OMB Peezy opens up about his relationship with one of Future's baby mamas. Dive into the truth behind the viral jewelry rumors and the shocking story of jewelry repossession involving 12." Key Discussion Highlights: OMB Peezy's insights into his relationship with Future's baby mama and the dynamics surrounding it. Clearing up the viral rumors about jewelry associated with this relationship. The untold story of a jewelry repossession, including the involvement of 12, and its implications. Community Engagement: "What's your take on OMB Peezy's revelations about the jewelry rumors and his relationship? How do you view the situation of repossession involving 12? Share your thoughts and perspectives in the comments below." Exclusive Patreon Content: "Get exclusive access to more in-depth conversations and behind-the-scenes content on our Patreon at www.patreon.com/ItsUpTherePodcast. Join our community for extended discussions and unique insights into the world of hip-hop and beyond." #itsuptherepodcast #ombpeezy #FutureBabyMama #future #drama #HipHopGossip #viralstories #entertainmentnews #42dugg #roddyricch For all exclusive interviews & more content not here click here https://www.patreon.com/itsuptherepodcast 🚨Unreleased Interviews https://www.patreon.com/itsuptherepodcast 🦺All Merch Options teespring.com/its-up-there-podcast-merch 🎧LISTEN ON SPOTIFY: https://open.spotify.com/show/4Jheeb8FxYVDRo8khyrz36?si=e339dD2JRte2MYX2Uon3BQ 👀 SUBSCRIBE HERE:https://www.youtube.com/channel/UCl_GorAVekpEVDlk1Yc8giw 👂 LISTEN ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/its-up-there-podcast/id1317524092?uo=4 👣FOLLOW ITS UP THERE PODCAST HOST : INSTAGRAM | fogfo_looney TIKTOK | https://www.tiktok.com/@fogfo_looney PATREON| https://www.patreon.com/itsuptherepodcast SUBSCRIBE TO Youtube Channel ➡️ https://www.youtube.com/channel/UCl_GorAVekpEVDlk1Yc8giw WATCH MORE ➡️ https://www.youtube.com/watch?v=JwNIuOcAtoo&list=PLnwwxLxHiDWayq4HPgNYUtsAGvqe3liOO
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
She feeling the nigga careers more.
Speaker 2 (00:02):
You know what I'm saying, come out of the room
with a box of the ji fuck I supposed to say.
Hell now, Boom, I had just spent twenty thousand dollars
moving into a uh, motherfucking uh a townhouse. I gave
that motherfucking to my brother and dunked off of her
shit all my life boom.
Speaker 1 (00:18):
So God damn, she come out there, motherfucker.
Speaker 2 (00:21):
She like my last nigga. I gave my last nigga
one hundred thousand. He still oh it timming, But I
got all this jel. I'm like, she'll try to sell
that mother, try to sell them to get your money. Baby,
these in this shit and folks you feel. But I'm
I find this out after God damn, I'm over this
bitch and all this sheit going on? Not my people,
never tell me what? May you know she's playing hold
on by watch yourself. Now you know she was playing
(00:43):
any nigga game. Boy, I'm in the house, Bruh, the nigga,
come the ex nigga, come.
Speaker 1 (00:49):
For the jil brother, let me say for shig b.
I was like, here's the graund my gun. The show
I'm like, who that is that a dope?
Speaker 3 (00:58):
Couldn't she liked like like somebody got some of mine
in there?
Speaker 1 (01:05):
Mama, Yeah, like that's the nigga I left that bitch along.
Yeah what she's it?
Speaker 2 (01:11):
Oh yeah, I know I know where you be at.
If I'm backing with I'm going to send him over
there to get his ship for.
Speaker 1 (01:24):
Did he show up now? Niggas want to lure me
to death?
Speaker 2 (01:31):
Exactly, my man, My man, both loans old loan new look. Okay, okay,
it's up there and stuck that when it's up there, Man,
it's stuck there.
Speaker 1 (01:43):
Shut up.
Speaker 3 (01:47):
In this industry too. I saw before where you had
a situation with a girl and she came out oh
the bus. Yeah, I want to talk to you about
that because I want to one talk about how or
ask you do you think that stuff like that dating
(02:09):
the rappers, baby Mama, affixed the relationship in the industry
of things you like that.
Speaker 1 (02:14):
Boom, But I ain't even think about it at first,
like that you feel me. But it was like like.
Speaker 2 (02:20):
I ain't even gonna say I ain't eve gonna say help.
But girls brother, girls play dangerous games. You feel me
like girls play Danmi's guns. You will be laying with
the girls. She would try to talk about a nigga
and anything. You gotta cut that ship short. I don't
feel me. It's cameras in the room and everything. Motherfucker
trying to bring a nigga name up and shot. So
I always cut that type of ship short, like I don't.
I don't even y'all. That's you'all baby together, that's your kid.
(02:42):
I don't even want to now. I'm cool, right, I'm
s great. I don't evenna talk about this shit. So
I feel like I ain't never do nothing wrong. That
a fuck up. No no, no, no relationship that me
and Brooker. Hell, you feel me, right unless unless she
did not lie and try to.
Speaker 3 (02:57):
Say shit right and I take him to beat p
You know what I'm saying the way I don't think
you can. Yeah yeah, yeah so you think, but you
think most times the women can kind of cross the
head and what.
Speaker 1 (03:11):
Hey, you gotta partly just die over bit the other day,
din it? You gotta pot of just die over a
bitch the other day, didn it? What too?
Speaker 2 (03:19):
What Tupaca said he lost a part of two days
for bitch nigga fifty three years old. That gun violence
over a bitch, my mama three years old?
Speaker 1 (03:28):
Fifty three gun violence? God, what happened with that? For real?
Speaker 3 (03:40):
You gotta be caravl. Then you were laid up in
the house.
Speaker 2 (03:42):
With like, I ain't getting nobody in this store, but
I'm gonna keep it all the way one hundred wishy
if him O mama lies. So this is where that
motherfucker wanna come out. I had a home, but a
little crazy at home. But the police going to every
studio bro with a bonder with my name, with my
face on the brim, all my home balls, and you
feel I had to get low.
Speaker 1 (04:01):
Boom, I get lower at her ship.
Speaker 2 (04:03):
Feelm this we just met though she stayed forty fifty
minutes out of the ceaon.
Speaker 1 (04:09):
I know for a fake nobody feel know that they
ain't coming in.
Speaker 2 (04:11):
So that's why I'm over this motherfucker. So me being
over that motherfucker, she's feeling the nigga careers more. You
know what I'm saying, come out the room with a
box with the jerk. I apposed to say, Hell no, right,
that's what That's what I was doing over there, Boom.
I had just spent twenty thousand dollars moving into a
motherfucking a townhouse. I gave that motherfucker my brother and
(04:34):
dunked off of her ship all my life.
Speaker 3 (04:36):
Right, So, but see, sometimes I be thinking, like so
when you was in there, she brought the ji or
what you what what she gave it to you?
Speaker 1 (04:44):
Oh? She like what she like?
Speaker 2 (04:45):
Yep, she like what was in that bit sit hell
of shit, hell of ship boom. So god damn she
come out there, motherfucker. She liked my last nigga, gat
my last nigga one hundred thousand. You still oh it timming,
But I got all this jeer. I'm like, she'll try
(05:05):
to see that more, try to sell them and get
your money back.
Speaker 1 (05:07):
Give him.
Speaker 2 (05:08):
I'm pushing that issue text mission nil thing like man
sell that motherfucker. I'm like, you ain't find nobody, you know?
She like she takes me like I'm still looking for
somebody to buy it. But if they don't want to
buy a by should I just want you to I'm like, should,
all right? I ain't never say give me the jered,
I ain't never say it, but I need that. I
need that, you know what I'm saying.
Speaker 1 (05:28):
Boom, because I'm already knowing the type of person. The motherfucker.
Speaker 2 (05:32):
Hells if I already peat, you know you did some
in this ship before him. But I'm I find this
out after God damn, I'm over this bus and all
this shit going on. Not my people tell me, well
you know she well hold on, watch yourself. Now you
know she'd be playing them in that game. So now
I'm like, you know what I mean, Ship, I've been
a robber tweet the hard players to go to jail
(05:52):
over this motherfucker or got there, alright, go to hell
over here, I mean hell over this bitch. God damn,
vibe chat. I started peeping ship out. Oh yeah, they're right.
She trying to set up to She like, Man, I
ain't gonna lie to fuck it. Boy, I'm in the house.
Bro the nigga come the ex nigga, come for the jewelry.
(06:17):
Brot Hey boy, he comes this. This This is a
little this a little bit of my nigga Trouble died,
you know, trouble how he died.
Speaker 1 (06:31):
That's deep.
Speaker 2 (06:31):
Boom. I'm I'm I'm blow on something. Yeah, which nigga
to throw out here?
Speaker 1 (06:36):
Thro throw? She come running up the stairs and I
wake up, boy, where the that is?
Speaker 2 (06:42):
She like, nobody? Somebody at the dough? She like, ain't nobody,
ain't nobody, ain't nobody? She nervous what it was like,
here's the Ground'm not doing the show. I'm like, who
that is at the door?
Speaker 3 (06:52):
Couldn't She liked, like like somebody got some of mine
in there? O?
Speaker 1 (06:59):
Mom? Yeah, She's like, it's the nigga job. Then what
I do? Jewelry? I got in here, damn bruh.
Speaker 2 (07:12):
She called the police on that man right then, and
they told her need to leave. And I'm looking out
the window. He got that motherfucker this busy my jewelry
and up I'm my baby food. Damn old lord Lord,
I gotta show you up because I ain't gonna.
Speaker 3 (07:32):
I was spookful. I was that's deep. But you be
next though. That's the thing. When the girl treating a nigga,
you be nick that's gonna be your jewelry A lot
of times in that next now.
Speaker 1 (07:42):
Exactly, and it ain't gonna lie. I ain't. I ain't this.
I ain't the sharpest motherfucker pencil in the in the
in the any thing thing.
Speaker 2 (07:50):
But I'm a very intellectual, smart young man like I
peep ship.
Speaker 1 (07:53):
The motherfucker be.
Speaker 2 (07:54):
Thinking what nigga knocking at the dog creep out the
back door? Yeah, if I wrap up, I ain't going
I'm not yet.
Speaker 1 (08:04):
Yeah, you ready to handle that? What you doing nigga?
Right here? She seeing nigga creep? You know what I'm saying.
She instantly get on. Ah, it's a guy in my dough.
Hear screaming in the house. I had the police and
ships coming out. Hey, I not go back that. I
get nigga get picking out the window like het the ho.
This bee's got my children.
Speaker 2 (08:24):
Man, that's a bad situation, bro, mad I put myself
in that situation for real.
Speaker 3 (08:28):
But even no way I could have stopped that ship. Yeah,
but I'm saying, like she must not been done with
the nigga someing she wasn't why she let the niggas
because I left that bitch along.
Speaker 1 (08:39):
Yo?
Speaker 2 (08:39):
What she said, Oh yeah, I know where I know
where you be at. I'm I'm back sucking with I'm
finna send him over there to get his ship.
Speaker 1 (08:50):
For Did he show up? Yeah? What? It fucked me
up though, I'm like, boy, this ship, yo, brother, that's Hey,
you gotta be careful. I'm already focused. Bro. God damn,
how long a y'all fucking around?
Speaker 3 (09:09):
Some had you hooked though, Some had you hooked though,
because I remember being at a girl house one time,
a nigga hit the doll. I know she gonna be
watching it. Nigga hit the doll. I said, what going on?
Speaker 1 (09:24):
Then?
Speaker 3 (09:24):
Why I don't go to girls house? I don't even
do that no more. That time right there made me
say because I already went against my rule. That's how
I raised a rule for me. Don't go to women's house.
It ain't never really just they house, because men have
an unrealistic expectation next to wherever they come and fuck
you at. So a nigga, even if you pay all
(09:46):
the bills, is your ship? A lot of times, a
nigga still gonna think I.
Speaker 1 (09:49):
Could pull up to my bitch house another time out.
Speaker 3 (09:51):
That's what I'm saying. You got this nigga in my house? Nah,
this ain't really your but whatever. Nigga killed about that,
but I don't do it. So nigga knock on the door,
she slip out. You know, I'm just saying because I
don't you know, we ain't boyfriend girlfriend, no way.
Speaker 1 (10:09):
But we got about ten seconds. He got to be gone.
He got the gold. Though.
Speaker 3 (10:14):
We can't have this. Two men with you the interest
and it's two men right here. This gets real slippery man.
She slipped out there and told him. I heard her
telling him, Man, you don't know why you sure you know?
Trying to show out he left.
Speaker 1 (10:27):
I left.
Speaker 3 (10:27):
I never I'm me and her can't funk around no more?
What would make you stay with her after.
Speaker 1 (10:33):
Ship like that? Boom?
Speaker 3 (10:34):
See all right, you can't be speared niggas, fool. He
can't be what you see with you what he doing?
You gotta put that ship out, man, I.
Speaker 2 (10:53):
Mean, let me uh what you say, let me uh,
let me process.
Speaker 3 (10:56):
Yeah, keep your real You ain't talking about your feelings.
Speaker 1 (10:59):
You over her?
Speaker 2 (11:00):
Now?
Speaker 1 (11:01):
Oh it's you not over her?
Speaker 2 (11:04):
Man, Fuck out of here as soon as motherfuckers in
the end there and try to like make me seem
like I'm.
Speaker 3 (11:11):
Yes, But niggas going back to that though.
Speaker 1 (11:13):
I can't do that.
Speaker 2 (11:13):
But I can't beat myself up like that's fucked up.
I liked it, though I did. I think it was
a lot of like I felt like, I, oh, that's
really what I think it is femly.
Speaker 1 (11:28):
I felt she did this for me and type ship.
Speaker 2 (11:30):
So when I already to dip, it's like that's why
I left most of that ship. I feel like I
ain't even gonna do it like that. But when we
when I dip, I got this chain on right when
I'm fine, I'm finea deep bro, I ain't even think
about this.
Speaker 1 (11:48):
I left fifteen twenty clothes over that bitch A type show. Bitch,
I'm gone boom, I.
Speaker 2 (11:54):
Get to the studio, wanta fuck get the call and
ship man, can you yeah? That type ship. But I
feel like it was that it was like she she
did it for a niggas. I can't j yeah, you
a feeling like that?
Speaker 1 (12:13):
What was she? What was she? Just keeping it real?
That's the thing though.
Speaker 3 (12:16):
Them girls girls is solid though, even if they ain't
even if they ain't even it ain't sustainable, even if.
Speaker 1 (12:23):
It ain't sustained, if you can, if you can't hold
that shit up, it ain't solid. But it's nigga every day.
Speaker 3 (12:30):
Yeah, but they they be. They'll give a nigga they
all and then regret it. Right, So like I've even
saw women help niggas and then regret that they helped
the nigga because he's shining. You put him in position
to shine, you helped him shine, and now you made
at yourself. You see what I'm saying, Like I've seen
this happen before, like just with people that I know personally.
(12:54):
You know what I'm saying, where it's like they're getting
the she would go clean his credit up, She'll teach
him how to get a house, She'll put him in
a new did and get the hating on him and
didn't get the hating on It worked bro both ways,
and then Nigga go to hating on these girls. I've
seen that but too, like Nigga be hating on it.
So it's like, damn, bro, Like that's that's weird, man,
that's some weird ship.
Speaker 1 (13:16):
I felt like on some real ship though.
Speaker 2 (13:18):
I just feel like she thought she had like a
son or something because you know she's about thirty seven,
thirty six. I don't want to put no extra age
on man. I don't want to do that to you.
I'm twenty six. It was certain she's like I wasn't
going for it, like talking to me like my brother
and yeah she would, yeah, just because you think you
think you nigga finish man?
Speaker 3 (13:37):
Oh yeah they yah she yah yeah they be reversing it.
Speaker 1 (13:43):
Crazys.
Speaker 3 (13:44):
Fuck, I don't give about like that. You they that's
funny though. It's mind games being played out here, thog
real chess. I'm talking about his chest games being played.
Speaker 1 (13:56):
Man.
Speaker 2 (13:57):
I feel like as a rapper, bro, I don't think
I'm ever paying a little that shit. I don't even
expect that from my life, no more.
Speaker 3 (14:03):
For real at all. And you gave up on love
and no relationship? Why why that shit?
Speaker 1 (14:09):
Ain't you?
Speaker 2 (14:11):
Everybody here to be used as humans? Okay, even if
you wis mine, like using them for companionship or whatever.
Speaker 1 (14:18):
Everybody here'll be used.
Speaker 2 (14:19):
But I feel like in the in the line that
the career that I chose I be used for the
wrong reasons, Like you won't use me because you just
need to be a rhyme and like you, it's something
you want to be a single rap or something like
even homeboys you want to be a rapp or opportunity
like you feel me, it's an opportunity Like so I
just gotta be a realist and just swallow that shit
(14:39):
down like this was going on you feel me or is.
Speaker 3 (14:42):
You plucking your friends and ship out of one pond?
Do you gotta go in? Are you compatible with people?
Because that's my problem sometimes I might not be. They
telling me, yo, go get you some.
Speaker 1 (14:52):
Friends over there.
Speaker 3 (14:53):
Well, when I go over there, I ain't really compatible
with them folk, but maybe you could get friends outside
of Like what's making it that though? Because I feel
like that, and I'm just trying to work through.
Speaker 1 (15:03):
It, because I'm with you on that.
Speaker 3 (15:05):
I think nobody genuine no more. Everybody got a gender. Yeah,
so it's like I feel that, but I'm trying to
get us to work, Like, how do we get around
this ship?
Speaker 2 (15:15):
I ain't When you find a way, brother, let me know,
I gave up on this ship, I don't really.
Speaker 3 (15:22):
You have had your heart broke then before.
Speaker 2 (15:26):
I think I probably got abandonment issues and ship probably
you know from who Mama my popping? I probably yeah,
dropping nigga off at my grandma house and shit, you what,
I man? Yeah yeah, And then I don't be liking
they would don't be liking, right, I'm gonna breaking down
like that. I feel like, do I feel like even
(15:49):
can't be nobody can't be No fucking little around here
because people who watch me and my brother, my blood
brother Iceberg grow up together like treated us.
Speaker 1 (15:59):
The same all our life. I fe'm ain'tis uncle's dead
and everybody.
Speaker 2 (16:04):
Feel now when my brother come around, pull my brother
walk in, hey, Then I walk in and say, I
don't like this ship. This is my fucking brother. But
it's like, why the fuck is everything different now? Why
y'all so heap to see me and that they have
to see my brother now when it used to be
the same. So I just feel like if motherfuckers that
watched you and live your whole life, can that should
(16:25):
changed them?
Speaker 1 (16:26):
The fun I'm supposed feel about stranger of.
Speaker 3 (16:27):
Them, but that this perspective because for them I can't
really speak to But in the in the outside of that,
to some people you get to hate and the others
you get the uh so what I'm saying, because there's
people bigger than us, right, so in some places we
get the praise and then others we were just talking
(16:49):
about how like damn, the machine can't push me, or
they ain't helping me, or they ain't getting me in position. Yeah,
they be kind of shunning a nigga. So it's like
everything ain't peaches and cream with this ship, you see
what I'm saying. But with the love side of it,
it's just gonna be rough on you.
Speaker 1 (17:06):
Bro.
Speaker 3 (17:07):
It's rough on It's rough on all of y'all. It's
rough on me too.
Speaker 1 (17:11):
Have you.
Speaker 3 (17:11):
I'm saying, how many times here you think you've been
in real love?
Speaker 1 (17:15):
Well? I felt that.
Speaker 3 (17:16):
Press the button bro on the on the thing right there, yeah,
ship and get somebody over the shoulders. You could sit
over there or sit over here too.
Speaker 1 (17:25):
Probably, like I say, I've probably been in real love.
I like twice.
Speaker 2 (17:31):
I like twice one of the buses, one of the
bitches out of love nigga kicked her dough. Well, I'm
in that bitch my jeary in the room, Mama drunk,
let my gun in the car, kicked her door or
sister said a nigga.
Speaker 1 (17:44):
Up when it was in there, like I got on
Mama just got a like.
Speaker 2 (17:50):
I ain't gonna lie, Bro, I didn't been betrayed a lot,
brod been betrayed.
Speaker 3 (17:54):
Bro that Bro, that's what's sucking the nigga up. That's
why nigga feel so what happened with that? They keep
they looking for you.
Speaker 2 (18:02):
Yeah, I feel the sister said the nigga up right,
but the whole grammar though, the whole ground. But it
took me some It took me some time to peat
that feel. But mind you, after I get grow up
this bitch taking me.
Speaker 1 (18:16):
To feel me?
Speaker 2 (18:18):
Then I lead this bitch where she fucking nigga, I
lead this bitch right. She get with one of the
niggasho she get with her sister boyfriend who set the
ship up. I'm like, what the type of weird going
on over there?
Speaker 1 (18:32):
You feel? No? I just but that ship lead to
Like I'm saying, who was the bitch to you? How
long was you fucking with them? That bitch? Probably like
and probably like three years.
Speaker 3 (18:41):
How quick do you get to a place where you
feel comfortable around the girl?
Speaker 1 (18:46):
Though? Ship not quick no more? It used to be
used to be quick.
Speaker 3 (18:49):
But you because I'm a love boy, bro, and you women,
you're young too, though.
Speaker 1 (18:54):
Love women, bro, that'd be my fucking problem. Yeah, I'm
a real lover, but I'll be tripping.
Speaker 3 (19:01):
What's the difference between a sucker and a lover?
Speaker 1 (19:04):
Boy?
Speaker 2 (19:04):
A sucker is god damn niggana let the motherfucker run over.
I ain't let nobody walk over me. So when the
bitch started trying to think, because a love boys a
nigga with just little women, and like, okay, all right, okay,
I think everybody this this my diffinence is no little
but I think everybody beautiful to somebody. So I ain't
just gonna be like all that bitch weakest fucking just
(19:24):
dog out you feel me? She might she might. She
might be weak to me, but she might look good.
So I ain't never make no woman feel bad. That's
loved boy to me.
Speaker 1 (19:30):
Okay, cool, But like a sucker is a nigga just
getting walked up? I know. I'd have been the call
with business and they what where is it? You ain't
seeing it? Mom?
Speaker 3 (19:40):
Is a nigga that's the sucker? Yeah yeah, yeah, business,
no tricking. You don't get no money or nothing.
Speaker 1 (19:45):
You know, she can't even talk to me like that.
Speaker 3 (19:47):
So how you deal with that? You're raping nigga? You
got that you it's rough on y'all as motherfucker that's talking.
You don't get no money now, man, Look, I don't
get no cheese.
Speaker 2 (19:56):
I ain't gonna it, bro. I swelled it up motherfucker.
Don't need be coming at me like that for I
don't know what it is. I think niggas just be
coming in the don't like just what you want for
it because in d n A they play it how
they play it by if okay.
Speaker 1 (20:10):
He coming in like this, So she is talking, I
thought to feel me. I don't you fucking them tight?
Speaker 3 (20:17):
Is you fucking them Instagram type bitches though that that
that portrayed that lifestyle trying to give me. I'm saying now,
I'm saying, like the wares that pop that kind of.
Speaker 1 (20:26):
I'm gonna steal it like this right.
Speaker 2 (20:28):
A lot of these holes that you niggas paying is
eating dig for free, for on my baby eating free.
Speaker 1 (20:37):
I believe that I swear, yeah, yeah, but.
Speaker 2 (20:40):
I'm saying as a rap, as a rapper, they should
be a breath of fresh f them bitches to run
into a nigga like me like ship because all right,
I'm gonna give you niggas. I give you niggas knowledge
boom niggas who be paying for that ship. The bitches
looking at niggas like you ain't lawyer you feel Yeah,
It's like okay, bitch, come eat digg free over here.
Speaker 1 (21:04):
This nigga, he ain't just paying that ship out.
Speaker 2 (21:06):
He ain't going around paying motherfuckers even Fu and all
these bitches who's selling puss it down, they got hurt.
You eat all type of ship feel right, So it's
less of a risk on a nigga like me.
Speaker 3 (21:16):
So they so you saying that they knowing that if
you paying this your lifestyle like you fucking paying all
the time, every turn the back.
Speaker 1 (21:24):
Of script club. Yeah all type of ship.
Speaker 3 (21:27):
Wow yeah, yeah, yeah, you ain't never did no only fans. See,
they be trying to get rap niggas to do only fans.
Speaker 2 (21:32):
I had a bite on my uh give my leap.
I tripped that bro, Have them ball bro, have them
ball bro. I pocket posted that bitch on face.
Speaker 3 (21:44):
Really see the damn you got a niggas like saus
Walker that buck got real. Only when I'm telling you
making me. You know what I'm saying, niggas, is I done?
Had girls come in me telling my only fan bro
what I'm saying, Man, I ain't doing no fucking I
don't know they want just want me.
Speaker 1 (22:03):
Yeah you know what I'm saying.
Speaker 3 (22:05):
Please, but but I'm saying, but yeah, for y'all rapni
even like now around Christmas and ship, they expect Rapney
to come through now. Yeah, So I'm saying how you
get around that? Because this be the time of year
where niggas like rappers, entertainers, ball players. It's rough on
niggas around holidays. You gotta buy all these different women
(22:25):
you've been dealing with, and the ones you've been lying
to or not even lying to. But I ain't give
her as much time. But she Christmas coming, everybody specting something.
Speaker 1 (22:35):
How you deal with that? Boy? I ain't got no feelings,
ain't nothing going on.
Speaker 3 (22:39):
You can't be a lovabley with no feelings.
Speaker 1 (22:41):
But don't nobody love me?
Speaker 2 (22:42):
I love women, but I don't feel like nobody love me,
So I'm not gonna give you my I disappeared like
I ain't gonna lie that a song?
Speaker 1 (22:47):
How hard on me? Right?
Speaker 2 (22:49):
I think I got that ship from my dad, I said.
I disappined and come back like nonhing of it, just
like my father. I come back in fifth wherever, be
like what you been doing right?
Speaker 1 (22:55):
Christmas? Old way? I want to know Christmas gift back.
It depends on who it is.
Speaker 2 (23:03):
Nah, this girl don't really dealing with brun and I
really like this girl and I feel like she really
liked me.
Speaker 1 (23:08):
Bru. If I feel like it, then I go all out.
Speaker 3 (23:13):
So you're fucking like a motherfucker. But you don't feel
like none of them girls like you?
Speaker 2 (23:17):
Man, go geting the trigger, nigga by this shit. You
don't like me like this, but you just want to
You just want to post the center pick there bad.
It's all want to do.
Speaker 3 (23:27):
Man.
Speaker 1 (23:29):
So so.
Speaker 3 (23:31):
That's crazy because I'm telling man, you competing with That's
the thing. If you fucking out of the same group
of the rapper girls and you ain't spending nothing, then
it gets rut like or I'm just thinking that stigma
to your stigma to your professions. Like he's a rapper,
I'm his I'm fucking on him. Christmas coming up. He
gotta be finna give me something. He gotta be coming through.
(23:53):
What's the budget on somebody you think like you?
Speaker 1 (23:56):
What's the budget? Oh? If I feel like you like me, bruh,
ain't no budget for real? For real?
Speaker 2 (24:00):
Yeah, gotta be like me. I pay attention, so I
already know what what you like and ship like that.
Speaker 3 (24:06):
So yeah, so you a real lovaboy, you're paying attention
to ship? What's your what's the sign? What's your sign?
Speaker 1 (24:14):
Yeah?
Speaker 3 (24:15):
What's the what's the easiest way to get a bitch
nowadays in the industry?
Speaker 1 (24:19):
Or we need? Like how you be? What's your I.
Speaker 2 (24:22):
Don't like d M, that DM and SHIP. I don't know, man,
they should be hitting and missing me. I mean person
type of nigga. I mean person type of nigga.
Speaker 3 (24:31):
Right, is that is that your boy? No, they ain't
his boy. Don't let him, man, but watch for his
guy go from his shoulder. Now this you don't mind
appreciate that? Damn Go ahead.
Speaker 1 (24:43):
You know what I'm saying? Yeah, me too.
Speaker 3 (24:46):
But we were talking about just you said you don't
like the d M.
Speaker 1 (24:49):
You don't like I mean a person type of nigga.
Speaker 2 (24:51):
But I feel like I feel like I should have
been this age and not real I feelished.
Speaker 1 (24:55):
I feel like I feel like I'm older than what
I supposed to be.
Speaker 2 (24:57):
Yeah, so I like in person and just walking up
or like the mother fucking you on the bitch each other,
both of y'all.
Speaker 1 (25:05):
Like you know what I'm saying. I like that type.
Speaker 3 (25:07):
Yeah, yeah, yeah, you ain't had none of them celebrity like,
you don't got no celebrity girls.
Speaker 1 (25:11):
You be trying. I'm saying you try. Oh yeah, here
I got bit I like who I like? I like
a lot of these. I like, uh, I like let
a little really she cool? She cool? I like uh,
I like Coco Jones, I like motherfucking it's a few
(25:39):
of them. It's ain't allowed.
Speaker 3 (25:42):
I be thinking like because sometimes I be liking people
off their ground, but in person, I be walking past
him like, damn, I ain't even she do on even
look the same?
Speaker 1 (25:53):
They done tricked me with that grammar.
Speaker 2 (25:56):
Yeah, I gotta tricked a couple of times with that ground.
Bro that ain't gonna looked.
Speaker 1 (25:59):
The people and that ain't not ain'tyn coming to the door.
What crazy for them? You donna look through the people
and not came to the door, Yeah, said my homeboy.
Down still get a bit.
Speaker 3 (26:16):
Like no, like funk, No, you can't how you be
getting the bitches though, Like I'm saying, do you how
you get the bitch to you? Like I'm saying, y'all
niggas don't be.
Speaker 1 (26:26):
Spooke to that ship.
Speaker 3 (26:28):
No this bitch pull up, pull up?
Speaker 2 (26:30):
Yeah, And I don't be at no like no hotels
were like, uh, you gotta get you and then like
the my spot like you gotta stop able to and ship.
They gotta call me. Yeah, you know you ain't never
been because you just said yeah, because you better be
(26:53):
paying attention.
Speaker 3 (26:53):
You don't have niggas kicking houses and.
Speaker 1 (26:59):
Wrong one time, shot one and a hell time. I
have I got grades in my hand. I don't. I
don't want to stay right. Nah. Yeah, now you don't
count that. That's that's right. You did right by.
Speaker 3 (27:15):
That saying nigga don't got no binginess count that exactly.
Speaker 1 (27:18):
But you did.
Speaker 3 (27:19):
Did you get in the game before streaming or after streaming?
Speaker 1 (27:22):
Uh? Which? Man like Spotify and all that?
Speaker 3 (27:25):
Since you dropped your first song, was it uploaded to
like Spotify?
Speaker 1 (27:29):
Apple Music?
Speaker 2 (27:30):
No? I started on YouTube? Was YouTube? I was just
dropping It took me three videos?
Speaker 1 (27:35):
What year was? What year? The end of twenty sixteen?
Speaker 3 (27:38):
I'm trying to think was was because I think that's
when Drake was doing those Apple Music's exclusive deals. They
had just built Apple Music out. I think Tyler Craig
was that twenty sixteen. Do you remember that?
Speaker 1 (27:53):
Yeah?
Speaker 3 (27:53):
Because Drake had got an exclusive deal. I think Tyler,
Frank Ocean and Beyonce. People would put it on Apple
Music for one day and then the next day to
be everywhere. But that was their way of building that platform.
So what I'm what I want to know is is
that you know, do you think you're fairly paid for streams?
(28:16):
You know what I'm saying, Like, do you think is
that a good hustle for you? Do you think like
this is a cool little hustle like or do you
think it's worth more?
Speaker 1 (28:24):
I think it's worth I think it's worth more. I
think it's worth more.
Speaker 2 (28:27):
I don't feel like I don't feel like as artists,
I don't feel like we get the right percentage of scream.
I think we get like I think one stream is
like point some sense. So I don't think we get
as much as we supposed to get out in the
streaming like rappers, bro We get out out brand branding
(28:47):
like merch tools shows shit like that unless you unless
you are completely like independent artists, but who want to
own one hundred percent of zero dollars?
Speaker 1 (28:59):
Right? Yeah? In your contracts?
Speaker 3 (29:03):
Like because I know you, Okay, how many contracts have
you signed so far?
Speaker 1 (29:09):
On the.
Speaker 2 (29:10):
On the two on the two, the one with the three.
You're with three hundred, Now, yeah, I was. I was
signing three hundred. I was signing through three hundred through Sequel,
and I was signing three hundred through OVERKEP my ship.
Speaker 3 (29:23):
Yeah, so three hundred was the parent company. They've always
showed interest? Is that Leo and.
Speaker 1 (29:29):
Who is that? Leo? And Kevil?
Speaker 3 (29:30):
Kevin Line shut out Kevin Lyn? So what the what
the deal the first deal you had? What did you
what was something in a contract from that deal that
you learned from?
Speaker 1 (29:44):
That's like when I had Pete, Like it was like.
Speaker 2 (29:52):
With I getting too deep into it was like, uh, okay,
so I signed for twenty thousand dollars in it was
supposed to be like ten thousand of marketing or something
like that was sick with but I ain't no fel.
So once I peeped like I ain't never get no marketing,
the ship LIKEDMN they lied to me. Then it was
(30:12):
it was another key point once I had looked out
that ship. Oh uh for the hair like options, you're
familiar with options? Yes, yeah, Like I ain't really like that,
like yeah, so it just real rolled me.
Speaker 1 (30:26):
Okay.
Speaker 2 (30:27):
It's like after I turned in two projects he got
the option to to like basically stand like you know
what I'm saying, like on something now you going to
what type shit? And I ain't get that, Like I
ain't got the option, like you know what I'm saying.
So once I peeped on so then was really like
the main two things I ain't getting no marketing in
like the option. Ship was just throwing me through a
(30:47):
loop like what.
Speaker 1 (30:48):
About the splits?
Speaker 3 (30:51):
Is the splits like the splitting ship on each dollar,
like say, dollar come in, you get, I get the business,
get this much?
Speaker 1 (31:00):
All get we break down.
Speaker 2 (31:01):
That like all right, the business, the business get like
I say back, I'm getting. I'm walking away with probably
like twenty five percent at the end of the.
Speaker 1 (31:11):
Day and I am the lord.
Speaker 3 (31:13):
It's three hundred helping Like with your marketing.
Speaker 2 (31:16):
There they came with the whole like marketing team and ship.
They got to market a budget and shit like that
you feel now, But like before when it was going
through secre with it like I.
Speaker 1 (31:26):
Ain't really.
Speaker 2 (31:28):
I ain't really, Uh, it was a lot of ship
that seek with it as the label was supposed to
be doing like not that, not that, like not that
I'm saying through my ship, it's like I peaked, Like,
oh ship, it's certain ship that bro was supposed to
be doing that they weren't doing. You feel like they
just sitting back playing to cut, like hoping something blow.
You feel me, it was like that type of shit
that's really wasn't the main thing, Like y'all really just
(31:50):
playing the cut and then if I blow, you're gonna
hit them options on me, you feel.
Speaker 3 (31:53):
And that's what a lot of the business is. That's
what's fucked up. It's like they won't even pushed for
it to blow, but if it blows, you can't go nowhere.
Speaker 1 (32:01):
That's literally how they rock. And that's what I don't like.
I don't get that. That's what just throwing me through
a loop. Bro. I don't like shit. It's crazy. It's like, Okay,
I get it. I get it.
Speaker 2 (32:12):
It's like playing I look at it like playing for
Bay all your life and not wanting to go to
the NFL.
Speaker 1 (32:16):
You feel me, you don't want to. You don't want to.
Speaker 2 (32:18):
You don't want to fuck with a major at least once.
It's like it's like that, but at the same time,
it's like you're gonna bump your head a couple of times,
but you.
Speaker 3 (32:28):
Don't kind of fuck with a major nowadays. But this
is where they getting y'all at because they they're restructuring
the landscape. They they lost a grip on it for
a second, but now they've now changed the Apple landing
page and all of that, All of that is digital
(32:48):
real estate. The labels are buying that ship up, meaning
it affixed the algorithm like you're playlisting, you're up next,
or the picture on the hip hop ship or the
all of that ship is for sale now and before
it was algorithm based, like if twenty thousand people clicked
on it, it's no longer like that. A lot of
(33:10):
it is is digital real estate. Because really, that's really.
Speaker 2 (33:13):
What I was getting at when I was like, it's
a lot of tricks and ship they doing for the motherfuckers.
I ain't getting them tricks done, right, That's what I
was getting that type of.
Speaker 1 (33:21):
Shit right right?
Speaker 3 (33:23):
Yeah, But see that's yeah, that's what you mean to
play listing and ship because but there's something to be
said about those hard numbers though, Like I think that
a lot of these brands they incorporate inflation.
Speaker 1 (33:36):
They understand that bruh, oh he got the call, Oh
who is else? But a lot of these oh she's
for the kids.
Speaker 3 (33:50):
A lot of these companies they understand inflation. So I
think what happens is, say you go to a brand,
have you ever did any brand.
Speaker 1 (33:58):
Deals and shit like ethical? Ethical?
Speaker 3 (34:02):
So if they come to you, say fashion over comes
to you or somebody did fashion, oh yeah, so you
can literally go to them with like hard numbers and
really show them a there's a difference between. I mean
because the inflation, like we're talking about with streamers, one
hundred thousand people there, but there's not moving the numbers.
My people can actually move the numbers if y'all activate
(34:24):
my people.
Speaker 1 (34:25):
You see what I'm saying.
Speaker 3 (34:26):
Sometimes you gotta explained to the label. But I don't know, man,
it seemed like it seems like you've been burnt by
labels a lot, So I don't know why you want
to fuck with them.
Speaker 1 (34:36):
No more boom it's on some shit like.
Speaker 2 (34:41):
Because me, me, me, me going through what I went through,
because I wouldn't be like jay Z at the end
of the day. I wantn't be like on some obil
shit you feel me. I want to be able to
sign your nigga and put them in the right position.
I wouldn't be able to. I'm starting out, you feel me,
nigga got little LB A Man and little Jackey, shit,
a couple of Atlanta others and shit. But like I'm
trying to be on some globe, but you're nothing like
(35:01):
me going through It is like I'm sacrificing myself to
learn the ship that I need to know to teach
these or so I can do the ship right, because
I don't want to play with nobody life. If you're right,
I don't't play with nobody life at all.
Speaker 1 (35:15):
But it's like I done gotta go through that ship. Bro, Thanks,
I got too because I ain't never gonna learn.
Speaker 2 (35:22):
I learned by try the error. But you're gonna burn
yourself out?
Speaker 1 (35:27):
Yeah you can't.
Speaker 3 (35:28):
You need something you're waiting? Do I need to get
you something?
Speaker 1 (35:35):
Take over what I think they next? Do? Anybody next? Don't? Yeah,
that's why they put that sign on the Nah you're
good mm hmm. Yeah.
Speaker 3 (35:52):
But but you can burn yourself out, like I can
tell now that you you're already becoming creatively exhausted.
Speaker 2 (36:00):
Yeah, yeah, yeah, yea ye, yeah, you know what I'm
saying yeah, and DM motherfuckers come come to you with that.
Speaker 1 (36:08):
Like you already like I already.
Speaker 2 (36:09):
Be feeling down, like damn, Brian ain't got the I
ain't got the time my team, but I ain't got
the team. That I know is that I need you
feel by having like the machine and then the motherfucker
come and tell you some ship like uh.
Speaker 1 (36:25):
On the thing you feel like you know, yeah, moving
on like hold on brother? What hoping a nigga like
you know what I'm saying, Like what you'll thinking? They
ain't gonna do it. It's like all that ship be together,
want to be like, man, how you deal with that? Man?
Read like yourself, heal and ship because that's a battle, bro,
(36:46):
that's a real battle wisdom where you love what you're doing.
Speaker 3 (36:48):
And you ain't got the money you need to quit.
Like it's like I ain't able to say I'm.
Speaker 1 (36:53):
D I can't I can't put rap up.
Speaker 2 (36:55):
I ain't want the niggas with an egg like I
just like I'm hustling this ship, thinking about it.
Speaker 1 (37:01):
Mama, and then trying to keep myself.
Speaker 2 (37:04):
God damn, you know competing competition, you can't look fucked up.
Speaker 1 (37:08):
I ain't I ain't like kens a little more. I
can't come back.
Speaker 3 (37:11):
With you, got it because because of you, because they've
done trapped child in the trap music ship to where
you gotta look a certain way to do a certain way.
Speaker 4 (37:19):
Bro oh mom, But that's what the brand artist I
was sould for a nigga, like you know what I'm sense,
So I don't even really be giving a funk about
this ship for real.
Speaker 1 (37:30):
For real, but a nigga a nigga come from it though.
Speaker 2 (37:33):
So it's like it's like, Okay, I ain't never heard it,
so I always want it, Don't get me wrong, I
always wanted it.
Speaker 1 (37:40):
But it's like I don't want I'm a diamond. I
don't want.
Speaker 2 (37:45):
I don't want motherfuckers to only see me with your
and like I put up with no jars, like damn
me look regularly, I gotta shine whenever you see me.
So it's like I don't like that were in that
ear or now, bro what a nigga? Well, rep, I always.
Speaker 1 (37:57):
Been like that. You got you always had to shin
to change.
Speaker 3 (37:59):
See the niggas grow older, So what happens is you
gonna grow older and then start being like I like
being low I don't care if they look at me
like he regular.
Speaker 1 (38:10):
You're right, I want to be regular. I have spent
the last.
Speaker 3 (38:13):
Twenty years taking pictures and shit, you see what I'm saying,
people stopping me and my family at talking in Walmart.
I just want to be regular. I just want to
be a regular nigga, to show up to the movies
like everybody else. Get some popcorn. You know that's gonna
start to be a peeling for a nigga to where
nobody don't see you as peas at all. Yeah, you
(38:34):
know what I'm saying right now. Recognize I'm in this bit,
big feet nigga. I'm here, you know what I'm saying.
But that's how it go. But at some point the
nigga shake that, but they come. I think they're gonna
come with age. I don't think it comes with nothing
but age. You know what I'm saying. Because rap niggas,
I be wondering, like I asked you, when do you
not wear your.
Speaker 2 (38:56):
I'm at huh, I just be one of them days. Well,
I'm just I know I ain't got ship to do.
I'm just around around my people, and she ain't gonna
put it out yir because I be looking at that
she like really like a liability too.
Speaker 3 (39:09):
Yeah, like, because you never know, like you never know
when a nigga might You know.
Speaker 2 (39:14):
I still be in a lot of places that ain't
supposed to be in Shire, So I be like, I
ain't gonna go over that motherfucker shining like a motherfucker. Then, yeah, man,
even though I know I don't know ship, I'm on
the one man in the in the in the world Brown,
you don't know what's going on on a nigga.
Speaker 1 (39:28):
Man, your home bolly read snaman that man. Yeah, so me,
that just be awesome.
Speaker 2 (39:34):
I just be going with the good man, my good,
my good be telling my ship was like my second
brain for real.
Speaker 1 (39:39):
That's what it is. Might be your first brain, mamase
might be the first one.
Speaker 3 (39:44):
What about when you damn I forgot I was just
gonna ask you about that Jerry ship. I forgot what
the fuck I was just flash white boy, I forgot
what the funk I would just want to ask you, man. Hold,
(40:06):
let me see what speaking of like the streaming and ship,
I think there's money in this ship for y'all. Right,
But when I look at somebody like Keithy d you
know that is right that and.
Speaker 1 (40:27):
I know you about you growing up half your life
that nigga is trip. Yeah you're saying that.
Speaker 2 (40:34):
I think I think I think what I really think, Bro,
I think he was going flat or flat, because that's
why he was like, man, Bro, just hey talking about
talking about.
Speaker 1 (40:45):
He went full blown.
Speaker 3 (40:47):
Uh, what's the niggas be on that out there?
Speaker 2 (40:49):
What's your nigga be big hole bone game man throwe
he went full blown.
Speaker 1 (40:58):
I'm like, damn.
Speaker 2 (40:59):
Then, I think he was just doing an interview for
a little twenty five hundred hell just to tell the
story and not knowing like yo, he ain't got immunity
no more?
Speaker 3 (41:08):
Right, do you think you were Capu? You think it's
how it went down?
Speaker 1 (41:11):
I think this ship went I think he putting if
a nigga running around telling how this ship went down.
Nigga dumb and stupid. Man, he's stupid.
Speaker 3 (41:18):
I don't give your nigga he ain't no, he ain't no, Yeah,
he take an old nigga dunn That nigga dumb. I
swear that old nigga dumb.
Speaker 1 (41:28):
Bro. I ain't gonna. I don't care that nigga ever.
Speaker 2 (41:30):
Retarded, because it ain't no way you at this tender age,
my nigga, and you're going on interviews saying, what the
fuck you saying, like proudly talking about the man was
break dancing in the car. You're talking about who passed
off the gun? Who ain't want to shoot you? Bro?
Speaker 1 (41:48):
You you like fifty something? Come on, I think he
went broke though. That's what it was. Yeah when you
Brokenna be.
Speaker 2 (41:57):
Yeah, like man, fuck it. That why he was like, man,
they come get me. I want interview because I love it.
Speaker 1 (42:02):
I want interview.
Speaker 2 (42:03):
He's like, man, they come give me ship. They just
come give me. I think he was just I'm gonna
do what I gotta do to get this money for real.
Speaker 1 (42:10):
Ship. I'm talking.
Speaker 3 (42:11):
If a niggas go that broke, he need to figure
something else. That's crazy.
Speaker 2 (42:14):
Broke, that's crazy. That's that's that's another level of broke.
That's like, that's that's suicide. Man, that ship signing. I
don't know how that nigga man, that nigga hell.
Speaker 3 (42:27):
Nah, but I know the game produces that because you
know he been gang banging all this life.
Speaker 1 (42:34):
You don't get nothing for gang bang. You don't get
no flowers on You don't get nothing for it.
Speaker 3 (42:39):
You just get glory as you're doing it as a youngster.
But really, once you get older, it's don't give a
damn about all that gang bang and Ship you done, nigga,
hand you your motherfucking hat.
Speaker 2 (42:52):
You guys, renew your ID. I hell bro, real talk
man right now, just about n and eight this nigga,
yeah three the young niggas a month. What happened with
the they're shooting you was involved with? They threw that
case out?
Speaker 1 (43:08):
Yeah? Uh did grand jury? I ain't want to pick
it up. Did they? What? What grounds they throw it off? For?
The fade to prosecutor song did.
Speaker 2 (43:16):
Not date my lawyer, I said, like the grand jured
refused to pick the case like they was on some
we ain't gonna take the grand jury basically because I
was at the I was just going to court and shit,
I was on for year and a half, almost two years,
and Ship barely went to court. Feeling they talking about
they they lost video footage and I feel like that
video footage would have helped me that.
Speaker 1 (43:37):
You feel okay, okay, okay, probably yeah, like it would
have helped. Yeah, God damn and grand Jura like y'all
basically had no case type ship.
Speaker 3 (43:49):
Did you get a relationship with young boy off of
that song?
Speaker 1 (43:52):
Or was it just a song?
Speaker 2 (43:53):
It was just so for real, for real. We'll chop
it up briefly in the DMS and sh there. Now,
didn't you feel.
Speaker 1 (43:58):
Who you thinking about now? That? Like?
Speaker 3 (44:00):
Do you think you do? You think you a young
rapper now? Or me and me med rapper? So who's
the youngsters now?
Speaker 1 (44:08):
The young niggas like the young niggas going up? You
got the wrong fold?
Speaker 3 (44:15):
Yeah, Roth, I just talked to him. As a matter
of fact, I gotta get him. He's been trying to
got to call him. I'm gonna get you home. Bro,
We're gonna do that right now.
Speaker 1 (44:22):
Off.
Speaker 3 (44:23):
That's my nigga with that little I've been I've been
listening to his ship.
Speaker 1 (44:26):
He wanted the men.
Speaker 3 (44:29):
So him and and that's the that's the crop of
young niggas him and who else you I fun with SKA.
That's my nigga too. I folk for the two bro b.
Speaker 2 (44:43):
C b F w oh God that going he he
popped like a different way like he he playing with
them words a different way. Bro.
Speaker 1 (44:56):
Know something something you know something.
Speaker 2 (44:58):
I just got put on bro like out right with
a bus she got Damn she put on that uh
damn wire love.
Speaker 1 (45:05):
I feel like that nigga, what the.
Speaker 3 (45:09):
Yeah, ain't kicking you don't know her now that look
and he kicking his ship and he beat with the
whole team. Shout out said shout out hawk, the whole squad.
Man over there, man, that nigga. He wanted me and
though nigga fuck with him, though he wanted them guys.
Speaker 1 (45:26):
So who's in your class? Yeah?
Speaker 2 (45:30):
Like you and I feel like the people talking like
the people I came in like, well, the people who
was in.
Speaker 1 (45:39):
We got the younger age, you got the JDA.
Speaker 3 (45:42):
You might be the le okay Jada Young and damn
he did that.
Speaker 1 (45:46):
Yeah.
Speaker 2 (45:47):
Uh, I say roadway that nigga that he's smoking he
here Thursday.
Speaker 1 (45:56):
About Yeah, I love that nigga to here. Ma got them.
It's a uh cap cap rollo. Now. I think I
came in like a little bit early.
Speaker 2 (46:11):
Because I remember I remember when younger age of them
came in and Ship and Jady Young and shit. Because
everybody will everybody will compare me and Jady Young and
shit our boys and Ship God damn clock nine.
Speaker 1 (46:24):
He in prison. Uh, it was a few nigga. It
was a few niggas.
Speaker 3 (46:30):
So you like you like might be one of the
more one of the more successful ones from that little crop.
Speaker 1 (46:35):
Though. Yeah, I feel like, you know what I'm saying,
that lasted And.
Speaker 3 (46:42):
Do you think if you would have never left the
California you might would have got one of those situations
like them niggas, like maybe a young boy or a baby,
you know, come get you.
Speaker 1 (46:52):
But you went and got with that forty and it kind.
Speaker 2 (46:54):
Of kind of it kind of like makes sense to
a lot of people, like, uh, forty. So it was
like I had to make people understand why and tell
people my story and shit, so if you ain't got damn,
if you can't listen to the story, you're like, shit,
I don't know, you know what I'm saying.
Speaker 3 (47:11):
Then they got you playing it out there with the
slank Southern slang on the West Coast with a record deal.
Speaker 2 (47:20):
Like I can't say, I can't just say, uh that
I would have just been bigger. I really don't even
because I feel like being in a different being in
a different area really helped me, Like it helped draw
attention to me, they're like, bro, the niggas sound like
boosts and ship.
Speaker 3 (47:37):
You know, if you was in Alabama at that time
when the babies and the young boys and them niggas
was down through, they're grabbing niggas and you was down
there free, no deal. You just been kind of grinding
like Rolo and them would be different.
Speaker 1 (47:54):
That's what I'm saying.
Speaker 3 (47:54):
You might would have got a Gucci or you see
what I'm saying. It might Who would you want to
do who right now? If you could choose somebody, well
you win three hundred.
Speaker 2 (48:04):
But you folks were like, goatter God, I fuck with
got it because I feel like, oh, he understands, he
understand how to how to market somebody from the urban community.
Speaker 1 (48:19):
I feel like it takes time.
Speaker 2 (48:21):
And and and a lot of work to like make
a motherfucker who don't understand, like they probably understood that
the urban community and the now this but this shit
different now, you feel me, So it's like a motherfucker
gotta make them understand instead of having the motherfucker who
didn't understand, like the nigga popping shit that was going on,
like if you like.
Speaker 1 (48:39):
For the boom.
Speaker 2 (48:42):
I remember I was feeling some type of way about
this shit back in the day, right, Uh, Nigga signed it?
Speaker 1 (48:48):
Right?
Speaker 2 (48:48):
I think I had seen I used to be in
my head a lot, so I had seen God Damned
Blake Youngster signed Little Mego. God Damn bought him a lamb.
Oh shit, I'm like, man, nigg gave me twenty five.
Speaker 1 (49:00):
So it's like that type of shit.
Speaker 2 (49:02):
You feel me like, like damn like they know how
to market that shit like beford that you would have
got me a lamb, you would have did the marketing
ship that I ain't saying like I want to hand
me nothing feeling. But it's like if you would have
did took the marketing steps, if you would have paid
attention to what everybody else is doing, it would have
been different. Bro, you feel me because everybody really was
doing the same thing. Get it your nigga buying a car,
(49:23):
you feelm or or throwing some cheese. You feel me
like you know what I'm saying.
Speaker 3 (49:27):
Turn That's why I'm saying, I'm wondering how you are
fighting through that because it's that that hurts. It hurts,
that hurts your creativity when it's time to lay down
and write a rap, that ship is bought. It's in
your brain. It's in the back of your head that like, Damn,
I'm competing with these niggas. I think I'm better than
these niggas, and I ain't gotten.
Speaker 1 (49:48):
I ain't got that.
Speaker 2 (49:48):
I ain't got the support or the belief by it
go from it goes from Damn, I ain't got to
support to Damn, motherfucker, don't believe in me?
Speaker 1 (49:56):
Just trying to?
Speaker 3 (49:56):
Then why sign me? Damn you playing me? Why you
playing with me? Damn you nigga, hate us all this
rolling right here here on the head and you can
make sense of everything of each each scenario. You see
what I'm saying. But it's like, Damn, that's why you
gotta take your time in business.
Speaker 1 (50:14):
You know what I'm saying, ain't no devil because you're
gonna hate yourself. And that's what I'm saying.
Speaker 3 (50:19):
It's important for you, bro, because you can bury yourself.
My nigga, Like I'm saying, creatively in so much bullshit
business in a way, I can't even fucking create all this,
Like damn, dog gotta sign this over to you, nigga.
I don't even eat off my biggest song the biggest records.
Not mind this that that you see what I'm saying,
That shit weighs on a nigga, bro. That's why I'm
(50:41):
asking you, how the fuck is you going.
Speaker 2 (50:43):
Through that I got You can't stop though I can't stop.
Speaker 1 (50:48):
That's that's how you get through knowing.
Speaker 3 (50:49):
You gotta start to pay attention to the business. If
you went through what you went through when I ask
you them kind of question, you supposed to be able
to pop out where every stream I makes it.
Speaker 1 (51:00):
Here's the da da da da back in saying that
you ain't.
Speaker 3 (51:03):
You can't still now be saying I don't really know, bro,
because you're setting yourself up for another.
Speaker 1 (51:11):
Tombstone power bomb.
Speaker 3 (51:14):
You know what I'm saying, Well, nigga, make another two
million off you and you make seventy thousand, and then
now you mad at yourself, and you mad and your mama,
because I know what it be mama and them and
everybody thinking. When you run off and run with them
rap niggas even coming back with the trash boy it
is he coming back with the treasure, then it hard
(51:35):
to say no. Then you got to learn to manage money.
Do you know how to manage your money.
Speaker 2 (51:41):
I'm still learning how to manage right now. I feel
like that's a that's a uh a process, man, you
know what I mean. I still be aching out impolstal that.
So once I get that, impost them, impost of thoughts
and ship what's something you be buying out like that,
I'll be boring, but go.
Speaker 1 (52:00):
Out, go out.
Speaker 2 (52:03):
Then I feel like then I it be what y'all
want to do, what y'all want to do. Nobody pitching
the end though, you know what I'm saying, So shit,
I'm spending money on the station ball.
Speaker 3 (52:13):
It's good to do that when you hustle good, you know,
But it's like you're still gonna have to find a
place to where, say, if I don't move to day,
I'm straight, I don't do nothing residual. Yeah, and then
and then then then ignore them urges. Sometimes you gotta
try to ignore them.
Speaker 2 (52:29):
Urage what I'm saying, Yeah, that's our once I once
I get to that, probably like the last thing.
Speaker 3 (52:34):
But also money, money management from a standpoint of do
you know, can you tell me right now a dollar amount?
I don't want you to tell me, but I'm saying
in your brain, do you know a dollar amount of
what I made last year.
Speaker 1 (52:46):
I know exactly the.
Speaker 3 (52:47):
Amount of money my company Overkill made last year. It
made six million dollars four hundred thousand and d D D. See,
these are things you If you don't know the nigga next,
you gotta know.
Speaker 1 (53:01):
You know what I'm saying.
Speaker 3 (53:01):
Niggas gotta know what everything is making and what everything
is costing, because in between that is where that's your money.
You know, everything you get ain't yours. You know what
I'm saying, A million dollar check ain't your million to
go spend here. We gotta run a be in it
with this. We need to hire some folks to make
sure you're branding right. And I also want rappers to
(53:24):
or I want to ask y'all, like what you got
on that?
Speaker 1 (53:27):
Did you pay for that? Oh? Y'all about there? So
do see it.
Speaker 3 (53:32):
Also, rappers also need to have somebody on their team
that constantly are seeing what they're into and reaching to
those companies like yo load them up, like here, wear
your shit every day for the next ninety days.
Speaker 1 (53:44):
Load him up. We on tour right now.
Speaker 3 (53:46):
We're in front of ten thousand people a night with
your shit like they gotta know how to pitch peas.
That be half the thing. You just sitting over the people.
That's why you get with these companies. They don't know
how to pitch your nigga, Like you was just saying,
they don't know how urban culture works, so they don't
know how.
Speaker 1 (54:04):
To take them clothes. It's a the jar they the
uh how you put it out there?
Speaker 3 (54:10):
Yeah, you said ship, so you say so when guiding
them were doing that.
Speaker 2 (54:15):
I'm just sitting looking at this shit like damn, and
I ain't even had a heart that goddamn damn be.
Speaker 3 (54:21):
Bro, but you because did you feel grateful? Is that
why you just grateful to be here?
Speaker 1 (54:26):
Mama?
Speaker 2 (54:26):
I'm I'm I'm a like I'm gonna look at the
glass hell for a type of nigga, but I peeped
when I'm not getting what I deserve though, you feel me?
Speaker 1 (54:35):
So I'm like, all right, he gave me his platform
and ship. You feel me? Okay, he introduced me to
a lot of people that that mean a lot. You
feel me?
Speaker 2 (54:44):
So I'm looking at it like that, But I'm like
still though, bro, like he dragging his feet on this side.
You feel so like that type of shit like just
sitting there watching that ship and then it wasn't even
just them, everybody doing this ship. And I'm knowing you
see this shit? Feel me, I'm at this bit ste
Robin bro Yeah, like for real though, you know what
(55:04):
I'm saying.
Speaker 1 (55:05):
That's why Cormer came in me like that. You feel
quick talk? You know what I'm saying, quick damn sign
a record deal?
Speaker 3 (55:16):
Did they have you on any stages and ship while
you were going.
Speaker 1 (55:19):
Through that that lit show without getting booked for him
to ban?
Speaker 3 (55:23):
So after the twenty and when the next time you
saw some money from the industry?
Speaker 2 (55:28):
Now, when I had when I had signed to uh,
I signed it. I signed a three hundred to two hundred.
Speaker 1 (55:35):
Hm for how long the terms? Uh? Three? Am mm hmmm.
Speaker 3 (55:42):
So what do you give you twenty for one album?
Two albums.
Speaker 1 (55:48):
With the options? Don't get them?
Speaker 3 (55:50):
That's cold and that's fucked up because you're talented little nigga, right,
And it's like, I know what you're going through. I
just won't. I wish you could talk about it.
Speaker 1 (55:59):
You know what I'm saying.
Speaker 3 (56:00):
I know I know what you're going through, and I
know how creatively this she can stump you. I know
how it can make you feel like you can be
at home frustrated and I deserve more when I should
have got more and I should have Yeah, and then
she can start to manifest. You know what I'm saying.
It can started now. It's showing in my attitude. It's
showing in how I deal with things. You know, I'm
(56:22):
mad at even this new label.
Speaker 1 (56:23):
I'm with you bitches ain't moving fast enough.
Speaker 3 (56:27):
I've been through hell with this ship, and that's why
it's important to vet this ship. But you were so young,
like damn though, I don't know how to keep you
up because your talented little nigga. Bro, you know what
I'm saying. I don't know how you keep yourself, but
you gotta find it. Though, Do you have means with
(56:47):
with with with Kevin Lys and the like?
Speaker 1 (56:50):
Are they very supportive? Do that? When? Well? Uh, well
we link up and ship. Bro always d man ship.
Speaker 2 (57:00):
He always like make sure the nigga is in a
good head space of ship.
Speaker 1 (57:04):
What about your feature game?
Speaker 2 (57:06):
Hey, y'all, ain't gonna have my I got some cool
features though. I got I got gates on that bitch,
I got I got the team east Side p's on that.
I got hunch o, yeah you're yeah doing the thing shut.
Speaker 1 (57:21):
I got a few mother fuckers on that. But the
future that I know that's gonna change it. This is
a good conversation.
Speaker 3 (57:28):
The feature thing with you, what do you think is
contributes to you.
Speaker 1 (57:34):
Not getting the features you need?
Speaker 2 (57:36):
I think, uh, budgeting like boyses ain't high enough, damn.
And for the for the for the price.
Speaker 1 (57:46):
The niggas be wanting when they hear a label.
Speaker 2 (57:47):
Reaching out, you like, if I what you want what
I got fIF right now, nigga might if a label.
Speaker 1 (57:54):
Reach out, damn.
Speaker 3 (57:56):
Then the label reaching out the label people on the
other side. So it's just a old label conversation. You
know what I'm saying.
Speaker 2 (58:02):
Yeah he won three hundred You know what I'm saying, Yeah,
it was like that type of ship and then being
a like I just got a niggative like oral around
my image in the in the industry.
Speaker 1 (58:16):
Who's telling you that I'm looking at this ship? I'm peopleful.
Speaker 3 (58:19):
I'm saying, what you what? What makes you think that
because
She feeling the nigga careers more.
Speaker 2 (00:02):
You know what I'm saying, come out of the room
with a box of the ji fuck I supposed to say.
Hell now, Boom, I had just spent twenty thousand dollars
moving into a uh, motherfucking uh a townhouse. I gave
that motherfucking to my brother and dunked off of her
shit all my life boom.
Speaker 1 (00:18):
So God damn, she come out there, motherfucker.
Speaker 2 (00:21):
She like my last nigga. I gave my last nigga
one hundred thousand. He still oh it timming, But I
got all this jel. I'm like, she'll try to sell
that mother, try to sell them to get your money. Baby,
these in this shit and folks you feel. But I'm
I find this out after God damn, I'm over this
bitch and all this sheit going on? Not my people,
never tell me what? May you know she's playing hold
on by watch yourself. Now you know she was playing
(00:43):
any nigga game. Boy, I'm in the house, Bruh, the nigga,
come the ex nigga, come.
Speaker 1 (00:49):
For the jil brother, let me say for shig b.
I was like, here's the graund my gun. The show
I'm like, who that is that a dope?
Speaker 3 (00:58):
Couldn't she liked like like somebody got some of mine
in there?
Speaker 1 (01:05):
Mama, Yeah, like that's the nigga I left that bitch along.
Yeah what she's it?
Speaker 2 (01:11):
Oh yeah, I know I know where you be at.
If I'm backing with I'm going to send him over
there to get his ship for.
Speaker 1 (01:24):
Did he show up now? Niggas want to lure me
to death?
Speaker 2 (01:31):
Exactly, my man, My man, both loans old loan new look. Okay, okay,
it's up there and stuck that when it's up there, Man,
it's stuck there.
Speaker 1 (01:43):
Shut up.
Speaker 3 (01:47):
In this industry too. I saw before where you had
a situation with a girl and she came out oh
the bus. Yeah, I want to talk to you about
that because I want to one talk about how or
ask you do you think that stuff like that dating
(02:09):
the rappers, baby Mama, affixed the relationship in the industry
of things you like that.
Speaker 1 (02:14):
Boom, But I ain't even think about it at first,
like that you feel me. But it was like like.
Speaker 2 (02:20):
I ain't even gonna say I ain't eve gonna say help.
But girls brother, girls play dangerous games. You feel me
like girls play Danmi's guns. You will be laying with
the girls. She would try to talk about a nigga
and anything. You gotta cut that ship short. I don't
feel me. It's cameras in the room and everything. Motherfucker
trying to bring a nigga name up and shot. So
I always cut that type of ship short, like I don't.
I don't even y'all. That's you'all baby together, that's your kid.
(02:42):
I don't even want to now. I'm cool, right, I'm
s great. I don't evenna talk about this shit. So
I feel like I ain't never do nothing wrong. That
a fuck up. No no, no, no relationship that me
and Brooker. Hell, you feel me, right unless unless she
did not lie and try to.
Speaker 3 (02:57):
Say shit right and I take him to beat p
You know what I'm saying the way I don't think
you can. Yeah yeah, yeah so you think, but you
think most times the women can kind of cross the
head and what.
Speaker 1 (03:11):
Hey, you gotta partly just die over bit the other day,
din it? You gotta pot of just die over a
bitch the other day, didn it? What too?
Speaker 2 (03:19):
What Tupaca said he lost a part of two days
for bitch nigga fifty three years old. That gun violence
over a bitch, my mama three years old?
Speaker 1 (03:28):
Fifty three gun violence? God, what happened with that? For real?
Speaker 3 (03:40):
You gotta be caravl. Then you were laid up in
the house.
Speaker 2 (03:42):
With like, I ain't getting nobody in this store, but
I'm gonna keep it all the way one hundred wishy
if him O mama lies. So this is where that
motherfucker wanna come out. I had a home, but a
little crazy at home. But the police going to every
studio bro with a bonder with my name, with my
face on the brim, all my home balls, and you
feel I had to get low.
Speaker 1 (04:01):
Boom, I get lower at her ship.
Speaker 2 (04:03):
Feelm this we just met though she stayed forty fifty
minutes out of the ceaon.
Speaker 1 (04:09):
I know for a fake nobody feel know that they
ain't coming in.
Speaker 2 (04:11):
So that's why I'm over this motherfucker. So me being
over that motherfucker, she's feeling the nigga careers more. You
know what I'm saying, come out the room with a
box with the jerk. I apposed to say, Hell no, right,
that's what That's what I was doing over there, Boom.
I had just spent twenty thousand dollars moving into a
motherfucking a townhouse. I gave that motherfucker my brother and
(04:34):
dunked off of her ship all my life.
Speaker 3 (04:36):
Right, So, but see, sometimes I be thinking, like so
when you was in there, she brought the ji or
what you what what she gave it to you?
Speaker 1 (04:44):
Oh? She like what she like?
Speaker 2 (04:45):
Yep, she like what was in that bit sit hell
of shit, hell of ship boom. So god damn she
come out there, motherfucker. She liked my last nigga, gat
my last nigga one hundred thousand. You still oh it timming,
But I got all this jeer. I'm like, she'll try
(05:05):
to see that more, try to sell them and get
your money back.
Speaker 1 (05:07):
Give him.
Speaker 2 (05:08):
I'm pushing that issue text mission nil thing like man
sell that motherfucker. I'm like, you ain't find nobody, you know?
She like she takes me like I'm still looking for
somebody to buy it. But if they don't want to
buy a by should I just want you to I'm like, should,
all right? I ain't never say give me the jered,
I ain't never say it, but I need that. I
need that, you know what I'm saying.
Speaker 1 (05:28):
Boom, because I'm already knowing the type of person. The motherfucker.
Speaker 2 (05:32):
Hells if I already peat, you know you did some
in this ship before him. But I'm I find this
out after God damn, I'm over this bus and all
this shit going on. Not my people tell me, well
you know she well hold on, watch yourself. Now you
know she'd be playing them in that game. So now
I'm like, you know what I mean, Ship, I've been
a robber tweet the hard players to go to jail
(05:52):
over this motherfucker or got there, alright, go to hell
over here, I mean hell over this bitch. God damn,
vibe chat. I started peeping ship out. Oh yeah, they're right.
She trying to set up to She like, Man, I
ain't gonna lie to fuck it. Boy, I'm in the house.
Bro the nigga come the ex nigga, come for the jewelry.
(06:17):
Brot Hey boy, he comes this. This This is a
little this a little bit of my nigga Trouble died,
you know, trouble how he died.
Speaker 1 (06:31):
That's deep.
Speaker 2 (06:31):
Boom. I'm I'm I'm blow on something. Yeah, which nigga
to throw out here?
Speaker 1 (06:36):
Thro throw? She come running up the stairs and I
wake up, boy, where the that is?
Speaker 2 (06:42):
She like, nobody? Somebody at the dough? She like, ain't nobody,
ain't nobody, ain't nobody? She nervous what it was like,
here's the Ground'm not doing the show. I'm like, who
that is at the door?
Speaker 3 (06:52):
Couldn't She liked, like like somebody got some of mine
in there? O?
Speaker 1 (06:59):
Mom? Yeah, She's like, it's the nigga job. Then what
I do? Jewelry? I got in here, damn bruh.
Speaker 2 (07:12):
She called the police on that man right then, and
they told her need to leave. And I'm looking out
the window. He got that motherfucker this busy my jewelry
and up I'm my baby food. Damn old lord Lord,
I gotta show you up because I ain't gonna.
Speaker 3 (07:32):
I was spookful. I was that's deep. But you be
next though. That's the thing. When the girl treating a nigga,
you be nick that's gonna be your jewelry A lot
of times in that next now.
Speaker 1 (07:42):
Exactly, and it ain't gonna lie. I ain't. I ain't this.
I ain't the sharpest motherfucker pencil in the in the
in the any thing thing.
Speaker 2 (07:50):
But I'm a very intellectual, smart young man like I
peep ship.
Speaker 1 (07:53):
The motherfucker be.
Speaker 2 (07:54):
Thinking what nigga knocking at the dog creep out the
back door? Yeah, if I wrap up, I ain't going
I'm not yet.
Speaker 1 (08:04):
Yeah, you ready to handle that? What you doing nigga?
Right here? She seeing nigga creep? You know what I'm saying.
She instantly get on. Ah, it's a guy in my dough.
Hear screaming in the house. I had the police and
ships coming out. Hey, I not go back that. I
get nigga get picking out the window like het the ho.
This bee's got my children.
Speaker 2 (08:24):
Man, that's a bad situation, bro, mad I put myself
in that situation for real.
Speaker 3 (08:28):
But even no way I could have stopped that ship. Yeah,
but I'm saying, like she must not been done with
the nigga someing she wasn't why she let the niggas
because I left that bitch along.
Speaker 1 (08:39):
Yo?
Speaker 2 (08:39):
What she said, Oh yeah, I know where I know
where you be at. I'm I'm back sucking with I'm
finna send him over there to get his ship.
Speaker 1 (08:50):
For Did he show up? Yeah? What? It fucked me
up though, I'm like, boy, this ship, yo, brother, that's Hey,
you gotta be careful. I'm already focused. Bro. God damn,
how long a y'all fucking around?
Speaker 3 (09:09):
Some had you hooked though, Some had you hooked though,
because I remember being at a girl house one time,
a nigga hit the doll. I know she gonna be
watching it. Nigga hit the doll. I said, what going on?
Speaker 1 (09:24):
Then?
Speaker 3 (09:24):
Why I don't go to girls house? I don't even
do that no more. That time right there made me
say because I already went against my rule. That's how
I raised a rule for me. Don't go to women's house.
It ain't never really just they house, because men have
an unrealistic expectation next to wherever they come and fuck
you at. So a nigga, even if you pay all
(09:46):
the bills, is your ship? A lot of times, a
nigga still gonna think I.
Speaker 1 (09:49):
Could pull up to my bitch house another time out.
Speaker 3 (09:51):
That's what I'm saying. You got this nigga in my house? Nah,
this ain't really your but whatever. Nigga killed about that,
but I don't do it. So nigga knock on the door,
she slip out. You know, I'm just saying because I
don't you know, we ain't boyfriend girlfriend, no way.
Speaker 1 (10:09):
But we got about ten seconds. He got to be gone.
He got the gold. Though.
Speaker 3 (10:14):
We can't have this. Two men with you the interest
and it's two men right here. This gets real slippery man.
She slipped out there and told him. I heard her
telling him, Man, you don't know why you sure you know?
Trying to show out he left.
Speaker 1 (10:27):
I left.
Speaker 3 (10:27):
I never I'm me and her can't funk around no more?
What would make you stay with her after.
Speaker 1 (10:33):
Ship like that? Boom?
Speaker 3 (10:34):
See all right, you can't be speared niggas, fool. He
can't be what you see with you what he doing?
You gotta put that ship out, man, I.
Speaker 2 (10:53):
Mean, let me uh what you say, let me uh,
let me process.
Speaker 3 (10:56):
Yeah, keep your real You ain't talking about your feelings.
Speaker 1 (10:59):
You over her?
Speaker 2 (11:00):
Now?
Speaker 1 (11:01):
Oh it's you not over her?
Speaker 2 (11:04):
Man, Fuck out of here as soon as motherfuckers in
the end there and try to like make me seem
like I'm.
Speaker 3 (11:11):
Yes, But niggas going back to that though.
Speaker 1 (11:13):
I can't do that.
Speaker 2 (11:13):
But I can't beat myself up like that's fucked up.
I liked it, though I did. I think it was
a lot of like I felt like, I, oh, that's
really what I think it is femly.
Speaker 1 (11:28):
I felt she did this for me and type ship.
Speaker 2 (11:30):
So when I already to dip, it's like that's why
I left most of that ship. I feel like I
ain't even gonna do it like that. But when we
when I dip, I got this chain on right when
I'm fine, I'm finea deep bro, I ain't even think
about this.
Speaker 1 (11:48):
I left fifteen twenty clothes over that bitch A type show. Bitch,
I'm gone boom, I.
Speaker 2 (11:54):
Get to the studio, wanta fuck get the call and
ship man, can you yeah? That type ship. But I
feel like it was that it was like she she
did it for a niggas. I can't j yeah, you
a feeling like that?
Speaker 1 (12:13):
What was she? What was she? Just keeping it real?
That's the thing though.
Speaker 3 (12:16):
Them girls girls is solid though, even if they ain't
even if they ain't even it ain't sustainable, even if.
Speaker 1 (12:23):
It ain't sustained, if you can, if you can't hold
that shit up, it ain't solid. But it's nigga every day.
Speaker 3 (12:30):
Yeah, but they they be. They'll give a nigga they
all and then regret it. Right, So like I've even
saw women help niggas and then regret that they helped
the nigga because he's shining. You put him in position
to shine, you helped him shine, and now you made
at yourself. You see what I'm saying, Like I've seen
this happen before, like just with people that I know personally.
(12:54):
You know what I'm saying, where it's like they're getting
the she would go clean his credit up, She'll teach
him how to get a house, She'll put him in
a new did and get the hating on him and
didn't get the hating on It worked bro both ways,
and then Nigga go to hating on these girls. I've
seen that but too, like Nigga be hating on it.
So it's like, damn, bro, Like that's that's weird, man,
that's some weird ship.
Speaker 1 (13:16):
I felt like on some real ship though.
Speaker 2 (13:18):
I just feel like she thought she had like a
son or something because you know she's about thirty seven,
thirty six. I don't want to put no extra age
on man. I don't want to do that to you.
I'm twenty six. It was certain she's like I wasn't
going for it, like talking to me like my brother
and yeah she would, yeah, just because you think you
think you nigga finish man?
Speaker 3 (13:37):
Oh yeah they yah she yah yeah they be reversing it.
Speaker 1 (13:43):
Crazys.
Speaker 3 (13:44):
Fuck, I don't give about like that. You they that's
funny though. It's mind games being played out here, thog
real chess. I'm talking about his chest games being played.
Speaker 1 (13:56):
Man.
Speaker 2 (13:57):
I feel like as a rapper, bro, I don't think
I'm ever paying a little that shit. I don't even
expect that from my life, no more.
Speaker 3 (14:03):
For real at all. And you gave up on love
and no relationship? Why why that shit?
Speaker 1 (14:09):
Ain't you?
Speaker 2 (14:11):
Everybody here to be used as humans? Okay, even if
you wis mine, like using them for companionship or whatever.
Speaker 1 (14:18):
Everybody here'll be used.
Speaker 2 (14:19):
But I feel like in the in the line that
the career that I chose I be used for the
wrong reasons, Like you won't use me because you just
need to be a rhyme and like you, it's something
you want to be a single rap or something like
even homeboys you want to be a rapp or opportunity
like you feel me, it's an opportunity Like so I
just gotta be a realist and just swallow that shit
(14:39):
down like this was going on you feel me or is.
Speaker 3 (14:42):
You plucking your friends and ship out of one pond?
Do you gotta go in? Are you compatible with people?
Because that's my problem sometimes I might not be. They
telling me, yo, go get you some.
Speaker 1 (14:52):
Friends over there.
Speaker 3 (14:53):
Well, when I go over there, I ain't really compatible
with them folk, but maybe you could get friends outside
of Like what's making it that though? Because I feel
like that, and I'm just trying to work through.
Speaker 1 (15:03):
It, because I'm with you on that.
Speaker 3 (15:05):
I think nobody genuine no more. Everybody got a gender. Yeah,
so it's like I feel that, but I'm trying to
get us to work, Like, how do we get around
this ship?
Speaker 2 (15:15):
I ain't When you find a way, brother, let me know,
I gave up on this ship, I don't really.
Speaker 3 (15:22):
You have had your heart broke then before.
Speaker 2 (15:26):
I think I probably got abandonment issues and ship probably
you know from who Mama my popping? I probably yeah,
dropping nigga off at my grandma house and shit, you what,
I man? Yeah yeah, And then I don't be liking
they would don't be liking, right, I'm gonna breaking down
like that. I feel like, do I feel like even
(15:49):
can't be nobody can't be No fucking little around here
because people who watch me and my brother, my blood
brother Iceberg grow up together like treated us.
Speaker 1 (15:59):
The same all our life. I fe'm ain'tis uncle's dead
and everybody.
Speaker 2 (16:04):
Feel now when my brother come around, pull my brother
walk in, hey, Then I walk in and say, I
don't like this ship. This is my fucking brother. But
it's like, why the fuck is everything different now? Why
y'all so heap to see me and that they have
to see my brother now when it used to be
the same. So I just feel like if motherfuckers that
watched you and live your whole life, can that should
(16:25):
changed them?
Speaker 1 (16:26):
The fun I'm supposed feel about stranger of.
Speaker 3 (16:27):
Them, but that this perspective because for them I can't
really speak to But in the in the outside of that,
to some people you get to hate and the others
you get the uh so what I'm saying, because there's
people bigger than us, right, so in some places we
get the praise and then others we were just talking
(16:49):
about how like damn, the machine can't push me, or
they ain't helping me, or they ain't getting me in position. Yeah,
they be kind of shunning a nigga. So it's like
everything ain't peaches and cream with this ship, you see
what I'm saying. But with the love side of it,
it's just gonna be rough on you.
Speaker 1 (17:06):
Bro.
Speaker 3 (17:07):
It's rough on It's rough on all of y'all. It's
rough on me too.
Speaker 1 (17:11):
Have you.
Speaker 3 (17:11):
I'm saying, how many times here you think you've been
in real love?
Speaker 1 (17:15):
Well? I felt that.
Speaker 3 (17:16):
Press the button bro on the on the thing right there, yeah,
ship and get somebody over the shoulders. You could sit
over there or sit over here too.
Speaker 1 (17:25):
Probably, like I say, I've probably been in real love.
I like twice.
Speaker 2 (17:31):
I like twice one of the buses, one of the
bitches out of love nigga kicked her dough. Well, I'm
in that bitch my jeary in the room, Mama drunk,
let my gun in the car, kicked her door or
sister said a nigga.
Speaker 1 (17:44):
Up when it was in there, like I got on
Mama just got a like.
Speaker 2 (17:50):
I ain't gonna lie, Bro, I didn't been betrayed a lot,
brod been betrayed.
Speaker 3 (17:54):
Bro that Bro, that's what's sucking the nigga up. That's
why nigga feel so what happened with that? They keep
they looking for you.
Speaker 2 (18:02):
Yeah, I feel the sister said the nigga up right,
but the whole grammar though, the whole ground. But it
took me some It took me some time to peat
that feel. But mind you, after I get grow up
this bitch taking me.
Speaker 1 (18:16):
To feel me?
Speaker 2 (18:18):
Then I lead this bitch where she fucking nigga, I
lead this bitch right. She get with one of the
niggasho she get with her sister boyfriend who set the
ship up. I'm like, what the type of weird going
on over there?
Speaker 1 (18:32):
You feel? No? I just but that ship lead to
Like I'm saying, who was the bitch to you? How
long was you fucking with them? That bitch? Probably like
and probably like three years.
Speaker 3 (18:41):
How quick do you get to a place where you
feel comfortable around the girl?
Speaker 1 (18:46):
Though? Ship not quick no more? It used to be
used to be quick.
Speaker 3 (18:49):
But you because I'm a love boy, bro, and you women,
you're young too, though.
Speaker 1 (18:54):
Love women, bro, that'd be my fucking problem. Yeah, I'm
a real lover, but I'll be tripping.
Speaker 3 (19:01):
What's the difference between a sucker and a lover?
Speaker 1 (19:04):
Boy?
Speaker 2 (19:04):
A sucker is god damn niggana let the motherfucker run over.
I ain't let nobody walk over me. So when the
bitch started trying to think, because a love boys a
nigga with just little women, and like, okay, all right, okay,
I think everybody this this my diffinence is no little
but I think everybody beautiful to somebody. So I ain't
just gonna be like all that bitch weakest fucking just
(19:24):
dog out you feel me? She might she might. She
might be weak to me, but she might look good.
So I ain't never make no woman feel bad. That's
loved boy to me.
Speaker 1 (19:30):
Okay, cool, But like a sucker is a nigga just
getting walked up? I know. I'd have been the call
with business and they what where is it? You ain't
seeing it? Mom?
Speaker 3 (19:40):
Is a nigga that's the sucker? Yeah yeah, yeah, business,
no tricking. You don't get no money or nothing.
Speaker 1 (19:45):
You know, she can't even talk to me like that.
Speaker 3 (19:47):
So how you deal with that? You're raping nigga? You
got that you it's rough on y'all as motherfucker that's talking.
You don't get no money now, man, Look, I don't
get no cheese.
Speaker 2 (19:56):
I ain't gonna it, bro. I swelled it up motherfucker.
Don't need be coming at me like that for I
don't know what it is. I think niggas just be
coming in the don't like just what you want for
it because in d n A they play it how
they play it by if okay.
Speaker 1 (20:10):
He coming in like this, So she is talking, I
thought to feel me. I don't you fucking them tight?
Speaker 3 (20:17):
Is you fucking them Instagram type bitches though that that
that portrayed that lifestyle trying to give me. I'm saying now,
I'm saying, like the wares that pop that kind of.
Speaker 1 (20:26):
I'm gonna steal it like this right.
Speaker 2 (20:28):
A lot of these holes that you niggas paying is
eating dig for free, for on my baby eating free.
Speaker 1 (20:37):
I believe that I swear, yeah, yeah, but.
Speaker 2 (20:40):
I'm saying as a rap, as a rapper, they should
be a breath of fresh f them bitches to run
into a nigga like me like ship because all right,
I'm gonna give you niggas. I give you niggas knowledge
boom niggas who be paying for that ship. The bitches
looking at niggas like you ain't lawyer you feel Yeah,
It's like okay, bitch, come eat digg free over here.
Speaker 1 (21:04):
This nigga, he ain't just paying that ship out.
Speaker 2 (21:06):
He ain't going around paying motherfuckers even Fu and all
these bitches who's selling puss it down, they got hurt.
You eat all type of ship feel right, So it's
less of a risk on a nigga like me.
Speaker 3 (21:16):
So they so you saying that they knowing that if
you paying this your lifestyle like you fucking paying all
the time, every turn the back.
Speaker 1 (21:24):
Of script club. Yeah all type of ship.
Speaker 3 (21:27):
Wow yeah, yeah, yeah, you ain't never did no only fans. See,
they be trying to get rap niggas to do only fans.
Speaker 2 (21:32):
I had a bite on my uh give my leap.
I tripped that bro, Have them ball bro, have them
ball bro. I pocket posted that bitch on face.
Speaker 3 (21:44):
Really see the damn you got a niggas like saus
Walker that buck got real. Only when I'm telling you
making me. You know what I'm saying, niggas, is I done?
Had girls come in me telling my only fan bro
what I'm saying, Man, I ain't doing no fucking I
don't know they want just want me.
Speaker 1 (22:03):
Yeah you know what I'm saying.
Speaker 3 (22:05):
Please, but but I'm saying, but yeah, for y'all rapni
even like now around Christmas and ship, they expect Rapney
to come through now. Yeah, So I'm saying how you
get around that? Because this be the time of year
where niggas like rappers, entertainers, ball players. It's rough on
niggas around holidays. You gotta buy all these different women
(22:25):
you've been dealing with, and the ones you've been lying
to or not even lying to. But I ain't give
her as much time. But she Christmas coming, everybody specting something.
Speaker 1 (22:35):
How you deal with that? Boy? I ain't got no feelings,
ain't nothing going on.
Speaker 3 (22:39):
You can't be a lovabley with no feelings.
Speaker 1 (22:41):
But don't nobody love me?
Speaker 2 (22:42):
I love women, but I don't feel like nobody love me,
So I'm not gonna give you my I disappeared like
I ain't gonna lie that a song?
Speaker 1 (22:47):
How hard on me? Right?
Speaker 2 (22:49):
I think I got that ship from my dad, I said.
I disappined and come back like nonhing of it, just
like my father. I come back in fifth wherever, be
like what you been doing right?
Speaker 1 (22:55):
Christmas? Old way? I want to know Christmas gift back.
It depends on who it is.
Speaker 2 (23:03):
Nah, this girl don't really dealing with brun and I
really like this girl and I feel like she really
liked me.
Speaker 1 (23:08):
Bru. If I feel like it, then I go all out.
Speaker 3 (23:13):
So you're fucking like a motherfucker. But you don't feel
like none of them girls like you?
Speaker 2 (23:17):
Man, go geting the trigger, nigga by this shit. You
don't like me like this, but you just want to
You just want to post the center pick there bad.
It's all want to do.
Speaker 3 (23:27):
Man.
Speaker 1 (23:29):
So so.
Speaker 3 (23:31):
That's crazy because I'm telling man, you competing with That's
the thing. If you fucking out of the same group
of the rapper girls and you ain't spending nothing, then
it gets rut like or I'm just thinking that stigma
to your stigma to your professions. Like he's a rapper,
I'm his I'm fucking on him. Christmas coming up. He
gotta be finna give me something. He gotta be coming through.
(23:53):
What's the budget on somebody you think like you?
Speaker 1 (23:56):
What's the budget? Oh? If I feel like you like me, bruh,
ain't no budget for real? For real?
Speaker 2 (24:00):
Yeah, gotta be like me. I pay attention, so I
already know what what you like and ship like that.
Speaker 3 (24:06):
So yeah, so you a real lovaboy, you're paying attention
to ship? What's your what's the sign? What's your sign?
Speaker 1 (24:14):
Yeah?
Speaker 3 (24:15):
What's the what's the easiest way to get a bitch
nowadays in the industry?
Speaker 1 (24:19):
Or we need? Like how you be? What's your I.
Speaker 2 (24:22):
Don't like d M, that DM and SHIP. I don't know, man,
they should be hitting and missing me. I mean person
type of nigga. I mean person type of nigga.
Speaker 3 (24:31):
Right, is that is that your boy? No, they ain't
his boy. Don't let him, man, but watch for his
guy go from his shoulder. Now this you don't mind
appreciate that? Damn Go ahead.
Speaker 1 (24:43):
You know what I'm saying? Yeah, me too.
Speaker 3 (24:46):
But we were talking about just you said you don't
like the d M.
Speaker 1 (24:49):
You don't like I mean a person type of nigga.
Speaker 2 (24:51):
But I feel like I feel like I should have
been this age and not real I feelished.
Speaker 1 (24:55):
I feel like I feel like I'm older than what
I supposed to be.
Speaker 2 (24:57):
Yeah, so I like in person and just walking up
or like the mother fucking you on the bitch each other,
both of y'all.
Speaker 1 (25:05):
Like you know what I'm saying. I like that type.
Speaker 3 (25:07):
Yeah, yeah, yeah, you ain't had none of them celebrity like,
you don't got no celebrity girls.
Speaker 1 (25:11):
You be trying. I'm saying you try. Oh yeah, here
I got bit I like who I like? I like
a lot of these. I like, uh, I like let
a little really she cool? She cool? I like uh,
I like Coco Jones, I like motherfucking it's a few
(25:39):
of them. It's ain't allowed.
Speaker 3 (25:42):
I be thinking like because sometimes I be liking people
off their ground, but in person, I be walking past
him like, damn, I ain't even she do on even
look the same?
Speaker 1 (25:53):
They done tricked me with that grammar.
Speaker 2 (25:56):
Yeah, I gotta tricked a couple of times with that ground.
Bro that ain't gonna looked.
Speaker 1 (25:59):
The people and that ain't not ain'tyn coming to the door.
What crazy for them? You donna look through the people
and not came to the door, Yeah, said my homeboy.
Down still get a bit.
Speaker 3 (26:16):
Like no, like funk, No, you can't how you be
getting the bitches though, Like I'm saying, do you how
you get the bitch to you? Like I'm saying, y'all
niggas don't be.
Speaker 1 (26:26):
Spooke to that ship.
Speaker 3 (26:28):
No this bitch pull up, pull up?
Speaker 2 (26:30):
Yeah, And I don't be at no like no hotels
were like, uh, you gotta get you and then like
the my spot like you gotta stop able to and ship.
They gotta call me. Yeah, you know you ain't never
been because you just said yeah, because you better be
(26:53):
paying attention.
Speaker 3 (26:53):
You don't have niggas kicking houses and.
Speaker 1 (26:59):
Wrong one time, shot one and a hell time. I
have I got grades in my hand. I don't. I
don't want to stay right. Nah. Yeah, now you don't
count that. That's that's right. You did right by.
Speaker 3 (27:15):
That saying nigga don't got no binginess count that exactly.
Speaker 1 (27:18):
But you did.
Speaker 3 (27:19):
Did you get in the game before streaming or after streaming?
Speaker 1 (27:22):
Uh? Which? Man like Spotify and all that?
Speaker 3 (27:25):
Since you dropped your first song, was it uploaded to
like Spotify?
Speaker 1 (27:29):
Apple Music?
Speaker 2 (27:30):
No? I started on YouTube? Was YouTube? I was just
dropping It took me three videos?
Speaker 1 (27:35):
What year was? What year? The end of twenty sixteen?
Speaker 3 (27:38):
I'm trying to think was was because I think that's
when Drake was doing those Apple Music's exclusive deals. They
had just built Apple Music out. I think Tyler Craig
was that twenty sixteen. Do you remember that?
Speaker 1 (27:53):
Yeah?
Speaker 3 (27:53):
Because Drake had got an exclusive deal. I think Tyler,
Frank Ocean and Beyonce. People would put it on Apple
Music for one day and then the next day to
be everywhere. But that was their way of building that platform.
So what I'm what I want to know is is
that you know, do you think you're fairly paid for streams?
(28:16):
You know what I'm saying, Like, do you think is
that a good hustle for you? Do you think like
this is a cool little hustle like or do you
think it's worth more?
Speaker 1 (28:24):
I think it's worth I think it's worth more. I
think it's worth more.
Speaker 2 (28:27):
I don't feel like I don't feel like as artists,
I don't feel like we get the right percentage of scream.
I think we get like I think one stream is
like point some sense. So I don't think we get
as much as we supposed to get out in the
streaming like rappers, bro We get out out brand branding
(28:47):
like merch tools shows shit like that unless you unless
you are completely like independent artists, but who want to
own one hundred percent of zero dollars?
Speaker 1 (28:59):
Right? Yeah? In your contracts?
Speaker 3 (29:03):
Like because I know you, Okay, how many contracts have
you signed so far?
Speaker 1 (29:09):
On the.
Speaker 2 (29:10):
On the two on the two, the one with the three.
You're with three hundred, Now, yeah, I was. I was
signing three hundred. I was signing through three hundred through Sequel,
and I was signing three hundred through OVERKEP my ship.
Speaker 3 (29:23):
Yeah, so three hundred was the parent company. They've always
showed interest? Is that Leo and.
Speaker 1 (29:29):
Who is that? Leo? And Kevil?
Speaker 3 (29:30):
Kevin Line shut out Kevin Lyn? So what the what
the deal the first deal you had? What did you
what was something in a contract from that deal that
you learned from?
Speaker 1 (29:44):
That's like when I had Pete, Like it was like.
Speaker 2 (29:52):
With I getting too deep into it was like, uh, okay,
so I signed for twenty thousand dollars in it was
supposed to be like ten thousand of marketing or something
like that was sick with but I ain't no fel.
So once I peeped like I ain't never get no marketing,
the ship LIKEDMN they lied to me. Then it was
(30:12):
it was another key point once I had looked out
that ship. Oh uh for the hair like options, you're
familiar with options? Yes, yeah, Like I ain't really like that,
like yeah, so it just real rolled me.
Speaker 1 (30:26):
Okay.
Speaker 2 (30:27):
It's like after I turned in two projects he got
the option to to like basically stand like you know
what I'm saying, like on something now you going to
what type shit? And I ain't get that, Like I
ain't got the option, like you know what I'm saying.
So once I peeped on so then was really like
the main two things I ain't getting no marketing in
like the option. Ship was just throwing me through a
(30:47):
loop like what.
Speaker 1 (30:48):
About the splits?
Speaker 3 (30:51):
Is the splits like the splitting ship on each dollar,
like say, dollar come in, you get, I get the business,
get this much?
Speaker 1 (31:00):
All get we break down.
Speaker 2 (31:01):
That like all right, the business, the business get like
I say back, I'm getting. I'm walking away with probably
like twenty five percent at the end of the.
Speaker 1 (31:11):
Day and I am the lord.
Speaker 3 (31:13):
It's three hundred helping Like with your marketing.
Speaker 2 (31:16):
There they came with the whole like marketing team and ship.
They got to market a budget and shit like that
you feel now, But like before when it was going
through secre with it like I.
Speaker 1 (31:26):
Ain't really.
Speaker 2 (31:28):
I ain't really, Uh, it was a lot of ship
that seek with it as the label was supposed to
be doing like not that, not that, like not that
I'm saying through my ship, it's like I peaked, Like,
oh ship, it's certain ship that bro was supposed to
be doing that they weren't doing. You feel like they
just sitting back playing to cut, like hoping something blow.
You feel me, it was like that type of shit
that's really wasn't the main thing, Like y'all really just
(31:50):
playing the cut and then if I blow, you're gonna
hit them options on me, you feel.
Speaker 3 (31:53):
And that's what a lot of the business is. That's
what's fucked up. It's like they won't even pushed for
it to blow, but if it blows, you can't go nowhere.
Speaker 1 (32:01):
That's literally how they rock. And that's what I don't like.
I don't get that. That's what just throwing me through
a loop. Bro. I don't like shit. It's crazy. It's like, Okay,
I get it. I get it.
Speaker 2 (32:12):
It's like playing I look at it like playing for
Bay all your life and not wanting to go to
the NFL.
Speaker 1 (32:16):
You feel me, you don't want to. You don't want to.
Speaker 2 (32:18):
You don't want to fuck with a major at least once.
It's like it's like that, but at the same time,
it's like you're gonna bump your head a couple of times,
but you.
Speaker 3 (32:28):
Don't kind of fuck with a major nowadays. But this
is where they getting y'all at because they they're restructuring
the landscape. They they lost a grip on it for
a second, but now they've now changed the Apple landing
page and all of that, All of that is digital
(32:48):
real estate. The labels are buying that ship up, meaning
it affixed the algorithm like you're playlisting, you're up next,
or the picture on the hip hop ship or the
all of that ship is for sale now and before
it was algorithm based, like if twenty thousand people clicked
on it, it's no longer like that. A lot of
(33:10):
it is is digital real estate. Because really, that's really.
Speaker 2 (33:13):
What I was getting at when I was like, it's
a lot of tricks and ship they doing for the motherfuckers.
I ain't getting them tricks done, right, That's what I
was getting that type of.
Speaker 1 (33:21):
Shit right right?
Speaker 3 (33:23):
Yeah, But see that's yeah, that's what you mean to
play listing and ship because but there's something to be
said about those hard numbers though, Like I think that
a lot of these brands they incorporate inflation.
Speaker 1 (33:36):
They understand that bruh, oh he got the call, Oh
who is else? But a lot of these oh she's
for the kids.
Speaker 3 (33:50):
A lot of these companies they understand inflation. So I
think what happens is, say you go to a brand,
have you ever did any brand.
Speaker 1 (33:58):
Deals and shit like ethical? Ethical?
Speaker 3 (34:02):
So if they come to you, say fashion over comes
to you or somebody did fashion, oh yeah, so you
can literally go to them with like hard numbers and
really show them a there's a difference between. I mean
because the inflation, like we're talking about with streamers, one
hundred thousand people there, but there's not moving the numbers.
My people can actually move the numbers if y'all activate
(34:24):
my people.
Speaker 1 (34:25):
You see what I'm saying.
Speaker 3 (34:26):
Sometimes you gotta explained to the label. But I don't know, man,
it seemed like it seems like you've been burnt by
labels a lot, So I don't know why you want
to fuck with them.
Speaker 1 (34:36):
No more boom it's on some shit like.
Speaker 2 (34:41):
Because me, me, me, me going through what I went through,
because I wouldn't be like jay Z at the end
of the day. I wantn't be like on some obil
shit you feel me. I want to be able to
sign your nigga and put them in the right position.
I wouldn't be able to. I'm starting out, you feel me,
nigga got little LB A Man and little Jackey, shit,
a couple of Atlanta others and shit. But like I'm
trying to be on some globe, but you're nothing like
(35:01):
me going through It is like I'm sacrificing myself to
learn the ship that I need to know to teach
these or so I can do the ship right, because
I don't want to play with nobody life. If you're right,
I don't't play with nobody life at all.
Speaker 1 (35:15):
But it's like I done gotta go through that ship. Bro, Thanks,
I got too because I ain't never gonna learn.
Speaker 2 (35:22):
I learned by try the error. But you're gonna burn
yourself out?
Speaker 1 (35:27):
Yeah you can't.
Speaker 3 (35:28):
You need something you're waiting? Do I need to get
you something?
Speaker 1 (35:35):
Take over what I think they next? Do? Anybody next? Don't? Yeah,
that's why they put that sign on the Nah you're
good mm hmm. Yeah.
Speaker 3 (35:52):
But but you can burn yourself out, like I can
tell now that you you're already becoming creatively exhausted.
Speaker 2 (36:00):
Yeah, yeah, yeah, yea ye, yeah, you know what I'm
saying yeah, and DM motherfuckers come come to you with that.
Speaker 1 (36:08):
Like you already like I already.
Speaker 2 (36:09):
Be feeling down, like damn, Brian ain't got the I
ain't got the time my team, but I ain't got
the team. That I know is that I need you
feel by having like the machine and then the motherfucker
come and tell you some ship like uh.
Speaker 1 (36:25):
On the thing you feel like you know, yeah, moving
on like hold on brother? What hoping a nigga like
you know what I'm saying, Like what you'll thinking? They
ain't gonna do it. It's like all that ship be together,
want to be like, man, how you deal with that? Man?
Read like yourself, heal and ship because that's a battle, bro,
(36:46):
that's a real battle wisdom where you love what you're doing.
Speaker 3 (36:48):
And you ain't got the money you need to quit.
Like it's like I ain't able to say I'm.
Speaker 1 (36:53):
D I can't I can't put rap up.
Speaker 2 (36:55):
I ain't want the niggas with an egg like I
just like I'm hustling this ship, thinking about it.
Speaker 1 (37:01):
Mama, and then trying to keep myself.
Speaker 2 (37:04):
God damn, you know competing competition, you can't look fucked up.
Speaker 1 (37:08):
I ain't I ain't like kens a little more. I
can't come back.
Speaker 3 (37:11):
With you, got it because because of you, because they've
done trapped child in the trap music ship to where
you gotta look a certain way to do a certain way.
Speaker 4 (37:19):
Bro oh mom, But that's what the brand artist I
was sould for a nigga, like you know what I'm sense,
So I don't even really be giving a funk about
this ship for real.
Speaker 1 (37:30):
For real, but a nigga a nigga come from it though.
Speaker 2 (37:33):
So it's like it's like, Okay, I ain't never heard it,
so I always want it, Don't get me wrong, I
always wanted it.
Speaker 1 (37:40):
But it's like I don't want I'm a diamond. I
don't want.
Speaker 2 (37:45):
I don't want motherfuckers to only see me with your
and like I put up with no jars, like damn
me look regularly, I gotta shine whenever you see me.
So it's like I don't like that were in that
ear or now, bro what a nigga? Well, rep, I always.
Speaker 1 (37:57):
Been like that. You got you always had to shin
to change.
Speaker 3 (37:59):
See the niggas grow older, So what happens is you
gonna grow older and then start being like I like
being low I don't care if they look at me
like he regular.
Speaker 1 (38:10):
You're right, I want to be regular. I have spent
the last.
Speaker 3 (38:13):
Twenty years taking pictures and shit, you see what I'm saying,
people stopping me and my family at talking in Walmart.
I just want to be regular. I just want to
be a regular nigga, to show up to the movies
like everybody else. Get some popcorn. You know that's gonna
start to be a peeling for a nigga to where
nobody don't see you as peas at all. Yeah, you
(38:34):
know what I'm saying right now. Recognize I'm in this bit,
big feet nigga. I'm here, you know what I'm saying.
But that's how it go. But at some point the
nigga shake that, but they come. I think they're gonna
come with age. I don't think it comes with nothing
but age. You know what I'm saying. Because rap niggas,
I be wondering, like I asked you, when do you
not wear your.
Speaker 2 (38:56):
I'm at huh, I just be one of them days. Well,
I'm just I know I ain't got ship to do.
I'm just around around my people, and she ain't gonna
put it out yir because I be looking at that
she like really like a liability too.
Speaker 3 (39:09):
Yeah, like, because you never know, like you never know
when a nigga might You know.
Speaker 2 (39:14):
I still be in a lot of places that ain't
supposed to be in Shire, So I be like, I
ain't gonna go over that motherfucker shining like a motherfucker. Then, yeah, man,
even though I know I don't know ship, I'm on
the one man in the in the in the world Brown,
you don't know what's going on on a nigga.
Speaker 1 (39:28):
Man, your home bolly read snaman that man. Yeah, so me,
that just be awesome.
Speaker 2 (39:34):
I just be going with the good man, my good,
my good be telling my ship was like my second
brain for real.
Speaker 1 (39:39):
That's what it is. Might be your first brain, mamase
might be the first one.
Speaker 3 (39:44):
What about when you damn I forgot I was just
gonna ask you about that Jerry ship. I forgot what
the fuck I was just flash white boy, I forgot
what the funk I would just want to ask you, man. Hold,
(40:06):
let me see what speaking of like the streaming and ship,
I think there's money in this ship for y'all. Right,
But when I look at somebody like Keithy d you
know that is right that and.
Speaker 1 (40:27):
I know you about you growing up half your life
that nigga is trip. Yeah you're saying that.
Speaker 2 (40:34):
I think I think I think what I really think, Bro,
I think he was going flat or flat, because that's
why he was like, man, Bro, just hey talking about
talking about.
Speaker 1 (40:45):
He went full blown.
Speaker 3 (40:47):
Uh, what's the niggas be on that out there?
Speaker 2 (40:49):
What's your nigga be big hole bone game man throwe
he went full blown.
Speaker 1 (40:58):
I'm like, damn.
Speaker 2 (40:59):
Then, I think he was just doing an interview for
a little twenty five hundred hell just to tell the
story and not knowing like yo, he ain't got immunity
no more?
Speaker 3 (41:08):
Right, do you think you were Capu? You think it's
how it went down?
Speaker 1 (41:11):
I think this ship went I think he putting if
a nigga running around telling how this ship went down.
Nigga dumb and stupid. Man, he's stupid.
Speaker 3 (41:18):
I don't give your nigga he ain't no, he ain't no, Yeah,
he take an old nigga dunn That nigga dumb. I
swear that old nigga dumb.
Speaker 1 (41:28):
Bro. I ain't gonna. I don't care that nigga ever.
Speaker 2 (41:30):
Retarded, because it ain't no way you at this tender age,
my nigga, and you're going on interviews saying, what the
fuck you saying, like proudly talking about the man was
break dancing in the car. You're talking about who passed
off the gun? Who ain't want to shoot you? Bro?
Speaker 1 (41:48):
You you like fifty something? Come on, I think he
went broke though. That's what it was. Yeah when you
Brokenna be.
Speaker 2 (41:57):
Yeah, like man, fuck it. That why he was like, man,
they come get me. I want interview because I love it.
Speaker 1 (42:02):
I want interview.
Speaker 2 (42:03):
He's like, man, they come give me ship. They just
come give me. I think he was just I'm gonna
do what I gotta do to get this money for real.
Speaker 1 (42:10):
Ship. I'm talking.
Speaker 3 (42:11):
If a niggas go that broke, he need to figure
something else. That's crazy.
Speaker 2 (42:14):
Broke, that's crazy. That's that's that's another level of broke.
That's like, that's that's suicide. Man, that ship signing. I
don't know how that nigga man, that nigga hell.
Speaker 3 (42:27):
Nah, but I know the game produces that because you
know he been gang banging all this life.
Speaker 1 (42:34):
You don't get nothing for gang bang. You don't get
no flowers on You don't get nothing for it.
Speaker 3 (42:39):
You just get glory as you're doing it as a youngster.
But really, once you get older, it's don't give a
damn about all that gang bang and Ship you done, nigga,
hand you your motherfucking hat.
Speaker 2 (42:52):
You guys, renew your ID. I hell bro, real talk
man right now, just about n and eight this nigga,
yeah three the young niggas a month. What happened with
the they're shooting you was involved with? They threw that
case out?
Speaker 1 (43:08):
Yeah? Uh did grand jury? I ain't want to pick
it up. Did they? What? What grounds they throw it off? For?
The fade to prosecutor song did.
Speaker 2 (43:16):
Not date my lawyer, I said, like the grand jured
refused to pick the case like they was on some
we ain't gonna take the grand jury basically because I
was at the I was just going to court and shit,
I was on for year and a half, almost two years,
and Ship barely went to court. Feeling they talking about
they they lost video footage and I feel like that
video footage would have helped me that.
Speaker 1 (43:37):
You feel okay, okay, okay, probably yeah, like it would
have helped. Yeah, God damn and grand Jura like y'all
basically had no case type ship.
Speaker 3 (43:49):
Did you get a relationship with young boy off of
that song?
Speaker 1 (43:52):
Or was it just a song?
Speaker 2 (43:53):
It was just so for real, for real. We'll chop
it up briefly in the DMS and sh there. Now,
didn't you feel.
Speaker 1 (43:58):
Who you thinking about now? That? Like?
Speaker 3 (44:00):
Do you think you do? You think you a young
rapper now? Or me and me med rapper? So who's
the youngsters now?
Speaker 1 (44:08):
The young niggas like the young niggas going up? You
got the wrong fold?
Speaker 3 (44:15):
Yeah, Roth, I just talked to him. As a matter
of fact, I gotta get him. He's been trying to
got to call him. I'm gonna get you home. Bro,
We're gonna do that right now.
Speaker 1 (44:22):
Off.
Speaker 3 (44:23):
That's my nigga with that little I've been I've been
listening to his ship.
Speaker 1 (44:26):
He wanted the men.
Speaker 3 (44:29):
So him and and that's the that's the crop of
young niggas him and who else you I fun with SKA.
That's my nigga too. I folk for the two bro b.
Speaker 2 (44:43):
C b F w oh God that going he he
popped like a different way like he he playing with
them words a different way. Bro.
Speaker 1 (44:56):
Know something something you know something.
Speaker 2 (44:58):
I just got put on bro like out right with
a bus she got Damn she put on that uh
damn wire love.
Speaker 1 (45:05):
I feel like that nigga, what the.
Speaker 3 (45:09):
Yeah, ain't kicking you don't know her now that look
and he kicking his ship and he beat with the
whole team. Shout out said shout out hawk, the whole squad.
Man over there, man, that nigga. He wanted me and
though nigga fuck with him, though he wanted them guys.
Speaker 1 (45:26):
So who's in your class? Yeah?
Speaker 2 (45:30):
Like you and I feel like the people talking like
the people I came in like, well, the people who
was in.
Speaker 1 (45:39):
We got the younger age, you got the JDA.
Speaker 3 (45:42):
You might be the le okay Jada Young and damn
he did that.
Speaker 1 (45:46):
Yeah.
Speaker 2 (45:47):
Uh, I say roadway that nigga that he's smoking he
here Thursday.
Speaker 1 (45:56):
About Yeah, I love that nigga to here. Ma got them.
It's a uh cap cap rollo. Now. I think I
came in like a little bit early.
Speaker 2 (46:11):
Because I remember I remember when younger age of them
came in and Ship and Jady Young and shit. Because
everybody will everybody will compare me and Jady Young and
shit our boys and Ship God damn clock nine.
Speaker 1 (46:24):
He in prison. Uh, it was a few nigga. It
was a few niggas.
Speaker 3 (46:30):
So you like you like might be one of the
more one of the more successful ones from that little crop.
Speaker 1 (46:35):
Though. Yeah, I feel like, you know what I'm saying,
that lasted And.
Speaker 3 (46:42):
Do you think if you would have never left the
California you might would have got one of those situations
like them niggas, like maybe a young boy or a baby,
you know, come get you.
Speaker 1 (46:52):
But you went and got with that forty and it kind.
Speaker 2 (46:54):
Of kind of it kind of like makes sense to
a lot of people, like, uh, forty. So it was
like I had to make people understand why and tell
people my story and shit, so if you ain't got damn,
if you can't listen to the story, you're like, shit,
I don't know, you know what I'm saying.
Speaker 3 (47:11):
Then they got you playing it out there with the
slank Southern slang on the West Coast with a record deal.
Speaker 2 (47:20):
Like I can't say, I can't just say, uh that
I would have just been bigger. I really don't even
because I feel like being in a different being in
a different area really helped me, Like it helped draw
attention to me, they're like, bro, the niggas sound like
boosts and ship.
Speaker 3 (47:37):
You know, if you was in Alabama at that time
when the babies and the young boys and them niggas
was down through, they're grabbing niggas and you was down
there free, no deal. You just been kind of grinding
like Rolo and them would be different.
Speaker 1 (47:54):
That's what I'm saying.
Speaker 3 (47:54):
You might would have got a Gucci or you see
what I'm saying. It might Who would you want to
do who right now? If you could choose somebody, well
you win three hundred.
Speaker 2 (48:04):
But you folks were like, goatter God, I fuck with
got it because I feel like, oh, he understands, he
understand how to how to market somebody from the urban community.
Speaker 1 (48:19):
I feel like it takes time.
Speaker 2 (48:21):
And and and a lot of work to like make
a motherfucker who don't understand, like they probably understood that
the urban community and the now this but this shit
different now, you feel me, So it's like a motherfucker
gotta make them understand instead of having the motherfucker who
didn't understand, like the nigga popping shit that was going on,
like if you like.
Speaker 1 (48:39):
For the boom.
Speaker 2 (48:42):
I remember I was feeling some type of way about
this shit back in the day, right, Uh, Nigga signed it?
Speaker 1 (48:48):
Right?
Speaker 2 (48:48):
I think I had seen I used to be in
my head a lot, so I had seen God Damned
Blake Youngster signed Little Mego. God Damn bought him a lamb.
Oh shit, I'm like, man, nigg gave me twenty five.
Speaker 1 (49:00):
So it's like that type of shit.
Speaker 2 (49:02):
You feel me like, like damn like they know how
to market that shit like beford that you would have
got me a lamb, you would have did the marketing
ship that I ain't saying like I want to hand
me nothing feeling. But it's like if you would have
did took the marketing steps, if you would have paid
attention to what everybody else is doing, it would have
been different. Bro, you feel me because everybody really was
doing the same thing. Get it your nigga buying a car,
(49:23):
you feelm or or throwing some cheese. You feel me
like you know what I'm saying.
Speaker 3 (49:27):
Turn That's why I'm saying, I'm wondering how you are
fighting through that because it's that that hurts. It hurts,
that hurts your creativity when it's time to lay down
and write a rap, that ship is bought. It's in
your brain. It's in the back of your head that like, Damn,
I'm competing with these niggas. I think I'm better than
these niggas, and I ain't gotten.
Speaker 1 (49:48):
I ain't got that.
Speaker 2 (49:48):
I ain't got the support or the belief by it
go from it goes from Damn, I ain't got to
support to Damn, motherfucker, don't believe in me?
Speaker 1 (49:56):
Just trying to?
Speaker 3 (49:56):
Then why sign me? Damn you playing me? Why you
playing with me? Damn you nigga, hate us all this
rolling right here here on the head and you can
make sense of everything of each each scenario. You see
what I'm saying. But it's like, Damn, that's why you
gotta take your time in business.
Speaker 1 (50:14):
You know what I'm saying, ain't no devil because you're
gonna hate yourself. And that's what I'm saying.
Speaker 3 (50:19):
It's important for you, bro, because you can bury yourself.
My nigga, Like I'm saying, creatively in so much bullshit
business in a way, I can't even fucking create all this,
Like damn, dog gotta sign this over to you, nigga.
I don't even eat off my biggest song the biggest records.
Not mind this that that you see what I'm saying,
That shit weighs on a nigga, bro. That's why I'm
(50:41):
asking you, how the fuck is you going.
Speaker 2 (50:43):
Through that I got You can't stop though I can't stop.
Speaker 1 (50:48):
That's that's how you get through knowing.
Speaker 3 (50:49):
You gotta start to pay attention to the business. If
you went through what you went through when I ask
you them kind of question, you supposed to be able
to pop out where every stream I makes it.
Speaker 1 (51:00):
Here's the da da da da back in saying that
you ain't.
Speaker 3 (51:03):
You can't still now be saying I don't really know, bro,
because you're setting yourself up for another.
Speaker 1 (51:11):
Tombstone power bomb.
Speaker 3 (51:14):
You know what I'm saying, Well, nigga, make another two
million off you and you make seventy thousand, and then
now you mad at yourself, and you mad and your mama,
because I know what it be mama and them and
everybody thinking. When you run off and run with them
rap niggas even coming back with the trash boy it
is he coming back with the treasure, then it hard
(51:35):
to say no. Then you got to learn to manage money.
Do you know how to manage your money.
Speaker 2 (51:41):
I'm still learning how to manage right now. I feel
like that's a that's a uh a process, man, you
know what I mean. I still be aching out impolstal that.
So once I get that, impost them, impost of thoughts
and ship what's something you be buying out like that,
I'll be boring, but go.
Speaker 1 (52:00):
Out, go out.
Speaker 2 (52:03):
Then I feel like then I it be what y'all
want to do, what y'all want to do. Nobody pitching
the end though, you know what I'm saying, So shit,
I'm spending money on the station ball.
Speaker 3 (52:13):
It's good to do that when you hustle good, you know,
But it's like you're still gonna have to find a
place to where, say, if I don't move to day,
I'm straight, I don't do nothing residual. Yeah, and then
and then then then ignore them urges. Sometimes you gotta
try to ignore them.
Speaker 2 (52:29):
Urage what I'm saying, Yeah, that's our once I once
I get to that, probably like the last thing.
Speaker 3 (52:34):
But also money, money management from a standpoint of do
you know, can you tell me right now a dollar amount?
I don't want you to tell me, but I'm saying
in your brain, do you know a dollar amount of
what I made last year.
Speaker 1 (52:46):
I know exactly the.
Speaker 3 (52:47):
Amount of money my company Overkill made last year. It
made six million dollars four hundred thousand and d D D. See,
these are things you If you don't know the nigga next,
you gotta know.
Speaker 1 (53:01):
You know what I'm saying.
Speaker 3 (53:01):
Niggas gotta know what everything is making and what everything
is costing, because in between that is where that's your money.
You know, everything you get ain't yours. You know what
I'm saying, A million dollar check ain't your million to
go spend here. We gotta run a be in it
with this. We need to hire some folks to make
sure you're branding right. And I also want rappers to
(53:24):
or I want to ask y'all, like what you got
on that?
Speaker 1 (53:27):
Did you pay for that? Oh? Y'all about there? So
do see it.
Speaker 3 (53:32):
Also, rappers also need to have somebody on their team
that constantly are seeing what they're into and reaching to
those companies like yo load them up, like here, wear
your shit every day for the next ninety days.
Speaker 1 (53:44):
Load him up. We on tour right now.
Speaker 3 (53:46):
We're in front of ten thousand people a night with
your shit like they gotta know how to pitch peas.
That be half the thing. You just sitting over the people.
That's why you get with these companies. They don't know
how to pitch your nigga, Like you was just saying,
they don't know how urban culture works, so they don't
know how.
Speaker 1 (54:04):
To take them clothes. It's a the jar they the
uh how you put it out there?
Speaker 3 (54:10):
Yeah, you said ship, so you say so when guiding
them were doing that.
Speaker 2 (54:15):
I'm just sitting looking at this shit like damn, and
I ain't even had a heart that goddamn damn be.
Speaker 3 (54:21):
Bro, but you because did you feel grateful? Is that
why you just grateful to be here?
Speaker 1 (54:26):
Mama?
Speaker 2 (54:26):
I'm I'm I'm a like I'm gonna look at the
glass hell for a type of nigga, but I peeped
when I'm not getting what I deserve though, you feel me?
Speaker 1 (54:35):
So I'm like, all right, he gave me his platform
and ship. You feel me? Okay, he introduced me to
a lot of people that that mean a lot. You
feel me?
Speaker 2 (54:44):
So I'm looking at it like that, But I'm like
still though, bro, like he dragging his feet on this side.
You feel so like that type of shit like just
sitting there watching that ship and then it wasn't even
just them, everybody doing this ship. And I'm knowing you
see this shit? Feel me, I'm at this bit ste
Robin bro Yeah, like for real though, you know what
(55:04):
I'm saying.
Speaker 1 (55:05):
That's why Cormer came in me like that. You feel
quick talk? You know what I'm saying, quick damn sign
a record deal?
Speaker 3 (55:16):
Did they have you on any stages and ship while
you were going.
Speaker 1 (55:19):
Through that that lit show without getting booked for him
to ban?
Speaker 3 (55:23):
So after the twenty and when the next time you
saw some money from the industry?
Speaker 2 (55:28):
Now, when I had when I had signed to uh,
I signed it. I signed a three hundred to two hundred.
Speaker 1 (55:35):
Hm for how long the terms? Uh? Three? Am mm hmmm.
Speaker 3 (55:42):
So what do you give you twenty for one album?
Two albums.
Speaker 1 (55:48):
With the options? Don't get them?
Speaker 3 (55:50):
That's cold and that's fucked up because you're talented little nigga, right,
And it's like, I know what you're going through. I
just won't. I wish you could talk about it.
Speaker 1 (55:59):
You know what I'm saying.
Speaker 3 (56:00):
I know I know what you're going through, and I
know how creatively this she can stump you. I know
how it can make you feel like you can be
at home frustrated and I deserve more when I should
have got more and I should have Yeah, and then
she can start to manifest. You know what I'm saying.
It can started now. It's showing in my attitude. It's
showing in how I deal with things. You know, I'm
(56:22):
mad at even this new label.
Speaker 1 (56:23):
I'm with you bitches ain't moving fast enough.
Speaker 3 (56:27):
I've been through hell with this ship, and that's why
it's important to vet this ship. But you were so young,
like damn though, I don't know how to keep you
up because your talented little nigga. Bro, you know what
I'm saying. I don't know how you keep yourself, but
you gotta find it. Though, Do you have means with
(56:47):
with with with Kevin Lys and the like?
Speaker 1 (56:50):
Are they very supportive? Do that? When? Well? Uh, well
we link up and ship. Bro always d man ship.
Speaker 2 (57:00):
He always like make sure the nigga is in a
good head space of ship.
Speaker 1 (57:04):
What about your feature game?
Speaker 2 (57:06):
Hey, y'all, ain't gonna have my I got some cool
features though. I got I got gates on that bitch,
I got I got the team east Side p's on that.
I got hunch o, yeah you're yeah doing the thing shut.
Speaker 1 (57:21):
I got a few mother fuckers on that. But the
future that I know that's gonna change it. This is
a good conversation.
Speaker 3 (57:28):
The feature thing with you, what do you think is
contributes to you.
Speaker 1 (57:34):
Not getting the features you need?
Speaker 2 (57:36):
I think, uh, budgeting like boyses ain't high enough, damn.
And for the for the for the price.
Speaker 1 (57:46):
The niggas be wanting when they hear a label.
Speaker 2 (57:47):
Reaching out, you like, if I what you want what
I got fIF right now, nigga might if a label.
Speaker 1 (57:54):
Reach out, damn.
Speaker 3 (57:56):
Then the label reaching out the label people on the
other side. So it's just a old label conversation. You
know what I'm saying.
Speaker 2 (58:02):
Yeah he won three hundred You know what I'm saying, Yeah,
it was like that type of ship and then being
a like I just got a niggative like oral around
my image in the in the industry.
Speaker 1 (58:16):
Who's telling you that I'm looking at this ship? I'm peopleful.
Speaker 3 (58:19):
I'm saying, what you what? What makes you think that
because
Host
Looney
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