"Black Falcon and The Banter Soldier"

Episode 207: In this episode, Mark is once again joined by Hip Hop artist Azariah. We talk about his new project with producer Slidebeatz, "Black Falcon". We also discuss, working with a producer from another country, doing live shows, past and future projects and having a song titled "Thanksgiving". 

Check out Azariah at- https://azariah.bandcamp.com/album/black-falcon

Mark also previews his next "Infinite Torture" segment, which will be the 1985 movie "Rappin'". Look for the review in the next episode, with special guest torture reviewer- DJ Realone. 

Check out our sponsor Super 7, for the latest in action figures and merch featuring pop culture icons. Click the link for the latest figures and more- https://super7.com/INFINITEBANTERPODCAST

Episode Transcript

Speaker 1 (00:00):
Yo's as a riot man swinging in the Infinite Answer
Infinite band of podcast.

Speaker 2 (00:05):
Baby Here it is another episode of the Infinite Bands

(00:37):
Are Podcast What is Happening? My name is Mark Jollab,
also known as DJ sound Wag Dangs for checking out
the show. Been doing them a little more regularly this
month of March. Been knocking them out a little bit
more frequently, So hopefully you guys are enjoying. That might
scale back a little bit coming up here in April,
but stay tuned. We got a big episode right here.
We're turning to the show. Fourth time on here. I

(00:59):
always like how times somebody's been on here cause I
feel like it's you know that SNL builder put on
the coat, you know, part of the five Timers club,
you know, the five Timers Infinite Banter Club. I gotta
get a jacket because I had mentioned it in the
last episode with Saga that he was on for the
third time, not quite five, but he's getting there. You
need a jacket or someone need some sort of way
to recognize those that have been on numerous times, like

(01:21):
M Doc Diego, my Man DJ Real One, people like that.
So as I just mentioned Azariah from Rochester, New York
is on the show today talk about his new album
Black Falcon, produced by Slide Beats out in Poland. And
as I always say, it just blows my mind when
there's an artist that works with somebody from overseas. It

(01:42):
just seems like it would be hard to do, but
it's not. And this happens so often now that I
need to stop being amazed by it. So stay tuned.
We got my man Azariah coming back on the show
to talk about his new album, Black Falcon. You can
find it on all platforms. Definitely check them out on
band camp. But before we go forward, let's go back,
and I'm the last episode I had Saga on to
talk about his EP, which you can also find on

(02:04):
band camp with Mac Montana called Best Story Ever Told.
So here we go flashback if it Advanter.

Speaker 3 (02:11):
And when you get in that flow stage or you're
in that that creative space where everything is just it
all works, man like, everything sounds proper together, and then
all of a sudden you start writing to it and
before you know it, you know you don't want to
turn into a four LP which you have yourself a
little lead P five six songs where everything is really
like in tune with each other.

Speaker 1 (02:31):
So I'm like, why not drop this?

Speaker 3 (02:32):
You know what I'm saying as an EP, like one
of those like free or at the end of a run.
So as best Story Ema told, starts dropping off a
little bit stop another EP, you know, six songs. Keep
I'm busy, yeah, while I'm mixing and mastering this project.
But we're recording it now, so this could take like
a week two weeks to record and then and then
by in the mixing, mastering the phase of that, I'll

(02:54):
just drop this other EP and then when that run
is over, then I dropped this album.

Speaker 1 (02:58):
You know, Karanahead.

Speaker 2 (03:01):
Definitely go back and check out that episode with Saga
if you get a chance. Had a lot of fun
talk with him and check out his EP Best Story
Ever told. On today's episode, we got as a Rio
from Rochester, New York, once again talking about his new
album Black Falcon, and later on in the show, I
want to preview the little tease I'm teasing you here.
Then I'm gonna tease you again about the next Infinite Torture.

(03:23):
I figured out what movie it's gonna be, and I
was hitting up somebody about it, and he's like, what's
that movie that you told me to watch? Well, that
was Man in the White Van, and it wasn't on
a free platform, so then it's kind of devolved into
watch this shitty movie and I told him it's on Toby,
I'm planning on using it for an infinite torture segment,
and it kind of turned into you should do it

(03:45):
with me, So stay tuned later on. I'll reveal who
that person is and what that movie is coming up
later in the episode. And operating on a little less
sleep because it tried to watch the Cubs and Tokyo
series playing the Dodgers. I'm glad I didn't wake up
at five in the morning. I woke up maybe you know,
thirty minutes earlier than normal, caught the tail end of
it and they both looked like snorrefests. So I'm glad

(04:07):
I didn't wake up early to watch it. It's great.
It's not even April and the team that I like
is already zero to two before everybody else. Yay go Cubs.
Although I did get to do something really cool. I
went to see a comedy show JB. Smooth, who most
of you probably know was leon On Curby, your enthusiasm.
A shout out to my guy Rudy. He pointed out
that JB. Smooth is also the voice of Frank the

(04:30):
Plant on that Harley Quinn animated series, which I had
no idea there was a series for one and that
he was on it. And I played a clip on
YouTube and they's swearing in it. I'm like, Okay, I
guess it's not for the kids. So thanks to Rudy
for pointing that out to me. I had no idea.
I definitely need to check that out.

Speaker 1 (04:45):
But JB.

Speaker 2 (04:45):
Smooth is one of my favorite comedians, and man, I
had to remember. The last time I went to a
comedy show was twenty sixteen to see Dion Cole in
the Schamberg Improv. Schamberg is a suburb of Chicago. For
those who don't know, it's not part of chicag Some
people might tell you it is, it's not. But yeah,
that's the first comedy show I've seen in a while.
I mean, I've seen some some legends like Dave Chappelle

(05:07):
and Chris Rock, Dave Attel, Bill Burr, Luis c K,
but it's been a while since I went to one.
It was really cool to see JB. Smooth and get
to meet him afterward. Might have seen some pictures I
posted online. Really cool guy. He did his funny bit
about you know, if you used to go to the
club back in the day, who would have been funny
if you brought like a stick of dynamite in your
back pocket and just kind of have it there and
then just roll it. It's hilarious. I told him afterwards,

(05:30):
I like, that's one of the funniest bits I've heard
in a while. And shout out to Hugh Moore who
did the opener for him. He was great. Also out
there Rivers Casino, think gets in Rosemont, but it might
be displays again, not Chicago, but outside of it. Shout
out to JB. Smooth. We'll check him out if he's
coming to a city near you. All right, let's get
into the show. The Infinite Banter podcast. You can find
it on all platforms. Rate and review it on Good

(05:51):
Pods and Apple podcasts. Check out the Spotify playlists and
the poll questions. You can go at YouTube type in
Infinite Banter. There'll be clips on there, it'll be some
Apple on there, and you can follow the show on
social media at Infinite Banter podcast, and as always, check
out the sponsor superseven dot Com slash Infinite Banter Podcast.
I just saw they have a new big Bird and

(06:13):
Snuffy combo set. That's right. I like Sesame Street. I'm
down with Sesame Street. That's how they had a count
on there. I might need that Burton Ernie. I don't
know if they have an Oscar one. I would need
an Oscar one. That's my guy, so go check him out.
Super seven dot com slash Infinite Banter Podcast. All right,
let's get into it. Azariahs here. We're talking about Black
Falcon and much much more. But before you do anything,

(06:34):
the show never begins until the one and only the
King from Queen's DMC gets on. He says this, and
now the show begins. Yo, Yo, what's up?

Speaker 4 (06:41):
This is me DMC to K I and G the
greatest MC in HISTORYAD And right now you're listening to
Infinite Banter because we will banter on forever, because this
is the only place for all of youall to ever be.

Speaker 1 (06:55):
I be Infinite Banter.

Speaker 2 (07:00):
Before we talk to Azariah about his new album with
Slide Beats, Black Falcon, let's play a track from that
album and There's a lot of songs I could have picked,
but I really like this one. I feel like it
kind of sets up what the album is about and
the feeling for it. Check this song out right here.
It's called Blood Type off of that new album from
Azariah called Black Falcon. And on the other side of this,
we'll talk to the man himself about the album. This

(07:21):
track Rochester doing shows in Brooklyn, things like that. For now,
Let's play that track blood Type from Azariah and his
new album Black Falcon here on the Infinite Banter podcast.

Speaker 1 (07:31):
Let's go slop my bob. It is positive, not a
positive politics and do what shit. I studied like a
college kid, bring my constance out coming consequent y'all know
smooth fress domin it. That is obvious. The prize come odds.
I'm the best to do. What fuck? You don't acknowledge

(07:52):
it from the bottom care My name's anonymous, but dis
ractor you niggas below average. That's a fat hit. I'm
the savaitch apply knowledge of my task. Kit can't go
all before I see the casket ball like the number
one draft pick. They hate them. Niggas tried to mask it.
What I see right through with my third optics. You

(08:14):
heard top of my blessings. Y'all can't block it. I'm
gonna polish my moods. They try and clock it. Well,
you only got one life. If you go on, do it.
Make sure stumb right. If you're going through a nigga,
get your funds right, I all hold back and thrills
my blood tight. Well, you only got one life. If
you go on, do it. Make sure it's stumb right.

(08:36):
If you're going through a nigga, get your funds right,
I'll hold back of thriller is my blood type. You
nigga's not the same as me. Real talk to realis
in the game is me? You niggas colvis as your
bravery ipp balls because sounds changing and as serene ain't
so with slavery fucking label be in the street won't

(08:56):
enable me, no debate depending we came to be. It's
flain to see y'all took conflates and b rock naated
a wild No same in me. I got a Flemish life.
Put a stain on me. You don't name nkel. I'm
a flame spirit up and that right there. It won't change.
Knuckl No. I'm from an average where they d night.
If you talk about asking the facts right, it's the

(09:19):
gality fuck a brad black fibut with nakes like a
macfe flashlight. Well, you only got one life. If you
go on, do it, make sure stung right. If you're
going through a nigga, get your funds right, all hold back.
It's really it's my flood tight. Well, you only got
one life. If you go on, do it, make sure

(09:39):
stung right. If you're going through a nigga, get your
funds right, all hold back is really is my flood
type yo yo. This be on Nazi Jordan's home t
mill Pire super producer. You listen to the Sounds of
Infinite Back to the podcast of DJ sound Wave, Chicago's finest.

Speaker 2 (10:01):
You're tuned into the Infinite Banter podcast. I'm DJ Soundwoven.
I'm really hyped to bring out my guests. He's been
on a couple times before. You've heard his projects like
Phase one, two and three, his work with Kid called
Quest as part of Young Black and Gifted, and he
has a new project out now with producer Slide Beats
called Black Falcon. Welcome back to the show. Repp in Rochester,
New York Smooth Freshness as a riot. What's up?

Speaker 1 (10:22):
Ass? It was a good sound way. Man, appreciate you man.

Speaker 2 (10:25):
You good man. You know I always had to work
on those intros. And I'm thinking, like, I know, I
forgot a lot of stuff because you can putting out
bad material for like three years. Yeah, man, yo, man,
talk about this album right here, Black Falcon. I mean,
I just went and saw the Captain American movie with
Falcon the other day, and I'm thinking, like, this title
is like, I don't know if it's just me, you know,

(10:47):
being a comic nerd I'm putting it together. Was there
any kind of connection there?

Speaker 1 (10:51):
It's funny you say that. So I'm gonna be honest,
like I'm a big marvel At in Star Wars and
all that my guy Disney stuff, but wasn't really influenced
by Falcon the character, you know what I'm saying. I'm
more like, you know, doctor Strange and all that. But
I actually set Black Falcon on this project I did

(11:12):
produced by Cello Brown with my man Jay Hustle Youth
and the bars called Smooth Freshness Lafi at Cafe. It
was something I said in one of the verses where
I'm like, consider myself a black falcon. I consider a
youth a halt and the hustle was like a silver
back gerrilla. It was in one of the songs that
I kind of said something to that effect, so kind
of just had a ring to it. I've said it

(11:33):
in other verses before, and there's something that I always
wanted to stick with and kind of, you know, make
a project off of it. And like I said, slide beaches,
you know, provided me with the landscape to kind of
do that. He sent me so many beats, like no, lie,
he literally sent me like hundreds of beats and these
were the best ones, you know, from the first batch.
But we definitely, you know, gonna have a follow up

(11:53):
to this, you know, pretty soon as well.

Speaker 2 (11:55):
It makes sense, you said, doctor strange because knowing you
from the past interviews you've been on here more about
that science fiction life.

Speaker 1 (12:02):
Right, So doctor, to make science fiction dud, that's what's up.

Speaker 2 (12:06):
Man, And before we came on, you were talking about
getting that passport corrected so you can get over the
pooland man, talk about working with slide beats and man,
how'd you even meet this guy? I mean, people, it
just blows our mind. Every time I talk to somebody like, yeah,
this producer from some country that's nowhere near here, it
just blows my mind, right man.

Speaker 1 (12:23):
It's funny, man, just all the work I've been putting in,
you know, as of Laton over the years. Man Slide
reached out to me on I forgot what platform. It
was either Facebook, Instagram, one of those platforms. And you know,
it's funny because I have a lot of producers that
reach out to me, but a lot of them, you
know what I'm saying, not to put nobody business out there,
but a lot of them be just trying to solicit

(12:44):
what they do. And I get that, but it's like,
at the same time, at the stage I'm at, I'm
still in the building phase. I'm still trying to get
to where I need to go to. So like Slide
was a dude that never talked money, never did none
of that. You know, we did that, we were doing
the project. You know, we just correspondent through through Messenger
and everything like that, and you know, we're making it happen.

(13:04):
So that's why I love when people reach out to
me that are genuine and that really want to work, because,
as you know, it takes money to do this. So
you know, if producer is just hitting you and just
want to make a quick dollar off of you, like
I'll tell him quick I'm not the guy for that. Like,
if you're gonna reach out to me, you know, we
we got we gotta really you know, build something, you
know what I'm saying, We got to really like be
in this together. That's kind of the relationship I've had

(13:26):
with Quests, you know, from from pretty much my genesis
and this music thing, you know, back in like oh
five oh six. That's the same thing with Laddie as well.
So Slies definitely left for a great guy. And he's
worked with some other guys who he's worked with a
Blase Blah. He's worked with Eddie Kane, you know from Brooklyn.
He's worked with Free Way, you know, so Slides actually

(13:46):
Slide Beach is actually out there a little bit too.
But it's just just dope to work with somebody that
loves the music as much as I do, you know
what I'm saying.

Speaker 2 (13:53):
Yeah, And that speaks volumes because he's coming at you
from a music point of view, Like he's like, I
make music, I make beats. Here's what I got there's
no dollar signs in the in the d ms, right,
there's none of that stuff in there. Yeah, you don't
need that crap.

Speaker 1 (14:07):
I mean all trying to work, you know, yeah.

Speaker 2 (14:10):
Just trying to make good music. And I remember, Man,
I was maybe like a year ago, maybe Lesten a
year ago. You you first are kind of tipping me
off to this project, like, man, I got something coming.
He's worked with some people in the past, and you
just shouted out the ones he's done. So I'm like, okay,
right now, I see, and you kind of held back
who it was. I was like, all right, well, let
me hear when it comes out. And man, you guys
knocked it out with this one. Yes, sir, there's a

(14:30):
lot of like guitar sound on this too, which yeah,
I mean obviously there's a track called Guitar Riff. So
I was like, okay, I'll see when that comes. But
before and after that, it's not just that song. Talk
about the idea of having kind of like different you know,
sounds like rock sounds and soul rock and things like
that in there.

Speaker 1 (14:47):
It's dope. Man, This brother and man, I'm gonna forget
his name. I could look it up real quick, but
I'm not gonna do that. It's brother man. He did
a review on the project. I think his name is Justin.
I forget his last name, but shout out to you,
my dude. He usually you know, charges for his reviews,
but he just hit me. You know what I'm saying.
He did the review. I didn't even ask him to
do it, but that shows me that this project is,

(15:08):
you know, getting out there to people. And he says
something to that effect, like, you know, there's a lot
of experimental sounds and that's like kind of what I
like because I'm you know, I'm an hip hop guy,
but like you know, I draw influence from everything, you
know what I'm saying and slide beats. It was real
easy to write to the landscapes and the canvases that
he gave me through these beats, because it just took

(15:29):
me in different directions. And I feel like I'm versatile
when it comes to writing and when it comes to
getting my point across, and he just he definitely made
it easy for me, man. And I think once the
project was put together and I'm hearing everything, you know, cohesively,
I felt like it really, uh, it really is a
good project.

Speaker 2 (15:47):
Definitely, yeah, man, And it took me back. You know,
I'm an old heads as you know, I grew from
the eighties, so you know a lot of the early stuff,
you know, the Rick Rubin production stuff had bar sound
to it, so it kind of took me back to that.
You don't really hear that too much anymore, do you
think you know, obviously you did it, but do you
think other hip hop artistles incorporates some different sounds like that,

(16:07):
like the guitar specifically.

Speaker 1 (16:09):
I guess yeah, I could see some people doing it.
I mean, I like the fact that that I came
with left field with this project and the sounds are
different than kind of what's currently going on. Because in
this day and age, I still think it's a great
time for hip hop, you know, especially underground hip hop,
but a lot of people, you know, put out stuff
that's sonically, you know, very similar. So for me to

(16:30):
put this project out and it's different from pretty much everything.
That's what the Justin dude told me. And I forgot
the name of his reviews a circuit something, but he
was like, yeah, you know what I'm saying, I can't
even compare this to any project I've heard this year
and that that's a win for me, man, because you know,
I'm from the era where you know, you want to
be original and you want to be creative, and I
felt like we Me and Slide Beats really delivered that

(16:53):
on this Black Falcon project for sure.

Speaker 2 (16:55):
And that's got to be the challenge too, because every
time you're putting out an album, you're trying to do
something different the last thing you did or maybe something
you died previously, but at the same time trying to
stand out amongst you know how many other artists that
are out there right now. Is that kind of the
challenge for you going forward and obviously the present right now?

Speaker 1 (17:11):
Yeah, definitely. But it's like at the same time, you know,
I just stay in a moment, you know what I'm saying.
I love writing, I love creating, you know, and being
in creative spaces. So it's just like there's a lot
of stuff that comes out. It's a lot of stuff
I draw inspiration from. I'm a fan as well, you
know what I'm saying, So I listen to a lot
of people's stuff, but I know that, you know, when
I come I just want to have a solid, strong

(17:32):
project every time, you know, and I feel like, you know,
I do that. You know, I just need to get
the visibility up so you know, people can know about it,
because you know, people can't support you if they don't
know about you, you know. So that's why I appreciate
brothers like you sound way for real.

Speaker 2 (17:44):
Man, you likewise man. And I just looked up the
review you were talking about because you had sent it
to me. Serpent tongue, right, is that what it was?

Speaker 1 (17:51):
That's it? Thank you? Serpent sung shout out to him,
justin yeah, serpents.

Speaker 2 (17:54):
Yeah, because I remember he broke down you know a
lot of the different sounds you had in there, and
I think you remember I read it yesterday. He said
something to defect of this is his first time here
and your stuff, so he's just introduced to you, man,
and that's going to get your geeked when you know,
obviously been around for a bit, but you know, you
never know when that new listener is gonna catch on
and that you and you grab them like you did
something that caught their ear. And now hopefully he keeps

(18:17):
listening to you know, obviously your newer stuff. But it
even goes back a little bit in the catalog.

Speaker 1 (18:21):
Right, Oh yeah, oh yeah, there's a lot of stuff
he could backtrack on for sure. Man.

Speaker 2 (18:25):
And people who listen to this podcast, they've heard us
talk about the stuff you've done with Kid called Quests,
and the first time he came on, Laddie was on
with you, and he very very much a part of
this album. He's not on it, you know, vocally, but
talk about his his work. We're getting Black Falcon done.

Speaker 1 (18:39):
Yeah, Laddie was was very uh influential as far as
getting his project done because Laddie recorded the whole thing,
he mixed the whole thing, and he mastered the whole thing.
So Laddie's definitely, you know, very much a part of it.
I really appreciate him. He's pretty much who I do
most of my recording with if I'm not you know,
doing something with Quest. Quest has his own studio setup,
so when I worked Requests, you know, I'll go to

(19:01):
his studio. But outside of that, it's pretty much Laddie
that that does my stuff. And Laddy's got the portable setup,
so he either come to my crib or go to
my brother's house, which is you know, doesn't live that
far from me and you know, we got a real intimate,
you know setting, and we just you know, get it done.
You know. So I wanted to shout out my man
Adrian as Uh I call a mink million. He actually

(19:21):
did the graphic for a black clout. Man, you did
a sting on that. Yeah.

Speaker 2 (19:26):
Yeah, it looks like it's coming for you. It's got
the red eyes like it's it's getting ready to strike. Man,
right right, that's what's up. Yeah, and that school. Did
you have any input in that or did he kind
of have all?

Speaker 1 (19:37):
I let him. I let him have you know, creative
license or whatever he wanted to come with, because that's
the thing. That's another thing man. On Facebook and all
this stuff, I get people that do graphics all the time,
and you know a lot of them I don't. I
don't even think be legit. But I've built a relationship
with me. He's from Rochester like me. He moved out
to Florida, but he works with a lot of people
in the underground, like my man Cratona P. He's done

(19:58):
such for him. I'm saying a couple of other brothers
as well. And every time he does something for me, man,
it's always fire. I don't know how he does what
he does, but he's he's a he's a savant with
what he does. He's a beast for real. So if
you need some graphic work, how I meet millions? I
forget his handle on Instagram. It's like, man, I gotta look,
but I know him by mink million, you know what
I'm saying. But he's dope. He's dope.

Speaker 2 (20:17):
But when I, you know, post this episode out there,
I'll link him in the description, I'll tag him in
and I'll follow. I'll start following him after I talk
to you on Instagram and everything. And yeah, you've probably
gotten these two of those. Those d ms are like
you want some beautiful arts, you know whatever, and you
know it's like some nonsense exactly.

Speaker 1 (20:35):
Man, it's oversaturated with that man. And I got they
got me one time, not not the graphic people, but
somebody hacked my my Facebook. Somebody hack. Yeah. So you know,
now I learned to really be cautious with those type
of people. Man. And so I'm really you know, you know,
spidy senses is tangling. Man, I'm not day up there,
you know what I'm saying.

Speaker 2 (20:55):
So yeah, yeah, man, man, it's it's crazy world out there, man,
And because you don't know who has good intentions. And
sometimes you know, thankfully because they say that Robotic AI
nonsense in the DM and you're like, Okay, I know
there's a bunch of nonsense. I don't have to pay
potion to any of this. It's a copy and paste bullshit.
So we're gonna move along. But there's a few that

(21:17):
you know, they look like they're legit, but you still
got to be cautious because you have no idea what
the intention.

Speaker 1 (21:21):
I'm artists, man, especially the artists had a hungry and
trying to get out there for real.

Speaker 2 (21:26):
And I think going back to you know we were
talking about earlier. You're talking about kid called Quest and
Laddie and you know, the slide Beats, I feel like
you've built kind of like a team around you, like
in Avengers of you know, producers and artists and engineers
to where you don't have to go too far. You
have people in the pocket vice versa too. Yeah, man,
So talk about how important it is to kind of

(21:46):
build that team around you where you no matter what
you do, you know, if you need something, you've got
three or four people that you could turn to. A
you know, drop of a dime, And.

Speaker 1 (21:54):
It's the most importance man. Where when it's day and
age where visibility is everything and just can and stuff
out there, you gotta build a team of people that
you can trust, people that are proving, people that you've
been around for a while, and now people that I'm
just meeting. Nothing wrong with people that I've just met,
if it's in the right, you know, no sense or whatever.
But people that I know that that have that have

(22:15):
been grinded with me, you know, they know how it work.
I know how they work, and makes it all easier
to do this music stuff, man, for real.

Speaker 2 (22:21):
That's that's so important, man, because you never know you
know what people are intending out there and talk about
kid called Quest, shout him out a little bit because
you guys have done so much work together. I'm sure
he heard this album that he gives you some feedback
on it and yeah go in the future.

Speaker 1 (22:34):
Yeah yeah, Quest, Quest definitely get the album some good
feedback on another spot that did a review on it
was taped that review on I G I think and
you know they ask some favorite things to say about it.
Me and Quest were just in Brooklyn about a week
and a half ago. You know, I know we're gonna
talk about that in a little bit, but.

Speaker 2 (22:52):
Man, we're talking about it now.

Speaker 1 (22:53):
Man. Yeah, yeah, but it's definitely, like you know, one
of my biggest supporters sometimes he takes on a manager role.
Question is very innovative with just different ideas, different ways
to brand stuff, different ways to rebrand stuff. You know
what I'm saying. We're getting ready to put out a
project called Byproduct, which is just going to be a
re release of some of the singles from Black Gifts,

(23:14):
some of the singles from Second Coming, and some of
the singles from Once Again a song so quests. Uh,
it's definitely very vital in the AZD riot world for real.
And you know, you know, we got our thing with
Young Black and Gifted as well, So yeah, we're still
add it man, definitely.

Speaker 2 (23:30):
Man, yeah, kid, and he did a thing with a
Pretty Bully as well. They duped the Hot album last year.
And yeah, man, so I did see that video You're
you're just alluded to. You talked about that concert in Brooklyn,
talk about it was a good twenty minutes or so.
He did most of the most of the tracks that
you know, most of us know what were some of
the songs that you got some good reaction from. And
what was it like doing the show in Brooklyn?

Speaker 1 (23:52):
The Brooklyn show was cool. I mean, you know, question
was kind of like damn, Like we could have stayed
home for this, you know, because it was good out
to April from I forget what organization she's with or whatever,
but he actually was in contact requests to get us
out there. A lot of the audience was just other artists.
It wasn't really like a big you know people, So

(24:13):
it was still good. You know, we got good content
and I definitely represent it. But you know, I just
need more of that. I mean, every show is not
gonna be a best show, you know what I'm saying.
Every every opportunity is not going to be the best opportunity.
But it's just you know the practice of it, you know,
getting used to traveling to do this. You know, I've
been rhyming over twenty years and this is the busiest
in March I've had ever, you know what I'm saying.

(24:34):
We got a Brooklyn show. We had a show at
the Green Lounge with Lafia Cafe with Cello Coach hasan
you know, youth and he was riding with me, and
that was a great turnout at the Green Lounge right
in Rochester, New York on Saint Paul. That was beautiful.
I'm in Greenville, Massachusetts this Thursday, coming up Mars twenty seventh,

(24:54):
and then the week after that, I'm in Southbridge, Massachusetts
for a show out there. So I've perform other places,
you know, even before, you know, recently. But it's just
like it never has never been like this consistent in
terms of like just everything kind of just rapidly happening.
And I'm blessed to have to happen, and I want
to see more of that, and I want to start

(25:14):
getting paid for some of these things too. You know
that I'm still you know, putting the groundworking and you know,
summing up from motives are going to be helping out
with like gas and travel, but really it's just me
grinding and getting you know, I've got merchandise. I got
the Azariah hoodies right now, you know what I'm saying.
So she's really trying to you know, keep building up,
you know what I'm saying, and just keep you know,

(25:35):
laying the ground work.

Speaker 2 (25:36):
And it sounds like this is almost like a networking
thing as much as as performing.

Speaker 1 (25:40):
Yeah, exactly. And like I said that, the best thing is,
it's just just show and prove. Man, just have a
good show. I feel like I'm a pretty silient performer.
I love to perform. I perform pretty regular and people
that never heard me, never seen me, when they see
me live, you know, maybe they can get it, you
know what I'm saying.

Speaker 2 (25:56):
No, I knew it was on when he started unzipped
the vest during that first song. I was like, here's
the video there it goes playing.

Speaker 1 (26:04):
Yes, sir, yes, sir. Man.

Speaker 2 (26:07):
You know the thing is you've got, you know, some
of the albums out there.

Speaker 1 (26:09):
Now.

Speaker 2 (26:10):
Is it hard to craft the set? Because now you've
got so many songs to pull from. I know sometimes
you probably focus on what's out at that exact time,
but you know you've got those classics like Profit that
you want to pull out out the bag.

Speaker 1 (26:21):
Right right now. I mean, I got so much material.
It's not hard to craft is set. It's easy. And
it's like I do a lot of rehearsing, making sure
I know my stuff, making sure I'm well prepared, and
it just just flows out of me. Man. So I
love to do it. You know, what I like to
work on is like the in betweenty stuff, not just
to rapping, but like how I'm gonna interact with the
people that are there and really give them, you know,

(26:42):
something special. So that's kind of what I'm working on now. Yeah, man,
no doubt.

Speaker 2 (26:46):
And getting back to the album itself, Black Falcon. I
think my favorite beat on here, which might be my
favorite song is mind your manners into a couple of times. Man,
that beat is just it's crazy and you know, slight beats.
Definitely shout out to him for this track. I mean,
actually did the Who album, but this one right here
right really stood out. Talk about that song.

Speaker 1 (27:05):
Man Minium Man is Man. That was just that was
one of the newer songs too, you know, because I
actually I had a lot of features on the album,
you know, more than what I normally do, and I
had more features than we're actually featured on the album.
I had to kind of narrow some stuff down. Fifteen tracks,
thirty five minute you know playing time. But that's that's
pretty that's pretty decent. You know, it could have been longer,

(27:27):
but you know, I wanted to kind of you know,
keep it kind of concise and like I'm gonna leave
some of the other features, you know, for the next
rendition of whatever I do with slide beats. But minu man,
is that that That's one of my joints too. Man.
I love that song.

Speaker 2 (27:41):
Yeah, that's one of those. When I first heard it,
I'm like, all right, okay, we were doing something here,
right right, yeah, killing it And yeah, you're right for
those listening it's fifteen tracks, but for the most part,
the songs are maybe two and a half three and
a half minutes long, so it's it's a quick pace album.
Like it doesn't you know, slow down an.

Speaker 1 (28:00):
Yeah, it doesn't really drag. Yeah.

Speaker 2 (28:02):
No, man. And another song when you had sent me
a couple of weeks ago, blood type, I mean, come
on then, right, I mean that one's just crazy.

Speaker 1 (28:09):
Thank you man. That that was one of the It
was funny because that was one of the ones on
Laddie's old computer, which actually he has some technical difficulties
with so he at first he thought I was gonna
have to re record it. I didn't want to, but
he was able to, you know, get his computer back
going and we were good with that. That's the one
I shot a video for as well. Blood Type also
got a video for the track opener on that my

(28:31):
kids actually shot. My daughter Maya, my self from Darryl
actually shot that video. We actually shot it in Florida
and Atlanta, Georgia. I don't even know the name of
the song now, but it's whatever the album over with,
I think what you know, you know.

Speaker 2 (28:43):
I'm looking at the track listening as you said.

Speaker 1 (28:45):
Yea yeah, So so y'all be on the lookout for
that video too. You know, my kids did their thing
on that's actually editing it up as we speak. So
that's good, man. And then I want to shoot. I
got a couple I ain't gonna reveal him now, but
I got a couple more that I need just shoot
as well. So you know, everything you know in due time,
you know what I'm saying.

Speaker 2 (29:04):
Man, And I can't wait to see this Blood Type video.
And then your kids, I mean, that's got to be
proud to see them involved in. Did you have to
bug them to do it? Were they like excited?

Speaker 1 (29:13):
Yeah? They mom was like they mom was mad at
me to he because we on vacation and I'm having
to shoot a rap video for me while we're on vacation.
So you know, one of those things. But they came
out good though.

Speaker 2 (29:23):
I liked it, man, Man, I mean, we'll think about it.
I mean, I don't know if people people do this still.
I mean, you know they post on Instagram or whatever.
But back in the day, you would take like a
family video of a road trip or a family vacation somewhere.
It's the same thing. You're just putting music to it
in quality production, right, exactly, exactly, and it's for work
kind of yeah exactly.

Speaker 1 (29:43):
Yeah. Yeah.

Speaker 2 (29:44):
And they get to you know, say they're video editors
or video directors, you know, tell them like, yeah, you're
Spielberg of this, You're the Spike Lee of this, George
Lucas right now?

Speaker 1 (29:54):
Facts, Yeah, what's up? Man?

Speaker 2 (29:56):
You mentioned the features And I can't front man anytime
I see you know, always Upstate New York guys. When
I say my man, Chief Fan Black, when I see
am Doc Diego, I just I can't wait to hear
those tracks. And g Fam just brings that that grime
gutter every time Man talk about working with him. I
know you've done stuff with him in the past, right.

Speaker 1 (30:16):
Nah, this is my first time with Fan, Yeah, first
time work with g Fan like I know, my man
also don't work with g Fan Black in the past,
but this is my first time working with him. And
like I said, just you know, being around the scene,
knowing that he's one of those guys that he always
brings it, and you know, he's featured on a lot
of people's stuff. I was definitely, you know, a fan
of his, and I definitely wanted to work with him,
and you know, you know, we made it happen. So

(30:38):
thank you for that G Fan real talk. You know
what I'm saying. I'm trying to see because G Fan
is actually from Massachusetts somewhere, so I'm trying to see
if he could come out from one of the shows
when I go out there, so I can actually meet
him in a physical you know what I'm saying.

Speaker 2 (30:49):
But we'll see and get him the come out to
do that track Solid Ground.

Speaker 1 (30:52):
You know he got'd be crazy. Yeah, I ain't doing
it this time, but that that'd be dope one day,
you know what I'm saying.

Speaker 2 (30:59):
Definitely right right And and you know I wrote this
down when I heard it was like, finally we have
a Thanksgiving song, you know, because because you with this
track with m Doc Diego shout out to me. He's
been on here. He's been on here probably the most
of the second most on this podcast, So shout out
m Doc. And you know, there's always you know, Christmas songs,
and there's there's songs for you know, weddings and stuff.

(31:21):
But this I actually had this conversation with people in
the past, we don't have a good Thanksgiving track. Now
we're because you guys made we'll talk about talk about
this song. Man, it's not really about eating turkey though.

Speaker 1 (31:31):
Yeah, it ain't about Thanksgiving at all. It was it
was just I might have said it in a hug
and it was just like, you know, the way I
was doing it. And it's funny because the original beat
that I wrote to for that song was completely different
than what you hear on the album. But another artist
that Slide Beachs was working with, got that version that
I originally was on. So Slide Beasts, you know, did

(31:51):
some switch ups and that's what we have with what
you guys hear on the album. So shout out to
Slide Beasts for doing that. Shout out to M Doc
for rocking with me. You know what I'm saying. So
you know I'm definitely a fan of that.

Speaker 2 (32:03):
We might need some azi ria like you know, silverware
or like a bib or something, you know, right right,
Aaron Nepkins to place on the thingksgiving table to represent
that track. Yeah, man, yeah, I love that song man.
You know m Doc. I mean, I can't say enough
good things about him. It every time. And you guys,
I know, you guys were together on Rock Builders and
stuff like that.

Speaker 1 (32:23):
So yeah, I'm not actually a good friend of mine.
You know what I'm saying. We get up every now
and then. You know what I'm saying, we actually are.
We don't live too far from each other.

Speaker 2 (32:31):
This is good to hear. Everybody listening. Make sure you
check out Black Falcon. It's on all platforms, right, yes, sir. Yeah,
and I saw it on band camp and you'd mentioned
you've got some merch you can go ahead and let
people know about the hoodies and.

Speaker 1 (32:42):
Yeah, I don't. I'm waiting to get the physical tds.
I want to do vinyl for it as well, but
we'll see. As of right now, it's just on band
Camp as well as you know the streaming platforms Spotify,
you know, Apple Music, all that type of stuff.

Speaker 2 (32:58):
So yeah, and not to well look Youthhony Bars is
on here. He's on a track called Goals and DJ
A n F. He's he does his thing on it.

Speaker 1 (33:06):
Thank you. Shout out the d J I n F
as well. That's uh, that's the guy me and you
you know know n for a while. And we actually
got a project called Special Chemistry that's actually in the
in the uh the mixing phases right now, so we're
gonna get ready to hit them with that, probably maybe
towards the end of the year, you know what I'm saying.
Hustles on that as well. Hustle was I did a
feature of Hustle on this one as well too, So

(33:27):
shout out out to youph and j HUS.

Speaker 2 (33:30):
Yeah, and I heard Jay Hustle, you know, at at
the beginning of the album, I was thinking like, okay,
you know, we're just kind of hitting stride there when
he comes in, right and yeah, he's he's dope as hell.
And of course you can't overlook Serious Times, Like I'm
not familiar with him. He was on the track against
the Green talk about working with him.

Speaker 1 (33:45):
Yeah, Serious Times is definitely, uh, definitely dope, you know
what I'm saying. He's definitely another guy from from from
you know, my home sound Rochester, and he definitely get busy.
He's got some projects out there. Definitely, uh words, you
check him out. He's definitely definitely a well respected lyricist.
It was don't working with him. That was my first
time working with him. But I actually that's one of
my favorite songs on the joint. You know what I'm saying.
I just love that beat and just the way you know,

(34:07):
I came in, you know what I'm saying, Like, Yeah,
that song is nice. I think I might shoot a
video for that one.

Speaker 2 (34:11):
The serious times, the more you're talking, it sounds like
half the album is gonna have videos. Man, That's what's
good WI man.

Speaker 1 (34:19):
They you know, if I if I had the ability everything,
we have a video. You know what, man? You know,
I go. Yeah.

Speaker 2 (34:25):
I had a guest on recently and he said the
same thing. He's like, if I could I just do
every song because they're all he said, they're all worthy
of a video. But of course the finances and getting
people together.

Speaker 1 (34:35):
And all that and exactly.

Speaker 2 (34:37):
Yeah, I know m Doc has done a bunch of
those like animated videos, which I don't know if that
makes it easier or harder, but you know he's done
those in the past, and sometimes that kind of takes
out the well, I gotta be at a location kind
of idea exactly.

Speaker 1 (34:49):
Yep, that's true, that's true.

Speaker 2 (34:50):
What about you and kid? You guys got you said
you got something coming out right coming?

Speaker 1 (34:54):
Uh? Oh yeah, we got on. We got a couple joints.
So by Pride Up, I don't even know if be honest,
I don't even know Christmas wants me to talk about
that yet. But High Product is coming so on, and
that's gonna be just a re release of you know,
stuff that was on Black Gift, stuff that was on
Second Coming, and once again the song just kind of
rebranding because we're getting new listeners now that we didn't

(35:16):
have when those projects first came out five or six
years ago. And we have a brand new project with
brand new material called Misguided Souls, which is actually being
mixed and mastered as we speak. So yeah, like I said,
I just when it comes to Young Black and Gifted,
you know, I let quest stand the driver's seat with that,
and I just you know, come, come, come to play
when you know, when it's time. You know what I'm

(35:36):
saying and do what I'm asked.

Speaker 2 (35:38):
Ye, man, you just hop in right, he's like copiloted.
When he's ready, we're going to go black stuff right now,
make another album, go, you know, get the pen in
the pad ready.

Speaker 1 (35:46):
We're gonna kill this, yes, sir, yes, sir.

Speaker 2 (35:48):
Yeah, he's definitely you know, we already talked about it already,
but you know, you can say it again. His production
is his top notch. And then, like you said, his
drive and just the way that it seems like he's
more than just a producer. He's he's there to help
kind of manage things and get things moving.

Speaker 1 (36:02):
Facts.

Speaker 2 (36:02):
Yeah, man, you need you need more people like that, right,
I mean, especially when you're inner circle, because they keep
you moving and keep you.

Speaker 1 (36:08):
Motive exactly, keep you sharp.

Speaker 2 (36:10):
Yeah yeah, man, let people know where they could follow
you online. And of course, like I said, the album
is on band camp, but of course it's on all
platforms as well.

Speaker 1 (36:18):
Right yeah, as a riot. Band camp dot com is
where the album is, like like you said, sound wave
on all streaming platforms. You can follow me on TikTok
and Instagram at Azaraya. S f D. S FD is
obviously short for smooth Fresh's development A Z A R
I A H S F D. I'm on Facebook, ah

(36:38):
Franklin or as Arya, and I just appreciate the opportunity, man, real.

Speaker 2 (36:42):
Talk, yeah man, And you know people listening out there,
you know you can hit up as right. He's very
accessible and just don't bother him with nonsense, you know, right,
right man? Talk about that title smooth Freshness. Now, how
did that come up? Did you? Did you name that?
Did someone else?

Speaker 1 (36:57):
Yeah? Yeah, I've been shouting small freshnesstance O five. So
smooth Freshness came from sloppy Smooth. That was like the aliast.
I had actually did a project called h I think
it was called Returning Sloppy Smooth with Laddie back in
like twenty twenty one. Got there, Yeah, yeah, yeah, we
had plenty of ag on there, Jadakins, what was on there?

(37:19):
Mad from the call was on there. But smooth Freshness
development is just that's my that's my imprint. And it
just came from sloppy smooth that somebody used to say
like a little izy moronic and everything. You know what
I'm saying. Back in high school, you know what I'm saying.
I was like one of my little aka's and aliases,
and I just, you know, small freshness just had a
ring to one. I just suck with it ever since. Man, So, Simon,

(37:39):
I got to show you. I got to send you
some tracks from my first album from two thousand and five.
It was called Chronicle, Yeah bro, twenty years ago? Yeah yeah,
yeah yeah?

Speaker 2 (37:49):
Well do you bug out when you hear the old stuff?
Do you do you like cring?

Speaker 1 (37:52):
Love?

Speaker 2 (37:52):
Or oh you love it?

Speaker 1 (37:53):
Okay? I don't cringe at all. Dope, it's dope material. Man,
I don't cringe it. You know what I'm saying. I
feel like I don't like it too my own horn.
I try to be humble, but I know I always
been that guy, you know what I'm saying, Even then
when people wasn't really too it to it, you know
what I'm saying, I still was bringing it. And I've
just been consistent from that time period till now. You know,
and and you know people are coming along, hopefully they

(38:14):
do their backtracks and here's some of that stuff. You know,
I might re release some of some of the older
stuffs eventually. You know.

Speaker 2 (38:20):
Man, Well that's great, man, because twenty years ago you
were doing your damn thing where me. I don't want
to play episodes one through four ever on this podcast
because I'm I've probably be like, you know what I am?

Speaker 1 (38:29):
I doing?

Speaker 2 (38:29):
This is garbage.

Speaker 1 (38:30):
I'll feel you.

Speaker 2 (38:32):
I never whenever somebody asked, what's the first one to play? Like,
don't play the first one?

Speaker 1 (38:36):
Right, right, he's the one. It's not good, but it
showed your growth, man, you know what I'm saying. Yeah,
that's all. It's all a part of the story, man,
and you know.

Speaker 2 (38:45):
You know, and I just put that out there now
the episode ones can get all these plays that I
never thought I would have all of a sudden's because
I just shit on myself and people start playing it.
But yo, I'm looking forward to hearing that two thousand
and five smooth freshness. That's what's up. That's right, man,
that's that's The.

Speaker 1 (39:03):
Voice is a lot lot lighter too than you know saying,
ain't it ain't as gruffy as it is. But yeah, yeah, man,
that's what's up. I was like seventeen eighteen at the time, So.

Speaker 2 (39:12):
Yeah, young cat, just now you're you're wise and grizzled,
right right, Yeah, thanksgiving. You would have read about that
in two thousand and five.

Speaker 1 (39:23):
Yeah, yeah, yeah, man, big.

Speaker 2 (39:25):
Up for coming through. The podcast is always and it's
always great to hear from you, man. And this album
you got it man, and this album is just straight
heat fire emoji all that, and everybody. Make sure you
go check out Black Falcon I like band camp because
all your stuff is there.

Speaker 3 (39:39):
Man.

Speaker 2 (39:40):
I don't know if there's anything missing because there's at
least ten projects on that.

Speaker 1 (39:42):
There's more than ten, ye pretty much. So, like I said,
the first two projects I've ever done well, the first
one was The Chronicle in two thousand and five. Then
I did a mixed mixtape called what You Flow About.
Both of those are two thousand and five. They're not
on there, but everything since Keeping Moving, which I did
in six o seven that on there. I did a
couple of projects with this producer named Lunatic that's not

(40:03):
on there, and then me and A Nase Jordan from Chicago.
Matter of fact, yeah before yeah, yeah, so me and
A Nase we had a project called Zennim in Messa
Fant It's on YouTube. It's not on band camp for
that one, and then self proclaimed King A Nase produced
that as well. That's on band camp. As well, So
some of myself are scattered, but I think on the

(40:25):
band camp it's like like fourteen fourteen to fifteen projects
on there.

Speaker 2 (40:29):
So yeah, Man and Naji, you didn't tell me about that.
Of course I knew who you were.

Speaker 1 (40:34):
He'd be working. Yeah, yeah, yeah, yeah.

Speaker 2 (40:36):
He did album with g Fan Black and he's done
stuff with Kingdom Come. Yeah, he's definitely right, definitely doing
his thing. So shout out to him and I'm gonna
have to look up that album. It's on YouTube.

Speaker 1 (40:46):
Huh.

Speaker 2 (40:46):
All right, yeah, yep, Man, you give me more stuff.

Speaker 1 (40:49):
He's got like an orangeish brown is kind of cover
a million did the artwork for that one as well.
I've been a message Yeah he has been.

Speaker 2 (40:57):
So he's been doing stuff for you for a while.

Speaker 1 (40:58):
This is at new Yeah, he has that that came
out I want to say, like twenty sixteen, twenty seventeen,
Zen them in messaging.

Speaker 2 (41:04):
Yeah there it is all right. So I got a chat.
I got here this two thousand and five album, and
I'm probably missing something else that you've done. So there's
there's a bunch of stuff I need to get into.
Man as a ryo man mad salute for coming on
the podcast as always. Everybody listening, don't sleep. Go check
out Black Falcon, check out Young Black and Gifted. Check
out everything Phase one, Phase two, Phase three, something.

Speaker 1 (41:24):
With Laddie all that man, Sure, sir Man.

Speaker 2 (41:27):
Smooth Freshness in the building now. Big us are coming
through as always, dude, and uh yeah, feel free to
send me all that stuff because I need some music
to listen to.

Speaker 1 (41:34):
Yeah, I'm gonna send it to you sound Wave. You
got it, man, Just text me your email. I know
I got it, but just text me to it to
me again where we get all the.

Speaker 2 (41:42):
Phone You got it, man. Smooth Freshness as a Ria.
The new album Black Falcon out right now. Everybody makes
you check it out. Big up for coming through.

Speaker 1 (41:49):
Man, appreciate you man.

Speaker 2 (41:50):
Always cool having Azariah on the show here. Definitely appreciate
him coming on here talking about this new album, Black Falcon.
I want everybody out there to check it out when
you get a chance, go on band camp, check it
out in all platforms. Definitely support that good music, the
artist doing good things and working hard to put out
that good product. And Azuraiah has been doing that for years,
so definitely salute to him twenty years.

Speaker 1 (42:10):
Man.

Speaker 2 (42:11):
I mean, I can't even imagine doing this podcast for
twenty years. Man, that's gonna put me like in my sixties.
I don't even want to think about it. So ay,
it's my birthday's around the corner. It's a milestone number.
I don't even want to I guess I am talking
about it. I'm trying not to coming up for me. Yikes.
I'll just give you a hint. Curtis Jackson is the

(42:31):
age decipher from that? What the fucking ages from there?

Speaker 1 (42:37):
All right?

Speaker 2 (42:38):
Just play another track for my man, Azariah. Now here
we go with this one right here. I said it
in an interviewed. I'm gonna say it again. Thanksgiving is
a holiday that does not have a song until today,
damn it. M Doc Diego is the guest feature on
here with Azariah and this track right here it's called Thanksgiving.
So when November comes around, make sure you have this
playing before you get in there and eat your turkey,

(43:00):
cranberries and pumpkin pie, sweet potato pie, all that stuff, corn,
all of that. This is the song that's you're playing
in the background. Thanksgiving as a riot. M Doc Diego
from the new album Black Falcon Here on the Infinite
Bancher podcast.

Speaker 1 (43:16):
Move like a locomotive to guard a nigga for the
cos it's something the dope, it's for elite like nineties
float since Shay like lightning. With the fucking folks, they
start to know what it's othing. Nigga's kind of focus
when it comes to set a nigga with a lacer focus, Hey,
they change your mot cause my cities boat nigga the
rack of dots. We can skip the folks. Click your

(43:37):
voice and I'm gonna pick it a letter. You selling nipple,
am doe shout out the gift for Milikia. I'm a
racking killer ella in a lot of Mike Scylan nigga
won't push power, I'm a leader. You filed niggas verst
sod war right after the shower, Nook after dream the BeO,
Mike Power's nigga for the dollar's not a cow war

(43:58):
found but tad wo me the hand lord shady Bower.
I hate these niggas like a state skiffing to god
Rich and spind Boss are all rhythms. The squad finished,
shain't at state finished.

Speaker 2 (44:11):
I hate these.

Speaker 1 (44:11):
Niggas like it's stink skiffing. I hate these niggas like
it's stinkskiffing to god rich it spin boss are all rhythms.
The squad finished, say, ain't State finished. Hete these niggas
like a stain skiff.

Speaker 5 (44:25):
Still sharpen the blaze and stay safe, King Smith float
ride like in new clean race two sides up according
to two face, because we get into the money trustee
citizens Bank should be giving them thanks up about the styles,
open layers and for Sol with a broken winks poking
on his flame here as a right and message on
his beat. Soaking on this game going on the front

(44:45):
light opening and fourth brings smooth freshman, this development. Get
for miliky and brace the moment in relationship and shit
to start the chat every ten shit ain't no compenon
in fake for mootus for the voss. I'm paramount fair
using all this money. I care about all seeing now.
Yeah this raps it illuminate the trash for the raps

(45:07):
cats in the flow every moment we capture.

Speaker 1 (45:10):
I hate these niggas like it thanks gipp it to
guard risk it spind balka all rhythms. The squad finished, say, hey,
State vinits, I hate these niggas like it's thanks gipping.
I hate these niggas like it's thanksgiving to God written
it spend Balsa all rhythms. The squad finish say Hey,
State Hini, Hey these niggas like a thanks giffings.

Speaker 3 (45:32):
I'm got the a goo and he now listening to
Infinite Banners podcast with DJ sound Waves.

Speaker 1 (45:39):
Let's go. It's time for you to leave assholds.

Speaker 2 (45:43):
That is Kirkosa. Veto tell me to get out of here,
and that's exactly what I'm going to do. But before
I bounce real quick. So I did tease at the beginning,
and I'm making you get teased again. But so there
is a movie that I am going to do for
the next Infinite Torture segment. First of all, it's gonna
be with my guy, DJ reel One. He's never been
a guest for the Definite Torture segment. He's been on
the show numerous times, but I've only had a couple

(46:03):
people do the Infinite Torture segment with me. Generally do
them solo. But Rhinoceros Frunk from Gorilla Grooves came on
a couple of times. We talked about cocaine, Bear and
Cruel Jaws. So if you've not heard those, go back
and check them out. My Antonio came on to talk
about UHF for a year or so ago, so it's
very rare, but I mean, I'd like to do more
of them. It's just I got to have the right
fit for it, the right person be qualified or be

(46:26):
tortured to do the movie. So, as I mentioned earlier,
I was kind of going back and forth with him,
and I told him he ye had this movie called
Rappin' which I'd never seen before. I'm aware of its existence,
but I've never seen it. Maybe it's time I finally
watched this damn thing. And the cast for this thing
is it's crazy. So it from nineteen eighty five. It's

(46:46):
got Mario van Peebles in it, who has made some
movies that I could definitely be doing. Infinite Torture for
Iced Tea is in it. He was in I want
to say, he was in Breaking one or and two
or one. I don't know one of them too, at
least the first, So maybe he was making the rounds
back then doing these movies. Eric Lesal. Most of you
remember him from Coming to America Soul Glow right, or

(47:08):
I think he was on Er. I mean er, I
called Err he was on Er. Who else is in this?
Kad Deem Hartisan, Dwayne Wayne from Different World. So there's
some some people you've heard of in this, some actors
that would make you think maybe it's not so bad.
I don't really know what it's about. I think it's
about rapping, but I'm sure it's not good rapping, probably terrible.

(47:30):
Uh it's on too B So if you guys want
to watch it before I do the torture segment. That way,
when you're listening, you know what we're talking about. You've
seen the piece of crap. I mean, I could be
could be a work of art for all I know.
It's just weird that I whenever you hear about hip
hop movies, this one never gets mentioned. Nobody ever talks
about this one. They'll say Beat Street and Wild Style
and Crush Groove and Juice Breaking, name them, name the movie,

(47:53):
any of them. I never hear anybody saying what about rapping?
Nobody says that shit, So there must be a reason.
This must be that movie that nobody wants to talk
about except for me, and I'm gonna do it. So
stay tuned future episode Infinite Torture my man DJ real One.
We're both gonna tackle rappin' ugh torturing God and other

(48:17):
thing's gonna be so bad. But go watch it on
tub And toob sponsor this show. How many times I
mentioned to be on here at least every other episode,
twob gets a mention, don't make me go to Pluto,
the other free platform that has movies that you're not
supposed to watch. All right, that's it for me. The
Infinite Banter Podcast. Find it on all platforms. Rate and
review the show on Good Pods and Apple podcasts. Go

(48:37):
on YouTube. Type in Infinite banc there's clips on there,
there's episodes on there. Check out the Spotify playlist and
the poll questions, and definitely don't forget to check out
our sponsor, superseven dot com slash Infinite Banter Podcast. All
the cool toys are there. You can find the new
Jadilla on there, the new Eric Bean, Rock Kim File,
the leader set for my sesame street Heads they got

(49:00):
on there as well. And if I didn't mention it already,
to find the show on all platforms at Infinite Banter Podcast.
If I already said it you heard it twice, all right,
big ups as Aarah, go check out Black Falcon, the
new album he has with producer Slide Beats, and everybody
needs to go check out that album. Salute to my
man Azriah Smooth Freshness. Appreciate him coming on the show
as always, and so I do another one of these.

(49:21):
I'm out, Hey, ass all, get off the road. Being

(49:42):
on the Infinite Fanna with my Man MUK has been
a pleasure.