James Elden's Playwright's Spotlight
Playwright Spotlight features a new playwright every episode to discuss the tools of the trade and solutions to the obstacles we face as writers in hopes of making us all better and more successful playwrights.
Episodes
Cameron Scott has worked with Broadway’s top producers to create brand campaigns for well over 100 productions including 17 Tony Award-winning Best Plays, Best Musicals, and Best Revivals. He has recently turned to writing plays of his own. Since the fall of 2022, he has had plays produced from the coasts of California to Connecticut, among them a Best in Festival winner at Wilmington Drama League and the winn...
Drew Larimore a Brooklyn-based playwright, screenwriter and librettist who’s been produced in the U.S. and internationally. His plays have been developed and presented with Asolo Repertory’s Unplugged New Works Festival, The Barrow Group, Denizen Theatre’s New Play Development Series, ANDTheatre, Ensemble Studio Theatre and the Short & Sweet New Play Festival (Sydney & Melbourne). He’...
Ann Noble is a playwright/new media writer, director, teacher, and private coach. She trained at Northwestern University and at the British American Drama Academy via Yale School of Drama, and co-founded the Irish Theatre of Chicago (formally Seanachai). Plays include, Little Parts Hunts a Baby Daddy, A Bella Incarceration, 52 Pick Up, And Neither Have I Wings to Fly and 90262 Lynwood, Blue Like You. Her Play Dead M...
Brian S. Brijbag is an award-winning playwright, author, and actor whose work has been produced across New York City, Florida, and beyond.
His plays — among them Love, Lysol, and Other Delusions, On the Likelihood of Elephants, Fireflies & Fault Lines, and Funeral of god — are written in his signature Elegant Anarchy style and have been staged at festivals from the Players Theatre and Br...
Amanda Stamm is a playwright and actress. She is an alumnus of Atlantic Acting School, the Summer Program at Stella Adler, and has a BFA in Musical Theatre from Nebraska Wesleyan University. She a founding member of Bluebird Theatre Company and currently serves as Director of Finance.
For tickets to Significant Contacts at The Maker's Space in Brooklyn, New York from July 13th through July 16th, visit - https...
Erik Patterson dropped into Playwright's Spotlight before the opening of his upcoming play - Fucking Strangers. In this discussion, Erik shares his start into playwriting, what makes a bad play, the definition of "spectacle", achieving reversal, and pushing forward as a playwright. We also unpack developing ideas, using prompts, expectations from feedback, the disdain for "The Play That Goes Bad" series, what can be...
Playwright Marc Mantell stopped by Playwright's Spotlight after directing the production of Dr. Freud, I Presume written by recent Spotlight guest - Donna Scarantino. Marc's playwriting journey is nothing short of fascinating, and this discussion is unlike anything any past interview or any episode down the road. While I tried to unpack Marc's process, I was met with stories of a journey ill-remembered, as if the Mu...
Playwright Hank Jacobs sat in the Playwright's Spotlight to unpack the concept of Immersive Theatre. In this conversation, we discuss the its definition, the development of his immersive piece The Great Clown Bank Show, what immersive theatre looks like on the page, the release of ego towards the audience, the covid and lockdowns affected theatre as well as how AI may affect it in the future. We also talk about the ...
Two weeks before the opening of her latest piece in the Bellevue Escapades, Donna Scarantino took the time to come sit in the Playwright's Spotlight. We discuss the origins of the Bellevue series and its evolution over the years, her involvement and eventual takeover of Theatre Americana and how playwrights can submit their work, or how actors can become involved in the theatre company. We delve into her growth as a...
Playwright William A. Smith streamed into Playwright's Spotlight to talk about the recent release of his app The Playwright's Desk and its features to assist in the management of the playwriting business. It's a fascinating resource that will help playwrights of all levels looking to track their submissions as well as streamline the process. We also discuss his other apps The Literary Desk, designed for theatre comp...
Playwright and screenwriter Paul Webb streamed onto Playwright's Spotlight all the way from outside London just a week away rehearsal were about to end for his play Warsaw. Paul is a charming Brit with a background in writing that makes everything sound so easy. That's not to say we don't discuss obstacles and struggles, especially considering entering playwriting at a late stage in life. In a addition, we discuss h...
Apologies for the delayed show notes. Had a few hiccups. Evelina Fernandez took time away from rehearsals to slip into the Playwright's Spotlight. We opened with discussing the founding of the Latino Theatre Company and her journey of learning structure, acting out voices, and writing an ongoing six hour story within a trilogy. We unpacked writing stories out of order and how it may effect the other acts and knowing...
Olivia Dufault took time to sit under the Playwright's Spotlight before the opening of her latest play - "For Want of a Horse." In this discussion, we unpack her introduction and journey into playwriting, learning from past influencers, learning through evolution and gaining focus yet learning from lack of collaboration. We explore her path of starting new work, entering the flow state and giving characters what the...
Gabriel Rivas Gómez dropped into the Playwright's Spotlight a week before the opening of his latest play Level Up! We discussed his origin story falling into playwriting, his journey into finding his voice and telling a story, and the lessons of agitating a nerve. We also dove into overcoming obstacles and elemental struggles, the need to overwrite and cutting scenes, character driven vs plot driven pieces as well a...
After an enthusiastic recommendation from former guest, Cameron Scott, Andy Batt streamed into a late night EDT interview of Playwright's Spotlight, and, as always, what an insightful and inspirational conversation it was. In this interview, we discuss the origins and evolution of Andy's own playwriting and how it influenced the development of the MadLab theatre company and venue. We breakdown MadLab's themes and sc...
I stumbled upon Patrick Gabridge on the World Wide Web, and he was kind enough to come on to the Playwright's Spotlight after reaching out to him. If there was a playwright who has been in the spotlight who might have a pathway to success, it would be Patrick Gabridge. With a non-traditional approach to writing, Patrick focuses on site-specific plays that are staged in non-traditional stages. Before we delve into th...
Fan, Follower, and Fellow Playwright Travis Williams, dropped into the Playwright's Spotlight after a random and serendipitous meetup in public. In this conversation, we discuss his origin into playwriting and the possibilities of being a "living" playwright and a playwright's success, his lessons from living in Chicago and learning the order of character, narrative, and theme, and playing with timelines. We also de...
Playwright, pianist, and composer along with her collaborator Raymond O. Caldwell who is a director, producer, and artistic director of The Fountain Theatre in Los Angeles, CA, stopped by the studio to discuss their latest project - Poetry for the People: The June Jordan Experience. While our conversation did have a few technical setbacks, we were able to get back on track about their budding relationship, Adrienne'...
After an excruciating knee-tweak, Catherine Butterfield streamed into the Playwright's Spotlight being laid up on the couch. Proof that playwrights will go above and beyond, so we were unable to do the originally planned in-person interview. In this episode, we breakdown layering stories in the same location throughout different eras, when it's time to share and direct one's work, and "stumbling" upon commissions an...
In this episode, musical theatre playwright Isaac Laskin stopped by Playwright's Spotlight to talk about the the development and evolution of his hit L.A. musical Hey, Morgan. He dispels the rumor of being challenged to write a musical about a dear friend, how the origination started as individual standalone songs about his roommate and how it later evolved into a musical. We unpack its growth from a short-run, smal...
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