaker 2 (55:58):
Yeah, that?

Speaker 3 (55:58):
Check out this, he'd be like, that's good drug. Well
fucking two. Three hours later, let me see what the
fun you did at school? Man, You're like, I just
showed you that.

Speaker 1 (56:10):
Now, let me see that. This is terrible. Who taught
you how to draw a motherfucker with no thumbs? Hey?

Speaker 3 (56:15):
Dad, what the fuck?

Speaker 1 (56:16):
Bro?

Speaker 3 (56:16):
I just showed you this ship? What's your problem?

Speaker 1 (56:20):
I get this shit out of here. You gotta come better. Yeah,
I'm sorry. That's my childhood trouble.

Speaker 4 (56:26):
That's what's going on.

Speaker 1 (56:27):
Man.

Speaker 4 (56:28):
There's so much there. You're shipping on the teachers at school.
He's seen your art differently three hours later. It's crazy.

Speaker 3 (56:34):
Yo, Hey check this out. I help, I help. I
help my son, my little son with some with some math.
Math is crazy. I don't know if you have you
got kids?

Speaker 4 (56:43):
Yeah, I have a five year old daughter who's about
to finish kindergarten. So I see that you got it.

Speaker 1 (56:48):
Look you with it right now? You the dad of
the year.

Speaker 3 (56:50):
Wait till she gets you about fifth sixth grade and
that math guard. Look at the math, look like it's
from Jupiter ship. So I'm helping I'm helping my son
the ship or send him back with the work a
couple of a couple of days past, you come back
at the end of the week with his ship.

Speaker 1 (57:05):
And on this particular test he got two f's. Now,
I say, man, what are you doing in school? Bro?
What are you doing?

Speaker 3 (57:11):
You know what I'm saying. This is like, this is
a ten year old level yard. I said, what are
you doing in school?

Speaker 1 (57:15):
Bro?

Speaker 3 (57:15):
You getting two f's.

Speaker 1 (57:16):
You might as well go fucking learn how to build
railroad tracks or something.

Speaker 3 (57:20):
You know what I'm saying. You can start getting money
or something. Go go start figuring out how to package
toys or something, bro, because the school ship ain't for you.
You got two f's. And he's standing there, he's looking
at me. He ain't saying nothing. Usually he got a rebuttal.
You know, I got, I got smart all of kids.
So he's looking at Hill, got a rebuttal. And I said, well,
say something, man, what you feel about this two apps?
When you get two apps?

Speaker 1 (57:40):
That's crazy? He said, well that what are the f's
is for me and the other is for you.

Speaker 4 (57:47):
I was waiting for it.

Speaker 3 (57:49):
Said, yeah, look, you don't know what you're doing all right,
he said.

Speaker 1 (57:56):
He said, my teacher told me that you need to
go to a grown up.

Speaker 4 (57:59):
School, and he brought your application from the toy building place. Right,
He's a come with me. We both need a job.

Speaker 3 (58:07):
There there it is, yeah, man, but children to school.

Speaker 1 (58:12):
It's crazy, bro, I don't know what they wanted. It
would be like robots or so.

Speaker 4 (58:16):
Yeah that man, how much that?

Speaker 1 (58:17):
I'm gonna ask you a question. How much math do
you really need to know?

Speaker 3 (58:21):
You?

Speaker 4 (58:22):
I mean, you know how to count this money, right,
I mean you need plus and minas. We need to
know how to figure out our bank accounts and how
to how to buy things and things like that. But
you know geometry and trigonometry and all that shit. Man,
it's over my head and I don't know where you
use it. Yeah, none of that.

Speaker 1 (58:36):
Ship is the letter? He like? What E times X
equals forty nine by this four?

Speaker 2 (58:44):
What the fuck is that?

Speaker 3 (58:48):
That's like the three body problem? Like is it aliens
trying to figure out how stupid or how what? I'll
try to count on my fingers. The teacher kicked me
out to school, not out the school, but at the room.

Speaker 4 (58:59):
Yeah, that's a beautiful A B C D.

Speaker 1 (59:02):
He has to be five.

Speaker 3 (59:04):
So five times he said, they get the funk out
of here.

Speaker 1 (59:09):
With the curse wordy bron get the funk out of here.

Speaker 9 (59:12):
I said, I'm remember electrician by trade, so I gotta
use formulas.

Speaker 3 (59:16):
You know, like that that's why you bad. That's what's
wrong that you get all you got electrocuted Nigga, you
like uh Jamie Fox and Spider.

Speaker 1 (59:27):
Man, nigga electoral got that hair that he's dealing with formulas.
I got a head massa, man, you Nigga's.

Speaker 4 (59:39):
Cy He's all about those fractions. He knows.

Speaker 1 (59:43):
I'll be dealing with formulas. Get the fuck out of here.

Speaker 4 (59:51):
It's all about those mathematics. See Messiah knows about it.

Speaker 3 (59:56):
What's the real ship though? Man, messiahs definitely man like.
He's a well added or well thanked.

Speaker 1 (01:00:03):
Uh.

Speaker 3 (01:00:03):
He's a big brother man like for real, Like he's
a big brother to the rakers.

Speaker 2 (01:00:07):
Man.

Speaker 1 (01:00:08):
You know, we all appreciated. Like his presence is felt.

Speaker 3 (01:00:12):
Uh, shout out to shout out to my man v
love there was besides was having a dope conversation last night.

Speaker 1 (01:00:20):
I was just having like getting the ear full of

Speaker 3 (01:00:23):
They was talking about, you know, like the old school
rappers and shipped and people that they work with.

Speaker 1 (01:00:29):
But it's just dope.

Speaker 3 (01:00:29):
Like I feel like I'm a part of real hip
hop history what I'm around and well what I went
told definitely, but well would the other people come around
and you know what I'm saying, it's just dope man,
Like I feel I'm just blessed. Man, I'm blessed to
be in the presence of Tone. You know what I'm
saying that I fuck with him, but that's my big brother.
You know what I'm saying. No, Yo, Nigga had a

(01:00:55):
band of Liro yesterday from fucking Vietnam or some ship.

Speaker 2 (01:01:03):
They get crazy. I'm telling you, get crazy.

Speaker 4 (01:01:06):
That's the next the next album cover.

Speaker 3 (01:01:09):
Yeah, it could be the title if you if you
do the titles that was covered for this album, that bad.
The lyric might not, it's not bad, but you know
what I'm saying. Something in front of it, man, Well,
I know.

Speaker 4 (01:01:22):
That easy Man dils Nagasi plus Tone Folks equals Iron
Angelis and this ship is fucking dope as hell. Everybody
out there, make sure you seek these two guys out.
Check out Reagan Era, check out Messiah Madness. Check out
this album. Man, anything you guys want to leave with,
let the people know about this record, man before you
guys bounce.

Speaker 2 (01:01:43):
Something like this is definitely it. Yeah, all the album,
you know what?

Speaker 3 (01:01:50):
Uh uh, Well, shooting the video the other day and
and and you know, the camera man goes say something
about the album and I pointed tone in tone just
it's the hardest time of a year, and I'm like, well,
you you're not going to say anything.

Speaker 1 (01:02:04):
Else about it, like why He's like, no, that's it.
You gotta explain, you know why or what it is?

Speaker 3 (01:02:14):
The Yeah, fucking nah. But I definitely with this particular album.
It's brash, is like raw lyricism. It's going to take
you back for me, the mind state I was in
while writing it. Uh, the majority of the records, I
was back in the cipher when I was like sixteen,
you know what I'm saying With the with the backpack on,

(01:02:35):
when we had to get on the bus and go
wherever these dudes was at and we hop off the
bus and we get to tearing into these motherfuckers, like
you know what I'm saying, like fuck your mother, with
a pipe bomb, like, Yo, why where did that come from?
I was having a conversation with Tone and it was
just like, fucking let's start this ship like this, fuck it,
this goal, Let's get at him.

Speaker 1 (01:02:55):
Is this the time it is?

Speaker 3 (01:02:57):
Let's go shout out to you know, all the battle
rap dudes man like that? That really you know what
I'm saying that really do it as a living man?
Get you got these one of my people, salute to him.
You don't hear that type of tone on music anymore
on on the album, so we kind of brought that
feeling back.

Speaker 1 (01:03:13):
I want to say that that that battle rap edge
on music on production.

Speaker 3 (01:03:18):
So that's what That's what this is.

Speaker 1 (01:03:20):
Man.

Speaker 3 (01:03:20):
If you want that grimy ship, you want to you
know what I'm saying, You want to get amped up
to go punch somebody in the face. Maybe you know
what I'm saying.

Speaker 1 (01:03:26):
Maybe you don't. Maybe you don't have the gall by
yourself alone.

Speaker 3 (01:03:29):
Put the ship on.

Speaker 1 (01:03:30):
Drink you a motherfucking thrink, you a couple of bud.

Speaker 3 (01:03:34):
Lights and ship smoke, half a joint. You're gonna go
punch somebody in the face.

Speaker 1 (01:03:38):
Man, you don't know. If you don't punch your niggas
in the face. You may you may punch his grandmother.

Speaker 2 (01:03:42):
I don't know.

Speaker 3 (01:03:42):
Somebody could get punching the face though. You know what
I'm saying this is that punch your face music.

Speaker 1 (01:03:48):
That's what it is. That's what a tone. Just just
to punch your face music, man, that's what it is.

Speaker 4 (01:03:55):
Just stab you in the alley type.

Speaker 1 (01:03:57):
Man.

Speaker 4 (01:03:59):
There's a lot of rama's out there, like, hey, why
do you want to well, you goulna get us punched.

Speaker 1 (01:04:04):
Yo, it's crazy.

Speaker 3 (01:04:05):
Hey, real quick, this is unrelated, but it is shout
out to my man Blast.

Speaker 1 (01:04:10):
We was in Germany and this chicken had it.

Speaker 3 (01:04:12):
We just survived the crash on the oudobn Right, we're
doing like fucking as fast as the Honda Civic could go.

Speaker 1 (01:04:18):
My man had this Honda Civic fluid. We're doing as
fast as.

Speaker 3 (01:04:21):
We can go on the outer barb bro. And I
remember Ludacris was playing throw them bowls or some shit, right,
this is the time.

Speaker 1 (01:04:28):
And I remember looking over to the left.

Speaker 3 (01:04:31):
I got a bottle of champagne in the back and
I'm smoking a cigarette and I look and the car
slows down. Everything slows down like the matrix broke in
real life, and I look and the sign shows a
splitting road. But we're doing like as fast as this
car can go.

Speaker 1 (01:04:44):
I don't know.

Speaker 3 (01:04:45):
Maybe it's one hundred, maybe it's I don't know. We're
fucking zooming. We fly off the goddamn.

Speaker 1 (01:04:50):
Thing we crossed.

Speaker 3 (01:04:52):
We crossed the we crossed the freeway, and we just
jump off the The car goes up, it slams down. Bro,
fucking cigarette burns my face, the bottle crashes, We hit
a tree. Fucking air bash come out. My man's head
went through the windshield. All this shit, right, man, I'm
hearing this. It's white everywhere.

Speaker 1 (01:05:11):
I'm dazed like a motherfucker right like, and to this point,
I've been in fights and shit, but I never been
dazed like this. Right, I'm like, oh, ship, I can't
find my legs, but I moved. I bust out the
car and run up to the top of the ship.

Speaker 2 (01:05:22):
Right.

Speaker 3 (01:05:23):
Paramers come. They get the rest of these guys out
the car. They're like, why you ain't helping get out
the car. I said, Man, I gotta get the fuck
away from that shit.

Speaker 1 (01:05:29):
Bro. The motherfucker about the blow up, Nigga, somebody gotta
live to tell his story.

Speaker 3 (01:05:33):
Man, Yeah, I'm not. I'm not a fucking firefighter. Bro,
I got to get away from this motherfucker. Case's blow up. Anyhow,
Blast makes it out as well. The first two people
to front, the driver and passenger. They go to the hospital.
Me and Blast get together. Blast was actually a producer.
Now we in Germany. Went in the cab and we
riding back and we just like thankful, we think of God.

(01:05:54):
And then we're getting back to the barracks. Were getting
close to the barracks. He's like, man, fuck going to
the barracks. Go fuck with some bitches. I said, God damn.
They all right, well fuck it the Yeah, I mean
we just wrist certain death. Well, what other way to celebrate?
We need some check that out.

Speaker 1 (01:06:12):
Fast forward, were in the We're in the house with
these chicks and she got a cat.

Speaker 3 (01:06:16):
But we like, like ten stories up. We're like, oh, Bro,
like in this building and you.

Speaker 1 (01:06:24):
Know, the chicks go to the shower. I don't know,
they go with the shower. It was kind of weird.

Speaker 3 (01:06:28):
They both left at the same time, and this cat
kept fucking bothering Blast. I don't know what the fuck,
what's up?

Speaker 1 (01:06:34):
With it.

Speaker 3 (01:06:35):
Blast said, Yo, if this motherfucking cat come over here again,
I'm throwing them out.

Speaker 2 (01:06:39):
Throwing it.

Speaker 1 (01:06:39):
I said, y'all, like, you gotta chill. This is the
woman cat. They love the cat.

Speaker 3 (01:06:44):
Right when we first got in there, you ain't sure enough.
The cat fucking with Blast Blast grabbed that motherfucker and
threw him like a football out doing crazy.

Speaker 1 (01:06:55):
It's crazy. I'm not.

Speaker 3 (01:06:56):
I'm not saying nothing, you know, with Peter and Blast
through this motherfucker out the window, and I'm like, yo,
this is crazy. We go look out the window.

Speaker 1 (01:07:05):
The cat is gone.

Speaker 3 (01:07:06):
So that fucking bounce back. But at the end of
the day, this is that music. This is though motherfucking
animals out of ten got.

Speaker 4 (01:07:15):
I'm like, I'm sitting the man, where's he going?

Speaker 3 (01:07:18):
I said, this is that throwing nigger animal off of
ten story building ship.

Speaker 4 (01:07:24):
An animal that land and be able to walk away
from it.

Speaker 3 (01:07:27):
Though, Yeah, if it's flatters, that's kind of different.

Speaker 1 (01:07:31):
Righter was gone. It was no cat. I think it
came back to the door about the time we were leaving, actually.

Speaker 4 (01:07:37):
And punched them nine lives bitch hit him in the face.

Speaker 2 (01:07:47):
Yeah, man, hey, it was Was it true? I was
talking to.

Speaker 1 (01:07:50):
I told you about the dude that was laughing, the
German guy that was laughing.

Speaker 4 (01:07:55):
Tone, you probably don't know. Maybe you know about this video.
You need to show tone. He hasn't seen it. Deals
came out of here like three years ago, may maybe
probably longer than that. Are you're talking about this this
video of this talk show where some guy at this
like high pitched voice and uh, he's having trouble with
his girlfriend or something, and the guy interview and just
couldn't stop laughing throughout the whole thing. It's it's hilarious.

(01:08:17):
It's wrong, but it's hilarious.

Speaker 2 (01:08:21):
Yeah.

Speaker 1 (01:08:21):
I laughed batter when I first see that ship.

Speaker 3 (01:08:23):
I'm telling you, I laugh.

Speaker 1 (01:08:24):
I laughed for a long time.

Speaker 2 (01:08:26):
Bro.

Speaker 1 (01:08:26):
You know it's hard, like like I want to I
want to say this, bro, it's infinite. It's infinite bad
just so we're heavy infinite.

Speaker 2 (01:08:33):
Yeah.

Speaker 3 (01:08:34):
I had a conversation with somebody. I was like, yo,
I don't know what's better, Like if you know what
I'm saying. Of course, you know you have a sex bow,
you get your you get your euphori get you get
that feeling. But that ship is like for like a
matter of moments, a gut laugh, a laugh to where
you can't breathe and like you on the ground, and
you you know what I'm saying, like that laugh.

Speaker 1 (01:08:53):
I don't know in comparison, bro, I think that laugh might.

Speaker 2 (01:08:57):
Be like better.

Speaker 1 (01:08:58):
Bro, you know what I'm saying.

Speaker 3 (01:09:00):
Like I had that shit like maybe like five times
of my life, and that video was done. That video
is what this shit had to be on the ground, bro,
Like I couldn't breathed something nobody wrote. You can't even
I mean, you can write it down because you see it,
but it was some shit like unscripted.

Speaker 1 (01:09:20):
I don't know.

Speaker 4 (01:09:21):
No, you know what it is, dios, is that something
like that is always gonna be funny. It's never gonna
not be funny. If you find it funny, it'll always work.
Whereas in like something like sex you're talking about, you know,
it could go different levels with that. You know, it
could be bad, it could be good, it could be indifferent,
you know what I mean. But something that's funny like
that will stick with you every time you watch it.

Speaker 3 (01:09:38):
Man, Yeah, man, hey, regardless, I don't know, man, Like
I've got a tough guy, bro, you know what I'm saying,
I'm tough though, don't get me wrong. Like you know
what I'm saying, I've been to the r infantry. I've
been in the infantry. I've been like a lot of
the tough shit I grew up at the Juggles sounds
in real so like you know, I'm sturdy. I'm sturdy,
you know what I'm saying. I I can handle myself.

(01:10:01):
But at the end of the day, I don't like
to Really you're hearing my music, but I like fucking laughter, bro,
I like jokes. I think in my heart I'm a
fucking comedian. You know what I'm saying. I will bag
on somebody to the point they want to fight, and
then we can fight. I'm not the nigga that's really
I'm like, Yo, man, I don't want to fight.

Speaker 1 (01:10:18):
I'll just be a fight.

Speaker 3 (01:10:19):
You will fight, and then I'll fucking nigga up, like
you know what I'm saying, like man like, and then
I'm gonna laugh at you after that. But it's like
I would rather laugh. I would rather have a you
know what I'm saying, A good joke. And with that, bro,
check this out.

Speaker 1 (01:10:30):
We caught you all this. I'm about to tell you
the world's funniest joke.

Speaker 4 (01:10:33):
You ready, let's go.

Speaker 1 (01:10:35):
Why did the chicken cross the road?

Speaker 4 (01:10:37):
Why did chicken? Why?

Speaker 1 (01:10:38):
What happened to get to the gay guy's house? Oh? Geez, knock, knock.

Speaker 4 (01:10:48):
Who's there the chicken?

Speaker 1 (01:10:50):
Oh shit?

Speaker 4 (01:10:53):
Put on that door, double lock it because you can't
see the chicken through the people. So you know, like,
what the fuck?

Speaker 1 (01:11:08):
I quit? Bro?

Speaker 3 (01:11:09):
Look, hey, you need to start doing start doing that ship. Hey,
you need to start doing your ship like live bro,
Like you know what I'm saying, Like with the cameras
and ship.

Speaker 4 (01:11:26):
Yeah, maybe one day, Right, I've been doing this audio
thing forever, but maybe one of these days I'll do
an audio.

Speaker 1 (01:11:33):
Me and told was actually together.

Speaker 3 (01:11:35):
I don't know if you see the other interviews, like
we call it in from different places, but we was
actually in the same city.

Speaker 1 (01:11:41):
Like we're still in the same city. I guess you
know what I'm saying.

Speaker 3 (01:11:43):
But I was thinking that. I was like what I
was thinking, like if a batcher is just a calling,
because we were going to stay. We was gonna say
fucking stay up in the studio today you would have
had an epic interview.

Speaker 1 (01:11:56):
Yo, what the fuck is that you're.

Speaker 4 (01:11:58):
Talking about reformatting this whole thing now, just so he
could have that one time.

Speaker 3 (01:12:01):
Right, And I guarantee you, bro, it would have been insane.
You got upstad shout out to Crease Khakis. Uh you
got a man, it would have been crazy. You would
have had so many characters. We definitely need a TV show.
I just haven't found the time to write.

Speaker 2 (01:12:17):
Yeah.

Speaker 4 (01:12:17):
Man, now you guys have something there for sure, you know,
not as funny as uh that talk short the guys
laughing making fun of the dude with the speaking mouse voice,
you know, who's having problems with his lady or something.
I gotta watch the video again, man, It's been a
wile since I've seen it. Maybe hang up his phone
right now and check it out. A tone you to
look for it.

Speaker 2 (01:12:39):
The funniest thing, bro.

Speaker 1 (01:12:41):
You know what's funny? Bro, I don't even know how
he got it too. That conversation.

Speaker 3 (01:12:45):
Who was just shot He was talking and then look
told fucking like it was like a while later. I'm like,
I'm I'm going through input the bad I'm going through
like you know it was somewhere you was like, hey, man,
I was talking to this dude deals and he told
me about this video that I try to watch this
ship once a year and ship and that's how I funny.

Speaker 4 (01:13:06):
That is true.

Speaker 3 (01:13:08):
Man.

Speaker 2 (01:13:08):
I have gone back, Yeah, man, I have.

Speaker 4 (01:13:11):
I have gone back to it. You know, I might
have been lying I said once a year, but definitely
I've seen it three or four times since I talked
to you. And you know what the funny thing is, deals,
I know you probably sent to a lot of people.
Not everybody has the same reaction. Some people are like, oh,
that's me and that's not nice. I'm just like, yeah,
but it's fun everybody.

Speaker 3 (01:13:27):
I know.

Speaker 1 (01:13:28):
Everybody I know it's pretty much assholes.

Speaker 4 (01:13:30):
Bro Okay, I know some nice people, so I guess
it didn't work with everybody.

Speaker 1 (01:13:37):
Hey my mom My mom ain't even nice. Man.

Speaker 3 (01:13:39):
My mom is like a fucking terrorist. Bros. She's a
bad lady.

Speaker 4 (01:13:45):
Tone won't like it, but Messiah will love it. Right,
It's like that.

Speaker 1 (01:13:49):
Exactly exactly total like it.

Speaker 3 (01:13:52):
I think totally like it too, though.

Speaker 1 (01:13:53):
Told us.

Speaker 3 (01:13:54):
I'm gonna tell you guys a secret. Told is pretty
fucking violent.

Speaker 2 (01:13:58):
Is pretty violent.

Speaker 1 (01:13:59):
He's violent, as told So the Messiah badness is even bore.

Speaker 3 (01:14:03):
You know what I'm saying. Like you imagine like a
nigga wuld be like, Yo, I'm gonna rip this envelope
in a half, Like why are you gonna do that?
Even your invelope don't give a fuck. I just wanta
rip the hand that's tall. Messiah Baddis misides. Madness is like, yo, nigga,
take it to long, give me the bricks, said, all right,
what are you about to do it?

Speaker 1 (01:14:20):
You put the bricks into dryer ship and turn the
higher He's like, you lead.

Speaker 4 (01:14:29):
That's the next level right there, man, or lower level.

Speaker 3 (01:14:33):
That's crazy nigga.

Speaker 1 (01:14:34):
Hey, Messiah, Madness is dastard.

Speaker 2 (01:14:36):
Lead nigga.

Speaker 3 (01:14:37):
This niggas is like a fucking a criminal of a
cartoon that like fuck it. Put it bananana and this tailpipe. O.

Speaker 4 (01:14:43):
Hold, I'm not gonna fall for banana the tailpipe? Yeah man, yeah, butsid,
I remember when you came out before, you send me
some songs and some tracks that were a little more
on the X rated side.

Speaker 3 (01:14:56):
So I know you got boy.

Speaker 1 (01:14:58):
You hear this man's dogs.

Speaker 4 (01:14:59):
Yeah, So this nigga is crazy.

Speaker 3 (01:15:03):
He flipped some crazy I'm talking to him and he
said I'm talking to him like he was told folks
I'm talking to him and he's like, here, check my music. Guy,
he said to music. I said, this is not the
guy I was talking to this In one of the videos.
He was getting out of the casket. My brother said
he My brother dropped the phone there and then he.

Speaker 2 (01:15:20):
Said this, this got out the casket.

Speaker 4 (01:15:27):
Crazy man.

Speaker 2 (01:15:29):
Do you know this?

Speaker 3 (01:15:32):
Man? I mean, he said, damn this nigga just got
out of the casket. Man, you gotta watch that nigga.
Oh ship, Oh my god.

Speaker 1 (01:15:44):
Hey, my brother is.

Speaker 3 (01:15:45):
Like a jejeeo g from the hood, like nigga said, Man,
watch that nigga. Man get out the casket. Old video
and he rapping the ship. Yeah, ship, it's not the movie.
This stick at the video doing this ship. This niggas crazy.

Speaker 4 (01:16:03):
Yeah, you throw them off with that one.

Speaker 3 (01:16:06):
He fuck it up then, but hey again, no, it's
a mad love man. I don't know.

Speaker 1 (01:16:12):
For some reason, I attract like crazy people.

Speaker 3 (01:16:15):
You ain't told that the people I know, like you say,
all those people crazy told are they like regular people?

Speaker 2 (01:16:21):
And they ain't regular motherfuckers hardly. All the shit that
go on over there, Like I said, man, it's you
better have some thick ass motherfucking skin over.

Speaker 3 (01:16:32):
There, iron skin, iron iron angelus Mo.

Speaker 4 (01:16:37):
Yeah, there it is.

Speaker 1 (01:16:39):
Man.

Speaker 4 (01:16:39):
You gotta be built differently when you're walking in there.

Speaker 3 (01:16:41):
This is the hardest part about having the crew. Man.
Everybody don't want to work. If you got a crew,
you know what the crew is like you what I'm saying, Like,
you go out to do construction or whatever the fuck
you doing, you might have twelve members.

Speaker 1 (01:16:54):
Everybody on the job site ain't there to really work.

Speaker 3 (01:16:56):
Some niggas there, you know, true gum and shit, just
motherfuckers there to get out the house. You know what
I'm saying, Like I see you as long as the
check come, everybody ain't there to work. You got full
four five niggas working out of twelve and the other
y'all ain't gonna be able to come back to the
next sucking work side.

Speaker 1 (01:17:14):
Y'all.

Speaker 3 (01:17:14):
Niggas gonna getting fired, bro. Niggas niggas doing graffiti. You
know what I'm saying, Niggas break that.

Speaker 1 (01:17:20):
You break, nigga, We had work what you're doing, we're
supposed to be working. Bro.

Speaker 3 (01:17:24):
That's that's that's family as well, though you got family
like that, cruel family.

Speaker 4 (01:17:30):
Yeah, man, that's that's everybody can relate to that. There's
always one or two people that you kind of have
to help, you know, get through it because putting a
lot of the work in yourself.

Speaker 3 (01:17:39):
And yeah, if you've seen that, if you if you've
seen the progress of this ship, bro, like, I really
put my all into this.

Speaker 1 (01:17:46):
Man. That was one of the things too, Like Messiah
reached out.

Speaker 3 (01:17:50):
I was, I was glad somebody, I mean, besides you
and you know what I mean, other people that we
deal with with Jerry and ship like that, but somebody
else seemed the work that I'm doing, bro, like you,
I'm saying, I'm making the beats, I'm fucking doing all
the rhymes.

Speaker 1 (01:18:03):
I'm la And he hit me like, man, are you
really doing all them?

Speaker 3 (01:18:07):
I said yeah, he said, he said, salute you dope, bro,
and something as simple as that. Though that's a that'd
be like enough for me sometimes, you know, I mean
to put the spark back and let me get back
in and create because I'm dealing with twelve people, and
twelve people don't always want to work.

Speaker 4 (01:18:24):
It's hard, man, trying to get everybody in the same
the same wavelength, right.

Speaker 1 (01:18:28):
But well, when you when it's a like it's a dream.

Speaker 3 (01:18:31):
This is a dream, man, Like you know what I'm
saying having this interview, you know what I'm saying, working
with my brother tones and all of that.

Speaker 1 (01:18:38):
This is a dream. This is some ship.

Speaker 3 (01:18:40):
I was a kid somewhere, you know what I'm saying
at my grandmother's house thinking like, dude, I want to
be a rapper, like I want to I want people
to listen. You know what I'm saying, Like, this is
a dream. How do you force somebody to live they dream?
You can't do that, can't you.

Speaker 4 (01:18:54):
It's hard, man, because you know, not everybody wants it
to the same degree that you do, right, or maybe
they have other things that take their focus somewhere. You
know obviously people family or bills and stuff. Maybe that
becomes the focus. But yeah, man, not everybody has that
same drive, right, or that same ambition like on.

Speaker 2 (01:19:13):
My end, you know, like people, you know, it's around
me back home.

Speaker 9 (01:19:16):
I got to put it in all this work, and
then like once I got it to a certain point,
motherfuckers want to hop on.

Speaker 3 (01:19:23):
Like fuck that ship. You know what I mean.

Speaker 2 (01:19:26):
I put it in all the motherfucking work. You can't
be back.

Speaker 4 (01:19:33):
It's like doing that project in high school, there's like
five people out together and there's like that one person
who doesn't do anything, but he gets to a just
like everybody else did who did the real work. Yeah,
same kind of thing, right.

Speaker 1 (01:19:42):
Yeah, exactly, that's it. I couldn't explain it better.

Speaker 4 (01:19:45):
Bro, Yeah, because I was because one time I was
that person who didn't understand. It was like a math class.
I don't know how to do this. Ship you guys,
just do it and put my name on it. I
don't know how to do this shit.

Speaker 3 (01:19:55):
Yeah yeah, hey, that was you know, like low key,
that was me.

Speaker 1 (01:20:00):
Is me throughout my life.

Speaker 3 (01:20:01):
Man, I just do what I what I love, I'm selling,
but I don't I enagle the bango, you know what
I'm saying. I know how to get it red. Look,
while everybody's doing the work, I just tell them jokes
and ship and say like funny weird shit, and they'd
be like, yo, you're a funny dude.

Speaker 1 (01:20:16):
Just you don't got to do nothing.

Speaker 4 (01:20:18):
Just come with us, and they were all right, just
balance things out and get this thingey.

Speaker 3 (01:20:24):
Say some of that ship, Say some of that funny
shit you was saying earlier. Say what you were saying
about the boss. They was like, all right, work and
they do it all the work. I'm just sitting there
like fucking Rodney Davidfield or something.

Speaker 4 (01:20:36):
As long as the check comes, you guys all get deals.
Nagasi tone. Folks killing it with this new album Iron Angels. Everybody.
Make sure you listen to this whole interview here. Now
you want to go hear the music, go make sure
you find it on all platforms. Man, suits of both
of you guys are coming through here. Had a lot
of fun and I like doing these interviews. It's not
just you know, what about this song? What about that song?

(01:20:56):
You know, we didn't really do a lot of that.
It was just you know, kind of playing around here
and talking about some crazy ship. And that's that's what
I always get into.

Speaker 1 (01:21:03):
Man. So salute to you guys, Salute to you brother.

Speaker 3 (01:21:05):
And I always feel like this. This is the note
to any person that's doing interviews. Try your best to
get to know the people. You know what I'm saying,
like the music is there, unless you're gonna have people
rap on the show. I'm not talking like, I'm not
coming at you like I'm just saying like, yeah, people,
unless you're gonna have people bus rhymes on the show.

Speaker 1 (01:21:25):
If you're not doing that, but you're gonna talk to
the artists. Talk to the artists. Bro. Like what I'm saying,
uh so to what you think about when you make
the song?

Speaker 3 (01:21:32):
Motherfucker?

Speaker 1 (01:21:33):
What I was thinking about is in the song.

Speaker 3 (01:21:37):
I was thinking.

Speaker 4 (01:21:38):
What I'm talking about lyrics.

Speaker 3 (01:21:41):
Ask me what I thought about when I made It's
in the song, Nigga, That's what I thought about.

Speaker 1 (01:21:44):
That's everything I thought.

Speaker 3 (01:21:46):
I like, I like, I like fucking you know, questions
where it's more to understand the people I think. And again,
I know I'm not trying to like you know, I'm
not trying to turn hip hop into you know, like
a fucking psychiatrist meeting, But hey, what's up with y'all?

Speaker 1 (01:22:01):
Man?

Speaker 3 (01:22:02):
You know what I'm saying, Like what motivates you? May
what you be thinking about on a day to day
It is what you be up to, MONIGGI, what you
be doing, man I And then you start to hear
different stories. I'll try, I get up, I try to do.

Speaker 1 (01:22:12):
Like a hundred push ups, but then I go drink
like five beers. So I don't know if that offset shit.

Speaker 3 (01:22:16):
I don't know if you do. Now you start to
get knowing BB like, why are you drinking? You did
a hundred push up?

Speaker 1 (01:22:22):
Did you drink five years? Are you wild? What's up
with you?

Speaker 3 (01:22:25):
You know? What's your life like?

Speaker 1 (01:22:26):
Yeah?

Speaker 3 (01:22:26):
I mean what's your life like?

Speaker 1 (01:22:27):
Type ship?

Speaker 3 (01:22:28):
You know what I'm saying. You be taking vitamins?

Speaker 1 (01:22:30):
How old are you? You need to take some vitamins.

Speaker 3 (01:22:32):
That ship is though, because it's gonna be uh informative
to the listener, not only they, So somebody may be
going it's not even me out of this entire world,
somebody's probably going through the same ship I took. I
took my skied, paid for my kid to go to college,
then get a bachelist. He ain't invite me to the graduation.
What type of ship is that?

Speaker 1 (01:22:50):

Speaker 3 (01:22:50):
But it's somebody in the world that's listening to if
for the advance will be like because you ask them to,
you ask them the different selected questions, will leave them
and ship like that, you know what I'm saying, Like,
I think, I think what you got is going as
dope every now and then, at least when you talk
to us, put a camera on the motherfucker for.

Speaker 4 (01:23:09):
The pressure on.

Speaker 3 (01:23:10):
He's the camera.

Speaker 1 (01:23:11):
That motherfucking b I'm telling you, we could go, we
go YouTube, we go viral.

Speaker 3 (01:23:15):
They put us on TMZ to be crazy.

Speaker 4 (01:23:17):
I will say this in my notes, I had nowhere
in there something about did you ever throw a cat
out the window or you bring your guitars? Like No,
none of my notes had that in there, So it
definitely took it somewhere else.

Speaker 3 (01:23:28):
Hey, man, the autobile crash. Nobody knows about the autombile
crash except for my mobs and ship, my Bob, my brother.

Speaker 1 (01:23:35):
We almost died. Like it was crazy. It was bad,
but we survived. My dad threw a cat out of it.

Speaker 4 (01:23:42):
Yeah, it's like that's actually worse than the crash.

Speaker 3 (01:23:46):
Like he survived only to try to kill something. That's
the nature of man.

Speaker 1 (01:23:51):
Man, that's it's a deeper story in the story, you
know what I'm saying.

Speaker 3 (01:23:56):
So next time we do another interview, we can break
it down, Like you know what I'm saying, But we
laid the premise already.

Speaker 1 (01:24:01):
Deeper story and the man.

Speaker 3 (01:24:04):
That almost died trying to kill something crazy. But you
gotta imagine we both in the infantry. Somebody sent us
to go kill other motherfuckers.

Speaker 1 (01:24:12):
We got trained. It's crazy. It gets deeper, man, you
know what I'm saying. The mind of a know it's crazy.

Speaker 4 (01:24:17):
There you goverybody listen. Now, you know how an album
like this gets made because you got these two guys
coming at it from this mindset. So it's definitely, you know,
amazing to hear these stories.

Speaker 3 (01:24:28):
And he sent me the beats.

Speaker 1 (01:24:32):
I just started thinking about throwing cats out of the windows.

Speaker 4 (01:24:37):
He's talking on an animal over too, So it's like
I'm like sitting here like, oh, ships, what's.

Speaker 1 (01:24:42):
No, I'll tell you to catch a vibe again? Got
the funk out. It's bad though.

Speaker 2 (01:24:50):
I know.

Speaker 3 (01:24:50):
I know people out there. People love a lot of ship.
And I got bit by Plo the dog in the studio. Man,
I just got bit by that motherfucker. But it didn't
break scared, And they tell me all he was just
he was just playing.

Speaker 1 (01:25:02):
No, that motherfucker wasn't playing.

Speaker 3 (01:25:04):
They'll tell me animals don't bite, how they eat that
hard ass Kimble's and Mitch, you never trying to bite
a kibble? Admit that should have must your teeth? Watch
your motherfucker head you try to bite one of them.
The dogs eat kibbles and bitch and you'll tell me
they won't bite a hewett.

Speaker 4 (01:25:20):
I definitely never tried.

Speaker 1 (01:25:22):
I tried.

Speaker 3 (01:25:23):
I was very mischievous as a child. I wanted to
see what the fuck was going on. I bit that motherfucker.
Damn the crackb.

Speaker 4 (01:25:32):
What he's talking about.

Speaker 3 (01:25:35):
Look that I want. I want you guys to know.
I think at the beginning of this interview you should
put tall folks, theos Lagassi are avid animal lovers.

Speaker 1 (01:25:45):
We with pee it saying we with the Peter people.
We like that ship.

Speaker 4 (01:25:49):
No animals are killed in the in the making of this.

Speaker 2 (01:25:52):
Making of this interview.

Speaker 3 (01:25:54):
Animals were actually harm in this interview.

Speaker 4 (01:25:57):
There it is, man, big up to you guys are
coming through. Man, always honor having you both on.

Speaker 1 (01:26:04):
And I know there's more.

Speaker 4 (01:26:06):
Yeah, I appreciate you man, and and uh some some
funny stories man that the second half of this thing
is on another level. So mad props you guys are
coming through, and uh, man, I can't I can't wait
to hear the next stuff from you guys too, So
big salute, salute to you brother.

Speaker 2 (01:26:23):
Man.

Speaker 1 (01:26:23):
Appreciate you having video loss.

Speaker 4 (01:26:27):
Yeah, yeah, I definitely check out all the stuff you
guys got coming out. And speaking of videos, I gotta
go on YouTube now and do my yearly check out
that that crazy video that deal has put me on
two years ago.

Speaker 1 (01:26:38):
Man, man a salute, brother, appreciate you.

Speaker 4 (01:26:41):
Man Dials Nagasi Tone Folks. A new album, Iron Angels
out right now. Don't see it. Go listen to it,
check it out and support you. Yeah. Yeah, this this
album is for people who are maybe okay, your shoulder
shrug catch me through out the window. I guess so
here this hard hard hard ship man for people sitting

(01:27:05):
around you know, you know, with their footies on all
day and you.

Speaker 3 (01:27:07):
Know, yeah, you know what I'm saying, sitting around playing
bad gas and the ship.

Speaker 1 (01:27:11):
No, this is you know what I mean? Like, Yo,
what you say by smack a bitch?

Speaker 4 (01:27:16):
You know what her grandma? You talked about punching grandma's earlier.

Speaker 1 (01:27:20):
Yeah, a punch of grandpa.

Speaker 3 (01:27:22):
You know what I'm saying. She may not have a teeth,
She may not have a good teeth. She might have
the other ones. Yeah, mean have an other one, not
the one she wear a dinner, Yeah, I mean you
had the one you wear around the block.

Speaker 4 (01:27:32):
Oh Man, there's a lot of grandmas right now that
are pissed off coming for you.

Speaker 1 (01:27:38):
You know, it's crazy.

Speaker 3 (01:27:39):
My grandma pushed the ship out of me. Get the
time she give Cai me a baby. My grandma said,
can be a baby. You be talking too much.

Speaker 1 (01:27:47):
Just swing on the.

Speaker 3 (01:27:48):
Nigga, hook her nigga in the face. That my grandmother, Bertha,
Bertha frire.

Speaker 1 (01:27:52):
I love her, I love her that she like ninety,
She like ninety died or some ship.

Speaker 4 (01:27:56):
She got a right hook crazy.

Speaker 1 (01:28:00):
Man hat.

Speaker 3 (01:28:01):
You know what she tells me. She say, turn me loose.
I said, granny, you sound like you was on the
slave ship or some ship. I have never heard nobody
say turn me loose. I heard her mother buy say,
let me go, get your hands on me. She say,
turn me loose, turn you loose, all right, making your
own as granny, I'll fun you up.

Speaker 4 (01:28:23):
She's gonna bring that turnback that phrase. Nobody's saying that anymore,
but starting now, that's the thing. It trending. It's trending already, man.
Once again, Big up to you. Guys are coming through.

Speaker 2 (01:28:35):
Man.

Speaker 4 (01:28:35):
Everybody check out the album Don't Sleep Deal Snighassi toned
folts you know how it is. These guys bring it
every time. Salute to you both, man.

Speaker 2 (01:28:45):
No doubt.

Speaker 4 (01:28:45):
Thanks guys, Big big up to Tone Folks aka Messiah
Madness and Deal Snighassi from Reagan Arow Records. Both have
been on the show before, talked about this already. And
you know, a lot of times I'm doing an interview
recording with somebody or multiple people, like I am here.
You know, you never know where it's going to go
and how long it's gonna take. You know, there's a
point where I thought, you know, maybe in the thirty
forty minute part of this that it was kind of

(01:29:06):
wrapping up. But I should learn by now that you know,
you know, when I talk to Deals, it's going to
go somewhere else eventually. And and I like that, you
know what I mean, Like I'm not complaining at all,
and I'm glad that you know, he kind of had
some fun with the interview here, and you know, he
threw out the idea of, you know, doing a video
version of the podcast, which you know, you know, it's
not really my thing, but you know, maybe one day

(01:29:27):
I'll do a couple of special ones, but it's not
something that's that I'm really looking to do. But thanks
to those guys are coming on, and I hope everyone listening,
you know, just you know, I had had fun listening
to that and the interview on YouTube that they're talking about,
or deals was talking about you introduced me to three
or four years ago. Very funny clip. I'm not sure

(01:29:47):
if it's real or if it's like a sketch comedy thing.
It's in another language, but if you want to look
it up, go on YouTube. I know I talked about
this before. Just look up laughing during interview or funniest
video you've ever seen. It'll pop up on you YouTube.
It's like five minutes as a guy doing a kind
of like a like a Donahue show or a Jerry
Springer or something. He's interviewing two people who had some

(01:30:08):
medical conditions and he, you know, he has a hard
time containing himself. I don't want to get into it
too much, but it's pretty funny. I have no idea
if it's real or not, but regardless, it's hilarious. You
might hate me for telling you about it, so but yeah,
thanks again to these guys are coming on. Check out
their new album Iron Angelus, And as I said at
the beginning. You know, I'm definitely not you know, I

(01:30:29):
cannot relate to crashing cars and throwing animals out a window.
And his story reminded me of that scene in UACHEF.
Whatever it is, the guy who is I think he's
throwing animals out the window. So you don't know where
that originated from. Maybe the guy he's talking about that
story was watching Uachef and he wanted to emulate that
that guy so silly man. All right, let's go ahead

(01:30:52):
and wrap up this show. Thanks for checking out the
Infinite Banter podcast.

Speaker 5 (01:30:56):
This is a man beast right here, Man gold Chain Music,
Midnight Society and all that.

Speaker 2 (01:31:01):
I'm here with my DJ Southway.

Speaker 3 (01:31:03):
Man.

Speaker 2 (01:31:03):
You know what we do, man, We get.

Speaker 5 (01:31:05):
Crazy on an Infinite Banter podcast and throughout nothing but
the ill crazy thought processes and all that. So make
sure you tune into the Infinite Banter Podcast with my
man DJ soundwave Bomb.

Speaker 1 (01:31:16):
It's hard for you to leave asshold.

Speaker 4 (01:31:18):
All right, that is Kirk Casavedo doing what he does.
Tell me to get out of here, and that is
exactly what I'm going to do. Before I get out
of here. A couple of quick things. First off, I
just realized that this is my second podcast episode in
a row where I'm interviewing two people in the same episode.
So I think that's pretty cool to do that. I
don't do that very often, and to do it back
to back just something that just dawned on me as
I'm hitting record here, So I thought that was pretty cool.

(01:31:39):
Thought I mentioned it. Not sure if anybody cares, but
I'm mentioning it. That's kind of a cool thing to do.
To hear both sides, the producer and the vocal side.
You know, how they put things together. So that's pretty
cool when you hear that that dynamic. But a couple
of things I teas at the beginning, so at the
end of the interview, deals are saying that, you know,
we should do this as like a live video thing,
and it's not something that I'm into. I've been doing

(01:32:00):
for over six years. Some of you know. I have
our background in radio, so I'm not really keen on
doing a video of anything because I don't really want
to be on camera. It's nothing to do with like
I'm shy or I don't like how I look or
so I had nothing to do with that. It just
it's just more work it's just more effort. It's already
hard to do this. This audio version is already difficult,

(01:32:20):
but then to add like visuals to it and to
do all that. It's just it's a lot and I
put a lot of time and production into how this.
You know, these episodes turn out and sound. So it's
not something I'm really looking to do. I might be
open to the idea of doing one, you know, once
in a great while where it is done live as
a video thing, and you know, I record it as

(01:32:41):
I'm doing it, and I you know, cut up the
audio for later make it a traditional episode. But generally
it's not something I'm looking to do. But you know,
in his case, if he comes on again, I guess
I'm gonna have to do it that way because he
sounds like it's gonna be something he'd rather do than
have it on a telephone call, because you know, maybe
he's more amped up when he's when he's live and
got to I don't know, it'll probably make me be

(01:33:02):
more like uh whatever, you know, hiding from the camera
or whatever. I don't know, man, it's not my thing.
But related to that, so I did say it's like
a little special announcement thing. I have been toying with
the idea pun intended of doing like some sort of
video thing on YouTube where I rate and talk about
different toy things that I have. For instance, the other day,

(01:33:22):
I was in five Below and they had a Friday
to thirteenth, you know, like a stand with a figure
on it. It was like three or four dollars. So
I was like, man, I gotta buy this, but I
couldn't tell from the packaging what actually was in it.
So I looked on my phone while I'm in five Below,
and there was a guy who made a YouTube video
about it, and I was like, Man, why am I
not doing this stuff? I'm buying all this stupid shit

(01:33:43):
all the time. Super seven of course the sponsor here,
I should be filming this stuff and putting it out
on YouTube. And so eventually I think I'm going to
start doing it. I just need to figure out how
to do it, because I have no idea how to
do any of this stuff. But I will do something eventually,
and I'll let you guys know when that's out and
available on how it's done. It won't be anything elaborate,
it'll be something, you know, kind of like a side thing,

(01:34:05):
so I will do video stuff, but not for what
the podcast is. It'd be something separate, maybe somewhat tied in,
but not not really the podcast thing. So we'll look
into that. I'm trying to figure out how to go
about doing it and doing it properly, because when you
hear the episodes here, I put a lot of production
work into it. I don't want to just like film
something and just put it out. It's got to look

(01:34:27):
the way I want it to look, or I won't
do it. So we'll see. Well, it's something that i'm
considering doing. As my man Hans Solo said in the
Force Awakens, I'm thinking about it. I'm thinking about it.
I'm strongly thinking about it. And if I do do it,
this Jason thing I did, I did record myself opening
up the box and everything, so there is some video.
I just have to figure out how to put it
together and to produce it and put it out. So

(01:34:49):
stay tuned more to come on that. We'll see how
it goes. And lastly, as I said at the beginning
of the episode, in this episode, here's a good place
to talk about this. You know a lot of times
you hear songs in the car, like, I can't play
this album around my five year old daughter, It's not possible.
And a lot of music I like. I go to
Rock the Bells all the time, and as soon as
I see something on there that I know I can't play,

(01:35:11):
I have to turn it off. Or I have this
trick where I'll cough and she's like, Daddy, did they swear?
I'm like, yeah, like she knows when I do a
loud cough over the swear word, I'm trying to hide
it because I really want to hear you know that
ellow Cool Jay song where he says a bad word
or something. But a lot of times, and I've mentioned
this before, my go to is the Eighties channel.

Speaker 1 (01:35:31):
You know.

Speaker 4 (01:35:31):
Sometimes I go to Disney for her, and you know
that that's hard for me to listen to for more
than five minutes, except for the occasional you know, template
Doom or Mandalorian song they'll play on there, But generally
the fallback is the new Wave channel or the eighties channel.
And I have to say it, man, because she's digging
it and I'm having like a revitalization. Is that a

(01:35:51):
word of eighties music and especially culture? Club Man? Shout
out to boy George. You know, I remember liking that
music when I was a kid, but as I say,
to get into hip hop more, a lot of that
stuff kind of went by the waystside a little bit.
It's not that I didn't like it anymore. I just
wasn't focused on it, you know what I mean. So
playing it, I was like, man, there's some classics here
that tumblefore you joint. I mean, I played that one

(01:36:13):
all the time. When she loves it, miss me, miss
you blind that one she likes, I will both play it. Obviously.
Carmen Chameleon is a big one. Do you want to
hurt me? Songs like that? There's just like they got
some classics. I just feel like I overlooked them all
these years. I want to give them their flowers. Shout
out to boy George and Culture Club. I actually saw

(01:36:34):
on I was watching MSNBC recently and boy George's on
one of their morning shows talking about how he's part
of Mulin Rouge, like he's actually in the production of it.
He's part of it and that's kind of cool. And
he looks weird hats he likes really big like Dudley do, right,
hats on something that that's how he looks these days,
and just shout out to them. They made some really

(01:36:54):
good music. Big up to Culture Club, and I feel
like they're one of those groups that should get more
recognition because I feel like they made some really good
songs and my daughter likes it.

Speaker 1 (01:37:03):
I like it.

Speaker 4 (01:37:04):
It's our happy medium. It's like, all right, I can't
play Doctor Dre and I don't want to hear you know,
the snow White song. Let's meet in the middle. Let's
play Culture Club. So that's how it works. We're playing
I Tumble for you, so I don't have to listen
to you know, Taylor Swift, and she doesn't have to
listen to Spice one. So you gotta find that medium
somewhere in the middle, you know what I mean, until

(01:37:25):
she gets older. Then she could you know, listen to
you know, MC eight and you know, cool g rap
stuff like that. Or maybe she won't even want to
hear it because she really likes Taylor Swift. So we'll
see how that goes. All right, let's wrap up the
show The Infinite Banter Podcast find it on all platforms,
Rate and review the show on Apple Podcasts and good
pods places like that. Go on YouTube. Check out the

(01:37:46):
show on there, just clips from past guests. Just type
in Infinite Banter and maybe coming soon some Infinite Banter
toy review stuff we'll see. Stay tuned, I'm thinking about
check out the show on social media at Infinite Banter podcast,
and definitely check out the sponsor superseven dot com slash
Infinite Banter Podcast. I just bought some stands from them.
There's a ten pack of little stands that you could

(01:38:08):
put the figures on, and I'm debating on opening up
some of these things and putting them on the stands.
I bought the stands, but I haven't put anything on
it yet because I'm still scared of opening the pack.
It's so silly. It's like, what are we gonna do
with these damn things? But the stands were like on
a discount and I bought it and it was like
free shipping, and it was like I couldn't I couldn't
not do it, so I had to buy them. Definitely
get those if you need them. But they fit for

(01:38:28):
Star Wars Kenner toys too. I tried it on there.
They fit so all those like small three inch ones,
they fit so definitely check them out. Go to that
that site superseven dot com slash Infinite Banter podcast. All right,
that's it for me. Big up to Dios Nagasi and
Tone Folks aka Messiah of Madness. Definitely was a fun interview,
a lot of fun talking to those guys. Check out
the new album Iron Angelus vogrive yourselves, some Japanese whiskey,

(01:38:52):
play that record, play some culture club, and stay tuned
for some possible visual not really Infinite Banter but somewhat
related me in the future. And so I do another
one of these. I'm out pay asshole, get off the road.

Speaker 1 (01:39:20):
Being on the Infinite Banner with my man Mark has
been a pleasure.

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