June 17, 2025 ā¢ 29 mins
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Episode Transcript
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Speaker 1 (00:00):
What happens when a Pulitzer Prize-winning rapper
storms his rival's hometown,performs a global diss anthem
and sends the entire arena intoa standing ovation, while a
Canadian politician accidentallygets caught in the lyrical
crossfire and ends upapologizing to Drake on
Instagram like he violated gangrules instead of just buying
concert tickets?
(00:20):
Tickets?
Baby, this is not just hip-hopbeef, this is theatrical warfare
, international comedy andlyrical domination served up on
a maple syrup drenched stage.
Kendrick Lamar just walked intoToronto, disrespected Drake in
front of his own people, had thecrowd dancing to Not Like Us
and then left the city glowinglike he baptized it.
(00:41):
And Drake, he's clapping backat politicians now.
You cannot make this up.
This episode is about to be wild, unfiltered and so funny it
should come with a warning.
Let's get into it Now.
Before we dive into thislyrical showdown, make sure
you're tapped all the way inwith me, if you haven't already.
Go ahead and follow Life Pointswith Rhonda on YouTube at Life
(01:04):
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(01:27):
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(01:49):
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Now let's talk about howKendrick Lamar just threw
lyrical glitter on Toronto andDrake turned into the Instagram
mob.
Boss of the North you ready,because it's giving, not like us
in real life.
Boss of the North you readyBecause it's giving, not like us
in real life.
So we've officially entered thepetty palace of 2025, where rap
(02:11):
beef isn't just lyrical, it'spolitical, geographical and
absolutely hysterical.
Kendrick Lamar did what legendsdo.
He didn't just drop a disstrack, he flew into Toronto.
Drake's own kingdom performedNot Like Us in front of tens of
thousands of screaming fans, gota standing ovation and made the
whole arena bounce like it wasa victory parade.
Oh, and that's not even thewildest part, because while
(02:34):
Kendrick was bodying beats,Drake was bodying DMs, sliding
into a Canadian politician'sinbox and calling him a goof for
even attending the show.
And what did this politician do.
He went full hostage video mode, apologizing publicly and
declaring his loyalty to Drakelike he'd just violated some
unspoken OVO code.
You literally cannot write thislevel of hip-hop drama unless
(02:56):
your name is Shakespeare orShonda Rhimes.
But let's also take a moment tohonor Kendrick Lamar.
This man is doing more thandissing.
He's documenting a shift inpower, standing fully in his
artistry and proving thatlyricism, storytelling and
authenticity still have thepower to command arenas, crash
algorithms and silence the noise.
Whether you're Team Kendrick orTeam Drake, one thing is clear
(03:20):
Kendrick did what needed to bedone and Toronto felt that quake
all the way down to the CNTower.
So today we're laughing, we'reanalyzing and we're giving
flowers to KDOT for not onlyshaking up the game but owning
it with grace, grit and a micthat stays lethal.
The history before the hit, whyKendrick's Toronto performance
(03:42):
was bigger than a diss.
To understand why KendrickLamar's performance in Toronto
hit like a meteor, we have torewind not just to the recent
rap beef but to the legacy, thecultural weight and the history
behind this moment.
Let's be clear Toronto isDrake's city.
It's more than his hometown.
It's part of his brand.
(04:03):
It's baked into his bars, hismood, his signature sound.
Drake didn't just put Torontoon the map, he turned it into a
hip-hop capital Ovo Fest, theSix, the CN Tower intros he made
it a character in his story.
So when Kendrick Lamar steppedonto the Rogers Center stage and
performed Not Like Us, itwasn't just a diss, it was an
(04:26):
exorcism in the house that Drakebuilt.
But here's the gag this wasalso a reclamation of hip-hop
values.
Kendrick didn't just show up inCanada to perform, he came to
remind the world what realemceeing looks like.
And the irony, it was Drakehimself who once said Rap is
like the WWE.
Well, kendrick flipped thatscript.
(04:47):
What we're seeing now is lesswrestling and more revolutionary
war, a generational clashbetween lyricism and algorithms,
soul and strategy, spirit andspectacle.
Let's not forget, kendrick hasnever been about quick clout.
He's been building this forover a decade, from Section 8 to
Good Kid, mad City, from theProphetic to Pimp, a Butterfly
(05:07):
to Damn.
This man has served barswrapped in philosophy, wrapped
in pain, wrapped in poetry.
And while Drake mastered theart of consistency, hits and
emotional intimacy, kendrickhoned the skill of making every
verse feel like scripture.
And that's where the tensionhas always lived, not just
between two men, but between twoarchetypes Drake is the
(05:28):
heart-on-his-sleeve superstar,the emotional everyman turned
mogul.
Kendrick is the consciousdisruptor, the prophet from
Compton, the vessel of ancestralweight.
So when Kendrick walked into theheart of Drake's territory and
led an entire stadium inchanting they Not Like Us.
We weren't just witnessing arap concert.
We were witnessing a historicalshift.
This was Malcolm at Oxford, aliin Zaire, baldwin in Paris.
(05:54):
Kendrick used a stage built byhis opponent to deliver a
performance that rewrote thepower dynamic of modern hip-hop.
It was as if Tupac and GilScott Heron had a baby and that
baby grew up and decided to bodya beat in front of Drake's fan
base, and they cheered him forit.
And maybe that's what's gotDrake on edge, because when your
(06:14):
hometown starts dancing to yourenemy's anthem, that's not just
a loss, that's a shift inculture.
That's history unfolding inreal time, and Kendrick he's not
watching it, he's authoring itMoment by moment.
Kendrick's Toronto performancethat shook the six.
Let's make this plain KendrickLamar didn't just step onto the
stage at Toronto's Rogers Centre, he claimed it.
(06:36):
He walked into the very placewhere Drake is hailed as a local
legend and completely flippedthe energy without saying the
man's name once.
That's psychological warfare,that's lyrical chess.
That's what mastery looks likewhen it's rooted in silence and
precision.
The stadium was packed tocapacity.
You could feel the tension.
(06:56):
Fans weren't just waiting for aconcert.
They were waiting to witness amoment, something historic,
something that could only happenonce.
And Kendrick knew that.
He knew the stakes, he knew thesymbolism.
That's why he didn't open withhype, he opened with poise.
He stepped onto that stage likea man who had nothing to prove
(07:17):
but everything to say.
When the haunting instrumentalof Not Like Us dropped, there
was a half-second pause, thatkind of silence that happens
before a thunderstorm.
And then boom, the beat hit andthe crowd responded like a
wildfire had been lit from thefloorboards to the rafters.
Phones were already up, faceswere stunned, people started
(07:39):
screaming not booing, butcheering In Drake City the most
surreal part there were noapologies in the air.
No, maybe he shouldn't playthis.
No, awkward shifting in thecrowd.
Toronto stood tall as Kendrickrapped the opening lines.
There was a strange, almostspiritual recognition that what
they were witnessing wasn'tabout sides.
(08:01):
It was about hip-hop beinghip-hop again.
Bar after bar, kendrick rappedwith an unshakable calm.
Every syllable sliced throughthe air like a blade dipped in
gasoline.
He moved slowly, controlled,like a priest delivering final
rites over a genre that hadforgotten what lyrical war
really looked like.
And then he paused.
(08:22):
No music, just Kendrickstanding center stage, mic down,
as the entire stadium chanted.
They not like us, they not likeus.
It wasn't just a chant, it wasa ritual.
You could feel the energy shift, like Toronto had made peace
with something that this wasn'tbetrayal.
Toronto had made peace withsomething that this wasn't
(08:43):
betrayal, this was evolution.
And Kendrick, he didn't flinch,he just nodded and smiled, but
he didn't restart the track.
He stood tall in silence as thecrowd erupted into a roar of
one more time.
One more time.
The energy in the Rogers Centerwas electric.
People were on their feet,screaming, crying, laughing, not
because he ran it back, butbecause he didn't have to.
(09:04):
That silence was the mic.
Drop, Kendrick, let the momentbreathe.
No filler, no fluff, noperformance gimmicks, just
presence, just power, just a manstanding in the house of his
so-called rival, receiving astanding ovation for calling the
truth into the room.
He absorbed the moment like aspiritual offering.
(09:26):
Then, gracefully, he moved intohis next track, leaving the
crowd buzzing with a kind of awethat doesn't come from
repetition, but from reverence.
Those who were there knew hedidn't need to perform, not Like
Us again.
The crowd had already canonizedit.
They screamed it for him.
The city felt it.
The silence between tracksspoke louder than any encore
(09:49):
ever could.
That wasn't just performance,that was presence.
Now, let's be honest, what otherdiss record in rap history has
ever been performed three timesin a rival city to back-to-back
standing ovations, while thecrowd chanted every word like a
national anthem?
That's not beef, that's a shiftin gravity.
And Kendrick knew what he wasdoing.
(10:09):
No smoke bombs, no rants, nofree promo.
This wasn't about clout, it wasabout control, the control you
get when you've studied thecraft long enough to weaponize
silence, breath control andpacing like martial arts.
As the third round ended,kendrick raised his fist once,
not in defiance but in reverence, and then he left the stage
(10:31):
just like that.
No fireworks, no message, noexit music, just silence.
And that silence it was louderthan anything else.
That night, toronto didn't boo.
They clapped, they stood, theycheered, because in that moment
they weren't watching Kendrickdiss Drake.
They were watching Kendrickremind hip-hop, who still had
the crown, not because heshouted the loudest, but because
(10:53):
he never needed to Drake'spetty DM and the politician who
bent the knee.
Plus that lawsuit we can'tignore.
Just when you thought theKendrick vs Drake saga couldn't
get any wilder, enter Drake'sInstagram DMs and a Canadian
politician who fumbled hisstreet cred like it was a hot
plate.
Let's set the scene.
(11:14):
As Kendrick left his lyricalfootprints all over Toronto's
Rogers Centre, someone spotted afamiliar face in the crowd
Jagmeet Singh, the former leaderof Canada's left-leaning New
Democratic Party, yep.
That Jagmeet Known for hisdesigner, drip, progressive
(11:34):
politics and barbershop fades.
Now, normally politiciansshowing up to concerts wouldn't
raise an eyebrow, but thiswasn't just a concert.
This was a sonic beatdown inDrake's backyard.
And Sing, bless his heart, wasthere, bobbing his head like he
didn't know a war was going on.
That's like a Knicks fanshowing up courtside in Boston
wearing a LeBron jersey.
It's not illegal, but it's bold.
And Drake oh, he wasn't havingit In classic 2025 fashion.
(11:59):
The sixth God didn't call apress conference.
He didn't tweet.
He did what Drake does he slidinto the DMs.
And what did he say?
You're a goof, that's it.
Two words, one emotional suckerpunch.
And just like that, jagmeetSingh went from parliament to
panic, instead of brushing itoff, laughing it off or ignoring
(12:20):
it, like most politicians would.
He folded like laundry.
Singh issued a public apologythat read more like a hostage
letter than a PR statement.
I went for SZA, not Kendrick.
I shouldn't have gone at all.
Ovo and Drake have lifted thiscity in ways no one else has.
For me, it'll always be Drakeover Kendrick, sir, not you
(12:41):
throwing your own musical tasteunder the bus to make peace with
Champagne Poppy and theinternet.
Lost it's mine.
Memes flooded Twitter X.
People were calling Singh,drake's newest intern, the
minister of apologies andCanada's first political
casualty in a rap beef.
And Canada's first politicalcasualty in a rap beef.
(13:02):
One user wrote Imagine gettingchecked by Drake over a concert
and issuing a public apologylike you skipped war duty.
But while everyone was laughingat Singh's Oops, I Went to a
Disconcert tour.
Another storm was brewing and ithad nothing to do with Kendrick
, because behind the scenes,drake is currently facing a
serious lawsuit.
And it's not petty, it's dark.
And it's not petty, it's darkand it's putting a shadow over
(13:23):
his legacy.
Filed in May 2025, amulti-million dollar civil suit
was brought against Drake by awoman who alleges that during
her time inside Drake's innercircle, she experienced a
pattern of emotional coercion,sexual misconduct and
manipulation.
Sexual misconduct andmanipulation the suit claims
there are recordings, ndas andprivate footage, some of which
(13:44):
is allegedly being reviewed inconnection with ongoing federal
investigations tied to otherartists.
Let's be clear At the time ofthis episode, no criminal
charges have been filed, but theallegations are detailed,
disturbing and eerily echothemes we've seen in other
(14:07):
lawsuits surrounding musicindustry figures.
It's got many fans wondering isthe King of Toronto more
vulnerable than he lets on?
That might explain why Drake issuddenly going hard online,
clapping back at politicians,trolling with petty posts and
asserting dominance digitally,while Kendrick does it on stage.
Because what Kendrick did withNot Like Us wasn't just musical,
it was strategic.
He attacked the very imageDrake's brand is built on the
nice guy, the emotional savior,the lover, the loner, the
(14:31):
ultimate safe space in rap.
And when Kendrick tore thatimage down, bar by bar, the
world didn't flinch.
It leaned in Drake's response,dming a politician like it's
high school, and he got left onread.
And it's worth asking is thiswhat insecurity looks like, when
power feels threatened Becauseyou don't DM someone, you're a
goof, unless something in yourarmor just cracked.
(14:54):
So while Drake flexes onInstagram, kendrick is flexing
with audiences, stages andchants that don't lie, and if
this lawsuit continues to unfold, we may be seeing not just a
battle for respect but areckoning with the very persona
Drake's career was built on.
This ain't just bars anymore.
It's reputation, warfare andthe scoreboard it's starting to
(15:18):
lean hard in Kendrick's favor.
Kendrick's evolution fromCompton poet to cultural
commander.
To understand the full impactof Kendrick Lamar's Toronto
performance and why it senttremors through the music
industry and beyond, you have tolook at his evolution, because
Kendrick didn't get here byaccident.
He's not a one-hit wonder.
He's not an algorithm artist.
(15:38):
He is the product of years ofsharpening, suffering,
witnessing and waiting.
He is not just a rapper.
He's a cultural commander whomastered the art of silence and
strategy in a genre that oftenrewards noise.
Let's go all the way back,before the Pulitzer Prize,
before the Grammys, before thediss tracks.
Kendrick Lamar Duckworth wasjust a quiet kid from Compton
(16:01):
with a notebook and a dream.
A child of the Reagan-era crackepidemic, a product of a
neighborhood haunted by sirensand sacrifice.
He saw what many of us onlyhear about in songs real pain,
real consequences, real cyclesof poverty and survival.
And instead of glorifying it,kendrick documented it.
His 2011 breakout album,section 8, was already dense
(16:23):
with theology, philosophy andsociopolitical commentary.
By the time Good Kid Mad Citydropped in 2012, kendrick had
proven he could turn the storyof a single day in Compton into
a cinematic, multilayeredmasterpiece.
It wasn't just music, it wastestimony.
Then came To Pimp a Butterfly,arguably the most important
(16:43):
hip-hop album of its decade.
It was black, brilliant,uncomfortable, poetic, prophetic
.
He channeled the ghosts of GilScott, heron, nina Simone and
Tupac Shakur into a jazz rapsymphony that held up a mirror
to America and dared us to lookin it.
Rap symphony that held up amirror to America and dared us
to look in it.
When Damn arrived in 2017,kendrick tightened the lens
(17:13):
again.
This time it was internal Sin,ego, pride, fear.
He unpacked them like apreacher, pulling sermons out of
smoke, and the world listened.
The Pulitzer Prize Committeedid too, awarding him the first
ever Pulitzer in music for ahip-hop album.
But what makes Kendrickdifferent isn't just the
accolades, it's the intent.
He's never chased clout, neveroversaturated the market, never
danced for clicks.
Kendrick plays the long game,and every album, every interview
(17:36):
, every verse is planted withpurpose.
While some artists flood theinternet for attention, kendrick
disappears for years, only toreemerge with something so
potent it shifts the entiregenre overnight.
Even when he dropped Mr Moraleand the Big Steppers, an album
filled with therapy, familytrauma and ancestral healing, it
(17:56):
wasn't easy listening, but itwas necessary listening.
Kendrick risked soundingvulnerable, imperfect, even
problematic, to tell the truth,in a world addicted to masks.
And now, here in 2025, kendrickisn't just an artist.
He's a symbol.
A symbol of what happens whenintegrity wins, when a man
(18:17):
doesn't compromise his pen for apaycheck, when an artist
refuses to dilute himself, evenif it means standing alone.
That's why his Toronto takeovermattered so much, because it
wasn't just a diss track beingperformed.
It was the culmination ofdecades of discipline.
He didn't need to scream orwear chains the size of dinner
plates.
He didn't need 50 dancers or a3D light show.
(18:38):
All he needed was a mic, amessage and a city ready to
receive it.
In that moment, kendrick becamesomething bigger than a rapper.
He became a cultural compass, areminder that lyricism isn't
dead, that consciousness stillhas a place in music, that you
(18:59):
can speak softly and still shakestadiums.
And, what's even more poetic,kendrick never asked for the
throne.
He simply kept showing up withtruth and the throne followed
him.
What this means for hip-hop theshift in power, loyalty and
legacy.
When Kendrick Lamar performedNot Like Us in Drake's hometown
without a single diss wordspoken between songs, he didn't
just shake the arena, he shookthe foundation of hip-hop
(19:19):
loyalty and redefined what powerlooks like in a genre that too
often confuses popularity withlegacy.
Let's break this down.
For over a decade, drake hasoccupied a unique space in rap.
He's been the king ofconsistency, the crossover
success story, the emotionalmaestro of a generation that
grew up with one foot in therapyand the other on TikTok.
(19:42):
His formula introspectivelyrics over catchy hooks was
once revolutionary, butsomewhere along the way the
culture shifted.
And Kendrick, he's never beeninterested in the formula, he's
been committed to the message.
That's what made this clash sofascinating.
It wasn't just two rappersbeefing, it was two philosophies
(20:03):
of hip-hop colliding.
Drake represents the currentmodel Radio dominance, social
media strategy, brand alignmentand crowd-hop.
Colliding.
Drake represents the currentmodel radio dominance, social
media strategy, brand alignmentand crowd-pleasing precision.
Kendrick represents theancestral model lyrical depth,
cultural critique, emotionalrisk and artistic integrity,
even if it makes peopleuncomfortable.
And here's the plot twist thefans chose depth.
(20:26):
In Toronto at a Kendrick showsinging Not like us.
That's not just surprising,that's paradigm shifting.
For years, industry experts saidthat fans wanted surface-level
rap, that nobody had theattention span for lyrics with
layers, that politicalcommentary would ruin your
streams, that black artists hadto choose between relevance and
resistance, that Black artistshad to choose between relevance
(20:47):
and resistance.
But Kendrick proved all of thatwrong in real time, in real
space, in Drake's own city.
The reaction from the Torontocrowd wasn't just about music.
It was about alignment.
A growing generation of fans isno longer satisfied with catchy
beats alone.
They want meaning, they wantsoul, they want to feel
(21:08):
something real.
And this moment Kendrick'sperformance, drake's silence,
the awkward DM to a politician,the lawsuits, the chants has
forced everyone in the industryto stop and look around.
What happens when the king ofhits starts feeling like the
court jester and the poetbecomes the monarch?
It's a spiritual shift, alyrical resurrection, a
(21:31):
re-centering of authenticity ina genre that's been
commercialized into chaos.
But let's be clear this isn'tthe end of Drake.
He's still a genius hitmaker, abusiness mogul and a dominant
force.
What's changed is the way fansmeasure greatness.
It's no longer just aboutBillboard stats or Grammy
nominations.
It's changed is the way fansmeasure greatness.
It's no longer just aboutbillboard stats or Grammy
nominations.
It's about the impact of yourtruth.
(21:53):
It's about what you stand forwhen the mic is off.
It's about whether your art cansurvive without the machine.
Kendrick doesn't have a megalabel machine behind him the way
Drake does, but what he doeshave is respect, reverence, and
in the streets, in the hearts ofpeople who grew up using music
as therapy, that currency holdsmore weight than gold chains and
(22:14):
streaming plaques.
So what does this mean for hiphop?
It means we're entering a newage, one where legacy will be
earned, not bought, where fanswill chant your lyrics not just
because they're catchy butbecause they're sacred, where
rap returns to its roots as aform of storytelling, protest,
celebration and healing.
(22:35):
And Kendrick, he just becamethe face of that renaissance.
He reminded us all, through onediss track, one performance and
one moment of silence, thattruth is timeless and when it's
delivered with integrity, itdoesn't just move crowds, it
moves history.
Final Reflections, drake's nextmove and Kendrick's unshakable
(22:57):
position.
This isn't just the story oftwo rappers.
This is a mirror held up to theculture, a moment that asked
what do we really value?
Is it hits streams, followersand flashy features?
Or is it message, artistry andthe courage to challenge an
industry that often rewardsimitation over innovation?
Because what we just witnessedwasn't just a concert, it was a
(23:21):
cultural referendum.
And Kendrick didn't have to sayDrake's name because the truth
echoed louder than any diss evercould.
Now here we are.
Kendrick didn't have to sayDrake's name because the truth
echoed louder than any diss evercould.
Now here we are, kendrick Lamarstanding unbothered, unshaken
and possibly undefeatable, andDrake, well, drake is at a
crossroads.
The truth is, drake is in adangerous position, not because
(23:41):
he's not still brilliant, butbecause he's no longer
untouchable.
The charm, the mystery, theTeflon image it's cracked, and
not just by Kendrick's pen, butby Drake's own behavior, the
petty DMs, the optics of ego andthe lawsuit that threatens to
reveal a version of him thepublic was never meant to see.
(24:02):
Now we know how this game goesDrake could drop a melodic
banger tomorrow and the chartswould explode.
He still has millions of fans,billions of streams and the
infrastructure to dominate anycycle.
But here's what he may neverrecover the emotional shift.
Because when your own citysings your opponent's lyrics
louder than yours, something haschanged.
(24:22):
And Kendrick, he's not chasingawards, headlines or hit lists.
He's creating moments thatmatter.
He's anchoring himself inlegacy, not likes, and that's
why he keeps rising.
Because in an era of constantperformance, kendrick remains
rooted in presence.
He's moved from poet to prophet, from artist to oracle, and
(24:43):
whether he ever drops anotherdiss track or not, the truth
remains.
He reminded us that hip hop isstill sacred and that when you
honor it with heart, it willreturn that honor and thunderous
applause.
So where do we go from here?
Drake will have to decidewhether he wants to defend his
throne or redefine it.
He can't outwrap Kendrick, thatmuch is clear.
(25:03):
But he can evolve, heal, growand maybe come back, not with
vengeance, but withvulnerability, real
vulnerability, not curatedsadness behind filters, but a
reckoning.
If he chooses that, there'sstill hope for his story to take
a powerful turn.
And Kendrick, he doesn't needto do anything, because
(25:24):
sometimes the most powerful movein chess is to simply stand
still and watch the board changearound you.
So here we are A diss trackbirthed an earthquake, a
performance in Toronto turnedinto testimony, and the crown it
didn't just shift, it glowed alittle brighter in Compton.
If your jaw's on the floorright now, just know you're not
(25:47):
alone, because what we witnessedwasn't just a performance or a
petty moment on Instagram.
It was history in the making.
Kendrick Lamar reminded theworld that the mic is still a
sacred weapon, that truth, whendelivered with intention, will
always shake the room, no matterhow deep the opposition runs.
And as for Drake, he's got somereflecting to do.
(26:10):
This isn't the end of him, butit might just be the beginning
of something different, if he'swilling to face himself.
Not just the charts, but letthis episode be a reminder to
you too.
Don't be afraid to walk intoplaces where they told you the
crown already belonged tosomeone else.
Sometimes your biggestbreakthrough will happen right
(26:31):
in the middle of someone else'sempire, and if you're brave
enough, bold enough and honestenough, you just might make the
whole kingdom clap for you.
Keep your integrity, sharpenyour voice and remember real
ones don't have to shout to beheard, they just have to stand
in truth.
Now, family, if this episodegave you life, made you laugh or
(26:51):
had you rewinding just to catchthat bar, I want you to smash
that like button, leave acomment and, most importantly,
share this with your people.
Let's keep the conversationgoing.
Be sure to follow Life Pointswith Rhonda on all platforms
Websitewwwlifepointswithrhondacom.
Podcast.
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(27:13):
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Until next time, remember thisyou don't have to outshine
(27:35):
anyone else to shine, just belit from within, and the rest
will adjust, with love, withfire and with full lyrical
freedom.
This is LifePoints.
Thank you, bye.
What happens when a Pulitzer Prize-winning rapper
storms his rival's hometown,performs a global diss anthem
and sends the entire arena intoa standing ovation, while a
Canadian politician accidentallygets caught in the lyrical
crossfire and ends upapologizing to Drake on
Instagram like he violated gangrules instead of just buying
concert tickets?
(00:20):
Tickets?
Baby, this is not just hip-hopbeef, this is theatrical warfare
, international comedy andlyrical domination served up on
a maple syrup drenched stage.
Kendrick Lamar just walked intoToronto, disrespected Drake in
front of his own people, had thecrowd dancing to Not Like Us
and then left the city glowinglike he baptized it.
(00:41):
And Drake, he's clapping backat politicians now.
You cannot make this up.
This episode is about to be wild, unfiltered and so funny it
should come with a warning.
Let's get into it Now.
Before we dive into thislyrical showdown, make sure
you're tapped all the way inwith me, if you haven't already.
Go ahead and follow Life Pointswith Rhonda on YouTube at Life
(01:04):
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(01:27):
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(01:49):
lifepointswithrhonda at gmailcom.
Now let's talk about howKendrick Lamar just threw
lyrical glitter on Toronto andDrake turned into the Instagram
mob.
Boss of the North you ready,because it's giving, not like us
in real life.
Boss of the North you readyBecause it's giving, not like us
in real life.
So we've officially entered thepetty palace of 2025, where rap
(02:11):
beef isn't just lyrical, it'spolitical, geographical and
absolutely hysterical.
Kendrick Lamar did what legendsdo.
He didn't just drop a disstrack, he flew into Toronto.
Drake's own kingdom performedNot Like Us in front of tens of
thousands of screaming fans, gota standing ovation and made the
whole arena bounce like it wasa victory parade.
Oh, and that's not even thewildest part, because while
(02:34):
Kendrick was bodying beats,Drake was bodying DMs, sliding
into a Canadian politician'sinbox and calling him a goof for
even attending the show.
And what did this politician do.
He went full hostage video mode, apologizing publicly and
declaring his loyalty to Drakelike he'd just violated some
unspoken OVO code.
You literally cannot write thislevel of hip-hop drama unless
(02:56):
your name is Shakespeare orShonda Rhimes.
But let's also take a moment tohonor Kendrick Lamar.
This man is doing more thandissing.
He's documenting a shift inpower, standing fully in his
artistry and proving thatlyricism, storytelling and
authenticity still have thepower to command arenas, crash
algorithms and silence the noise.
Whether you're Team Kendrick orTeam Drake, one thing is clear
(03:20):
Kendrick did what needed to bedone and Toronto felt that quake
all the way down to the CNTower.
So today we're laughing, we'reanalyzing and we're giving
flowers to KDOT for not onlyshaking up the game but owning
it with grace, grit and a micthat stays lethal.
The history before the hit, whyKendrick's Toronto performance
(03:42):
was bigger than a diss.
To understand why KendrickLamar's performance in Toronto
hit like a meteor, we have torewind not just to the recent
rap beef but to the legacy, thecultural weight and the history
behind this moment.
Let's be clear Toronto isDrake's city.
It's more than his hometown.
It's part of his brand.
(04:03):
It's baked into his bars, hismood, his signature sound.
Drake didn't just put Torontoon the map, he turned it into a
hip-hop capital Ovo Fest, theSix, the CN Tower intros he made
it a character in his story.
So when Kendrick Lamar steppedonto the Rogers Center stage and
performed Not Like Us, itwasn't just a diss, it was an
(04:26):
exorcism in the house that Drakebuilt.
But here's the gag this wasalso a reclamation of hip-hop
values.
Kendrick didn't just show up inCanada to perform, he came to
remind the world what realemceeing looks like.
And the irony, it was Drakehimself who once said Rap is
like the WWE.
Well, kendrick flipped thatscript.
(04:47):
What we're seeing now is lesswrestling and more revolutionary
war, a generational clashbetween lyricism and algorithms,
soul and strategy, spirit andspectacle.
Let's not forget, kendrick hasnever been about quick clout.
He's been building this forover a decade, from Section 8 to
Good Kid, mad City, from theProphetic to Pimp, a Butterfly
(05:07):
to Damn.
This man has served barswrapped in philosophy, wrapped
in pain, wrapped in poetry.
And while Drake mastered theart of consistency, hits and
emotional intimacy, kendrickhoned the skill of making every
verse feel like scripture.
And that's where the tensionhas always lived, not just
between two men, but between twoarchetypes Drake is the
(05:28):
heart-on-his-sleeve superstar,the emotional everyman turned
mogul.
Kendrick is the consciousdisruptor, the prophet from
Compton, the vessel of ancestralweight.
So when Kendrick walked into theheart of Drake's territory and
led an entire stadium inchanting they Not Like Us.
We weren't just witnessing arap concert.
We were witnessing a historicalshift.
This was Malcolm at Oxford, aliin Zaire, baldwin in Paris.
(05:54):
Kendrick used a stage built byhis opponent to deliver a
performance that rewrote thepower dynamic of modern hip-hop.
It was as if Tupac and GilScott Heron had a baby and that
baby grew up and decided to bodya beat in front of Drake's fan
base, and they cheered him forit.
And maybe that's what's gotDrake on edge, because when your
(06:14):
hometown starts dancing to yourenemy's anthem, that's not just
a loss, that's a shift inculture.
That's history unfolding inreal time, and Kendrick he's not
watching it, he's authoring itMoment by moment.
Kendrick's Toronto performancethat shook the six.
Let's make this plain KendrickLamar didn't just step onto the
stage at Toronto's Rogers Centre, he claimed it.
(06:36):
He walked into the very placewhere Drake is hailed as a local
legend and completely flippedthe energy without saying the
man's name once.
That's psychological warfare,that's lyrical chess.
That's what mastery looks likewhen it's rooted in silence and
precision.
The stadium was packed tocapacity.
You could feel the tension.
(06:56):
Fans weren't just waiting for aconcert.
They were waiting to witness amoment, something historic,
something that could only happenonce.
And Kendrick knew that.
He knew the stakes, he knew thesymbolism.
That's why he didn't open withhype, he opened with poise.
He stepped onto that stage likea man who had nothing to prove
(07:17):
but everything to say.
When the haunting instrumentalof Not Like Us dropped, there
was a half-second pause, thatkind of silence that happens
before a thunderstorm.
And then boom, the beat hit andthe crowd responded like a
wildfire had been lit from thefloorboards to the rafters.
Phones were already up, faceswere stunned, people started
(07:39):
screaming not booing, butcheering In Drake City the most
surreal part there were noapologies in the air.
No, maybe he shouldn't playthis.
No, awkward shifting in thecrowd.
Toronto stood tall as Kendrickrapped the opening lines.
There was a strange, almostspiritual recognition that what
they were witnessing wasn'tabout sides.
(08:01):
It was about hip-hop beinghip-hop again.
Bar after bar, kendrick rappedwith an unshakable calm.
Every syllable sliced throughthe air like a blade dipped in
gasoline.
He moved slowly, controlled,like a priest delivering final
rites over a genre that hadforgotten what lyrical war
really looked like.
And then he paused.
(08:22):
No music, just Kendrickstanding center stage, mic down,
as the entire stadium chanted.
They not like us, they not likeus.
It wasn't just a chant, it wasa ritual.
You could feel the energy shift, like Toronto had made peace
with something that this wasn'tbetrayal.
Toronto had made peace withsomething that this wasn't
(08:43):
betrayal, this was evolution.
And Kendrick, he didn't flinch,he just nodded and smiled, but
he didn't restart the track.
He stood tall in silence as thecrowd erupted into a roar of
one more time.
One more time.
The energy in the Rogers Centerwas electric.
People were on their feet,screaming, crying, laughing, not
because he ran it back, butbecause he didn't have to.
(09:04):
That silence was the mic.
Drop, Kendrick, let the momentbreathe.
No filler, no fluff, noperformance gimmicks, just
presence, just power, just a manstanding in the house of his
so-called rival, receiving astanding ovation for calling the
truth into the room.
He absorbed the moment like aspiritual offering.
(09:26):
Then, gracefully, he moved intohis next track, leaving the
crowd buzzing with a kind of awethat doesn't come from
repetition, but from reverence.
Those who were there knew hedidn't need to perform, not Like
Us again.
The crowd had already canonizedit.
They screamed it for him.
The city felt it.
The silence between tracksspoke louder than any encore
(09:49):
ever could.
That wasn't just performance,that was presence.
Now, let's be honest, what otherdiss record in rap history has
ever been performed three timesin a rival city to back-to-back
standing ovations, while thecrowd chanted every word like a
national anthem?
That's not beef, that's a shiftin gravity.
And Kendrick knew what he wasdoing.
(10:09):
No smoke bombs, no rants, nofree promo.
This wasn't about clout, it wasabout control, the control you
get when you've studied thecraft long enough to weaponize
silence, breath control andpacing like martial arts.
As the third round ended,kendrick raised his fist once,
not in defiance but in reverence, and then he left the stage
(10:31):
just like that.
No fireworks, no message, noexit music, just silence.
And that silence it was louderthan anything else.
That night, toronto didn't boo.
They clapped, they stood, theycheered, because in that moment
they weren't watching Kendrickdiss Drake.
They were watching Kendrickremind hip-hop, who still had
the crown, not because heshouted the loudest, but because
(10:53):
he never needed to Drake'spetty DM and the politician who
bent the knee.
Plus that lawsuit we can'tignore.
Just when you thought theKendrick vs Drake saga couldn't
get any wilder, enter Drake'sInstagram DMs and a Canadian
politician who fumbled hisstreet cred like it was a hot
plate.
Let's set the scene.
(11:14):
As Kendrick left his lyricalfootprints all over Toronto's
Rogers Centre, someone spotted afamiliar face in the crowd
Jagmeet Singh, the former leaderof Canada's left-leaning New
Democratic Party, yep.
That Jagmeet Known for hisdesigner, drip, progressive
(11:34):
politics and barbershop fades.
Now, normally politiciansshowing up to concerts wouldn't
raise an eyebrow, but thiswasn't just a concert.
This was a sonic beatdown inDrake's backyard.
And Sing, bless his heart, wasthere, bobbing his head like he
didn't know a war was going on.
That's like a Knicks fanshowing up courtside in Boston
wearing a LeBron jersey.
It's not illegal, but it's bold.
And Drake oh, he wasn't havingit In classic 2025 fashion.
(11:59):
The sixth God didn't call apress conference.
He didn't tweet.
He did what Drake does he slidinto the DMs.
And what did he say?
You're a goof, that's it.
Two words, one emotional suckerpunch.
And just like that, jagmeetSingh went from parliament to
panic, instead of brushing itoff, laughing it off or ignoring
(12:20):
it, like most politicians would.
He folded like laundry.
Singh issued a public apologythat read more like a hostage
letter than a PR statement.
I went for SZA, not Kendrick.
I shouldn't have gone at all.
Ovo and Drake have lifted thiscity in ways no one else has.
For me, it'll always be Drakeover Kendrick, sir, not you
(12:41):
throwing your own musical tasteunder the bus to make peace with
Champagne Poppy and theinternet.
Lost it's mine.
Memes flooded Twitter X.
People were calling Singh,drake's newest intern, the
minister of apologies andCanada's first political
casualty in a rap beef.
And Canada's first politicalcasualty in a rap beef.
(13:02):
One user wrote Imagine gettingchecked by Drake over a concert
and issuing a public apologylike you skipped war duty.
But while everyone was laughingat Singh's Oops, I Went to a
Disconcert tour.
Another storm was brewing and ithad nothing to do with Kendrick
, because behind the scenes,drake is currently facing a
serious lawsuit.
And it's not petty, it's dark.
And it's not petty, it's darkand it's putting a shadow over
(13:23):
his legacy.
Filed in May 2025, amulti-million dollar civil suit
was brought against Drake by awoman who alleges that during
her time inside Drake's innercircle, she experienced a
pattern of emotional coercion,sexual misconduct and
manipulation.
Sexual misconduct andmanipulation the suit claims
there are recordings, ndas andprivate footage, some of which
(13:44):
is allegedly being reviewed inconnection with ongoing federal
investigations tied to otherartists.
Let's be clear At the time ofthis episode, no criminal
charges have been filed, but theallegations are detailed,
disturbing and eerily echothemes we've seen in other
(14:07):
lawsuits surrounding musicindustry figures.
It's got many fans wondering isthe King of Toronto more
vulnerable than he lets on?
That might explain why Drake issuddenly going hard online,
clapping back at politicians,trolling with petty posts and
asserting dominance digitally,while Kendrick does it on stage.
Because what Kendrick did withNot Like Us wasn't just musical,
it was strategic.
He attacked the very imageDrake's brand is built on the
nice guy, the emotional savior,the lover, the loner, the
(14:31):
ultimate safe space in rap.
And when Kendrick tore thatimage down, bar by bar, the
world didn't flinch.
It leaned in Drake's response,dming a politician like it's
high school, and he got left onread.
And it's worth asking is thiswhat insecurity looks like, when
power feels threatened Becauseyou don't DM someone, you're a
goof, unless something in yourarmor just cracked.
(14:54):
So while Drake flexes onInstagram, kendrick is flexing
with audiences, stages andchants that don't lie, and if
this lawsuit continues to unfold, we may be seeing not just a
battle for respect but areckoning with the very persona
Drake's career was built on.
This ain't just bars anymore.
It's reputation, warfare andthe scoreboard it's starting to
(15:18):
lean hard in Kendrick's favor.
Kendrick's evolution fromCompton poet to cultural
commander.
To understand the full impactof Kendrick Lamar's Toronto
performance and why it senttremors through the music
industry and beyond, you have tolook at his evolution, because
Kendrick didn't get here byaccident.
He's not a one-hit wonder.
He's not an algorithm artist.
(15:38):
He is the product of years ofsharpening, suffering,
witnessing and waiting.
He is not just a rapper.
He's a cultural commander whomastered the art of silence and
strategy in a genre that oftenrewards noise.
Let's go all the way back,before the Pulitzer Prize,
before the Grammys, before thediss tracks.
Kendrick Lamar Duckworth wasjust a quiet kid from Compton
(16:01):
with a notebook and a dream.
A child of the Reagan-era crackepidemic, a product of a
neighborhood haunted by sirensand sacrifice.
He saw what many of us onlyhear about in songs real pain,
real consequences, real cyclesof poverty and survival.
And instead of glorifying it,kendrick documented it.
His 2011 breakout album,section 8, was already dense
(16:23):
with theology, philosophy andsociopolitical commentary.
By the time Good Kid Mad Citydropped in 2012, kendrick had
proven he could turn the storyof a single day in Compton into
a cinematic, multilayeredmasterpiece.
It wasn't just music, it wastestimony.
Then came To Pimp a Butterfly,arguably the most important
(16:43):
hip-hop album of its decade.
It was black, brilliant,uncomfortable, poetic, prophetic
.
He channeled the ghosts of GilScott, heron, nina Simone and
Tupac Shakur into a jazz rapsymphony that held up a mirror
to America and dared us to lookin it.
Rap symphony that held up amirror to America and dared us
to look in it.
When Damn arrived in 2017,kendrick tightened the lens
(17:13):
again.
This time it was internal Sin,ego, pride, fear.
He unpacked them like apreacher, pulling sermons out of
smoke, and the world listened.
The Pulitzer Prize Committeedid too, awarding him the first
ever Pulitzer in music for ahip-hop album.
But what makes Kendrickdifferent isn't just the
accolades, it's the intent.
He's never chased clout, neveroversaturated the market, never
danced for clicks.
Kendrick plays the long game,and every album, every interview
(17:36):
, every verse is planted withpurpose.
While some artists flood theinternet for attention, kendrick
disappears for years, only toreemerge with something so
potent it shifts the entiregenre overnight.
Even when he dropped Mr Moraleand the Big Steppers, an album
filled with therapy, familytrauma and ancestral healing, it
(17:56):
wasn't easy listening, but itwas necessary listening.
Kendrick risked soundingvulnerable, imperfect, even
problematic, to tell the truth,in a world addicted to masks.
And now, here in 2025, kendrickisn't just an artist.
He's a symbol.
A symbol of what happens whenintegrity wins, when a man
(18:17):
doesn't compromise his pen for apaycheck, when an artist
refuses to dilute himself, evenif it means standing alone.
That's why his Toronto takeovermattered so much, because it
wasn't just a diss track beingperformed.
It was the culmination ofdecades of discipline.
He didn't need to scream orwear chains the size of dinner
plates.
He didn't need 50 dancers or a3D light show.
(18:38):
All he needed was a mic, amessage and a city ready to
receive it.
In that moment, kendrick becamesomething bigger than a rapper.
He became a cultural compass, areminder that lyricism isn't
dead, that consciousness stillhas a place in music, that you
(18:59):
can speak softly and still shakestadiums.
And, what's even more poetic,kendrick never asked for the
throne.
He simply kept showing up withtruth and the throne followed
him.
What this means for hip-hop theshift in power, loyalty and
legacy.
When Kendrick Lamar performedNot Like Us in Drake's hometown
without a single diss wordspoken between songs, he didn't
just shake the arena, he shookthe foundation of hip-hop
(19:19):
loyalty and redefined what powerlooks like in a genre that too
often confuses popularity withlegacy.
Let's break this down.
For over a decade, drake hasoccupied a unique space in rap.
He's been the king ofconsistency, the crossover
success story, the emotionalmaestro of a generation that
grew up with one foot in therapyand the other on TikTok.
(19:42):
His formula introspectivelyrics over catchy hooks was
once revolutionary, butsomewhere along the way the
culture shifted.
And Kendrick, he's never beeninterested in the formula, he's
been committed to the message.
That's what made this clash sofascinating.
It wasn't just two rappersbeefing, it was two philosophies
(20:03):
of hip-hop colliding.
Drake represents the currentmodel Radio dominance, social
media strategy, brand alignmentand crowd-hop.
Colliding.
Drake represents the currentmodel radio dominance, social
media strategy, brand alignmentand crowd-pleasing precision.
Kendrick represents theancestral model lyrical depth,
cultural critique, emotionalrisk and artistic integrity,
even if it makes peopleuncomfortable.
And here's the plot twist thefans chose depth.
(20:26):
In Toronto at a Kendrick showsinging Not like us.
That's not just surprising,that's paradigm shifting.
For years, industry experts saidthat fans wanted surface-level
rap, that nobody had theattention span for lyrics with
layers, that politicalcommentary would ruin your
streams, that black artists hadto choose between relevance and
resistance, that Black artistshad to choose between relevance
(20:47):
and resistance.
But Kendrick proved all of thatwrong in real time, in real
space, in Drake's own city.
The reaction from the Torontocrowd wasn't just about music.
It was about alignment.
A growing generation of fans isno longer satisfied with catchy
beats alone.
They want meaning, they wantsoul, they want to feel
(21:08):
something real.
And this moment Kendrick'sperformance, drake's silence,
the awkward DM to a politician,the lawsuits, the chants has
forced everyone in the industryto stop and look around.
What happens when the king ofhits starts feeling like the
court jester and the poetbecomes the monarch?
It's a spiritual shift, alyrical resurrection, a
(21:31):
re-centering of authenticity ina genre that's been
commercialized into chaos.
But let's be clear this isn'tthe end of Drake.
He's still a genius hitmaker, abusiness mogul and a dominant
force.
What's changed is the way fansmeasure greatness.
It's no longer just aboutBillboard stats or Grammy
nominations.
It's changed is the way fansmeasure greatness.
It's no longer just aboutbillboard stats or Grammy
nominations.
It's about the impact of yourtruth.
(21:53):
It's about what you stand forwhen the mic is off.
It's about whether your art cansurvive without the machine.
Kendrick doesn't have a megalabel machine behind him the way
Drake does, but what he doeshave is respect, reverence, and
in the streets, in the hearts ofpeople who grew up using music
as therapy, that currency holdsmore weight than gold chains and
(22:14):
streaming plaques.
So what does this mean for hiphop?
It means we're entering a newage, one where legacy will be
earned, not bought, where fanswill chant your lyrics not just
because they're catchy butbecause they're sacred, where
rap returns to its roots as aform of storytelling, protest,
celebration and healing.
(22:35):
And Kendrick, he just becamethe face of that renaissance.
He reminded us all, through onediss track, one performance and
one moment of silence, thattruth is timeless and when it's
delivered with integrity, itdoesn't just move crowds, it
moves history.
Final Reflections, drake's nextmove and Kendrick's unshakable
(22:57):
position.
This isn't just the story oftwo rappers.
This is a mirror held up to theculture, a moment that asked
what do we really value?
Is it hits streams, followersand flashy features?
Or is it message, artistry andthe courage to challenge an
industry that often rewardsimitation over innovation?
Because what we just witnessedwasn't just a concert, it was a
(23:21):
cultural referendum.
And Kendrick didn't have to sayDrake's name because the truth
echoed louder than any diss evercould.
Now here we are.
Kendrick didn't have to sayDrake's name because the truth
echoed louder than any diss evercould.
Now here we are, kendrick Lamarstanding unbothered, unshaken
and possibly undefeatable, andDrake, well, drake is at a
crossroads.
The truth is, drake is in adangerous position, not because
(23:41):
he's not still brilliant, butbecause he's no longer
untouchable.
The charm, the mystery, theTeflon image it's cracked, and
not just by Kendrick's pen, butby Drake's own behavior, the
petty DMs, the optics of ego andthe lawsuit that threatens to
reveal a version of him thepublic was never meant to see.
(24:02):
Now we know how this game goesDrake could drop a melodic
banger tomorrow and the chartswould explode.
He still has millions of fans,billions of streams and the
infrastructure to dominate anycycle.
But here's what he may neverrecover the emotional shift.
Because when your own citysings your opponent's lyrics
louder than yours, something haschanged.
(24:22):
And Kendrick, he's not chasingawards, headlines or hit lists.
He's creating moments thatmatter.
He's anchoring himself inlegacy, not likes, and that's
why he keeps rising.
Because in an era of constantperformance, kendrick remains
rooted in presence.
He's moved from poet to prophet, from artist to oracle, and
(24:43):
whether he ever drops anotherdiss track or not, the truth
remains.
He reminded us that hip hop isstill sacred and that when you
honor it with heart, it willreturn that honor and thunderous
applause.
So where do we go from here?
Drake will have to decidewhether he wants to defend his
throne or redefine it.
He can't outwrap Kendrick, thatmuch is clear.
(25:03):
But he can evolve, heal, growand maybe come back, not with
vengeance, but withvulnerability, real
vulnerability, not curatedsadness behind filters, but a
reckoning.
If he chooses that, there'sstill hope for his story to take
a powerful turn.
And Kendrick, he doesn't needto do anything, because
(25:24):
sometimes the most powerful movein chess is to simply stand
still and watch the board changearound you.
So here we are A diss trackbirthed an earthquake, a
performance in Toronto turnedinto testimony, and the crown it
didn't just shift, it glowed alittle brighter in Compton.
If your jaw's on the floorright now, just know you're not
(25:47):
alone, because what we witnessedwasn't just a performance or a
petty moment on Instagram.
It was history in the making.
Kendrick Lamar reminded theworld that the mic is still a
sacred weapon, that truth, whendelivered with intention, will
always shake the room, no matterhow deep the opposition runs.
And as for Drake, he's got somereflecting to do.
(26:10):
This isn't the end of him, butit might just be the beginning
of something different, if he'swilling to face himself.
Not just the charts, but letthis episode be a reminder to
you too.
Don't be afraid to walk intoplaces where they told you the
crown already belonged tosomeone else.
Sometimes your biggestbreakthrough will happen right
(26:31):
in the middle of someone else'sempire, and if you're brave
enough, bold enough and honestenough, you just might make the
whole kingdom clap for you.
Keep your integrity, sharpenyour voice and remember real
ones don't have to shout to beheard, they just have to stand
in truth.
Now, family, if this episodegave you life, made you laugh or
(26:51):
had you rewinding just to catchthat bar, I want you to smash
that like button, leave acomment and, most importantly,
share this with your people.
Let's keep the conversationgoing.
Be sure to follow Life Pointswith Rhonda on all platforms
Websitewwwlifepointswithrhondacom.
Podcast.
Life Points with Rhondaavailable on all major streaming
(27:13):
apps YouTube Life Points withRhonda Email
lifepointswithrhonda at gmailcom.
Instagram, tiktok and Facebookat lifepointswithrhonda Patreon
for bonus episodes, music andreal conversations.
Life Points with Rhonda.
Until next time, remember thisyou don't have to outshine
(27:35):
anyone else to shine, just belit from within, and the rest
will adjust, with love, withfire and with full lyrical
freedom.
This is LifePoints.
Thank you, bye.
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Iām Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and Iām so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood youāre able to deal with relationship struggles, work challenges and lifeās ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them weāve never seen before. New episodes every Monday and Friday. Your support means the world to me and I donāt take it for granted ā click the follow button and leave a review to help us spread the love with On Purpose. I canāt wait for you to listen to your first or 500th episode!
The Breakfast Club
The World's Most Dangerous Morning Show, The Breakfast Club, With DJ Envy And Charlamagne Tha God!
The Joe Rogan Experience
The official podcast of comedian Joe Rogan.