The Red Dress, recently recognised by the Guiness World Records as the largest collaborative embroidery project, is a truly stunning piece of work. It was created by Kirstie Macleod, a British artist, over a period of 14 years with the help of 380 different embroiderers.
The dress is made of 87 silk panels which have been embroidered by people from 51 different countries and includes techniques passed down through generations, the work of skilled crafts people and first time stitchers. There are purely decorative sections and others which reflect stories of trauma, resilience and healing.
The embroiderers include female refugees from Palestine, Syria and Ukraine, women seeking asylum in the UK from Iran, Iraq, China, Nigeria and Namibia, survivors of war in Kosovo, Bosnia and Herzegovina, Rwanda and DR Congo. Now complete, The Red Dress tours museums and exhibitions around the world amplifying the voices of the people who have contributed to it. Kirstie has also recently published a fascinating and beautiful book about the project called The Red Dress - Conversations in Stitch.
I was lucky enough to see The Red Dress for myself and hear Kirstie speak about this truly amazing project at World Stitch Day at Woven in Kirklees Festival this summer. I feel privileged to have been able to see it and hear just a few of the stories of the people behind this mammoth project.
I hope you enjoy listening to this episode, if you would like to find out more about The Red Dress, please visit Kirstie's website for more info on its creation and where you can see it for yourself.
For full show notes, please visit https://makingstitchespodcast.com/
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The theme music is Make You Smile by RGMusic from Melody Loops.
The Making Stitches logo was designed by Neil Warburton at iamunknown.
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Making Stitches Podcast is supported by the Making Stitches Shop which offers Making Stitches Podcast merchandise for sale as well as Up the Garden Path crochet patterns created by me & illustrated by Emma Jackson.
Making Stitches Podcast is presented, recorded and edited by Lindsay Weston.
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