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October 9, 2022 26 mins

A Producer + an Editor = A Preditor. Two discrete roles got combined through circumstance and technology into one efficient super-being working alongside its predecessors. But don't be afraid, there is another new skills hybrid emerging to enter the battle for podcast production supremacy. We hunted, and bagged some of these different species and got their views on what they do best - and what's coming over the hill.

On behalf of creators becoming potential clients, we asked 'Which combination of skills do you need in your producer? What are they ? and how to work with the right person'.

In this episode we cover:

What does a producer do? What does the client bring as a starting point for a podcast? What should potential clients expect from their podcast producer, and what’s their remit?

Lead Producer, Martin Franklin from East Coast Studio gets some quality Zoom-time with fellow producers, Courtney Carthy, Nick McCorriston, and Louise Poole to explore the different dimensions of production on Planet Pod.

Links Courtney Carthy (Linkedin) Nick McCorriston (Linkedin) Louise Poole (Linkedin) Independent Music Podcast (Apple Podcasts) State 51 (WWW)

Transcription

Martin Franklin Hi, Welcome back to Metapod. This is Martin Franklin from East Coast Studio. And we are still deep diving into the world of podcasting and finding our things tick. So my question for this episode, what does a producer actually do?

I noticed that there's quite a variety of approaches to production within the podcasting world. And I was kind of curious about how different people do it. I wanted to produce some sort of guidance for people who are perhaps thinking about producing a podcast or appointing a producer to produce their podcast, so that we just had a little bit of an overview of what what could you expect and the different approaches that different people take to, to do that work.

Once again, I canvassed, the Australian Podcasters group, and I had three sterling individuals step forward, willing to talk to me and just share their thoughts in a conversation. So in this episode, I'm talking to Courtney Carthy, from Nearly Media, Nick McCorriston from Sound Boy Audio, and Louise Poole, from Welcome Change Media. And I'm really happy with the conversations that we had, because each of them takes a slightly different approach to the craft of being a producer, which is shaped by their background and their particular aptitude and take on what they what they do best. So we get into what's next for podcasting, music, copyrights, content strategy, and a whole load of other stuff, which, honestly, I hadn't expected to talk about before I hit record on the conversations.

Courtney Carthy - Hearing the Potential

Martin Franklin 2:07 So let's jump into the first conversation I had, which was with Courtney Carthy from Nearly Media, he's got a really strong radio background, spending almost a decade as a producer for ABC, he very kindly squeezed this interview into his journey from one place to the other in his car. So you will hear the sound of the car in the background. And I did think I could spend a bit of time cleaning up the audio and removing the various traffic noises that are in the background. But actually, I kind of like how it, how it sounds, he's in the car, and he's talking to me through his Airpods. And this is what it sounds like:

Radio Production

Martin Franklin

Mark as Played

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