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June 9, 2025 73 mins

Drew forgot his hat. Rory got recognized by voice alone. And somehow, this spirals into one of the most insightful, chaotic, and weirdly therapeutic episodes of Midjourney Fast Hours yet.

This week, your two favorite Midjourney degenerates talk AI's messy evolution, why --sref still hits, and what to really expect from Midjourney’s upcoming video model (spoiler: temper your expectations, but get excited anyway).

They go deep on the “magic” Midjourney still has, how it’s quietly winning by being fun, and the lesser-known ways people are turning AI content into passive income.

There’s also a live yearbook unboxing, a nostalgic look at 8fps video from 2023, and at least three moments where someone says, “we’re not shills… but also, please sponsor us.”

Welcome to the pod that’s equal parts therapy session, product breakdown, and test lab.

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⏱️ Midjourney Fast Hour

  • [00:00] Childhood Hat Trauma & Hairline Insecurities

  • [02:40] Feeling Swamped by AI Everything

  • [05:00] Choosing What Tools to Actually Keep Up With

  • [06:25] The Most Open Dev Teams in AI Right Now

  • [08:10] Midjourney Listener Recognition IRL

  • [10:50] The Great Freepik Pivot (RIP Stock Photography)

  • [14:30] Traditional Creatives Are Entering the AI Chat

  • [16:50] Why Video Still Isn’t for Everyone

  • [18:40] The Playground Mentality Behind Midjourney

  • [20:10] Midjourney as a Post-Work Creative Brain Dump

  • [21:40] Runway, Tribeca & the Real Momentum Shift

  • [23:10] Not Shills… but Midjourney Should Sponsor Us

  • [25:45] Monetizing Midjourney in 2025: Then vs. Now

  • [28:00] The Rise of AI Clippers and Remix Culture

  • [31:00] Passive Income Mindset for Creatives

  • [33:00] Affiliate Marketing: The Real AI Monetization Lane

  • [36:00] Office Hours: Midjourney’s Video Model Breakdown

  • [40:00] Will MJ Video Match Its Image Model’s Magic?

  • [44:50] Conversation Mode: Underhyped but Solid

  • [47:00] Pose Control: Mechanics > Actions

  • [49:20] Why Most People Give Up on Precision Prompting

  • [51:20] Midjourney Video Wishlist (Stylize, SREF, UX)

  • [55:30] Live Yearbook Unboxing + Book Hoarder Confessions

  • [58:15] Nostalgia Check: Watching 2023 Pika Footage

  • [01:03:11] Upscaling Video: Reflections, Glares & Micro Details

  • [01:06:00] SREF Upgrades & Community Features Wishlist

  • [01:09:00] No Multi-Omniref Until V8?!

  • [01:11:00] Why Midjourney Still Feels Magical

  • [01:12:00] 41 Episodes Later: Still Not Boring

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  • Mark as Played
    Transcript

    Episode Transcript

    Available transcripts are automatically generated. Complete accuracy is not guaranteed.
    (00:00):
    What's up everybody, Mid journeyfast hours podcast.
    We are back and I left my hat somewhere in the other room.
    So here we are. So weird.
    I know I'm breaking breaking tradition here.
    Good head of hair, dude. Thanks man, still rocking it you
    know, still rocking it so might as well.
    Might as well show it every oncein a while.
    Dude, I get to comment all the time from from some of my

    (00:23):
    friends who maybe are thinning alittle bit.
    They're like, dude, just just don't wear the hat.
    You have good thick hair. I'm like, I, I don't think about
    it that way, but we, you know, it's hard to put the hat down.
    It is. I've been a, I've been a hat guy
    my entire life. I have the same I, I, I, I get
    the feeling you're the same way.You've been rocking a hat since
    you were a child. 910 Soon as I started playing like baseball

    (00:47):
    religiously when it was like I was wearing a hat every day for
    baseball, whether it was practice, try, you know, like
    camp vibe, you know, working with working, doing like hitting
    stuff, whatever. It was always in a hat and I
    just like wearing a hat. So same.
    It's weird, always been rocking the hat, although I would say
    I've got you beat. I've been rocking the hat since.

    (01:08):
    Birth. 4/5. All right.
    Like one of my earliest pictures, I was trying to see if
    I could pull it up here really quick.
    It's hilarious. It's like me on my neighborhood
    St. rocking like a flat bill. Yes.
    Cap and I've got like these, of course, like, you know, 80s,
    early 90s inspired like vibrant color, like wind jacket and it's

    (01:31):
    it's so dope and I'm like mom, thanks for that one because most
    of the other stuff I've seen it ain't good.
    It ain't. Did you?
    Have a mushroom cut just like the rest of us in the 90s.
    I think they called that a a a bowl cut for.
    US bowl cut, all right? But yeah, like I think everybody
    had that at some point. What was that like?
    Maybe I'm a little bit older than you, but for me I think
    that was. Early 90s though 6th. 7th grade

    (01:52):
    Yeah, the. Eighth, yeah, that's when it
    came off for me. 7th, 7th grade,it was like I got to get rid of
    this thing. Now it's like.
    What about this thing? Oh, are we show?
    Are we showing that everyone? You know, I was looking through
    my photos and I forgot why but II saved this photo and I think I
    was giving you shit for it one time and we were and turns out I
    still got it on here so. If anyone doesn't remember, if

    (02:15):
    anyone doesn't remember the darkdays of COVID when all of the
    women and all the females still looked exactly looked normal
    because their hair doesn't grow at the same rate as us because
    we get it cut every. That's right.
    Four weeks. That's right.
    And we're like, you know, a month or two in and we all look
    like Cavemen, like, oh. My God.
    Sting. Yeah, What are we doing?
    I yeah, I already told the dye story, I think, on this podcast.

    (02:36):
    But Oh yeah. Bro yeah, I had to shave it all
    down, man. We.
    We. Too funny?
    Yeah, too funny, man. It was what was your, what was
    your week like this week? How you know, it's just, it
    never slows down. Nothing ever stops.
    I will open up Twitter every single day.
    And it's just like, oh, here's 50 other things for me to look
    at today and test and see what'sgoing on.
    I, I think if you put too, if you put too much pressure on

    (02:58):
    yourself to keep up with every little thing, it, it has a
    negative effect on you. So I've, I've tried to
    especially now, like pretty muchrocking, you know, I'm rocking
    full time. And then, you know, I don't get
    to spend as much time in the weeds as I did when I was
    running solo. I've had to let some of that go,
    right? There's no way to stay sane, you

    (03:21):
    know, have maintain good relationships within my family,
    you know, do all those things unless I let some of it go and
    not try to try to know everything.
    So I think that's been a lesson for me is, you know, these
    things happen so fast, right? And yeah, you know, luckily
    there are other people, right, like through Twitter or just,
    you know, have a conversation with you where it's like, if I
    get enough of what's going on, that feels good enough for me

    (03:43):
    right now in in some areas, likemostly like with I would say
    like the video stuff specifically, but in terms of
    like everything going on with mid journey, obviously staying
    up to date with that, but. It's, it's rough.
    Like I've, I've, I've sort of hit that fever pitch now where I
    just have. Fever pitch.
    That's good. Yeah, that's a good word.
    Yeah, it's like I have to choose.

    (04:03):
    Like I can't, I can't chase everything.
    Like Hagen comes out with something new this week that's
    like super revolutionary, apparently.
    I haven't even looked into it 'cause I've never used Hagen and
    like, I just, I see that as moreof like it spikes and then it
    goes into a valley, you know, like it spikes, it's cool for a
    month and then you know, someoneelse develops and I don't hear
    from them for a while. I'm curious how other people do
    that too outside of us, right? Like the people listening to

    (04:25):
    this. I'm curious how you guys decide.
    Is it purely a time bandwidth thing or do you think about it
    consciously like that, which I think is smart too.
    Of like you kind of have to consciously pick your winners
    too. Of like I maybe I don't have the
    time to explore every single tool.
    These are the ones that I will sort of like go back in and, you
    know, test this new feature, runsome experiments, right?

    (04:48):
    Like kind of piece together how it might work for me kind of
    thing. Yeah, it's like, you know,
    there's the tools that are that are shipping constantly.
    Like I look at cling and I just know that cling's on it, right.
    Like, you know, something's good.
    Like they dropped 2.14 weeks after two point O.
    Like that's not a that's. Not like a.
    It's not like Pika, who like disappeared for nine months and
    then came back, you know, like it wasn't.

    (05:09):
    Like they've been doing that. They've been kind of, they'll
    show up for like one week and then it's like back in the
    hibernation for the next quarter.
    Yeah, yeah, constantly, constantly updating.
    I did get to meet Tony from fromCling this week, who is the
    only, only employee in the US and Tony is very cool.
    And if anyone's not utilizing cling in any way, shape or form,

    (05:32):
    I, I definitely highly suggest it as a tool.
    I think it's, it's great. They put a lot of effort into
    their tool and it's really good.It's super coherent.
    But he was, you know, talking tohim, his, his schedule is crazy
    because he's on EU. He's the only one in the US.
    So. He's working.
    He's. Working day.
    That Far East time. Yeah.
    Then he works the night time regimen because he's, it's like

    (05:54):
    whatever call with Europe, it's like in the morning and then I
    have to like somewhat relax during the middle of the day and
    then go back to, you know, working overnight.
    Insane. I can't even imagine, you know?
    Super cool, super open to feedback, like loves talking to
    him. I love when these tools like
    this, you know, there's a good thing about the space.
    If everyone's not familiar, you haven't had an opportunity to
    talk to, you know, some of the people that are developing these

    (06:16):
    tools, some of the, you know, the tool owners, like they're
    really open to feedback. Like they like it, You know They
    don't. They don't get like pissy if
    you're like I. Don't think where would you say
    the best place to reach these people are for those that are
    listening and and maybe do have feedback like is it you know, is
    it mostly on acts? Is there?
    Yeah, they're interactive. It's like they want to know

    (06:37):
    because it's just like you with with your work, right?
    You're getting constant feedback, which is, which is
    great. Like if you're a marketer, well,
    it doesn't even matter if you'rea marketer, right?
    Like any type of feedback is valuable.
    You're not taking guesses, right?
    Yeah. So I think like if you've got
    something that's hard data that you can then apply and if you
    establish patterns, even better,right?

    (06:58):
    If you're hearing that same thing a couple times or you
    know, maybe even just like the creator mindset, right?
    Like you and I think about that in terms of like if we see
    comments here and we see the sort of like similar patterns,
    it's like, OK, like this probably is something we should
    address whether it's briefly or,you know, on a deeper level.
    Same with doesn't even have to be your content.

    (07:18):
    I think you even brought this upon a previous pod, right?
    It's like, look, you can also source this just by viewing
    other people that are in the space and they may make a post
    and don't have time to, you know, comment or respond every
    little thing that's left there. But you can also just browse
    that for insights of things thatmatter, right?
    And so, you know, if you're Tonyor anybody else or for that

    (07:41):
    matter, that's, that's creating even, I mean, those are, those
    are all good insights that are accessible and only allow you to
    get smarter with the things thatyou're talking about and pushing
    out, right versus taking guesses.
    So 100% so it was for for a little insight as into How I Met
    Tony, apparently Drew, it was New York Tech Week this week

    (08:01):
    also coinciding with a lot of like supplemental events for the
    Tribeca Film Festival in New York.
    So the whole like AI contingent was in New York and I did not
    know this until about Tuesday, so.
    Damn, OK, so this is like a thisis an annual thing, but but
    probably within the last two years, this is really like just

    (08:23):
    kind of been an influx to of theAI part of that and and
    influence in the event. And I think it's it's similar to
    like what? What I'm not going to say it's
    at the same scale, but like whatKhan is in in France where you
    have the big major event and then you have all the satellite
    events. So everyone comes throws their
    parties, everyone has their, youknow, presentations, their panel

    (08:44):
    discussions, their networking events, so.
    Very cool. Tell us.
    Tell us more about it. Tell us more about that.
    First, I would I would like to shout out to one of our
    listeners, you're going to find this one, this one good.
    We were sitting after one of theevents.
    We went out to get like a, you know, like a burger on Stone St.
    down in down the down Wall Street area and.

    (09:07):
    Wall Street Wall Street's at thebottom, right South.
    Financial district. So we we're sitting there, you
    know, probably like 10 of us around the table.
    And you know, one of the guys, his name is Brian.
    Just it's like, dude, I don't know what it is about your
    voice. It sounds so familiar.
    I was like, I was like, do you? Happen to do?
    You happen to listen to a podcast?
    He goes, are you guys, are you guys the mid journey podcast?

    (09:28):
    I was like, yeah, mid journey fast hours.
    He goes, I have ironed more shirts to that podcast than
    anything any other. I was like, dude shouting.
    Can we, can we use that line? And yeah, we're going to use
    that line. Yeah, I mean, it was like the
    way he said it, I was like, that's exactly how I, you know,
    he's like, I don't really watch.I just listened.
    So I wasn't recognizing you by your face, but I recognize your

    (09:50):
    voice. So, you know, we have, we have a
    few listeners that I met, which was cool.
    But yeah, it was, you know, I went to we did a panel
    discussion in Oculus, which is right next to the World Trade
    Center. Small, intimate sort of setting,
    you know, a bunch of people you had cling there, free pick.
    Was there crazy few people, a few other cool people that I met

    (10:11):
    and did a panel discussion with Xavier and Justin from Wonder
    Studios. If you guys are not familiar
    with them, they're developing AIintellectual property at the
    moment. And so they're a new studio in
    the game that's, you know, just got just got some funding and is
    on the on the upswing. Got a little bit of a
    relationship with them and then I'll stood a panel discussion
    with Nick Saint Pierre. If anyone is familiar with X,

    (10:34):
    I'm sure you've seen Nick's work.
    Super cool guy, awesome conversations.
    So yeah, we had a good time at that.
    Got to really get in with with free pick a little bit, you
    know, have a conversation with their team.
    They're really cool. Had no idea they started as a
    stock photography site and just pivoted which I was like to
    where you guys are right? Now interesting.
    Yeah, I feel, I feel like I, I feel like I knew that, but I

    (10:56):
    didn't know that. But maybe I haven't thought
    about that because they they've been around for a minute, right?
    Because they were like even pre a pre AI, that was the place
    where you got all the stickers and icons and illustrations and
    the under that subscription model.
    But prior to that, yeah. That that kind of makes sense.
    That let that tracks. I feel like I knew that.

    (11:18):
    Either I knew that or it makes alot of sense.
    So I was like to them I was like, Congrats, 'cause I see you
    guys as like a major player. And that's pivoted.
    A lot. And they pivoted hard and they
    made the right pivot, like, because that's what was the
    first thing that we were doing with Nick, yes.
    Yes, you're right. Get rid of stock like. 100% and

    (11:39):
    and that's The thing is like, unless you, you know, it's more
    obvious now, right? But if we were having that
    conversation like we were a yearago, close to a year ago, and we
    were probably having that conversation before the podcast
    started, but that unless you were in it, you weren't thinking
    of that, you know what I mean, Iguess is my point.

    (12:00):
    And so that to me, I would say like, if I were working there
    and saw that take place would bevery encouraging.
    I'm sure at the time was probably like chaotic to to
    undergo for the undergo that kind of pivot.
    But at the same time, like now looking back on it, you got to
    respect the hell out of that. They're really dialed into
    what's happening because I don'tknow that that was such an

    (12:21):
    obvious realization except for people that were super in the
    weeds like we were and others were because like, we, it got to
    a point where you're like, oh, OK, now I can see how you know,
    for me, it started with the, thesort of stock stuff, photos
    specifically. But then it was like, Oh yeah,
    like you could create. Once that consistency started to

    (12:42):
    get better, it's like, oh, now you can start to create these
    things and basically create yourown material that you could
    sell, right? So this, this feels obsolete
    now. So whatever they did to gather
    that feedback. Like when was the lesson even
    thought about it? That's not in a long time,
    brother. Like honestly when she said
    stock photography, like I had toregister back in my brain.

    (13:03):
    This is how crazy this is that Ihad to register in my brain that
    that was a thing. Cuz I it's totally gone from my
    thought process, which is I had that this sounds like again like
    Madrid deep hours, but I was legitimately had to think for a
    second like stock photography, like it used to be ingrained.
    Yeah, my day-to-day and I had not touched it in three years.
    Well, I, you know, to be fair, like there was never anything

    (13:25):
    sexy about stock photography, but it was like a necessary evil
    that you'd ever really thought about.
    But it was always a part of the process because there was no
    other alternative other than, yeah, again, having a big budget
    where you could hire a photographer, Right.
    And so it just depends what kindof space you were in, what kind
    of company, the resources you have.
    But it was like one or the other, right?
    Yeah. And it was interesting man,

    (13:46):
    because like I said, there was abunch of there was a bunch of
    other tools there. I got to meet some people from
    Topaz. If anyone's not familiar with
    them, video and and image upscaling sort of service video
    image restoration really good. If you guys haven't tried it
    out, highly suggest it. There's what else was
    interesting was that I was at a one of the, one of the parties,

    (14:08):
    if you want to call those more of like a more of like a meet
    and greet kind of thing, just networking.
    And it was film makers, a lot ofthem, a lot of like a lot of
    industry. Like traditional.
    Yeah, that have been in the industry for 20 years.
    They were just, you know, like open invite, like they were
    coming because they were curious.
    And that to me felt even out of like 60 people maybe have a

    (14:29):
    small sample size, just felt like a transition because some
    of them had finally gotten theirhand, like gotten like a little
    bit like dipping their toes. And once they started it, they
    got really interested. And now they're trying to like,
    ingratiate more. Remind reminds me of that like
    agency push Remember there were a lot of those agencies at first
    just didn't want to even talk about it.

    (14:50):
    They. Yeah, and it's like I keep
    telling anyone like there's there was a great there's a
    great video this guy did from a video from like the sorry from
    the film production industry basically like paralleling what
    the new jobs would look like. It's not like your jobs going
    away. It's like how it's going to
    transition. So it was like, you know, how

    (15:10):
    the director becomes sort of like the creative director and
    how the you know, the costume designer, you know, you're
    basically going to train digitalLauras and like, you know, build
    out, you know, models and aesthetics and be able to place
    this clothing and like consult on different things like that.
    The sound engineers are going tobe this the you know, the
    cinematographer is going to do that.
    And I was like, this is it's smart because there is, it is

    (15:31):
    still so specialized, you know, in that.
    Well, and and kind of like we'reat this point too where if
    you're thinking about that earlyenough and at the right time,
    you actually can be the one to guide that, right?
    Yeah. So somebody's gotta make that
    decision. If you're a video editor right
    now, I think you like, I talked to a number of them who are in,
    you know, a lot of post production.
    I was like, I think you guys arein the best position of anyone

    (15:53):
    because there's gonna be so muchmore content.
    And I know my faults. Like I can create a good image.
    I can create like a like a fun video.
    I cannot edit stuff together to save my life.
    I suck at sound. And it's like, I know it's AI
    know it's like a downfall, but Iwas like, there's so many.
    There's just going to be more volume of content and there's

    (16:13):
    going to be people that if you have traditional skills in
    editing, you're going to be super, super in demand.
    Well, and there's the difference, all kinds of
    content, to be fair. I mean we're there's there's
    actual films and you know, long form content.
    There's also mini series. There's also commercials.
    There's also sketch, you know, like so so there's so much

    (16:36):
    content, right. And I think that's also kind of
    like the thing I was, you know, realizing too early on with with
    the AI video stuff and why I always kind of was a little bit
    more into the image Gen. It was just like the video stuff
    is cool to me. Obviously there's so many
    applications. I want to be good at it.
    I want to be, you know, pretty damn good at it, But at the same
    time it's like, it's not really me, right?

    (16:58):
    It's not really like my best skills, my best skill.
    I I love sort of like the designaspect, the stills, you know,
    the photography, you know, some,some video is cool too.
    But like, that's where my I, I wouldn't even say comfort zone.
    It's just like, I love that, youknow what I mean?
    So I think that's OK, right? Like, because there's so many
    different iterations and variousapplications of how you would

    (17:23):
    use image Gen. let alone video Gen. right?
    Like, yeah, it's so broad. It's, it's sort of all feeds
    into itself to at a certain point, you know, like I think
    everyone wants to push a little bit further once they're
    creative, like if there's a curiosity, like you just want to
    push it a little bit further, you know, like I've.
    Always I've always really admired that about you because I
    think like and it shines throughwith anything that you do with

    (17:45):
    the social aspect is because like you'll you'll really almost
    try to break it and thanks, man.That's that's always something I
    know I can count on on you for which is which is awesome to
    see. You know what?
    I. Mean 'cause there's the why not
    mentality, just like, why not like, let's just try, you know,
    I think you see so much of the same stuff too.
    You just wanted to see somethingthat you haven't seen yet too.

    (18:07):
    Like, oh, I haven't seen this type of shot.
    Like let's try to do this. And by the way, you know, like
    if, if, if you do create contentand you're listening to this,
    you probably already know this, but I'll point out something
    that may not be super obvious, but it's just like you don't
    have to just post the wins, the great stuff, share the losses,
    share the vulnerabilities, sharethe experiments.
    People like seeing the real shit.

    (18:28):
    So at the end of the day, it's all good content, doesn't matter
    if it's excellent results or results you didn't want to get
    to and you post about it in the learnings that you had.
    And then also probably somebody will jump in and help you out at
    the same time, right? And say, this is what you could
    have done. So do.
    You want to hear also dovetailing on that point a
    little dovetailing is a big sentiment towards mid journey,

    (18:52):
    almost like a like exactly sort of how we felt about it.
    Where from talk to this maybe 50people like there's still like
    this like childish, like playfulmentality with mid journey.
    Like it's it's not because it's now not the only game in town
    and you have to figure it out how to use it for XYZ project.

    (19:14):
    And we were like the same thing that we were doing, which was
    like trying to trying to like fit it to our needs.
    People still just utilize it as like a playground, Like it's
    just like I'm going to I need tolike decompress.
    I like to use mid journey, like I just want to like throw a
    bunch of images into style reference and hit like car and
    push enter, you know, and see what comes out.
    And I think that's I think if you're going to ask me where

    (19:37):
    that's like you can win, like tome that's a win for mid journey
    is like that. That's they don't have to be
    competing in the professional. I like that you, I love, I don't
    like, I love that you pointed itout because I think like that's,
    that's easy to forget because it's like we pushed it from that
    perspective because we've, we'veobviously both been at this

    (19:57):
    point where we're running so long.
    We use mid journey as a key partof that workflow, right?
    But when we started, we weren't using it for that, and we still
    do it. Even for not paid projects to
    play and have fun and that aspect, you're right, there is
    no like it doesn't even matter if there's something that's
    better than mid journey. It's something about the magic

    (20:19):
    right itself and the experience of that platform.
    And I don't know, maybe even like if you've been using it for
    a while, there's a nostalgia of where it's come come from.
    And it is sort of like this really impressive underdog in
    the sense that it's not funded, right?
    Like they're just a lot of reasons.
    Root for it. Yeah.
    It's, it's that, it is that likeI said it, I said it on the

    (20:41):
    panel, someone asked a question and I said, you know, like it.
    I was not forced out of design. I sort of like evolved out of
    design to where I didn't have a creative outlet anymore.
    I was doing sales and like operations.
    So everything was like growth and sales and growth and sales
    and I wasn't doing anything creative.
    And it was like at the end of the day, after talking for 9
    hours, do I want to go sit in illustrator or Photoshop and

    (21:04):
    like try to, you know, get creative and do something?
    I would cook. Like that was my that was my,
    you know, outlet. Like I like to be creative that
    way. But now I'm just like, I go on
    at night and I just sort of likebrain dump my stress into mid
    journey. And it's like what, what what
    was in my head today. Let's get it out and let's sort
    of like see where it goes because then I feel good like it
    honestly, it feels good after done.

    (21:26):
    That was echoed by a ton of people.
    Like it brought, it gave them a little bit of a creative space
    to like be outside of work and like what?
    Any any other like major takeaways from you from?
    The event that was that was one of them.
    I like I said, I was surprised at how many people were like

    (21:49):
    very new to the space, but superinterested, like, you know,
    very, very actively trying to sort of like get ingratiated and
    like there was a ton of people there for I don't know if anyone
    saw runway, you know, the AI Film Festival, they sold out
    Lincoln Center. So that's a big deal.
    You know, there's a there's a lot more interest.
    There's a lot more events aroundit at Tribeca Film Festival,

    (22:12):
    which in the past is very exclusive and like would would
    basically not want this stuff around like they would last
    year. They, you know, you didn't want
    AI. Oh, interesting.
    This year, it's like there's a bunch of people that are coming
    in. I'm going to see, you know, got
    invited to a Google thing next week and got Dave Clark talking
    and a few other people that it'slike, this is not traditionally

    (22:35):
    what happened today. I, you know, at sorry AI at
    Tribeca Film Festival. So there's a, there's a shift
    and I don't know if anyone else has noticed this.
    If we have any other New York Westerners, it doesn't feel like
    New York is as maybe AI creativeas California.
    I know a lot of people in Europe, like I never feel like
    there's a big contingent in New York, but I met a big contingent

    (22:56):
    this week, so I was. Interested.
    About that, yeah. By the way, are you a Google
    paid partner or promoter? No, I was a because.
    We got because we got a comment that we were showing VO3AS paid
    promoters for Google. Please paid, I paid $125.00 for

    (23:19):
    that first membership and then Ipaid 200 extra dollars to test
    it because I have to know this stuff because you can't just
    like walk into a business who, you know, we do corporate
    training for businesses, things like that.
    And they're like, how's VO3? Because it's the most powerful
    video generator in the world. And I say, oh, I don't know,
    it's too expensive. I don't use it like it's that's
    we have to do this stuff sometimes.
    Like, I don't think people understand, you know, it's like,

    (23:41):
    oh, do I really want to upgrade to the the Max plan right now?
    No. But I also think that's, I also
    think that's really cool for from our perspective is like we,
    we, we're, we're not paid or incentivized by anyone.
    That being said, if there is anyone that is interested in
    sponsoring the podcast or wants to have, you know, some, some

    (24:04):
    live reads on here, that's right, we're open for business.
    Yeah, this is our, you know, this is our real pet project.
    We're we're both busy guys. We love to show up every week
    for you guys. We would love to go harder on
    this and really like build this out more time's the villain.
    But you know, like that. That being said, we love like

    (24:25):
    this is this is our thing. So like we, we try to give you
    guys, obviously it's this focus around mid journey, but we try
    to give you a sense at least, ifnothing else, of everything else
    that's happening in real time and maybe even how those pieces
    connect, right? Because what's on top now may
    not be on top six months from now.
    Yeah, a year from now, right. And I think in that sense,

    (24:47):
    we're, we're kind of lucky mid journey is still where they're
    at because if mid journey was inthe garbage, we probably
    wouldn't be doing this. But but yeah.
    But there's still that feeling. And again, there was the the
    other sentiment was the hyper coherent models, right?
    I got, I came across this a bunch to go back to that
    comment. Hyper coherent models are
    awesome because they listen, butthey don't have the, they don't

    (25:08):
    have like that little extra flair that can make something
    really pop or make something, you know, sort of like be
    magical to you. You know, some if you're doing
    this for professional stuff, like some businesses just want
    boring, bland, plain, that's it.Some want, you know, like
    editorial genius. Some want the most minimalistic

    (25:31):
    like simple, the clean corporatesafe, like you're going to run
    the gamut. If you guys are doing this
    professionally, I think we have a bunch of professionals that
    listen to this or use. Tools and professional life.
    So there was another comment too.
    We did we talking about he he had an idea of how he he wants
    us to talk about how you can monetize mid journey.

    (25:54):
    We did do an episode on this episode 4 long time ago and I
    remember we went through like a bunch of examples, but if that
    is helpful, let us know. Let us know in the comments
    because obviously like things have changed.
    There's there are new use cases for this and there still is a

    (26:16):
    window that is open completely for monetizing mid journey AI,
    image Gen., video Gen. So here's a here's a, a tip, not
    on not a tip, just that this is an opinion, let's call it that.
    I think if you're going to monetize mid journey, you have
    to have a skill somewhere else. And this is this is just being

    (26:38):
    bluntly honest. Like if you're going to say
    like, I want to sell T-shirts, like you have to be good at, you
    have to be good at running an e-commerce store and marketing
    that e-commerce store. Like the mid journey is not
    going to you just T-shirts are not going to sell unless you
    just have like a really large audience on Instagram.
    Yeah, like you need to like there needs to be some other
    skill set involved to pair it with.

    (26:58):
    It's hard to just start like a business from nowhere with mid
    journey. Like you're an accountant and
    you want to use mid journey to make a business.
    You're going to have to learn something else plus mid journey.
    Yeah. It would kind of be like, I
    would think about it in that same approach of if, if you are
    going to just like start that you don't have a big audience.
    It's almost like, like you wouldwith any other freelance kind of

    (27:18):
    thing, you'd probably start withpeople you know and friends of
    friends to start, you know, to get business because you would
    ultimately need referrals and word of mouth to, to spread.
    I think that's a good point, right?
    Because if you don't, if you don't have the, yeah, if you
    don't have the, the audience or the community up front, it's
    just going to be a little bit harder.

    (27:40):
    But you're absolutely right. Like there has to be a skill
    that's associated with it. For me, I don't know not to not
    to cut you off there. I'm sorry.
    Just like for anyone that for anyone that's not in like these
    like weirder like avenues of theInternet, which I feel like I
    end up in a lot just based on what I've done in my.

    (28:02):
    And based on your personalization code and based
    on your personalization survey. Homesteaders.
    Results. Yeah, all that.
    They know more about me than than I know about me.
    But there's, you know, there's these, these, they're called
    Clippers. There's a lot of stuff that goes
    on around like, you know, Gen. Z is pretty really like really
    good at this. Now it's like taking podcasts
    and clipping them up and either,you know, there's now there's

    (28:23):
    now incentives for, for views and things like that.
    So if you can take, you know, podcasts, clip them up, make
    them interesting or videos just in general that are on YouTube,
    you know, the you see the remix feature, things like that and
    utilize sort of mid journey to Oin like images and things like
    that. If anyone's ever seen anything
    from the channel, I think it's called like ninjas are

    (28:44):
    butterflies or something like that and then I get it on.
    My you really you really are in the corners bro.
    I'm. Telling you, but they like they
    it's like basically someone willclip a story that they tell on
    there and then just add mid journey images to it.
    And it's easy to like do it really quick and make it go
    viral to sort of like piece the story together.
    Like there's, there's more creative ways than like selling

    (29:05):
    T-shirts or, you know, like I'm going to sell like cloth
    patterns on Etsy. Yeah, there's a little bit more
    digital ways, things that can beautomated less, you know, less
    sort of like physical goods more.
    You know, this is this isn't this is my learnings from this
    because I think I had never really monetized outside of

    (29:31):
    just, you know, taking on a particular project and and doing
    the project right. But what I mean by this is like
    this passive income approach or,you know, finding a way to like,
    'cause I, I guess what I'm trying to say is when you get
    into that part of it, especiallywhen you have limited amount of
    time. I'm a parent, kids are in

    (29:52):
    daycare. I've, I know I have a set amount
    of hours each day that I have tomaximize.
    And when I was on my own, I was constantly thinking about how do
    I maximize the time that I have spend it in the right places.
    When you have ADHD, like like us, that's even harder.
    But at the same time, it was just like, not all money's
    equal. What I mean by that is there's a
    difference between taking on a $5000 project and then having to

    (30:16):
    create all these things, right? And this maybe takes you, you
    know, maybe stretches out over the course of a couple weeks
    versus maybe doing a training that is, I don't know, like a
    10th of that cost, but only costme an hour to do, right?
    So I'm constantly thinking abouthow I stack.
    The difference is there. What are the things that are not

    (30:36):
    worth entertaining, right? So maybe 5000 is a bad example,
    but if it's something like 2000 and I knew it was going to take
    enough time, it's like that's not worth it even though I'd
    like that money, right? Versus doing it this way.
    And same with the that was why the digital products, the
    courses, the guides, the things that we, you know, put out
    passive income, right? It's like all the work is front

    (30:57):
    loaded. Yeah, we do make changes every
    once in a while, right? But at the same time, it's like
    most of that works done. And if you promote it here and
    there, right, like you can generate income and you're not
    working hard for it doesn't costyou any time to do that outside
    of making a social post for it. So it's like constantly thinking
    of those other ways to stack theright types of activities versus

    (31:18):
    the time that you have allotted.And I think that's also key,
    right? Because that was a, that was
    like sort of like an obvious buthard lesson.
    I think a lot of people just have to learn themselves.
    Even if somebody were to tell you that, I don't know that you
    can necessarily proactively do anything about it unless you've
    experienced the pain personally.100% And if anyone wants to go

    (31:39):
    down a rabbit hole that will, it's more that, you know,
    affiliate marketing is a great way to to start to even if
    you're just going to learn it, to fail at it.
    It's such a good, it's such a good skill set because it's more
    than just influencers Hawking products.
    There's a lot more depth to thatindustry.
    There's a lot, there's a lot of ways to make ridiculous money

    (31:59):
    that you didn't even know was like available on the Internet.
    So it's a, you know, you see some of these guys and I, you
    know, familiar, I don't know if anyone's familiar with something
    like search arbitrage, but like if you look up search arbitrage,
    you'll realize how ridiculous itis that people make money on
    stuff like this. So I'll leave that.
    I'll leave that breadcrumb with everyone if you want to go look

    (32:20):
    up with search arbitrage. I don't even know what that is.
    I'm interested. I'll have to have to check that
    out. It's it's you when you hear it
    the first time, you're like, whydo I have?
    Why did I have a full time job if people are making money like
    this? Yes, and those are always.
    Good at it. If you're good at it, you
    probably don't work a day in your life ever again.
    Not to sell the dream there. This isn't like a crypto bro

    (32:41):
    scam. You obviously have to be smart
    and. Good.
    Everybody just logged off to go pursue financial freedom.
    Just out. It's, it's something that I, I,
    I had to like. I had to ask the people who were
    doing it like 3 times. I'm like, come on, there's,
    there's like more to it than that, right?
    I like. I kind of know.
    I think I kind of know what you're talking about.
    Not the insurance and outs of it, but I yeah, I think I know

    (33:03):
    what you're talking. About, I mean, there's a lot
    more to it than what I'm about to say, but like, if you think
    about it in terms of like buyingdistressed, buying distressed,
    like like domains or misspelled domains, things like that.
    I'm sure you've, you've tried togo to like Amazon and you'd
    spelled it amzn.com, right? Right.
    And then it has, it's like, oh, page doesn't exist.

    (33:25):
    But here's like 5 other links and it goes to like Amazon,
    Walmart, Target, whatever. Those are all affiliate links
    and they're cookies. So you click on that and you go
    to Amazon and you buy something like the person who has that
    domain shit. Yeah.
    It's like things like that whereyou're like sneaky.
    Sneaky. That's so cool.
    Yeah, Sam. You feel dumb.
    What do you? What do you learn?

    (33:45):
    I know, I know man, some fuckingsmart people out there.
    Yeah, yeah. But hopefully you know, if we if
    mid journey had an affiliate program, Speaking of that, we
    should, we should do some of these eventually the AI
    companies if anyone is for our listeners, the AI companies are
    starting to adopt affiliate programs.
    If you're not familiar with whatan affiliate program is, how it

    (34:07):
    works, basically you apply to become an affiliate for them.
    So you will then become part of their affiliate program.
    What they will do is provide youwith a custom link that
    basically tracks to you. So if you're posting on, you
    know, like Topaz, for example, has a affiliate program, a few.
    I was going to say call. Call some of the ones out that

    (34:28):
    you're thinking of. Topaz has an affiliate program.
    Off the top of my head, I'm pretty, I think Cling or Luma
    has an affiliate program. I think I don't know if free
    pick does. I'm trying to think of who else
    does. But you know, this is something
    that we can come back and talk about in terms of like
    strategizing how to make money off this stuff.
    Yeah Like for something like that, if you have a newsletter,

    (34:52):
    if you have any sort of social following, you don't have to
    have 50,000 people. If you have, you know, 1002
    thousand, 3000 people, that's enough because what it is, it
    will give you a custom link and then whenever you post about it,
    if you say, you know, I upscaledthis video with Topaz if you
    want, you know, if you're looking for the product, here's
    the link. Then if people click on your

    (35:13):
    link and they buy, you get paid.So I think right now you're
    starting to see this trend grow in the space.
    If you're posting about tools, if you're interested in tools,
    things like that, they want to, you know, it's, it's mutually
    beneficial. So you basically post on their
    behalf and create content on their behalf.
    Yeah, UGCUGC and both parties. Generate sales on their behalf.

    (35:37):
    You don't have to have a brand deal with them like you don't
    have to. Like no one has to.
    I know this might sound redundant for some people, but
    it's maybe not because you can just go sign up for their
    programs. I know HubSpot, I don't even
    know what their AI tools are, but I know they have a big
    Commission payout, like 50% on like the first year of someone's
    plan, things like that. So there's ways, there's ways

    (35:58):
    he's got to look, he's got to look for it.
    But I think that if I had a prediction over the next 12
    months, you're going to start tosee more affiliate programs
    start to roll out for these tools because they just want,
    you know, it's just found money for them really and incentivizes
    us to post about it more. But you know, I'm, I'm not
    posting about Topaz because I'm trying to get affiliates, right?
    Like if people want to, you know, if I, if I really wanted

    (36:20):
    to go in on that, I could. But it starts to sort of dilute
    the, the messaging of what's good and what's not good, you
    know what I mean? So try to stay authentic with
    it. Maybe every once in a while
    we'll need some cash. Sorry guys.
    Yeah. I mean you are doing this full
    time, so you might need some cash.
    Yeah, yeah, absolutely. Diatribe.
    Diatribe on affiliate marketing over just.

    (36:41):
    No, that's good though. I, I, I, I mean, I think there's
    like definitely some substance to what we just talked about.
    But like if there, if we should do a deeper dive on that with
    more tactical examples, getting into the weeds a bit more, let
    us know. Happy to do that because it, it
    has been a little while, it would make sense to do it.
    Hey, what about, what about jumping into office hours here,

    (37:03):
    maybe talking a little bit aboutthe video model with mid journey
    heating up, talking about it a lot, saying it's going to come
    out here very, very soon. Finalizing selection among 24
    possible video model variations,text to image or text to video,

    (37:24):
    image to video, multiple resolutions.
    They're considering 2 main options initially, a budget
    friendly version and a high quality professional grade
    version. Parentheses expensive, concerned
    about potential GPU shortages upon release.
    So they're going to, they did mention sort of like they're
    thinking about the deployment strategically and whether or not

    (37:48):
    they sort of offer video models initially to like annual
    subscribers to secure funding for GPU purchases or set daily
    usage limits or whatever it is. So that's interesting.
    Last note on that was they're acknowledging that 40% of mid
    journey users currently hold annual subscriptions. 40%. 40%,

    (38:12):
    that's what they said here. That's a lot higher than I
    thought. Yeah, same.
    Let me see, let me let me throw these last three bullets out and
    then we can kind of discuss here.
    So first video models will offerbasic functionality and short
    clip generation immediate Next priority after that is enabling
    longer video clips. Additional features and
    refinements expected gradually post launch.

    (38:32):
    OK, So all right, I'm, I'm interested, like do you know
    that you guys know we're going to have to pay for the, we're
    going to pay for the professional model and then
    we're going to tell you how it is.
    So we won't hold back on that when it comes out.
    Like there's enough baseline there now to sort of judge how
    good it is, if it's worth the money, you know what it needs to

    (38:53):
    improve on because we've seen how good some of these tools can
    be. I think it's going to be hard.
    Honestly. I think it's going to be, my
    expectations are sort of on the lower end of how this is going
    to work. I'm excited about it, but I'm
    not expecting it to be cling. I'm not expecting it to be VO.
    Yeah, it's interesting. I I'm so curious about this.

    (39:14):
    What is this first iteration look like?
    Yeah. And we've we've already talked
    about, so I'm not going to go down the same sort of Ave. but
    just reiterating one thing. You've got one chance at a first
    impression with video. There is a there is a high value
    in nailing that right off the bat.
    That's all I'm going to say. That said, you're still going to

    (39:36):
    have mid journey loyalists rightthat are going to follow this
    through the updates like we always do.
    Follow it every step of the way kind of thing.
    Sure. But super interested to see what
    this looks like. Oh my God, you know what I mean?
    I I just, yeah, I don't know what to expect.

    (39:56):
    What do you think the prompt architecture is going to look
    like for this? Like the like it's going to be,
    Is it going to be like broad concept prompting like 5.2 was
    or is it going to be like more natural language is going to
    work better? Like if you had to, if you had
    to guess, which way do you thinkit's going to go?

    (40:17):
    Well, I guess it's I mean, doesn't it kind of have to align
    to the image model? Kind of.
    That's why it could be differentthan a lot of these other
    models, right? Like a lot of the a lot of the
    video model. So I mean, from that sense,
    wouldn't it, wouldn't it make sense for that to be very much
    in line with, wow, how promptingand the coherence works with V7?

    (40:39):
    Yeah. I wonder if they're going to use
    like conversational model as like as like a way to sort of
    like prompt enhance for that to like.
    And how is the the prompting experience meaning mid journey
    right now is still one of the more laborious ways to prompt
    outside of the voice command, right?
    Meaning like you don't have these little buttons or

    (41:01):
    categories that you can click and sort of like add keywords
    really quickly or categorize things, right?
    Like they're still sort of that like tokenized element of like,
    you know, you being creative in some ways.
    And I'm not saying that's good or bad, but a lot of these other
    ones right have those short likespeed time to prompt kind of

    (41:23):
    really nailed down for efficiency.
    I wonder how mid journey adapts to that from a UXUI perspective.
    That's why I was thinking about this the other day.
    It's like is it going to be likeif I go back to runway Gen. 3
    right for as an example runway Gen. 3?
    Just a conspiracy theory. Works better with with runway

    (41:43):
    generated images then mid journey images.
    I think it probably recognized just like the image architecture
    or structure much better and wasable to go with it.
    Like I'm sure a lot of people know who have tried to use some
    more like intricate mid journey images in video generators that
    you like. After one second you lose like a
    lot of detail because mid journey is so detailed and a lot

    (42:04):
    of these other images or video generators are not just like not
    there yet to keep up with that level of detail.
    So I'm wondering if it's going to be able to handle some of the
    more like crazy intricate detailthat mid journey can produce and
    then turn that into video verse.Like if anyone's ever used
    runway, I'm sure you've used something with like a lot of
    texture or like intricate colorsor text or something.

    (42:25):
    And the minute it started or thesecond it starts moving, like a
    lot of that like fades and softens out and it's just like
    kind of bores into things. You know, clings really good at
    keeping that detail, but also certain things just not going to
    do, just not going to like it doesn't have the imagination.
    There's no data on what mid journey like you can go so far
    aesthetically. You know that everyone knows us

    (42:46):
    like there's just no, there's nodata to sort of like pull from
    and say like, I know what that is.
    You know, it's like immediately turn it into something that it's
    not. So I'm very curious if they can
    handle its own images because that might also be its own, you
    know, its own little like space in the market.
    I know a lot of people. I there's certain images I can
    never run in another video generator for mid journey.
    It just doesn't work. So it's it's interesting to say

    (43:09):
    the least, and I don't know how else to think about it other
    than that. Yeah, yeah.
    I can't wait to see what happenswith this.
    And I wonder if it's, you know, I think the original timeline
    was end of June when we were thinking about them initially
    talking about it. So what are we?
    We're, you know, 3 weeks? We're on track.
    Three weeks, you know, roughly. I mean, I, I would expect there

    (43:33):
    always to be some hiccup or delay.
    There usually is somewhere in the process.
    But super curious. I mean, how's it going to be
    different, right? I'm also wondering, Rory, if
    they take us this page and I'm I'm not saying that they're
    looking at runway for this idea could have already been an idea

    (43:54):
    that they have. But you and I have talked about
    runways. Brilliant sort of idea that it
    seems like they basically just have Chachi BT in the background
    now because remember the unlock that that was at that time of
    just the flexibility of swappingthings and making things really
    quickly in the almost like seamless experience of that.

    (44:18):
    And then it basically unlocked all these invisible use cases,
    right? Which we've started to see leak
    out and and, you know, shine some light on on things like X,
    right? We've gone through those
    examples before. Yeah.
    I'm wondering if Mid Journey also incorporates that when they
    do this video thing. Well, I'm trying to figure out
    how they you, how they do conversation or conversational

    (44:39):
    mode, right, Right. That's what I'm saying.
    It's got to be. Is it ChatGPT DeepSeek, one of
    the two? I feel like it's got to be it's
    a Chinese model since he mentioned mentions it a lot.
    But I honestly didn't use conversational mode until this
    week. I was just really I I was just
    considering it as draft mode. I did not know what honestly,
    everyone. I used it like once when it came

    (45:00):
    out and never thought about it again.
    And then I'm like, this is pretty cool.
    Like it is, it is pretty cool ifyou want to sort of take just a
    like a very quick iteration of an idea and just throw it into
    there and like have it build a prompt around it and be like,
    you know, use this last image, change this try, let's try a
    different lighting. Let's, you know, move this
    subject back in the image like, but it's a more, it's a more

    (45:21):
    interactive experience. Still not to me.
    I'm not going to use it all the time, but which is for something
    that I hadn't really played with, I was, I was enjoying it
    for the, it's interesting to seethe if you're new, if you're new
    to the tool too, if you're new to our channel, which maybe
    there's some of you, maybe there's not.
    It's a great way to learn mid journey prompt architecture
    because it's pretty much the same every time.

    (45:43):
    Like when you do conversation mode, it's like essentially, can
    you give me a picture of a car and it'll spit out the prompt
    structure, but it's like, all right, give me a picture of a
    woman spit out the prompt structure.
    It's kind of the same. So you'll be able to sort of
    optimize your way of thinking about how to prompt.
    So for any of the newbies, if you're out there, if you're

    (46:04):
    listening to our channel, but it's a, that's a good way to go
    about it. Yeah, they, you know, they also
    I agree. So just and if you're not,
    what's that? Where where is it on your.
    I don't see it Conversation and voice.
    Why is it not up at the top? That's weird.

    (46:29):
    Did they take it out? Oh, I'm looking at it right now.
    Hold on. Let's let's try this again.
    No, up there it is. All right, I got it.
    Wait, I mean, don't you have to have draft mode on and then
    you're in it, right? Why does your?
    Why is your your well? I wonder if you know what it

    (46:50):
    might be it it might be this browser 'cause I'm using a
    different browser than I normally use 'cause this is my
    second screen. Got it.
    Yeah, OK. That's.
    Probably what it is, but. Typically at the right, up top,
    right, right, next to. The yeah, 'cause I don't think I
    have like my control and I don'tknow if that's it or not, but I
    was going to say the other interesting thing was they've

    (47:15):
    they've sort of like bubbled theback up this idea structure and
    I was looking back at the the leaderboard of what's up here.
    Generate multiple angles of the same subject.
    The ability to precisely controlthe pose improve coherent with
    that. I mean.
    Which part the this? The pose of the character.

    (47:38):
    The pose. Maybe from like a full body
    stand? Maybe from a full body
    standpoint? Maybe I I find it super easy
    but. Yeah, I was going to say I'm,
    I'm, I'm thinking of the images I usually create with those.
    And I would say for the most part I do a lot of like portrait
    medium and up. So I think I'm usually just top

    (48:01):
    half. So for me, poses is probably
    like maybe they're doing something with the hand and more
    or less facial expression, whereas this is probably like
    incorporating all four, you know, limbs and maybe the
    dynamic nature of those things. I don't know.
    If you're having issues, I thinkwe did an episode on this a
    while back. But if anyone's having issues
    with that problem specifically, you just have to be more micro

    (48:23):
    detailed than you think. Like if you're like, oh, I want
    someone, you know, drinking a bottle of beer mid journey has a
    problem with has a hard time. So do all the image generators
    with drinking for some reason, like it's hard to get like
    someone holding a bottle to their face.
    So you just have to you have to describe it like you would do
    it. So it's, you know, like beer
    bottle in the right hand, head tilted back slightly, beer

    (48:44):
    bottle tilted upwards, bottle touching lips like that often
    times does it? That's the way we, that's what
    we, we basically called that like the mechanics.
    You have to describe the mechanics versus versus like the
    action itself, right? Because the action itself can
    work, but it doesn't work as well.
    So there are, there are time like times where you can get

    (49:06):
    away with just doing the action.There are other times where it
    doesn't work at all. And then I would say a lot of
    people probably quit there. That's where it's like that
    mechanical nature of what you'retalking about.
    It's like really being descriptive of operating through
    the mindset of they can't see, you know, they're blind.
    How would you describe that Right so.

    (49:26):
    That also works in video for anyone who's also interested.
    Like instead of using, you know,natural playful expression,
    right? Like sometimes you have to
    describe it. Like I said, I had a lot of
    people ask me on the F1 video how I got the guy to have such
    natural expressions because I said, you know, basically I said
    the guy turns down, turns his head down and to the left,
    chuckles to himself, looks back up and like exhales out of the

    (49:48):
    cigarette. So I'm like telling you what to
    do, like a natural, like it would look natural instead of
    just, you know, they, they then they tend to have that like head
    Bob or like it's like totally unnatural movement.
    So it's just like what you woulddo if you were like remembering
    something that was a little bit embarrassing.
    Like you look down and it's like, yeah, I did, I did that.
    So it's, you know, for video too.

    (50:10):
    You can control expression significantly.
    You just have to tell it. You have to tell it how the head
    moves, how the eyes are moving, where they're looking.
    You can be that granular, just most people don't do.
    That I I think that's the that'sthe thing, right, is unless
    you've got yeah, you're really diligent.
    And I think in this this part, I'm thinking about it from my

    (50:30):
    perspective. I'm working on a project,
    something that is very importantpolished.
    You know, most people probably aren't taking that time to
    really go through the micro elements, right?
    And I think that's just the reality of the laborious nature
    of what it takes to get the results right now, right?

    (50:51):
    Like, again, going back to mid journey, the way it's set up,
    you really have to describe a lot of that with the words,
    right? And when you're thinking about
    that, like there's a lot of timethat's spent just crafting a
    single prompt, let alone is it going to work, right?
    And so I think that speed to iteration and then also the
    coherence of that is the is the issue.

    (51:12):
    That's why it's interesting withthe conversational mode or the
    speech, and that's why it's alsointeresting with all these other
    features that can kind of like expedite the typing process of
    prompting. That's why they're so appealing
    because you can get some of thattime back and it doesn't feel
    like as big of a lift to try to get those micro details.
    But I would imagine like most people just give up.

    (51:33):
    And I'm guilty of that too sometimes where I'm like, I just
    don't want to spend this much time on this so.
    That's probably still The X Factor in every tool.
    I still think it's plays the biggest role.
    It still has the biggest influence on what happens.
    So, you know, we we got lucky because that's all we had when
    we started. I'm curious like going going
    back to video, you got a wish list, you got things that you're

    (51:53):
    looking for with with this video.
    I mean, we've talked about like expectations, we've talked about
    like making a good first impression.
    We've talked about like, now you're jumping into this game
    from Mid Journey's perspective of like the velocity of updates
    and new features that come and now you're in sort of like a
    different pool. What about you as like user with

    (52:16):
    all the expertise and experienceyou've got in these other tools
    you don't like? What's your wish list from from
    Mid Journey? And I don't care if that's just
    like it has to have this like sort of like those bare bones
    table stakes kind of things, butalso like if there's anything
    additional that you're hoping maybe that it has.

    (52:38):
    I, I still want the mat I want, I want the mid journey magic.
    That's number one. I've said that on a few
    episodes, but what I, I think about it in terms of what like
    Cling has, where there's like a slider, we're on one side, it's
    coherent to what you say and on the other side it's creative.
    Like that thing To me, it's likebasically the stylized
    parameter, right? Like if it has something along
    those lines where I can either one, do exactly what I say or

    (53:01):
    two, go off and do its own thingwhere it like a lot of times the
    magic happens. You know, I'm interested in
    something like that. Yeah, what if there were
    different, why can't there be more than one coherency model,
    right. So that's maybe where something
    where I wonder if that's like really what's at the underlying
    approach of Exp or you know, because like there's some people

    (53:22):
    that want to be very matter of fact, there are other people
    that want, you know, and maybe that's project by project base,
    right? Like on whatever you're aiming
    for. But like that would be cool to
    have some control there too, right?
    That's kind of what style reference for video but without
    having to use a frame if that makes sense.
    Like if I was just like the sameway you you think about like

    (53:43):
    style reference in mid journey like attached just random image
    doesn't matter what it is of hasno influence really.
    I mean has some influence, but. Like, oh, so you're just saying
    like, hey, take, take literally only the style, right?
    Like the style and the colors donot take anything structurally
    from the image. Yeah.
    Correct. I like, I would like that 'cause
    that'd be, it's a good call thatwould save me so much prompting

    (54:04):
    time in terms of like getting the aesthetic. 100% that's a
    really good call dude. Really good if they could mimic
    that 'cause I don't think anyoneelse has done that other than
    for video to video like you can do video to video styling like I
    don't really think you can just.Yeah, because then you can
    curate your own your own Luts inthat sense, you know, like of.
    Runway has it, runway has it, but like not really like it's

    (54:29):
    there. You can create your own custom
    style, but it's not like utilizing a mid journey image
    that's going to like affect the entirety of it.
    Like I I just think it's that would be something like a
    differentiator, right? Like that's what I'm thinking
    for them. Style reference is so damn good.
    Like I just love it so much. I'm going to direct you, I'm
    going to direct you here to submit that idea because that's

    (54:50):
    a. That's a good one.
    We need that one. I just, it'd be great to not
    have to describe the the lighting, the color tones, the
    textures. I'm with you.
    Yeah, I don't want to have to write 2 paragraph prompts for
    for video every time. I think that that's a really
    good one. That's a that's that's like one
    that you're probably not even thinking about just because

    (55:10):
    you're so used to the way that mid journey works.
    That's why I love that one. Mid journey, if you're listening
    free shout outs. We we don't we, we shill for mid
    journey, but we don't, you know,we don't ever see anything on
    the other end of it. So we'll see.
    We'll see if they take some of this.
    You know what I got? I got, I got an interesting
    idea. Hold on one.
    Second, what do you have? I got this.

    (55:33):
    I got this a while back. I I've been meaning to open it
    and I wanted to do it on the pod.
    This was that yearbook, right? Maybe they sent that they they
    sent they did send a yearbook year. 1.
    Yeah, the year 1 and I was like waiting to open this thing up
    because I was thinking I would do this on the pod and I keep
    forgetting. So it's been like sitting over

    (55:55):
    here for like a month and 1/2. You haven't.
    You haven't opened it. Haven't opened it, we're
    unboxing it live right now. Wow, live unboxing.
    So it's. The plastic stuff do you might.
    You might as well, just like I Imight not even open it, just
    saying as a collector's item. I know, I know.
    Could be worth something. I wanted to get that big edition
    of the Mid journey magazine. Like I just want to have that.

    (56:16):
    Same, I think I the first one I got is like 3.
    Yeah, I, I don't have that. I definitely don't have the
    first one. I know that.
    But it's it, you know who it's, it's really odd.
    And this isn't, I don't put the book in her hands.
    My, you know, Faye goes to that book, opens it and looks through
    it. Yeah, dude, my girls do too.

    (56:37):
    They do too. They love that.
    Yeah, like she loves the Mid Journey book.
    There's so much like cool stuff in.
    It hey mid journey page, maybe even a maybe even a kids book.
    Hey, like you could you could curate a separate one just for
    the kids? Yeah, I mean, there's so much
    good stuff. It's so it's so like viscerally
    like you can do like she can seeher from like page to page, like
    sensory like overload. I don't know if it's a good

    (56:59):
    thing or a bad thing, but it's. Like, I think you're right,
    dude. I I don't think I'm going to
    open this. You might you might want to keep
    that one. So this is, this is year one.
    This is essentially like we we're talking about the
    magazines right now. They they go out monthly.
    They're 4 bucks, maybe a month something if you want to do
    those. I'm still subscribed.

    (57:20):
    I've subscribed since I yeah, like episode or version 3 or
    volume 3 or whatever it is thoseare.
    I've probably got one. You got one right there.
    Someone. Someone right?
    There in the plastic also. Still got that one in the

    (57:41):
    product. There's so many that I haven't
    opened but but this is cool. I mean, this is so these are,
    you know, more soft cover, flexible, like a magazine.
    This is hard cover, really legit.
    I I think they're still, they may still be selling those.
    Those are, I think are they were70 bucks or something like that.

    (58:04):
    But yeah, man, they're, they're really cool.
    And I think, like, the reason why they're cool too is just the
    nostalgic effect of like, we've been doing this for how long
    now? And it's been such an important
    part of our lives. Like it's cool to hold on to
    this shit. Yeah, the Speaking of nostalgic,
    taking a quick pivot for one second because I saw this.

    (58:24):
    Yeah, like yesterday on Twitter,our friend friend Tim Simmons
    over at Theoretically Media. Yeah, he posted one of his first
    like videos from Pika. Saw 8 frames a second.
    I saw it because I saw you commented on it.
    I don't know what I was doing, but I was like, I was not at
    home, but I was like looking at on the run.
    I was like, yeah, this is kind of dope.
    Where is? Let's see if I can find that

    (58:45):
    actually. Look, I almost looked at it and
    said that's cool. What tool is that?
    You know, because it's because it's so foreign as to what it
    looked like, what it used to look like.
    And I was like that, like I likethe way that looks the same way
    I was like when you look at a Polaroid and you're like, I like
    that style, you know? It just doesn't feels like that
    jump from like Polaroid to wherewe're at now on camera happened
    in AI in like 2 years and we already forget what 8 frames per

    (59:06):
    second looks like. Yeah, yeah, yeah, I got to find
    your replies. Yeah, this one right here.
    There it is. OK, so hold on, let's pause
    this. So Tim said, you know, rummaging
    through the archives, I found this old school Pika output date
    on the file is June 2023. So we're talking two years ago.
    Two years ago. That looks about right.

    (59:28):
    Early Pika. 8 frames per second question mark text to video
    generated on discord. Remember that it's janky and
    weird, but I still kind of love it.
    Two years ago and it is cool. Let me play this real quick and
    maybe I'll blow this up so everybody can see it.
    It's like we're watching like vintage.
    It's like we're watching like vintage videos now that are
    vintage for two years old. It's grabbing.

    (59:51):
    This to me is still pretty good for the time, for what was going
    on. There you go look at it.
    You get all the morphing and weirdness of it.
    I kind of want to like do something in 8 frames per second
    now, like just. You guys can't hear the music,
    but the music's the music's vibing right now too.

    (01:00:14):
    Like this was this to me for what was going on in 2023 is not
    bad. Like this is insane for 2023 and
    Pika by the way. Yeah, yeah, that was me.
    So that's, that's that's wild. Yeah, I'm glad you called that
    out. That's that's funny because I
    saw that and I was like, yo, that is dope though, you know.
    And again, it kind of goes back to that like imperfect phase

    (01:00:36):
    with video in general anyway, you know, there were certain
    ways that you could treat the imperfect nature of the video to
    to let it shine, you know? Yeah, and that's still, you see
    it on if you open up Instagram, you'll see it.
    There's, you know, those people that make like the the like sea

    (01:00:56):
    monsters that don't exist and then they like they like melt
    into like a pile of like, like snails or something.
    You know, I get this. There's so many weird videos
    like that that just get views, but oh, this is.
    If anyone's not familiar, this is not a.
    This is not a sponsor. Yeah, go ahead and talk through
    this. I'm going to play it.
    There's no affiliate link, but you can see on the left is what
    the the VO2 output. On the right is the Topaz

    (01:01:18):
    Starlight, which is a creative upscaler for video.
    We'll get the the police car here.
    You can see the difference clearly.
    It's like super sharp and defined in comparison.
    Still a little soft for my preferences still.
    Soft, but you can tell. Yeah, but it like better like
    it's getting there like to be able to do that from a creative
    upscaling standpoint with video.Also this shot was was fun in in

    (01:01:40):
    VOV O3 to just keep extending tolike build a scene like for a
    long shot if you go down there'sa long.
    One which you had, Another really good one.
    What other one you want me to tap into here?
    This one, Is it this one? No, not this one.
    Keep going. This one right here.
    Yeah, this one. This one was legit.
    I I was, I was so surprised. I'm like, let's just do a long

    (01:02:01):
    shot, see if we can do it where the camera just follows, you
    know, and I'm. Hey, Rory, you're not paid by
    Google, are you? No, they just spend my money on
    them. Sorry guys.
    Even the camera operator right there at the end, which is kind
    of crazy. You see it in the reflection of
    the. Car What is this thing though?
    What is this? You know what I think that was?

    (01:02:22):
    I didn't notice it until I put that thing out.
    Honestly, I was looking at just everything else and didn't know.
    It looks like one of those car racing games or like when you
    have like the map in the corner.You know what I'm saying?
    Oh shit. Yeah.
    Yeah, that's dude that nailed it, 'cause this, so this must
    have, this must have happened. OK.
    Yeah, yeah, yeah. Yeah, which is wild.

    (01:02:42):
    The other thing, if you scroll up a little bit, this is what I
    wanted to show people. Why VO?
    Which one? That's right here with the
    arrows. Yeah.
    Start this one from the beginning.
    This is like some of the micro details here are.
    I know we like to talk about this stuff.
    Pause it real quick. Just right.
    Yeah. So you'll see right there.
    There's two bushes. It's going through, coming back.

    (01:03:03):
    Yeah, right there you'll see these two bushes.
    I hit extend here, so these bushes are in like the last
    frame of this video and then the1st frame of the next video and
    then I extend again. So just watch where these two
    bushes end up by the end of the video, right?
    And then their depth perception and their permanence, right?
    So this is through 2 extends andthey're still there.

    (01:03:25):
    And then, you know, if you look right here, pause, bang camera
    operator in the reflection, which is nuts that that's even
    that's that's there. Yo, that is.
    Wild crazy, right. And then if you look, if you go
    back, there's there's two other things that are really
    impressive to me and like just simple things like if you see
    the reflection on the side of the car, you get the white lines

    (01:03:47):
    and the desert in the background.
    So if you if you hit play like watch what you'll just see if on
    the side of the road, right? Like that's on the reflection of
    the car. Interesting.
    And now if you go back one more time to the beginning, if we go
    back to the beginning, notice wewe have super high angle sun,
    right? Like midday.
    Watch the Watch the sun glare move from the car as the camera

    (01:04:11):
    moves right. Comes on the side.
    Good call. See it?
    Yeah. And then when then you'll see as
    we push in, it goes, you know, it goes back the other way,
    which I'm like, those are littlethings that you're hoping for
    improvements on because it makesa difference.
    It looks so much more real. But I love that.
    I love the observation, though, you know, is everybody looking

    (01:04:32):
    that closely? I mean, I love that you're
    picking up on those intricate things.
    Someone called out the lighting and I was like, what are you
    talking about? Like I like if you're looking
    for a perfection with everything, it's not going to be
    there. But like some of this stuff is
    so much more advanced than wherewe've been.
    So, you know, this one was fun. I was trying to create one of

    (01:04:54):
    those like, you know, like, you know, when you used to like the
    3D, like movies, when they used to kind of like come out of the
    screen, they had a very specificlook.
    Of course, try to do that. Yeah, I love anyone.
    'S got if anyone's got some sometechnical stuff they want to do
    to that to make it come to life in 3D, that'd be cool, yeah.
    Man. So much there's so much video.
    Not a shill, not paid. Dude stop talking about it man.

    (01:05:18):
    Your partner or something? I did get to beta test BO2 I
    spent a lot of their money with but I think we are.
    Gonna, we're gonna, I mean, we're trying.
    We're gonna try to get somebody.On here, yeah, yeah.
    From Google, but but yeah, I mean this was yeah, this is
    interesting. One of their final note too
    before we wrap is probably just around S ref like in terms of

    (01:05:39):
    like an immediate update. Seems like that updates gonna
    ship here probably between now and the next time we talk.
    So some sort of S rate S ref upgrade refinement.
    I don't know what in typical majority fashion, I don't know
    what to expect in terms of the totality of this, but I'm
    interested. I'm interested, you know, like I

    (01:05:59):
    do think I'm I'm starting to seetwo more requests and ideas
    around like you start showcasinglike the top S refs this week,
    top mood boards this week, right, like, cuz like also,
    Rory, we talked about the magic a lot is being the
    differentiator. The other differentiator that
    mid journey has that that I knowthey've kind of walked carefully
    along is the social community component.

    (01:06:24):
    They have this opportunity, evenwith just something like that
    where you're, you know, you've got this explore page, Sure,
    everybody's got that now, but you could start to bubble up
    some of these other features andcapabilities you have and give
    people a sense of what's what's popular, what's being used,
    what's hot, right. So that could be S refs, that
    could be mood boards, that couldbe tokens.

    (01:06:46):
    Yeah, you know, like, let's go, you know, that doesn't feel like
    that's a big, big lift. But that would be a huge sort
    of, I think, opportunity for them because community has
    always been something that I think is there for them if they
    wanted to pursue it. Like lean into it.
    I think that's the one thing that they should that when you
    realize that's the differentiator in a lot of this,

    (01:07:06):
    it's just like, I think they gotto lean into it more.
    You know, whether that's with stuff like this, whether that's
    like community events, I know they're like that's like not
    their thing, but like, you know,you see what runway did runway
    just packed Lincoln Center. I know there's a lot more people
    that use mid journey than runway.
    Like I, I know that for a fact, right?
    Like you do something like that,there will be people saying you

    (01:07:30):
    have to do it, but just like anything, small events.
    People well listen, whatever. I think the mid journey users
    want it. And I'm not speaking just from
    my opinion. I mean, we, we want that.
    We want that. They're like, it's almost like
    not midterty hasn't treated us bad by any means, but it's like
    almost like we've like from the community aspect, it's almost
    like we're this sort of neglected dog.

    (01:07:50):
    We're wagging our tail. We just want to be loved.
    We just want like some TLC attention and doesn't even take
    much, but it's like we're craving it.
    We want it, right? And you've got the community.
    So continue to take advantage ofthat.
    It's one of the big differentiators you have outside
    of the magic component. Yeah, that and you know, the
    explore page, like, like really.I mean, if there was a way to

    (01:08:11):
    even just have a profile, I mean, I don't, I like, I don't,
    I don't want them to do this stuff.
    I'm just thinking about where like how do you lean into
    community? A little bit more.
    Because it is like why everyone likes this tool.
    It's how we all learned it was via community basically.
    So it's I'm looking forward to it.
    The other thing is I think therewas one more thing on that that

    (01:08:32):
    I don't know if it was mentionedon office hours that they're not
    doing multi Omni ref is that is that on the office hour that
    one's not coming out let. Me see, I'm going to browse real
    quick here. I don't see it here.

    (01:08:56):
    Let me just double check that I'm I'm yeah, glad you called
    that out. Let's let's double click into
    that for a SEC. I want to find the answer.
    Because I feel like I heard thatand then I also in conversation
    with some people who were who had listened on Wednesday, who I
    saw on Thursday, they had mentioned it.
    So. I don't see it.
    I don't see it called out here. I'm not going to go back through

    (01:09:16):
    last week's, but I don't see it here.
    And that is kind of interesting though, right?
    Because like that was one of thebiggest things that they were
    talking about with it was OK, multi, multi, multi.
    Yeah. So maybe they're experiencing
    some some obstacles there and they're kind of, you know, ho

    (01:09:38):
    hum on it. Or maybe, or maybe it's a big
    enough lift where it's like, hey, we'll just save that for V8
    now. Yeah, well, there's just,
    there's just a lot of competition here, you know, it's
    there's there's a lot between flux context now, GPT, runway
    references, Google, Gemini, theycan all do this kind of stuff

    (01:10:02):
    now. So I'm not saying that, you
    know, video is not important, but really some of the image
    stuff would be useful, you know,on that side.
    But who knows what they're goingto do, man?
    I'm I mean, they, they just seemto be to their own drum.
    I don't have a problem with it. I love it for what it is.
    I love it for what I use it for.And I want to just keep like

    (01:10:22):
    them being them. But I don't, you know, there's
    like the one thing that I'm hoping that it stays.
    Just. Keep being you do it, but.
    Do do you, babe? Do you that's.
    Right. Do you mid journey and that's,
    you know, even for our thumbnails, like I can't use any
    other tool other than mid. It's mid journey.

    (01:10:43):
    Like that's yeah, you know, likeit can't, it can't be anything
    else other than that. We'll see what we got going on.
    There's got a lot more things coming up.
    We got a couple of, you know, I think we probably got to wrap up
    here in a second. I got to wrap up too.
    Yeah, I got to wrap. Just so everyone knows we've
    probably got a couple of new formats we're going to try over
    the summer at some point while we're while we're moving along

    (01:11:03):
    here. We were throwing around some
    ideas, trying to keep it fresh. Got a lot of feedback this week
    on the podcast saying that, you know, everyone likes the, you
    know, the sort of multitude of formats that we do.
    Sometimes it's talk show, sometimes it's predictability.
    MO Yeah. So if you guys have any ideas,
    if you're still listening right now, drop them in there.
    Like let us know if you're interested in anything in
    specific. You want to see demos, You want

    (01:11:25):
    to see, you know, us do something live.
    You want to, you know, prompt battles.
    Whatever the hell it is, just throw it in there.
    We, you know, probably figure itout.
    So last note, last note, I hate that I hate that I saved this
    for the end. But like we do have 41 episodes.
    If you're catching this, but youhaven't caught all of them,
    highly, highly recommend going back because we go deep.

    (01:11:48):
    I mean, I think we're at the point, right, where there's like
    there's so many things that along the way we've already
    covered. So most of the time we're not
    going back and revisiting those things unless there's been like
    this huge evolution of it. That said, right comb through
    that if you haven't. There's plenty of good stuff in
    there that still applies. I'm still getting, you know, I'm
    still, I'm still seeing commentsfrom people are like from

    (01:12:10):
    episode 3 and 4 just found you, you know, like this is dope.
    And it's like, man, we did that 50 weeks ago, you know, like
    still relevant. So.
    S ref episode really fun if anyone you know missed that it
    was interested in like going really deep into S ref we did
    that was one one of our more oneof our more viewed ones that one

    (01:12:31):
    I remember some of the the ChatGPT episodes we did like
    partnering those tools together.You're going back in back in
    time to like every little feature the.
    Q&A ones we did. Q&A popped off too, Yeah.
    It's good felt like I said, if anyone has ideas you're looking
    for something you want us to test something live drop it
    we'll do it. You know, we're we're open to

    (01:12:51):
    this stuff and we want to we want to evolve a little bit, you
    know, keep going, keep getting better, keep making you guys,
    you know, 100% find something new.
    So a. 100%. Well, like and subscribe, damn
    it. Yeah, yeah, I was gonna, I was
    kind of teeing that up. All right.
    Well, guys, thanks for joining us.
    We'll see you guys in the next one.

    (01:13:11):
    Awesome, later see you.
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