Un nuevo viaje por las alucinaciones estroboscópicas.
Después del episodio anterior sobre qué son los flicker films, sus antecedentes y los cortometrajes más clásicos de ese género, en esta segunda parte hablamos sobre ejemplos más actuales, desde el cine digital, a cine en directo e instalaciones.
Películas analizadas:
- Around Perception (1968), Pierre Hébert.
- UFOs (1971), Lillian Schwartz.
- Energie! (2007), Thorsten Fleisch.
- Mustererkenntnis (2019), Thorsten Fleisch.
- Keep That Dream Burning (2017), Rainer Kohlberger.
- Study in Colour and Form I-IV (2015), Jonathan Gillie.
- Austerity Cycle (2016), Jonathan Gillie.
- Empire (2014), Dirk de Bruyn.
- RGB (2016), Blanca Rego.
- Performances/live cinema de Bruce McClure.
- Feed (2005), Zee (2008), Kurt Hentschläger.
Otras películas mencionadas:
- Op Hop/Hop Op (1966), Pierre Hébert.
- Opus 3 (1967), Pierre Hébert.
- Flesh City (2019), Thorsten Fleisch.
Otros directores y artistas mencionados:
Norman McLaren, Steven Woloshen, Richard Reeves, Clint Enns, Marcel Duchamp, Richard Tuohy, Peter Kubelka, Paul Sharits, GRANULAR≈SYNTHESIS (Kurt Hentschläger & Ulf Langheinrich).
Más recursos:
- PyRTV (archivo de cine abstracto).
Si tienes comentarios o sugerencias sobre temas y pelis que podríamos analizar, déjanos un mensaje o escríbenos a info@mentaenblanco.com
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