ADVERTENCIA DE CONTENIDO SENSIBLE: En este episodio analizamos una película que incluye violencia sexual.
En este episodio hablamos de The Living End, uno de los principales exponentes del New Queer Cinema. Una película a medio camino entre el amor fou, la road movie y el punk que narra la deriva de dos personajes seropositivos que ya no tienen nada que perder en un EE. UU. en el que ser gay y tener el SIDA era una condena a muerte.
Película analizada:
- The Living End (Vivir hasta el fin, 1992), Gregg Araki.
Otras películas y series mencionadas:
- Bringing Up Baby (La fiera de mi niña, 1938), Howard Hawks.
- Nowhere (1997), Gregg Araki.
- The Doom Generation (Maldita generación, 1995), Gregg Araki.
- À bout de souffle (Al final de la escapada, 1960), Jean-Luc Godard.
- Thelma & Louise (1991), Ridley Scott.
- Bonnie and Clyde (1967), Arthur Penn.
- Butch Cassidy and the Sundance Kid (Dos hombres y un destino, 1969), George Roy Hill.
- Badlands (Malas tierras, 1973), Terrence Malick.
- Repo Man (1984), Alex Cox.
- Blow Job (1964), Andy Warhol.
- La passion de Jeanne d'Arc (La pasión de Juana de Arco, 1928), Carl Theodor Dreyer.
- Drugstore Cowboy (1989), Gus Van Sant.
- Sex, Lies, and Videotape (1989), Steven Soderbergh.
- My Degeneration (1989), Jon Moritsugu.
- The Shining (El resplandor, 1980), Stanley Kubrick.
- Longtime Companion (Compañeros inseparables, 1989), Norman René.
- Philadelphia (1993), Jonathan Demme.
- Mysterious Skin (Oscura inocencia, 2004), Gregg Araki.
- Euphoria (2019 - ), Sam Levinson.
Libros mencionados:
- New Queer Cinema: The Director’s Cut, B. Ruby Rich.
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