Lost Ladies of Lit
A book podcast hosted by writing partners Amy Helmes and Kim Askew. Guests include biographers, journalists, authors, and cultural historians discussing lost classics by women writers. You can support Lost Ladies of Lit by visiting https://www.patreon.com/c/LostLadiesofLit339.
Episodes
When Edna O’Brien published her debut novel The Country Girls in 1960, she was branded a “Jezebel” in her native Ireland—but that didn’t stop her from completing a poignant trilogy about a pair of friends coming of age in a world for which village life and convent school failed to prepare them. Despite initial backlash to her sexually frank depiction of young women’s lives and desires, O’Brien’s writing brought her ac...
If Brigid Brophy’s The King of a Rainy Country had a soundtrack, it might include the soft patter of rain on a garret window, jazz drifting from a smoky cafe, the hum of a Vespa on narrow cobblestone streets … and the obnoxious griping of a few dozen uncultured Americans! As the description suggests, Brophy’s 1956 novel has a little bit of everything — atmosphere, nostalgia and poignancy mixed with subversive wit and...
Langston Hughes called Jessie Redmon Fauset “the midwife of the Harlem Renaissance” with good reason. As literary editor at The Crisis magazine from 1919 until 1926, Fauset discovered and championed some of the most important Black writers of the early 20th century. Her own novels contributed to The New Negro Movement’s cultural examination of race, class and gender through the lens of women’s experiences. Fauset’s 19...
Dastardly villains are no match for Capitola Black, the audacious heroine at the center of E.D.E.N. Southworth’s 1859 bestseller, The Hidden Hand. Readers so admired this literary tomboy’s pluck that Capitola became a popular baby name for decades and inspired the name of a California town. Yet few readers today are familiar with Southworth, one of the highest-earning authors of her day (to whom Louisa May Alcott even...
F. Scott Fitzgerald’s The Great Gatsby may be the novel everyone’s talking about this month, but let’s not forget another “Jazz Age” novel that took this country by storm. Ursula Parrott’s Ex-Wife, a tragicomic indictment of early 20th-century romance, brought the author immense fame and wealth at the time of its publication in 1929. Yet by her death in 1957 she was penniless and homeless, a fate she all but predicted...
Who’s afraid of the Big Bad Wolf? Not the heroines from Angela Carter’s 1979 short story collection The Bloody Chamber. The British author tackles dark, primal themes in her spin on classic fables and fairy tales, urging women to eschew victimhood, reclaim their power and bite back! Join us as we dive into this enchanted world of blood, sex and animal magnetism, and find out how Carter’s own life experiences may have ...
When Lucy Irvine answered a classified ad to play Girl Friday to a real-life Robinson Crusoe on a remote tropical island, she embarked on an enthralling—and at times harrowing—year-long adventure. The result was her bestselling 1983 memoir, Castaway, a beautifully-written tale of survival. We’re diving into Irvine’s unforgettable story with special guest Francesca Segal, whose own island-centric novel, Welcome to Glor...
Religious mystics Margery of Kempe and Julian of Norwich lived in close proximity to one another in time and place, yet the lives of these two medieval women couldn’t have been more different. One traveled the world in relentless pursuit of spiritual validation, while the other withdrew into a walled cell. One boldly proclaimed her visions of Christ while the other recorded quiet revelations. One authored the first au...
How do you engage with others in a polarized society? Early 19-century writer and freethinker Frances “Fanny” Wright offers an ostensible how-to manual in the witty didactic novel she penned at age 19, A Few Days in Athens. Wright’s radical ideas garnered her the praise of Thomas Jefferson, the Marquis de Lafayette and Walt Whitman, to name a few, but detractors dubbed her “The Red Harlot of Infidelity.” Tristra Yeage...
One hundred years ago this week, The New Yorker published its first issue. A few months later, the magazine’s first (and for decades, only) female editor joined the staff. Katharine S. White spent the better part of the next 50 years wielding her pen and her editorial influence there, carefully tending to an ever-growing stable of talented (sometimes high-maintenance) writers and shaping the magazine into a cultural p...
January was dismal, but we’re distracting ourselves with something shiny in this first new full-length episode of the year. Catbird Chief Creative Officer Leigh Batnick Plessner joins us to explore three works by women writers, each of whom used jewelry as a powerful storytelling device. Louise de Vilmorin, Maria Edgeworth and Dorothy Parker feature diamond earrings, friendship bracelets and a pearl necklace, respecti...
If you’re drawn to the hefty tomes of Victorian authors Anthony Trollope and George Eliot, we can pretty much guarantee you’ll enjoy this week’s novel, Hester, as much as we did. Margaret Oliphant is said to have been one of Queen Victoria’s favorite novelists, and she counted J.M. Barrie and Robert Louis Stevenson among her many fans. Joining us to discuss Hester is New York Times columnist and pediatrician Dr. Perri...
In this week's hiatus replay, we’re focusing on one of Ukraine’s best-known poets and playwrights, Laryssa Kosach, who wrote under the pen name Lesya Ukrainka. Her play The Forest Song is a masterpiece of Ukrainian drama.
Discussed in this episode:
The Forest Song by Lesya Ukrainka
Looking for Trouble by Virginia Cowles
Lost Ladies of Lit episode on Virginia Cowles’ Looking for Trouble
Novelist and university professor Joy Castro returns to the show to discuss the 1952 novel Forbidden Notebook by Cuban-Italian writer Alba de Cespedes. In a New York Times review of a 1958 English edition of this novel, de Céspedes was called “one of the few distinguished women writers since Colette to grapple effectively with what it is to be a woman.”
Discussed in this episode:
At the age of eight, Gertrude Simmons Bonnin (later known by her pen name Zitkála-Šá) left her Yankton Dakota reservation to attend a missionary boarding school for Native Americans, a harsh and abusive experience about which she eventually wrote a series of articles published in The Atlantic Monthly. Jessi Haley, editorial director of Cita Press (which just published a free anthology of the author’s work) joins Yankt...
Charmed by her friend Lewis Carroll’s children’s book Alice’s Adventures in Wonderland, Victorian poet Christina Rossetti followed suit nearly a decade later with her own children’s book — one that alludes to the “Alice” tale while also offering a more clear-eyed view of girls’ duties, even in topsy-turvy dream worlds. Ayana Christie, Chief Product Officer of Bond & Grace, joins us for a discussion this week on Ro...
Margaret Drabble’s 1965 novel The Millstone offers a nuanced portrayal of single motherhood in 1960s London. Author Carrie Mullins, whose 2024 nonfiction work The Book of Mothers explores literary depictions of motherhood, joins us to discuss Drabble’s fearless protagonist, Rosamund. Together, we explore how The Millstone captures the joys and burdens of motherhood, and how Drabble’s sharp, ahead-of-its-time portrayal...
Elizabeth Garver Jordan’s riveting coverage of the Lizzie Borden trial for The New York World captivated true-crime junkies of the late 19th-century, and her lengthy career as a journalist, fiction writer and literary editor still resonates today. Lori Harrison-Kahan and Jane Carr, editors of a brand new collection of Garver Jordan’s work, join us this week to discuss her courtroom dispatches, her connection to today’...
Growing up on the Great Plains and witnessing the struggles of migrant workers in California made Sanora Babb uniquely qualified to write the story of the Dust Bowl. Her novel Whose Names Are Unknown was slated for publication by Random House in 1939 until The Grapes of Wrath beat her book to the punch. John Steinbeck actually used Babb’s notes and research to write his Pulitzer-Prize-winning novel, but did he get the...
Details of Eliza Haywood’s life may be murky today, but in the early 18th century, she was a literary force—writing plays and bestselling novels, editing periodicals, and ruffling the feathers of male contemporaries like Alexander Pope. Academic Kelly J. Plante joins us this week to discuss Haywood’s anonymous wartime writing for The Female Spectator, the first periodical written by and for women, as well as her 1751 ...
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