Ep. 160 - Classic Rock Face-Offs And 45 Poker

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Episode Transcript

Speaker 1 (00:02):
Well, here we are, episode 160.
Or 61, I don't know.
On tonight's episode it's goingto be a quick one One hour, one
in, one out.
That's it, the wrecking two.
A lot of numbers today, so sitback, enjoy the show.

Speaker 2 (00:26):
Five, four, three, two, one 0.
All engines running Liftoff.
We have a liftoff.

Speaker 3 (00:33):
The KOFB Studio presents Milk Crates and
Turntables a music discussionpodcast hosted by Scott McClain.

Speaker 2 (00:44):
Now let's talk music.

Speaker 1 (00:47):
Enjoy the show.
Yeah, baby, I don't know wherethat's coming from.
Look at my screen.
What the hell is that?
Let's get rid of that.
There I am, jesus.

(01:08):
What's up everybody?
Welcome to the podcast.
Thank you, amanda, for thatwonderful introduction.
Young Amanda came down from FSU, florida State University,
yesterday evening.
Well, well, she got in lastnight, uh, because of that
hurricane that's heading thatway.
So young amanda is back homefor the weekend, a little

(01:32):
extended weekend, and uh, let me, let me get my, uh, my music
going here in the background,get some of that little,
whatever it is here we go.
Yeah yeah, yeah, yeah.
So welcome to the podcast.
Welcome back my friends, to theshow that never ends.
I'm so glad you could attend.

(01:52):
Come inside, come inside.
It's a weird night tonight forthe show we're on Wednesday,
it's 7 o'clock, not Thursday, soI don't think people are
expecting this.
So we'll see.
Think people are expecting this, so we'll see who rolls in on
the live stream and it's goingto be a short episode.
We're waiting for Lou, but Louis busy.

(02:15):
Lou's having technicaldifficulties, other than We'll
just say other than so, let mesee so.
So with that, let's bring onlittle Marky Smith what what say

(02:44):
, something, what what say?

Speaker 3 (02:48):
something hi Scott, how you doing?
I'm not done yet.
Alright, finish what youstarted what's up, buddy?
Where's that toothless wonder?
Where is he?

Speaker 1 (03:02):
oh, I didn't say it.
I didn't say it, you said it,not me.

Speaker 3 (03:06):
I'm a dangerous guy.
I love to get the drummer madyeah, yeah, he did.

Speaker 1 (03:11):
Who had some?
Uh had some, yes, cracks.
He had a dental dam put in.
Yeah, he had some dental crackteeth or something.
Yeah, but he'll, he'll still beon the show.
He said he, he's gonna, he'sgonna try to make it on.
He'll make it, he'll make.
Um, yeah, like I said, we justuh jumped in and see there's
patty right.
She says hi guys, is itthursday already?

(03:34):
No, it's.
This is a special wednesdayedition.
Uh, only because tomorrow nightI have a, uh, a veterans
networking thing to attend andthat is a priority.
It's kind of tied with thispodcast.
After 160 episodes.
I really don't like missingthese episodes.

(03:57):
Like you said, mark, this istherapy, it is.
We get to kind of just fortonight.
We always say it's never thetime frame we think it's going
to be of, just for tonight's,and then we always say it out
it's never the time frame wethink it's going to be well.

Speaker 3 (04:09):
It's going to be an hour from when lou gets on right
, that's probably gonna come on.

Speaker 1 (04:14):
We're like thanks for coming on, people, we'll see
you next week.
Lou makes his appearance.
He keeps his hit streak intact,right, it's like cal ripken.
Right toward the end, didn't he?
Like he'd come out in like thesixth inning or something for
his consecutive games playedstreak, yeah, like even if he
was hurt he'd come out for likea couple innings and then you

(04:37):
know he kept it going and uh,that that's what lou is gonna do
.
That's what lou is gonna dotonight, hey let me ask you
something.

Speaker 3 (04:44):
In the intro last week, when you started using
that song, did you put thecountdown in last week I just
noticed that this week.

Speaker 1 (04:50):
No, I changed it up this week.
I like that.

Speaker 3 (04:52):
It's back yeah.

Speaker 1 (04:53):
I changed it up.
Lou's song has been retired.
Lou's intro song had it was onfor almost a year, I think year.
I think the royalties must havebeen killing you it's.
Yeah, well, I, I can't pay himanymore, I can't do that shit.
Yeah, lose.
Uh, lou had the second half ofthe intro with his nice
strumming and, you know, didthat whole song, part of it.

(05:17):
But now I'm like you know whatI?
I figured out that uh, youtubewill not, they won't take the
video down.
I won't get a strike on mychannel, but they'll say this
video can be monetized by theowners of that music, which is
like.
I hope that it is because I'mnot making any money on this

(05:38):
fucking podcast.

Speaker 3 (05:40):
Maybe they'll take your video and show it.

Speaker 1 (05:43):
That's another thing, Like I hope somebody does go
and download that music or theyhear it and they're like what is
that?
What would you?

Speaker 3 (05:53):
do.
How crazy would your life be ifyou woke up one morning and
100,000 people watch this show.
You're like what do I do now?

Speaker 1 (06:02):
You're like what, that would be trippy man.
I'll tell you what, uh, thatwould be trippy man.
I'll tell you that that wouldbe trippy.
Um, yeah.
So I decided to.
Where is this?
What am I looking here?
It is um recently added.
Let me see this is this reallygets a little weird sometimes,

(06:23):
like my laptop, my computer,anyway.
Uh, yeah, so that's we don.
This really gets a little weirdsometimes.
My laptop, my computer, anyway.
Yeah.
So we don't really have a showsubject matter tonight.
We kind of came into this withlet's just do an episode, and
well, we can always start off a45 poker without Lou.
I didn't want to wait for Lou.
Yeah because it's nice to seehim lose.

(06:43):
Okay, we can start off thenwith the uh, you make the calls.
Oh, yeah, yeah, yeah, let'sstart off with you Make the call
, all right, okay, I got a bunchof them.
I got a bunch of them.
This is.
It's pretty interesting to theway this this came out.
Let me turn that backgroundmusic down.
I'm just a little.

Speaker 3 (07:02):
Yeah, I feel like I'm on a game show.
Yeah, can I cash cab?
I feel like I'm in.

Speaker 1 (07:12):
That show had a little bit of a run, didn't it
it?

Speaker 3 (07:14):
did.

Speaker 1 (07:15):
For a little while.

Speaker 3 (07:16):
I watched the reruns yeah.

Speaker 1 (07:18):
Yeah, okay, here we go.
You make the call.
No, it's not this one, it's theone below.
Here we go, you make the call.
No, it's not this one, it's theone below.
Here we go.
All right, you make the call.
Mark Smith, okay, Whole LottaLove or Cashmere.
Oh jeez, why are you doing thisto me?

(07:38):
These are not easy ones tonight.
These are not easy ones.

Speaker 3 (07:44):
So you probably would know the Prague in me will say
Kashmir, right, that's a classic.
But I can't.
I know what you're picking,yeah.

Speaker 1 (07:55):
I had it about six months ago, seven, I had this
rebirth of a whole lot of love,love and I, I, just I, I
appreciated it more than I everhave because you know, it was
overplayed in the 70s and 80sgrowing up and you kind of hear
it all the time.
But then when you don't hear itfor years or there's we all

(08:16):
have it that rare occasion whereyou're in your car and the song
comes on and you fucking heardit a million times, like purple
rain say yeah, and all of asudden you're like you know what
, all of a sudden, like yoursixth sense pops up or something
, the seventh sense, and youjust pay a little extra
attention to it.
You're like it's a good fuckingsong, like it's good again to

(08:37):
you, like everybody has thatwith the song I happened to me a
few months ago with uh.

Speaker 3 (08:42):
Can't get enough from bad company.
I was so sick of it and it cameon and now I'm loving it yeah,
I'm like a whole lot of love.

Speaker 1 (08:48):
I'm like, fuck, it's still a great song, so I gotta
go.
A whole lot of love, yeah, uh,all right, you make the call
mark smith, freebird or simpleman I'm gonna go with simple man
because I actually like thatsong and I'm a simple man.

Speaker 3 (09:06):
Free bird just was overplayed for me just, but it's
a great song, but simple man'sa very powerful song.

Speaker 1 (09:15):
Simple, man's good, but there's very few live songs
that are better.
True than free bird.
True than Freebird.
True, you know the classic,play it pretty for Atlanta, like
that totally ad-lib.
But it became part of the songbecause everybody that hears
that at that point, everyonethat grew up with that song,

(09:37):
they all say it in their headsing it pretty for Atlanta,
right, yeah, it's just such afun.
It's one of those songs wherethe live version is better than
the studio version.
Oh, yeah, yeah, yeah, it's justsuch a fun.
It's one of those songs wherethe live version is better than
the studio.

Speaker 3 (09:47):
Oh, yeah, yeah, absolutely, and it's got that
long ending, whereas the studioversion just fades out Plus it
was the last song played in oneof the greatest.

Speaker 1 (10:00):
It's not a horror movie, but it's a horror movie
thriller type thing.
It's not a horror movie, butit's a horror movie thriller
type thing.
The what is it?
The?

Speaker 3 (10:16):
Hold on the Devil's Rejects, you know.

Speaker 1 (10:17):
I never saw the Devil's Rejects.
Oh dude, that's.
That's a disturbing movie.

Speaker 3 (10:20):
My, my daughter, who loves horror, laughs at
everything, no matter how sickit is.
That movie bothered her it'sdisturbing, man.

Speaker 1 (10:30):
House of a Thousand Corpses is still the greatest
horror movie ever made, if youask me.
But oh, there he is.

Speaker 2 (10:36):
No, no get out of my spot.
You put your teeth in Lou.
You put your teeth in.
Kiss my ass, mark.
I told you, dude, get out of myspot.
You put your teeth in Lou.
You put your teeth in Kiss myass, mark.

Speaker 1 (10:51):
Oh, I told you, dude, kiss my rosy red ass.
I told you, mark, started it.
I go, I'm not jumping on thatbandwagon.

Speaker 2 (10:55):
I appreciate it.
You know what?
Because you're my friend.

Speaker 1 (10:59):
That's right, that's right.
Yeah, suck it, mark.
Yeah, suck it Mark yeah,Penalty box.
He put himself in the penaltybox.
He says hi Lou hey.

Speaker 3 (11:10):
Anthony Lou's being an asshole on the show and I
better unmute now.

Speaker 1 (11:13):
Oh shit, yeah, yeah, yeah, yeah, how you doing, lou
you just came in, justin, howyou doing, by the way, you doing
good Doing, all right.
Luke gave me the call at like6.40.
He's like hey, and I'm likehere we go.

Speaker 2 (11:30):
A lot of things going on, A lot of things yeah.
Are you getting any torrentialrain down there?

Speaker 1 (11:36):
You know, we got torrential rain last week.

Speaker 3 (11:39):
I saw those videos of you.

Speaker 1 (11:40):
Yeah, like the island thing I live on was flooded,
the entrance was flooded.
The lake rose up and wentaround.
No, we're getting bands.
We're getting weather bandscoming through all day, but
nothing crazy the roads heredon't hold rain.

Speaker 2 (11:58):
Well, yeah, it's the mountains.
Everything should just rundownhill, right, right, and God
forbid, you live at the bottomof the hill.

Speaker 1 (12:06):
Yeah, I have.

Speaker 2 (12:07):
And I have.

Speaker 1 (12:09):
I've been saying this for years.
People are like oh, southFlorida, you get hurricanes.
It's mostly my idiot Bostonfriends right, they're just
haters.
A hurricane has not hitstraight on in I don't know 15
years.

Speaker 3 (12:26):
I think the west side of Florida has gotten worse.

Speaker 1 (12:28):
It either gets turned up toward the Carolinas or it
comes in underneath into theGulf Back in the day.
You'd see it come straightacross.

Speaker 2 (12:37):
So you don't get the hurricane, you just get the
afterfall, yeah we just get thetropical storm which that's a
regular fucking downpour in thesummertime in Florida.

Speaker 1 (12:45):
Yeah, we just get the tropical storm, which that's a
regular fucking downpour in thesummertime in Florida.

Speaker 2 (12:47):
Yeah well, we're under a tropical storm here and
after, like until Friday.

Speaker 1 (12:51):
Yeah, but where you are that's like a big deal it is
.
It's weird Because they're notused to it.

Speaker 2 (12:56):
No, also, like I said , the roads do not hold it.

Speaker 1 (12:59):
I'm under a flash flood alert and I have to drive
up there.
You know it's funny, it's, it'sthe people at work.
Right, there'll be people atwork, and it still happened down
here when I was working.
It's, it's this, it's I.
I can't believe they made uscome into work.
I have to like I have shit todo with my house.
I can't believe they made uscome into work, like yeah,

(13:19):
because the fucking storm's nothere yet like, if I prepare, you
must be fun to work for the.

Speaker 2 (13:25):
Uh.
Well, you know, when I, when Iwas here, like the thing was ice
and when whole foods bought us,you know they were all out of
from out of the area, they weregiving people shit.
I mean, one time I couldn't getthrough, I went off the road
yeah, the ice is a wholedifferent, the whole different
thing.
Yeah, but they were stillgiving people shit for not
coming until one of them wentoff the road.
They're like no more peopledriving on ice, you know.

Speaker 1 (13:45):
Yeah, but you know also the job that I'm in I was
in like we're essentialpersonnel.
Yeah, that's right.
What the fuck.
You got a badge and a gun and auniform for a reason.

Speaker 3 (13:56):
What were you doing when you were still working and
living in Florida?
What point of your career wereyou in?

Speaker 1 (14:05):
What were you doing at the?

Speaker 3 (14:05):
time I, my whole career, was here.
Oh, I thought you were all overthe country.
No, no, that was the air force,that was the air force okay,
all right, yeah, so you.

Speaker 2 (14:10):
So once you were at the customs thing, you were in
florida the whole time uh, hey,bill green, you got to check out
his youtube channel.

Speaker 1 (14:17):
His fucking dude is like he's, quietly one of the
greatest editors, film editorson fucking youtube.
It's, he's.
He knows exactly.
I respect him and we've hadthis conversation.
The way he does his videos inthe way it's so like you don't
know that there's setup shots,but the way he does it, it's
great and he's, he's, he's acool dude and he just said 160

(14:40):
congratulations.
I'm out of here though I listento you lunatics during my
driving time is it under hisname?

Speaker 3 (14:47):
his uh face his youtube page yeah, I'll send it
to you.

Speaker 1 (14:51):
Yeah, it's um, yeah, bill green, um, but they're
really, they're done really welllike he, he puts his, his, he
puts in the work and I respectwhen people do that, instead of
just taking a fucking cell phoneand going look, there's an
eagle, look there's an eagle,look at the eagle.
And then they put it on YouTubeand it's like I saw an eagle.

(15:13):
Holy shit, there we go, thisguy's back Nice to meet you,
Bill.
This guy's back, big head.

Speaker 3 (15:20):
Todd the Wet Sprocket .

Speaker 1 (15:22):
Hey, it's been a while didn't I tell him to go
away last week, two weeks agoit's been a month, I think.

Speaker 3 (15:30):
I told him to just go away.
We have five listeners and wedevote two hours of our lives a
week to getting rid of one ofthem.

Speaker 1 (15:36):
We have over 30,000 downloads.
There's more than fivelisteners.
I'll tell you that the drummermade me do it don't bring your
music relish stats to MilkCrates and Turntables.

Speaker 3 (15:51):
Well, we have half a percent that.

Speaker 2 (15:56):
What is our demographic 60?
Like 48 to 60 or something likethat.

Speaker 3 (16:01):
I mean, it makes sense.
It makes sense, he just gotcoffee up his nose on that one.

Speaker 2 (16:05):
Nice, spit take, spit take.

Speaker 1 (16:07):
Alright, here we go.
Let's get back to the show.
Lou, you came in right on time.
I did.
I'll stop back with you.
You make the call Lou, wholeLotta, love or Cashman, a whole
lot of love.
Lou was still on board.

Speaker 2 (16:22):
That was tough, that was tough.

Speaker 1 (16:24):
Mark said the same thing.
All right, you make the callLou Freebird or Simple man,
simple man.
Although I did argue the pointthat Freebird is one of the
greatest live songs everrecorded.
It's a great song, Scott.
It's a great song.
It's one of those, and it's theending scene for Devil's
Rejects.
It's the ending scene forDevil's.

Speaker 2 (16:45):
Rejects.
It's the fucking song.
They did it fucking great andit's live version.
Watch it on YouTube.

Speaker 1 (16:49):
Watch the movie.
Just watch the movie.
It's disturbing.

Speaker 2 (16:51):
Devil's Rejects the.

Speaker 1 (16:52):
Devil's Rejects.
That's the sequel to House of aThousand Corpses.
Oh okay, I did see that.

Speaker 2 (17:00):
Yeah, so if you saw House of a Thousand Corpses you,
yeah.
So if you saw, House of aThousand Corpses.
You got to watch Devil'sRejects, and then Three from
Hell is the final one.
Yeah, the live version is muchbetter than the studio.
Two different drummers too yeah.

Speaker 1 (17:13):
Oh, there you go, see what Lou, immediately
contributing.
I'm here, man, immediatelycontributing to the show.
Okay, here you go, mark, youmake the call.

Speaker 3 (17:30):
Comfortably numb or wish you were here.
I prefer to play wish you werehere on my acoustic.
But comfortably numb is epic.

Speaker 2 (17:39):
I'm going with comfortably numb.

Speaker 1 (17:44):
Wish you were here for my favorite Pink Floyd album
.
Comfortably numb is just toogood, that's that's uh that
album.

Speaker 2 (17:55):
That's uh gilmore at his that might be that's larry
carlton playing isn't it?
No, that's david gilmore.
You can tell that first noteyeah, yeah, that might be as
great as guitar solo.
It's a great one.

Speaker 1 (18:06):
It does a smaller one , but then at the end it's a
bigger.

Speaker 2 (18:09):
I'm not big on that album.
That's one of my favorites.
I know, mark, I know it is.

Speaker 1 (18:14):
I'm not that big on it.
Either believe it or not.

Speaker 2 (18:16):
That's a good solo.

Speaker 1 (18:18):
Yeah, it's a great album, but I'm not.

Speaker 3 (18:22):
I don't know how to listen to it.
It's a heavy album, it weighson you.
It almost put me in the grave.

Speaker 1 (18:26):
I actually might want to watch the movie again.
I love the movie, you know Juston a rainy.
Wednesday afternoon orsomething I've never seen it.

Speaker 3 (18:35):
Alou, have you ever seen the animation?

Speaker 2 (18:37):
I've seen some of the videos of it on the late TV
shows back in the day.
Yeah, I've been on the late TVshows back in the day.

Speaker 1 (18:43):
Yeah, all right, mark , you make the call yeah.

Speaker 3 (18:52):
Born to be wild or bad to the bone.
I really don't like either oneof them, but I really don't.
I don't really like GeorgeThorogood because he's a faker
with his playing, Mark.

Speaker 1 (19:04):
I'm sorry, but Lou said it.
He said it, Mark.

Speaker 2 (19:08):
I'm having a day.
Thank you, scott, thank you.

Speaker 1 (19:12):
When Lou says penalty box have I never, have I always
, have I ever ignored it.
No, you have not, you haven't Idon't think so.

Speaker 2 (19:19):
I don't abuse the privilege, though and it is a
privilege, scott, I want you toknow.
I don't have the right to putpeople in the penalty box, on
all right, here's this greatriff, here's this great riff.

Speaker 3 (19:30):
Oh yeah, that's just great there you go that, that,
that, that, uh, I will go withborn to be wild because it's an
iconic song.

Speaker 2 (19:40):
It really is, you know blue, one of the greatest
rock and roll songs ever.
I love that song.
I love it.
I don't get tired of hearingSteppenwolf.

Speaker 1 (19:49):
Right, I don't get tired of him.
Magic Carpet Ride.
Maybe we should talk a littleabout that whole thing next week
, a little about what happenedwith Steppenwolf and John Kay.

Speaker 3 (20:06):
John Kay, yeah, I'd like to learn a little, because
like what happened withsteppenwolf.
And yeah, john k and k yeah,I'd like to learn a little,
because I don't know much aboutthem well then, you know what
you have a homework assignmentand yeah, and I think.

Speaker 2 (20:12):
I think it was a magic cardboard.
The rhythm guitar net is socool.

Speaker 3 (20:15):
That's a great song.
It's a great rhythm.

Speaker 1 (20:17):
Yeah, what was that?
The fuck was that?
Oh, my text comes through Great.
Not only was Born to be Wild,my senior year theme song, class
of 81.
Was it?
It has the line heavy metal,thunder Dang.

(20:38):
You got it.
I mean those words togetherjust have an effect.

Speaker 2 (20:47):
Heavy metal thunder like it's powerful it is the
lines before the grill.
Like I like smoke and lightningyeah, yeah yeah, I don't think
they wrote that.

Speaker 1 (20:57):
I think I think that's a a cover oh, oh, look it
, because we ignored big headtodd, the wet sprocket.

Speaker 3 (21:03):
He says okay, that is all I can stand I am, don't go
todd, look at I like the one youhear he's sensitive todd.

Speaker 2 (21:11):
No, he's so sensitive todd I like he's not big head
todd anymore, he's sensitivetodd.

Speaker 1 (21:17):
And the 30 000 downloads, 29 30,000 downloads,
29,900 of me and I love you forthat buddy.
I love you for that.
You redeemed yourself.
Oh, I can stand.

Speaker 3 (21:34):
He's a human bot.

Speaker 1 (21:36):
He's a human bot, we've got two on the show
Perry's the AI right, yeah, heis.

Speaker 2 (21:44):
He had to do some serious AI on our last show.
Uh-oh, oh, we got hacked Really.
Yeah, there were some copyrightdelays, for sure.
You know, something I mean it'sworth it.

Speaker 1 (21:55):
It's bound to happen.

Speaker 2 (21:55):
It's worth it, you know.

Speaker 1 (21:57):
Yeah, but it's bound to happen, and I impersonated a
plumber on the last show too,unfortunately, remember.
Oh, why can't patty see todd'scomments?
It's should be.
I can see him.
Yeah, I don't know why it must.
Is he watching it?
It?

Speaker 3 (22:12):
might be, it's from where he's on facebook, like
patty.

Speaker 1 (22:14):
They're both coming from facebook, so yeah but one
of them is the facebook page themilk crates and turndowns face
turn tables facebook page.
Why am I talking so fast?
Uh, I don't know.
Well, they'll figure it out.

Speaker 2 (22:28):
But uh, his car.
Is he not allowed to listen upin the house?

Speaker 1 (22:32):
he's leaving work.
Now he's in california oh, he'sleaving work.

Speaker 2 (22:35):
Yeah, I thought he had to get out of the house, go
listen in the car.

Speaker 1 (22:39):
Uh, okay, here you go .
Uh, mark, you make the callmore than a feeling boston, or
carry on wayward, son I lovethem both to death.

Speaker 3 (22:52):
Uh, I'm kansas or or it's religion to me, so I'm
gonna.
I'm gonna go with, carry on,wayward son.
But uh, it's not carry on mywayward son's carry on.
Carry on, wayward son, I'mgonna go with that.
But that is tough.
I love more than the feeling,especially in the last few years
lou.

Speaker 2 (23:11):
Carry on, wayward son .
I was not the biggest bostonfan I gotta go.

Speaker 1 (23:15):
More than a feeling, I just think, yeah, I closed my
eyes and she slipped away, right.
Yeah, it's great.
I mean, it's just the lyricsand that.
It's just really.
You know, carry on, wayward,son.

Speaker 2 (23:33):
You know what that reminds me of?
It's not as a big musical piece, not like Dust in the Wind or
anything like that.

Speaker 1 (23:38):
Carry on wayward son was in a Henry Winkler Vietnam
veteran movie.
Holy shit, heroes, heroes.
Look at me, was it?
That's been forever?
That's been forever.
Yeah, but that was a big songin that.
See, I know things, I knowstuff.

Speaker 2 (23:56):
Not like Henry Winkler.

Speaker 1 (23:57):
Not like you guys.
I'm not an idiot, I'm smart.

Speaker 2 (24:00):
I admit.

Speaker 3 (24:01):
I'm an idiot.
I mean, no problem, I'm smart.
I admit I'm an idiot.

Speaker 1 (24:03):
I mean no problem.
Self-deprecating, come on,you're not an idiot, you're a
fucking idiot.
How's that?
Don't short sell yourself,buddy.

Speaker 2 (24:15):
Don't sell yourself short.
I like Village Schmendrick, theproverbial village.
Welcome back.

Speaker 3 (24:21):
Connor In the stockade.

Speaker 1 (24:22):
But I got to go with More Than a Feeling.
It's a great song.
It's my favorite Boston song.

Speaker 2 (24:28):
I like the drums on Carrie Ann Weaver's song.
It's a great drum part.

Speaker 3 (24:32):
But the end of the Men who Stare at Goats.
I think that was that movie.
They used More Than a Feelingbecause it was about an army
experiment and they were tryingto run through walls.
Yeah, ewan, an army experimentand we're trying to run through
walls.
Yeah, ewan mcgregor runs at thewall, boom yeah then the song
comes in.

Speaker 1 (24:48):
Yeah, uh, okay, mark, you make the call.
Tush, this is easy.
This is easy.
Top tush or lagrange lagrangeis swampy.

Speaker 3 (25:00):
I always loved lagrange lag, yeah, yeah.

Speaker 2 (25:04):
I'll go with LaGrange and.

Speaker 3 (25:05):
Zebra does a great cover of it.

Speaker 2 (25:08):
So does Blue Easter Cult.

Speaker 3 (25:10):
We got him in there.
No, they don't.
Steve Wilson might have done ittoo.
We got him all in.

Speaker 2 (25:14):
Blue Easter Cult did do Born to Be Wild Live.
That was part of the staple ofthe act.
They did a great of niceghettos down there.
I like LaGrange when RandyJackson sings it.

Speaker 3 (25:28):
He's got the New Orleans accent, so he doesn't
really do it.

Speaker 2 (25:33):
I'm just looking for some push, dusty Hill.

Speaker 3 (25:40):
Oh, that's right, I keep forgetting 15 seconds.

Speaker 2 (25:49):
I don't think a lot of people in modern days know he
was a singer too.

Speaker 1 (25:52):
Listen to the beginning of that Listen to that
oh yeah, yeah, fucking tush.

Speaker 2 (25:58):
Yeah, yeah, yeah, yeah, yeah.

Speaker 1 (26:07):
Fucking tush.
It's got it.
Lagrange is a great, amazingsong, but that rock
Ka-ka-ka-ka-ka, ka-ka-ka-ka-ka,yeah, just like he fucking just
belts it out.
You know they're just in it.
They're in the studio, fuckingjust in it.
You feel the studio, we'refucking just in it.

Speaker 3 (26:26):
You feel it right off the beginning of that song and
when you see them live, it's nota, it's not one of those six
times here and you love hearingthat song live six times I saw
them, that was great, that's aboogie beat, boogie shuffle beat
yeah, it all is like.

Speaker 1 (26:40):
Mark said it's swampy .

Speaker 2 (26:42):
Yeah, right I gotta go with tush I love lagrange.

Speaker 1 (26:44):
It's a classic riff.
It's swampy.
I gotta go with Tush.
I love LaGrange.
It's a classic riff.
It's a great ringtone, by theway, Alright.

Speaker 2 (26:50):
Mark, you make the call LaGrange.

Speaker 1 (26:54):
LaGrange yeah.

Speaker 2 (26:55):
LaGrange makes it good.

Speaker 1 (26:57):
Alright, mark, you make the call Bubba O'Reilly or
Won't Get Fooled Again.
This is an old, tough one.
This one's been around for awhile.
Like which one do you likebetter?
Because those are their monsterhits right.

Speaker 3 (27:11):
Same album too, right .
So I'm going back to when Ifirst heard it and I had a big
old boombox we had in the early80s To hear Teenage Wasteland on
a boombox with those keyboardsand everything.
Bob O'Reilly hit me harder thefirst time so I'm going to go
with Bob O'Reilly.
That's an impossible task tosay, but Bob-a.

Speaker 2 (27:34):
Bob.

Speaker 1 (27:34):
O'Reilly, bob O'Reilly.

Speaker 2 (27:36):
He won't get fooled again.
Sometimes he gets a little longon me.
Yeah, buddy.
Again the beginning.

Speaker 3 (27:54):
It's a wimpy-ass guitar sound Bing.

Speaker 1 (28:00):
And it reverbs right out.
Yeah, it still lingers.

Speaker 3 (28:06):
Now, that's one of those albums that I always hated
the production.
It sounds like Hotel California, very dull.

Speaker 1 (28:11):
But they recently re-released it, and it sounds
really really good.
Yeah, yeah, I got to say itwon't get fooled.
All right, mark, you make thecall.
I've done this one before.
I think I've used.
No, I used another one.

Speaker 3 (28:23):
uh, but go your own way, or riannon uh, I'll go with
riannon because I like witchesand I read all those books.
So, yeah, I'm sick of going.
You go your own way.

Speaker 2 (28:37):
I really am great lyrics, but yeah, well, you can
go your own way, mark, and I'llgo mine.
Go your own way, it's got aguitar solo.
I love this intro.

Speaker 1 (28:52):
I love how he comes in in an off beat, he kind of
just jumps right in off beat,and so do the drums, the weird
yeah, right, you think it's onthe fours right, so do the drums
.

Speaker 3 (29:05):
They're weird.

Speaker 1 (29:05):
Yeah, right, you think it's on the fours right?
No, he just cuts right in atthe beginning.

Speaker 2 (29:11):
So they're going right in from the top.

Speaker 3 (29:12):
Yeah, yeah, Did you ever hear them?
Do it live.
They draw out that intro.
It's just Lindsay goingdun-dun-dun-dun.
It sounds like a heavy song andit gets you going.

Speaker 2 (29:28):
It gets the crowd going, going, it gets right and
then, all of a sudden, the keys.

Speaker 3 (29:30):
Everyone knows what's coming, yeah, and the drums.

Speaker 2 (29:31):
That's perfect.
Classic, uh, mick fleetwoodplaying tom toms where someone
else would play a cymbal like ahi-hat yeah yeah, right, right
boom boom, boom, bop.

Speaker 1 (29:34):
You know it's all right, this isn't my favorite he
does get his respect thoughyeah, this is, this isn't my
favorite choice mark.
You make the call rock and rollall night by by Kiss, or
Detroit Rock City by Kiss.

Speaker 3 (29:47):
I'm going to go with Detroit Rock City.
I liked that song when I was akid more than Rock and Roll All
Night Detroit.

Speaker 2 (29:52):
Rock City.
I'd go the same.
I like that song.
Actually.
I do too Feel alright on aSaturday night.
I think that's Gene Simmons'best bass playing.

Speaker 1 (30:08):
Yeah, another great beginning.

Speaker 2 (30:10):
Sorry, you think Gene Simmons played that, or was
that Bob Ezrin?

Speaker 3 (30:20):
It was probably like Jacob Historius they got all
these big musicians in thestudio.

Speaker 2 (30:24):
Did you see that?
I didn't know.
Michael McDonald has a writingcredit on I'll Wait from Van
Halen.
I didn't either.
That was wild.
They brought him in to writethe chorus help with the chorus
and the bridge and he never gotcredit.
When you look it up now, he'sactually on it.
Wow yeah, he should have sungit.
Oh wait.

Speaker 3 (30:44):
Penalty box.

Speaker 1 (30:45):
All right, here you go, mark, you make the call.
Yeah, ramblin' man by theAllman Brothers, or Midnight
Rider, ooh.

Speaker 3 (31:01):
I like the chicken picking of Dickie Betts, I'm
going to go with Ramblin' man,and you can't go wrong, really,
with any of these choices.

Speaker 1 (31:09):
Any of these songs, you can't really go wrong.

Speaker 3 (31:10):
Greg Allman cut a great solo version of Midnight
Rider with an orchestra.
I don't know if you ever heardthat.
That was really good too.

Speaker 2 (31:17):
Yeah.

Speaker 3 (31:18):
Ramblin' Man's a great jam.

Speaker 2 (31:21):
It's catchy.
It's sung well, played wellit's got a great you know, it's
got all those ingredients youknow?

Speaker 1 (31:31):
yeah, I was born in the back seat of a greyhound bus
.
Yeah, 41.

Speaker 2 (31:34):
Yeah, it's a great story, right, great story.
That's almost like well, thatwas one of their hits, that was,
yeah, that might be theirbiggest hit.

Speaker 1 (31:39):
it was probably the hit for them.
Like, as far as top 40 typehits, is that yours, luke?
Yeah, I never get sick of this.
Yeah, talk about a great story.

(31:59):
Yeah, he puts you right in thesong.
Right, literally puts you rightin the song.
Right literally puts you rightin the song two distinct sounds.

Speaker 2 (32:10):
You know ramble man's almost like a pop hit it is
then yeah two totally differentsounds yeah, but I gotta run to
keep from hiding, great lyric.

Speaker 1 (32:18):
I mean right off the bat, I gotta run to keep from
hiding.
I know that feeling.
Um, yeah, crazy, girlfriend,mark, you make the call I heard
that story magic carpet ride orborn to be wild.

Speaker 3 (32:35):
We bring it up again I love magic carpet ride and I
don't hate born to be wild, Ijust magic carpet ride.
That's a good jam that cuts.
You can hear a bad edit, right?
Yeah, they're really jamming.
Jelson just cuts into.
Yeah, I'm going with magiccarpet I'll go with that too.

Speaker 2 (32:54):
Love them both, love them both.
But magic.
Every time I hear that I'm I'mimpressed by the interplay, the
rhythmic interplay, like thatrhythm guitar that you know the
way they the keyboard, theorgans in there.

Speaker 1 (33:04):
It's really clever man, right I still have to stick
with.
Born to be wild, I still gottastick with that.

Speaker 3 (33:12):
Uh, let's see scott driving through boca raton
blasting.
Born to be wild, yeah, yeahokay, here you go.

Speaker 1 (33:19):
This is, uh, kink's version.
This is kink's version.
You really got me, or all dayand all of the night mark you
really got me.

Speaker 3 (33:32):
That was the first.
It was punk in the 60s.
It's a rave up, it's everythingit's.

Speaker 2 (33:38):
I love it it stood the test of time and all day,
all night is kind of good, butthey have a lot of.
There are other songs that kindof and that's a lot of.
The songs sound the same forone thing, but all day, all
night.
That's almost like a almostlike a compilation of their
other rewrites in some way.
But, um, I think you really gotme.
It's just, you know it's,that's a monumental song.

Speaker 3 (34:00):
That's up there with louis louis you know, when they
did all day and all the night Icould see the record company was
like come up with another.
You really got me, yeah, yeahand I'm, and it came from their
heart.
They wrote a great song, but Icould see what that, what they,
the record company, was tellingthem to do their stuff.

Speaker 2 (34:13):
I mean I can't fall, I can't fault the kinks for
anything.
Yeah, right, ever just raw, ohyeah, raw, yeah.

Speaker 1 (34:26):
And he had that controversy for years.
Talk about garage band sound.

Speaker 3 (34:30):
Yeah, and he had two years.

Speaker 2 (34:35):
How easy it was to get that sound.
It wasn't complicated, it wasan amplifier, but it's brilliant
, it's brilliant, it's so easythat it's brilliant.

Speaker 1 (34:42):
Yeah, like that echoey, reverb-y raw, you would
think that the guitar isslightly out of tune, you know.

Speaker 2 (34:53):
It could very well be .
There was no, you know, digitaltechnology.
There was no strobe.

Speaker 1 (34:56):
They had strobe tuners and classic, you know it
has a little echo in there, likeyou, literally in a garage, you
know you had that bigcontroversy for years.

Speaker 3 (35:04):
That was a Jimmy page .
I played the solo and it wasn't.
It wasn't, it wasn't, it wasn'tit wasn't.

Speaker 2 (35:09):
But that's not Mick Avery on drums.
They had a studio guy did allthe hits.
Oh okay, but the guy thatplayed on those early hits he
played on a lot of shit.
Yeah, I still love that Toughto be a drummer back then.

Speaker 1 (35:22):
Great, I'm telling you they were in a fucking room,
that's all that was.
They weren't even in a studio.
It sounds like they weren'teven in a studio.
It sounds like there's nofucking soundproofing there.
There's a little echo in there.
It's just like being in mystudio here.
There's no fucking acoustictreatments on these walls, you
know.

Speaker 3 (35:41):
I don't know if you ever did a show on worst
concerts you've ever been to,but unfortunately yeah Black and
.

Speaker 1 (35:46):
Blue.
That's it, end of show End ofshow.

Speaker 2 (35:51):
Ronnie James Dio and Blue Bush are cold.

Speaker 1 (35:53):
Nothing good from Black Sabbath, godzilla, and
Don't Feel the Reaper.
Don't Feel the Reaper, don'tFeel the Reaper.
And I'm burning for you, butthat's that.

Speaker 3 (36:05):
You're a fair weather BOC.

Speaker 1 (36:07):
You're fucking damn right I am.
I was never a big fan.
I like certain songs by them,but I never went out of my way
that I am a new member of thecult, as I've said many times.

Speaker 2 (36:17):
Oh, there are two earlier live albums like one
like my big complaint was theyplayed like six songs in a
concert.
It was just jam and godzilla.
Godzilla went on forever.
So I'm like, yeah, I could playmore, but what the other live
album has like 13 songs, whichwhich is more of a concert you
want to see.
There's enough guitar.
Yeah, and yeah, they play God'sPrayer.
All right, mark you make thecall.

Speaker 1 (36:39):
Yeah, american Woman, or these Eyes Guess who.

Speaker 3 (36:48):
I love these Eyes.
I'm going to go with that, andI am sick of American Woman
because of what's his namecovered?
Lenny Kravitz.
No, I like these eyes.
That's a really classy, tooGreat.
It's kind of like undoneReminds me of that.

Speaker 2 (37:00):
Yeah.

Speaker 1 (37:00):
All right.

Speaker 2 (37:02):
Lou these eyes.
I was, I was in key, you were,yeah.

Speaker 1 (37:14):
Talk about that little stereo on the left ear,
right?
Yeah, little guitar thing.
It's the way they recorded it,right?
So if you had the headphones on, that little comes out in the
left ear.

Speaker 2 (37:27):
Their records sound good, their records sound good I
heard.
Was it New Mother Nature?
Yeah, I heard that on it.
New Mother Nature?
Yeah, I heard that on my rainycommute down today.
Great song.

Speaker 1 (37:36):
Yep, alright, let's see.
Alright, mark, you make thecall.
The boys are back in town orjailbreak.

Speaker 3 (37:51):
The hard rock side of me goes with jailbreak, but I
love them both.
Okay, jailbreak.
The hard rock side of me goeswith Jailbreak, but I love them
both.
Jailbreak's a great riff.

Speaker 2 (38:00):
Boys are Back in Town .
Like that waiter band, thosewaiters band that played in the
Eddie Murphy movie.
Yeah, yeah, was there a songcalled the Boys Are Back.

Speaker 3 (38:12):
Yeah, what was the name of that?

Speaker 2 (38:14):
band.
Oh God, I don't know the BusBoys.

Speaker 3 (38:17):
That's it, no, no, I remember what you were talking
about though.

Speaker 2 (38:21):
Boys are back.
The boys are back in town.
Ah, oh, dude.

Speaker 3 (38:31):
I got the drum roll.
That's a tough Irish band.
It's a tough Irish band.
Those are tough guys.

Speaker 2 (38:40):
There's no tough Irish bands.

Speaker 1 (38:42):
I'm kidding.
Yeah, I know, because there'sso many fucking Italian bands.

Speaker 2 (38:47):
There used to be.
There aren't anymore.
There aren't.
Hey, Scott John Jovi was theend of.

Speaker 1 (38:52):
Scott.
How tough were they.

Speaker 3 (38:54):
You'll never win a fight with Frankie Valley.
He's a tough guy.

Speaker 2 (38:57):
He's a killer.
He's a fucking killer, that guy.

Speaker 1 (39:00):
He's a killer.
Alright, mark, you make thecall Reeling in the years,
steely Dan, or do it again.

Speaker 3 (39:13):
Oof, steely Dan, or Do it Again.
Oof, uh, do it Again.
The opening is so infectiouswith the percussion yeah, I
still love it.
I'm a little burned out on Reel.
In the years I've heard it toomany times.
But Do it Again is magic to me.
Yeah, I'll go with that.

Speaker 2 (39:31):
That's a tough one, man.
I've heard it too many times,but do it again is magic to me.

Speaker 1 (39:33):
Yeah, yeah, I'll go with that.
That's a tough one, man.
Yeah, yeah, it's a tough one.

Speaker 3 (39:40):
You can mistake it for a low rider.

Speaker 1 (39:44):
Let's see Well.

Speaker 3 (39:46):
I guess I got to go with this one.

Speaker 1 (39:47):
Yeah, listen to that.
It always reminds me of Santanafor some reason.
This one yeah, listen to that.
It always reminds me of Santanafor some reason.
Sure, yeah, the beginning ofthat song.

Speaker 3 (39:57):
I always think it's a .

Speaker 2 (39:58):
Santana song 45 years later.

Speaker 1 (40:02):
I still think it's a Santana song.

Speaker 2 (40:04):
Was there a cowbell in that intro?

Speaker 1 (40:06):
Yeah.

Speaker 2 (40:07):
Let's see.

Speaker 1 (40:08):
Let's see.

Speaker 3 (40:13):
I don't hear it yeah.

Speaker 2 (40:17):
What time?
When is it?
There's some hand drumming?

Speaker 1 (40:23):
There's Latin percussion in there, a lot of
percussion.

Speaker 3 (40:25):
That's all percussion .
Isn't Donald Fagan playing theFarfasa organ, or something?

Speaker 2 (40:29):
Farfisa, farfisa.

Speaker 3 (40:31):
Farfasa?
I don't know.
I thought it was a Greek dish.

Speaker 1 (40:34):
That's a tough call.

Speaker 2 (40:35):
That's from the first record, though, isn't it?
Yes, yeah, so that was theirdrummer that they had in.
That's not Jim Gordon or any ofthe studio guys.

Speaker 1 (40:44):
Good stuff?
Yeah, yep, let's see, mark, youmake the call Night Moves or
Turn the Page Oof.

Speaker 3 (40:56):
Um, night Moves always wins it.
For me, it's one of my all-timefavorite songs.
Woke up last night to the soundof thunder.
We know the fucking lyrics.
Oh yeah, lou can sing, but Ican't.
Alright, you want retro?
I'm a professional singer, mark, fuck you, I'm out of here.
Hello.

Speaker 1 (41:16):
Is anyone there?
It's my ringtone.
Hello, I have my phone down.
People start looking aroundlike what the fuck?
It's a great ringtone.
It's from Gorillaz Lou.
I suppose it's Night Moves.

Speaker 2 (41:34):
Yeah, I don't like the other song, I don't like
Turn the Pages in Favor.

Speaker 1 (41:37):
Mark, yeah, it's just the big sax at the beginning.

Speaker 3 (41:42):
Well, I didn't like when Metallica had that kind of
hit with it.
Everyone loved the song.

Speaker 2 (41:48):
I like Metallica's version better.
How can you beat this?

Speaker 1 (41:55):
You said it, Luke.
How can you beat that?
You really can't.
It's not even a riff.

Speaker 2 (42:02):
It's just a strumming , memorable strum.

Speaker 1 (42:04):
Hey, dave Phillips King of the 45, back from the
overrated Aruba trip that he wason His yearly 30-year
anniversary of going to fuckingthe same beach every year.
I love Dave Phillips, though.
He's consistent.
He's a very consistent man.

(42:25):
Let's see.
All right, okay, oh boy, thisis a good one.
I am not a huge fan at all, byany means, barely a fan only
because there's like six songsthat I like by them.
These are two of them.
Alright, mark, you make thecall?
Aqualung by Jeff Rotel, orLocomotive Breath.

(42:47):
You know what?
Locomotive Breath?
Hmm.

Speaker 3 (42:53):
You know what?
Locomotive Breath is just agood driving rock song and I
love Akelon, but I'm going to gowith Locomotive Breath and I
love the intro, the piano intro.
Yeah, locomotive Breath.

Speaker 2 (43:05):
Lou, he's got him, and by the balls.
How?

Speaker 3 (43:13):
can you?

Speaker 2 (43:13):
beat that.
The lyrics are really great.
I'm good on locomotive breath,right.
Yeah, that's a third version ofa rock, more of a rock song.
Actually, it says aqualung, butGideon stole the Bible.
That's right.
That's a tough one, though.
Are they in the rock and rollhall of fame?
This is the beginning.
Listen.

Speaker 3 (43:31):
Oh are they in the rock and roll hall of fame.
This is the beginning.

Speaker 1 (43:35):
Listen oh, I love that taunting.
This is what you never hear onthe radio and listen to the
guitar when it comes in yeah,this is definitely.
Last week I had the lastepisode.

(43:56):
I had I think 22 copyright,copyright infringements.
Yeah, there you see how it goesfrom classical to a little
funky jazzy, funky, little jazzy, a little raw.

Speaker 2 (44:12):
Who's the keyboardazzy?
Funky, a little jazzy, a littleraw.
Who was the keyboard player inJethro Tull?
Mark, who played keyboards inJethro Tull?

Speaker 3 (44:22):
And I have the box remix set by Steve Wilson God,
who was in the band at the time.

Speaker 2 (44:28):
Barrymore, Barlow, Martin Barr.

Speaker 3 (44:34):
Ian Anderson, jeffrey Hammond.
Oh, john Evanan played thatintro.
They had two keyboards johnevan and jeffrey hammond.
Yeah, all right, we're comingdown to the home stretch.
It was remixed by steven willstotally remixed.
It's a good title locomotivebreath.

Speaker 2 (44:48):
It is.

Speaker 1 (44:49):
Yeah, I know some people that have fucking
locomotive breath sure at threein the morning after fucking,
snorting an eight ball andsmoking cigarettes all night
fucking.
That's locomotive breath rightthere and their fucking mouth is
dry and there's no beer andit's like they get the white
shit in the corner of theirfucking mouths.
And they won't stop fuckingtalking because they snorted a
fucking or they helped snort aneight ball and smoke cigarettes

(45:12):
all night.
Fucking locomotive breath.
That's what that is.
One after another.
And then just no one's fuckinglistening.
Everybody's waiting to talk.
I'm listening to Lou.
I'm not really listening to him.
I'm doing a lot of nodding, butin my brain I'm waiting for him

(45:36):
to stop talking, because I havea lot to say, because it's
three in the morning and I havecigarettes and I have no beer
and I don't drink fucking water.
So I'm not going to do that andI'm just going to fucking
breathe on you and I'm going toget right up in your face,
because I helped you snort aneight ball tonight and we're
just going to keep fuckingtalking.
And I'm not listening to you,though.
I'm just waiting for your mouthto stop fucking movie.
I'm waiting for my first and Ito stop fucking movie.
I'm waiting for my first andI'm gonna jump in and it's my
turn to talk, and when I start?
talking, I'm not gonna fuckingstop, because remember that time
back in elementary school, inthird grade, we were out in the

(45:58):
fucking park and judy alsokicked somebody in the ball and
the teacher came up.

Speaker 3 (46:02):
Remember that.
And then we were in high school.

Speaker 1 (46:04):
Great man fucking great, that's locomotive breath
you sound like mark maron on.

Speaker 2 (46:11):
Like Robin Williams said, he goes redundant,
redundant, redundant, redundant,and then he drove across the
bridge to get more.

Speaker 3 (46:19):
You sound like Mark Maron there.

Speaker 1 (46:21):
That was my cocaine rant.
Keep going.
Oh, you know, I could.

Speaker 3 (46:28):
You know I could.

Speaker 1 (46:30):
I should clip that and just make it a.
Tiktok video you should.
I think, you'd beat me.
This is me in 1984.

Speaker 3 (46:39):
1984, yeah, you know what you sound like.
You sound like Lou on thephones on the old Music Roller
Show.

Speaker 1 (46:45):
Oh, the old hey, those things are going to be
classics someday.
I'm telling you, I love goodwith it, I'm good with it.
Hey, those things are going tobe classics someday.

Speaker 2 (46:52):
I'm telling you, I like the K-Tel collection.
I love them.

Speaker 3 (46:55):
They sounded great.
We all sounded like Koo Jays.
Hey, remember that.

Speaker 1 (46:59):
Yeah, all right, here we go.
It was three left, we got threeleft.
All right, Mark, you make thecall.
Sweet Home, alabama, turn it up, I'll go with.

Speaker 3 (47:16):
Sweet Home Alabama.
That's a great song.
It's so good when I hear it.
And Neil Young loved themention of him in the song.
He was like I love it.
He loved it.

Speaker 1 (47:27):
Yeah well, didn't, what's his name?
Get buried with a Neil Youngt-shirt on?
Runny bands app yeah really Ibelieve he had a.
I believe he had a neil youngt-shirt he was a fan of the band
like, yeah, they, they had nobeef with each other.
You know they had a greatthey're a great rock band they,
they were just speaking theirmind.
They're like you know, youain't got nothing to say.

(47:48):
You're a canadian man, I, I wasa Canadian guy, yeah.

Speaker 3 (47:51):
Yeah, anyone who sings an anti-New Jersey song.
You and I got to write a song,fucking.

Speaker 2 (47:56):
A man, Robbie Robertson.
He's had the respect to go downsouth and learn about the south
and write songs for Levon Helmto sing.
The other guys were Canookians.
But yeah, he had the respect.
That's right.
He's just a dumb canook.

Speaker 1 (48:10):
All right, Lou, what do you like?
Sweet Home, Alabama or Ramblin'man?
I love Skinner.

Speaker 2 (48:15):
I'm worn out on that song.
I mean Ramblin' man, ramblin'man.

Speaker 1 (48:18):
Yeah, yeah, I get too .
I like Hear it.

Speaker 3 (48:22):
My Car.
I think the drum sound inRamblin' man is real weird it
very echoey, but gated, and it'svery small.

Speaker 2 (48:36):
It's very tight, yeah , it's a very tight recording.

Speaker 3 (48:42):
But wait, I'm dj.
He is what's that, some dj youare.
You played the wrong song.
No, I didn't.
No, I didn't, oh, I thought youwere gonna play, uh, the almond
song.
No, I didn't, oh, I thought youwere going to play the Allman
Brothers Ramblin' man.
I was thinking of Bob SegerRamblin' man, oh, ramblin'
Gamblin' man.
So you know what then?

Speaker 2 (49:01):
Yeah, that's Ramblin' Gamblin' man you idiot.

Speaker 3 (49:04):
Yeah, I am an idiot.
That might be my secondfavorite Bob seger song, though
yeah, so I'm going back.

Speaker 1 (49:13):
I'm rambling man when you get, when you get rambling
gambling man together withbeautiful loser on that live
album yeah that is the greatest.
Yeah, crossover into anothersong in the history of live
music.
He plays them continuous andthat goes right into beautiful
loser that's the first livealbum that he put out fucking

(49:38):
greatest if you haven't listenedto that in a long time, it has
been a while.
Go listen to that.
That that, uh, beautiful loserthe rambling gambling man into
beautiful loser and beautifulthat's the song that doesn't get
played enough.

Speaker 2 (49:52):
On the radio you hear the same, like you know don't,
don't play.
Uh, was that with a rock androll song?
Can't stop old time rock androll.
Don't play that.
Play beautiful loser insteadyeah right, let me see something
.
Wasn't also the um, the sequelto joe dirt?
It was joe dirt 2, beautifulloser, wasn't it?

Speaker 3 (50:11):
oh, that movie was so bad.
I liked the first one, but thesecond one.
Go get some French cries.
What's the lotion in the?

Speaker 2 (50:21):
basket.
That's pretty accurate.

Speaker 1 (50:25):
No, let me see.

Speaker 3 (50:27):
It wasn't Ramblin' man.

Speaker 1 (50:29):
Yeah, it was Ramblin' man, right, is that?
Ramblin' Gamblin' man?
Yeah, it was Ramblin' man,right, is that?
Ramblin' Gambling man?
Yeah, ramblin' Gambling man.
But I'm trying to find thatWith.

Speaker 2 (50:38):
Glenn Frey singing on the chorus.

Speaker 1 (50:44):
Live right Because he starts off and he says they
start off with a new song, thisis a new song.
Let me see it's got to be fromthis.

Speaker 3 (50:57):
Oh no, it's Traveling man.
What's that?
It's this, listen.

Speaker 1 (51:08):
Yeah, I just had that , but I wanted the crossover.

Speaker 3 (51:11):
And there's where he goes into it.
Yeah, you just had that, but Iwanted the crossover.
And there's where he goes intoit.
Yeah, you just played it.
Okay, sorry, live Bullet, hisfirst live album Live Bullet.

Speaker 1 (51:18):
Yeah, that's a great fucking combo song.
That was a better live album.
It's an amazing, amazing combosong.

Speaker 2 (51:26):
His band.
That was a bar band that justplayed concerts.
You know what I mean the greatmusicians but it was just a club
act.
You know that caught on.

Speaker 1 (51:40):
Detroit's best kept secret.
Yeah, that's what they werecalled.

Speaker 3 (51:43):
Oh really, Yep.
And as big as he is, I stilldon't feel that he got all the
appreciation he deserved.
I think he did.
I think he got what deserved.
I don't think he did.

Speaker 1 (51:52):
I think he got what he.
I think he was you know he wasa little above middle of the
road, like he was always there.

Speaker 3 (51:58):
He was never a superstar, he was just a good,
consistent rock star yeah, Ialways, I always tell people
about those old albums, theawesome energy, and they're like
what they don't get it.
They think of the bob zieglerfrom the 80s.
Yeah, yeah, I'm like.
No, he was man.

Speaker 2 (52:14):
That song was him with the Memphis guys but you
know the Silver Bullet Bandplayed on other songs like that.
Yeah, he did record with theMemphis guys a lot on Night
Moves a lot.

Speaker 1 (52:26):
All right, Mark, you make the call Tangled.

Speaker 3 (52:35):
Up in Blue Bob Dylan, or like a Rolling Stone.
Well, this is my answer today.
With Bob Dylan, it's alwayschanging, so today I'm going
with Tangled Up in Blue, becauseI was listening to that the
other day, but you're probablygoing to cut my head off for not
picking like a Rolling Stone,but right now that's what I like
Blue.

Speaker 2 (52:50):
I know what Lou's picking.
It's a double A side for sure.
But right now I'm not goingwith, like a Rolling Stone,
tango, love and Blue.

Speaker 3 (53:00):
Yeah, really I thought you were going to pick
Like a Rolling Stone.

Speaker 2 (53:02):
Tango, love and Blue is one of my of the modern day.
Yeah, that's one of my favoritesongs, if not my favorite, same
here.

Speaker 1 (53:10):
Yeah, yeah, I'd say Talk about a great story, yeah,
he takes it all the way throughRight.

Speaker 2 (53:26):
That was a good lyric , I think, for like a non-Dill
fan it does tell a story.

Speaker 1 (53:29):
It's a great story.
Yeah, it tells it's the wholething, the relationship.
They split up on a dark highwaynight and she went that way and
I went the other way and nextthing you know, they meet years
later.

Speaker 2 (53:43):
Like it was yeah, and he's working on an oil rig.

Speaker 1 (53:48):
Yeah, he does all these jobs Like an oil rig.
Yeah, he does all these jobs.
He says let me say, papa's bankbook wasn't big enough and
something about the clothes LikeMa made.
I forget the exact lyrics of it.

Speaker 3 (54:03):
My mind's blowing.
Right now, scott played a BobDylan song.
He's talking about a Bob Dylansong.
This is blowing my mind.
Well, there are certain songs Ilike by him.

Speaker 1 (54:10):
And I like Like a Rolling stone and I like
hurricane and I like, uh, Ithere are, like jethro tell,
there's probably five or sixsongs that I like by bob dylan,
but I just won't go out of myway to listen to anything else
because it just doesn't appealto me.
Yeah, you know, but those songsthat those are standout songs
to me, so like those are songs Iput on my playlist, but I'm

(54:31):
never going to listen to a BobDylan album that was me for
years with Doobie Brothers.

Speaker 3 (54:35):
I like certain songs, but all of a sudden something
clicked with me with the Doobies.

Speaker 2 (54:39):
Yeah, I found that too.
I heard something like an album.
I'm like, wow, I always heardthose radio hits.
Yeah.

Speaker 3 (54:51):
I think that's Dylan.
That's one of his best albums.

Speaker 1 (54:54):
All right, gentlemen, we're ending on a tough one.
Oh yep, this might be thetoughest one of the night.
Right here, mark you make thecall light my fire or break on
through, or Break On.

Speaker 2 (55:10):
Through.
That's a tough fucking choice.

Speaker 1 (55:13):
That is a tough fucking choice.

Speaker 3 (55:16):
Light my Fire.
Never got sick of it.
It's a great jam.
I'm going with Light my Fire.

Speaker 2 (55:22):
Yeah, me too, because it's one of my favorite songs
of all time.
I love Break On Through.
That's the doors, that's what.

Speaker 1 (55:28):
I'm saying that's why it's tough.
There's no wrong answer.
Tonight you're going with Light, my Fire, just like Do.
It Again.

Speaker 2 (55:35):
Light my Fire was one of my favorite songs.
Break Out 3 is not one of myfavorites, but it's one of my
favorite Doors songs and itstarts off with a great
percussion like Do it Again.

Speaker 1 (55:45):
It doesn't last that long.
Do it Again lasts's, and sothis is what I've always said.
From probably episode 10 ofthis, 150 episodes ago, I
probably started preaching thisthat is the greatest
introduction to a debut album inthe history of music.
Yes, this talk about setting atone that's not a bass it starts

(56:28):
to build right away.
It just builds all the waythrough the song.
It just keeps building, setsthe tone for the whole fucking
album.

Speaker 2 (56:38):
It's not a rock beat no.

Speaker 3 (56:40):
Samba.

Speaker 2 (56:43):
It's like a samba beat.
Yeah, it's Latin, it's jazz,you know.

Speaker 3 (56:46):
Yeah, so dig this.
Adam Holtzman, keyboardist forSteve Wilson.
His father was Jack Holtzman,Elektra Records.
So when he was seven, he putson Facebook.
He puts little blogs about hisexperiences.
He was seven years old.
His dad came home with thefirst pressing like the test
pressing Put it on.
He said just hearing that atseven years old in 1966, was it

(57:08):
it blew that opened his mind upto that, made him a musician.
He was always going to be amusician, but just hearing it,
Can you imagine a seven-year-oldhearing that?
And he got to meet the Doorsbecause he got to go with his
dad and hang out with them andeverything.

Speaker 2 (57:21):
Strange Days was released on this day.
Ah, look at that.
I saw that on the Facebooktonight, so that must be true.

Speaker 1 (57:29):
So, mark, you know this is you just reminded me of
something that I've said, thisin the past a number of times
also how I got introduced.
Now I am officially, gentlemen,by the way, a professional
storyteller.
Okay, we do know that.
So you know this.
I am a professional storyteller.
I'm a terrible storyteller.

(57:50):
And cocaine ranter and greatcocaine ranter and a great
cocaine ranter indeed I have agreat memory for that shit, but
it was 1969, I'll say 19, let mesee.
I think it was 1969.

(58:11):
And I was on.
It was the summertime and wehad moved from the projects, the
Mission Hill projects, inRoxbury in Boston.
We were the last white familyto move out of there, right?
And well, let me see, when didMLK get assassinated?
67?
, 68.

(58:31):
, 68.
So, okay, so it was 68, right,68, 69 and um, so we moved to
this beach front town, right,winthrop.
It's a peninsula.
It's not as beautiful as itused to be.
It's overcrowded, just likeeverything else.
Like asheville is becomingovercrowded, people find it, but

(58:51):
it took.
Like Asheville is becomingovercrowded, people find it, but
it took a long time for them tofind Winthrop.
Right, but we were renting ahouse.
My father got us out of theproject because, again, we were
the last white family there.
And when MLK Jr gotassassinated, the black people
in the projects decided to takeit out on us and started

(59:16):
throwing rocks through ourwindow and storming the hallway.
They were taking it out on usbecause we were the white family
and this is not anyexaggeration.
I remember this.
It was traumatic, to say saythe least, for a little kid.
So you figure I was five yearsold, six years old, yeah right,

(59:42):
and I remember this and my momwas losing her mind, like what
is she gonna do?
So the the fucking, the dustsettles and she tells my father,
as though they she did not likehim at the time, they had a
divorce for the whole thing, andbut she's like you gotta get us
out of here.
So he finds this town went up,which is one of these towns
where you just there's no reasonto go there because it's a

(01:00:04):
peninsula, it's not adrive-through town, it's not a
pass-through town.
There's only two ways in, whichmeans there's only two ways out
.
So it was a great little townto grow in, but it was six miles
from downtown boston, so youhad the best of everything,
right.
So I remember this summer dayand I went out on the front
porch and we literally livedthree houses from the beach.

(01:00:27):
It was back in the seventh, itwas back in the late 60s and
that probably I don't know.
The rent was whatever it wasfor this house and I had one of
those little suitcase recordplayers right and plugged it in
and I just grabbed an album,literally just grab.

(01:00:48):
I remember this.
I grabbed a record and Iremember one of the records that
we had was the 1967 red socksworld series record, like it was
literally an album and it hadall the highlights from the
radio calls which they lost tost louis right, st louis
cardinals, but it was one ofthose albums, right, because

(01:01:09):
they made fucking records out ofeverything back.
Yeah, yeah.
And so I remember this at this,imprinted in my brain to this
day.
This is how it all happened.
This is how I got introduced tomusic and I never, ever forgot
it.
And every time so I took theneedle, I turned it on the click

(01:01:30):
, click, right, that click.
You had to really jam it to getthat thing moving.
Yep, and I took that plasticarm with that shitty ass fucking
needle and I dropped it andthis came on and I was fucking

(01:01:51):
hooked.
That was my introduction tomusic.
Yeah, that fucking introductionimprinted on my brain and I
became a music fucking junkie asa kid.
That's why I was listening toDavid Bowie when I was fucking
10.
Whose album was that, I don'tknow, maybe be my mother's, you

(01:02:15):
know.
I she that we had a few records.
There was no big deal like.
It certainly wasn't mine and mybrothers weren't much older
than me, so it just happened.
Maybe it came with the housethat we rented, I don't know.
But I'll never forget that.
I heard that in the fucking.

Speaker 3 (01:02:32):
That's a magic, fucking intro to me so when I
first met you and I said, oh,everyone always called me a bit
of a freak because I waslistening to brain cell surgery
at five and six and you werelike I was listening to bowie at
that time yeah, yeah there wediscovered me advanced, like I
was a very advanced and it wasmusic listening.

Speaker 1 (01:02:50):
I was listening to opera this mother, you were
going to porn movies this I know, lou was already 14 when we
were fucking seven, so I waseight.
I was eight but you know whatyou had.
You had an experience more likemothballs, more mothballs.

Speaker 3 (01:03:13):
Yeah, but you had a bad experience.
I had some bad shit happen tome and that was like for me it
was an escape, but it went in mymind and imprinted dna yeah,
absolutely.

Speaker 1 (01:03:23):
I mean that that intro was of every song it could
have been.
That is fucking one of thegreatest intros to a song ever.

Speaker 3 (01:03:32):
It's so simple, it's just picking that, oh yeah, it's
in simple yeah, it's so simple,it's brilliant, right, and it's
effective I won't play itbecause scott will put me in the
penalty booth.
Play what that's?
The rising sun.
Oh, I don't care.
Oh, no, no, no, no, what onyour guitar?

Speaker 1 (01:03:50):
I fuck it up and play , let's see how you fuck it up.
Yeah, I want to put pressure onyou.
It better be fucking goodbecause my finger is on the
trigger right now.

Speaker 3 (01:04:01):
Yeah, I fucked it up.
Yeah, penalty box.

Speaker 1 (01:04:03):
See how that goes Lou .
See Lou before you your thumbeven went down.

Speaker 2 (01:04:07):
I, I didn't even have to do it.

Speaker 1 (01:04:08):
I know it was a self-fulfilling prophecy he
should have prefaced it with Letme warm up first, and then he
would have got a break.
But no, he gets cocky andthinks he can play it right off
the bat.

Speaker 3 (01:04:21):
That's because you put me up to it, fucker.

Speaker 1 (01:04:25):
No, then you're susceptible.
You're a weakness in this link.

Speaker 3 (01:04:31):
As I get older, I find I have to warm up a lot
longer.
The show is only as fast as itsweakest link.

Speaker 1 (01:04:36):
Okay, it's only as strong as its weakest link.

Speaker 3 (01:04:39):
I'm very right, it's cold up here tonight.
It's actually very cold andhumid.

Speaker 1 (01:04:43):
You see, you did not preface anything, you just said,
I can do it.

Speaker 3 (01:04:52):
I would have given you a pass and said okay you're
getting there sounds good.
Yeah, okay, I still want toredo my solo on asheville
skyline.
Oh, what is that me?
Lou and perry recorded an epicsong together.
Okay, it's our finishing.
It's our outro theme for ummusic relish oh shit okay we'll
bring'll bring the MP3 next week.

Speaker 1 (01:05:14):
I just don't want to get kicked off of YouTube for
those assholes fucking theircopyrights that own that song.
I heard they're going tofucking come after me.
I heard Alright, let's do 45Poker and get Lou out of here.
How's that?
Thanks, you got it Alright.
Here we go 45 Poker for thepeople that don't know.
Yeah, I listen to the episodesevery once in a while and

(01:05:36):
they're good, like we do put ona good fucking podcast yeah, I
do believe that right, don'tplay too much to get a cut like
I wanted to stand.
Come on, you know we do a goodjob yeah, we do, and um, oh, pat
, all right, you know what youknow what the gauntlet's been
tossed.

Speaker 2 (01:05:52):
Patty said try again.

Speaker 1 (01:05:56):
What.

Speaker 2 (01:05:56):
Patty wants, patty gets Go ahead.

Speaker 1 (01:05:57):
Mark the show.
Patty officially took over theshow.
Do not let the crowd down.

Speaker 3 (01:06:04):
Do it.
Anthony is much better than me.
He's watching.
I ain't doing it.
No, your country is watchingyou.

Speaker 1 (01:06:09):
Mark, you got to do it.
Patty has been watching us fromday one.
Are you really gonna disappointour number one?
Fan, I don't even remember thechords.
Shame him, that was.
Right, there was better thanwhat you did originally.

Speaker 3 (01:06:31):
I'm reading Anthony's little thing.
Thanks, Ant.
Thanks for the crib notes.

Speaker 2 (01:06:39):
There is in New Orleans.

Speaker 3 (01:06:45):
I forgot it.
The easiest song to play in theworld.
I forgot it.
You're going to let Patty down.
I just played it.

Speaker 1 (01:06:52):
Do it again.
Is it dust in the wind?
Is he playing dust in the windnow?
Yes, he is.
What the fuck?
Alright, let's get to 45 Pogues.

Speaker 2 (01:07:04):
So I was listening to the episodes and I'm like let's
play Enough, oh yeah, controlthis motherfucker.

Speaker 1 (01:07:10):
Let's play Enough, oh yeah, oh yeah, oh yeah, control
this motherfucker.
He's out of control, he's outof control.
So I was listening to theepisode.
I'm like 45 poker, but we getso used to doing it and we have,
as I say, an amazing cultfollowing that knows what we're
doing.

(01:07:30):
But somebody who was listeningwould be like I don't know what
the fuck this is.

Speaker 3 (01:07:34):
But that's kind of cool.
Did you ever drop into a radioshow or a podcast and like, what
are they doing?
You have to learn, I do explainit to a certain people.

Speaker 1 (01:07:41):
People do get it.
It's not hard to understandwhat we're doing.
You have to watch the show.

Speaker 2 (01:07:46):
Yeah, yeah.

Speaker 1 (01:07:55):
You, you know, listen enough to know.
Okay, here we go.
Mark, we're starting off withyou.
45 poker is.
I have a stack of old 45s PattyYossi's old 45s that smell like
incense and some smell likepatchouli, because she used to
smoke weed in her room when shewas a kid and she thought that
the incense would hide the weedsmell but it affected all her
45s that she graciously sent mein this retro box that Mark all
of a sudden had the same fucking45 box with 3d green and dark

(01:08:18):
green and like, yeah, it's theweirdest thing that you have
that same box right and I wantone, yeah, so I'm just dishing
all patty's, all her dirt rightnow because I figured it out
that's why I was in lawenforcement for 32 years.
I can figure these things out.

Speaker 3 (01:08:33):
I grew up on incense because all my sisters smoked
weed, so I grew up let's see.

Speaker 1 (01:08:37):
Let's see what this one smells like the old devil's
lettuce this is incense.
This literally smells likeincense, the, and not any
particular the the odor ofincense.
You know that there's oneincense that's like the standard
Sandalwood or something.
Yeah, it's the standard ofincense.

(01:08:59):
And then you go out of the boxwith, like, my wife has this
mango mango incense.
It's pretty interesting, butthis is the industry standard
incense smell on this one,especially in the 70s, there was
one incense.

Speaker 2 (01:09:15):
It's like that remember that violet chewing gum
.
Where there's violet gums,people used to have it it always
smelled like a girl'spocketbook.

Speaker 1 (01:09:22):
Hey, listen nothing was better it was violet candy
the greatest gum ever and I sawa truck, saw a truck, literally
a truck, recently, within thelast four months, zebra chewing
gum.

Speaker 2 (01:09:37):
I remember yeah, yeah , it was yellow stripes, there
was green stripes, there was redstripes, there was blue stripes
.

Speaker 1 (01:09:45):
Zebra chewing gum yeah, it was the worst.

Speaker 3 (01:09:52):
But it was the cheapest which made it the best.
The best and lou, your brotherthought they were suppositories
all, right, here you go, mark,here you go.

Speaker 1 (01:10:01):
Uh guess, johnny taylor disco.
Lady columbia records rightdisco.

Speaker 3 (01:10:08):
I hear you hello.
Oh Scott, tell Lou why I wantedto wait for him to come on for
45 bucks Because he enjoyswatching.

Speaker 1 (01:10:17):
you lose this game.

Speaker 2 (01:10:20):
It's a pleasure to lose.

Speaker 1 (01:10:22):
I was going to play it originally, I said should we
play it?
He goes no, no, watch thebeginning of the show.

Speaker 3 (01:10:27):
He'll say no, no, I like watching Lou lose.
I'm sorry, I don't know whatkind of industry standard
incense.

Speaker 1 (01:10:35):
Thank you, uh, avco records, which isn't good but
it's a good song.
Lou, you get the stylistics.
You make me feel brand new allright, that's a great song
stylistics there we go.

(01:10:56):
The sound, avco Records, thesound of young America.
Alright, here we go.
Capricorn Records almonds, yeahsomething here no, this is a
good one, gilbert or Sullivan.
Nope, elvin bishop.

(01:11:16):
Oh, capricorn records, right?
No, even I'm not right.
Elvin bishop fooled around andfell in love, right?
great tune jumped into the leadwith that one.
I think right, I think so.
Freeing on my own, that's theway I used to be and who's
saying that?
The guy from mickey thomas,yeah all right, here you go,

(01:11:38):
mark round two from rso records.
I call it the pig cow, the pigcow records company looks like a
pig cow I smell, and Andy Gibb.
Yeah, you do.

Speaker 3 (01:11:52):
I'm thinking Eric Clapton.
No.

Speaker 1 (01:11:54):
Andy Gibb.
Andy Gibb is love is thick inthe water.
Love is thick in the water.
Love is thick, that's.

Speaker 2 (01:12:04):
Mox, that's Mox.
So Patty liked the Teen Idolsback in the day, she did yeah.

Speaker 1 (01:12:09):
Look at Patty, says you're too funny.
Yeah, because I'm right, pattywas cool.
Patty was a cool chick.
Yeah, let's see Dave Phillipssays I'm back, a fellow island
boy called me Marco Renda.
Dave Phillips is drinking again.

Speaker 2 (01:12:27):
He's drinking again and commenting what does Parker
Rendon mean?

Speaker 3 (01:12:32):
Is that an insult in a?

Speaker 2 (01:12:32):
room.

Speaker 1 (01:12:33):
I don't know.
He says I'm back, but healready had 27 comments earlier
on.
Then he finally announces thaton 28th comment I'm back.
Shouldn't he have started hiscomments off with that?

Speaker 3 (01:12:46):
That's okay, because Lou's brother is not happy.

Speaker 1 (01:12:48):
Is this out of chronological order?
Is Dave Phillips goingbackwards.
Alright, there you go, lou.
Oh yeah.
Well, you know this is going tobe a good one.
It's a great sleeve too, rightyeah, or why can't we be friends
?

Speaker 3 (01:13:04):
oh and I said it last time, the last lethal weapon at
the end, when they play thatsong and they in the credits and
they show all the pictures it'sgot.

Speaker 2 (01:13:14):
I like the word in the mafia you know, what this
has two.

Speaker 3 (01:13:18):
This has two.

Speaker 1 (01:13:19):
This has two records in it, two war records, right
45s.
Right here, here's one andhere's the other.
Right, so we have I get thepick.
We have a first.
No, this is the one I pulledout is the one you're gonna get.
I didn't know which.
I didn't know.
I just see that's the other one.
Tell us what the other one is.
The one I pulled out is whycan't we be friends?

Speaker 3 (01:13:40):
No, you know what?
Yeah, you announced that.
I think you're changing therules.
I said there's two 45s in thissleeve this fucking thing is
fixed.
There's two 45s in this sleeve.

Speaker 1 (01:13:52):
This fucking thing is fixed.
I knew it.
245's in the sleeve and they'reboth war, right, they're both
war records, 245's.
I pulled this one out and I waslike, what is this?
Because I didn't know there wastwo in there.
So what I pulled out is whatLou was going to get.
It was random, right, but thisis the one he gets this is the

(01:14:13):
one he gets, I'm trying to breakmy record of 22 copyright
infringements in one episode, soLou gets this one.

Speaker 3 (01:14:25):
Let's see, hang in there.

Speaker 1 (01:14:27):
I think you're fucking Lou because he had a
good pick, I would never fuckLou.
He's not my type, first of all,he's got his entrance man,
thank you.
Thank you All right, here yougo, Lou.
This is your song.

Speaker 2 (01:14:42):
This is the song you get.

Speaker 1 (01:14:51):
That's her biggest head.

Speaker 3 (01:14:52):
You got fucked Lou.

Speaker 1 (01:14:54):
He fucked you.
That's a good fucking song.
That's a good song.

Speaker 2 (01:15:02):
Down the winner's circle.

Speaker 3 (01:15:04):
Now why Can't we Be Friends was a much bigger hit.

Speaker 1 (01:15:07):
Come on, let's see if that's even the other yeah that
is the other one, yeah, dave.

Speaker 3 (01:15:12):
I agree, dave, you're right.

Speaker 1 (01:15:15):
I'm sorry, that's just what I pulled out.
That's what he gets.
The sleeve is not the record.
Remember that.

Speaker 2 (01:15:19):
You know something I'm hungry.

Speaker 1 (01:15:24):
Lou's going to eat some chicken.

Speaker 2 (01:15:26):
I have a chicken leg here.

Speaker 1 (01:15:26):
Lou's eating some chicken.

Speaker 2 (01:15:28):
All right, here's mine.
We got to get this show over.
I told you we can't do an hour.
We've got to get this show over.

Speaker 1 (01:15:31):
We've got to get Lou out here.
I told you we can't do an hour.
We can't.

Speaker 2 (01:15:34):
It's impossible for us to do an hour.

Speaker 1 (01:15:36):
I know All right, here we go.
I got the baby that's back atyou, Smokey Robinson, Smokey.
Yeah, there you go.
All right, Mark, give us threeand we're going to call it a
night.

Speaker 3 (01:15:48):
All right, lou's going to do where I smell mine,
because mine came from WestwoodDiner jukebox so they smell
horrible they're really bad itsmells like oil, grease and
cigarette.
Actually, they do smell likecigarette smoke.
Okay, who is first you, oh,london Records, the Rolling

(01:16:11):
Stones, Get Off my Cloud Did hepull that one.
Last week the last time we didthis one.
I don't know, I think he didEverything you're pulling.

Speaker 1 (01:16:19):
You pulled last week.
No, no, no, I take mine.
I don't put them back in thebox there, guy Can we have
someone call somebody Guy, hey,guy, yes.

Speaker 2 (01:16:32):
Shut the fuck up.
I knew that.

Speaker 1 (01:16:36):
Hey guy, yes, shut the fuck up.

Speaker 3 (01:16:38):
Hey, guy, hey, listen to me, guy.
Okay, I'm going to do a Shutthe fuck up.

Speaker 2 (01:16:41):
What did he say, that guy?
I'm going to redo the rule heyguy no, no, no, Keep it.

Speaker 1 (01:16:47):
Keep your fucking rigged.
You're not going to win anyways.
I know I'm not All right.
Who's next?

Speaker 3 (01:16:54):
Lou Okay.

Speaker 1 (01:16:54):
Gamble.
Records.
What do you know, Lou?
What do you know about Gamble?
Records?
I know nothing.

Speaker 3 (01:17:02):
I know nothing.

Speaker 2 (01:17:03):
Nothing, I know nothing.

Speaker 3 (01:17:05):
They were based in 1650 Broadway, new York, new
York.
Okay, the Intruders.
Do you know the Intruders?

Speaker 1 (01:17:11):
Yeah, yeah, yeah, I do.
The Intruders do.
Aren't they the ones that do?

Speaker 2 (01:17:15):
The rapper, the rapper.

Speaker 1 (01:17:16):
No, no, no the Intruders do.
I'll Always Love my.

Speaker 2 (01:17:20):
Mama.
I'll Always Love my Mama, yeah.

Speaker 3 (01:17:23):
See, I know things.

Speaker 2 (01:17:24):
You know things.

Speaker 3 (01:17:25):
But that's not the song.
So this is either Turn theHands of Time or Cowboys to
Girls.

Speaker 2 (01:17:35):
I'd pick Cowboys to Girls because that was a bit of
a hit for them, but it's astupid song.

Speaker 1 (01:17:39):
Cowboys to Girls.

Speaker 2 (01:17:41):
Oh boy, Mark, I hope you're happy I hope both of you
guys are happy with yourselves.

Speaker 1 (01:17:44):
All right, just give me my winning 45 and we'll get
this over with.

Speaker 2 (01:17:48):
Mark, why don't you pick War?
Why can't we be friends forScott?

Speaker 1 (01:17:57):
Oh I can't, we be friends for scott.
Oh I can't, I picked that onelast week.

Speaker 3 (01:17:59):
Ah, you motherfucker.
Yeah, it would.

Speaker 1 (01:18:00):
You would seal the deal for you he just blatantly
cheated right in front of us Ipicked it last week.
Come on, doesn't matter puttingthis shit back in the box.
Whoa, whoa, whoa, whoa, whoa,whoa you, whoa, whoa, whoa.
You fucked the loo.

Speaker 3 (01:18:16):
Oh boy, we're both fucked.
There you go.

Speaker 1 (01:18:19):
Goodbye, Mark.

Speaker 2 (01:18:21):
I want his records.

Speaker 1 (01:18:26):
Who's eating chicken?
He's eating a chicken, adrumstick, and he's reaching
over his mic chewing on thedrumstick, giving the Caesars
thumbs down.
What do we got?
Here, what is it?
The Casablanca Records?
Casablanca Records.
Alright, it's either Kiss DonnaSummer or Village People.

Speaker 3 (01:18:45):
Village People, or Captain and Tennille, do that to
me one more time.

Speaker 1 (01:18:49):
Dude, that's what she said.

Speaker 2 (01:18:54):
I got that one last time.
Get out of my spot.

Speaker 1 (01:18:56):
Yeah.

Speaker 3 (01:18:57):
That's what she said.

Speaker 1 (01:18:58):
Do that to me one more time, all right.

Speaker 3 (01:19:01):
So you want to read the results?
Yeah, I will.
Lou had stylistics war.
He had.
Why can't we be friends?
He really did.
And the intruders cowboys girls.
I had Johnny Taylor Disco, ladyAndy Gibb, love is Thicker Than
Water and Rolling Stones GetOff my Cloud.
Scott had Elvin Bishop FooledAround, fell In Love, smokey

(01:19:22):
Baby Back At Ya and CaptainInsignia, I'll do that to me one
more time.
That's a winner, baby.
I think Scott won, but Lou gotscrewed.
Well some will say he's yourbuddy.

Speaker 1 (01:19:36):
Some will say, oh, don't try to drive a wedge.

Speaker 3 (01:19:40):
You guys got this little bond here.
Don't try to drive a wedge.
Wait, wait here I'm going toget Lou mad with this one.

Speaker 1 (01:19:44):
No, you're not because you're in the penalty
box trying to drive a wedge.
Trying to drive a wedge betweenme and Lou.
It's because I picked a recordout of a 45 sleeve.
The sleeve is not the record,it's just common sense.

Speaker 2 (01:19:59):
A sleeve is not the record.

Speaker 1 (01:20:03):
What if there's a sleeve that you look at and it
says get off my cloud and thenit's actually not even a Rolling
Stones thing.
Is the sleeve going to win?
I like what Dave said.

Speaker 3 (01:20:13):
Hearing you, mark saying cowboys to girls somehow
caused me to chuckle.

Speaker 2 (01:20:20):
You guys can talk amongst yourselves.

Speaker 1 (01:20:21):
Well, listen we're going to wrap it up now.
We're not going to do anything.
We got to get Lou out of here.

Speaker 3 (01:20:27):
One more thing, really quick.

Speaker 1 (01:20:28):
You guys want some chicken.

Speaker 3 (01:20:29):
I'm still playing the CD every day.
Right, it's a good fucking CDman, and I stare at this picture
while playing the CD.

Speaker 2 (01:20:39):
That's weird, that's.

Speaker 1 (01:20:41):
Nick Cave buddy.
How old is he?
He's got to be in his 60s,Really, yeah early.

Speaker 2 (01:20:48):
Maybe late 50s.

Speaker 1 (01:20:50):
Well, look it up.
I don't know where my phone is.
Let's see, I'll tell you.
Right now we're gonna find outhow old nick cave is.
I'd say.
I'd say 58, let's see.
What do you say?
1958, wow no, he's, I'd say 63.

Speaker 3 (01:21:08):
I'm saying oh, he's older than you think, he's 67
years old 67.

Speaker 1 (01:21:12):
Okay, yeah.

Speaker 3 (01:21:13):
Okay, yeah, he was born in 1957.

Speaker 1 (01:21:15):
Wow, I thought he was born in the 60s.

Speaker 2 (01:21:17):
He was in his 60s he had me second guessing myself.
He's a baby boomer.

Speaker 3 (01:21:21):
Yeah, he was like 20 years old when he had that first
band.
Wow, yeah.

Speaker 1 (01:21:27):
Birthday cake or something it was called.

Speaker 3 (01:21:31):
Don't start with the baby boomer shit.

Speaker 1 (01:21:34):
Don't start with the baby boomer, shit Don't start
with that.
Alright, well, listen everybody.
Thanks for watching, thanks forlistening.
This is a quick show, Wednesdaynight show.

Speaker 2 (01:21:43):
Before my internet, before my lights go out from the
stove.

Speaker 1 (01:21:45):
Yeah, exactly, if you liked it, share it.
If you didn't like it.
Thanks for listening for anhour and 22 minutes.
We appreciate you as always.
Gentlemen, as I always say,thank you for your time, thank
you for your knowledge, but,most of all, I truly thank you
for your friendship.
You have improved this show,you brought it to the next level

(01:22:07):
and we are not done for a whileand yes, it's been two years,
as I always say doing the showfor you, to quote my favorite
artist, morrissey, the pleasure,the privilege is mine, and we
should be back next Thursdaynight and maybe for the winter,
the fall, maybe we'll see howthe schedule works, maybe we'll

(01:22:30):
move it to.

Speaker 2 (01:22:31):
Wednesday.

Speaker 1 (01:22:33):
Well, it's funny.

Speaker 2 (01:22:35):
On November, almost every Thursday, I have
rehearsals.

Speaker 1 (01:22:39):
So, all right, you know what For November?
We can.
Well, I'm going on a cruise onthe Icon of the Sea from
November 2nd to the 9th, so thatweek is I don't know.
My wife books these, dr verabooks these.
Okay, it's the, it's.
We got this room with the.

(01:22:59):
The pad of the.
It's a balcony, but it's notlike the sliding glass door
balcony, it's the room extendsout and you hit a button in the
glass, so half top, half of theglass drops down.
Wow, wow, yes, the icon isfucking insane.
Go watch a video on that thing,I'm just low working class.

Speaker 3 (01:23:17):
I've never been on a cruise and I never was.

Speaker 1 (01:23:19):
Until I met my wife, I never was on a cruise.
I had no desire to.
Now, like you know, she's thecruise junkie and I just am
happy to go along for the ride,enjoy it.
Yeah yeah, yeah, they are fun.
Just don't ever go on CarnivalCruise Really.

Speaker 2 (01:23:35):
Yeah, you'll get Legionnaire's disease.

Speaker 1 (01:23:39):
In the cruise world.
The word is you know, whenthere's a Carnival Cruise ship
in port, it's the ghetto ofcruise ships.

Speaker 3 (01:23:51):
That would probably be for me.
You get what?

Speaker 1 (01:23:53):
you pay for.
It's like the crowd is thecrowd.

Speaker 3 (01:23:58):
As long as they got yellow, I'm happy it's
affordable.

Speaker 1 (01:24:01):
Yeah, well, they got yellow piss wine.
That's what I heard on Carnival.
Yeah, so yeah, Well, anyway,alright, everybody, we will see
you next Thursday night.