Listen or Die
Stacey Federoff and Nick Keppler are two journalists on a mission to second-guess the respected music critics who created the book 1,001 Albums You Must Hear Before You Die. Each episode, they pick two albums at random and do deep dives. They revisit old favorites, expand their tastes and hope to one day understand the appeal of Hüsker Dü. Expect laughs, trivia, historic contexts and their judgement on whether or not each album is essential to living a fulfilling life.
Episodes
Paul Revere and the Raiders say no to kicks and Elton John says Yes to orchestration.
This episode, we're discussing Midnight Ride and Madman Across the Water.
Paul Revere and the Raiders were just a Pacific Northwest party band in funny outfits when Columbia Records paired them with producer Terry Melcher and gave them a chance to partake in rock's artistic advancement, resulting in the mostly self-written 1966 album Midnight Ride.
...
Mariah Carey surprises Rolling Stone by understanding hip-hop and Laibach is outlawed for being confusing.
In this episode, we try to move past our rock-centric tastes and enjoy Butterfly, the 1997 album on which vocally superpowered top 40 hit machine Mariah Carey found artistic freedom and conveyed an uplifting message to burn her ex. Then we unpack Laibach, the semi-industrial band that provoked and baffled Yugoslavia and th...
Os Mutantes did not actually break your turntable and Talking Heads learn to get along and really collaborate, for a few weeks.
After taking a month off, we are back to discuss the cross-continental pollination of ideas heard on both the Brazilian band's 1968 debut and the most beloved album in Talking Heads' catalogue. Stacey rates both one head exploding emoji.
Learn about the Tropicalia, precarious rock-fusion movement th...
The Who relieve themselves of prog-rock ambitions and the Cocteau Twins will not dress up for you.
We're again considering three albums from 1001 Albums You Must Hear Before You Die, that staple of the classic rock starter kit, Who's Next, and the Cocteau Twins' cultier Treasure and Heaven or Las Vegas.
Does a song lose its meaning if you've heard it on FM radio thousands of times? Does it gain a meaning if you literally don't un...
Nanci Griffith tries to make folk-a-billy happen and Elliott Smith backs up Madonna, literally.
This time, we ponder three albums from 1001 Albums You Must Hear Before You Die, Griffith's The Last of the True Believers and two by Smith, Either/Or and Figure 8.
We also dive into Texans' profound love of all things Texan, learn about the Great Credibility Scare and why it meant payday for some oddball country artists, ponder t...
Pink Floyd's awful fans punish them with more rock stardom and Supergrass discover that meeting the strange ones isn't actually so great.
We also learn about Pittsburgh's Aerosmith riot of 1976, revisit the homogeny of mid-'90s alt-rock radio, stumble upon a celebrity cameo in the Supergrass story and discover that under and overachieving as an adolescent can both tragically lead to a career in journalism.
Miles Davis teams up with that radish guy to partake in the evolution of jazz and ABBA win over Pete Townsend and Joe Strummer, so what's your problem? Includes a brief and somewhat informed history of early jazz subgenres.
Our logo is by Kelsey Byers and our theme song is "Stuff that Sounds like This" by Women's Basketball, used courtesy of Brian LaRue.
https://linktr.ee/listenordiepodcast
Oasis do not overcome infighting to create a modern-day campfire classic and Eminem says crazy stuff about women and gay people but it's apparently okay because he's not being serious all of the time. If Paul Simon was right and every generation puts a hero on the pop charts, why did millennials go with these bushfires of personal toxicity? Nick and Stacey explore, plus lessons on healthily embodying the villain from haunted house ...
The Velvets ditch their supposed cool boss and live their best lives, infuriating sound engineers, and Slade rise up from the Black Country to install their Wolverine-looking frontman as the UK's new Father Christmas. Plus, Nick and Stacey talk about exploring a parent's record collection.
Our logo is by Kelsey Byers and our theme song is "Stuff that Sounds like This" by Women's Basketball, used courtesy of Brian LaRue.
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