5 Disturbing SKINWALKER Stories From the Deep Woods

These are 5 Disturbing SKINWALKER Stories From the Deep Woods

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Timestamps:

00:00 Intro

00:00:18 Story 1

00:12:49 Story 2

00:25:11 Story 3

00:37:09 Story 4

00:49:44 Story 5

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Episode Transcript

(00:20):
I went to Sedona in late Octoberto hike West Fork Oak Creek.
After the crowds thinned out, I parked at the Call of the Canyon
Day use area off AZ 89 A paid atthe kiosk and crossed the little
foot bridge over Oak Creek. A cashier at a small market up
the road had warned me that morning not to be in the Canyon
after dark. Things call your name there.

(00:42):
I smiled and said I'd be back well before sunset.
I'd heard the word skinwalker before, but only in stories
people tell to fill silence. My plan was simple.
Walk a few miles in on trail #108 shoot some long exposure
photos of leaves in the water and head out by 4:30.
I left my headlamp in the glove box because I didn't think I'd

(01:05):
need it. Cell service dropped to nothing
at the trailhead. The first mile went the way
everyone says it does. Flat well worn path, shallow
crossings, cold water that stungmy ankles.
I passed the old stone remnants of the Mayhew Lodge and kept
going as the trail narrowed and the Canyon walls boxed in the
light. I counted crossings out of

(01:28):
habit. It keeps my pace in check and
gives me a turn around point. By the 6th crossing the shade
had a weight to it, but that's normal.
There on the sandbar, I saw fresh boot prints from earlier
hikers traced beside a line of elk tracks.
The odd part was how the elk prints pivoted mid step, not
like a stumble. They kinked, then pointed back

(01:49):
the way they'd come, clean and sharp, as if the animal had
changed direction without lifting its hooves.
I told myself the Creek had undercut the edge and distorted
the line. I kept moving.
When it happened the first time,I was standing, knee deep angle,
stepping across. A man said my name from across
the water in the exact tone my brother uses.

(02:11):
Not just the sound, his rhythm, the way he lands on the last
syllable like he's trying to make me laugh.
There was no one on the gravel tongue on that side.
The sound carried well in there.I told myself it was a weird
echo and that the Canyon was bouncing a voice from farther
down trail. I still put my phone in my chest
pocket, force of habit when something makes me uneasy, and I

(02:33):
started watching my turn around time more closely.
I hadn't told anyone I was here.My brother was at work, 2 states
away. I decided to push another 15
minutes then head back to test myself.
I scraped a straight line in damp sand beside a Cottonwood
root with my trekking pole. Just a marker for my own nerves.

(02:54):
If it looked the same on the wayout, I'd feel foolish for
worrying. If it didn't, I'd still have a
reason to move faster without inventing monsters.
I hit Crossing 8 outbound and turned around at a slow pool
that mirrored a red wall. On my way back, the air felt
cooler. My fingers were stiff from the
water. I could hear hikers talking far

(03:15):
behind me at first, then nothing.
At the 11th crossing, I saw it. Not a shadow or a shape in the
corner of my eye, in the center of my own boot prints, right
where the toes pointed. Back down Canyon, someone had
set a tiny stack of three smoothCreek stones, still wet,
balanced on a red leaf. I had walked through there one

(03:37):
minute earlier. There were no other prints near
it. I scanned the undercuts and the
brush and crouched to look underthe big log that bridged the
Creek. That's where I saw the forearms,
bare, long, with the hands flat on the wet sand.
The fingers were spread wide, pressing down like they were
testing the ground. The head in the shadow didn't

(03:59):
move. It let out a soft sound, a wet
whistle. Not words, but the shape of it
could have been come back if youwere already spooked.
I stood and walked backward intothe water without turning my
back, then eased myself to the opposite bank.
I started counting crossings in reverse, out loud to keep my
head straight. 11109 The same voice called my name again, but

(04:25):
it was half a beat off, like someone repeating a phrase
they'd practiced a few times buthadn't heard often.
I told myself to keep the same pace.
No running. I focused on my footing.
At crossing 8, I checked my polemark.
The straight line I'd drawn had two finger wide trenches dragged
across it in a wide arc pointingtoward me.

(04:46):
They were fresh. I looked around and felt that
tight hot feeling at the base ofmy neck that I can't explain
except to say I knew someone hadbeen close enough to touch the
sand I had touched. I heard coyotes up on the rim
start their chorus and then stop, not fade, stop after a
single hard crack echoed off thewall.
I couldn't place the sound. I kept moving.

(05:08):
At one of the shallow bends, I glanced down and saw a second
stone stack pressed onto my own heel print leaf folded
underneath the smallest rock. It wasn't there on my way in.
I understood then that it was tracking me using the same thing
I was, using prints and crossings.
I stepped off the sand and into the middle of the Creek and
stayed there. The water pushed at my knees and

(05:30):
soaked my socks. It was freezing and I knew it
was a good way to catch a cramp,but it would wash away anything
that marked my line. I broke a thin Cottonwood twig
and tucked it behind my ear so I'd know how long I'd been in
the channel once it drooped and fell.
The next voice wasn't my brother's, it was my mother's
horse, like she'd been shouting at a game, but Softer waited

(05:53):
with that worried tone she uses when she's trying not to scare
me. It called my name from behind me
and from ahead of me, close together, like the sound was
pinned at both ends. Then help me.
She doesn't say, sweetie. The way I heard it said next, it
was a detail that shouldn't havebothered me as much as it did,

(06:13):
but it broke through the part ofmy brain that wanted to answer.
Without thinking, I kept walkingdown the Creek and started
talking to myself to stay. Anchored footbridge, paved path,
gate, highway. I said the names of the places
between me and my car. Around a broad bend there was a
stretch of open gravel and shallow water.
I saw it then, well upriver, nothiding.

(06:36):
It moved on elbows and knees across the stones without
splashing. The shoulders and hips rose and
dropped in turns instead of together.
The head turned too far as it tried to keep me in view, chin
angled over a shoulder in a way that made my stomach pitch.
It never spoke while I was looking straight at it.
The sound only came when I lost sight of it behind a boulder or

(06:58):
the Cut Bank. I realized that and kept my eyes
down on the water and my feet. The twig fell from my ear.
I didn't stop to pick it up. Light drains fast in there near
the end of the day. I won't dress that up.
Shadows were longer and darker and the temperature dropped.
The Creek deepened to mid thigh for a short span and I pushed

(07:18):
through as fast as I could. My teeth clicked from the cold.
A bend gave me a thin band of brighter sky ahead where West
Fork meets Oak Creek. I knew the footbridge wasn't far
past that. I told myself I'd run from there
on the gravel tongue at the confluence.
A shape angled out ahead of me on all fours, and then rose a

(07:39):
little and then lowered again. It didn't make sound.
It turned its head toward me in that same too far away, and I
understood. I didn't need to see its face to
know I shouldn't be there. I ran my boots, slapped the wood
of the footbridge. I cut onto the paved path past
the day use signs in the restroom.
Through the small gate I could see the road through the

(08:02):
cottonwoods, that Gray strip that meant other people and cars
in a different set of rules. I came out swinging my arms and
waving. A silver SUV was passing
northbound, and the driver braked hard when he saw me.
I was already pulling at the back door handle.
I didn't have a story ready. I said please and someone's

(08:23):
following me and pointed down the path.
The woman in the passenger seat looked past me and then grabbed
her husband's arm. We all watched the end of the
path together. At the edge of the headlight
cone just outside the bright something stood where the gravel
meets the shoulder. It didn't step forward.
It shifted weight and then stilled.

(08:44):
You can tell when a person doesn't want their face in
light. That's the closest I can get to
explaining it without adding what wasn't there.
They told me to get in and they pulled out fast.
I turned in the seat to watch the mouth of the path.
Nothing followed us up. 89 AI didn't see anything move along
the shoulder. My hands shook so badly I

(09:06):
dropped my phone into the footwell.
Twice. When I could talk without my
voice breaking, I asked them to take me back to the trailhead
parking lot. They said they would wait with
me until the sheriff arrived. I called 911 and gave my
location and a short version of what I'd seen.
I kept it to fax. I was followed by a person in

(09:26):
the Canyon. Stone piles appeared on my
Prince. Someone called my name and
voices I recognized. I didn't try to convince the
dispatcher of anything. I didn't try to name it.
A deputy from the Coconino County Sheriff's Office met me
in the lot. Took a statement and told me to
come back the next day in daylight to walk him to my car

(09:47):
and check for damage. He offered to drive the loop
with his lights on before I left.
I said yes. I didn't sleep well.
The next afternoon I met the same deputy off 89 A and we
walked to my car together in theday use lot.
He shined his light along the doors and bumpers out of habit.

(10:07):
On the rear quarter panel, he found what he called smears.
I recognized them as handprints made in wet red sediment and
then dragged. They were lower than they should
have been for an adult standing upright.
He rubbed at one with his thumb and it stained the skin.
He took photos for the report. He didn't say much else.
Only later did I check my phone.The voice memo app had recorded

(10:30):
5 minutes by accident. I must have bumped it when I
shoved the phone into my chest pocket.
It's mostly running water and the sound my jacket makes when
I'm breathing hard. And twice in that mess, someone
calls my mother's name in a hoarse voice.
Not mine, hers. I texted her from my motel and
asked where she'd been that afternoon.

(10:51):
She was at home in another state.
I didn't send her the audio. I emailed myself the file and
printed the 911 log. When I got home, I posted a
screenshot of the waveform and the incident number.
With this account I don't post the sound.
The Ranger who returned my call logged it as harassment.
Suspicious person. That's fair.

(11:12):
I don't have faces or names. A Co worker of mine who is
Navajo listened to me once, didn't interrupt and then said
one word and left it at that. I didn't ask for stories that
aren't mine. I stopped telling the funny
version at parties where people wait for a punchline.
There isn't one. Here's what I changed.
I refused to hike West Fork neardusk.

(11:34):
If I go back, I go at noon with someone else and a light in my
pocket. I keep a headlamp in my glove
box now, and an extra layer because the temperature drops
fast in that Canyon, no matter what the hourly forecast says.
For a month after I got home, I slept with the porch light on.
I answered calls from my family on speaker and tried not to jump
at my phone when it rang. Nothing else called my name from

(11:57):
the yard. No stones appeared on my steps.
If you're looking for the part where it comes to my house, that
chapter isn't here. If you want proof, you'll get
what I have. The call log, the incident
number, photos of the exact crossings, where I found the
stacks during the day when it's just a pretty place.
The rest is the part I'm asking you to believe or not.

(12:20):
If you go, turn around earlier than you think, count your
crossings. Stay out of the sand if
something starts marking your prints and if the Canyon gets
personal. If someone you love starts
calling you from 2 directions atonce, don't answer.
Walk the Creek until you see thefootbridge.
Keep your eyes on the water and the way out.

(12:41):
I did and nothing followed me onto the highway.
That's the only reason I'm the one writing this.
I went up to Max Patch for one easy night and a sky full of
stars. Nothing complicated.

(13:01):
I topped off the tank in Hot Springs, NC, grabbed a bottle of
water and some chips, and told the cashier where I was headed.
He said don't stay on the bald after midnight.
I'd heard the word skinwalker before and filed it with tall
tails and campfire talk. The plan was simple.
Hike the loop. Sleep high, Leave early.

(13:24):
I took I-40 to the Harmon Den exit and crawled the gravel of
Max Patch Rd. until the woods opened and the parking lot
appeared. The air was cool, the sky was
clear enough to trace planes sliding east and a rising moon
that would make a headlamp optional.
Once it climbed, I signed the trail register at the board,
cinched my pack and stepped out onto the mowed path that rings

(13:47):
the bald open ground in every direction.
No cover, no tricks. Golden hour makes that hill look
soft. It isn't, but the grass takes
the light in a way that makes you underestimate how exposed
you are. The Appalachian Trail cuts NS
across the crown with a short blue blaze spur dropping to the
lot. I picked a spot just off the

(14:09):
loop 20 paces from the AT sign and set the tent low.
Because of the wind, my friend and I ate fast and kept our
trash tight. A pair of headlamps bobbed on
the South side where another group had settled.
Voices carried cleanly somewheretoward Brown Gap.
Coyotes called back and forth. The sound was harmless from that

(14:30):
distance. It just confirmed we weren't
alone on the mountain in the strict sense.
Nothing strange yet, just the mild tension of being on a wide
open hilltop with everything visible and no good place to
disappear if you wanted to. I saw the figure when I stood to
stretch. It was at the far edge of the
field, a dark cut out against the sky where the grass gives

(14:51):
way to slope. I thought it was a post until it
shifted one shoulder. It didn't sway in the wind the
way a person unconsciously does.It held so still I felt it
before I understood it. I lifted my headlamp and gave a
quick blink, not to blind anyone, just to find out if
they'd wave back or call out. The beam touched a pale Oval

(15:12):
where a face would be. The figure dropped to all fours
in one smooth motion and slippedover the Crest.
No stumble, no scramble, just a controlled vanish.
We looked at each other and ran through the normal options,
Prank animal hiker messing around, but none of those fit
how it moved. We told ourselves it was a

(15:33):
person keeping low out of the wind.
That explanation didn't make sense, but it was easier than
the alternatives. Night arrived clean and quick.
The moon rose to a point where the whole bald turned silver and
shadows went sharp. My friend walked up the path
about 50 yards to get a clearer look at the Milky Way.
I stayed by the tent, tighteninga strap, thinking about the long

(15:57):
drive home in the morning. When I swept my headlamp across
the slope out of habit, something rose from the grass
where the hill breaks. It stood too tall by a little
and bent at the knees in a way Istill can't diagram with normal
anatomy. The arms were long, the
shoulders were narrow. The face looked thin and pulled

(16:17):
tight over hard angles. The eyes reflected flat white in
the light, No hint of color, no blink.
It was 10 feet away, inside the cone of my lamp, close enough to
show details I wish I hadn't seen.
It spoke in my friend's voice. You're fine, keep watching.
I turned toward the path. My friend was still behind me,

(16:40):
hands in his pockets. Saying what?
He'd heard it too. Same words, same cadence.
The sound didn't come from him. I shut off the lamp.
In the moonlight, it was still there, a clear silhouette that
didn't melt into the background.Once the beam was gone, it
tilted its head past what a neckshould allow and held it there,

(17:00):
as if measuring an angle. We called out the standard
question. Are you OK?
It didn't answer. It took one step forward and
then stopped in a stance I now think of as a test.
It wanted to see if we would break 1st.
Every time I glanced down to adjust a strap I heard grass
compress and then saw at a body length closer.

(17:21):
When I looked up it never crossed a line.
While we watched it directly. It waited for small windows and
took them. We packed up the way you do when
you can't afford to be meticulous.
Sleeping bags shoved, poles halffolded, tent bundled in a lumpy
roll and lashed outside the pack.
My hands shook in a way I usually hide, but there wasn't

(17:44):
time for pride. While we worked, it kept a 30
foot gap, pacing left when we shifted right, matching our
speed in a way that felt like a habit.
There was no brush up there to blame for losing sight lines.
If we saw it, it saw us. If we moved, it adjusted.
It didn't lunge, didn't growl, didn't do any of the dramatic

(18:07):
things you might expect. It acted as if closing the
distance wasn't the point. Staying even with us was.
We began the push to the tree line that marks the spur to the
lot. Walking backward on a bald is
miserable, but we did it in short bursts, switching off who
face downhill, so one of us always had eyes forward and one

(18:28):
had eyes on the Crest. The thing never shifted to the
side to circle or flank. It kept that set distance as if
a tape measure connected us. When we stopped, it stopped.
When we picked up speed, it slipped into a low gallop that
looked practiced, controlled, and wrong.
The worst part wasn't the shape or the motion, it was the
silence. You could hear our boots scuff

(18:50):
and the stove clatter against mypack.
You could hear the wind in the grass and an occasional shout
from the other campers far off from it.
Nothing. Not breath, not impact.
Just the fact of its body movingwhere we could see it.
The first glow from the parking area came into view, awash from

(19:11):
a single car Dome light and the pale beam of someone unlocking a
door. The edge of that light painted a
boundary across the grass. The thing stopped at that line,
like a driver breaking before a curb.
It wasn't fear, it didn't flinch.
It just chose not to cross. I took two steps down, turned

(19:31):
and saw it still there, upright again, head turned a fraction
too far to the side. My friend said don't run.
We didn't. We walked in stiff, measured
paces until our boots hit graveland the lot opened around us
with the shapes of cars, the trailhead sign, and the relief
that comes with objects you can name and touch.

(19:52):
Two night hikers had just pulledin, a man and a woman in trail
runners with a grocery bag of snacks and water.
Their doors were open, the interior chime sounding.
They started to say hello. Our eyes back up to the bald.
We all saw it at once. No trees to confuse the view, no
brush to hide in. Just a tall thin shape, standing

(20:13):
in the open field, angled wrong at the knees, arms loose at its
sides, head cocked farther than is useful.
The moon made the outline neat. There was no argument about
whether it was there or not, Thewoman said.
What is it doing? The man said something else that
I don't remember. We didn't move, we didn't try to

(20:35):
be brave. We just stood together in the
lot with the car light behind usand watched.
It pivoted without hurry, dropped to all fours, and ran
back across the bald toward the crown.
The stride was long and efficient.
It covered ground faster than I expected, and then it was a
moving dot against the highest point and then it slipped over

(20:56):
the far side toward where the ATruns north.
The lot felt smaller after that,as if the only safe space was
the rectangle of gravel under our feet.
The woman had been leaving a voice message through the car's
hands free system. As they pulled in, she hit stop
and looked down at the screen like a person facing bad news.
She replayed the last seconds with the car speakers turned

(21:18):
low. You could hear our boots crunch
and the door chime and then my voice saying I'm fine.
I hadn't said those words. We compared what each of us
heard in the moment and how it didn't line up with what the
recording captured. That was the detail none of us
like talking about. Later we called the
non-emergency line for the Madison County Sheriff's Office

(21:40):
from the lot. A deputy met us at the trailhead
sign. He was tired in the way that
comes from long nights and shortpatience for stories that end
with maybe it was a person. He took our names, wrote up an
incident number on a card and told us to camp lower if we plan
to stay out late. He didn't laugh and he didn't

(22:01):
roll his eyes. He just kept his pen moving.
We gave him the time window and the rough positions on the loop
where we set up, where it stood,where it stopped.
When the car light touched the grass.
He asked if we had pictures. We didn't.
He asked if anyone had been drinking.
We hadn't. He told the new arrivals they

(22:21):
might want to come back in the morning if they weren't set on a
night hike. I drove home with my friend in
silence until the Interstate. We didn't play music.
The radio chatter felt like it would break whatever thin layer
was keeping the night separate from the car.
Back in town, I wrote the account with only the parts I
could defend. The arrival, the figure on the

(22:44):
skyline, the movement on all fours, the 30 foot pacing, the
hard stop at the light from the lot.
I posted the incident number anda simple diagram of the bald
with an X where we stood and another X where it stood.
I didn't add theories. I didn't call it anything.
I used the word skinwalker once because the cashier had and

(23:05):
because it helped set the frame for what we ignored until we
couldn't. A day later, the hikers emailed
the audio clip from their car's system.
The timestamp lined up with the moment it spoke in my friend's
voice on the hill. You can hear me breathe hard.
And the chime ping. And then the sentence I don't
remember saying. We kept that file between the

(23:26):
four of us and the deputy. We didn't post it.
We didn't try to clean it up. We didn't ask strangers on the
Internet to analyze it. It serves one purpose for me.
It confirms that the line between what you hear and what
is actually said can be crossed by something that chooses to
cross it. Here's the part that matters if

(23:48):
you hike there. Max Patch is beautiful in the
day. Go early, bring a jacket, take
the loop, enjoy the view. But when the sun drops and the
grass turns the color of steel and the lot light starts to wash
a weak boundary across the firstrows of blades, you should be
off the crown and headed down. I still visit.

(24:11):
I eat a sandwich on the summit, count the ranges and let the
wind clear my head. I leave before dark.
I don't test the edge where the open field meets the first glow
of parked cars. I don't give anything up there a
chance to measure the distance between us again.
If you ignore that and decide tospend a night on the bald, don't

(24:31):
say nobody warned you. I can tell you what we saw,
where we stood, the angle of itshead, the distance it kept, and
the exact place where it stopped, as if the light from a
single car drew a line it wouldn't cross.
I can hand you the incident number.
I can point at the trail register and the spur and the
sign. You can go prove me wrong in

(24:52):
person. Or you can keep it simple.
Watch the stars from lower ground and let the top of Max
Patch belong to whatever holds it.
After midnight, the hill won't argue.
It doesn't need to. The open field says enough
without a sound. I picked a quiet weekday in

(25:17):
October because I figured the Hall of Mosses would be slow and
I could get in and out before dinner and forks.
It was mid 50s and damp with lowcloud.
In the visitor center, a Ranger answered a couple of my
questions about elk and then joked on the way out.
If something copies your voice, don't answer.
I smiled because it sounded likepark humor meant to stick in

(25:38):
your head while you're out there.
I'd only ever heard that word Skinwalker, tied to places I
don't live near. Temperate rainforest wasn't what
I pictured when I read about that stuff online.
I wanted a short walk on a famous loop.
That was it. The boardwalk was wet, but
grippy. The trail climbs a little, then
levels, and the sound of the Ho River becomes more of a hush

(26:00):
than a roar. You can hear steady drips coming
off the Moss without needing to pretend the forest is doing
anything special. I let a pair of hikers pass,
stepped back onto the planks, and kept a comfortable pace.
The loop had people behind me, but I didn't see anyone ahead.
It felt calm in the way a weekday afternoon often does out

(26:22):
there, which is what I wanted. I noticed the handprints about
10 minutes in. There's a thin green film on the
rail where people don't touch asmuch, and in that film were
clean ovals where a hand had pressed down and slid a little,
4 long finger marks, a narrow palm, then a gap of a few feet
and the same thing again. I put my hand next to one for a

(26:44):
point of reference. My palm looked blunt by
comparison. Whoever made those prints had
long narrow fingers and put weight straight down into the
rail. At a corner where the boardwalk
turns, the Prince stopped and there was a faint scuff on the
outside edge of the rail, as if a foot had stepped onto the top
instead of a round. I told myself someone tried to

(27:05):
do a stupid balance trick and bailed.
It's a National Park. People do dumb things.
I took a few more steps and fromup the trail, not far around a
bend, I heard my name in my brother's voice.
His normal tone, the one he usesto get my attention without
making a scene. There were no other words.

(27:25):
It wasn't loud, it sounded like he was standing just out of
sight. My brother wasn't there.
He lives two states away and hadno idea I was in Washington.
The sound made me stop, because there's no mistaking that tone
if you've heard it 1000 times. I looked at the empty bend,
thought about the ranger's joke,and decided right then I wasn't

(27:47):
answering anything. I wasn't stepping off the
boards. I wasn't speeding up to chase
whatever that was. I took another breath and kept
moving. The big log came into view after
a gentle curve. It's one of those huge fallen
trees with younger hemlocks and little ferns growing along the
top. Perched on the Moss was a shape

(28:08):
that read as a person only for the first half second, and then
it didn't. It was too lean through the
torso, elbows pulled back in a way I can only describe as held
for control, and the feet were flexed in a way I couldn't match
in my head. The ankles didn't line up with
the angle of the shins. Its chin lifted slightly.

(28:28):
The mouth opened farther than I expected.
I didn't see teeth clearly, justdark gums and a wet interior
that seemed too wide for the face.
It didn't blink. I didn't see it breathe.
It watched me, as if waiting forme to be the one to break.
I didn't run. I counted in my head to five.
It stayed still. I shifted my weight back and

(28:50):
slid my shoe on the board so it wouldn't squeak or jump when I
put a little distance between us.
It dropped off the log in a vertical motion that didn't
match the way most people climb down from anything.
I didn't hear it land over the drips.
It wasn't trying to hide. It was just there and then down,
and the shape of it on the ground looked tall and flat in a

(29:11):
way that made it harder to trackin my side vision.
I adjusted my plan to something simple.
Do not leave the boardwalk. Keep it in front of me or off to
the side where I could see it and back out in a straight line
if I had to. I started a slow retreat.
When I speed up, it speed up. When I slowed down, it slowed

(29:32):
down. It never crossed the planks.
It moved through the understory in a line that kept it parallel
to me with the ferns between us.When I looked to the right, it
was already looking back. It didn't duck or pretend to be
anything else, and it didn't posture or show teeth.
It just matched me without a sound I could catch, and that

(29:53):
made me feel worse than anythingaggressive would have done.
I forced myself to say normal things out loud.
Bored slick. Here, watch your step.
Meaningless stuff because the ranger's joke lived rent free in
my head and I wanted my own voice to be the only one.
I answered. 2 hikers appeared ahead of me, a woman in a blue

(30:14):
rain jacket and a guy with a small day pack.
I didn't try to act casual because I didn't have the energy
for that. I said can you walk with me
please and they saw my face and didn't argue.
I pointed to the right, not surewhat they'd see through all that
green in the low light under thecanopy.
All three of us watched the figure step behind a trunk and

(30:36):
then lean out. In that lean.
For a split second, the profile lined up with the woman's face
in a way that made her gasp and clamp her hand over her mouth.
The guy said Jesus, and that wasit.
No one tried to talk to it. No one challenged it.
We stood there breathing for a long 3 seconds, and then the

(30:56):
three of us moved together at a steady pace toward the
trailhead. We kept a formation without
planning it. I took the middle, the woman
took the front because she wanted to know what was coming,
and the guy took the back because he didn't want it behind
him. We talked on purpose about basic
things, where we parked, whetherthe rain would start, how far it

(31:17):
was to the lot, because the normal cadence kept us moving.
The thing never rushed us. It never fell behind.
It never tried to flank. It just stayed even with us, the
same speed, the same distance, stepping to the next tangle of
stems as we reach the next stretch of boards.
Every time I let my eyes drift off the planks and into the

(31:40):
ferns, it was already framed by a gap, shoulders angled, head
turned as if we were the only objects of interest in a room.
The more I stared, the more wrong the feet looked.
The angles didn't match ground contact that should have made
noise, and I hated that my brainkept trying to solve mechanics
instead of telling me to run. We passed another run of rail

(32:01):
with green film and found a fresh line of long handprints,
again spaced out like someone had crawled along while we were
up ahead. The guy muttered that kids do
weird stuff for videos, which I wanted to believe, but the
prints were too fresh and too clean and too far apart for
someone fooling around and hopping off every two seconds.

(32:21):
We didn't stop to examine them, we just noted it and kept going.
And every time I checked right, the shape was there, the same
distance, the same angle, never crossing onto the boards.
The last stretch opens a little and you can see the kiosk
through the trees. A car turned into the lot while
we were still under the canopy, and the headlights swept across

(32:42):
the first line of trunks beyond the road.
In that wash, the figure was fully upright and visible in a
way it hadn't been before. Tall, thin arms at its sides,
facing us. It wasn't crouched or bent.
It stood there like a person stands when they decide to be
seen. When the beam moved off, it
stepped backward without turningaround and was gone into the

(33:05):
shade. Not running, just a smooth step
back into everything that blocksyour view and keeps you honest
about your depth perception in arainforest.
We walked straight into the visitor center.
I didn't try to sanitize it. I said there was a suspicious
person pacing us off trail and that they had matched our speed
for several minutes. I said they were thin, moved

(33:28):
quietly, and seemed interested in US and in the couple that
joined me. I said we never left the
boardwalk. The couple backed me up without
embellishing. The Ranger listened, took notes,
wrote the time and the weather, and marked the spots we
described on a simple map of theloop.
Another staffer grabbed a flashlight and the two of them

(33:49):
walked the first stretch while we stood by the kiosk and tried
to slow our breathing. When they came back, they asked
for our names and numbers. The line item they put into
their system, I later learned when I called, was Suspicious
person, possible Wildlife Harassment Safety Patrol
requested. It felt good to have it on

(34:10):
paper, not because I wanted attention, but because it meant
I hadn't imagined a basic sequence of events.
I drove back toward Forks and realized how fast the forest
turns dark under that canopy in October.
You don't feel the sun drop, it just gets dim.
Then it gets very dim, and then you're in your car with the
heater on, looking at a line of evergreens across a river flat

(34:30):
that doesn't show you anything past the first row.
When I called the next afternoonfor a status check because I
couldn't stop replaying the handprints and the way it
stepped off the log, the person on the phone said a law
enforcement Ranger had walked a sweep before close.
They didn't find anyone, but they observed algae smears on
the rail near where I described in a boot scuff on the outside

(34:53):
edge of a corner rail, which is consistent with someone stepping
onto the top. They added my note to the
incident and said they track patterns.
I appreciated that answer more than I expected to.
I went back months later, but only in daylight and not alone.
Two friends were visiting and wanted to see the big trees and
the famous Moss. We ran the loop clockwise at

(35:14):
noon under bright cloud cover, and it was what most people get
to experience out there. Families, a couple of elk out in
the flats, kids counting banana slugs.
I showed them the nurse log where I'd stopped and counted to
five without fog and with more light.
It was a log with tiny trees anda lot of green.

(35:35):
No mystery, no prints on the rails.
The place looked exactly like every postcard in every video
online. We kept moving, took a few
breaks on the benches and finished without any stories to
tell, except that one person in our group had a reason to keep
his voice steady. Back at the visitor center, I
wrote a short statement and attached it to the incident

(35:57):
number, so whoever reads reportslater has the boring details.
Which way I walked, what I saw, where I turned.
I didn't ask for anything to be changed in the way they talk to
visitors, but if someone were taking bets, I'd put real money
on the fact that the joke about copied voices didn't come out of
thin air. It's a line that sticks because

(36:18):
it needs to. If you go out there, remember
the simplest rule. Stay on the boards.
Don't let anything coax you off them.
If you hear your name in a voicethat shouldn't be in that forest
on a weekday afternoon, keep walking.
Find other people and use your own words to fill the air.
Report what you saw. Let the Rangers do their job.

(36:40):
I still hike the HO. I go in with company and in the
middle of the day and I leave before the light drops.
I don't need proof to make that choice.
I just need the feeling in my chest when the headlights hit
the trees and that tall thin shape stood still and then
stepped backward into the shade to the thing that matched my

(37:00):
pace under the hemlocks and worea face that wasn't its own.
Let's not meet again. I planned a quick overnight on
the Shell Tawi Trace with my cousin Mark at the end of
September, the kind of easy tripyou squeeze in before cold rain

(37:21):
turns the hills slick and the leaves start to drop for real.
We parked near Hemlock Lodge at Natural Bridge State Resort
Park, cut through to the turtle blazes north of the arch, and
aimed for a short out and back toward KY 11 above Slade.
At the gear shop in town, the clerk slid a paper map across
the counter and said don't camp in the rock shelters.

(37:45):
I asked why. He gave a non answer.
Some folks talk about a skinwalker that stays to the
hollows and won't step into firelight.
He said it without a smile, likea rule people follow, even if
they don't say the reason out loud.
Mark rolled his eyes in the car.I said I'd rather sleep under
open sky anyway. We both know how trips go when

(38:05):
storms change plans. The day stayed Gray and humid,
our shirts stuck to our backs bythe second Ridge.
We followed the shelter we signsand the little turtle markers
through sandstone cuts and slickroots.
By late afternoon, the wind shifted and the rain came fast.
It wasn't a gentle start, more like a curtain RIP.

(38:25):
The Creek beside the trail thickened in minutes and the
path turned to a Sheen. We were near a shallow sandstone
overhang with a dry shelf and old black scorch on the floor.
A sign back at the junction had said not to set up in rock
shelters. The rain made the choice.
We tucked under the lip, kept our cook fire small and
centered, and ran the tarp back into deeper shade so spray

(38:48):
wouldn't soak our bags. Heat rose off our jackets.
Socks sagged from a cord and dripped.
I checked the map. The plan changed to waited out,
eat, ride the storm and leave before first light.
We were not doing anything special, just two people
simmering noodles and watching steam lift off pots when the

(39:10):
steps came. Not a run, not a snap of twigs,
a steady tread on wet leaves, working around our light like
someone checking angles. They stopped right where the
glow thinned at the edge. Silence followed, not an empty
kind, more like someone holding still on purpose.
A woman's voice came from just past the circle, clear and

(39:32):
normal. Do you have any water?
I slid a bottle to the rim of light, partially to be decent,
partially to see a hand reach in.
I heard plastic scrape, wet grit, and set down.
No hand, no shape. After a long minute, I pulled
the bottle back. The cap was still tight, the
scuff I'd put there last summer in the same place.

(39:54):
Mark met my eyes. We didn't say anything.
We didn't need to. We let the fire sink to coals
and climbed into our bags with our boots still on.
The rain softened to a steady hiss against the lip of stone.
I lay awake, counting breaths, waiting for the normal sounds
you hear when a person leaves brush, wait, some human clatter.

(40:16):
The woods gave none of that. When I could not stand it, I fed
small sticks into the coals until the flame edged the
clearing again. Mark leaned close and said,
almost without moving his mouth,that he'd seen the face for a
second between trunks when the fire flared.
He said it looked like Kayla from town.
Same eyes, just stretched thin at the jaw.

(40:39):
I told him I thought he was mixing faces and shadows.
He said he wasn't. The voice came back a few feet
closer, same tone, like a neighbor talking from the porch
rail. It said city boys always bring
too much gear. That is what Mark had said to me
in the car, almost word for word.
Same pace, same bite. He sat up.

(41:01):
Who's there? He called, leaves, shifted, then
stopped. The voice listed what we had
with us, but not in the way a thief would.
It said you brought the old buckwith the missing brass pin.
You brought the Nalgene with themelted nick on the rim.
It named my grandfather's knife as if it had held it.
It knew the exact dent on the canteen from a stove flare years

(41:25):
back. I have never posted those
details. I don't talk about the knife
outside family. Hearing them out there, flat and
casual did something to my stomach I don't have a clean
word for. A man answered from the dark
after that. My father's cadence, the way he
steps on the last syllable of myname when he's being strict.

(41:46):
Check the weather twice, it said.
Another voice wrote in after my aunt's laugh, tucked into the
middle of a sentence, telling Mark to save his batteries.
Back and forth, friendly, familiar, close.
We pushed damp sticks onto the coals to push the light out
farther. In one brief flare, I caught the
edge of something low to the ground, just beyond the last

(42:09):
bright ring. It moved away fast, without the
sound of a body brushing brush. It felt like it had practiced
moving where people couldn't seewell and learned how far light
falls on wet leaves. We packed without announcing we
were packing. Stove cooled, map folded, one
bag for both of us so neither ofus would be free handed if we

(42:29):
had to move. We left the tent up to buy time
if something came in close. We agreed without saying it.
Keep the fire between US and whatever was out there.
The shape slid through the dim again and stopped in profile
long enough for me to see. Hands on the ground, elbows
high, knees out. It held the position too steady,

(42:51):
like a person imitating an animal, and it didn't flinch
when an ember snapped near its knuckles.
It turned its head and a mouth open too wide, not in a yawn,
but in a grin that put a lot of teeth on view.
Which bag has the fuel? It asked in Mark's tone, then in
my mother's voice. Did you pack the orange rainfly

(43:12):
then? In mine?
Exactly. Don't move.
We moved slow, sideways, keepingthe brighter headlamp low to
paint a line of light on the ground.
It stayed just outside the bright ring, learning where the
edge was, sliding whenever we slid, stepping when we stepped.
It did not rush. It didn't need to.

(43:34):
Pressure can make people do dumbthings.
We kept the fire on our right shoulder and back toward the
shelter we trace. When we reached the trail, we
picked the path that points up toward the original trail and
the stone steps under the arch. That way meant railings, cut
stairs and eventually the glow from the lodge area.

(43:54):
I don't love walking at night, but I love it more than staying
put with a thing that talks likefamily and won't show its face.
The climb hurt. Wet stone under our boots, leaf
slick on the edges, the kind of steps you have to take with the
ball of your foot because the rise is odd.
The shape followed at an even walk, now tall when it stood,

(44:16):
dropping low sometimes and covering ground on hands and
feet. Every time our lights tilts
away, it claimed half a stride. When we stopped to check the
junction sign, it tilted its head as if measuring how close
it could come without stepping into the brighter beam.
You forgot your spoon, it said in my voice.
When Mark dropped the cheap campspoon at a switch back, he left

(44:38):
it on the tread. We didn't pick it up at the next
turn. It said both of our mothers
names at once, not in a back andforth, but together, from the
same mouth, same beat, two tonescrowding, one set of teeth.
It made no sense to my ears. I didn't freeze because of fear.
I froze because my brain threw up a wall at the sound.

(45:00):
Mark grabbed my sleeve and yanked, and we kept moving.
The park's First Street light showed at the end of the long
set of steps, like a dull ring on the path.
We walked toward it, and the thing tested it. 1 barefoot,
pushed to the edge, toes long and splayed and pressed into the
glow. The toes flexed and pulled back.

(45:20):
It set the foot down where the light stopped.
It paced there, heel to toe inward at the front, like a
runner who has worn his shoes wrong for years.
We crossed under the light and Imade myself not run.
Running invites trips. The walkway widened as we got
closer to the lodge complex. The one porch light that always

(45:40):
buzzes was on. The shape stayed at the dark
edge of the lot, like a person without permission to enter a
lit room, rolling its weight from foot to foot.
The chorus of voices cut off, not like a fade, but like a
switch. We stepped into the pool under
the porch light and stood there breathing like we'd been
sprinting even though we hadn't.A campground host on rounds came

(46:01):
through the lot. He looked past us, toward the
trees when he heard the last rustle and saw nothing.
He didn't make a joke. He walked us inside and called a
Ranger. We went back at first light with
him because he asked and becausenot going felt worse.
The shelter floor showed drag Marks and damp sand, not like a
deer bed or a dog, more like elbows and knees pulled through

(46:25):
grit with weight behind them in the leaves outside the lip, the
prints were clear, bare toes long and spread with dirt packed
under the nails. Each print longer than my boot,
pointed inward at the front, like someone who turns in at the
knees and still moves fast. The stride length said runner.

(46:45):
The direction didn't make sense to the eye.
The Ranger measured with a tape,took a couple of phone photos
and didn't push into the trees. He said to avoid shelter
camping. He didn't add a lesson.
He didn't tell a story. He let the facts sit where we
could see them and left it at that.
We checked out before breakfast service started.

(47:05):
The woman at the desk asked if we wanted coffee for the road.
We said no. The drive home was quiet.
At the house I cleaned gear likeit was a job that saved lives.
I wiped the canteen and the old buck and the pot and stowed them
in the same places. Then I took the knife my
grandfather gave me and put it in a display case and set the

(47:25):
case high. I stopped carrying it on trips.
I went through my old trip postsonline and pulled details I had
thrown in to make the writing feel real.
Exact camps, exact trees, private jokes that had no
business in public. You don't need to help a thing
make notes about you. Mark sold his bivvy and kept a

(47:46):
bigger two person tent that setsup fast in tight spots.
He still hikes, but he won't start after sunset.
If he's moving and the sun drops, he stops short and camps
high or he turns back. I still backpack, but I pick
open ground with clean lines of sight and a quick exit.
I keep a small headlamp in my pocket even when I'm in town.

(48:08):
I don't sleep under rock lips anymore.
Stone sheds water and that's nice until you think about
angles you can't see into and how easy it is for something to
sit where a fire won't reach andwait you out.
If you go to Natural Bridge and you plan to use the shell to we
north of the arch, respect the signs.
If a storm pushes you toward an overhang, remember that rain

(48:29):
passes and there are places you can ride it out without putting
your back against a stone ceiling.
If you hear a woman ask for water from the edge of the light
and you don't see a shadow crossinto the glow, don't hand
anything over. If a voice near your camp knows
things it shouldn't, Family jokes, dents on your gear?
Pack tight and walk toward electric light.

(48:53):
Fire light slows some things. Streetlights stop them.
That is the only part of this where I feel certain people ask
me what it was and I never answer with a label.
The word the shop clerk used sits there if you need one.
The prints were real. The cap on the bottle was tight.
The way 2 voices came out of onemouth is not a thing I could

(49:15):
have imagined to scare myself. Believe what you want, do what
you want in those woods. My advice is simple and it isn't
a dare. Open ground is safer.
Don't camp in the rock shelters.If you hear your own voice
behind your back, don't turn. Walk to the light and keep
walking. Then go home, clean your gear

(49:36):
and change the parts of your routine that leave more of you
out there than you meant to. I'm writing this because I don't
want anybody stumbling into the same spot thinking it's just
another easy afternoon in Cades Cove.

(49:57):
I'm not chasing attention and I don't need anyone to believe me.
I just want the warning out there in one place with the
details straight. This happened on the Abrams
Falls trail in Great Smoky Mountains National Park,
Tennessee early December on a weekday.
Low 40s Gray light. My cousin and I were in the park

(50:17):
to walk something simple before dark.
Nothing crazy, just a familiar five mile round trip you can do
in a few hours if you keep a steady pace at the visitor
center. A volunteer reminded us to be
back before dusk because wildlife gets bowled near the
switchbacks. We heard that and thought black
bear maybe a pushy buck in the rut.

(50:38):
We signed the register at the kiosk, shouldered day packs and
started at 2:10 PM. The plan was out.
An hour turn if it felt late. Back to the car before the Loop
Rd. traffic picked up again. The first part was normal leaf
slick dirt roots across the tread.
Abrams Creek pushing along down to the right.
We passed 2 couples heading out in a solo hiker with trekking

(51:01):
poles. The trail narrows and widens and
stretches, but it's well cut into the hillside with Laurel
and rhododendron along the slope.
After 35, maybe 40 minutes, we came to a bench where the trail
is a little wider than usual. There's a view through the brush
to the Creek if you stop, but you can't see much water from
the tread. That's where I saw the buck.

(51:23):
It was uphill from us by 15 yards, quartering toward the
trail. It wasn't feeding.
It wasn't moving, it wasn't doing anything except standing
with its head a little high. The rack looked wrong at a
glance. Tall, uneven points that didn't
match from side to side, with strips of grey velvet hanging
from one beam. Even though it was December, I

(51:46):
talked to it the way you talk toany wild animal.
You want to keep calm. Easy, big guy.
No stomp, no blow, no head shake.
The eyes didn't flick from us tothe brush and back.
They just held. I felt my shoulders tighten
because there's a line between cautious and off, and it was
over that line. I told my cousin, we're going to

(52:07):
back down, Keep a trunk between you and it.
We didn't turn our backs and we didn't rush.
We eased our steps and slid to the downhill side of the tread.
The buck still didn't move. Then it did something that took
all the air out of me at once. It rose.
Not a bound, not a rear. With the front hoof striking,

(52:28):
its hind leg straightened in a smooth lift until its chest was
too high over the slope. The spine didn't dip the way a
deer's usually does when it's balancing.
The head stayed level like it was used to it.
The angle of the hind joints waswrong.
If you've ever watched a person stand up from a low seat, hips
extend, knees lock, that was themotion.

(52:49):
Only the body was all wrong for it.
We backed down to the last bend without taking our eyes off it.
I noticed 2 thin parallel drag marks across the leaf litter
near our boots that I couldn't place close together, and about
shin hide if they had been made by something brushing across.
But nothing about that slope made sense of them.
I didn't want to Crouch and investigate.

(53:12):
We kept moving. On the next straight it
committed to the trail. I know that's a loaded sentence,
so I'm going to be precise. It stepped onto the actual tread
and took three upright paces downhill across the bench cut.
The forelimbs hung longer than they should have hung on a deer.
There were joints near where elbows would be if it were a
person. The ends weren't hooves.

(53:34):
They were pale and segmented, and they flexed at contact.
The antlers scraped a low branch.
When it tilted its head. I heard dry vine slide along
bone, a raspy sound that didn't match any other noise in the
woods. At that moment.
My cousin said clear and calm, back down.
The head tilt shifted and lockedonto US in a way that made me

(53:56):
feel like it understood spacing if nothing else.
Not words, just that we were giving ground and it was
watching what we did with that space.
We didn't run. I can't stress this enough.
If you've ever slid on leaves toward a bad angle, you know
why. The downhill side drops off and
a fall. There is a broken knee or a long

(54:17):
slide to the Creek. We traded places so the steadier
person took the outer edge on the slicker corners.
We said normal things to each other to keep our voices steady
and our steps practical. Route there.
Step left, hold that trunk. I marked a few features because
I knew I'd need to explain them later.
An old drill hole in a boulder. A broken trekking pole segment

(54:39):
off the tread. A cluster of Laurel that forced
the trail closer to the drop. It matched our pace without
closing. Every time we rounded a switch
back, it came into view along the high cut.
Same distance, same slow pressure.
It didn't lunge or startle. It didn't make a sound beyond
brush contact and leaf noise. Every time I thought about

(55:02):
breaking into a jog, it would move one pace forward on the
upper edge of the bench and force me to picture my feet
slipping out. We didn't test it.
We walked. The Creek noise stayed steady
off to our right. The light wasn't good, but it
wasn't gone either. Just flat that late afternoon
Gray where shadows stop helping with depth. 2 birders came up

(55:25):
toward us around a corner. Tan hats, binoculars.
They looked at our faces, then passed us and froze.
I told them there's a buck acting off, We're heading to the
lot. I didn't say anything else
because there wasn't anything useful to add.
The four of us moved together onthe next straight.

(55:45):
It stepped onto the high side where the cut is cleanest,
planted and held there for several seconds.
Every part of it was visible. The back was too flat for that
grade. The shoulders rolled forward
under thin hide, the spine barely moved, the front joints
flexed and unflexed like elbows,the ends braced and released

(56:06):
without any hoof clack. It was all wrong, without any
dramatic flourish to it. Just wrong, one of the birders
said. I see hands.
His voice didn't shake. He sounded like a man describing
a hawk's wing pattern. Maybe that's what you do when
you spent years putting names toshapes and then a shape doesn't
fit. We kept walking.

(56:27):
It kept with us. There was never a rush.
There was never a charge. The pressure didn't let up until
the last 100 yards to the kiosk at the trailhead.
We heard car doors and a kid laughing.
A family had their minivan open and snacks spread on a blanket.
The father looked past us to thefar embankment and went still.

(56:48):
His teenage son leaned forward and braced his hands on his
knees. It stood on the top of the cut
where the brush is, thin head and rack above the lot.
This is the part I've replayed in my head the most, and it's
the part with the cleanest edges.
It dropped to all fours in a single smooth fold and moved
along the embankment into rhododendron with an easy,

(57:09):
efficient lope. No stumble, no thrash, no panic.
The dad checked his phone and said the time out loud.
I turned and looked at the visitor board clock by the
kiosk. 4:52 PM. The light said the same.
We flagged a Ranger in a white pickup that rolled through the
lot a few minutes later. I gave him exactly what I've

(57:31):
written here. Cut down to the facts.
My cousin did the same. The birders and the father and
his son gave their versions. The Ranger didn't smirk.
He didn't tell a camp story. He split us up and took short
statements, then asked if we'd walk him back to the last bend.
We went 20 yards up the trail and showed him three things that

(57:52):
mattered. First, a sapling on the high
side with fresh scuffs at shoulder and antler height.
The bark was pale where it had been scraped.
Dark, coarse hairs were caught in a torn strip.
Second, those same 2 parallel drag marks across the leaf
litter at shin height. 3rd, a shallow slip in the Duff where
something had braced and pushed off.

(58:14):
He took a couple of photos on his work phone and wrote down
the markers. I'd noticed the boulder with the
drill hole, the broken pole segment so wildlife staff could
find the spot in the morning. When he finished, he handed me a
small card with the incident number.
He said he was logging it as aggressive servid behavior,
unusual gait, and that someone would walk it at first light.

(58:36):
He asked if anyone had been injured.
Nobody had. He advised people to give the
trail some time before heading back in.
That was it. Professional.
Boring, even. I was grateful for boring that
night. I wrote everything down with
times and distances while it wasfresh.
Exactly the way I've laid it outhere.
No flourishes, no theories. The next day, my cousin called

(58:59):
the Backcountry office to ask ifanyone else had reported issues
on Abrams Falls. Nothing official yet.
I posted the incident number on a regional hiking forum with one
line of advice. If you're hiking Abrams Falls in
winter, plan to turn around earlier than you think and don't
linger on the switchbacks near dusk.
People messaged me with their own ideas.

(59:21):
A few used a word locals sometimes used for things they
don't want to say out loud. I won't argue with them.
I'll just repeat what I saw. A deer shaped animal that could
rise and walk the tread on hind legs with front ends that were
not hooves. Antlers scraping vine.
No rush, constant pressure. Third party witnesses physical

(59:41):
sign on a sapling that didn't come from a fallen branch or a
stray pack strap. If you need a final note,
Nothing followed us home. No scratches on the car, no
footsteps outside the house, no calls at odd hours.
We still hike the Smokies. We're careful with time now,
especially on that trail. If someone asks whether Abrams

(01:00:04):
Falls is a good late day choice in winter, I tell them to pick a
different one or get off it by three.
I keep the Rangers card with theincident number in my glove box
as a reminder to respect the parts of the park that feel
wrong even when they look ordinary.
I know how this reads. I know how it sounds to anyone
who hasn't watched an animal hold a trail the way a person

(01:00:25):
holds it. I'm not here to sell you a
story, I'm here to put a warningin front of you that I wish
somebody had put in front of me on Abrams Falls.
Those last switchbacks before dark are not a place to stubborn
your way through. You don't need to test whatever
that was. Give it the time and space it
wants. Get back to the lot while the

(01:00:47):
light is still honest. That's the whole lesson.
That's all I've got.