November 3, 2023 • 33 mins
Hello and welcome to Episode 123 of the London History Podcast. Today, we're unwrapping the layers of one of the capital's most enduring pageants — the Lord Mayor's Show. With a heritage that dates back over eight centuries, this splendid cavalcade of pageantry wends its way through the heart of the City of London, a vibrant thread woven into the fabric of our urban story.
As we cast our minds back across the years, we'll delve into the origins of this annual spectacle, where the streets of London come alive with a dazzling array of floats, music, and revelry. We'll recount tales of the Show's evolution from medieval processions to the magnificent display of today, and explore its significance in reflecting and shaping the identity of the City.
So, join us as we journey through time, exploring the pomp, circumstance, and history of the Lord Mayor's Show — an event that captures the imagination and celebrates the spirit of London in grand style. Stay tuned as we lift the curtain on this illustrious tradition right here on the London History Podcast.
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Transcript
Episode Transcript
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(00:02):
Hello and welcome to our London History Podcast where we share
our love of London. It's people, places and history.
It's designed for you to learn things about London that most
Londoners don't even know. I am your host Hazel Baker,
qualified London Tour guide, andCEO and Founder of London
(00:22):
guidedwalks.co.uk. Each episode is supported by
show notes, transcripts, photos and further reading, all to be
found on our website. Click on londonguidedwalk.co.uk
podcast and then select the episode that you fancy.
And if you enjoy what we do thenyou'll love our guided walks and
private tours that we offer throughout the year.
(00:46):
So get that cup of tea, put yourfeet up and enjoy.
Today we delve into a subject that encapsulates the full
spectrum of London's storage traditions and celebratory
customs. The Lord Mares Show This
remarkable event transcends the boundaries of a typical parade.
(01:09):
It embodies an historical celebration that's part of the
city's annual rhythm. For more than 8 centuries.
It stands as the world's oldest and most cherished civic
procession, an event that is noted for its extensive history,
minimal rehearsal and universal appeal.
(01:30):
It represents a declaration of London's autonomy, a spectacle
that has roots in the medieval era, showcasing splendour and
ceremony, while also serving as a contemporary homage to our
collective resilience and the rich variety that defines our
capital. The esteemed office of the Lord
(01:51):
Mayor of the City of London willsoon be occupied by the 695th
incumbent, Alderman Michael Manelli, from the Broad Street
ward. His ascension to this venerable
role is marked by the silent ceremony, an event shrouded in
time honoured tradition occurring on the eve of the Lord
(02:13):
Mayor's Show. Following this solemn occasion,
on the 11th of November AldermanManelli will partake in the
grandeur of the Lord Mayor's Show, a procession which will
conclude with him affirming his allegiance to the Crown at
Westminster. This role, pivotal to the City's
(02:34):
governance, not only involves presiding over the City of
London Corporation, but also entails serving as a Global
Ambassador for EU KS financial and professional services
industry, symbolising the historic continuity and civic
vitality of London. Now you may be wondering, why
(02:55):
does London have a parade for a Lord Mayor?
It doesn't have one for the Mayor of London, or indeed the
Prime Minister. So what's so special about it
that warrants such a grand event?
Well, buckle up history enthusiasts, because we're
taking a deep dive into the vibrant history and colourful
traditions that make the Lord Mares show one of the
(03:18):
fascinating aspects of London's cultural fabric.
In this episode, we'll explore its medieval origins, how it's
evolved and its ups and downs through British history, and
what makes it so special and exciting even in today's modern
age. So whether you're a Londoner who
has stood in the November chill to catch a glimpse of the
(03:40):
passing spectacle, or someone who's only just heard about it,
now there's something in this episode for you all.
Let's begin for the origins and its historical significance.
So before we get into the parade's iconic floats, the
Golden Coach and other modern elements, let's discuss the
(04:03):
historical cornerstone of this annual procession, and that is
the Magna Carta. The Magna Carta in a Latin term
which translates to the Great Charter, was drafted in 12/15
and it was basically a peace treaty between King John and his
(04:24):
rebellious barons. It laid the groundwork for many
constitutional principles we hold dear today, such as the
concept of individual liberties and the rule of law.
Well, most people know it. For these broader democratic
principles. It also has a unique tie to our
(04:45):
topic today, the Lord Mayor Show.
And you might be wondering, OK, well how does a medieval
document about barons and a kingrelate to a festive parade?
Well tucked among the causes of this monumental charter was a
provision that allowed the City of London to elect it's own
(05:08):
mayor. There was just one condition.
The newly elected Lord Mayor hadto leave the safety of the city,
travel along the Thames and present himself at Westminster
to swear loyalty to the crown. A parade around the streets of
the City of London in November may sound a bit strange, but
(05:31):
there is a reason it was historically synchronised, with
the feast of Saint Simon and Saint Jude falling on the 28th
of October each year. This practice persisted until
the pivotal year of 1751, when Britain made the momentous
switch to the Gregorian calendar, resulting in the
(05:54):
emission of 11 days from September that year.
To accommodate this change and maintain the proper duration of
the mayoral year, the date of the show sifted to the 9th of
November, where it remained anchored for two centuries.
Previously, the show's scheduling on a fixed date meant
(06:16):
that it could occur on any day of the week, which by the mid
20th century became increasinglyproblematic.
The disruption to the City of London was considerable,
exacerbated by the fact that theprocessions route would alter
annually to reverse the ward of the newly elected law Mayor.
(06:37):
It was in 1952 that the Corporation of London, alongside
the Home Office, implemented a standard route for the
procession. This decision undoubtedly
brought solace to the Pageant Master among others, ensuring
that the perennial dance betweenthe parade and the evolving
landscape of London streets and structures remained a harmonious
(07:01):
one. In a bid to streamline the event
even further, 1959 March the year, it was decided that the
Lord Mares Show would henceforthtake place on the 2nd Saturday
of November, thereby solidifyingits date irrespective of the
actual day. This change, however, intersects
(07:24):
interestingly with the timing ofRemembrance Sunday, observed on
the Sunday nearest to Armistice Day on the 11th of November, and
as a result, the show frequentlyunfolds.
On the eve of this solemn commemoration, the original
journey along the Thames became a significant event.
(07:45):
Initially it was a simple, solemn procession, a river
pageant if you will, whose primary purpose was to show the
Lord Mayor's allegiance to the Sovereign.
However, the residents of Londonnever want to shy away from a
spectacle, saw this as an opportunity for celebration.
(08:06):
Soon enough, this formal procession turned into a much
anticipated annual event, complete with musicians,
entertainers and public participation.
The Lord Mess Show is a pageant of endurance and has witnessed
the relentless March of time standing firm through episodes
(08:27):
of plague, the catastrophic great fire of London, and civic
tumult such as the unrest preceding the 1830 procession.
Not even a scathing 1864 critique in the Times newspaper,
which speculated the demise of the show but not the banquet,
(08:48):
could dampen its spirits. This historic procession has
gracefully transitioned from river to Rd. as the capital
evolved from scattered Hamlets to the modern metropolis that
stretches from the City of London to what was once the
distant hamlet of Westminster. The Chronicle of the Lord Mass
(09:10):
Show is a patchwork of history and mythology, featuring ancient
figures like Gog and Magog and historical personalities such as
the real Dick Whittington. It's been immortalising art and
literature and has adapted to the changing times from World
War One, when it became a recruitment rally marred by
(09:31):
inclement weather, to the frugaliterations during World War 2,
where even amid the Blitz, the tradition endured with the Lord
Mayor affirming his loyalty to the Crown.
This procession is not simply anannual event.
It is the heartbeat of London's resilience.
(09:54):
Imagine the steadfastness required to maintain a tradition
through the plagues into 1666. Despite much of the city lying
in smouldering ruins, the Lord Mayor's Show went ahead, a
beacon of stability in uncertaintimes in the unprecedented times
(10:18):
of the 2020 COVID pandemic. For the first time since the mid
19th century, the show was paused, reflecting the gravity
of global health concerns. The last such disruption had
been in 1852, in deference to the Duke of Wellington's
(10:38):
funeral. Even though there is now a set
route, the evolution of London'slandscape necessitates
occasional deviations to navigate construction and road
works. These adjustments are not
without precedent. As early as 1676 alterations
(10:59):
were made to circumvent buildingmaterials for Saint Paul's
Cathedral, and today Saint Paul's Cathedral still dominates
the route to the Royal Courts. But contemporary changes in
their pageant masters role are more evident in the heightened
security measures. A far cry from 1761, when Prime
(11:21):
Minister William Pitt was celebrated by the crowd with
such further that they mobbed his carriage and kissed his
horses. In the early years following the
Magna Carta in 12/15, the Lord Mayor's flotilla consisted
primarily of barges, many decorated but without the
(11:42):
extensive fanfare we see today. The Thames, after all, was the
main highway of London at the time, and what better way to
travel. However, with the passage of
time, the journey began to acquire additional layers of
ceremony and pageantry, and by the 16th century the Thames
(12:03):
procession had become something of a floating festival.
It was a spectacle that even drew the attention of foreign
visitors, one of whom, a certainSamuel Keeschel, described it in
1585 as full of wonderful triumphs with a peal of
artillery. Yet the waterborne procession
(12:26):
was not immune to practical challenges.
We can look at the 17111 when according to records, the Lord
Mayor ended up rather unceremoniously tipped into the
river. After that, and surprisingly, a
shift towards land based processions began to take hold.
The 19th century was a transformative period for the
(12:50):
parade. The Industrial Revolution, along
with the expansion of the British Empire, brought new
technologies and cultural influences that began to shape
the procession. Steamboats, for instance, made
their debut, and in 1757 the first Grand Stand was erected in
the 1882 parade. There were even elephants.
(13:14):
Yes, elephants. A clear sign of a parade that is
continually reinventing itself. As we moved into the 20th
century, the parade saw further modernisation but also had to
contend with the considerable challenges posed by the two
world wars. And the procession continued in
(13:35):
some form during these troubled times, as if London were making
a statement that tradition and resilience could coexist even in
the darkest hours. In the post war era, the parade
had only continued to grow in scale and diversity, and today
(13:56):
it includes A stunning array of participants from military bands
to modern floats representing charities, London boroughs and
various institutions. The flotilla tradition has been
revived in recent years, adding another layer to this ever
evolving spectacle. What's particularly worthwhile
(14:18):
is how the Lord Mess show has expanded to become a platform of
cultural expression and inclusivity.
It reflects London's cosmopolitan makeup, featuring
groups ranging from Bangra dancers to Caribbean steel bands
all marching along traditional City of London institutions.
(14:42):
And London itself has always been a melting pot of cultures,
ideas and people, and the Lord Mayes show has in many ways
mirrored that diversity over theyears.
From it's early beginnings as a simple oath of allegiance, the
parade has expanded to include avast array of communities and
(15:03):
organisations, each contributingto the fabric of this
magnificent event. And it's worthwhile talking
about inclusion. In the past, the event was
primarily a display of power andallegiance between the City of
London and the monarchy, but over time the involvement of
(15:26):
various guilds and livery companies have added a new
dimension to the parade. These organisations played a
pivotal role in shaping Trade and Industry in London, and
their inclusion in the Lord Mes show made it a true reflection
of the city's economic might. As the British Empire grew and
(15:47):
London found itself at the centre of world commerce, the
Lord Mer Show also took on an international flavour.
The Lord Mer Show is an evolvingtableau that embraces the
cultural richness of the city. Not only communities but various
organisations have also joined in, ranging from charities to
(16:09):
educational institutions, from the military units I've
mentioned and also to sports clubs.
And this has democratised the event in a sense, enabling it
not just to be a procession for the elite, but a celebration of
many facets of society that can engage in and enjoy.
(16:30):
And let's not forget the parade has also had its share of female
Lord Mares. The first woman to hold the post
was Dame Mary Donaldson, who took on the role in 1983.
Her participation in the Lord Mer Show marked a significant
step towards gender inclusivity in the event that was
historically male dominated. And since then, more women have
(16:54):
donned the tricorn hat and stepped into the golden
carriage, reflecting changing societal norms, even though I'd
like to see more in the future. In essence, The Lord Mer Show is
no longer just a static pageant,but a dynamic celebration of
London's multifaceted identity. It's a testament of how the
(17:16):
city, and indeed the event itself, has been able to adapt
and change just as the River Thames, the original stage for
the event, winds its way throughLondon, ever changing but
enduring. So let's move on to some key
memorable moments, shall we? In 1800, the Lord Mares show
(17:39):
celebrated the nation's victory over the French in the Battle of
the Nile, a significant naval confrontation between the
British Royal Navy and the Navy of the French Republic.
On that occasion, an elaborate float representing a ship named
Logan was part of the processioncelebrating Admiral Nelson's
(18:02):
victory in the Victorian era. The event saw remarkable
innovations in terms of floats and pageantry, and
industrialisation was the theme of the day, so businesses were
keen to showcase their machines,products and technological
marvels. Imagine steam engines slowly
making their way through the narrow streets of the City of
(18:24):
London. Another significant shift was in
1952, when Winston Churchill waspresent as Lord Mayor.
Sir Leslie Boyce laid a wreath at the Cenotaph to honour the
war dead, a sombre moment that showed how the event could also
serve as a platform for nationalremembrance.
(18:46):
What are the iconic elements andtraditions that make the Lord
Mayor show an event like no other?
Burst up giants as the Lord Mayor's procession unfurls
through the streets of London. Leading the cavalcade are two
imposing yet majestic Wicca figures known as Gog and Magog,
(19:10):
the revered protectors of the city.
Their inclusion in the Lord Mayor's Show is a custom that
hearts back to the time of King Henry the Fifth.
These mythical colossi find their roots in the matter of
Britain. There's rich tapestry of
medieval legends intertwined with the early monarchs of the
(19:32):
Isles. The narrative takes us back to a
time when Diocletian, the Roman Emperor, had 33 unruly
daughters. In a tale of treachery, these
daughters wed to 33. Husbands would enact A gruesome
plot led by their eldest Alba, slaughtering their spouses as
(19:53):
they slept. The heinous crime saw them cast
out to sea, eventually reaching the shores of a Grand Isle that
would bear the name Albion afterthe scheming Alba.
There, consorting with demons, they gave rise to a progeny of
giants who roamed the untamed, stormed lush landscapes.
(20:18):
Enter Brutus, a descendant of the Trojan hero Aeneas, who,
after a series of adventures andmisfortunes, landed upon the
same Isles. Naming them Britain after
himself, he established his dominion.
Alongside him was the valiant warrior Corinius, who would
(20:40):
engage the fearsome giant Gog Magog in combat, ultimately
vanquishing him by throwing him off the Cliff known thereafter
as the Giant's Leap. In honour of his victory,
Corinius received Cornwall as his domain, while Brutus
ventured E to find what became known as London.
(21:04):
These tales, largely mythological yet enduringly
influential, were chronicled by Geoffrey of Monmouth in his 12th
century work Historica Ray Gom Britannia.
This text sought to connect the Celtic monarchs to the Hemeric
epics and the legendary King Arthur.
And despite anachronisms and historical liberties, blending
(21:28):
ancient Troy's fall with Diocletian's era and repurposing
the name the Komagogue from biblical law, these stories were
taken has historical fact for generations shaping the
self-image and peasantry of London's governance.
The tradition of venerating giants as original settlers or
(21:52):
founders is not unique to Britain.
Across cultures, it's commonplace to mythologize the
earliest inhabitants as being ofimmense stature, Their physical
prowess magnified as their exploits transcend into legend,
and the giants of old were not monstrous in appearance.
Rather, they embellished recollections of formidable
(22:15):
figures from a bygone epoch of strength and simplicity.
By the Middle Ages, the practiceof parading effigies as
festivals had become widespread throughout England and Europe,
with mythological giants frequently among their number.
An alternate strand of the Gog and Magog legend posits that
(22:37):
they were the last surviving offspring of Diocletian's
daughters, bound and positioned at the gates of a palace at the
site of the present Guildhall, where there is prisoners or
protectors. By the time of Henry, the Fifth
carved figures of giants were stationed at Guildhall's gates.
In the 17th century, these effigies began to feature
(23:01):
prominently in the Lord Mayor Show, with the Pageant Master
referencing them as Corineus andGog Magog.
The Lord Mayor's Show has seen various representations of these
guardians. In 1672, following the
devastation of the Great Fire ofLondon, new Effigies were
created, only to succumb to vermin due to their construction
(23:24):
from Wicca and Pasteboard Yummy.In 1708, wood carvings by
Captain Richard Saunders took their place, enduring for over 2
centuries before succumbing to the Blitz.
The current statues, crafted by David Evans in 1953 and gifted
(23:45):
by Alderman St. George Wilkinson, are a
testament to London's resilienceand they do look fabulous.
Gog and Magog stand as powerful symbols linking the city's
vibrant modernity to its mythical past.
The Phoenix on Magog shield presenting rebirth from ashes,
(24:08):
encapsulating the city's capacity for renewal.
And the effigies echo the sentiments of Thomas Bormann,
who eloquently summarised Londoners perspective like the
formidable giants of yore, the City of London pledges to
stuntly safeguard the honour andfreedoms of both the nation and
(24:31):
the metropolis itself, towering in its commitment as surely as
GOG and MAGA bloom over the ordinary stature of humankind.
Now let's talk about the vintagecars and other vehicle
curiosities that have graced theparade route.
These aren't just any cars. Many are historical artefacts on
(24:55):
wheels, each telling its own story.
For automotive enthusiasts and historians alike, this part of
the parade offers a timeline of motorised transport.
And of course, it adds a layer of nostalgia that's quite
charming. No discussion of the Lord Mess
show would be complete without mentioning the floats.
(25:17):
They range from the highly elaborate to the endearingly
simple, but all serve as platforms for various companies,
charities and community groups to showcase their causes,
achievements or simply their creativity.
With themes as varied as the organisations they represent,
the floats provide a colourful tapestry of London's social and
(25:39):
economic fabric. But of course, what would a
parade be without music? There's military marketing bands
playing significant role in the festivities, with synchronised
steps and resounding melodies not only providing a soundtrack
for the possession but also lending a certain ceremonial
(25:59):
gravitas to the event. And these bands are from
representing different regimentsand divisions, paying homage to
the country's military history and the service of its member.
And let's be honest, it's incredibly entertaining to
watch. And the most glorious spectacle
of all, The Golden Coach. If you've ever had the pleasure
(26:23):
of witnessing the Lord Mayor show, it's almost impossible to
miss this magnificent carriage. First used in 1757, the Coach is
an epitome of opulence with its intricate carvings and lavish
gold leaf ornamentation. Believe it or not, the coach
weighs nearly 3 tonnes and requires six horses to pull it.
(26:48):
And this iconic vehicle carries the Lord Mayor from the
Guildhall to the Royal Courts ofJustice and back again in a
procession that embodies both the grandeur and the tradition.
Now let's turn our attention to some more of the more
interesting ceremonial artefactsassociated with the Lord Mayor's
(27:10):
role. And that includes the ceremonial
sword and Mace. The sword, often referred to as
the Sword of State, symbolises the Lord Mayor's authority
within the Square Mile. That's the City of London.
The Mace, on the other hand, represents the royal authority
by which the Lord Mayor's officeoperates.
(27:34):
Both of these items are displayed prominently during the
parade, and they're not just forshow.
They encapsulate the weight of tradition and the gravitas of
the roles and responsibilities bestowed upon the new Lord
Mayor. And it's these details, the the
grandiosity of the Golden Coach,the symbolism of the sword and
(27:56):
the Mace, and the overarching role of the Lord Mayor that
we've together to create this intricate tapestry that is the
Lord Mayor show. It's easy to think of the Lord
Mayor show as just a grand parade, a bit of pomp and
ceremony. And that's just lastly for show.
(28:17):
But if we scratch beneath the surface, there's so much more to
it. It's not merely a London centric
affair, it has nationwide implications.
Economically speaking, the Lord Mess show has been a boon for
London. Every year the event draws in
10s of thousands of spectators to the heart of the city.
(28:41):
So hotels, restaurants, cafes and shops in the vicinity see a
considerable uptake in business and the event itself provides
temporary jobs and contracts from float design to costume
making and there is an entire logistical operation behind the
scenes and all of these contribute to the local economy.
(29:01):
It also provides a global stage for various sectors in the UK.
Floats from charities, military organisations and financial
corporations get the chance to represent themselves in the
parade. Modern interpretations of the
parade have not shield away fromusing digital mediums to gauge
with a younger and global audience.
(29:23):
Social media channels buzz with updates, live feeds and
interactive features ensuring that even those who can't make
it to the streets of London can still be part of the historic
celebration. And in the show notes for
episode 123, I have included a video that I have edited from
when I attended in 2021. In addition to technological
(29:49):
innovations, the parade has alsobeen a platform for social
consciousness. Environmental sustainability is
now a recurring theme, with manyfloats being designed with
recycled or sustainable materials.
And in terms of public awareness, the Lord Mayor show
has increasingly become a stage for campaignings ranging from
(30:11):
public health initiatives to drive supporting local
charities. The fusion of the traditional
with the current social Zygite gives the parade a unique
resonance that is both timely and timeless.
Let's shift our focus to anothercrucial facet of this grand
(30:31):
event, it's significant role in charity work and public
awareness. The office of the Lord Mayor
itself is deeply tied to charitable endeavours.
The Lord Mayor's Appeal, for instance, is an annual
fundraising campaign led by the incumbent Lord Mayor, and the
show provides an excellent platform to highlight the year's
(30:54):
chosen charities. The causes supported are varied,
ranging from mental health initiatives to educational
programmes and even Environmental Conservation.
Floats dedicated to these causesoften make their way through the
procession, each designed to engage the public in a
meaningful way. Whether it's a float made
(31:15):
entirely of recycled materials to highlight sustainability, or
a tableau depicting London's historical events to combat
poverty, these elements within the parade provide not just
visual delight but also food forthought.
We have a chance to change the future.
Let's move on to how you can be part of this grand spectacle.
(31:38):
If you're based in London or planning a visit around the time
of the Lord Mayor show, then watching it in person is an
unparalleled experience. The parade covers a three mile
long route and offers numerous vantage points.
Secure a good spot. It's advisable to arrive at
least an hour before the procession starts.
(31:59):
Some require tickets, some areas, so it's worth checking on
the official Lord Mayor show, but I like to stand on the north
side of Ludgate Hill now. If you can't make it to London
for it not the parade is extensively covered by various
media outlets. Traditionally, the BBC is
broadcast the event live and of course you can watch a past
(32:22):
event from my own video. At its core, the Lord Mer Show
is about more than just a procession or pageantry.
It's a celebration of civic responsibility, community spirit
and most significantly, the continuity of tradition in an
(32:43):
ever changing world. Have we seen the show's
metamorphosis over the years parallels London's own
transformation? Sometimes gradual, other times
revolutionary, but always pushing towards the future
without forgetting its roots. Thank you for joining me on this
(33:06):
engrossing journey through one of London's most cherished
traditions. The Lordsmare show encapsulates
so much of what makes this city extraordinary.
A blend of the old and the new, a testament of resilience and a
symbol of collective celebration, it truly is a must
(33:26):
see event for anyone interested in experiencing the intricate
interplay of history, culture and modern day life.
That's all for now. See you next time.
Hello and welcome to our London History Podcast where we share
our love of London. It's people, places and history.
It's designed for you to learn things about London that most
Londoners don't even know. I am your host Hazel Baker,
qualified London Tour guide, andCEO and Founder of London
(00:22):
guidedwalks.co.uk. Each episode is supported by
show notes, transcripts, photos and further reading, all to be
found on our website. Click on londonguidedwalk.co.uk
podcast and then select the episode that you fancy.
And if you enjoy what we do thenyou'll love our guided walks and
private tours that we offer throughout the year.
(00:46):
So get that cup of tea, put yourfeet up and enjoy.
Today we delve into a subject that encapsulates the full
spectrum of London's storage traditions and celebratory
customs. The Lord Mares Show This
remarkable event transcends the boundaries of a typical parade.
(01:09):
It embodies an historical celebration that's part of the
city's annual rhythm. For more than 8 centuries.
It stands as the world's oldest and most cherished civic
procession, an event that is noted for its extensive history,
minimal rehearsal and universal appeal.
(01:30):
It represents a declaration of London's autonomy, a spectacle
that has roots in the medieval era, showcasing splendour and
ceremony, while also serving as a contemporary homage to our
collective resilience and the rich variety that defines our
capital. The esteemed office of the Lord
(01:51):
Mayor of the City of London willsoon be occupied by the 695th
incumbent, Alderman Michael Manelli, from the Broad Street
ward. His ascension to this venerable
role is marked by the silent ceremony, an event shrouded in
time honoured tradition occurring on the eve of the Lord
(02:13):
Mayor's Show. Following this solemn occasion,
on the 11th of November AldermanManelli will partake in the
grandeur of the Lord Mayor's Show, a procession which will
conclude with him affirming his allegiance to the Crown at
Westminster. This role, pivotal to the City's
(02:34):
governance, not only involves presiding over the City of
London Corporation, but also entails serving as a Global
Ambassador for EU KS financial and professional services
industry, symbolising the historic continuity and civic
vitality of London. Now you may be wondering, why
(02:55):
does London have a parade for a Lord Mayor?
It doesn't have one for the Mayor of London, or indeed the
Prime Minister. So what's so special about it
that warrants such a grand event?
Well, buckle up history enthusiasts, because we're
taking a deep dive into the vibrant history and colourful
traditions that make the Lord Mares show one of the
(03:18):
fascinating aspects of London's cultural fabric.
In this episode, we'll explore its medieval origins, how it's
evolved and its ups and downs through British history, and
what makes it so special and exciting even in today's modern
age. So whether you're a Londoner who
has stood in the November chill to catch a glimpse of the
(03:40):
passing spectacle, or someone who's only just heard about it,
now there's something in this episode for you all.
Let's begin for the origins and its historical significance.
So before we get into the parade's iconic floats, the
Golden Coach and other modern elements, let's discuss the
(04:03):
historical cornerstone of this annual procession, and that is
the Magna Carta. The Magna Carta in a Latin term
which translates to the Great Charter, was drafted in 12/15
and it was basically a peace treaty between King John and his
(04:24):
rebellious barons. It laid the groundwork for many
constitutional principles we hold dear today, such as the
concept of individual liberties and the rule of law.
Well, most people know it. For these broader democratic
principles. It also has a unique tie to our
(04:45):
topic today, the Lord Mayor Show.
And you might be wondering, OK, well how does a medieval
document about barons and a kingrelate to a festive parade?
Well tucked among the causes of this monumental charter was a
provision that allowed the City of London to elect it's own
(05:08):
mayor. There was just one condition.
The newly elected Lord Mayor hadto leave the safety of the city,
travel along the Thames and present himself at Westminster
to swear loyalty to the crown. A parade around the streets of
the City of London in November may sound a bit strange, but
(05:31):
there is a reason it was historically synchronised, with
the feast of Saint Simon and Saint Jude falling on the 28th
of October each year. This practice persisted until
the pivotal year of 1751, when Britain made the momentous
switch to the Gregorian calendar, resulting in the
(05:54):
emission of 11 days from September that year.
To accommodate this change and maintain the proper duration of
the mayoral year, the date of the show sifted to the 9th of
November, where it remained anchored for two centuries.
Previously, the show's scheduling on a fixed date meant
(06:16):
that it could occur on any day of the week, which by the mid
20th century became increasinglyproblematic.
The disruption to the City of London was considerable,
exacerbated by the fact that theprocessions route would alter
annually to reverse the ward of the newly elected law Mayor.
(06:37):
It was in 1952 that the Corporation of London, alongside
the Home Office, implemented a standard route for the
procession. This decision undoubtedly
brought solace to the Pageant Master among others, ensuring
that the perennial dance betweenthe parade and the evolving
landscape of London streets and structures remained a harmonious
(07:01):
one. In a bid to streamline the event
even further, 1959 March the year, it was decided that the
Lord Mares Show would henceforthtake place on the 2nd Saturday
of November, thereby solidifyingits date irrespective of the
actual day. This change, however, intersects
(07:24):
interestingly with the timing ofRemembrance Sunday, observed on
the Sunday nearest to Armistice Day on the 11th of November, and
as a result, the show frequentlyunfolds.
On the eve of this solemn commemoration, the original
journey along the Thames became a significant event.
(07:45):
Initially it was a simple, solemn procession, a river
pageant if you will, whose primary purpose was to show the
Lord Mayor's allegiance to the Sovereign.
However, the residents of Londonnever want to shy away from a
spectacle, saw this as an opportunity for celebration.
(08:06):
Soon enough, this formal procession turned into a much
anticipated annual event, complete with musicians,
entertainers and public participation.
The Lord Mess Show is a pageant of endurance and has witnessed
the relentless March of time standing firm through episodes
(08:27):
of plague, the catastrophic great fire of London, and civic
tumult such as the unrest preceding the 1830 procession.
Not even a scathing 1864 critique in the Times newspaper,
which speculated the demise of the show but not the banquet,
(08:48):
could dampen its spirits. This historic procession has
gracefully transitioned from river to Rd. as the capital
evolved from scattered Hamlets to the modern metropolis that
stretches from the City of London to what was once the
distant hamlet of Westminster. The Chronicle of the Lord Mass
(09:10):
Show is a patchwork of history and mythology, featuring ancient
figures like Gog and Magog and historical personalities such as
the real Dick Whittington. It's been immortalising art and
literature and has adapted to the changing times from World
War One, when it became a recruitment rally marred by
(09:31):
inclement weather, to the frugaliterations during World War 2,
where even amid the Blitz, the tradition endured with the Lord
Mayor affirming his loyalty to the Crown.
This procession is not simply anannual event.
It is the heartbeat of London's resilience.
(09:54):
Imagine the steadfastness required to maintain a tradition
through the plagues into 1666. Despite much of the city lying
in smouldering ruins, the Lord Mayor's Show went ahead, a
beacon of stability in uncertaintimes in the unprecedented times
(10:18):
of the 2020 COVID pandemic. For the first time since the mid
19th century, the show was paused, reflecting the gravity
of global health concerns. The last such disruption had
been in 1852, in deference to the Duke of Wellington's
(10:38):
funeral. Even though there is now a set
route, the evolution of London'slandscape necessitates
occasional deviations to navigate construction and road
works. These adjustments are not
without precedent. As early as 1676 alterations
(10:59):
were made to circumvent buildingmaterials for Saint Paul's
Cathedral, and today Saint Paul's Cathedral still dominates
the route to the Royal Courts. But contemporary changes in
their pageant masters role are more evident in the heightened
security measures. A far cry from 1761, when Prime
(11:21):
Minister William Pitt was celebrated by the crowd with
such further that they mobbed his carriage and kissed his
horses. In the early years following the
Magna Carta in 12/15, the Lord Mayor's flotilla consisted
primarily of barges, many decorated but without the
(11:42):
extensive fanfare we see today. The Thames, after all, was the
main highway of London at the time, and what better way to
travel. However, with the passage of
time, the journey began to acquire additional layers of
ceremony and pageantry, and by the 16th century the Thames
(12:03):
procession had become something of a floating festival.
It was a spectacle that even drew the attention of foreign
visitors, one of whom, a certainSamuel Keeschel, described it in
1585 as full of wonderful triumphs with a peal of
artillery. Yet the waterborne procession
(12:26):
was not immune to practical challenges.
We can look at the 17111 when according to records, the Lord
Mayor ended up rather unceremoniously tipped into the
river. After that, and surprisingly, a
shift towards land based processions began to take hold.
The 19th century was a transformative period for the
(12:50):
parade. The Industrial Revolution, along
with the expansion of the British Empire, brought new
technologies and cultural influences that began to shape
the procession. Steamboats, for instance, made
their debut, and in 1757 the first Grand Stand was erected in
the 1882 parade. There were even elephants.
(13:14):
Yes, elephants. A clear sign of a parade that is
continually reinventing itself. As we moved into the 20th
century, the parade saw further modernisation but also had to
contend with the considerable challenges posed by the two
world wars. And the procession continued in
(13:35):
some form during these troubled times, as if London were making
a statement that tradition and resilience could coexist even in
the darkest hours. In the post war era, the parade
had only continued to grow in scale and diversity, and today
(13:56):
it includes A stunning array of participants from military bands
to modern floats representing charities, London boroughs and
various institutions. The flotilla tradition has been
revived in recent years, adding another layer to this ever
evolving spectacle. What's particularly worthwhile
(14:18):
is how the Lord Mess show has expanded to become a platform of
cultural expression and inclusivity.
It reflects London's cosmopolitan makeup, featuring
groups ranging from Bangra dancers to Caribbean steel bands
all marching along traditional City of London institutions.
(14:42):
And London itself has always been a melting pot of cultures,
ideas and people, and the Lord Mayes show has in many ways
mirrored that diversity over theyears.
From it's early beginnings as a simple oath of allegiance, the
parade has expanded to include avast array of communities and
(15:03):
organisations, each contributingto the fabric of this
magnificent event. And it's worthwhile talking
about inclusion. In the past, the event was
primarily a display of power andallegiance between the City of
London and the monarchy, but over time the involvement of
(15:26):
various guilds and livery companies have added a new
dimension to the parade. These organisations played a
pivotal role in shaping Trade and Industry in London, and
their inclusion in the Lord Mes show made it a true reflection
of the city's economic might. As the British Empire grew and
(15:47):
London found itself at the centre of world commerce, the
Lord Mer Show also took on an international flavour.
The Lord Mer Show is an evolvingtableau that embraces the
cultural richness of the city. Not only communities but various
organisations have also joined in, ranging from charities to
(16:09):
educational institutions, from the military units I've
mentioned and also to sports clubs.
And this has democratised the event in a sense, enabling it
not just to be a procession for the elite, but a celebration of
many facets of society that can engage in and enjoy.
(16:30):
And let's not forget the parade has also had its share of female
Lord Mares. The first woman to hold the post
was Dame Mary Donaldson, who took on the role in 1983.
Her participation in the Lord Mer Show marked a significant
step towards gender inclusivity in the event that was
historically male dominated. And since then, more women have
(16:54):
donned the tricorn hat and stepped into the golden
carriage, reflecting changing societal norms, even though I'd
like to see more in the future. In essence, The Lord Mer Show is
no longer just a static pageant,but a dynamic celebration of
London's multifaceted identity. It's a testament of how the
(17:16):
city, and indeed the event itself, has been able to adapt
and change just as the River Thames, the original stage for
the event, winds its way throughLondon, ever changing but
enduring. So let's move on to some key
memorable moments, shall we? In 1800, the Lord Mares show
(17:39):
celebrated the nation's victory over the French in the Battle of
the Nile, a significant naval confrontation between the
British Royal Navy and the Navy of the French Republic.
On that occasion, an elaborate float representing a ship named
Logan was part of the processioncelebrating Admiral Nelson's
(18:02):
victory in the Victorian era. The event saw remarkable
innovations in terms of floats and pageantry, and
industrialisation was the theme of the day, so businesses were
keen to showcase their machines,products and technological
marvels. Imagine steam engines slowly
making their way through the narrow streets of the City of
(18:24):
London. Another significant shift was in
1952, when Winston Churchill waspresent as Lord Mayor.
Sir Leslie Boyce laid a wreath at the Cenotaph to honour the
war dead, a sombre moment that showed how the event could also
serve as a platform for nationalremembrance.
(18:46):
What are the iconic elements andtraditions that make the Lord
Mayor show an event like no other?
Burst up giants as the Lord Mayor's procession unfurls
through the streets of London. Leading the cavalcade are two
imposing yet majestic Wicca figures known as Gog and Magog,
(19:10):
the revered protectors of the city.
Their inclusion in the Lord Mayor's Show is a custom that
hearts back to the time of King Henry the Fifth.
These mythical colossi find their roots in the matter of
Britain. There's rich tapestry of
medieval legends intertwined with the early monarchs of the
(19:32):
Isles. The narrative takes us back to a
time when Diocletian, the Roman Emperor, had 33 unruly
daughters. In a tale of treachery, these
daughters wed to 33. Husbands would enact A gruesome
plot led by their eldest Alba, slaughtering their spouses as
(19:53):
they slept. The heinous crime saw them cast
out to sea, eventually reaching the shores of a Grand Isle that
would bear the name Albion afterthe scheming Alba.
There, consorting with demons, they gave rise to a progeny of
giants who roamed the untamed, stormed lush landscapes.
(20:18):
Enter Brutus, a descendant of the Trojan hero Aeneas, who,
after a series of adventures andmisfortunes, landed upon the
same Isles. Naming them Britain after
himself, he established his dominion.
Alongside him was the valiant warrior Corinius, who would
(20:40):
engage the fearsome giant Gog Magog in combat, ultimately
vanquishing him by throwing him off the Cliff known thereafter
as the Giant's Leap. In honour of his victory,
Corinius received Cornwall as his domain, while Brutus
ventured E to find what became known as London.
(21:04):
These tales, largely mythological yet enduringly
influential, were chronicled by Geoffrey of Monmouth in his 12th
century work Historica Ray Gom Britannia.
This text sought to connect the Celtic monarchs to the Hemeric
epics and the legendary King Arthur.
And despite anachronisms and historical liberties, blending
(21:28):
ancient Troy's fall with Diocletian's era and repurposing
the name the Komagogue from biblical law, these stories were
taken has historical fact for generations shaping the
self-image and peasantry of London's governance.
The tradition of venerating giants as original settlers or
(21:52):
founders is not unique to Britain.
Across cultures, it's commonplace to mythologize the
earliest inhabitants as being ofimmense stature, Their physical
prowess magnified as their exploits transcend into legend,
and the giants of old were not monstrous in appearance.
Rather, they embellished recollections of formidable
(22:15):
figures from a bygone epoch of strength and simplicity.
By the Middle Ages, the practiceof parading effigies as
festivals had become widespread throughout England and Europe,
with mythological giants frequently among their number.
An alternate strand of the Gog and Magog legend posits that
(22:37):
they were the last surviving offspring of Diocletian's
daughters, bound and positioned at the gates of a palace at the
site of the present Guildhall, where there is prisoners or
protectors. By the time of Henry, the Fifth
carved figures of giants were stationed at Guildhall's gates.
In the 17th century, these effigies began to feature
(23:01):
prominently in the Lord Mayor Show, with the Pageant Master
referencing them as Corineus andGog Magog.
The Lord Mayor's Show has seen various representations of these
guardians. In 1672, following the
devastation of the Great Fire ofLondon, new Effigies were
created, only to succumb to vermin due to their construction
(23:24):
from Wicca and Pasteboard Yummy.In 1708, wood carvings by
Captain Richard Saunders took their place, enduring for over 2
centuries before succumbing to the Blitz.
The current statues, crafted by David Evans in 1953 and gifted
(23:45):
by Alderman St. George Wilkinson, are a
testament to London's resilienceand they do look fabulous.
Gog and Magog stand as powerful symbols linking the city's
vibrant modernity to its mythical past.
The Phoenix on Magog shield presenting rebirth from ashes,
(24:08):
encapsulating the city's capacity for renewal.
And the effigies echo the sentiments of Thomas Bormann,
who eloquently summarised Londoners perspective like the
formidable giants of yore, the City of London pledges to
stuntly safeguard the honour andfreedoms of both the nation and
(24:31):
the metropolis itself, towering in its commitment as surely as
GOG and MAGA bloom over the ordinary stature of humankind.
Now let's talk about the vintagecars and other vehicle
curiosities that have graced theparade route.
These aren't just any cars. Many are historical artefacts on
(24:55):
wheels, each telling its own story.
For automotive enthusiasts and historians alike, this part of
the parade offers a timeline of motorised transport.
And of course, it adds a layer of nostalgia that's quite
charming. No discussion of the Lord Mess
show would be complete without mentioning the floats.
(25:17):
They range from the highly elaborate to the endearingly
simple, but all serve as platforms for various companies,
charities and community groups to showcase their causes,
achievements or simply their creativity.
With themes as varied as the organisations they represent,
the floats provide a colourful tapestry of London's social and
(25:39):
economic fabric. But of course, what would a
parade be without music? There's military marketing bands
playing significant role in the festivities, with synchronised
steps and resounding melodies not only providing a soundtrack
for the possession but also lending a certain ceremonial
(25:59):
gravitas to the event. And these bands are from
representing different regimentsand divisions, paying homage to
the country's military history and the service of its member.
And let's be honest, it's incredibly entertaining to
watch. And the most glorious spectacle
of all, The Golden Coach. If you've ever had the pleasure
(26:23):
of witnessing the Lord Mayor show, it's almost impossible to
miss this magnificent carriage. First used in 1757, the Coach is
an epitome of opulence with its intricate carvings and lavish
gold leaf ornamentation. Believe it or not, the coach
weighs nearly 3 tonnes and requires six horses to pull it.
(26:48):
And this iconic vehicle carries the Lord Mayor from the
Guildhall to the Royal Courts ofJustice and back again in a
procession that embodies both the grandeur and the tradition.
Now let's turn our attention to some more of the more
interesting ceremonial artefactsassociated with the Lord Mayor's
(27:10):
role. And that includes the ceremonial
sword and Mace. The sword, often referred to as
the Sword of State, symbolises the Lord Mayor's authority
within the Square Mile. That's the City of London.
The Mace, on the other hand, represents the royal authority
by which the Lord Mayor's officeoperates.
(27:34):
Both of these items are displayed prominently during the
parade, and they're not just forshow.
They encapsulate the weight of tradition and the gravitas of
the roles and responsibilities bestowed upon the new Lord
Mayor. And it's these details, the the
grandiosity of the Golden Coach,the symbolism of the sword and
(27:56):
the Mace, and the overarching role of the Lord Mayor that
we've together to create this intricate tapestry that is the
Lord Mayor show. It's easy to think of the Lord
Mayor show as just a grand parade, a bit of pomp and
ceremony. And that's just lastly for show.
(28:17):
But if we scratch beneath the surface, there's so much more to
it. It's not merely a London centric
affair, it has nationwide implications.
Economically speaking, the Lord Mess show has been a boon for
London. Every year the event draws in
10s of thousands of spectators to the heart of the city.
(28:41):
So hotels, restaurants, cafes and shops in the vicinity see a
considerable uptake in business and the event itself provides
temporary jobs and contracts from float design to costume
making and there is an entire logistical operation behind the
scenes and all of these contribute to the local economy.
(29:01):
It also provides a global stage for various sectors in the UK.
Floats from charities, military organisations and financial
corporations get the chance to represent themselves in the
parade. Modern interpretations of the
parade have not shield away fromusing digital mediums to gauge
with a younger and global audience.
(29:23):
Social media channels buzz with updates, live feeds and
interactive features ensuring that even those who can't make
it to the streets of London can still be part of the historic
celebration. And in the show notes for
episode 123, I have included a video that I have edited from
when I attended in 2021. In addition to technological
(29:49):
innovations, the parade has alsobeen a platform for social
consciousness. Environmental sustainability is
now a recurring theme, with manyfloats being designed with
recycled or sustainable materials.
And in terms of public awareness, the Lord Mayor show
has increasingly become a stage for campaignings ranging from
(30:11):
public health initiatives to drive supporting local
charities. The fusion of the traditional
with the current social Zygite gives the parade a unique
resonance that is both timely and timeless.
Let's shift our focus to anothercrucial facet of this grand
(30:31):
event, it's significant role in charity work and public
awareness. The office of the Lord Mayor
itself is deeply tied to charitable endeavours.
The Lord Mayor's Appeal, for instance, is an annual
fundraising campaign led by the incumbent Lord Mayor, and the
show provides an excellent platform to highlight the year's
(30:54):
chosen charities. The causes supported are varied,
ranging from mental health initiatives to educational
programmes and even Environmental Conservation.
Floats dedicated to these causesoften make their way through the
procession, each designed to engage the public in a
meaningful way. Whether it's a float made
(31:15):
entirely of recycled materials to highlight sustainability, or
a tableau depicting London's historical events to combat
poverty, these elements within the parade provide not just
visual delight but also food forthought.
We have a chance to change the future.
Let's move on to how you can be part of this grand spectacle.
(31:38):
If you're based in London or planning a visit around the time
of the Lord Mayor show, then watching it in person is an
unparalleled experience. The parade covers a three mile
long route and offers numerous vantage points.
Secure a good spot. It's advisable to arrive at
least an hour before the procession starts.
(31:59):
Some require tickets, some areas, so it's worth checking on
the official Lord Mayor show, but I like to stand on the north
side of Ludgate Hill now. If you can't make it to London
for it not the parade is extensively covered by various
media outlets. Traditionally, the BBC is
broadcast the event live and of course you can watch a past
(32:22):
event from my own video. At its core, the Lord Mer Show
is about more than just a procession or pageantry.
It's a celebration of civic responsibility, community spirit
and most significantly, the continuity of tradition in an
(32:43):
ever changing world. Have we seen the show's
metamorphosis over the years parallels London's own
transformation? Sometimes gradual, other times
revolutionary, but always pushing towards the future
without forgetting its roots. Thank you for joining me on this
(33:06):
engrossing journey through one of London's most cherished
traditions. The Lordsmare show encapsulates
so much of what makes this city extraordinary.
A blend of the old and the new, a testament of resilience and a
symbol of collective celebration, it truly is a must
(33:26):
see event for anyone interested in experiencing the intricate
interplay of history, culture and modern day life.
That's all for now. See you next time.
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