AI In The Music Industry

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
I only listen to half of Joe Budden now because I'm
like, ah, these are talkingpoints, I don't want to have to
sing it.
Sometimes I'll be feeling likeI don't be wanting to.

Speaker 2 (00:07):
I'll listen to some podcasts the next week because
after we done talked about them,then I can hear everybody
else's opinion on shit.
You know what I mean.

Speaker 1 (00:16):
I hate to mark on that one.

Speaker 2 (00:17):
I was good.
That's why I be sending yousome shit, like we on the right
track you to eat some shit, likewe on the right track.

Speaker 1 (00:25):
You know what it is, though, bro.
I just, I mean we just now,starting from when?
Yeah, we recording?
Yeah, it's recording this shit.
Just gonna take time, bro, andthen it's all of who people
wanna hear from.

Speaker 2 (00:39):
Yeah, that's how it is, but and that's the thing too
, because you know amotherfucker be like shit
there's so many podcasts Enoughfor people to find wherever they
, because.

Speaker 1 (00:46):
I listen to multiple podcasts.
It's like Plinko you start atthe top and you just bounce.
You just work your way on thatand then you land where you want
to land.

Speaker 2 (00:53):
See, that's what we need to once we start being
under like if you listen to them, you also might like them.

Speaker 1 (00:59):
You know what I'm saying?
I can't never think of the nameof the podcast, but the big
light-skinned dude, eggs andGrits.

Speaker 2 (01:09):
Oh yeah, I don't know his name, but I think it's Eggs
and Grits.

Speaker 1 (01:13):
I like that pod.

Speaker 2 (01:14):
I don't listen to it, but I see clips and shit.

Speaker 1 (01:17):
I seen him in his truck, I said oh, he drives
trucks like me.

Speaker 2 (01:20):
I used to watch him on TikTok, right yeah.
And then they was like TikTokgoing to be banned, you deleted
it, so I deleted TikTok.
Can't get that bitch back.

Speaker 1 (01:30):
My nigga could have sold his phone for 10 bands.
Can't get that bitch back.
You seen that?

Speaker 2 (01:34):
bro, yeah, I seen they posting it.
I didn't see nobody sold one.
Yeah, they did.
But I've been seeing them postit.

Speaker 1 (01:42):
I found a grill, bro.
I told you about it.
A what the grill?
Oh yeah, yeah, I should'vebrought it that motherfucker.

Speaker 2 (01:49):
Look, I double my money already bro, I was like it
makes sense.

Speaker 1 (01:52):
Yeah, I was like Okay , cause.
When I, when he Gave me theprice, I was like Fuck One book.

Speaker 2 (01:59):
Yeah, but you know what they do.
Yeah, yeah, I don't get it.

Speaker 1 (02:04):
I should have got some of that Trump coin.

Speaker 2 (02:07):
So I didn't know it was moving like that.

Speaker 1 (02:10):
But yeah, it's going down now, well you got to.

Speaker 2 (02:13):
That's how all them coins be.
You get in real quick, yeah,but you got to know how to do
that shit.

Speaker 1 (02:18):
My brother-in-law.
He actually showed me somesolid evidence, though, my
brother-in-law, people put somemoney in there, bro, like I
think he said Four, five hundred.
And he sent them a text Oversix bands.
But do we?

Speaker 2 (02:34):
support Trump.
To get a Trump card, nigga, no,but to get the bag.
To get the bag.
What the fuck are we arguingabout?

Speaker 1 (02:41):
You see Snoop, four years ago he would have been a
digaboo.

Speaker 2 (02:45):
So I was talking about that on the last part.
I was like.
But I was like.
My first instinct was like, oh,now you supporting a nigga.

Speaker 1 (02:53):
But now I thought I stepped back looking to see what
he, all right nigga, Even withNelly bro, I wasn't going to win
as far as he did Like he did onthe oh, he was yeah.
I would have just kept it realBruh.
I had charges, I had pounds ofmeth on me.

Speaker 2 (03:10):
He going to get that shit gone.
But see With With Nelly andSoulja, boy Ross, all them.
I've never heard them speak Onpolitics, so I ain't really
never Thought about it.
Yeah, the whole Snoop thing isbecause he was going so hard
that nigga went crazy and thenwait a minute and my nigga was
his own DJ.

Speaker 1 (03:32):
That was the funniest part about the whole thing.

Speaker 2 (03:34):
But if you get into the bag he might drop some
charges over here.

Speaker 1 (03:41):
Man, I love Snoop man .
I mean, he's still Snoop Snoopdone, whored himself out.

Speaker 2 (03:45):
Oh now, now he's watered down.

Speaker 1 (03:47):
He's watered down.

Speaker 2 (03:48):
But that's just how it look.

Speaker 1 (03:50):
You start with Martha Stewart and then Nah, he was
straight right there, bro, butI'm saying.

Speaker 2 (03:55):
That's why I said you start with Martha Stewart and
then you just trickle down.
Now you just everywhere.
And Now your name is Snoop.
You still Snoop, but now you Iblame Shook.

Speaker 1 (04:09):
Shook had everything in his name.
When Snoop started getting thebag himself, he said man, I
ain't going there.
Hey, I'm taking every deal thatcome to me directly.

Speaker 2 (04:19):
I got to get it.
Ain't nothing wrong with that,it is, but I'm broke though, so
you know what I'm saying.
Maybe I need to step back andlook at myself Hell but this
damn there Like how they be.

Speaker 1 (04:31):
Like you know, the Illuminati Put a nigga in the
dress.
Yeah, if you want to take outthis damn there, right there bro
.

Speaker 2 (04:40):
How much y'all giving me To put on a dress you can
fuck with these niggas talkingabout.

Speaker 1 (04:45):
I got a son.
You gonna fuck with theseniggas?
Hey, you put that dress offwith that brain.
Your two boys be like and theycome in with powder face and
they switch it all the way up.
You be like man.
What the fuck you doing, nigga?
It was cool when you did it.

Speaker 2 (05:00):
We doing too much now .

Speaker 1 (05:06):
We doing too much.
Now we're doing too much.
It was cool when you did it.
It's a problem when I do it.

Speaker 2 (05:10):
You don't like my eyeshadow.
We're doing too much now we'redoing too much.

Speaker 1 (05:13):
Shout out to the ones that do work.

Speaker 2 (05:15):
Oh, yeah, yeah, yeah.

Speaker 1 (05:19):
Yeah, let's start like this.

Speaker 4 (05:20):
Let's start like this Come on, come on like it.
Let's start like it Come on.

Speaker 2 (05:31):
They've been calling my boy a one-hit wonder just
because he but this is two-step,and then he had walk it out.
You know what I mean?
He had two.
That's why our knees hurt andshit.
That's why our knees hurt andshit.
That's why our knees hurt.
I just wanted to start likethat with DJ Unc.

(05:54):
Rest in peace to Unc man.
Walking out like an usher.
If you say real talk, Iprobably won't trust you, oh man
.

Speaker 1 (06:03):
Sorry, oh man Sorry.

Speaker 2 (06:05):
We back.

Speaker 1 (06:06):
You know what was crazy when I seen it on.
I'm scrolling on IG and I justsee RIP Up.
I ain't crying or nothing, butI was like damn bro that one.

Speaker 2 (06:16):
Yeah, that was our time that was.
That was proud.
His first album.
What was that?
Beating Down the Block Firstsong.
Like I was happy when I firstgot my little Cadillac.
Yeah, put some beat in the back.
Start first song.
Let on play.
Man I had like.

Speaker 1 (06:35):
That shit was beating .
I had like four cars.
I never got to drive in ahospital.

Speaker 2 (06:41):
But why?

Speaker 1 (06:45):
Hey, my daddy, a hustler bro.
He was like hey, I bought you acar, Nice little seat in the
nightclub I was like, yeah, Iwent out of town on Friday, that
bitch was sold on Sunday.
Oh, they was switching in andout, Gotcha, gotcha, gotcha.

Speaker 2 (06:57):
Hey, nigga the lot deal was due.
Gotta get shit done.
Welcome to another episode ofLate to the party with dotey and
reggie.
I am reggie, I'm dotey and um,yeah, we're here for another
week of shenanigans andwhatever's going on in the
trying to warm up.
It's cold as fuck, we woke upthe other day that said nine

(07:17):
degrees.
And I know I don't know whereeverybody from, but down here
nine degrees don't happen toooften, nigga it snowed in New
Orleans.
Yeah, that shit wild.
It's snowing in Florida.
Yeah, niggas on vacation.
Nigga like hey, what is it?
What's that shit called Globalwarming is real?
It's hey.
They say it's not, thoughSomething's going on.

Speaker 1 (07:38):
I don't know what the fuck it is, but I'll eat the
Arctic blasts.

Speaker 2 (07:41):
It's going crazy.
You see, jeezy had.
Now I don't know if it wasactual Jeezy, but somebody had a
snowman contest in Atlanta whenit snowed down there.
Oh yeah.
Building the snowmans and shit.
They niggas had Jeezy chainsand all kind of shit on them.

Speaker 1 (07:58):
They lose, they down mine when they get snow.

Speaker 2 (08:00):
Well, it's Atlanta, baby.
They don't get it like thatoften.
The whole city shut down.
You see what happened here,nigga.
But then they turned it into aparty though, they turned it
into a motherfucking party.
I ain't gonna get the Bluetooth.
Then they turned it into aparty cuz, bro.

Speaker 1 (08:15):
they motherfucked out the garage.

Speaker 2 (08:16):
Hell yeah, what's going on though?

Speaker 1 (08:22):
Man, shit man, you sent me to Def Jam.
Fight for Glory, that's what?
Yeah, and I lost my mind, but Icouldn't get too hype.
Why, nigga?

Speaker 2 (08:31):
Def Jam, fight for Vendetta.
That's what it was.

Speaker 1 (08:35):
That's the old game.
It's Def Jam Vendetta.
Then Fight for New York.

Speaker 2 (08:38):
Fight for New York and now they got Fight for Glory
they supposed to be.
We hope so, With it being DefJam.
Who the fuck on Def Jam it was?
We hope, Because when theyfirst was released, you got the
Method Man's, you got.
You got Joe Budden's Redman.
Joe Budden, it was crazy.

(08:58):
Ghostface Killers on thatmotherfucker.
Yeah, bro Come on.
Oh, that was fun.
So what do you do now?

Speaker 1 (09:03):
You got crazy legs on there bro.

Speaker 2 (09:05):
He ain't even a rapper, but he part of the you
know what I'm saying Hip hopculture.
But now they got to make it.
Now I think, if they do thatnow, I don't know how.
I mean, I'm 38.
I don't play games as often.
Yeah, a hip-hop type of gameand include more Because I don't

(09:25):
know who.
All on Def Jam.

Speaker 1 (09:27):
Well, for one they'll just probably just use the Def
Jam name.
That's it, Because that'sprobably not now, but that was
the most back then.
That was the most recognizedname in hip-hop, as far as you
know, conglomerates went, but Imean like I said, they, you know

(09:47):
conglomerates went, but I mean,like I said, they probably just
use the Def Jam name and thenpay whichever artist they can To
put on there.
Bro, listen, I know it's goingcrazy with the virtual currency
and all that.
You have to buy within the game.

Speaker 2 (10:02):
Yeah, yeah, yeah.

Speaker 4 (10:03):
You have to buy the game and then buy extra shit in
the game.

Speaker 1 (10:06):
But even with that, bro, it's going to be hard as
fuck to get some of these, someof these names, bro.

Speaker 2 (10:10):
I wonder how it's going to be, because when Joe
Budden talk about it, they saidthey didn't even get paid for it
back then.

Speaker 1 (10:15):
Yeah, but they probably all was on the contract
.

Speaker 2 (10:25):
So I can use your name.
Niggas was locked down.
I can put you anywhere.
Yeah, what the fuck are youtalking about?
You're signing me for eighthours.
Nigga, come and take thesepictures for this magazine.
What magazine is it?
All of them, nigga, Shut thefuck up.
Wherever I want to put you,that's where it's going to be.
Get your ass in this suit.

Speaker 1 (10:45):
But even with that, bro, it'll probably be like if
some of our listeners orwatchers remember this time
where Jordan was number 99 onthe Bulls on Live other
basketball games.

Speaker 2 (10:51):
That shit was crazy.

Speaker 1 (10:53):
But they didn't have enough money to pay him.

Speaker 2 (10:55):
How did we all come to agreement that that was
Jordan?

Speaker 1 (11:00):
Nigga.
Everything on his fucking statline was 99.
Jumping, 99.

Speaker 2 (11:05):
Ag jumping 99 agility at that time.
At that time we was like number99 on that.
That's jordan.

Speaker 1 (11:10):
You know that right like and then a lot of the uh
like a lot of the game pro books, and I'll let back in the day.
Hey man, these are the specs tomake them look like yeah, yeah,
yeah, yeah uh like, just thinkabout it, bro, like you would
have to pay, like some of thebigger names Travis, scott,
drake, kendrick, lamar, who else?

(11:34):
What's another big name?
Bad Bunny.
Bad Bunny, you go crazy rightnow, but Bad Bunny, I only
brought him up because how bigof a star he is.
Yeah, and he's in the WWE, he'sin two.

Speaker 2 (11:48):
On the game.
Yeah, I didn't know that.
Yeah, that's what I want.

Speaker 1 (11:51):
Bad Bunny, one of the biggest motherfuckers in
wrestling.
I ain't watch wrestling.
He's an actual wrestler.

Speaker 2 (11:55):
All right, so current artists of.
I ain't going to name them all,but I'm going to just do the
hip-hop names you got 07.
07.

Speaker 1 (12:05):
He'll be on the game.

Speaker 2 (12:06):
Well, benny the Butcher, hell yeah.

Speaker 1 (12:08):
I can look at this and tell you who on here.

Speaker 2 (12:10):
Benny Big Shine Clips Davies DJ Khaled Fabulous, oh,
I thought I had a light go out.
Jada Kidz, hit Boy, jhene Aiko.
Bruh you ain't getting allthese people.

Speaker 1 (12:31):
LL will be on there, you getting.

Speaker 2 (12:32):
C and B list rappers, Rappers.
But then if you get into thatworld of buying shit, then you
hey, if you want to pay thismuch, you can get Drake.
If you want to pay this much,you can get Drake.
If you want to pay this much,you can get, Because they have
to make that money back.

Speaker 1 (12:48):
Drake going to command like $10 million bro.

Speaker 2 (12:50):
You ain't making that back.

Speaker 1 (12:53):
Now, these are billion-dollar games nowadays,
and that's why I don't want toget too hyped for this game,
because Fight for New York isone of my favorite games.
When I talk about grills, if Iwould have knew what I knew,
Right now, yeah bro, I wouldhave kept all this shit.
Dude, fight for New York rightnow.
Use, without the fucking cases,$500.
God, why didn't we ever keepshit?

(13:16):
That's what I'm saying.
Well, I ain't going to put myfamily business in that line.
There's reasons why I ain't gotmy shit getting in that life.
There's reasons why I ain't gotmy shit.

Speaker 2 (13:23):
There's reasons why I ain't got my shit.
The pawn shop was verylucrative.
The pawn shop was verylucrative.
You know what I'm saying.

Speaker 1 (13:42):
That's what it was there for.
Oh, no, bro, you know, at thattime we was like in high school,
middle school man, so it wasbad in that time.
So, like you thinking this shitgoing to be here forever bro,
yeah, that's true.
So, but, like I said, that's a$500 game and I don't want to
get hyped because that'sactually one of my favorite
games of all time.

Speaker 2 (14:01):
So if they do come out, though you on it.
It's pre-ordered like amotherfucker.
Gta, I'm GTX GTA.
Gta is the next game.
I'm waiting.
I haven't even bought.

Speaker 1 (14:10):
They keep pushing it back.

Speaker 2 (14:11):
I know that's why I don't want to get hyped because
they're insisting, but I haven'tbought a PlayStation because
I've been waiting on as soon asthey say drop you don't get that
version.

Speaker 1 (14:22):
Yeah, I got to $800.
Come with.

Speaker 2 (14:26):
Sign me up.
Let's go.
That's the only game I'mlooking forward to.
I ain't sit down and play thegame which I be trying to.
I'll sit down.
I'll turn on NBA 2K.
What fucked me up?
This is what fucked me up,because I don't play it at all.
So I put it in and be like youhave to update.
By the time it's getting readyto update.

(14:47):
I don't even want to play.
I got shit to do now you knowwhat I'm saying Now I done
forgot that I wanted to play thegame.

Speaker 1 (14:58):
Even with that, bro, when we get off of the games.

Speaker 2 (15:00):
Now you good.

Speaker 1 (15:02):
Look at Rockstar, bro .
Gta has been around for GTA 5.
Probably been around 10, 15years 2013.

Speaker 2 (15:11):
12 years yeah.
And they still just keep addingon to shit.

Speaker 4 (15:16):
Just updating to the online shit.
Just updating to the onlineshit, that's it.

Speaker 2 (15:18):
Yeah, I beat that shit in 13.
I ain't played it since.
Yeah, you tripping it's crazybecause you know I can stay on
this all day.
What gta just talking aboutgames.
Yeah, yeah, yeah, I ain't.
I'll be wanting to.
I'll be wanting to find time tosit down and be a kid sometimes
, but I'd hey, for all y'allthat do play 2k, the real

(15:41):
doughty 825 he ain't about shit,shit, he ain't about shit.

Speaker 1 (15:47):
I'm about to start a twitch you about to get on that
motherfucker, get on that bitchwhat you talking about?

Speaker 2 (15:53):
get on that bitch cuz .
That's how motherfuckers beblowing up on shit right now.
You see what T-Pain andT-Grizzly doing with they gaming
and shit.
T-pain on the Hall of the World, that nigga said he done made
way more money from the gamingshit than he had.

Speaker 1 (16:09):
T-Pain ain't got to leave his crib, nigga.
I watched T-Pain unbox Teemoshit oh he be doing unboxers and
shit too.
Him and Pip God.
Shout out to the people atradio If you can do it, do it.

Speaker 2 (16:24):
I don't understand why you I be telling my boys
that if you got any type ofnotoriety or whatever, Notoriety
.
We got it.
If you have any of that, we gotit.
Nigga, start a channel ofsomething, but Not everybody got

(16:44):
no.
No, entertaining thoughEverybody not entertaining.
That's all it is, bro Charisma,I'll start, though I'll just be
talking.
Playboy what about him?

Speaker 1 (17:01):
How does he command so much anticipation?

Speaker 2 (17:04):
There are two people that I don't understand.
One I understand more, but thePlayboy Cardi one I don't get.
I don't get.
Travis Scott is my other one,though I understand Travis.
Scott.
So I like Travis Scott musicright, and maybe since I've

(17:25):
never Been to a show, I don'tunderstand, but I don't get it.
I do.
Playboy Cardi them niggas hasbeen waiting On his new album
For two years.

Speaker 1 (17:40):
But that's what I don't get, and it still got A
lot of hype.
Surrounding it.
And I might be the odd man outwhen I say this, but his verses
when I hear them, I just be likedude.
Why the fuck do people beanticipating this shit?

Speaker 2 (17:52):
Nigga his whole group , this is what we talked about.
The Ken Carsons, his whole OPMcrew.
Like niggas is like.

Speaker 1 (17:59):
But a lot of them, niggas, be really rapping.

Speaker 2 (18:02):
My son said the other day.
He said you know who in my topfive Playboy Cardi, ken Carson.
I said nigga, what.
Nigga the verse on that Futuresong what you, oh dude.
Nigga what the fuck?
What is we talking?
But but we old, we done gotinto because my kids love

(18:24):
Playboy Cardi.

Speaker 1 (18:27):
Well, this is my own year.

Speaker 2 (18:30):
You know what I'm saying Now, we at the age it's
like I don't get what the kidsis listening to, Because that
shit is crazy my son belistening to the same shit.

Speaker 1 (18:39):
Yeah, you know what?
Fuck all that rap shit.
Put some R&B on, put that.

Speaker 2 (18:45):
Luther in.
Put some R&B on, put some soulin bro.

Speaker 1 (18:50):
Different times man I just don't get the anticipation
when it come to Playboy Cardibro, because, like I said, I'm
going in circles, but when Ihear this man verses on songs, I
just don't get it.
Yeah, yeah, yeah, yeah, I don'tit yeah, yeah, yeah yeah.
I don't maybe I ain't takingthe right drug.

Speaker 2 (19:07):
You definitely not, though.
You know what's crazy.
I seen Playboy Cardi live.
I seen him when he before hebecame this dark Playboy Cardi,
when he was actually rapping,yeah, like I seen him live.
Then I was like, okay, that's acooler show, but I ain't seen
the trans.
I ain't seen the new PlayboyCardi.

Speaker 1 (19:27):
You said it right the trans yeah.

Speaker 2 (19:30):
I ain't seen the new shit that's going on.

Speaker 1 (19:32):
I just don't get the answers.
Bro, you don't have to looklike Kendrick yeah Been himself
since Section 80, bro.
Yeah.
Ain't never put a gimmick on,bro, so it's possible you could
be yourself and still thrive.

Speaker 2 (19:50):
But that's just him, though.
I'm talking about the PlayboyCart, that's them.
I'm saying though, cuz we gotto let them be them.

Speaker 1 (20:02):
Hey, who fishing that shirt?
Is this in my line?

Speaker 2 (20:04):
You know, I already told you Once I lose weight,
nigga, I'm wearing, I'm gonnacome up here.
Are you going straight?
Yo yo, what's going on?
I'm out here, cuz why are westanding up this podcast showing
my legs niggas, shorts on andeverything.

Speaker 1 (20:22):
I'm ond cruise.
I'm about to get right here.

Speaker 2 (20:27):
I'm about to get right.
Speaking of music, droppingthough Kanye first off before I
get to what I want to talk about, just drop music.
I mean, you know what's funny?
No, no, the fuck, I don't.
No, nigga.

(20:51):
But he got a new pair comingout.
It's $20.
I'm going to buy them justbecause.

Speaker 1 (21:01):
But when it comes to the music, but you support him,
though I like Kanye, I do too.
That's my guy he probably wantT.
Top 5 Of what Of me so Thinkabout it, bro.

Speaker 2 (21:11):
I mean, he, he Top tier.
I just don't know what we put.

Speaker 1 (21:15):
I don't give a fuck If G or C wrote.

Speaker 2 (21:17):
Saha wrote no I don't even give a fuck If it's
rapping.

Speaker 1 (21:20):
The first four albums Top tier.

Speaker 2 (21:22):
I don't Might be fine , you know, yeezus is my
favorite Kanye album.
That's the best Kanye, myfavorite Kanye album.
Why Nigga?
Because coming off of what camebefore that, 808.
Was 808 right before Yeezus.

Speaker 1 (21:38):
Or was it my 808 was before Twisted Dark Fantasy.

Speaker 2 (21:42):
So you got 808s, then Twisted Dark Phoenix, whatever,
whatever, right, and then, outof nowhere, Yeezus come up.
What happened to?

Speaker 1 (21:48):
Pablo after that.

Speaker 2 (21:49):
No, Pablo came later.
Yeah, Pablo came later.

Speaker 1 (21:52):
Yeezus came, boy, that's my shit, black Skinhead
on there.

Speaker 2 (21:55):
Yeah, okay, yeah, that's my shit, I listened to
that all the way through.

Speaker 1 (22:00):
I ain't saying it's a bad album.

Speaker 2 (22:01):
I'm not saying that From Yeezus up until now, it's
my favorite Kanye Real, yeah,yeah, I mean, I like the
graduation, late registration, Ilike all that.

Speaker 1 (22:14):
That's my favorite.

Speaker 2 (22:14):
I like it.
I like my beautiful, dark,twisted fantasy.
But I do.
But once Yeezus hit, that wasmy.
Oh, I like this guy.
I feel like you.
That was my, I like this guy, Ilike this guy.
Yeah, but he keep threatening.
I keep saying threatening.
He keep Teasing His new album,which I like, he posting videos

(22:35):
with him and his daughter In thestudio and shit which is cool.
She's young, so Literally.
She's young.
Nigga she got song credits,which is I like it you feel me,
but so Kanye posted this she'syoung, which is I like it.
You feel me, but so Kanyeposted this on his Instagram
said AI team recruiting lookingfor engineers, film editors,

(22:56):
architects, designers, studioassistants, portfolio blah blah.
He is looking for AI people,which AI is is more than just
the music, but there has beentalks of him doing a lot of ai
with music, so I wanted to knowhow did you, how do you feel

(23:19):
about if our artists that welook up to, that we like?

Speaker 1 (23:24):
start doing AI.
The only people I'm going togive a pass on, that is, artists
like the DLC and Benny Siegelthat shit that Benny previewed
yeah.

Speaker 2 (23:40):
It sounded like Benny .
Yeah.

Speaker 1 (23:45):
But just a person who can actually still do it if you
can get in there and do it.
Yeah, I don't, I don't, I don'tunderstand it.
Now, if you're doing it like asfar as like your visuals and
shit, it's different because uh,shots out to a camera videos.
Kill me, he's a I guess youcan't say it, but he's a gang

(24:07):
member.
He does gang stories orwhatever.
But, he did an episode, heredid an episode on Big Rebo,
who was original Compton Creel.

Speaker 2 (24:19):
Okay.

Speaker 1 (24:21):
And he AI'd his photo .
Okay, and he AI'd his photoFrom the original video.
You just see Big Rebo in hisjailhouse stance or whatever in
the original, but he just redidit and he used AI on that
picture, bro, and it was dope.
It was like Rebo was speaking,he moving, you could see it, you
know what I'm saying yeah, yeah, yeah he be like damn, that's

(24:42):
probably what dude actually looklike Now, if you recreating
shit like that then okay.

Speaker 2 (24:47):
I'm okay with the AI.
Now.
I'm not a writer or artist whomight be.

Speaker 1 (24:52):
I don't want the AI creating for me.
That's what.

Speaker 2 (24:54):
I'm saying so when Kanye first of all, he seemed
like he would want to be toomuch into the music for him to
fully use AI.
Nah, he going to push it to thelimit.
Well, see, and that's the otherside of it, because it's like,
but Kanye probably would want tobe like, I'm the first one to

(25:15):
do a full AI album.

Speaker 1 (25:17):
Yeah, he going to talk to the AI.
Hey, I want God rapping inwhole voice but, in three stacks
His cadence and I want the beatyou voice, but in three stacks
His cadence and I want the beat.
Kanye, that type ofmotherfucker, he's not going to
utilize it like Beanie.
You see what I'm saying?

(25:37):
Yeah, I just see Kanye going tothe extremes with this shit.

Speaker 2 (25:41):
And fully going through with it.

Speaker 1 (25:42):
I can't see him just showing restraint with it.

Speaker 2 (25:46):
Do we purchase that?
I mean, if that's the only waywe can?
I mean, I'm probably going toget it.
That's what I'm saying, becauseit's still music and I still
want to hear it, but it's goingto be a different feel.
If you know, maybe.
If you know not, everything isai now I'm not going to a ai

(26:08):
concert generated concert yeahyeah, where they like yes, kanye
.

Speaker 1 (26:12):
And then when you get there, it's a hologram yeah,
yeah, yeah all of his aigenerated music and you're like
man.
What the fuck is this nigga andhe in the crowd next to you
with popcorn.
You, you like this shit, thiscool, ain't it?
Nigga?
Please, I designed that, nigga.
What Nah?
Bro yeah, just to be fair, letme wait and see.

Speaker 2 (26:35):
I mean, like I said, I'm going to listen to whatever
he drop using it, but if we havean artist on Kanye level, one
of two things More people goingto try to do it.

Speaker 1 (26:49):
It ain't try.

Speaker 2 (26:50):
But it ain't too many people that can do it.
Would this turn into?

Speaker 1 (26:56):
Jennifer Lopez.

Speaker 2 (26:57):
What you mean.

Speaker 1 (26:59):
Where now it's like we can take Reggie and make him
a new singer.

Speaker 2 (27:07):
Yeah, but that's what I'm I guess not afraid of, but
that's what I'm worried about.

Speaker 1 (27:13):
Is this the new Milli Vanilli?

Speaker 2 (27:15):
Yeah.

Speaker 1 (27:17):
And that's what I'm scared of.

Speaker 2 (27:18):
What do you think Milli Vanilli's sitting back
thinking right now?
Because a lot of thesemotherfuckers.

Speaker 1 (27:24):
But nigga, like y'all crucified them, Killed them,
niggas Mind you, it was not themactually singing the song.

Speaker 2 (27:34):
Yeah, but if this AI pop off, it ain't going to be
them actually singing the song.
Well, and Jennifer Lopez wasn'ton all them songs either.
Shout out to Ashanti.

Speaker 1 (27:58):
So sad, so sad, bro.
That's what popped in my head.

Speaker 2 (28:03):
Know what I'm saying, though.
Know what I'm saying Morealbums Planning to drop.
We got Wayne Talking aboutQuarter 6 is dropping this year.
Do we expect Wayne to be Wayne?
I sent you that video the otherday of him talking.
He got Wayne talking aboutquarter six is dropping this
year.
Do we expect Wayne to be Wayne?
I sent you that video the otherday of him talking.

(28:23):
That nigga voice is annoyingwhen he talking.
I'll be trying to hear whathe's saying, but Just rap.

Speaker 1 (28:31):
What's that man say?
He had too much money to worryabout problems with black folk.

Speaker 2 (28:36):
Insane statement.
I was like, cool, that's suchan insane statement to say.

Speaker 1 (28:42):
Just give me the music, bro Nigga.
That's wild, but that's part ofus as black people and I
include myself.
That's part of the problem withus.
We look to celebrities I don'tI'm saying as a whole, bro who
they put in front of us, it'salways a celebrity, bro.
We don't have none and I don'twant to get like but we ain't

(29:06):
got no Fred Hamptons, no MartinLuther King, no MLK.

Speaker 2 (29:11):
None of that, bro.

Speaker 1 (29:13):
And then the ones we do got been paid for.
Yeah, al Sharpton and all them,come on bro.

Speaker 2 (29:20):
You see Al Sharpton in front of Costco.

Speaker 1 (29:25):
Now, brothers, that boy.
He look like if he moved to themotherfucking Bones bro.
That motherfucker go crack.
I see him.
It was on Fox, I see it in thatmotherfucker's in there, bruh,
he was in the little square Likethat.

Speaker 2 (29:42):
Yeah, who talking?
He say who talking, but.
But I guess we supposed to beShopping at Costco now.

Speaker 1 (29:52):
Wow, what's wrong with that Cause?

Speaker 2 (29:53):
everybody rolling back that DEI shit.
You know what?

Speaker 1 (29:56):
I'm saying I did it.

Speaker 2 (29:58):
Yeah, they part of Walmart.
Walmart did it.

Speaker 1 (30:01):
What a lot of you guys have to understand.
When they talking about DEI,they not talking about
motherfuckers who bagginggroceries or scanning product,
bro.
They talking aboutmotherfuckers higher up like
CFOs and CEOs and shit.
They talking about regularniggas.

Speaker 2 (30:17):
They talking about white women.

Speaker 1 (30:20):
That too, but I'm just saying I don't want to get
into that.

Speaker 2 (30:23):
Yeah, we don't even got into that.
I'm not too deep into it, soPause.
Yeah, yeah, pause yeah.
Yeah, yeah.
Do we want a Wayne album in2020-25?

(30:43):
It's coming this year.
That's what he said.

Speaker 1 (30:46):
Do you still want Wayne verses, I want.

Speaker 2 (30:49):
Wayne verses.

Speaker 1 (30:52):
In what capacity?

Speaker 2 (30:56):
I want you featured.
I want you featured on certainsongs.
I don't see Wayne puttingtogether a full project right
now that we will listen to, likethe Carter 1, 2, 3.

Speaker 1 (31:11):
The block is hot.
Nostalgia would give them thenumbers, because people just
want to hear Wayne.
Mm-hmm.
Like this new Wayne.
You know what?
I'm saying Like Wayne Like.

Speaker 2 (31:24):
Lil.
Wayne, not you know like whenWayne raps and he don't have
that voice on, like that roboticvoice on.
You don't like that.
It's cool for certain things.
What don't like the auto-tunevoice.
It's cool for certain things.
What one you like?

Speaker 1 (31:38):
What one you like?
What's your favorite one?

Speaker 2 (31:40):
Carter, and I know we not going back to Carter 1, 2.
Right, yeah, that's all yeah.
But if you listen to like hewas featured on the, let me play
a part part he was featured on.
And a lot of niggas Was talkingabout that Benny the Butcher, a
song last year, yeah, and if wecan get this Wayne, it's not.

(32:05):
It's not an old Wayne, it'sWayne.

Speaker 4 (32:28):
It's Wayne.
Alright, baby, let's go.
Big dog Siberian husky flow.

Speaker 1 (32:32):
I've been a big dog since a puppy.
Though my kennel was a bungalow.
You could walk the dog, I stillrun it, so run from it.
Niggas that be balking, turn tohush puppies Fuck money.

Speaker 2 (32:43):
But that's what I'm saying.
Don't give me the robotic voicethat he be doing when he trying
to sing and all that shit.

Speaker 1 (32:51):
Rap, only thing that was missing.

Speaker 2 (32:54):
Manny Fresh.

Speaker 1 (32:55):
Nah Mini.

Speaker 2 (32:57):
Fresh nigga.
That flick of the flame.
Oh, yeah, yeah, yeah, yeah yeah, yeah, yeah, that's what, we
know where we going.

Speaker 1 (33:02):
And when that nigga strike that motherfucker like
that and hit you with that Uh-uhnigga, here we go, shut the
fuck up.

Speaker 2 (33:11):
But yeah, bro, here we go.
Yeah, but if we getting that,but that's what I'm saying and
that's just last year, so if wegetting that, give us that.
And I only want 11, 12 trackdon't give me no 26, because
that's some shit way to do.
Give us 22 songs for no reason,that's it.
But that's what I'm saying.
I don't know.
I don't know if he got a fullproject.

Speaker 1 (33:33):
Nigga, I wouldn't even.
I wouldn't even label theproject.
I slapped the the drought nameon that Motherfucker award, you
know what I'm saying.

Speaker 2 (33:43):
These people don't know about the drought, though
they don't know about thedrought, so it ain't going, you
ain't even gotta use the drought, just give them like.

Speaker 1 (33:49):
That Like a label like that, a stamp like that
yeah, fuck the Carter, bro theCarter over the Carter is over.
When you went through yourordeal with Thug and finally got
Carter 5 out.
No, dead that shit, dead thatshit.
Might beat him an odd man out.
I'm going to keep saying it,but nigga, no, go on and give us

(34:11):
something brand fucking new bro, give us that Wayne style right
there, pause that, yeah, butgive bro, don't, don't, don't
try to revamp nothing.
Bro, like name wise, like bro,give us something brand fucking
new.
You, you free of everythingright now yeah you know I'm

(34:31):
saying you ain't tied down bybaby.
None of that.
You ain't got to worry aboutNicki.
You ain't got to worry aboutDrake, tiger, twist.
None of them, niggas, it's youall.
You, master Gas, nigga, youwent from last in class to first
place, bro.
As far as the hot boys, that'sa fact.

Speaker 2 (34:49):
Now, niggas just leading your world, that's a
fact, they following your lead.
That's a fact.

Speaker 1 (34:52):
Yeah, that's what I'm saying, like, at this point,
bro.
The show, the Louisiana thing,bro, that should have been the
cap on all that old shit.

Speaker 2 (35:05):
And just let it be yeah, yeah.

Speaker 1 (35:07):
If we're going to, we're going to, but outside of
this tour, nigga, this is Wayne.

Speaker 2 (35:12):
Yeah.

Speaker 1 (35:13):
Not Weezyzy, not Lil Wayne, not Dwayne Carter, none
of that bitch.

Speaker 3 (35:18):
This is Wayne.
You see what I'm saying thattype of shit, bro.

Speaker 1 (35:21):
But if we getting that.
Wayne, yes, I'm all for it, butlike, like I said, bro, and
like you said, we do not need 22, 26 we don't need it overloaded
and we don't need a bunch offeatures.

Speaker 2 (35:34):
We don't need it.
Give us some rapping Wayne.
Give us some introspective.
Give us something.

Speaker 1 (35:40):
I want you going at nigga, like go back at Gilly
nigga, If you want to go back?

Speaker 2 (35:49):
Yeah, because they about to be in your city for the
Super Bowl.
Come on, bro, go at that.
Nigga man.
Another drop coming.
His future is dropping anothermixtape, album, mixtape,
whatever.
No, you gave us three projectslast year, but you shook the

(36:10):
game up first off.
Your album is the album thatHold on.

Speaker 1 (36:14):
How many did he have before them?
Three in the same year.

Speaker 2 (36:20):
No, he just dropped three last year, so the one with
Puffin on Zooties came out theyear before.

Speaker 1 (36:23):
That was the year before, okay, okay.

Speaker 3 (36:25):
Yeah yeah, yeah, that was the year before, okay, but
do you think it's contractual?

Speaker 1 (36:33):
Who he signed to.

Speaker 2 (36:34):
Shit, I don't know, but it just it don't seem.

Speaker 1 (36:40):
I think Future just got so much music bro.

Speaker 2 (36:42):
And that he just dropping shit.

Speaker 1 (36:44):
He just knocking hoes off and going straight to the
studio Putting shit out, that'sit.

Speaker 2 (36:50):
But do we need it?
No Like do I want it.
Nah, bro.

Speaker 1 (36:55):
I feel like right now Feature just like.

Speaker 2 (36:59):
He under Epic, but it's his own shit though.

Speaker 1 (37:04):
I think at this point , bro Feature's, just like I
don't want nobody to forgetabout me, so I got to keep
dropping, I mean, I guess.
So who dropping out of Atlantaconsistently like he is?

Speaker 2 (37:19):
I mean nobody at that clip that I can think of now.
I know it's a thousand youngrappers no, we talking about the
notable.
I'm just saying cause somebodygonna say Atlanta don't count.

Speaker 1 (37:29):
They, they own world.
That's a fact.
It's niggas like us that can goto a strip club every night,
bruh, and own world.
That's a fact.
They, their own world.
It's niggas like us that can goto a strip club every night,
bro, and every night they makingat least 10, 20,000.
Just off them stages.

Speaker 2 (37:42):
Indeed.

Speaker 1 (37:43):
And nobody else outside of Atlanta.

Speaker 2 (37:45):
Indeed.

Speaker 1 (37:46):
Well, I ain't going to say Atlanta, georgia and
maybe Alabama.
Alabama, be having somemotherfuckers too.
For real.
Birmingham, montgomery.
I went to school in the gunk soI know nigga the Rose man, rp
the Dobie Nigga.
We used to party at that club.

Speaker 2 (38:05):
It had 30 different names but it was the Rose, but
it was it.
Yeah, yeah, yeah, yeah.

Speaker 1 (38:09):
And that motherfucker , that bitch anyway.
Local acts.

Speaker 2 (38:16):
So do you want a future album?
Long story, short no.
I don't know what else coming,but.

Speaker 1 (38:24):
I want to do it, of course.

Speaker 2 (38:26):
Of course, that's what we do.
I'll take that back.

Speaker 1 (38:28):
I'll take that back.
I want to.
I'll take a singing futurealbum like an R&B album An R&B.

Speaker 2 (38:33):
Yeah, Now, if future, give us a full and turn off the
lights.
I'm looking for I ain't mad atthat.
Yeah, Because you've never donethat, not fully.
He give us something like thatyeah, yeah, I'll be there for it
.

Speaker 1 (38:47):
I ain't mad at that or another monster or beast mode
.

Speaker 2 (38:55):
I don't want you going back to that, because
you're going to fuck it up.
You're going to fuck it up thesame way you feel about the car.
Don't fuck with that, just letit be.
Yes, what is that?
56 nights and all that shit?

Speaker 1 (39:08):
Yes, nigga, you got to be one of the ghosts of
Atlanta.
He top tier.
I'm talking about up there yeahdo he make Mount Rushmore of
Atlanta?
Yeah yeah, I don't.
Do he make Mount Rushmore ofthe south?

Speaker 2 (39:27):
ooh, let's see who we .
I guess that's generational,that's generational there's only
one, matt Worsham but thatwould because.
George Washington was numberone because who else up there,
abraham, I don't think he he's16.

Speaker 1 (39:46):
Who else up there?
Teddy Roosevelt, he gotta belike 20, 30, some well, I'm
gonna say, future would not makemy Okay, I'm just asking.

Speaker 2 (39:58):
Because I'm thinking a lot of people I'm putting P up
here Got to.

Speaker 1 (40:05):
I'm putting P, then you Damn, do you put J Prince up
here?

Speaker 2 (40:14):
That's exactly what I was thinking.
And then, cause you had a lotto do, what do you have?
Rap a lot and all that shit.
You know what's crazy.

Speaker 1 (40:22):
And I might be the only one to think this, but
every time I hear J Prince, youknow who I think about Tony
Draper.

Speaker 2 (40:31):
See, but now you Naming niggas, a lot of niggas
don't even but I'm just sayinglike when I think about it,
that's what?

Speaker 1 (40:37):
Yeah, I be like damn why people leave Tony out.

Speaker 2 (40:42):
Man, and then you gotta put Luke on there.
Luke did a lot for hip hop inthe early For the South.

Speaker 1 (40:50):
You probably can make an argument For Luke to be on
the actual Mount Rushmorehip-hop.

Speaker 2 (40:55):
Well, of course I mean I would, but you know
everybody else ain't going togive him that.

Speaker 1 (41:01):
Okay, let's do it.
Well, we should break that down.
I think we might have to.
You know how they got theall-decade teams for the NBA and
NFL.

Speaker 2 (41:10):
We.

Speaker 1 (41:10):
Should do that for hip-hop.

Speaker 2 (41:12):
I think we should do that for like hip hop.
I think we might do that.
Well, that's an episode rightthere, that's a full episode.

Speaker 1 (41:17):
Yeah, man the 80s got some killer though got some
names we need.

Speaker 2 (41:23):
We done, talked about it before, but we really need
to break it down, because wherewould you put LL in the 80s or
the 90s?

Speaker 1 (41:32):
in the 80s.
I would put LL in the 80s.

Speaker 2 (41:37):
He would probably be.
He's there, I mean.

Speaker 1 (41:43):
Well, our decade team , they probably only got like 12
people.
I was about to say it's 10 or12, so you're naming.

Speaker 2 (41:47):
Yeah, we're going to name 10.

Speaker 1 (41:51):
He'll probably be in the top.
I want to say he'll probably bein the top half of that team.

Speaker 2 (41:57):
Of course he's going to be in the top half.

Speaker 1 (41:58):
Even in the 90s he'll probably be in the top half.

Speaker 2 (42:01):
You know, GOAT come from him.
The label GOAT comes from him.

Speaker 1 (42:04):
I'm just thinking about it because your boy and I
didn't start taking off untillike 96.

Speaker 2 (42:08):
Late yeah At the pocket Biggie.

Speaker 1 (42:11):
Because even in the 90s you still got motherfuckers
like Cube.

Speaker 2 (42:15):
Right, you got it.
Cube was still rocking up untilshit.
When did Friday came out in 95.
Mm-hmm Players Club came out in98.
So he was still rocking.
We be clubbing.

Speaker 1 (42:28):
Bro, you see that clip of him performing that on
Nickelodeon with the kids.
Nah, nah.

Speaker 2 (42:34):
Nah, that's crazy, because first of all, first of
all the song and then for whatmovie it's.
For, that's crazy.

Speaker 1 (42:43):
He on stage with them .
Kids like that, the kids onstage with him, that's crazy.
We be coming.

Speaker 2 (42:51):
I gotta find that clip.

Speaker 1 (42:53):
Nickelodeon, Nickelodeon, blimp my friend
Lil' Josh in the front like that.
Get his groove on.

Speaker 2 (43:00):
But yeah, we gonna, we gonna do that for one episode
2000's going crazy though.
I think the 2000's Is crazy forus, cause we was 2000's going
crazy we was 2000's going crazy.

Speaker 1 (43:13):
You got, you got.
Motherfuck is going crazy.
We was.
2000s is going crazy.
You got motherfuckers fightingfor them tennis balls, bro, we
was there.
Now you got some automatics,because it's like, oh man.

Speaker 2 (43:23):
So we're going to do top 10 for the 80s, 80s, 90s,
early 2000s.

Speaker 1 (43:29):
In 2010.
In 2010.

Speaker 2 (43:33):
Yeah, oh, okay.

Speaker 1 (43:34):
And you know what's crazy.
Okay, you know what's crazy.
Who might throw a motherfuckinghaymaker in there?
Who Lil B?

Speaker 2 (43:44):
Hey got my fans on, but they look like sneakers, fam
.
Them niggas had a run too.

Speaker 1 (43:48):
Lil B was shaking shit up by himself, bro, and was
nowhere near one of the best.

Speaker 2 (43:53):
Not at all, but he had a.
He still got a following.

Speaker 1 (43:57):
He was fucking niggas' world, bro.
Did he have beef with JoeBudden Joe?

Speaker 2 (44:01):
Budden.
Joe Budden said something onTwitter, posted something on
Twitter 20 minutes later thatnigga had a whole song about Joe
Budden.
Oh, that's him.

Speaker 1 (44:12):
Yeah, later that nigga had a whole song about
your buddy.
Oh, that's him.
Space ball.
Yeah, had a whole song aboutthat.
Nigga, ain't nobody going tothe studio on that.

Speaker 2 (44:17):
Oh, yeah, okay, okay we're gonna, we'll, we'll do
this, and then, whenever you gotyours and I got mine, then
we'll put that episode togetherI already know, because it ain't
gonna take me in the 90s.
It's crazy.
I already got.
I already know what I who I gotfor the 90s, bro, because it
ain't going to take me In the90s.
It's crazy.

Speaker 1 (44:32):
I already know who I got for the 90s for sure the
2000s and 2010s is going to behard for me.
The 90s is the easiest for methe 2000s and 2010s.

Speaker 2 (44:40):
It was a shakeup Soulja.
I'm telling you y'all can'tplay with Young Soulja.
So I don't know a lot aboutthis Chris Brown lawsuit.
I ain't read into it.

Speaker 1 (44:56):
Basically.
From what I gather, he'sbasically going at them for the
hit piece they had released.

Speaker 2 (45:03):
Who put?
That out.

Speaker 1 (45:09):
UMG and I don't got my phone.
I was about to say HBO, but Iknow it's not HBO.
That was in cahoots withsomebody and they put that out.
But that's what it is.
I think it's for like $500.

Speaker 2 (45:20):
$500.
That's what I read.

Speaker 1 (45:21):
$500 million, so he probably got a case Now.

Speaker 2 (45:25):
I haven't seen the documentary, though, but I've
been hearing people say it looklike he might.
Yeah, he might got a case.

Speaker 1 (45:34):
What they did was they painted him in a bad light
and basically, you know, triedto make her seem like, you know,
she was just a good girl, hadnothing to do with it.

Speaker 2 (45:43):
So is this only the Rihanna situation or is it other
situations in the documentary?

Speaker 1 (45:50):
Well, I ain't.

Speaker 2 (45:51):
Okay, yeah.

Speaker 1 (45:52):
Nigga, I'm reading, I ain't watching that.
You know what I mean.
Yeah, we know what happened.
Yeah, yeah, yeah, basicallythey just try to paint him in a
bad light to where?
From my understanding, or whatI gather from it, it was like
nigga, he bad fruit.
You got to figure out a waywhere we can get from underneath
you know and wash our handswith you and make it look good.

(46:17):
So, but it looked like he got agood got something going.

Speaker 2 (46:21):
Yeah, yeah I, I just didn't know.
Uh, while we on uh courts,though Um I don't know
everything going on with um ASAPRocky's trial.

Speaker 1 (46:32):
Oh, this dummy.

Speaker 2 (46:33):
But A$AP Rocky was offered six months of jail time
In probation, whatever Sixmonths of jail time for the gun
charge, the shooting.
He turned it down.

Speaker 1 (46:49):
He said, no, I'm good .
So this didn't happen in the UK.
This happened here.
Yeah, I think this one was here, okay, but he said nah, I'm
good.
So this didn't happen in the UK, this happened here.
But he said, I'm good.

Speaker 2 (46:56):
Fucking six months Going to trial.
Now he's facing 24 years Down.
I was talking to my wife.
My wife was like well, maybe heGot good evidence that he gonna
get off.
No, maybe he wanna fight it toget his good name and bitch.

Speaker 1 (47:17):
I don't give a fuck what you got six months nigga,
your baby mama paid for the bestlawyer and they came back with
the best fucking deal and youthought, no, I deserve no jail
time.
So what did they do, nigga?
First and foremost, all youmotherfuckers out there better
start realizing, bro, what timeswe living in, y'all thinking

(47:42):
because this shit, y'all seethis shit on TV, shit on the
internet that it don't affectyou, nigga.
This nigga thought, because ofhis fucking stature or his
status quote unquote would savehim.
Brother, you got the bestfucking deal Six months and a
year of probation, whichprobably was going to be

(48:04):
unsupervised.
Nigga.
Six months that probably wasgoing to put you in club fed and
you probably only had to dohalf of that.
If that breeze through, youknow what.
It's been a week you've been inhere, great we're going to
release you to your house.

Speaker 2 (48:18):
They might have gave you time served for everything
to try out, but I only think I'msaying I could know for a fact
I didn't do nothing.
You offer me six months versus24 years.
Nigga, give me that six months.
And ain't no jail time easy andit ain't easy to do jail and I

(48:40):
know all that.
I'm just saying I'm scared ofjail.
I ain't never been, I ain'tnever been.
I plan on never going, but ifyou give me six months versus 24
years, there go sir dude, yougot me six months and I got
eight million in the bank.

Speaker 1 (48:56):
Bitch, I'm no.
I'm breathing out this time.
This is nothing.
I hold a big dog.
Yeah, I Don't have me.
How much you make a money you?
How?
Much you make a month.
You strip you and your boys.
We good you crazy.

Speaker 2 (49:18):
I said I haven't even looked at the trail, I don't
know what's going on.

Speaker 1 (49:21):
You don't have to after you've been six months and
you like.
Now I'm good nigga, I don'twant to do a night in that
motherfucker, but if I'm lookingat six months in 24, years.
It ain't no, motherfucker.

Speaker 2 (49:35):
That's all I was saying.
I just wanted to bring that upreal quick.

Speaker 1 (49:39):
Stupidity, insanity, babe, we're rich?
No, you're not.
I'm rich, I'm good, you're okay.
But if you.

Speaker 2 (49:51):
So what would R we gotta do if, if Rocky get 24?

Speaker 1 (49:56):
Oh, she gonna make sure to do shirt, cuz that's the
father of her children.
Yeah what?

Speaker 2 (50:00):
I'm saying though, but you gonna be out here living
life we back home.
Ass open.

Speaker 1 (50:07):
We back in the streets, babe, what I'ma do?
You better have your umbrella.

Speaker 2 (50:14):
L-a-a yeah, I would have took that six months.
They got a fire aid benefitconcert in California for the
the fires that still seem to begoing on out there.

Speaker 1 (50:32):
Hey Joe, Biden said we had to do something about
them.
Blue roofs I'm sorry.

Speaker 2 (50:42):
Did you see the video where they had?
I'm sorry, you see the videowhere they had.

Speaker 1 (50:48):
It looks like they had John Legend say it Dude, why
Dude John Legend, makingeverything worse.

Speaker 2 (50:56):
Them niggas over there like, yes, they like it,
they coming out of fire and shitand give you all of me.

Speaker 1 (51:05):
That's so crazy, bro.
Why the first person?
Why the first song popped in myhead was ordinary people.
He probably was singing it,Maybe.

Speaker 2 (51:19):
But they got it they got a benefit concert in the
Intuit don't turn in a keel form.
Few artists Billy Eilish, earthWind, fire, gracie Abrams,
jelly Roll, katy Perry, littleBaby, lady Olivia, rodrigo Peso,
puma, rhyde Stewart, stevieWonder, sting Alanis.

Speaker 1 (51:41):
Morissette and Harrison Pack.
I know I was making a joke butnot shots out.
But, man, I hope everybody outthere is making their way the
best they can with this concert.

(52:05):
I just hope the money actuallygoes to those in need, because a
lot of times you donate andthey don't.
It's a lot of people out thereon the ground that's like shout
out to Craig Facts.
If y'all can go to his page orhis channel.
He's actually got people that'slost everything and they got a

(52:29):
foundation started out there.

Speaker 2 (52:31):
Doing some shit out there, doing some shit, yeah,
and I found out just watchinghis show and Corey Hogan 5150.

Speaker 1 (52:38):
They got another guy that has a page and I try to get
the information for you.
Yeah, I mean, go, try to get tothe people.

Speaker 2 (52:46):
We'll put some links in this video and in the audio.
I mean links in this video and,uh, in the audio.
I mean for a donation.
You can, like you said you cansend me them, and I know the
game got some.

Speaker 1 (52:54):
He was posting too uh , just, I know, I know it's hard
to have a sermon or whatever,but just try to get to the
people that you know that'sactually out there on the ground
level that's actually doing thework, man, because a lot of
these people, man, they, they,they got these foundations up
and they just fill in theirpockets and pay their taxes

(53:14):
because they know they know assoon as the caring people see a,
a helping hand, yeah, they playon heavy heart.

Speaker 2 (53:22):
Yeah, they just gonna donate.
Yeah, they're just gonna startsending.

Speaker 1 (53:25):
So if y'all can donate directly.
So so for this benefit concert.

Speaker 2 (53:34):
Would this be a free concert?

Speaker 1 (53:36):
Nah, because they're trying to get people to pay.
They're trying to get to it.
Yeah, now it'd probably like Iwould hope.

Speaker 2 (53:45):
I want to say like, for the people of the city,
though, like.

Speaker 1 (53:51):
I would hope that these artists that you naming
are doing it for free and thepeople that's paying to see the
artists.
Their money goes towards theactual donations, right, right,
but yeah, bro, where's theconcert?

Speaker 2 (54:10):
at it's out there in Oakland.
Oh, it's in Oakland, LA Seethat's kind of hard.

Speaker 1 (54:20):
Why the fuck am I trying to go see a concert and
my house is burning?
And then why am I paying to getin?

Speaker 2 (54:27):
That's what I'm asking.
And why is it inside somewhere?
It should be in the field,somewhere where everybody can
come like the age.
That's probably still what'sprobably like you'd like the
aids, uh, concept benefit, it'sprobably still what's going on
the air.
Well, yeah, yeah but yeah manuh, I just wanted to bring it up

(54:48):
before we talk about the Firsttime, people that lost
everything and the ones who lostactual people.

Speaker 1 (54:55):
Yeah, because pictures and stuff, I mean, it's
hard to get back.
Well, not now that you got thecloud and stuff, but pictures
that you, but your people though, no, yeah, that's what.
I'm saying All that I wasgetting to.
All that shit you can get andmake new memories with the
people that still here, but tolose love in this world I ain't

(55:16):
going to keep that to myself.
I better say most people belike well my dog, fuck your dog.
We love an actual person, yeah.

Speaker 2 (55:25):
You still said it, though, because I feel like
You're like my wife, I feel likeShe'll be like I ain't even
going to say it what I was aboutto say was Off the record.

(55:46):
But yeah, I just want to bringup that benefit concert before
we talk about the Super Bowlconcert that's coming up.
We got SZA now.
I like her.
Listen to this real quick.
Oh, y'all gonna stop on me.
Dude don't want us using hissoundbite.
I'm about to say it is.
Maybe they ain't gonna let meplay it in his motherfucking ear
.

Speaker 1 (56:00):
Nah bro, let me go back.
What'd he say?
Yeah, he was just talking abouta.

Speaker 2 (56:01):
I'm just saying, I'm just saying, I'm just saying I'm
just Maybe they ain't gonna letme play it in this motherfucker
.
Nah, bro, let me go back.

Speaker 1 (56:13):
What'd he say?

Speaker 2 (56:14):
Yeah he was just talking about.
Look at that, he ain't working.
No more, yeah, but long storyless.
He was talking about becauseeverybody's still wondering if
he's gonna do Not Like Us.
Yeah, you know what I'm saying.
Now it seems like he's gonna doNot Like Us, right, not like us
.
Yeah, you know what I'm saying.
Now it seems like he's going todo not like us, right.
But Joe was saying pretty muchlike if he was kindred and it

(56:35):
was like we can't do it, like wecan't let the beat play.
He was like at the end he'djust stop all the music, yeah,
and just do an acapella on theirass, just stop the whole beat
and they can just go muster on abeat, hoe, no, beat, nothing.
Make sure you hear me say thinkabout it though.

(56:58):
No, I'm trying to see.

Speaker 1 (56:59):
I'm trying to see I've seen this girl that said
the same thing, and I'm tryingto see if joe said it first or
she said oh shit I don't knowthat I know.

Speaker 2 (57:07):
That's why I just thought it was a funny take,
because if I'm in the Super Bowl, can you get away with that,
and the lights go down low,everything cut off.
Can you get away with that?
Look lights, shine on D-Bo.
Any rap nigga, he a freak bro.

Speaker 1 (57:28):
They did it before, though man down.

Speaker 2 (57:29):
Call the ambulance, tell them breathe.
A freak bro, they did it before, though man down, call an
ambulance, tell them breathe.
I'm like, I'm sorry.

Speaker 1 (57:35):
And just have a spotlight when he say it's a
freak, though Just have onerandom light pop up and have
LeBron back up.

Speaker 2 (57:42):
That would see what I mean.

Speaker 1 (57:48):
That would be nasty.
Oh they on this nigga.
If that nigga play TV off, hegotta have the mustard, the
actual mustard.
Mascot.
Run a car Monster.

Speaker 2 (58:02):
Like he's streaking or something.
Hey, what's crazy.

Speaker 1 (58:07):
Them saying that Sizzler is the special guest is
a slap in the face.
They, like this shit wasalready playing, but this is
this a pit stop in our tour.
I Think this motherfucker, stoprecording.
Put that kawaii laugh on there,bro.
That's crazy.

Speaker 2 (58:28):
I laugh on there bro.

Speaker 1 (58:35):
That's crazy.

Speaker 2 (58:36):
Well, we got it on the phone.
Yeah, we got the audio here.
But damn, that's crazy, that'sa shame.

Speaker 1 (58:42):
Oh, anyway, where was we at though?
Hey man, we need a goodengineer out there, man.
I think the memory card justran out of my fucking memory on
that ass.
Somebody who wanna build withthe team man oh, yeah, yeah,
yeah.

Speaker 2 (58:55):
If you got somebody, you gotta be cool though you can
be white, black.
Asian, puerto Rican and Haitian.
We got new background shakesthough.
Oh, yeah, yeah, yeah.

Speaker 1 (59:07):
Oh, where was we at?
We said this Damn, now I can'teven.
Uh, Throw your ass off, didn'tyou?
Yeah, oh my.

Speaker 2 (59:13):
God Whoa, that's what I want to play, but it ain't
going to play.
You ain't going to be able tohear it now because the god dang
old machine doesn't stop.
Oh.
Oh Well, anyway, so I nowbecause the god dang old machine
doesn't stop.
Oh Well, anyway so.
I'm going to play this.

(59:34):
Have you heard about academics?
What's been going on?
No, this is him talking to a15-year-old.
Oh man, what the fuck?

(01:00:17):
This is a 30.
That's a dude.

Speaker 4 (01:00:19):
that's, yeah, that's, that's dj, academics and uh,
tory they say tory lane'smanager talking to a 15 year old
little boy.

Speaker 2 (01:00:26):
What the fuck, bro?
And they talking about.
And they talking about how itstarted, where they was asking
if you had a girl type orwhatever, but then it went into
no one of my mans was fightingso hard for drake, because he is
who he is and I really don'tthink you see.

Speaker 1 (01:00:47):
See, they just made me feel like when act was
talking about I didn't touchgirl.
It made me feel like you didn'ttouch girl because you like
touching books but that's thatconversation.

Speaker 2 (01:01:03):
And then somebody was online.
They was like why are youtalking to a kid like?
They was like this is the sameconversation you have in the
barbershop barbershop no, it'snohop.
No, it's not.
No, it's not, no, it's not.
I'm a barber.
We might ask somebody hey, yougot a girl, how many girls you
got?
Ha, that's crazy, ain't no way.
I'm looking at no 14, 13, 15year old dude.
I'm not looking at no girl.

Speaker 1 (01:01:35):
And then say this man fuck you.
But that's crazy though.
Like even barbershop talk.
Even if a nigga do say, oh, yougot a girl, you ain't hitting
it though, yeah, but that's likesaying, oh, you ain't got a
girl, you got a boyfriend, hebussing you up.
You know what I'm saying?
Like the way the conversationwent.

Speaker 2 (01:01:44):
It was, it was crazy pause.
So now you got academics onlineand for some reason we got this
thing.
Instead of like if somebodypoints something out about
somebody, they don't takeresponsibility, they just say
but what about when?
So-and-so did this?

Speaker 1 (01:02:03):
See, that's why we ain't caught on.

Speaker 2 (01:02:06):
Why we ain't caught on.
Well, we gonna just be here.

Speaker 1 (01:02:11):
Because I can't do that.
It's like hey Crazy.
Growing up I used to get my assbeat.
If my daddy thought I wasbetter, tell him.

Speaker 2 (01:02:31):
I'm talking to you right now.
Why did you do this?
But he, even with the.
What's the Elon Musk doing?
The Nazi, yeah, whatever.
But when you ask his supporters, they like.
So what do you think about thathe was giving?

Speaker 1 (01:02:48):
this heart away.
That was so great.

Speaker 2 (01:02:54):
And then you got a motherfucker saying well, if you
think about it, they all kindof throw their hands up like
nigga.
No, but even if they is, whatdo you think about them?
What do you think about themdoing?

Speaker 1 (01:03:09):
I'm going to get canceled.

Speaker 2 (01:03:18):
We ain't.
Who yes about them doing it, ifI'm gonna get canceled.
Who yes, this is wow, but it'sokay to be that way with an
adult, with an adult.
You talking to a 15 year oldboy and then so it's one part.
It's one part, though it's onepart where where he say we're
gonna send some strippers toyour crib, right, the little

(01:03:39):
boys say nah, fam, you trying toput them girls on the case.
Academics say so.
They say he say you know, allthe rappers lost their virginity
to an older woman dude, say the15 year old dude like not sure
that that's, that's cool.
And they just kept, they justkept going and kept going.

Speaker 1 (01:03:59):
You see they post on my story, does they?
We're casting.
I was telling the young, thoughhe said you got.
Dawson, you feel like a.
Curl it was like hey yo.
Yeah, shut that shit down.

(01:04:24):
These niggas is weird.
Shut that shit.
I Play sports coming up Nigga.
I quit football after myfreshman year because I was.
I seen some, I seen bruh likeyeah, shit's weird, niggas is
weird.
I don't know, I'd rather be ina band where.
I can, I can just do it.
You know what?
I'm saying I can get on a littlesomething I ain't never, I
ain't gotta leave it.
You know what?

(01:04:44):
I'm saying Like bruh, like that, I ain't never been on them
white boy games.
You see what I'm saying.
Yeah, I got you and I hate tobe like that, but that's who I
know to play them games yeahthat's what they Open dick what?
The fuck what we talking aboutwe playing open chest.
Yeah, like a nigga like openchest then you like ah, my nigga

(01:05:08):
be like hey Doty, what's up,bro yeah?

Speaker 2 (01:05:11):
that shit crazy.

Speaker 1 (01:05:13):
Yeah, yeah, yeah, yeah yeah yeah, like nigga, I
don't play them games, bro, Idon't even slap my kick, bro
Coaching, I never even hit myboys on the ass good job, bro, I
be like yeah, nigga, what's up,boy Nigga?
No, you ain't doing nothing.
Don't get used to it.
We not getting used to that yousee what I'm saying.
That type of shit right there.

(01:05:35):
It's fucking wild.
Like you said, you talking tosome random ass white boy on the
game.
This is the shit that I have totell my kids about.

Speaker 2 (01:05:46):
On the game this was live so think about the shit you
might be doing when it's notlive, if you okay with talking
like this Only on a stream wherethe little dude is streaming.
Just think about what youtexting, think about what you

(01:06:09):
you know.
I'm saying I got shit crazy,that shit wild.

Speaker 1 (01:06:15):
Hey academics, bro, Throw your motherfucking camera
in the microwave, bro.

Speaker 2 (01:06:21):
Do you know how easy it is not to be a weirdo?

Speaker 1 (01:06:28):
Yeah, just don't do weird shit.

Speaker 2 (01:06:30):
That's all I'm saying .
It's so easy not to be a creepynigga.

Speaker 1 (01:06:35):
The only way I'm playing a game with a 15 year
old boy, bro, is if he my son ormy nephew or something like
that brother, like, bro, if I'monline, like, and I hear it, I
instantly mute myself.
Well, I must say, I must saywith the streaming.

Speaker 2 (01:06:51):
You play games, you got fans, blah, blah blah.
A young person will come in.
But I'm saying, even if you dointeract, you 40 down there,
Nigga, fuck that you know how tointeract.
I'm a barber.
So for anybody that's talkingabout this barber, talk it.
Don't go that far with no kid.

(01:07:12):
What barber do you go to?
That's what I was about to say,and if it does, you need to
look at your barber.
And if it does, barbers isweird too.

Speaker 1 (01:07:19):
I'm not saying that, like he, go to a barber that
touches lip.
You want your mustache done.

Speaker 2 (01:07:27):
Hey, fam, motherfucker, like my wife be
saying that like Sometimes yougotta get into, she don't talk
about no shit like that.
But like Sometimes I be saying,damn my barber Side of the
internet not popping because I'mnot doing certain shit.
But then when I see certainshit that niggas is doing,
there's another trend thatniggas is doing right now when
they putting gloves on andputting their finger in niggas'

(01:07:48):
mouth to line them up, they say,oh yeah, that's a new thing
that we doing.
First of all, I'm not going todo that.
And if I sit in a barber chairand you put your finger in my
mouth, I swear to God we onanother level, this is my barber
.

Speaker 1 (01:08:07):
This is my barber.
This is also my friend.

Speaker 2 (01:08:08):
Fam this nigga try some shit like that.
I will up my hey, what the fuckwrong with you?
That's what I'm.
Who the fuck doing this shit?
And maybe that is a reason whysomething shit that I've been
trying online don't pop out,because I'm not doing that shit.

Speaker 1 (01:08:23):
I'm not, but you keep it.
Barber content, though that'swhat it's supposed to be.
They are doing content.

Speaker 2 (01:08:33):
And I guess they got this one trend and I'm just
speaking barber community rightnow.
They got this one trend wherethe client's sitting in a chair
right and you just face on theclient and he like this.
He's like, are you sure that'show you're supposed to do it?
And then, when it zoom out, thebarber got the clipper between

(01:08:54):
his legs, hitting it on his headlike it.
What type of shit is this?

Speaker 1 (01:09:01):
Hey man, what's next bro?
I'm sorry bro.
I'm sorry bro, I'm saying thatshit weird Niggas think that
shit cool bro.

Speaker 2 (01:09:10):
But to me, when I scroll by stuff like that, it's
not even funny, it's not even,but I don't, hey, man, contrary
to belief, bro, some things youcan't come back from.
It is what it is.
So, the album review.

(01:09:32):
We're going to review theHeadbusters, which is a trio
from DJ Paul, juicy J and Fiend.
So this album came out in 2002.
Some of y'all may be alive backin 2002.
It was recorded and releasedall in 2002.

(01:09:56):
So it's a release underHypnotize Mind and Fiend's label
, which is Elfie, produced by DJPaul Juicy J.
Pretty much.
They did most of them and Ithink it's like two songs
produced by Fiend.

Speaker 1 (01:10:13):
Selecto Hits.
That's a distributor.

Speaker 2 (01:10:15):
Selecto Hits was a distributor.
I used them a little bit backin the day when you had to print
up your own shit.
So they distributed throughSelecto hits.
That's for those who don't know.
That's all independent.
That means they paid somebodyto print them up, but all the
money that came back once thatwas settled, that's them.

(01:10:37):
As far as singles, this albumhad no singles.
I was talking to my brotherabout it, about like trying to
figure out where it even camefrom.
It seemed to kind of come andgo.
It did hit the independent.

(01:10:58):
It hit number one onindependent charts, number 98 on
the US Billboard 200.
So that's as surprising.
And in the top 15 on the R&Bhip hop albums.
So it did something.
It did something.

Speaker 1 (01:11:16):
you know I'm saying what I did go on a no limit run
whatever dropping movies, andthey were doing everything.

Speaker 2 (01:11:23):
So, again, the album does feature a lot Get your shit
together, bro.
It does feature Project PatCrunchy, black LeChat, frasier
Boy and that's pretty much it.
Lord Infamous, I mean your 36Mafia Hypnotize Mine crew, but
yeah, so the song is calledthat's how it Happened To Him

(01:11:45):
Pretty much just a collaborationalbum.
Like there's no story to thealbum.
There's no thing.
They got a few different skitsin between.
It's not a real thing though,it's really no thing, but it
seemed like they tried to stringit together with those dark

(01:12:07):
skits and shit, but it's likehow to get rid of a body and
then it went in.
That's how it happened to him,but that skit has nothing to do
with anything.

Speaker 1 (01:12:17):
They tell you how to get rid of them, but don't tell
you how it happened to them.

Speaker 2 (01:12:22):
Yeah, that's how it happened to him.
Yeah, that's how it happened tohim, though what?
What happened, just know.

Speaker 4 (01:12:30):
Well, you get 16 pigs and you chop them up into six.

Speaker 2 (01:12:35):
We got that going on, but as far as that the album is
cool, if you understand thehypnotized mind sound, the Juicy
J DJ Paul sound.

Speaker 1 (01:12:49):
Anytime.
I got Juicy J and DJ Paul on analbum with just them and
Crunchy Black, which is theactual Precise Mop, yeah, yeah,
yeah.
And everybody else includedwould be hypnotized, hypnotized,
kemp, okay, and everybody elseincluded would be, uh, hematized
, chemitized, okay.
So with this I always feel likeI'm listening to an

(01:13:10):
instrumental album, bruh withbare bones lyrics.
It's like just put something ontop of it and make a snappy
hook.
Yeah, we, we just trying tosettle beats.
That's what I get from 36 mafiaoutside of you know, the
project, pass the legit, thecamp.
Yeah, you see what I'm saying,because dj paul and juicy j are

(01:13:31):
probably the I don't want to sayweakest, but um out of
everybody.
They probably the lower tier ofthe group, yeah so, but they're,
they're powerhouse producers.

Speaker 2 (01:13:47):
The production, and then that sound of that time.
They have that Memphis soundthough, so that still kind of
resonates more so now, would yousay, the Memphis sound is 367?
Definitely Anybody from Memphisright now.
That's out right now, even whenI think when I'm Should

(01:14:10):
probably play a fly shot aftermr Eames.
I know mr Eames did a couplebeats back in the day.

Speaker 1 (01:14:17):
But, uh, I bought a few beats I have to toot my own
horn, but yeah what?
Was your shit on here.

Speaker 2 (01:14:31):
My favorite songs on here was when they Hang
Headbusters.
That's how it happened to them.

Speaker 1 (01:14:37):
Alright.
What was the smoking song?
Smoke If you Got it.
Number nine Okay, smoke If youGot it was my.
Get the fuck out of my face.

Speaker 2 (01:14:46):
I like all smokers Well you was probably smoking
while you I did.

Speaker 1 (01:14:51):
Yeah, I was like it ain't better than this is for
the weed, but it's alright, yeah, yeah, yeah.

Speaker 2 (01:14:59):
I didn't like it.
I think once you get the, getthe fuck out of my face.
Anything after that is trash.

Speaker 1 (01:15:04):
Like I told you before we started recording DJ
and DJ Paul will rework anothermotherfucking song.
They will rework a song, bro.
Yeah, Into the work.

Speaker 2 (01:15:13):
Yeah.

Speaker 1 (01:15:15):
Get the fuck out of my face.
They redid.
It Was this one first or wasProject Pat first?
Project Pat was.

Speaker 2 (01:15:22):
Project Pat always first.
Yeah, yeah, yeah, pat firstProject.

Speaker 1 (01:15:23):
Pat was Project Pat, always first because he also did
.
It's not called Players Anthemhis version on Laying the Spat
Down.
Yeah, yeah, yeah, pimp Creworked that song.

Speaker 2 (01:15:38):
He had them rework that song, but you know, Pimp
said when I get home I want thatsong.
No, no, no.
But them saying they willrework that song?

Speaker 1 (01:15:44):
They do not.
But you know what I'm saying.
They will rework the song.
They do not mind.
Yeah, you see what I'm sayingthat's all I'm getting to.
Yeah, the skits I could havedid without Didn't need them,
and you only got two bro.
It's like if you're going totry to use skits to tie the

(01:16:07):
whole project together.
Do something with it.
Yeah, because, like you said,the only one that really
correlated to the song was uh,uh, uh the ski, and then how to
get rid of it.

Speaker 2 (01:16:19):
That's how it happened to him.
I mean, what else?
So when I'm listening to it,that's what I was trying to
figure out.
I was trying to figure out Waswas fiend in the studio with DJ
power on juicy J, or was it kindof like a they had to?

Speaker 1 (01:16:34):
be, for yeah they had to be to make this.
I feel like this is one oftimes where thing was in between
.
He was like man, I need sometrashy type shit.
Probably was already in Memphis, or you know what I'm saying.
Just brief style and I'm like,oh, you know what.

Speaker 2 (01:16:49):
Yeah, but see that's what I was thinking about.
I was trying to figure outwhere it came from.
How did it come to?
Because it literally came andwent like after this album,
Fiend and Three 6 Mafia don't doshit together.

Speaker 1 (01:17:02):
That's it, nigga Fiend, stopped rapping.
I'm feeling in three, six mafiaDon't do shit together.
Everything that doesn't it makea feeling.
Stop rapping.

Speaker 2 (01:17:09):
Yeah, for the most part.

Speaker 1 (01:17:11):
Before he disappeared yeah because right after this,
like I said, see me, like Iactually choices came out before
this right.
Yeah, I know, yeah, and Famewasn't in the movie, right,
remember that was they waspromoting choices to was things
supposed to be in that movie andeverything fell through and he
was like, well, shit, let metake my ass home, ain't no money
ain't nothing going on.

Speaker 2 (01:17:32):
It was kind of it just I don't know cuz.
Nothing nuts.
Like I said, none.
Since Dean has Come over there,I get some more memory cards
and shit pissing me off.

Speaker 1 (01:17:45):
Now this is gonna have two different sounds on
this bitch.

Speaker 2 (01:17:56):
I'm like it's gonna work.

Speaker 1 (01:18:03):
Like you said, bro, I'm just lost because Choices we
know where Choices came from.
Choices had a movie, even ifyou didn't know where the songs
came from.
You can be like well it ties in.
Yeah, yeah, yeah, it makessense.
It's like bro, we have nothingto go off of outside of you just
telling they just rapping.
Yeah, they're just rapping onleads and, like I told you,

(01:18:26):
juicy J is literally justrapping rhyming words.

Speaker 2 (01:18:30):
Juicy J has gotten better.
He ain't never been a, but hisstyle is his style.
That's what makes it him,though His verbiage got better.
Yeah, but he's still Juicy JHis cadence is his cadence.
Yeah, yeah.

Speaker 1 (01:18:46):
Hey man, but that's the album.

Speaker 2 (01:18:49):
That's how it happened to him.
I mean, ain't really a lot tosay.
It was produced by Juicy J andDJ Paul, and then it's like
that's it.
It happened.
It's like the thing, like Iwant to talk to Finn and I want
to say do you remember doingthis Like happened.
It's like the thing like I wantto talk to Fiend and I want to
say do you remember doing this?
Like, do you remember puttingthis out?
That's what he's going to tellyou.

(01:19:09):
But yeah, so what do you?

Speaker 1 (01:19:16):
What do we give zeros ?
A zero nigga.
I don't want to give him a zero.
I give him a one.

Speaker 2 (01:19:24):
I give it a one, I'm giving it a one bro, I don't
want to give him a zero, I givehim a one, I give it a one.
I'm giving it a one, bro, I'llgive it a 1.5.

Speaker 1 (01:19:31):
Because really, bro, you know what probably would
have made this better If thiswas a Fiend.
Uh, Three, 6 Mafia producedalbum, Okay, yeah yeah, yeah,
Because Fiend can rap no that'swhat.

Speaker 2 (01:19:45):
I'm saying Now let me go back to that Cause we was
talking about Juicy J and DJPaul rapping.
Fiend can rap, rap, rap, likewhen you go back to no Limit
Days or if you go back toanything, fiend, right now like
Fiend, is one of them.

Speaker 1 (01:20:01):
Like If they didn't have Mystical, he would have
been carrying other facts.

Speaker 2 (01:20:04):
Facts, like like fiend is a rapper, great
performer, so I see themperforming.
Maybe we seen, like three yearsago, yeah, I went to Kentucky,
yeah, we'll see him.
Yeah, so good performer.
Even this day, you know sayinglike, let me ask a question
before we give it a rating.
Do you think some of the Noteverything lasts for forever?
We know that, but do you thinksome artists might fare better

(01:20:29):
if they wasn't signed to a noLimit or a Cash Money sometime?

Speaker 1 (01:20:36):
No, I don't think we get them artists if they're not
signed, if they're not signed towhere they were.

Speaker 2 (01:20:42):
I'll just be thinking about nobody from no Limit
extended past that time.
I mean Mystical locked up.
I think he would have been theone to really he was though.
Yeah, that's what I'm saying.
Then he got locked up, fuckedup the vibe, but nobody else
outside of that did anythingOnce no Limit ended it's like

(01:21:06):
everybody just stopped RobMarkman.

Speaker 1 (01:21:07):
We got to think about the whole package as well too,
because Fiend didn't have theaesthetic he could rap his ass
off.
He could perform, but he don'thave that aesthetic.
Mizko at the time hadeverything.
He had the sound motherfuckerswanted.
He sounded different fromeverybody.
He had the sound motherfuckerswanted.
He sounded different fromeverybody.
He could really rap.
His songs was Think about hissingles, bro Danger Fucking.

(01:21:33):
Tarantula was one of them ones,rob Markman, yeah.
Rob Markman, it was one of themones.
Then you let's go to Silk.
Silk got the aesthetic, but hedon't have the same Rob Markman.
Yeah, he wouldn't have beenable to carry p.
He had everything and he wasthe money you said.
I'm saying everybody, love theboss yeah, you said something
and you pop in your.

(01:21:55):
Then you get the thing therapping his ass off me and x.
I feel like me x was typecast.
It would be the wrong thing.
But if me and X had this, ifshe looked like Mercedes, what
was right?

Speaker 2 (01:22:07):
what was rapping?
Like she was rapping.

Speaker 1 (01:22:10):
They would have been like that's a because.

Speaker 2 (01:22:12):
Then it would have been look Kim.

Speaker 1 (01:22:17):
I'll give you that and let's see, and that's her,
that's pretty much everybody outthere counting.

Speaker 2 (01:22:24):
That's like the main people.

Speaker 1 (01:22:25):
Yeah, I was going to say you're not going to talk
about Mr Magic or nobody, evenC-Murdered, c-murdered.
He had that gangster personathat everybody was looking for
back then and everybody wasrunning towards.
You see what I'm saying, but hedidn't have the same yeah.

Speaker 2 (01:22:45):
I was about to say but he didn't have the same yeah
.

Speaker 1 (01:22:47):
but to say he, really how, if Outside of the KLC
beats and everything other thing.
Even BG, bro.
I mean, we know in there evenBG BG was not the best rapper,
bro, but he had what everybodywanted.
He was the third street niggaout of everybody.
Yeah, jovey, at the time bestbest rapper knew what he had had
.
The look, motherfucker, I amwhat I am.

(01:23:09):
You see what I'm saying, wayne,just bringing up the rear
because he the baby.
Now this nigga looked ateverything because he's, what am
I calling him?
He paid attention to history.

Speaker 2 (01:23:23):
Yeah.

Speaker 1 (01:23:23):
So he loved music so much he pulled it from all the
greats.
But I don't even got to pullfrom us because everybody walked
the walk of God.
All I do is rap my ass off.
Like Juvie had a streak, likeBG and had the charisma of me.
You see what I'm saying?
Come on, and we see what he didwith it because when everybody

(01:23:44):
else what'd?
he do.
He said oh shit, nigga, I yeah,what do you do From the wall?
Is they got me go boat?
You could drive 500 degrees andjust ran took off yeah even if,
even when my food was saying heprobably did, because he sounds
very similar.
But why wouldn't I take nakedname?
Nobody fucking with you.
Yeah, I'll rap better than you.
I swear better than you.
I Put I rap better than you.

(01:24:05):
I swag better than you.
I put this shit together betterthan you.
I took your style and soundbetter than you.

Speaker 2 (01:24:12):
You made it better, that's for sure.

Speaker 1 (01:24:16):
That's why when you go back and see when Wayne is
telling Drake just be yourself.
You're a better chameleon thanI am.
You can take everybody's styleand run with it, bro.
Just do that.

Speaker 2 (01:24:28):
You don't have to put on a persona, just take the
style, but some of them stylesbecame gangster styles though no
, yeah, but he took the persona,not the, not the style got you,
got you, got you, got, you, gotyou.

Speaker 1 (01:24:41):
You see what I'm saying yeah, yeah, yeah, yeah, I
got you people was getting themr shoe when, when Queen Latifah
was on talking about, they wentto her and Tupac went to a gay
club, they went to a lesbianclub.
Hmm, you know, and everybodylike, see, it's a gay nigga,
take it on.
He did juice and now he'staking all this gangster persona
context.

Speaker 2 (01:25:03):
Man, yeah, don't nobody care about context,
nobody care about the truth,when there lies more than
anything, that is true yeah,what you rating this album a 1.

Speaker 1 (01:25:16):
I'm gonna give it a 1 .
I don't have to say that a 1,because if this was just fiend
over their beats with 12, 11songs was just Fiend over their
beats with 12, 11 songs.

Speaker 2 (01:25:29):
Yeah, then it gives it a different vibe.

Speaker 1 (01:25:30):
Now we might have Fiend in 2001, 2002.
That's crazy.

Speaker 2 (01:25:35):
It's like everybody, just we also got a thing, bro,
we didn't get Juicy J until Wiz.
Yeah, brought him, gave him adifferent.

Speaker 1 (01:25:43):
Look.
Yeah, so everybody runs theircourse.

Speaker 2 (01:25:45):
Bro, yeah brought him , yeah gave him a different, so
Everybody runs their course andI know and I understand it, but
sometimes I be, you know, as the, not a hip hop historian, cuz I
don't know you don't have to,but I'll be looking back
Sometimes I just be like damn,like what if this piece was over
here?
Yeah, I'm saying just the, justto think about it, but you got
an album for us next week.
Play a fire.
Which one is it crowning?
You know what I'm saying, justto think about it.
But you got an album for usnext week.

Speaker 1 (01:26:05):
What's?
Uh, I'm gonna do Play of Fire.

Speaker 2 (01:26:07):
Play of Fire, which one?
Is it Crown of Me, crown of Me.

Speaker 1 (01:26:12):
Crown of Me.
Crown of ought to be Crown ofMe.
Yep, there you go.
You could've went back bro.
Now go back.
I know the cover.
Yep, there you go.
You could have went back bro.
Now go back.
I know the cover, yep moving on.

Speaker 2 (01:26:30):
Alright, so next week we'll do Play or Fly Moving on.
Give y'all a take on thatMinute Maid Mafia.
Give y'all a take on that.
Oh, cool, cool, cool, cool,cool, cool cool cool, cool, cool
.

Speaker 1 (01:26:47):
Yeah, man Come on, Super seed records bro.

Speaker 2 (01:26:53):
For y'all listening and watching.
I do apologize for the sound.
My memory card ran out of space, so that's my fault.
Everything else is good out ofspace, so that's my fault.

Speaker 1 (01:27:06):
Everything else is good.
You gotta get some of them homevideos off of there.

Speaker 2 (01:27:10):
No, I'm just gonna get more memory cards Babe the
video went up.

Speaker 1 (01:27:17):
I'm gonna use the sound.

Speaker 2 (01:27:20):
Nah, I just gotta get some more memory cards.
It's all good, though.

Speaker 1 (01:27:23):
I wanna say uh, appreciate you holding me down,
man, yeah, man, it's a team baby.
Appreciate that, man, yeah,because it'd be wild baby.
My baby man.
When you got active kids brolike yeah, yeah, yeah, they be
Well, I said, life be lifin'baby.

Speaker 2 (01:27:44):
Man, you just don't understand that.
Yeah, yeah, yeah.

Speaker 1 (01:27:46):
I want to say I appreciate y'all man on behalf
of both of us and like to theparty with W and Reggie man for
this fucking with us.
Man of six views.
I appreciate all of it man, Ido this for fun.
Man, shit, I've been up since 3this morning.

(01:28:07):
It's 3 in the afternoon.
You gotta get some rest.
When I miss it it's justbecause my people bro, or I'm
just dog ass sick.
This be fucking vent time forme.
I be at house back.
Let me text Rachel, oh yeah,already texted.

Speaker 2 (01:28:30):
Get an extra episode out.

Speaker 1 (01:28:34):
Oh, speaking of the tapes man before we sign off.
How did you like it?

Speaker 2 (01:28:40):
I liked it that nigga was rapping.
I'm mad that we didn't talkabout that.
That's why I brought it upbefore we left.

Speaker 1 (01:28:45):
I was like, hey, man, if he wrote that and I remember
he did, I got to say but he didrap yeah.

Speaker 2 (01:28:52):
He did.
So, if y'all don't know, camsaid something and it wasn't a
diss, yeah, but like the song.
Say he didn't mean it like that.
Yeah, but that's how I took it.
Take the junior off.
But Omar Gooding, the actor,yeah, responded to Cam for kind
of.
I guess Cam was kind of Alittle slight.

(01:29:13):
You know what I'm saying, butit's an actual like, it's a good
.
My machine is not going to workright now, so I can't.
I'm going to input it.
I'm going to input a little bithere.
Check for the any.
You know I'm saying but now,like Short, sweet, like it.
It didn't sound corny becausewhen I first seen I was like

(01:29:37):
that's why I said you to you,don't that nigga was, I ain't
mad at it.
I was like, yeah, I ain't madat it.
If Cam want to rap, I wouldn'tbe mad at it.
Yeah.

Speaker 1 (01:29:46):
I ain't Cam ain't going to be able to hit him with
that hokey pokey.

Speaker 2 (01:29:52):
Because that nigga was good.
He ended it with okay, you gotmore money than me, your name
bigger than mine.
Now what?
Like, I like that, like, okay,we got that out the way.

Speaker 1 (01:30:04):
But niggas don't mean to.

Speaker 2 (01:30:06):
Now let's rap.
He said you're going to bringup my big brother, blah, blah,
blah.
Cool, let's go Take the junioroff.
You don't know him anymore.
Nah, I like that, though Iwasn't mad at him at all.
Yeah, it was strange, superstrange, you know, yeah, yeah,
thank you for listening toanother episode of Late to the
Party with Doty and Reggie.
I am Reggie, I'm Doty, andwe'll be back next week with

(01:30:29):
better sounding quality.
Insert gang signs.
He threw it up.

Speaker 1 (01:30:40):
I seen him Hold on, they said five, hold on, they
put six.
See what I mean?
Yeah, nothing, no coming backfor me it, they said five, hold
on, they put six.

Speaker 4 (01:30:45):
See what I mean.
Yeah, no, no game-bagging forme it was probably five.

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