Ep.118 - Rewind to 1967: The Year That Changed Music Forever - Milk Crates and Turntables. A Music Discussion Podcast

Episode Transcript
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Scott (00:05):
Well, here we are, episode 118.
I think I think I forgot tolist a few.
This might be like episode 120.
Oh, 121.
I don't know.
I guess that's a good thingwhen you do so many, you lose

(00:28):
count.
Anyway, on this episode we'regoing to be talking about the
year in music 1967.
And, as usual, I have thewrecking two in the house, mark
Smith and Luke Calichio of themusic relish show.
Very interesting year.
Lot happened.

(00:48):
Sit back, relax.
It's going to be another twoand a half hour podcast, but we
love it.
Enjoy the show.

Mark (01:13):
The KofB Studio presents milk crates and turntables on
music discussion podcast hostedby Scott McLean.
Now let's talk music.

Scott (01:30):
Enjoy the show.
Yes, let's talk music.
Thank you, Amanda, for thatwonderful introduction as usual.
Welcome back my friends to thisshow that never ends.
Welcome to the podcast.
You know the name, I'm notgoing to say it.
We're streaming live right nowover Facebook, YouTube X

(01:52):
formerly known as Twitter TwitchD live, and again, I always I
don't know how many other thingsin this podcast will be heard
on every podcast platform.
Yeah, yeah, 1967.
So it was quite a year.

(02:13):
I think you're in for a little,a little ride tonight.
Yeah, and you know who wasn'tborn in 19, or he was three in
1967.

Mark (02:23):
Maximus from the music relish show Good evening, I was
two years from being on thisearth.

Scott (02:31):
So you weren't even really thought of now, you
weren't even thought of it.
67.
Think of that, think of that.
Yeah, you weren't even thoughtof, you weren't even like a
sparkle and, as they say, inyour father's eye there might
have been the beginning of asparkle, who knows?
So let me see.

(02:51):
I'm looking at my is my screenstill fuzzy.

Mark (02:57):
I'm my end, but I'm not even seeing it on YouTube right
now.
I'm seeing it's live, but Ijust got the image of the vinyl.
Really, yeah.

Scott (03:09):
What the hell.

Mark (03:10):
Wait, wait, wait, wait, wait.
Yeah, oh, it's on, it's on, Isee it, I see it, but my screen
looks fuzzy, right?
Yeah, that's how I'm seeing youfrom my end, yeah, what the
hell?

Scott (03:23):
Let me check something here.
Hold on, Okay, let's do alittle in show.

Mark (03:30):
I think my uh you know that smooth little march of
colors next to you when you openup the show.
It's all choppy, it's all likegone.
Really weird yeah.

Scott (03:44):
I'm looking at this.
Right, let's go back to this.
See what happens.
I'm supposed to be in 1080 andI'm looking at it right now.

Mark (03:54):
Now you're sharp, you just got sharp.
It goes back and forth.
It's strange, see Like you'rein yourself, huh, I guess.

Scott (04:11):
I don't know what the hell's going on here.
Do a refresh here.
I'm playing it All right, soI'm in.
Walt says it looks good.
Uh, patty says it's blurry.

Mark (04:31):
That was in the beginning and it looks like it's sharp now
.
So it goes back and forth.
You're starting to get blurryagain.
It's strange.
Oh, so any storms down there?

Scott (04:40):
No, no, but this, this would.
This will drive me crazy.
This is, it's not supposed tobe like this.
Come on, it's like a gratefuldead show, warts and all rice
we're talking about 1967.

Mark (04:52):
There was no digital, so it was still waiting for Luda.
Come on.

Scott (04:58):
So you know I'm going to do I hate doing this, but I'm
going to do it to you, buddy,what's that?

Mark (05:05):
No, don't cut me.

Scott (05:07):
I'm not cutting you, I'm going to.
I'm going to hit a refreshwhich might take me off the
screen, so the show is yours forabout I don't know 60 seconds.
Let's see what happens herelet's see Reload.
I'm going to reload it, so I'mgoing off the screen.

Mark (05:26):
I guess it's time to advertise the music roll show.
With my friend Perry and myfriend Lou, we discuss opera, we
have fun.

Scott (05:37):
How am I now?
You look better.

Mark (05:40):
You look fine?
Yeah, yeah, and I justadvertised my podcast.
Is that the opera?
I'll pay you?
I'll give you the money lateron.
Oh, then I lose my this is likeokay here we go.

Scott (05:53):
No, you look better though.
All right, Good.
Good, you know me, I thetechnical stuff drives me crazy,
especially.
You know.
It's not only sound, it has tobe.
Oh, it's.
This is a live stream, so ithas to look good.

Mark (06:06):
And you don't want to drop out in the middle of the show.
No, like me and Luda do once ina while.

Scott (06:11):
Right, right, let's see.
Is the chat working?
Let's see Now, I'm not seeingany.
I'm not seeing any comments, solet me try this.
Sorry to the podcast listeners,but I got to get this shit
right, hey, it's okay.
I should be seeing.
I should be seeing comments,because people have already made

(06:36):
three comments.
I think you're over here.

Mark (06:40):
Maybe they're bored and they don't want to comment
anymore.

Scott (06:42):
No, it's there.
It should be showing up on myscreen over here, right we know
my balls.
You busted my balls.

Mark (06:49):
Busted my balls.
Only bono does that.

Scott (06:55):
Let's see it's public, so it should be getting uh, I
don't know.
This is crazy 10 minutes in andI'm we haven't done anything
yet.
Let me see Comment.

Mark (07:15):
Test send.
I just sent a text to a message.

Scott (07:19):
I saw you, I see yours, I see mine.
Okay.

Mark (07:21):
Good, good.

Scott (07:22):
Good, let me switch over to my other account and do the
same thing.
Let's want to make sure.

Mark (07:30):
Yeah, it's just.
Our audience is bored, theydon't want to comment.

Scott (07:33):
Actually, this is all Luz fault.

Mark (07:35):
Yeah.

Scott (07:36):
Always the drama.

Mark (07:37):
Oh, sorry, sorry, Tommy.

Scott (07:41):
You know I would probably lost the uh, the comments is
because I rebooted, so all right.
Well, you know what we're goingto start without Lou, yeah.

Mark (07:51):
You go over what happened that year.

Scott (07:53):
Right, as I say that, as I say that does he have?
What is he?
What is he have on his nose?
What are you?
Let's get the full screen.
Yeah, he got the dog nose.

Mark (08:09):
Is that why you were late?
You had to clean your nose andhe's back in Paris again, you
brown noser.

Lou (08:15):
I've been a bad dog.

Scott (08:19):
I forgot my laptop and he's back in.
You're left.
You're in Paris.
You must have left it back inthe United States.

Lou (08:25):
I did.
I left on the plane.
It was insane how you doing Lou, I'm doing all right.
I'm doing all right.
How are you guys doing?

Scott (08:34):
I just had a little technical difficulty and we
blamed you because you weren'there.

Mark (08:37):
So you, know, you left me alone and I had to talk opera
with myself.

Scott (08:41):
Talked opera.

Lou (08:42):
Yeah, rigoletto.
Did you talk about Rigolettothis time?

Mark (08:45):
I'm just really boring, you know.

Lou (08:47):
I'm like all right.

Scott (08:50):
This is why this is a two and a half hour podcast.

Mark (08:54):
Some of us have to work tomorrow.

Scott (08:56):
All right, here we go, let's jump right into 1967.
Musical events in 1967 and theyear kicks off right away with a
bomb.
A bomb.
On January 4th, the doorsreleased can, arguably one of
the greatest debut records ever.

(09:17):
Arguably, if you had a top 25greatest debut albums, that
would have to be in the top 10.
Yes, that would have to be.
Yeah, you know, if you had atop 50, that would have to be in
the top 10.

Mark (09:34):
Right, Even if you don't like them.
You have to say that was soahead of its time.
It's so different.
Nothing out.

Scott (09:40):
There was like that.
So it's like the needle and allyou hear is Dan and Dan and Dan
, dan, dan, dan, it kicks.
I mean fucking.
What a way to start an album,and it's a heavy song.

Lou (09:54):
With a boss and overbeat.
Yeah, that's pretty clever.

Scott (09:58):
Yeah, yeah 67.

Lou (09:59):
So you know, boston was pretty hip.

Scott (10:02):
Again, john Dentsmore, over underrated, underrated,
underappreciated, I think youare.
You are so correct, you knownever gets the consideration,
never.
I don't know, you can't put himin greatest of all time, but he
could be Okay.

(10:23):
If there's a top, there's a top25 drummer, top 25 drummers is
he in it?
Good question.

Lou (10:31):
And in rock.
We'll just say in rock.
I think he could be.
I could see him making some.
I don't know if he's auniversal pick, but I could see
him on some list.
I mean he's something you'dhave to think about, like you
said, like it doesn't getnoticed so much, you know yeah,
yeah.
Or I mean, although hisdrumming wasn't shy, I mean he
was jazzy as hell.
I heard on Red is on the stormyesterday and his adjustments.

Scott (10:52):
No, playing is great In his adjustments during the shows
, just for that.

Mark (10:56):
Yeah, yeah.

Scott (10:58):
The unpredictability of you know how the how the song
was going to go Right, becausethey could rehearse it all they
want Once Morrison got into thatzone, well, and the drama keeps
the beat right, yeah.
Yeah, the drum has to stay upwith that yeah.

Lou (11:16):
And played to the clown, so to speak.
Right, you know, and my, myproblem is, if some of the
clowns don't have the beat, youknow, at one point they've got
to give in.
Like I said, morrison or evenDylan, they'll set the tone, but
they've got to be steadythemselves.
You know, it's yeah, otherwiseit's just erratic.
But you know, yeah, a guy likeDan's born.
I mean, I mean hit skill.
I hit a lot, of a lot oftechnical ability, right Feel.

Scott (11:38):
Yes.

Lou (11:38):
Cool.
So I was like his drums alwayssounded good.
Yeah, on the earlier, on theearlier records, even you know
three years worth of music.
Whatever, have a one.

Mark (11:47):
I guess that would be who produced them.
Jack Holtzman was the producer.
Did a good job, Jack.

Lou (11:52):
Holtzman, or no Wait, no Paul.

Mark (11:55):
Rothschild.
Yes, yes, yes.
I'm sorry, holtzman was, heowned the record company.

Lou (11:58):
Yeah, Was that?
Was that Chris Lewis or ChrisLewis, I think?

Scott (12:02):
Chris Lewis.
Yes, I thought it was Electra.
Electra.
Weren't they on Chris Lewis,though also I thought they were.

Lou (12:07):
Yeah, Maybe maybe Chris Lewis was a subsidiary, but uh
yeah, jack Holtzman's son isAdam Holtzman.

Mark (12:15):
He's a keyboardist right now he plays with, here we go,
steven Wilson, um, but he, hedoes a little blog on Facebook
and he talks about growing upand he was like six years old
and his father brought him to aclub to see the tours.
Wow, at six years old and hejust talks about like, yeah,
it's a great little blog, wow.

Scott (12:34):
So All right.
And four days later, on January8th, elvis Presley turned 32.
Oh, january 14th, the human BNright, the human BE-IN human
being, takes place in SanFrancisco's Golden Gate Park

(12:56):
Polo Fields with spoken words Uhfrom Timothy Larry, allen
Ginsburg, gary Snyder and others.
Live music was provided byJefferson airplane, the grateful
dead big brother in the holdingcompany, and quick silver
messenger service.

(13:16):
Speeches from Jerry Rubin andothers were also given at the
event.

Mark (13:22):
Well, there was one band there I liked quick silver
messenger service.

Scott (13:29):
Who was it, uh, on January 15th 1967, who was your?
Who was your favorite poet ofall them?

Mark (13:37):
I know you're not asking me.
Arthur Rimbaud, who influencedJim Morrison.

Scott (13:43):
Good answer.
Good answer.
Way to bring that first openingsegment for a full circle.

Mark (13:49):
We're getting better, scott, we're getting better.

Scott (13:51):
Now you guys get a lot of good.
Trust me, I'm getting a lot ofgood feedback, so let's keep it
at that.
I don't want you starting toask for more money.

Mark (14:01):
And we were going to ask you.

Scott (14:04):
Uh, on January 15th 1967, the Rolling Stones appear on
the Ed Sullivan show at EdSullivan's request.
Finish it.

Mark (14:14):
He asked them to.
Let's spend singing, let'sspend some time together.
Is that the?

Scott (14:19):
one.

Mark (14:19):
There you go yeah.

Lou (14:22):
And then he told him to have a really big shoe oh.
I hate to do this.

Mark (14:26):
I'm gonna come back on penalty box.
I don't.

Scott (14:29):
I just he beat my record.
I couldn't.
He just got on the show afterlate and these are stuck.
He's frozen.

Mark (14:37):
Look at how he was he was fucking with you Put the dog
nose back on Where'd it go?

Scott (14:42):
Are you throwing it at the camera?
I did, like your headphones.
On January 16th 1967, themonkeys begin work on
headquarters, the first album togive them complete artistic and
technical control over theirmaterial.
And it was fucking horrible.
What were they thinking?

(15:03):
They know they were thinkingthe Eagles got too big.
They thought they were themusic.

Lou (15:08):
Well, the argument can be made that, you know, mike
Nesmith did write different drum, yeah, the stone pony, so he
could write songs, but I don'tthink he was a pop songwriter.
No, you know, but didn't theheadquarters didn't?

Scott (15:22):
they try to be all fucking like 60 ish and shit,
they weren't looking for pop,were they?

Lou (15:27):
They were trying to be like more psychedelic.

Scott (15:29):
Yeah, I think so.

Mark (15:30):
Yeah, there were their channel in the Beatles with
those quirky little yeah Withanti-Grizzelda on that.

Lou (15:38):
Some weird shit.

Mark (15:39):
I'll tell you what, though I don't care about it myself,
but it was surely a harpsichordon it, because that's what all
those records had they had tohave a harpsichord.

Lou (15:47):
I have the book this, the 100 best selling records of the
60s.
The monkeys got a.
There are quite a few albums onthere.
Oh they do.
Yeah, they were huge.
Yeah, they were.
I thought it was just acondensed period of the show,
which it probably was, but it'sstill, I mean they've got, I
think, most of their albums soldreally well.
Yeah, yeah, did you like theshow the monkeys?

(16:08):
Did you like the monkeys, theshow?
I?

Scott (16:10):
did.

Lou (16:11):
Yeah, I still like it, I still love it.

Scott (16:13):
I love that.
That's so that humor is great,like dumbed down, brilliantly
done though.
Humor, yeah, the way it was.
They were supposed to act likethat.
Yeah, you know what I mean.
So, like these guys are badactors, they knew exactly how to
do that and they pulled it offgreat.
It was campy.
It was great for its time.

(16:34):
It's still great to watch.

Lou (16:36):
No, I do think the banana splits were a better band.

Scott (16:39):
Yeah, that's John.
Give me the banana splits whereit were a kick ass band yeah.
Yeah, kick ass man.
Did you see the movie recentlycame out?
It's a horror movie, with thebanana splits.
The banana splits movie.
It's a horror movie.
Yeah, good, out of here.
It's like an amusement park andthey're robotic and Dyson and

(17:00):
Slyce, baby, dyson and Slyce.
I have to say, oh man, that'syeah.
Yeah, dyson and Slyce, it'sgood.
It's again campy movie, but Icouldn't not watch it.

Lou (17:11):
Yeah, I have to say, I'm sure Flegal is a total
psychopath.

Scott (17:14):
Well, I'm not going to give you any and no spoilers
here.
No spoilers there, just Dysonand Slyce.
On January 17th 1967, the DailyMail newspaper reports 4,000
potholes in Blackburn,lancashire and Guinness.
Air Tara Brown is killed in acar wreck.

(17:36):
These articles inspire lyricsfor a day in the life.
A day in the life, yes, yes.
On January 22nd 1967, simon andGarfunkel give live con, give a
live concert at Phil harmonic,phil harmonic hall in New York
City.
Some of this concert isreleased on October 4th 1997 on

(17:59):
their box set old friends, butmost is not released until July
2002.
Wow, uh One, that's some moreOkay.
January 29th mantra rock dance,the quote ultimate high of the
hippie era, is organized at theAvalon ballroom in San Francisco

(18:22):
featuring Janice Joplin,grateful dead big brother in the
holding company Three for three, moby grape Quirky.

Lou (18:36):
That would have been interesting, that's the best
man's, that's the best.
So far they're almost like theMC five kind of.
I think they were just kind of.
But they're there, sanFrancisco band and beat poet.

Scott (18:46):
Once again, Allen Ginsberg shows up to do his
spoken word.

Lou (18:51):
I heard he was a member of Nambla.

Mark (18:54):
I wouldn't doubt it.

Lou (18:56):
The National Association of Marlon Brando lookalikes.

Scott (19:02):
Oh, I heard I someone I read when he actually he was a
sponsor of Nambla, but anyway,January 30th 1967, the Beatles
shoot a promotional film fortheir fourth coming single
strawberry fields forever atNoel Park in seven oaks.
Have you seen it?
I have seen it, I haven't seenit in a long time.
It's really cool.
Yeah, it's kind of dark.

(19:24):
Speaking of dark, on February3rd 1967, uk record producer Joe
Meek murders his landlady andthen commits suicide by shooting
himself in the head andHalloween North in London.
That's kind of dark.

Lou (19:38):
Didn't you produce sleepwalk?
Yes, he let her tell starsomething early we talked about
we did.
He's a bit of a genius, really,yeah.

Scott (19:51):
Let's see.
February 7th Mickey Dolan's.
No, let me stop.
February 6th, mike Nessmith andMickey Dolan's of the monkeys
fly into London.
Dolan sees till death do hispart on British TV and uses the
term Randy Scouse grit from theprogram for the title of the
monkey's next single releaseRandy Scouse grit Not releasing

(20:15):
it is an offensive term.
British census forced the titleto be changed to alternate
title.
And then the next day MickeyDolan's meets Paul McCartney at
his home in St John'swood inLondon.
They posed together for thepress his impressions of the
visit in the lyrics of RandyScouse grit Whatever the fuck
that is.

Lou (20:36):
I wonder what kind of insult the work on a I don't
know.

Scott (20:41):
February 10th, abbey Road Studio to session with Mike
Nessmith and attendance as theBeatles record a day in the life
, with the London PhilharmonicOrchestra performing in orgasm
of noise Each and twice in thesong.
That must have been quite asession to sit in on what you
like, nessmith.

Lou (21:01):
It's like one of those Brian Wilson sessions.

Scott (21:04):
I saw a thing about that and how they got that, that
orchestra noise, and it's justthat huge.
It just gets bigger and biggerand noisier and yeah, it was
pretty cool.

Lou (21:16):
There's tons, of tons of reverb oh yeah.

Scott (21:20):
February 12th British police raid Redlands, the Sussex
home of Keith Richards, in theearly thousands of the morning
on a tip about a party from thenews of the world, Although no
arrested me at the time.
Richards, Mick Jagger and ArtDealer Robert Fraser are
subsequently charged withpossession of drugs.
Like what if they charge themlater?

(21:42):
My friend Tiffany, my friendTiffany Vellas, she just joined
the podcast.
Oh my buddy, let's see.
February 14th Aretha Franklinrecords respect 1967 at the New

(22:02):
York based Atlantic Studios.
That's pretty, that's, that'sthe song.

Mark (22:09):
Yeah, yeah.

Scott (22:11):
Respect or change.
What is it?
Chain of love, chains of love.

Mark (22:14):
Chain change, change, change Chain of fools, chain of
fools, yeah, chain of fools.

Scott (22:22):
Is it train Chain?
Wow, I'll check.
And then two days later, arethaFranklin Day is declared in
Detroit, michigan.
We see February 24th.
The BG sign of managementcontract with Robert Stigwood.
On March 2nd, the ninth annualGrammy Awards I held in Los
Angeles, hosted by Kirk Douglas.

(22:42):
Rick Sinatra wins the mostawards with five, including
album of the year for a man inhis music and record of the year
for strangers in the night.
The Beatles win song of theyear for me shall my bell, wow,
yeah, right, bachler and EricBernd and the animals, very,

(23:04):
very, very underrated band Nevergets the respect they deserve.
Yep, and him as a singer, yeah.

Lou (23:13):
Yeah, he delt in that stuff out, man, he did for a little
guy.

Scott (23:18):
Yeah, a little guy, he had a big voice.
I love what he did with war.
Yeah, great, yep.
Eric Bernd and the animalsrefused to perform a show in
Ottawa, ontario.
Unless they are paid in advance, the audience of 3000 riots,
causing 5000 and damages to theauditorium.
I don't think they got paid,they're paying.

(23:40):
I don't think I'm right insaying they didn't get paid, but
they got there.
They got their piece of flesh,as they say Right.

Mark (23:50):
Pounder flesh.

Scott (23:52):
Pounder flesh On March 11th 1967,.
It taped the parents by theBeatles on American Bandstand
includes their new music videofor the song Penny Lane in
Strawberry Fields Forever.
On March 25th 1967, the whoperformed their first concert in
the United States, in New YorkOn March 27th John, what's that?

Lou (24:15):
They still weren't big in America at that point.

Mark (24:17):
No that's not.
They didn't bring up the Tommy1967.
The Beatles had already beencoming over here for four years.

Lou (24:25):
Yeah, they couldn't yeah, but even still up until when
time come at 69.

Scott (24:32):
Yeah, oh, Todd Salkman is back.

Lou (24:38):
I would tell Todd, oh Todd, you missed the dog nose.
I was wearing a dog nose, soit's so much entertainment.

Scott (24:44):
It is entertaining.
1967, the air.
I was born, it's OK and good.
Happy birthday, todd.
Happy birthday.

Mark (24:52):
Oh, so me and Todd are younger than you.

Scott (24:54):
Ok, just one Well there's only one person older than me
on this podcast, I've been 67.

Lou (25:01):
I was roommate with Al Gore and Ryan.

Scott (25:04):
I think we're in college?

Lou (25:05):
Yeah, I was.
I'll say guys, I got this idea,you know, because OK, ok, OK,
ok I got this idea.

Mark (25:12):
Yeah, yeah, yeah.

Scott (25:13):
Yeah, let's see.
March 27th, 67.
John Lennon the Paul McCartneyawarded the Ivor Novello Award
for Michelle, the most performedsong in Britain in 1966.

Lou (25:27):
That's a weird award.
I looked it up one time.
We forgot.
I forgot what it is Like.
Who is Ivor Novello?

Scott (25:32):
So the Ivor Ivor Novello he was a he was a Welsh actor
and dramatist, singer andcomposer became the most popular
British entertainers the firsthalf of the 20th century.
Oh yeah, yeah, the Beatlesposed with the photograph on
March 30th.
Photographic collage and waxwax figures at Madame Tussaud's

(25:54):
famous museum.
The cover work of SergeantPepper.
There you go.

Lou (26:00):
There you go.
I've been to Madame Tussaud's,have you really?
It's cool.
Yeah, it's fine.

Mark (26:05):
It's wack.

Lou (26:06):
Some of them don't look like anybody.
It's really weird.

Scott (26:08):
Yeah.

Lou (26:09):
Yeah, but the Brian Wilson was not.
He's not in the exhibit.
He's sitting in the lobby in achair with headphones on.
It's weird.

Scott (26:15):
It looks like a dead body sitting there Best wax museum I
ever been to was in SalemMassachusetts, and it's all the
monsters, oh.

Mark (26:23):
I would love to see it.
It was so cool, it's not a bigplace.

Scott (26:27):
Right, it's not a big place, but they tell you in no
pictures, no pictures.
So I go in there and I'm tryingto get a little sneak and, like
out of nowhere, dude comes frombehind a curtain.
Like the fuck, I'm in a monstermuseum and you're coming out

(26:49):
from behind curtains.
Buddy People get punched forthat.

Lou (26:55):
What do you do, igor Novello?

Scott (26:57):
And I was like I didn't take a picture.
Spontaneous, spontaneousutterance.

Mark (27:02):
I didn't take a picture, I was looking at my phone, yeah.

Scott (27:04):
Yeah.

Mark (27:06):
Well, you're worse than Larry Mullen sitting on Elvis's
motorcycle.

Scott (27:11):
Let's see what else do we have Kicking on March 31st,
kicking off a tour with theWalker Brothers, Kat Stevens and
Inkelbert Humberdink at theAstral London, Jimi Hendrix sets
fire to his guitar on stage forthe first time.
Unfortunately, he's taken tothe hospital suffering burns to
his hands.
Yeah oh, that didn't goaccordingly.

(27:35):
The Guitar Burning Act wouldlater become a trademark of
Hendrix's performances.
So let's see, he didn't do thisquick enough, like he did, yeah,
yeah, like he did at the Isleof Wight.
Isle of Wight, yeah, when he'skneeling over it and he's doing
this, yeah, he knows how to keephis hands away.
So Pete Todd's at smashingguitars, yeah, right.

(27:59):
And he's like, yeah, oh, yeah,watch what I do, I'm gonna light
mine on fire.

Mark (28:08):
But be.
Both of them down the roadregretted it because the
audience was like demanding it.
So they both like I've readboth that.
Geez, I got a smash, a guitartime, like they got tired of it.
And Hendrix too, you know hewas like I can't keep doing this
.

Scott (28:22):
You know, yeah, I guess the bar, you know the first time
Pete Townsend did it.
It was a guitar that he hadbought it in a guitar store
somewhere in London and he didit.
And he evidently, as the storygoes, the next morning the store
opens, he runs in the store,just grabs another guitar and
says I'll pay you later and likeruns out with it Because I just

(28:44):
smashed mine last night.
I need a guitar, I'll get youlater.
The guy's like what the fuck?

Mark (28:50):
And they were so in debt over that shit they had.
They owed money up the hotel.

Lou (28:56):
Bills they had to pay.

Scott (28:57):
Yeah, yeah, ah, let's see .
May 1st 1967, paul McCartneyreveals that all four members of
the Beatles have dropped acid.

Lou (29:10):
No, no, what year.
What year are we talking aboutagain, 67.
Oh, you don't say it was aroundthen?

Scott (29:21):
Oh, my Lord Acid.

Mark (29:23):
What I wouldn't know.
I wasn't born yet.
Did you ever do that?

Scott (29:26):
shit.

Lou (29:28):
Yes, okay, I'm scared to never knock an ass mark I'm
scared.

Scott (29:35):
I know you did.
If you said no, I'd call you afucking lie.

Lou (29:42):
I was never Quick story.

Scott (29:43):
And we got two and a half hours, three, whatever.

Lou (29:47):
This next last time I would do it three times.
The second time a friend ofmine went driving Mark up in
Tweed Mountain.

Mark (29:53):
Oh, Tweed Right by me.

Lou (29:54):
Five minutes from me.
Right, I'm driving.
It's really foggy out.
It was surreal looking to beginwith.
Anyway, we're driving, we lookaround the bank and we see a car
down to Ravine upside down, andthe lights were on so we went
out.
We went out and I'm likesomeone might be in there.
My friend Rob wouldn't go down,so I went down.
I had to kind of clamber downthis little thing.
And you're tripping and you'retripping and I had to look

(30:16):
inside the car.
I'm like, is there a headhanging?
Nobody in there.
So I'd come back up and I seethis.
You see, this guy staggered himdown the road and it's fogging
light, he's Japanese and hespeaks no English.
He's gibbering and gibberingand I'm tripping and the cops
show up.
I had to give a statement.
I'm like I wasn't, I hadn'tbeen drinking, which is you know
good.

(30:36):
But I'm like you know where, Itold what happened and we're
just going out for a drive andyou know I gotta go home.

Scott (30:41):
So you gave him a statement while you were
tripping, yeah, and you wereable to do that functionally.

Lou (30:46):
I pulled I I.
I talked to my friend aboutthat.
Yeah, we we reconnected, wewere talking about that story
back when, four or five yearsago, he came down on his way to
go to the Moog museum.
He's a synth guy and we talkedabout that story.

Scott (30:59):
He goes.

Lou (30:59):
I wouldn't go down there, but it was, yeah it was fun,
though.

Mark (31:03):
Now just to add a little mystical background to that, is
a tiny little state park insuburbia.
It's a mountain Used to be anarmy barracks.
It was like a they.
They were training there.
So when you walk through Tweedyou find these old buildings.

Scott (31:18):
Those old bunkers.

Mark (31:20):
This is in New Jersey, new York, right over the border,
and you're along the HudsonRiver and there's also old
missile silos because during theCold War it was to protect
Manhattan.
So I I can never find it, butwe used to actually party in the
old missile silos.
There's tunnels under theground.

Lou (31:36):
It's a fascinating place.

Mark (31:37):
It's a cool place, but what Lou's saying is you're
driving on these roads and yougot these sheets.
To this day, there's noprotection.
You got these sheer drops, seewhy we went up there.

Lou (31:46):
I don't know.
I was 20, probably 20, maybe 20years old.

Mark (31:51):
I could step out now, drive over there, drive back in
like 20 minutes.

Lou (31:54):
That's pretty cool, it wasn't.
It wasn't that far away, yeah.

Scott (31:59):
So also on May 1st.

Mark (32:00):
Elvis Presley.

Scott (32:01):
Elvis Presley, marys, priscilla, below, below, at the
Aladdin in Las Vegas on May 2nd1967.
And the Capitol records pullsthe plug on the beach boys
mysterious smile project.
Ryan Wilson, who's taken morethan a year to compose and
produce the album, cannot bringhimself to finish it Interesting

(32:24):
.
What's the backstory there, lou?

Lou (32:27):
He was starting, he was losing it.
Yeah, Whatever was going on,you know it's funny, he, he out,
survived them, all the brothers, you know right.
But yeah, it was justdifficulty and there was a lot,
of, a lot of drugs.
You know that was the start ofhis whole period but they put
out heroes and villains.
That was in 67.
That was supposed to be thenext big follow up to good
vibrations.
It flopped.
It flopped like River DMountain High Flop.

(32:49):
Where I can Tina and PhilSpector.
It's an interesting song butit's a little too esoteric, I
think, from what he expected ofit.
Good song, but they put an albumcalled Smiley Smile.
It's got some outtakes on it.
One of the most stupid songs inthe world called vegetables.
Yeah, paul McCartney came andplayed bass on it actually, but
it's, I'm going to eat myvegetables.

(33:11):
I love you.
First of all.
My vegetables is stupid, stupid.

Scott (33:18):
So I got a call the other day from one of my, one of my
really really good friends, daveRios.
He's a fan of the podcast, he'sall caught up and I said so.
So what do you think of Markand Louie?
And he goes dude, you know, Iloved when you and Jack, you
know you and Jack would fight.
I said everybody loved me andJack fighting.
I know that.
I said you know, and he says no, no, they're really good,
they're really good.

(33:38):
It's just, uh, sometimes likethey go a little too deep for me
.
I don't know.

Lou (33:45):
I mean, I'm learning.

Scott (33:46):
He's like I'm learning, but no, he likes it.
But he's like huh, like the doglooking at the phonograph.
Huh.

Mark (33:55):
Don't go too deep.
That's what she said.

Scott (34:02):
How you know what that?

Lou (34:04):
means buddy.
You know what that means.
Fidelity box yeah, Okay.

Scott (34:09):
It's one to one.
There's he just sitting backlounging.
I'm going to go through one,then I'll bring it back.

Lou (34:17):
You know what?
The beachbar smile?
I think they actually reissuedsomething.
Or Brian Wilson did somedocumentaries.
You know the whole all thatoriginal album being put out the
way it was.
I think what's he doing?

Scott (34:29):
It looks belligerent.
He's looking at his Buddha.

Mark (34:31):
It's got a Buddha, it's Yoda, it's.

Scott (34:34):
Yoda Buddha.
Yoda it's Buddha.
It's an incident.
It's an uh, let's see.
On May 15, 67, paul McCartneymeets American photographer
Linda Eastman at a club calledbag O nails.
Then, on the 19th, lindaEastman photographs Paul
McCartney photographs theBeatles at the London press

(34:56):
party for Sergeant Peppers heldat Chapel street home of Ryan
upstate at the film from mediapresent, uh, media present, a
perplexed by the band's fashionstatement and the music itself.
Little did they know.
Little did they know.
Like what are they wearing?
What is this music?

(35:16):
You know nobody.
This isn't love me do.
Okay, there's a whole anotherBeatles.
You're about to see numbersuits in the media.
You know what?
I still go back to this.
When, uh, bruce Springsteenreleased Nebraska, they were all
up his ass saying it's a moneygrab, it's cheap, and the East
street band was pissed becausehe boxed them out of that one

(35:38):
and he released, he recorded itin his basement and it was all
acoustic and and I liked itright from the beginning, yeah,
yeah.

Lou (35:49):
You know, but the juror I call the Jersey shore fans
didn't like it.

Scott (35:52):
No, yeah, the critics.
And the critics are like, oh,what is this?

Lou (35:55):
What is it Real that the credit I never had a critical
review in its time.
Yeah, Great album.
You know why would he put out acassette recording and this
wasn't recorded in the studioproper?
Why would he put it out of youDidn't think it was really good,
yeah Well somebody told him itwas good, you know, and he
listened to, even if he thoughtit was just him.

Scott (36:12):
You know, it's just demos , because that's what they
originally were.
They were demos.
Yeah, right, uh.
May 26th, sergeant Pepperslonely hot school band by the
Beatles has rushed released inthe UK as mono and stereo LPs
ahead of the scheduled June 1strelease date.
The closest Westerncivilization has come to unity

(36:32):
since Congress of the Congressof Vienna in 1815 was the week
Sergeant Peppers album wasreleased.
Yeah, that's a great way to putit.
That's a great way to put it.

Lou (36:44):
It was huge.

Scott (36:45):
Yeah.

Lou (36:47):
There was something for everybody on that record, really
.

Scott (36:50):
Certainly was.
Yeah, certainly was, and thelegend has it.
It was the the retaught to topet sounds.

Lou (36:59):
Yeah, and you know, even though it was a penny landing in
strawberry fields were recordedand it releases other singles
who had the hit of SergeantPepper.
There was a song got a lot moreairplay than the others of
Sergeant Pepper.

Scott (37:11):
Okay, let's see, with a little help from my friends.
I think so.

Mark (37:15):
Yeah.

Lou (37:16):
Ringo had the ringer had the big hit.
I mean Dana life got a lot ofplay.
I mean the oldest songs gotplay but little help.
My friends was like a single.
I don't think I was was arelease of such though, and I've
said it before that the lyricswere changed.

Scott (37:29):
Late Ringo demanded that the lyrics be changed.
Oh really, what would I do if Isang you a tune?
Would you throw a tomato at me?
Was the original?
He said fuck that, jack.
Was it really?
Yeah?
He said no, fuck your way.
They're going to throw shit atme If I sing this.

Lou (37:46):
He did he said they're going to throw shit at me.
Throw a tomato at me, yeah.

Scott (37:52):
So he changed the.
He said it asked me change, sowould you stand up and walk out
on me.

Lou (37:57):
So who wrote that lyric?
Paul or John, I'm probablyRingo.

Scott (38:06):
The one of the tomato thing is.

Lou (38:07):
I think it was mostly a Paul song, I think.

Scott (38:09):
Right, they both have that sense of humor, right?
Yeah, see, I know things.

Lou (38:14):
You know things, I know stuff.
They were funny.
Those Beatles rap takes aregreat.

Mark (38:19):
Yeah, absolutely, Beatles broken glass, brass glass broken
glass.

Lou (38:23):
What was that?
You know my name.
Look up the number.

Mark (38:26):
Yeah.

Scott (38:26):
Yeah, june 16th, barbara Streisand performs live concert.
A live concert, a happening inCentral Park.
In Central Park, right, june16th, through the 18th 1967.
This is it right, this is.
This is a big one, the MontereyPop Festival, one of the words,
world's First Outdoor RockMusic Festivals.

(38:48):
It's held in Monterey,california.
Stars include the who, simonand Garfunkel, eric Bird and the
animals, the birds, theassociation, jefferson Airplane,
big brother in the holdingcompany with Janice Joplin.
Right, that's when it started.
Yep, yep.
That's when the record companywas like hey, we got to push her

(39:09):
.
Divide and conquer, we got topush that dude.
We got to push that dude.
He is the lead singer of theband we got to make that.
We got to push him and JimiHendrix Otis in the MGs take the
stage at one AM after JeffersonAirplane and bring the house
down.
Otis has said it's great 55,000are estimated to be in

(39:32):
attendance.
Ravi Shankar is among theperformers at the festival, and
who is his daughter?
No Jones, no Jones.

Lou (39:44):
Yes.

Mark (39:45):
Who my daughter saw the other night playing piano with
Willie Nelson yeah, cool.

Scott (39:49):
Wow, damn, talk about a great debut album also.

Mark (39:53):
Yeah.

Scott (39:53):
Yeah, she just never she.
She was hot in the 90s and thenjust kind of does her.

Mark (40:00):
Thing.

Scott (40:01):
She owned an apple, right yeah.

Lou (40:04):
She was part of the post 9 11.
Chill out like you know, yeah,we're almost pretty much wound
up, but that record came out anda lot of people say, basically,
chilled out to it.

Mark (40:11):
Yeah.

Scott (40:12):
Yeah, yeah, let's see June 1960.
In 1967, during his stay inCalifornia on a houseboat in
South Salido.
You know where this is going.
I've said this, this is this is.
He was on a houseboat, salSalido.
What am I talking about?
In 67?

(40:32):
He was listening to the Beatles, sgt Peppers, brian Wilson no,
charles Manson, no inspired tocompose Houseboat, sitting on
the dock of the Bay.
Oh, it was written in SalSalido Otis running.

Mark (40:49):
Oh, ok, you stumped the professor.

Scott (40:52):
I know things I'm not just a handsome host here.
I know things too.
I'm not just a big personalityhere with all the mechanisms.

Lou (41:04):
I know things, don't get too deep on us, ok?

Scott (41:07):
Oh, oh, buddy you want me to go deep?

Lou (41:10):
I'll go deep.
Do it I'll show you Professor.

Mark (41:14):
My mouth shut.

Scott (41:15):
And my friend Dave Rios actually said that he goes.
I said I met you, louis goesthe professor.
So, it's catching on, buddyyeah.

Lou (41:22):
I like it, I like it.
Yeah, I live up to a mantle.

Scott (41:26):
So to round to, to wind that up, on June 19th, otis
Redding on a houseboat in SalSalido, sal Salido.
I told you the Sal Salido story.
I, I loved Sal Salido.
I visited a friend of mine inSal Salido, in Cal, in San
Francisco, in the Bay Area.
Takes us over the bridge to SalSalido Fucking loved it.
I like this is the coolestfucking place, like just the

(41:52):
vibe, the feel, the boats, thehills, fucking great art
galleries, you know, just reallynot bohemian, but just kind of
chill, right, I liked it so muchI went, like I said we got to
go back here.
So he took us back like acouple of days later.
So we leave.
This is my first wife gotarrested, so we leave and come

(42:16):
back.
And I said if I could liveanywhere in the United States
I'd live in Sal Salido.

Lou (42:21):
I always said that right.

Scott (42:23):
So fast forward.
I meet my now wife.
We buy a house here in Boca onSal Salido Drive, that's right.
I said I should have been alittle more specific, so called
synchronicity right.
It's all something I shouldhave been more specific right,

(42:44):
or more Pacific, since we'retalking about Sal Salido.

Mark (42:50):
Oh, that was a good one.

Scott (42:51):
Yeah, see, I'm on a roll tonight, guys, I'm good.
Yeah, let me go, let me go, cutme loose.
So on June 25th 1967, theBeatles debut.
All you need is love.
What All you need is love Toclose our world television

(43:16):
special From London, a satellitebroadcast, yep, the first
worldwide television broadcastSeen live by an audience of over
400 million in 25 countries.
That must be so exciting Wellconsidering the backup, singers

(43:36):
included Eric Clapton, membersof the Rolling Stones and the
who, yeah, but there was a wholeshitload of people that I
believe.

Mark (43:44):
And, if I recall, if you look at Mick Jagger in that
video, I don't know.
Yeah, everyone dropped acid.
He looks like he's tripping,he's just like smiling.

Scott (43:52):
He looked like Lou coming up onto a car accident.

Mark (43:54):
Oh my God Lou, maybe the guy that was speaking English
and you were just you weretripping balls.

Lou (44:01):
He just thought he was speaking Japanese, it was all.
Maybe he was tripping too andhis eyes were like sled.

Scott (44:07):
I'm not going to that's not to get a little racial heads
, that's not to get a littleracial heads.

Lou (44:12):
Yeah, I was, I'm playing.
We need to love this Sunday.
Nice, it's on the menu.
Music menu Excellent, excellent.
It's in Cronus the T.

Scott (44:22):
June 28th 1967, the Supremes performed for the first
time as Dinosaurs.

Lou (44:28):
There you go.
Yeah, divide and conquer.

Scott (44:31):
They saw that dude, janice Joplin, go in front of
the holding company, they werelike that dude ain't going to do
us, we're not going to let thatdude out.
Do us, we're going to put Dianaup front.
Yeah.

Mark (44:43):
She's the biggest star.

Scott (44:46):
And they did it at the Flamingo Hotel in Vegas.
Florence Ballad is fired fromthe group after the first night
and, on hand stand in Cindy Birdsong permanently takes balance
place in the group.

Mark (45:00):
Cause she probably argued about the.
Got to be a story there, yeah,yeah.

Scott (45:05):
On that same day, the monkeys fly into London and
start their concerts at Empirepool, wembley, and everybody
listened to their album and waslike what?
No, where's the last train,where's the last train?
Play Valerie.
Yeah, nikki play the tambourine.
No, that's Davey.

(45:26):
Davey play the tambourine.

Lou (45:28):
Have you heard any Mickey dolls as latest music?

Scott (45:31):
Yeah, and I probably never will.

Lou (45:34):
YouTube or Google him doing good morning, good morning by
the Beatles on acoustic guitar.
Okay, it's pretty fucking cool,I'll take your word for it, all
right he sounds great, hisvoice sounds great.

Scott (45:44):
Yeah.

Lou (45:44):
He was a good singer.

Scott (45:45):
He was.
You know what he was.
I give him credit because hehad longevity after the group.
He had that unique kind of look.
Yeah, you know he had a weirdlook like his quirky personality
Yep.
So he kind of stuck around.
After that whole thing faded hewas a child actor.

Lou (46:02):
He was here.

Scott (46:03):
Yes, he was.

Lou (46:04):
Yeah, how about David Jones ?
I love that too.
I was like you know, icing.
You know, that's all he was.
Yeah, he had the twinkly eyeswith the girl across the room,
that kind of thing.

Scott (46:16):
And thanks to Davey Jones from the monkeys, we ended up
with David Bowie.

Lou (46:21):
That's right yeah.

Scott (46:22):
Because he said there's already a Davey Jones out there,
I am, I'm going to be DaveyJones.
I got the other British DaveyJones, the guy that has to
mention the pirate Davey Jones,who's stuck in a locker at the
bottom of the ocean.
June 29th, six, 1967, mickJagger and Keith Richards are
sentenced to jail for drugpossession.

(46:44):
No, no.

Mark (46:47):
Now I believe the Beatles recorded a single to help raise
funds or something.
There's a very rare single outthere.

Scott (46:56):
Yeah, they later appeal successfully against the
sentence.
Of course they did.

Lou (47:00):
Yeah, they recorded.
What's the new Mary Jane?
Right, let's see, let's move on.

Scott (47:10):
On July 2nd 1967, jeff Beck and John Mayall and the
blues breakers.
John Mayall and the bluesbreakers perform a two hour
Sunday special at the SevilleTheater in London.

Mark (47:22):
That was the wrong guitarist for the blues breakers
.
He couldn't like lose.

Scott (47:27):
Yeah, let's see these two kept like a lot of interaction
here.
July 3rd 1967, the Beatles hosta party at the Speakeasy Club
for the monkeys on thecompletion of their concerts in
London.

Mark (47:44):
Hmm, see, it's neat to see that they were like so
supportive of the monkeys Mickey.
Jones was in the session.
That's weird.

Lou (47:50):
Yeah, they have.
The monkeys TV show waspatterned.

Mark (47:52):
Yeah, they were.

Lou (47:54):
They were.
There are American Beatles.

Scott (47:57):
July 5th, 67, first of the Shafa music festivals held
in Central Park, New York.
The lineup consists of LenChandler, the young Rascals in
the Jimi Hendrix experience.

Lou (48:08):
Who was the first one?

Mark (48:09):
Len Chandler.

Lou (48:11):
What's that Lin?

Scott (48:13):
I wonder who?

Lou (48:14):
the first name was Len Chandler, yeah.

Scott (48:18):
July 18th, 67, the Jimi Hendrix experience is thrown off
.
A tour with the monkeys.
The monkeys are dominating 67.
Yeah.

Mark (48:28):
The little girls didn't like his hip thrusts and you
know people saw that as a littleweird after complaints from the
conservative daughters of theAmerican Revolution.

Lou (48:37):
Oh, those damn conservatives, those daughters,
they were no good, come on, mykids, here's your chance.

Scott (48:43):
Buddy, you got free shots .

Mark (48:45):
Yeah, I just think it's funny.
Like you know, you had theselittle girls and you know what
Jimmy was doing.
He was doing the hip thrusts,the time and everything.
Man, yeah.

Scott (48:56):
Let's see After the daughter of the Hendrix manager,
christiana, later admits it wasa publicity stunt.
Okay, good job.
July 29th, 67 Motown Recordsreleases Reflections, the first
single by the group's newbilling.
Reflections of the way lifeused to be.

Lou (49:18):
I know Ross and Supreme.

Mark (49:19):
Yeah, I was waiting for Lou.
I knew what I was waiting for,lou.

Scott (49:24):
So, after after the firing founding member Florence
Ballard, she nevertheless singson the record and appears on the
vinyl's cover alongside groupmembers Ross Wilson, because the
song was recorded before herdismissal.
Ah well, so they had to put herin there.

Mark (49:42):
Hope she got paid.

Scott (49:43):
I'm sure she did Well, you never know.

Lou (49:46):
Does she?
Does she like it fade to, likeobscurity?
And like no money?

Scott (49:50):
Lawrence Ballard.
Yeah, yeah, Ah.
August 5th Pink Floyd releasedtheir debut album.

Lou (49:59):
Soceful of secrets.
Nope, it wasn't.
No, it wasn't.
The pipes are the kids of dawn.

Scott (50:04):
Yes, yes, peak, the number six on the UK, that's the
Pink Floyd that no one reallylistens to.

Mark (50:10):
It's strange.

Scott (50:11):
The Pink Floyd is like the original Fleetwood Mac yeah.

Mark (50:14):
Right when I was young.
When I was young, I hated,hated those first two albums.
But when you're older and youlisten to that song, Lucifer,
and you're like you know whatthey were really doing,
something, but it's just it wascool, it was, it was.

Lou (50:27):
Yeah, they would have become just another psychedelic
band.
Yeah, yeah, gilmore hadn't comealong, right Ah?

Scott (50:35):
let's see this.
23rd, brian Epstein's lastvisit to a Beatles recording
session at the chapel recordingstudios in Maddox street, london
.
The last new Beatles song helived to hear was your mother
should know.
Epstein died of an overdose ofcabaretrol, a former barbiturate

(50:56):
or sleeping pill, in his lockedbedroom.
I thought he got murdered?

Lou (51:02):
No, there was.
There was a rumor that he got,it was Albert Goldman.
Jones.
Yeah, remember Albert, theauthor, albert Goldman.
He wrote the trash, big trashbook on Elvis but he did a one
called Lenin.
It was just.
I couldn't I've got 20, 30pages in it.
I put it down.
It was just one of Fleming tourthing.
He basically in a way thatRobert Stigwood had Brian
Epstein killed so he could takeover the Beatles.

(51:24):
Ah okay, but yeah, I don't thinkI they thought it was a suicide
, but I think it was.
I think it was ruled accidental, I think.

Mark (51:32):
Yeah, I've heard about Robert Stigwood.
If it was proven true, Iwouldn't be surprised.
But really, why would he dothat?
Why would he do that?
That's a stupid.

Lou (51:41):
Yeah, well, he didn't get the Beatles.
I mean no, but what was thatstudio they were at?

Mark (51:45):
Yeah, I'm surprised it wasn't Abbey Road.

Scott (51:47):
Yeah, let me see it was a Charles.
He was at Chapel recordingstudios on Maddox Street in
London.
Wow, wow, I've never heard ofthat yeah, September 17th, the
doors appear on the Ed Sullivanshow and perform like my fire,
Despite having agreed toSullivan's request that the lion

(52:10):
girl we couldn't get muchhigher be changed up for the
show Morrison performs it theway it was written and the doors
are banned from the showforever.

Lou (52:19):
Not before Ed Sullivan said have a really big shoe.

Scott (52:22):
There you go, bye, bye, bye, bye, bye, bye.
He's in the penalty box.

Mark (52:25):
I think he said F, you Did you hear that?
I thought he gave me a big fuckyou, I think he did this whole
uh, the Caesar thing is gettingto his head.

Scott (52:34):
I think loose never been in the penalty box this much
he's come.
He came on fire it up today.
Oh, he's back.

Lou (52:43):
Uh, also in September.
Seven or seven more drum andless depth.

Scott (52:46):
Oh Jesus you want a bear knuckle Also on that day, uh,
September 17, 67,.
The who destroyed theirinstruments during a performance
.
No Again On, but this is this.
One is epic, though.
This is the epic destructionSmothers brothers.

Mark (53:03):
Yes, yeah, keith moons exploding drum kit.

Scott (53:08):
It's just Pete Thompson basically made him deaf in one
ear forever, like he put in likefive M eighties or something it
was supposed to only be one.

Mark (53:18):
And and if you watch the movie, it's in the who movie you
hear the audience screaming.

Scott (53:23):
Oh wow, that was.
It was like in.
Thompson was right next to it.
You see him just flinch likewhat the fuck?

Lou (53:31):
What was with the smothers brothers?
What's that?
You mentioned, the smothersbrothers.

Scott (53:36):
It was on this show.

Lou (53:37):
It was on this mother's show.

Mark (53:39):
Uh, what's the name of the who movie?
The kids are all right.

Scott (53:41):
Kids are all right, yeah, if you watch it, I've seen it.

Mark (53:45):
And then, uh, thomas smash his guitar as a joke.
You know, he comes out andsmash.

Scott (53:51):
Uh, September 29th, 67.
The Nazarene dream is foundedby a gift for a freeze in West
Berlin.

Mark (53:57):
I wonder what they sounded like in 67.
Oh, lots of Hammond, Oregon andharpsichord.

Scott (54:05):
Uh, October 14th, 67.
Tammy Terrell faints andcollapses into a duet partner
Marvin Gaye's arms on stageduring a performance at the
Hampton University homecoming inVirginia.
She's later diagnosed Ah, thisfuck, Sad yeah.
She's later diagnosed with abrain tumor.
We'll die from brain cancer inseven, three years later, 24.

(54:26):
That is an absolute.
Like what could have been.

Lou (54:29):
Yeah, they're duets are great.
Oh yeah, um, I think ain't nomountain high enough is the
greatest.
That's a song of all time.

Mark (54:36):
Yeah, I mean, that's one of the greatest duets of all
time.

Lou (54:39):
It really is.
It really is, yeah, but um,apparently they said that's one
thing.
That really fucked him up.

Mark (54:44):
Yeah.

Lou (54:46):
From that point he never really got over her death.
Yeah, Depression after that.

Mark (54:50):
I'm sorry, I wasn't laughing at what you were
talking about.
Yeah, todd's comment.

Scott (54:54):
Yeah, todd's, I'm just gonna bring this fucker on the
show.
You might as well just have asquare.

Mark (55:01):
That looked horrible.

Scott (55:03):
I'm laughing while you're talking about a brain tumor.
Yeah, that was kind of aclassless mark.
It's very hard.
Todd's Sockman says December25th 1967.
The future Legion.
Todd's Sockman celebrates his.
I'm not even in December yet,dude, you should have waited Now
.
I'm not gonna finish it, notgonna finish that, nope, ah,

(55:25):
let's see Psh, psh, psh, psh.
October 18th 67.
What just happened?

Mark (55:35):
I put myself in the green room.

Scott (55:36):
Oh, okay, I can.
October 18th, the first issueof Rolling Stone rolls off the
precedent about 5 30 PM with thecovet dated November 9th and
featuring a photo of John Lennonin the film how I Won the War.
The original inspiration forthe magazine was bump, a
magazine based in Californiawhich preceded the existence of

(55:56):
the role of Rolling Stone.

Mark (55:59):
The Rage.
I subscribe.

Lou (56:04):
I know you do.
What was your name in the movie?

Mark (56:08):
Oh, that's a good question .
That's a good trivia question.

Lou (56:10):
What was the question?
What was John John Lennon'scharacter's name in the movie?
Oh, private grip, weed Soundslike mash.

Scott (56:23):
On November 22nd 1967, george Harrison begins recording
tracks for Wonderwall music.
There's Lou right there, buddy.

Lou (56:35):
Never got mad.
First solo album by a beetleYep.

Scott (56:39):
His first solo album in London.
He continues the recording inMumbai and, as we all know,
oasis goes on to writeWonderwall in tribute to that
album and George Harrison ReallyYep, they were very inspired by
the Beatles.
Actually, if you listen totheir music, there's little,

(57:00):
there's little hints of Beatlesin there.

Mark (57:02):
There's big hints of Beatles.
Listen, listen.
I love Oasis, but they flat outripped them off.

Scott (57:06):
But you know what you get it's you know no much balls it
took to do that.
Yeah, you're right, You'reright, and they actually did it
because they did it good.
They did it good for a goodfive year, six year run.
Oasis ruled the world, yeahthey certainly did.

Mark (57:22):
Well, they'll be back.
They're going to tour.

Scott (57:24):
No, they're not, they are , let me see December 7th, otis
Redding records over dubs tositting on the dock of the bay.
He had recorded it on November22nd.
December 8th, otis Redding inhis backup band bar case play a
popular nightclub, leo's Casino,cleveland, ohio.

(57:46):
This is to be Redding's lastperformance.
Two days later he informed thesix bar keys are among the six
people who die when a beachcraft model 18 plane in which
they were traveling crashes intoLake Manoa, manana Manona in
Madison, wisconsin.
One of the worst day oftragedies in entertainment
history and the worst since theday the music died.

Lou (58:09):
One survivor of playing crash.

Scott (58:11):
Yeah, let's see.
December 9th, during aperformance at the New Haven
arena in New Haven, connecticut,jim Morrison, in the doors,
becomes the first singer to bearrested on stage, having
earlier been sprayed with a canof mace.
Yeah, back stage.

(58:31):
He was charged with inciting ariot and decency and public
obscenity.
The charges had dropped severalweeks later due to lack of
evidence.
Did you know they sold outevery single show they ever did.

Mark (58:44):
Really.

Scott (58:45):
At one point they were the number one band in America.
You know why People wanted tosee what.

Mark (58:50):
Jim was going to do.
He was creating a stir.

Lou (58:53):
Well, yeah, yeah, the spectacle, but every show once.

Scott (58:56):
They once that album dropped every show after they
sold out every show.

Mark (59:00):
There was no one else like them.

Lou (59:02):
Nope, there's live recordings of them at the Roxy.
Yeah, you know, early, early,early.

Scott (59:10):
December 15th 67, the who released their third studio
album, the who sell out.

Mark (59:15):
Love that album.

Scott (59:17):
It's a concept album.
No, Heinz baked beans.
They are the kings of conceptalbums.
Heinz baked beans.
Formatted as a collection ofunrelated songs, it dispersed
with full commercials and publicservice announcements.

Mark (59:32):
The commercials are hilarious, yeah, and it's got my
favorite who song, one of myfavorites.

Lou (59:37):
I can see miles.
Yeah, great so.

Scott (59:42):
December 25th, todd Stockman celebrates his first
Christmas.
Okay, we got it in there, Todd.
What did you get for Christmas?
You're for?
It's his first.
He doesn't care, he doesn'tknow, he'll make.
He probably got a weights.

Mark (59:52):
Is that the last big event for that year, scott, or is
there one after him?
Is there one after him?

Scott (59:57):
Oh, this is a lot after him, trust me.
Yeah, yeah, he's not ending theyear.

Mark (01:00:02):
No way.

Scott (01:00:02):
No way he's not into the year.
I would not know.
I'd make something up so hedoesn't end this segment.
There's no fucking way.
I'd let that happen, Jim.
But I don't have to make it upbecause on December 26th the
first telecast of the Beatlesmagical mystery tour on BBC one
in the UK is shown.
It's shown in black and white.

(01:00:23):
It upsets McCartney because itruins the intended psychedelic
color effects.
They played it in black andwhite.

Mark (01:00:33):
It sucked.

Lou (01:00:34):
I didn't like that at all they played it in black and
white.
Yeah, that's great.

Mark (01:00:39):
I remember I saw it when I was young like late at night
and I remember to turn on a busand I'm like this is freaking
boring.
They're like talking.

Lou (01:00:47):
Yeah, the best parts.
Lenin in the movie, I think,and he was by far the best
dancer.
I know your mother should knowWhatever there's a dance
sequence, but I think he had thebest moves of the Beatles.

Scott (01:01:01):
Also finishing up this one.
Let me see.
Perry Denner is a script wouldhave helped.
Let me read it like him.

Mark (01:01:09):
He was a script would have helped, I think they should end
the segment also in 1967.

Scott (01:01:20):
They don't give a date.
The International Society ofBasists is found by Gary Carr.
Yeah, there you go, like thedrummer shaking his head.

Lou (01:01:34):
No, no, back in the day, you know to call a basis with a
pager and optimist, oh, God yeah.
No, that wasn't worth it.

Scott (01:01:45):
Save by my three times penalty box.
Wow, he's, he's.
He's hot with the info,horrible with the jokes.

Mark (01:01:54):
All I know in the Canadians score three goals.

Scott (01:01:56):
I'm happy, but I'm not happy here we go and he's back
with the dog nose.

Mark (01:02:06):
Wait, wait, wait, wait, wait, we got a December 31.

Scott (01:02:10):
On December 31, 1967, a baby, todd Stockman, played
tambourine with the monkeys atWembley Stadium.
Wow.

Lou (01:02:21):
I saw that.
I saw that film.
You saw that video.

Scott (01:02:27):
You saw it.
It was bigger than him.
You got his little weights forChristmas and then he is the new
year's Eve.
He's playing the tambourine.
That's how strong he was Hislittle baby weights Maybe wait
Redheaded Arnold Schwarzenegger,he was baby weights Bands that
were formed in 1967.
Oh, this is interesting, yeahright, bands that were formed in

(01:02:52):
1967.
The Jeff Beck group, right,blood, sweat and tears.
I was at you, lou, that saidlast week that they were
considered like a second rateChicago.

Lou (01:03:07):
I'm Mark said that was it marked that said it.

Mark (01:03:09):
I always heard everybody say that when I checked them out
and did a deep dive theyweren't they just have the horns
.

Scott (01:03:15):
I was just about to put you in the penalty box just for
saying that last week let's rentis a very good band.
If you listen to that greatesthits, it's one of those.
Oh shit, oh shit, oh shit.

Mark (01:03:29):
Yeah.

Lou (01:03:30):
And the irony is that, you know, when they started out, al
Cooper started the band, butthen they threw him out, yeah
Right, and then he got DavidClayton Thomas and the Brian
Jones story Right.
Yeah, I'm out Also formed in1967.
Blue East occult oh yeah, yeah,and it was a Stony Brook

(01:03:53):
College in Stony Brook, new York.
Possibly the greatest rock androll band of all time, blue East
occult.
They're a great rock and rollband.

Scott (01:04:05):
This summer they just heard that you know, or they're
going to hear it tomorrowdriving in the Congo.
What, Fuck, what?
What did you say?

Lou (01:04:13):
It's not the greatest rock and roll band.

Scott (01:04:15):
No, no, no no Greatest song about a monster though
Godzilla.

Lou (01:04:21):
I get all my monster.
Is there a better song?

Scott (01:04:23):
about a monster.

Lou (01:04:24):
I'm trying to think of like anyone they were.
They were actually.
They were also called Nosferatu.
Oh, so they look at the brownLou Wow Smile motherfucker Also
formed in 1967.

Scott (01:04:39):
Chicago.

Lou (01:04:41):
Yeah, first rate blood, sweat and tears First rate blood
, sweat and tears.

Scott (01:04:47):
So they so check it.
They came out at the same time.

Lou (01:04:50):
Yeah.

Scott (01:04:50):
Yeah, so it was like a race to the horns, like who's
going to be the bigger hornsection.

Lou (01:04:56):
Right, a lot of horns, the grass roots, at the same time.

Scott (01:04:59):
I would think, though, that blood, sweat and tears came
out of the block fast.
Right Chicago kind of came outsteady, and then they blew them
away.

Lou (01:05:10):
Well, the first, the first blood, sweat and tears album,
was not a big thing, right Okay.
But then the second record, Ithink, was the one that I think
Chicago right out of the shoot.
What's the Chicago, I think?

Mark (01:05:19):
And they put out such a massive load of music, from 69
to 73.
Double album.

Lou (01:05:26):
They were oh yeah, how did they do that yeah.

Scott (01:05:31):
They loved it they did also formed in 67.
The climax blues band I am sointo you.

Lou (01:05:39):
That's the letter of the section.

Scott (01:05:41):
Oh, okay, Climax moves.
Band is um what is it?

Lou (01:05:45):
Well, they're the Scottish band.
What's their hits?
I think couldn't get it right,it couldn't get it right.

Scott (01:05:56):
Good.
So that's kind of like Brandyand dancing in the moonlight.
Like you get the client.
I'm so into you and yeah.

Lou (01:06:04):
Mark was the other song from the climax.

Mark (01:06:06):
They say I love you was a big hit.
I don't know that was a big hit.

Lou (01:06:09):
Yeah, I love you.

Mark (01:06:11):
Oh, I like this one.
They had a song called mole onthe doll.
I love that.

Lou (01:06:15):
That's great.

Scott (01:06:16):
Okay, let's move on from climax blues.

Lou (01:06:19):
We're getting too deep blue yeah.

Scott (01:06:20):
Is that like a?

Lou (01:06:21):
blemish on a pineapple.

Scott (01:06:23):
Another band formed in 67 .

Mark (01:06:25):
Credence Clearwater revival they suck, they suck.
We're taping that so are they,so the Lou just said, helen hack
.

Scott (01:06:37):
Three minute segment.
Lou just said blue is thecolors, the greatest band ever
and then, he says green is clearwater, revival sucked, what's?

Lou (01:06:46):
wrong with you?
You're drawn battle lines,you've got Godzilla and you've
got fortune.
It's on.

Mark (01:06:56):
Oh, we're gonna have a good show this week.

Scott (01:06:58):
We're gonna have a really good show, so your show will be
a recap of this show.

Lou (01:07:05):
Four more days till.
I kick your ass pal.

Mark (01:07:07):
Oh shit All right, okay, I got one for you.

Scott (01:07:12):
I got one for you, also formed in 67.
Elf.

Mark (01:07:18):
Oh, ronnie James deal, I've got their album.

Lou (01:07:24):
Perry, you know, I was CCR.
He knows, you Did you justapologize to my friend that's so
good For my days.

Scott (01:07:34):
I had to put you in the penalty box and you don't have a
back down.

Lou (01:07:38):
Lou, I'm not backing down.
I wasn't like he said you don'tback down.

Mark (01:07:43):
Remember this old TV movies when they had the music
and it would be going through.

Scott (01:07:48):
It's like I'm sorry, perry, hey you know who was also
formed in 67?
Fleetwood Mac, the version noone ever listened to.

Mark (01:07:59):
I listen to.
I know you come on, then playon with a.

Lou (01:08:02):
Well, that was a great was the Bob Welch years Was that
listened to that was that?

Mark (01:08:07):
Oh yeah, they got a lot more listeners with those years.

Lou (01:08:09):
You know he's the only one not inducted into the Hall of
Fame.
That's bullshit.

Mark (01:08:13):
They didn't induct them with Fleetwood Mac.

Lou (01:08:15):
No at all.
As a solo he was, he wasexcluded from for bullshit
reason.

Mark (01:08:21):
He wrote a few big hits for them.

Lou (01:08:22):
He did he held the band together between the Peter Green
cultish years and Stevie andLindsay.
But you know, but he did somegood stuff with them.
He pissed off Jimmy Iovine.
That's what happened.
Yon Venters approved.

Scott (01:08:37):
Yeah, his first solo album was good.

Mark (01:08:42):
Yeah, it was really good I was called.
I'm really smoking a cigar onthe cover.

Scott (01:08:48):
No, it's the ones got ebony eyes and is not his first
and sentimental lady andsentimental lady First was.
I think it's called French kiss.

Lou (01:08:57):
You are correct.
Yeah, listen, scott is on it.
You were on tonight, man, I'mall, I'm always on.

Scott (01:09:02):
I'm just too busy hosting you two fuckers.

Lou (01:09:05):
You're like an associate professor.
I'm scared of what's gonnahappen next.

Mark (01:09:21):
So I'm putting myself in the green.

Lou (01:09:24):
Wow, something to the north .

Scott (01:09:27):
Bob, welch Bob.

Lou (01:09:30):
Welch sued the band legal issues.

Scott (01:09:32):
Yeah See, go figure, that one A rock guy suing this band
is, form a band.

Mark (01:09:38):
Like you're in the Eagles and you sued Don Henley, you're
not going to be with them whenthey go into rock and roll hall
fame.

Scott (01:09:44):
No that's right, no.

Lou (01:09:46):
I further fucked up formed in 1967.

Scott (01:09:50):
You dropped a bomb on me, baby.
You dropped a bomb on me.
Come on, the gap band.

Mark (01:10:00):
Okay.

Scott (01:10:01):
Yeah 67.

Lou (01:10:03):
Yeah, we heard it, and they didn't, they they hit like 80.

Mark (01:10:07):
Yeah, 78.

Scott (01:10:08):
Yeah 79, 80.
And once they hit like theywould just, they just started
pumping on.
I don't know what dynamicchanged.

Mark (01:10:16):
Yeah, and I think Earthwind and fire formed around
like the late 60s to right.
Oh yeah.

Scott (01:10:23):
But they were big in the 70s.
Yeah, yeah, I think Earthwindand fire.
Genesis formed in 67.

Lou (01:10:31):
From Genesis to revolution, they're first out before Phil
Collins was in the band yeah,that's right.
And Steve Hackett and SteveHackett.

Scott (01:10:40):
The band hourglass.
What are they known for?
Oh shit.
I got you, I got you.

Lou (01:10:49):
Well, the English or American.

Scott (01:10:52):
Come on man.

Lou (01:10:53):
American Hourglass.
Yeah, I got that squeeze songin my head now I.

Scott (01:11:04):
Don't look it up, are you ?
Are you blatantly googling,right?
Come on.
What are they known for?
Like?
I thought it just Dwayne andGreg omen, peter card, johnny

(01:11:24):
Sandlin and.

Mark (01:11:25):
They back up muscle shows, didn't they back up a reason,
franklin.
I believe they did.

Lou (01:11:33):
You got me there are other than a soul band.

Mark (01:11:36):
No, basically were, because they were backing up
Aretha.

Lou (01:11:39):
Well, yeah, I thought I'm like Montana.

Scott (01:11:42):
Formed in 67 the Jay Giles man.

Mark (01:11:45):
I was looking at my email.

Scott (01:11:48):
Are you a fan of them, Jay Giles I?

Lou (01:11:50):
like him, I like him, dave Phillips.

Mark (01:11:53):
Yes, the 45s loves them, yes.
I love that crazy soul shitthat they did in the 70s.

Scott (01:11:59):
They never get considered for the Hall of Fame and they
won't, unfortunately, that'sprobably a one of those bands.
It's just not gonna get it.

Mark (01:12:07):
They're not some great song.

Scott (01:12:08):
So yeah, yeah, great party band, I'll give it a go
lost.

Lou (01:12:12):
I think that's the thing about them.
You know they weren't.
You know they were a party bandthere.
Yeah, centerfall was.
You know it was a big thing.

Scott (01:12:18):
But yeah, yeah, I mean magic dick, magic dick, whammy
jamma, jethro tell, let me puton my fucking medieval tights
green tights man.
Yeah, fucking puffy sleep everand puffy sleeve, shut a pirate

(01:12:40):
shirt and jump around with theflute.

Mark (01:12:45):
But booties, jesus, hey, they won the Grammy for the best
metal band.
They're freaking awesome.
That's legendary, right?
Yeah, stupid, I love.

Scott (01:12:53):
Justin, I like some of those singles formed in 67,
kenny Rogers in the firstedition.
Now this one is interesting1967 Nirvana Wait a minute now.
An English pop rock band formedin 66.

(01:13:15):
Though the band achieved onlylimited commercial Success, they
were claimed both by musicindustry professionals and
critics.
In 85, of the band reformed.
The members of the band suedthe American band Nirvana over
usage of the name, reaching anout-of-court settlement.

Lou (01:13:33):
Wow, wow, yeah, how much did they get, that's right who.

Scott (01:13:38):
They bought that name?
Buddy money.
Yeah, they bought that name.
I formed in 67 prokul harem.
They, you know what, never donea show on them, probably never
will.
But they pop up like everyother show.

Mark (01:13:52):
So I never really follow them.
But my son-in-law loves GaryBrooker and loves him and he got
me into them and they did havea good catalog of work.
They just never hit that toptier success level.

Lou (01:14:04):
No, but they also have one of the biggest classic rock
songs of all time though.
Yeah right, robbie Robertsonripped them for that sound.
He said they were ripping offthe band with that the keyboard.
You know my dad was a stretch.
Yeah, I think they might bedoing, wondering what the other
big hit song was.

Mark (01:14:19):
Conquistador.

Scott (01:14:26):
Stramatic also formed in 67 that grace Dutch band no ligg
certain noressed, film yourfire your desire.

Lou (01:14:42):
I looked at the video.

Scott (01:14:45):
Original right?
Yeah, yeah, she had a greatvoice too.
Yeah, she did Big voice.
Yeah, yeah, it's a good, she'sgood.
And, of course, though, mygirls, my girls.

Lou (01:14:58):
Banana Ramah my favorite girl band ever.
They did a good version too,love them, love them.

Scott (01:15:05):
As a matter of fact, I think tomorrow I'm going to
listen to their greatest hitsalbum again.
I love banana Ramah.

Mark (01:15:11):
It's like a guilty pleasure You're going to be out
by the pool like this.

Scott (01:15:20):
And also also formed in 67.
Finally, skin row.
All right, and I was a bluesrock band that had a court and
Irish blues rock band of thelate 60s and 70s.
They were out in Dublin and itwas the first band that Phil
Linnaut played.

Lou (01:15:41):
There you go and.

Scott (01:15:42):
Gary Moore.
So what is it with those, thebands from the 80s and 90s,
stealing old bands names?

Mark (01:15:50):
Can you think about it?
Can you imagine, you know how?
Gary Moore, a fiery guitarplayer.
You just look at him, he's afighter.
Phil Linnaut, late 60s, dublin.
Like man, that's like somerough stuff, you know right,
they're probably really good.

Lou (01:16:05):
They played those buckets of blood places, you know.

Scott (01:16:07):
Yeah, yeah, all right, gentlemen, give me some, give me
some information, give me somealbums or give me something that
came out in 67.
I know, you guys have some.

Lou (01:16:19):
I got one.
Give it to me.
Francis Albert Sinatra andAntonio Carlos Holbeam.
There was the name of the album.
It's Brazilian pop.
That's got the girl fromIponeema on it their version.

Scott (01:16:32):
They're little Boston over thing.

Lou (01:16:35):
Meditation is a great song.
How insensitive song.
I concentrate on you.
Great stuff, really great stuff.
They did bubbles, bangles andbeads on that.
They did a couple albums thatway that came out in 67.
They're they're sure their livecuts of them are cool because
just the two of them sitting inchairs, sinatra smoking, of
course, right.

Scott (01:16:54):
Right.

Lou (01:16:55):
Being frank.

Scott (01:16:56):
Yep, what do you got?
Mark, give me an album from 67.

Mark (01:17:00):
The band that my son-in-law got me into loves
forever changes, which had onehuge song on it alone again, or
I couldn't remember the nameGreat album.
Yeah, really good album I'mgoing to give you.
I'm going to give you I'm somad about saffron?

Scott (01:17:16):
Damn it.
That was on my list.
You took all my albumsSaffron's mad about me.

Mark (01:17:20):
Take that one off, that's all.

Scott (01:17:21):
I'm just mad about saffron and she's so mad about
saffron, take that one off,that's all.
And she's just mad about me.
I want to.
They call me mellow yellow,that's right.

Mark (01:17:37):
Are any of you guys like into food?
Like why when I went to buysaffron is freaking 18 bucks for
like two sprigs?

Scott (01:17:44):
What the hell.

Mark (01:17:44):
Hmm.

Scott (01:17:46):
It's like I can't Give me a bay leaf, Just give me a
fucking bay leaf, it's.
It's usually like that.
I put bay leaf in everything.
I put bay leaf in everything Iput bay leaf.

Lou (01:17:53):
Was that an album?
Yeah, mellow, yellow yeah, thatwas the album.

Scott (01:17:56):
Yeah.

Lou (01:17:56):
The name of the album Okay.

Mark (01:17:58):
Yeah, john Paul Jones helped on that album.

Scott (01:18:00):
Yeah.

Lou (01:18:01):
All right, your turn.
Lou.
The electric prunes, with theself-titled album.
The electric prunes I thinkthat is one of the best band
names of all time.
It's a you know what their hitwas.
What I had too much to dreamlast night A psychedelic in 1967
, psychedelic rock.

(01:18:21):
That's the kind of band I, if Iwas, if I wasn't in grad school
at that point, I would havebeen in that band All right,
mark, give me one, mr Fantasy,by traffic.

Mark (01:18:33):
I believe that was their first album, right yeah, you
know they.
They're a fast-s ؟ing bandbecause they had so many
different phases.
You know they went Jazzy yeah.

Lou (01:18:44):
I'm not a fan, I don't.
That's a back and never.

Mark (01:18:47):
Well, they had a givalent.
M ambivalent to try they have asong title on there that is
just if you want to.
Screams English Berkshirepoppies.

Lou (01:18:55):
I love that title that's great.
It was the best of Shires.
It was the worst of Shires.
I got to go out and put in thehealthy box.

Scott (01:19:04):
Now I'm sick of it.
You wore me down tonight.
You wore me down.

Lou (01:19:10):
I'm trying to entertain Todd.

Scott (01:19:12):
I also.
They came out in 67.
Are you experienced?
Yeah, yeah, jimi Hendrix Foxy,the Jimi Hendrix experience.

Lou (01:19:24):
All right, lou you're up, is that Mark?

Scott (01:19:27):
Mark's turn, is it I?

Lou (01:19:29):
mean somebody go OK, I got, I got the the rascals with the
album collections, ok, great,but it can't 67.

Scott (01:19:38):
Yeah.

Mark (01:19:39):
You got Mark yeah, one of my favorite soul songs ever, the
album Reach Out by Four Tops.
Reach Out is a great freakingsong.

Scott (01:19:50):
Yeah, yes, small faces comes out with their debut album
.

Lou (01:19:54):
Oh 67.

Scott (01:19:56):
Yeah.

Lou (01:19:59):
Born free.

Scott (01:20:00):
Andy.

Lou (01:20:01):
Williams, who's going to sing it?
Oh?

Scott (01:20:04):
free, as free as the wind blows, as free as the sky flows
.
I just made that second line up.

Mark (01:20:14):
I'm sure he's for the rest of us, nobody knows the words.
It's some shitty film of alittle tiger baby.

Lou (01:20:20):
You know, yeah, andy Williams has some good.
He had some good singles.

Scott (01:20:25):
Crazy.
Andy Williams is a great.
You know, he's a great singer.

Lou (01:20:28):
Great Christmas album.
It's just a Christmas, yeah.

Scott (01:20:30):
Yeah, it's good.
Shaw used to watch his varietyshow too.

Mark (01:20:34):
Yep, what do you got, mark , by the time I get to Phoenix,
by Glen Campbell, and that isone of my favorite songs of his.
Put out two albums that year,but that was one of them.

Scott (01:20:47):
Gentlemen, I am about to announce the greatest album
released from 1967.
It is not Sgt Peppers, oh no,oh no, you're going to take mine
.

Mark (01:20:57):
You're going to take mine.

Scott (01:20:59):
No, I'm about to now get ready for the greatness, the
greatness that was Leonard Nimoypresented Mr Sparks music from
outer space.
Okay, greatest album of 67.
How it did not win Grammys,emmys, academy Awards, whatever

(01:21:20):
you give that?

Mark (01:21:20):
Did he cover any pop standards on it?
Oh, I'm sure.
Well, you know, let's, let'scheck a lot of racism.

Scott (01:21:26):
Let's see where the track listing is.
Track one theme from Star Trek.
Track two alien.
Track three when is love?
Track four.
Track four music to watch spacegirls by.

Mark (01:21:39):
That's an Andy.

Lou (01:21:41):
Williams.
That's an Andy Williams ripcover.

Scott (01:21:45):
Track five.
Beyond in Terry's track six,twinkle, twinkle little earth.
Right, that's just side one.
Side two, track one missionimpossible.
Track two lost in the stars.
Track three, where no man hasgone before.

(01:22:05):
Track four you are not alone.
And track five, to finish offthis great, great, epic album A
visit to a sad planet.
And there you have it, thegreatest album of 1967.
I should have saved the bestfor last, I know, I know, but I
just, I just couldn't, I had to.

Mark (01:22:27):
What's the?
What was the title of thatalbum?
Scott?

Scott (01:22:30):
Lenin Nimoy.
I just lost my.
I just lost my.
Oh Jesus, here we go.
The name of the album is aLeonard Nimoy's, I guess it.
Let me see.
Can't believe that justhappened, should have known it.
Here we go, here we go.
It's a Coming up, coming up,coming up, leonard Nimoy.

(01:22:51):
I just lost my.
Oh Jesus, here we go.
The name of the album is aLeonard Nimoy's, I guess it.
Let me see.
Here we go, here we go, here wego.
Leonard Nimoy presents.

Mark (01:23:05):
Mr Spock's music from outer space.
It's on Spotify, so we can alllisten to.
There you go.
I just added it as a favoriteof mine.
There's also a compilation that.

Scott (01:23:15):
I was looking at.
What did you just say?
I'm going to be Jack right now.
Did you say compilation?

Mark (01:23:19):
Compilation oh, I'm from Jersey.
There's also a compilation.
That compilation.

Scott (01:23:27):
You get that album.
It's a compilation of a bunchof songs.
We know it's Novel, it's novel.

Mark (01:23:38):
Here's some Sunday morning coffee listening, based out the
best of Leonard Nimoy andWilliam Shatner.

Lou (01:23:44):
Oh, that's some heavy shit right there.

Mark (01:23:46):
I'm adding that to my list too.

Scott (01:23:48):
That's some heavy shit.

Mark (01:23:49):
Mr Tamper in man.

Lou (01:23:51):
When did Shatner put out his stuff?
I was a 70s, he do 70s.
I think you do any of that.
In the 60s he did King Henrythe fifth.

Mark (01:24:00):
Oh, leonard Nimoy does Ruby, don't take your love to
town.
I got to hear that one.

Lou (01:24:05):
He also did Bilbo Baggins.

Mark (01:24:08):
And if I were a carpenter?

Lou (01:24:10):
Yeah, pretty good, I thought that was if I was a
Romulan.

Mark (01:24:15):
Give me an album.
Oh Lou, he does Gentle on mymind.
I got to hear that one.
All right Am.

Lou (01:24:22):
I up no Europe, the fifth dimension, up, up and away.

Scott (01:24:26):
Up, up and away, my beautiful, my beautiful Balloon.
You're here.

Lou (01:24:33):
Sunshine pop and the beautiful voice, my Maybe my
favorite female singer of alltime, marilyn McCoo.
Hmm, yeah, she's a hottie too.
Yeah, she was a hot, yeah Allright, mark oh.

Mark (01:24:53):
The beginning of the illustrious Legendary career of
the Grateful Dead this year,where they released their debut
album.

Lou (01:25:02):
The.

Mark (01:25:02):
Grateful Dead.

Scott (01:25:03):
Yeah.

Mark (01:25:04):
Yep, now, thanks to you, scott, I have nothing left,
because you took all my albumsand you're all.

Scott (01:25:09):
That's all right.
We're about to move on tomovies.

Mark (01:25:11):
Yeah, I got a lot of movies.

Scott (01:25:13):
Do movies.
Yeah, we're going to do alittle talk about some movies.
We like to do that in theseyear things.
People like it.
I'm going to.
I'm going to finish off withthis been a lot of album I named
some earlier, but probably oneof the most unique voices in the
history of rock.
It was a short lived run, butI'm going down to Chicago.

(01:25:34):
No, whatever, I'm going to.

Mark (01:25:37):
Oh, can't eat.
I hate that song.
I hate it.
I've heard they're a reallygood band.
I never know the lyrics, Idon't know what the fuck you say
, but I do like that song.

Scott (01:25:53):
I know, it was like 350 pounds, it was like John Popper
from the travel yeah.
Yeah, yeah, can't eat, can'teat.
Let me see.

Lou (01:26:08):
I'm saying backup on the realms.
Who did little Richard, did he?

Scott (01:26:13):
really, yeah, yeah, cold sweat came out in 67 to James
Brown.

Mark (01:26:18):
Ah, yeah.

Scott (01:26:19):
I have that on vinyl.

Mark (01:26:21):
Yeah, yeah, oh, rolling Stones, brie Faray and two
psychedelics, st Her, st Tannis,st Tannock, majesties, secret
Service, whatever came out thatyear, it was.

Scott (01:26:34):
Did you just throw in James Bond?

Mark (01:26:36):
Yeah, I had to.

Scott (01:26:37):
I had to.
I'm sorry.

Mark (01:26:40):
I was just going to throw in James Bond movie and the
album like kind of like doesn'tflow, but it has that one song
to use in the car.
Ad starts with the piano Ah,that's a great song.
She's a rainbow.

Scott (01:26:52):
Let's take a break in the action and go with movies of
1967.

Mark (01:26:56):
Yeah.

Scott (01:26:57):
Yeah Movies, dr Chivago.
Yeah, the epic, the epic, omarSharif, dr Chivago.

Mark (01:27:07):
Yeah.

Scott (01:27:08):
I'm going to go with 1967 .
Lou, you have anything in frontof you?

Lou (01:27:12):
Mad Monster Party, mad Monster Party, mad Monster.

Mark (01:27:15):
Party yeah.

Lou (01:27:16):
I love that.
I love that movie.

Mark (01:27:21):
I've got all my favorites listed, so I'm going to go with
the hard boiled eggs.
Cool hand Luke.
Ah yeah, what a great cast.
Yeah, buddy.
Yeah, great cast in that movie,yeah.

Scott (01:27:38):
I'm going to go with those hard boiled eggs, man.
This is kind of strange, thatCasino Royale yeah which, by the
way, the remake with DanielCraig is, in my view, the
greatest Bond movie ever made.

Lou (01:27:56):
I love it.

Scott (01:27:57):
That was a fucking, that chase scene at the beginning,
literally.
I am not lying, dude.
When you're fortunate it takesa lot to get me excited in a
movie.
I was literally moved up on theedge of my seat.
Leaning on the seat in front ofme Were you fortunate to see it
in the theater.

Mark (01:28:11):
I did Me too.

Scott (01:28:13):
Dude, I was like that chase scene was insane.
Yeah, what a way to start themovie.

Mark (01:28:20):
Yep.

Scott (01:28:22):
Holy shit, but Sean Connery did not play James Bond
in that movie.

Mark (01:28:28):
It was a comedy.

Scott (01:28:30):
David.

Lou (01:28:30):
Niven, david Niven, yes, with a pencil, thin mustache.

Mark (01:28:34):
Yeah, what was pencil thin ?

Lou (01:28:40):
Oh, that's what Sean Connery said.

Scott (01:28:43):
But that wasn't the only James Bond movie that came out
that year.

Mark (01:28:47):
No, you only live twice.
Yeah, yes, which was his onethat took place in mostly.

Lou (01:28:54):
Japan right.

Mark (01:28:54):
Yeah, and it was seen as the weakest of the Sean Connery
ones, but I still liked it.
That's the last one he did foruntil he came out Until yeah,
the one he did yeah.

Lou (01:29:04):
I never come back where it was cool.
I don't know, joanne.

Scott (01:29:08):
Joanne Kuzmorski said good evening, joanne, I love you
.
My favorite, Let me see youonly live twice, came out that
year also.
So there was three Bond moviesoh we just talked about.
Oh, we just said you only livetwice.
Yeah, what was I thinking?
Jesus, I got this, joanne.
Joanne Kuzmorski gets me, shegets me distracted.

(01:29:29):
You got the Schmitties I love,joanne, she gets me distracted.

Mark (01:29:33):
She gave you the Schmitties.

Scott (01:29:37):
And the heat of the night came out.
Yes, I had that on my list.
The heat of the night came outin 67.
He was busy that year.
Sydney Portier was busy thatyear.
Yeah, to serve with love.
That came out Not soon afteractually, he had a night came
out on what was it?
It looks like August and thenin October to serve love came

(01:29:59):
out.
So he was doing double duty.
Yeah, who's turn is it?

Lou (01:30:08):
I have to serve a love service.

Mark (01:30:11):
Mark, I'm going to go with a really kind of creepy movie
Wait until dark with AudreyHepburn, one of her last movies
before she retired from makingmovies.
She was blind and had AlanArkham, Richard Crenna and Efren
Zimbals Jr and it was a creepymovie.
She played a blind woman in anapartment.

(01:30:32):
These guys are stalking her.
It's disturbing.
Yeah, it was weird, yeah, andit's also one of those movies
where you go look at that hugeapartment in downtown Manhattan.

Scott (01:30:41):
She probably paid like 200 a month for it.
Yeah, yeah, yeah, valley of theDolls came out with the Sharon
Tate yeah.

Mark (01:30:51):
Yeah.

Lou (01:30:52):
That was it for her right, that was it.

Scott (01:30:55):
I think that was it for her.

Lou (01:30:57):
What TV show is Efrem Zimbals then?
Fbi FBI, the FBI how fast.

Scott (01:31:02):
I answered that Signs of a mis-spent youth.

Lou (01:31:05):
Yes.

Scott (01:31:07):
In front of the television the FBI.

Lou (01:31:12):
Efrem Zimbals Jr.
So somewhere there was an EfremZimbals senior, as I saw him on
TCM.

Mark (01:31:19):
Who's his daughter?

Scott (01:31:21):
Stephanie Zimbals.
Stephanie Zimbals, yeah, yeah,what else came out?
The dirty dozen.

Mark (01:31:27):
There you go, the dirty dozen Right out of my mouth.

Lou (01:31:31):
Lee Marvin.

Scott (01:31:32):
Yeah, great movie.

Lou (01:31:33):
What was TC Zimbals's name in that movie?

Scott (01:31:36):
And the dirty dozen.
Yes, oh, let me see.

Mark (01:31:42):
What's his name?
I don't know.
I love TC.
Maggot, maggot, that's right.
Yeah.
By the way, every night at 10o'clock here they show Kojak,
and so I go right to it.
Nice, nice.

Lou (01:31:57):
I have Kojak, I have my DVD .

Mark (01:32:00):
Really, yeah, okay, I'll lend you the Rockford files.

Scott (01:32:05):
I just got and you lend me Kojak.

Mark (01:32:06):
All right, we'll switch.
Okay, yeah, bonnie.
And.

Scott (01:32:09):
Clyde, I have.

Mark (01:32:11):
What do you want to borrow ?
I don't have.

Scott (01:32:12):
DVDs I don't have.

Mark (01:32:14):
You don't have DVDs.
Come on man, I don't have.

Scott (01:32:16):
DVDs.
I don't have CDs.

Mark (01:32:18):
You have a DVD player.

Lou (01:32:20):
No.

Mark (01:32:20):
Oh, wow.

Lou (01:32:21):
I have a hard couple TV series on DVD Whoa.

Scott (01:32:25):
I don't have.
I haven't had a DVD player inyears.

Lou (01:32:29):
Yeah, yeah, you dust it off now.

Scott (01:32:31):
Yeah, I don't know when I ever owned one.
I owned one in the 90s.

Mark (01:32:39):
Ah, there you go.
Neil Sean's journey throughtime.

Lou (01:32:41):
This is how you get the concerts.

Mark (01:32:43):
Yeah, a good R-rated movie came out that year Bonnie and
Clyde.

Lou (01:32:49):
Yes, great movie.

Scott (01:32:51):
Yeah, great cast.

Lou (01:32:51):
Yeah, yeah, I don't see that I don't see that Bearfoot
in the park.
Bearfoot yeah.

Scott (01:32:58):
Bearfoot in the park.

Lou (01:33:00):
Is that Robert Redford's first movie?

Scott (01:33:03):
No I don't know if it's his first movie.

Mark (01:33:04):
No, he did one couple before that.
Yeah, yeah.
It was a big, big one, that wasyeah.

Lou (01:33:12):
The producers came out that year.
The producers, yeah, yep.

Mark (01:33:14):
Let's go down for the hill .
Little bug on the hill, yeah.

Scott (01:33:18):
Humbray, humbray came out .

Mark (01:33:20):
Yeah, good movie, paul.

Scott (01:33:21):
Newman no, Paul Newman, Paul Newman yeah, paul.

Lou (01:33:25):
Newman, yeah, yeah, another figure.
How about the St Valentine'sDay Massacre?
Ah good, gangster, I never sawthat.
George Segal, yeah, that's meon.
Jason Robards, my mother wasborn on the day of the St
Valentine's Day Massacre.

Scott (01:33:41):
Do you ever see the movie Johnny Get your Gun?
With all yeah high school.
Dude, that is a disturbingfucking movie.

Lou (01:33:51):
The book is so much more uplifting.

Scott (01:33:54):
That move with.
Jason Robard plays his fatherin that movie.

Lou (01:33:58):
We watched it in the high school assembly one time and I'm
just, I'm just just watchingMetallica's one video, oh,
that's the one where the guy hadeverything.
Yeah, one of the bottomsbrothers, isn't that, or yeah, I
?

Scott (01:34:14):
mean, uh, fucking disturbing in these tapping SOS,
they figure it out and theystill keep him alive.
So he's in a room with a boxover his face.

Mark (01:34:25):
So he lost all his limbs.

Scott (01:34:27):
Yeah.

Mark (01:34:27):
His face.

Scott (01:34:28):
Yeah, so they put a box, but he's still alive and his
voice talks through the movie.
He's trapped in his head and hestarts tapping SOS and you hear
him talking to the doctors, buthe's not.
It's all in his thoughts.

Mark (01:34:42):
Now in the video, for one is that his voice taken from the
film.
Yeah, that's a disturbing.
That's the film they actuallyshow clips of the film.

Scott (01:34:49):
Yeah, and the nurse comes in and she's about to put him
out of his misery and thefucking doctor walks in.
What are you doing in there?
Yeah, he thought he's, hethought he had it.
She's going to kill me, that'sit.

Lou (01:35:06):
Does she pleasure him in the movie?
In the book?
She does.

Scott (01:35:08):
Oh no, I don't think they did that in the movie.
Yeah, yeah.

Lou (01:35:11):
Oh shit, she was my tuggy.
Oh, that's a, you got a handy.

Mark (01:35:17):
Yeah, for once, lou, you brought the show up from going
down.
I mean, at least he got somegratification.
No pun intended, right, I don'tthink I could watch that movie
because it disturbed me so muchin the Metallica video.

Scott (01:35:31):
Yeah, that was an eerie fucking video and Jason Robots.
Jason Robots is a great actor.

Mark (01:35:37):
Absolutely yeah.

Scott (01:35:39):
And the version of Willie Lohman in the death of a
salesman is epic yeah.

Lou (01:35:46):
Epic In Philadelphia.

Scott (01:35:49):
Yeah, I mean, I give Dustin Hoffman a lot of credit.
He played Willie Lohman.
I think it was a play.
It was a TV play.
It was a TV play, yeah, and hedid Dustin Hoffman play that
part, really.
But Jason Robots was WillieLohman to me.
Yeah, you know, yeah, I always.
I always remembered that afterI read the book and it was, it

(01:36:10):
was.
It was just something thatalways stuck with me when Biff
comes home from college and hewas his whole life, he threw
high school, middle young school, high school athlete goes to
college.
Hey dad, hey dad, guess what?
Guess what I did, guess what Igot?
I won this, I won that.
And the one thing his fatherwould always say to him that's

(01:36:32):
great, biff, but do they likeyou?
That meant so, it was always.
But do they like you?
That was, that was like as asalesman, that was like he lived
it.
Right, you know, but do theylike you?
It was always his thing.

Mark (01:36:47):
Yeah.

Scott (01:36:48):
And I never forgot that.
For some reason that stuck withme.
So like when I first met youguys and then, you know, the
show was over I went into mywife.
I said these guys are fuckinggold.
They are a goldmine of music.
She looked at me and said butdo they like you?
Yes we do.
We're leading how you like that, I had you.

(01:37:09):
I had you guys.

Lou (01:37:11):
I didn't answer the question, though, mark, I do
like it.

Mark (01:37:16):
Hey Scott, when the Italian doesn't answer that
question you're in big trouble.
You're going to get the shakythumb.

Scott (01:37:26):
What else do we have?

Lou (01:37:28):
What other movies?

Scott (01:37:29):
What was the highest grossing movie of the year?
I was going to say the graduatecame out that year.
Graduate came out that year.
That's right.

Lou (01:37:35):
Reflections and a golden eye.

Scott (01:37:37):
Right.

Lou (01:37:38):
Right, that was a Marlon Brando movie, a man for All
Seasons.
Man for All Seasons.

Scott (01:37:44):
Yep.

Lou (01:37:46):
And probably the greatest movie of 1967, Elvis Presley's
Clambake.

Mark (01:37:52):
I have another drug store to tell you.

Lou (01:37:54):
The first time I ever got high in marijuana.
I watched Clambake and it was arevelation.
I saw things in there thatweren't supposed to be in there.
Is that why?

Mark (01:38:03):
to this day you say Elvis Presley is one sexy man because
you saw Clambake.

Lou (01:38:07):
No, he's one sexy man.
On the 1968 live TV special.

Mark (01:38:10):
Oh, okay.

Lou (01:38:11):
He was the world's sexiest man.
On that thing.

Scott (01:38:14):
Grand Prix came out that year.
Oh, that was a yeah, that was agood movie.
About the race, the four, thefour races.

Lou (01:38:24):
And he's going.
He's been doing that.

Scott (01:38:25):
Yes, he has to go to the bathroom or something.

Lou (01:38:27):
I don't know how I won the war.
The movie with John Lennon, ohthat's right.

Scott (01:38:32):
Yeah, so we were just talking about that right.

Lou (01:38:34):
It was an anti-war movie directed by Richard Lester was a
guy that directed Hard Day'sNight, so and actually Lennon
was quite good in it.
He actually gets killed.
He does the death scene.
Oh, does he?
Yeah, yeah, but I think thatwas in Black and White too.
Yeah, yeah.

Scott (01:38:49):
So that year the dirty dozen rakes in a whopping
$18,200,000 in 67.
Wow, that's big.

Lou (01:39:01):
That's a big movie.
That's a high-spirited movie.

Scott (01:39:03):
Yeah, oh, 67.

Lou (01:39:04):
Yeah the dirty dozen.
Wow, a war movie.
How cool is that.

Scott (01:39:09):
And then right behind it it's $16,300,000.
You only live twice, okay, andthen it starts to drop off at
10,200.
Casino Royale man for AllSeasons 9.2.
Thoroughly modern.
Millie I've never even heard ofthat movie.
I've heard of it.
I never saw it.
8.5.

(01:39:29):
Barefoot in the Park pulls in8.2.
Gregory Girl Don't know it 7.3.
To Sir we love 7.2.
Grand Prix pulls in an even 7million and Umbre $6.5 million.

Lou (01:39:48):
What about Hell's Angels on Wheels?
Oh dude, I saw that movie.
I saw it too.
I mean, it was so bad.
I don't remember.
I don't remember it wasn't adrama.

Scott (01:39:58):
No, it wasn't like one of those Hell's Angels.
They're evil, they're killersOkay.

Lou (01:40:04):
It's just starting Adam Rourke, Jack Nicholson and
Sabrina Scharf.

Scott (01:40:09):
Yeah, that was one of those like bikers, like
exploitation film, right Likealmost like a Grindhouse film.
Okay, where it was really lowbudget and they were
capitalizing on the new, thebiker movement Hell's Angels.

Lou (01:40:24):
And this was before Joe Namas, cc and company, remember
that one and Margaret Good one,wow, remember that one.
Of course I do Total Drive andMovie.

Scott (01:40:35):
Oh my God, that was horrible.

Lou (01:40:37):
I mean, he's dressed as a biker, like in polo shirts.

Scott (01:40:40):
He's like you know so name it CC and company.

Lou (01:40:45):
Oh, my God Wow.

Scott (01:40:47):
Good pluck man.
Good pluck A horrible movie.

Lou (01:40:51):
Whatever, yeah, I came like was like 75, maybe I don't know
yeah.

Scott (01:40:56):
They made multiple.
They made multiple.
Is he eating a donut?
What's he chicken?
A pickle, it's a pickle.
He got a pickle.
I got to tell you it's got asure A tuna sandwich though.
Yeah, yeah, I love pickles.

Mark (01:41:11):
I drink pickle juice.
I guess who's coming to dinnerin 67.
Guess who's coming to dinner?
Yeah, spencer Tracy.
Yep, sydney Portier, againSydney Portier.

Lou (01:41:17):
He was a busy man Spencer Tracy was great in that movie.
Yeah, and Catherine Hepburn.

Mark (01:41:28):
Denzel was the best, yeah, and then he was a good guy.

Lou (01:41:32):
And Catherine Hepburn.

Scott (01:41:35):
Denzel was like the Sydney Portier of the 80s and
90s, wasn't he?

Lou (01:41:39):
Yeah, he was in everything, a lot of different things, you
know.

Scott (01:41:42):
Yeah.

Lou (01:41:43):
Yeah.

Scott (01:41:44):
More than 90s, I think.
I think Denzel really made it.
He was insane elsewhere in the80s.
That was the one insaneelsewhere yeah.
Yeah, that was his debut, hismovies.
He started pumping them out inthe 90s, you know.

Lou (01:41:57):
I always liked those.
I liked those cop shows in the80s Hill Street Blues.

Scott (01:42:01):
There was great television for the time, yeah.

Lou (01:42:03):
I was, I like Kojak, I like .

Mark (01:42:06):
Kojak, kojak was great.

Lou (01:42:10):
Kojak was a well written show.

Scott (01:42:12):
I think my favorite cop show ever.

Lou (01:42:14):
Honestly, Barney Miller Thank you, barney Miller, great
show, fucking grace.
I love Barney Miller, come ineverything.

Scott (01:42:23):
It was diversity at its best.

Lou (01:42:26):
Think about it.
What's diversity?

Mark (01:42:28):
When I was young, I didn't like it because I didn't
understand.
I was too young.
Years later, I watched it.

Lou (01:42:32):
That was a great show.

Mark (01:42:34):
And I didn't like Kojak either when I was young, because
it wasn't enough action.
I was a chips guy.
When I was young, I was likeyou know, and then the porn,
music and chips, though the slowmotion car crashes.

Lou (01:42:47):
Yeah, hi man.
Oh yes, answer a few questions,man.
Some of the funniest characterson the porn couch doing this.
I'll tell you what.
Look.
I showed you the video right.
I YouTube porn couch and mycouch is on there.
It's like.
I saw that.
That's insanely funny.
It was hilarious.

(01:43:08):
It's a little darker, but it'sthe same.
It's the same thing.

Scott (01:43:11):
Yeah, and I said it's at the separate backs.
Right, it's all thing, yeah, um, let's see, let's move on to
this day of music.
Let's just get the oh you knowwhat I didn't do my top 10.
Hold on.

Lou (01:43:26):
Can I mention one more movie?
My favorites in cold blood, Ahyeah.

Mark (01:43:33):
Truman Capote, yeah, yeah.

Lou (01:43:35):
Robert Robert Blake.
Yep, um, uh, what was the guy'sname?
Something Wilson, tom Wilson.
He was in a walking dead.
He played the old guy, the oldveterinarian, walking dead.

Scott (01:43:46):
Oh, yeah, yeah, wilson, yeah, whose daughter ends up
being the boss of all the badass, yeah, yeah.

Lou (01:43:54):
That was another R rated movie.
Very early for a movie.
Yeah, great soundtrack byQuincy Jones All right, let's,
uh, let's get to this.

Scott (01:44:01):
Yeah, mark, some of this pickle.
Top 10.
Top 10 this week in 1967.
Number 10.
Funky Broadway by WilsonPickett.

Lou (01:44:10):
Yeah, okay, broadway.

Scott (01:44:12):
Number nine I dig rock and roll music by what the fuck
Peter Paul and Mary.

Mark (01:44:18):
What.

Scott (01:44:20):
What, what Uh.

Lou (01:44:25):
I've heard that it's really bad.
It's schlock.
Which one was a pedophile?
Peter or Paul?
What, what, what, what, what,what, what, what, what, what,
what, what.

Mark (01:44:35):
What, what, what, what, what, what, what what.

Lou (01:44:37):
What, what, I don't know yeah.

Scott (01:44:55):
Higher and higher.
Jackie Wilson, ah, mrExcitement, yeah, mr Excitement.
On number six this week in 1967, apples, peaches and punk in
pie.
Jay, in the techniques, applepeaches, punk in pie.
I don't know that one.

Lou (01:45:11):
Yeah, yeah you.
You heard it Apple peaches punkin pie.
You were young and so yeah,yeah.

Mark (01:45:17):
I mean young, I'm a young.
We don't know that these kidstoday.

Scott (01:45:20):
Okay, I didn't answer that Number five in 1967.
Never my love the associationGreat, Never my love.

Lou (01:45:27):
Good song.
Monary pop festival.

Scott (01:45:31):
Yep, our number four this week in 1967.
Reflections of where life usedto be, reflections of Diana Ross
and the Supremes Reflections.
Yeah, our number three thisweek in 1967.
Come back when you grow up.
You know what I'm about to saythat to Mark.
Come back when you grow up andnow I put him in the penalty

(01:45:53):
when you grow up.

Lou (01:45:54):
See, because he's the youngest.

Scott (01:45:55):
I have to say this he's the youngest, so he was
depunished.
That's what happens to theyoungest brother.
He always get.
I trust me, I got the shit outof every stick Me, tell me about
it?

Mark (01:46:04):
I was always picking on me Mom.

Lou (01:46:08):
I was picking the others, I got the same thing.
Yeah, it's a strategy.

Scott (01:46:13):
One of my favorite all time songs, the most mysterious,
maybe arguably one of the mostmysterious songs ever made.
It doesn't get the attentionthat Carly Simons song gets your
so vain, but our number twothis week in 67.
Oh to Billy Joe by theAbsolutely knocked down, knocked

(01:46:36):
down, dead gorgeous BobbyGentry.
Yeah, that woman was phenomenallooking.

Lou (01:46:43):
Yes, she was Great hair Holy straight toes to head, yeah
.

Scott (01:46:48):
Everything.

Lou (01:46:49):
She wrote her own material to.

Scott (01:46:51):
She wrote she was a very.
She was one of those women thatgot what she wanted and earned
it.

Lou (01:46:56):
I heard her off track by her on the outlaw country.
I saw Bobby Gentry.
I'm like it was a rock and itwas good.
I mean it was it was country,but it was country rock, it was
really good.

Mark (01:47:06):
Yeah, but you're right.
Erie song and an Erie movie.
I remember watching it.
I forgot.

Scott (01:47:10):
Yeah, robbie Benson, robbie.

Mark (01:47:11):
Benson.

Lou (01:47:12):
It just it was an Erie story.
You couldn't jump off Quirkin.

Scott (01:47:15):
But he was a.
He was a creepy actor, If youask me.
Robbie Benson was kind ofcreepy.

Lou (01:47:19):
He's kind of creepy.
He's talked like this RobbieBenson.
What was he?
Was he a bad?
No, he wasn't Ben Ronald, thatwas Ron Jacoby.
But I remember Ben Ronald.

Scott (01:47:29):
He was a creeper.

Lou (01:47:30):
Can't hang out the walls of the house.
Oh, that's right.

Scott (01:47:33):
That's right, it was that it was a base, kind of like
that Angie, that Helen Reddysong, angie baby, the guys
living in the wall like he'speeping on it.
He had all the fucking holes.
Yeah, good one, luke comes outwith two good ones.

Lou (01:47:46):
Wow, yeah, and Robbie Benson Plus yeah, thanks, john.
Thank you, I really appreciateit.
Don't overdo it.
I realize you gotta go take ashower Quit while you're ahead,
Robbie.

Mark (01:47:56):
Quit while you're ahead.
All right yeah.

Scott (01:47:58):
And number one this week in 1967, the letter by the box
tops One of the shortest songsin rock and roll.
That's right, it is right.

Lou (01:48:08):
I like their version better than the Joe Cocker version.

Scott (01:48:11):
All right, let's see we might make it under.
We might make it under two anda half hours tonight.
Gentlemen, holy moly, yeah,holy moly.

Lou (01:48:19):
Yeah.

Scott (01:48:20):
Um, let me see this day in 2021.
Sarah dash Nah, no, don't care,I'll stay in 2020.
Tommy DeVito, I was 92, died ofCOVID.
That's known for seasons.
Yep.

Lou (01:48:35):
Great band.
Great band A tell, a rock.

Scott (01:48:37):
It was also in the Beach Boys, by the way.
No, tommy DeVito Yep.
Now when we need your towersfor the four seasons, who were
one of the only two Americanbands the other being Beach Boys
to to enjoy substantial chartsuccess before, during and after
the British invasion.
They should be.
Yeah, I understand 2012 PinkFloyd House was sold.

(01:48:59):
That you know.
You know this whole thing thatyou know.
Uh, oh, you're selling thehouse that Roger Watt is, nick
Mason, richard Wright and SidBarrett lived in gives a shit
that they like what they livedthere.
Like why do you want toimmortalize that?
Yeah, so it bought it.
The guy wasn't even a fan.
See, I would like that in thehouse next door.

Lou (01:49:22):
It's not like buying the Tate House, you know, like the
yeah oh Jesus.

Mark (01:49:27):
That's a wanted tour.
I didn't turn resner by that.
Yes, I think so.

Lou (01:49:32):
Or the guy from Ghost Adventures, zach Zach.
Yeah, yeah, sleep tight.

Scott (01:49:37):
On this day in 2005, jason Dean Fortune, better known
as JD Fortune, beat two otherfinals to become the newly
single for in excess, I ate Inever.
Yeah, I was like come on, man,is this, what are you doing?

Mark (01:49:52):
And they made a show out of it.
What are you?

Scott (01:49:54):
doing what?

Mark (01:49:55):
an insult to the legacy of Michael Hutchins.

Scott (01:49:59):
Just a money grab, that's all I was, yeah he was Michael
Hutchins.

Lou (01:50:05):
I was grace underrated, underrated one yeah.

Scott (01:50:08):
Uh, great front man.
Yeah yeah, elton John starts asix week run at number one.
Who cares?
On this day in 1997, pearlJames Jeremy video was cited as
one of the reasons Americanteenager Barry Lucatis had
snapped in a violent rage thatleft three people not alive.
Defensive you know you got towatch the stuff on YouTube.

(01:50:30):
Like there's certain words thatget that get flagged Like.
I watch a lot of YouTube videoslike these.
Like you know, again 10creepiest musicians or you know
worse people on YouTube videos.
It's a, it's pretty good.
This dude's got a really goodchannel.
But I also notice it a lot inother ones where they they won't
say Like the.

Mark (01:50:52):
D word?

Scott (01:50:52):
Yeah, they would think they really avoid because they
don't want to even get flaggedfor any type of violations.
That's why.

Mark (01:50:59):
AI needs to improve, Like oh shoot.

Lou (01:51:01):
you know why are they?

Scott (01:51:03):
they can swear, that's the funny thing, you can swear
oh, you want.
It's just when you hit thesecertain keywords, like the R
word, like they won't say it.
Yeah.

Mark (01:51:12):
Yeah, but that's AI.
It's not doing his job right.

Scott (01:51:17):
Let's see on.
This is kind of a sad one.
On this day in 1994, the DaveMatthews band.
Dave Matthews band releasesunder the table and dreaming.
The album featured their firstcommercial hits.
What would you say?

Mark (01:51:32):
Why.

Scott (01:51:33):
Satellite.
Oh yeah, that song it'smarching.
The album was dedicated toMatthews oldest.
Oldest sister in it was killedby her husband in 1994 murder
suicide.

Mark (01:51:47):
Oh, I didn't know about that.
He look, he will always be Otisto me.
Otis from Wendixie, he wasgreat.

Scott (01:51:57):
I'm not a bad man.
Let's bring it up a little bit.
On this day in 1986.
Huey Lewis and the news startedthree day a three week run at
number one on the US singlescharts with stuck with you.

Mark (01:52:09):
I'm so happy to be stuck with you.
I liked Huey Lewis.
Who would I be?
And then here's the woman.

Scott (01:52:17):
What's that Hip to be?

Mark (01:52:19):
square man yeah.

Scott (01:52:19):
Yeah, jacob's ladder is my favorite.
He would.

Mark (01:52:22):
Yes, I played that in the cover band.
Great song like that.

Scott (01:52:26):
I understand.
1980 Kate Bush Congratulationsand finally making it to the
rock of the hall of fame.
Not because she's a woman, sheactually earned it Scored her
first UK number one album withnever forever.
It was the first ever album bya British female solo artist to

(01:52:49):
top the UK album chart, as wellas being the first album by any
female solo artist to enter thechart at number one.
That's amazing.
And she has all sorts of likelittle facts like that.

Mark (01:53:04):
Yeah.

Scott (01:53:05):
On this day in 1976.
Oh yeah, ac DC released theirthird studio album, dirty Dirty.

Mark (01:53:14):
D's with the classic track big balls.
Yep, nothing, I got big balls.

Scott (01:53:20):
Jannis Joplin got big balls.

Lou (01:53:23):
He's got the biggest balls on the mall she does.

Scott (01:53:26):
He does.

Lou (01:53:27):
There's a wheelbarrow in front of her.

Scott (01:53:31):
The album has been certified six times platinum in
the United States which meansthat it sold at least six
million copies, becoming thethird highest sold album by AC
DC in the US after highway tohell and back in black.

Mark (01:53:46):
And you know what's ironic the song dirty deeds has that
disco drum sound they wereputting in every song.

Scott (01:53:56):
On this day in 1976, the first of two night 100 club punk
festival, the two night 100club punk festival in Oxford
Street in London, featuring thesex pistols, the clash subway
sex Susie.
Spelling on the on the posterwas SUZI, susie and the banshees
where it's actually S O U X.

(01:54:19):
I E right in the banshees, thebuzzcocks, vibranas and stinky
toys played.
The admission was one pound 50cents which is probably today
about two bucks.

Mark (01:54:33):
You can buy a stinky toy in romantic Depot.

Lou (01:54:36):
My vibrator vibrator for one.

Scott (01:54:38):
How do you guys know this ?

Lou (01:54:40):
Have you ever heard of?

Mark (01:54:41):
that chain?
I heard there's a chain.
I pass it every day on the wayto work.
They're in suburban Americaromantic Depot.
They managed to go next toCVS's and but the kids?
As Ron Jeremy when he did hiscommercial, he said the best
thing I like about romanticDepot is the entrances in the
rear.
But what it means is that allthese suburban people can go
there.
No one will see them.

Scott (01:55:01):
Doing the bad guys right there.

Mark (01:55:03):
They're everywhere yeah.

Lou (01:55:04):
I miss the days of the overcoat and the rubber nosing
glasses in the hat going to themovies.
Why did you?

Scott (01:55:08):
used to wear that, lou, is that?

Lou (01:55:10):
one.
Why are you wearing this?
I'm just for the movies.
I don't want to be red.

Scott (01:55:14):
I was tripping balls when he did that.

Mark (01:55:17):
That was the first time he did that.
Lou were they.
Were they speaking Japanese inRome?
No but Lou was turning Japanese.

Lou (01:55:25):
Oh, yes, it had.

Scott (01:55:26):
Japanese.
There you go On this day in1976, the captain and Tonell
musical variety show premieredon ABC.
Ah, let's see.

Lou (01:55:39):
Remember the captain was going to tell a hat joke.
Yes, yes, yes yeah.

Scott (01:55:43):
Oh, this day in 1975, winners in this year's melody
makers read his poll includeRobert Plant, who won Best
Singer 75, joni Mitchell BestFemale Singer yes, one best band
Wow yeah.
Genesis won Best Live Act.
Wow, wow.
Best Single I'm Not in Love by10CC.

Mark (01:56:03):
Oh, good song.

Scott (01:56:04):
And best album, led Zeppelin Big boys don't cry, big
boys don't cry.
I heard something tonight, andyou know what, and it references
that Dude says it's true, bigboys don't cry, but men do.

Mark (01:56:22):
Good point.
But then there's women that sayreal men don't cry.
And I want to say to them thatsay that that's not true.

Scott (01:56:29):
Last time a girl said that to me, I punched her in the
face and said who's?

Lou (01:56:31):
the man now?
Who's the man now?
Where's Janice Joplin wasn't it?

Scott (01:56:35):
Yeah, it was.
So it was not kind of hittingthe guy, so it didn't really
matter, didn't count.

Mark (01:56:41):
This is the end of the show.

Scott (01:56:42):
That doesn't make any of the history notes, though that
doesn't make the stay in music.
That will never make the stayin music.

Mark (01:56:47):
That's a footnote.
It was an isolated incident.
It was a footnote at that bigmusic festival.

Scott (01:56:53):
It was shoved under the carpet that she was munching on,
poor Janice.
Anyway, on the same 1975.

Lou (01:57:13):
Scott's a nice guy Scott's a nice guy.
That's the filthiest thing I'veever heard of you say.

Mark (01:57:17):
Scott's a nice guy.

Scott (01:57:18):
Scott's a nice guy Scott's a nice guy.
Thank you, that just came out.

Lou (01:57:23):
It was all editorial filters there.
Oh my God, this show is not.

Scott (01:57:28):
Yeah, this show is not.

Mark (01:57:30):
I don't edit it.
So that's the, that's the,that's the that's the that's the
that's the you know what it is.

Lou (01:57:35):
It's got a nice guy.

Scott (01:57:36):
It's got a nice guy.

Lou (01:57:37):
It was a Shagger Broodlin carpet.

Scott (01:57:39):
Yeah, yeah, yeah, yeah yeah, it was like a rubber
bathroom mat.

Lou (01:57:44):
It's probably the it's probably the Shagger.

Scott (01:57:46):
It's got a rubber bathroom mat.
She was an ad-libber inside.

Lou (01:57:51):
Oh man.

Scott (01:57:54):
I really wasn't really a copy, it was a rubber mat.

Lou (01:58:10):
Oh Jesus, I think we're in trouble.

Mark (01:58:12):
Yeah.
No no curses, no curse words,but his little skull, it wasn't.

Lou (01:58:21):
It wasn't a rubber, it wasn't a carpet, it was a rubber
bathroom.

Mark (01:58:27):
It sounds like a song.

Scott (01:58:30):
He munching in a river, all right, let me get my shit
together.
Okay, on this day in 1975.

Mark (01:58:45):
It's a good thing I don't have to pass.

Lou (01:58:46):
It's gonna wow from Joanne.

Scott (01:58:47):
I'm going to get this done.
I'm going to get this done.
Fame gave David Bowie his firstnumber one in the US.
The song was co-written withJohn Lennon and, of course, as
we all know, Lennon's voice isheard towards the end of the
song, repeating the words fame,fame, fame from fast track
through regular track.
Slow track before Bowiefinished the lyrics Fame.

Lou (01:59:09):
Yep, what's your name On this day in?

Scott (01:59:10):
1975, the Bay City Rollers made their US TV debut
and they appeared on SaturdayNight Variety Show Tough guys.

Mark (01:59:18):
Man, they were the toughest yeah.

Scott (01:59:19):
Well, it was a sad day.

Mark (01:59:20):
It was a sad day this day in 1973.

Scott (01:59:25):
On his way to perform his second concert of the day, us
singer songwriter Jim Croci waskilled with five others when his
charted aircraft in a tree ontakeoff in Louisiana.

Mark (01:59:36):
Okay, so how many fucking good musicians have we lost to
playing crashes?
This is sick.
Yeah, it really is.

Lou (01:59:42):
Funny.
You mentioned Jim Croci becausewe were talking last week where
we think he would have beenhuge.

Mark (01:59:47):
Yeah.

Lou (01:59:48):
Yeah and Jack said no.
I saw an article as I waslogging on how his music is
endured and it started there'sgonna be a Jim Croci relook at.

Mark (01:59:56):
Yeah.

Lou (01:59:57):
Someone's actually around here, someone's doing a show, a
Jim Croci tribute show Actually.

Scott (02:00:01):
Yeah, I mean, there's no doubt.
I don't know what.
Jack was thinking that and hewas just being argumentative, I
think.
But it's I mean the guy was ifhe had stayed on course and
didn't die, he would havefucking.
He was on his way.
Yeah, I forget who I comparedhim to, but he's like you can't
compare him to that and blah,blah, blah.
All right.

Mark (02:00:19):
Can we all stop picking on Jack?
He's not here.

Scott (02:00:21):
Come on, he's not here to tell himself On the stage 1972,
paul and Linda McCartney werearrested for the second time for
possession of cannabis.
Yada yada.
On the stage 1970, jim Morrisonand the doors.
Jim Morrison of the doors wasacquitted.
We already talked about that.
On the stage 1970, the RollingStones live album get your eyes

(02:00:43):
out started at two week run atnumber one my favorite on the UK
shot recorded in New York'sMadison Square Garden on the
27th featuring jumping jack,flash, honky tonk woman and
midnight Ramla, which is a greatversion.

Mark (02:00:55):
Yes, yes, that's a great version on the stage 1969.

Scott (02:00:59):
Uh, based on the comic book TV series Archie and his
friends, the archie start fourweek run at number one with
sugar Best bubble gum.

Mark (02:01:14):
Once I get to my head, I can't get it out on this day in
1969.

Scott (02:01:17):
Blind faith started the two week run at number one in
the UK shot with the self titledalbum.
Great album.
Yeah, yeah, I have all theiralbum.
Yeah, all of them, I have alltheir album.

Lou (02:01:29):
That was one and done.

Scott (02:01:31):
Yeah, yeah, one and done.
That's.
It Are the only release fromEric Clapton, steve Woodward,
ginger Baker, rick Grinch lineupalso reached number Eric
Clapton and Ginger Baker.
Like, like my brother says,fucking Clapton couldn't shake
him.

Lou (02:01:47):
He didn't want to play with him, he didn't want him to be
in blind faith.

Mark (02:01:50):
But you can just see Clapton's face when Ginger walks
into this.

Scott (02:01:53):
But he knows how great he was.
He knew how great he was.

Lou (02:01:57):
Even the drumming on, can't find my way back home, I mean
it's not so unusual yeah.
This is one of a kind Greatestdrummer ever.
Yes, he is.

Scott (02:02:06):
All right, no, no pair.
On this day in 1969, uk musicpaper melody maker readers poll
results were published.
Winners include Eric Clapton,who won Best Musician, bob Dylan
Best Male Singer and Best Albumfor Nashville Skyline.
Best Group went to the Beatles.
Best Single went to Simon andGalfunkel for the boxer and

(02:02:27):
Janice Joplin won for Best MaleActing like a Female Singer.

Lou (02:02:33):
Here we go again Yep, yep, yep.

Scott (02:02:38):
Best, best Trans Singer and when she received her award,
holding a rubber bath mat.

Mark (02:02:51):
Do you know who?

Scott (02:02:52):
I always thought looked like she was chewing on a rubber
bath mat.
Do you know who I?

Mark (02:02:56):
received.
Do you know who looks like her?
Look at Ozzy Osbourne in theearly 70s.
He looked like Janice Joplin.

Lou (02:03:03):
Oh my God, now you go to the battle again.
She looked like him.

Scott (02:03:07):
If you'd put those two together and said, who are you
going to date?
I'd be like come on, Ozzy.

Lou (02:03:11):
Let's go we got that.

Mark (02:03:12):
We got that Because someone's putting an idea.
If I'm going to date a guy.

Scott (02:03:16):
I'm just dating Ozzy because it's I have to do it.
So on this day in 1969, duringa meeting in London between
Lenin McCartney and Ringo Starr,Lenin announced he was leaving
the Beatles.

Mark (02:03:34):
I'm leaving the Beatles.

Scott (02:03:36):
Yeah on this day in 1968, Led Zeppelin, recording under
the name the Yardbirds, startedrecording their day view album
at Olympic Studios, Barnes,London, England.
The new album took about tookonly about 36 hours of studio
time to compete to complete at acost of around I don't know a
couple thousand dollars.

Mark (02:03:56):
Yeah, paige put some of his own money into it.

Scott (02:03:59):
Yep.
Most of the tracks beingrecorded live in the studio with
very few overdubs.
Yeah, on this day in 1964, theBeatles who cares?
And on this day in 1957, buddyHolly released the single Peggy
Sue with everybody as a B side.
Yeah, the song was originallyentitled Cindy Lou after Holly's

(02:04:21):
niece, but was later changed toPeggy Sue in reference to Peggy
Sue Garren, the girlfriend andfuture wife of Jerry Allison,
the drummer for the crickets,after the couple and temporarily
broke up.
He has a car right on that.
Yeah, born on this day.
Oh, matthew and Gunnar Nelson.

(02:04:42):
Oh, the great new no bet andcourt from extreme great extreme
.

Mark (02:04:49):
He's a great guitar player .
I give him that one.
Yeah, yeah, and I like extreme.

Scott (02:04:53):
Let's see Alana Curry.
You know who Alana Curry is.
What a way to people in your80s and Alana Curry from the
Thompson twins.
Hold me now.

Lou (02:05:08):
In your loving heart.

Scott (02:05:10):
Yeah, yeah, born on this day in 1949, I think we're
fitting.
No, we're not finishing up.
I might finish up.

Mark (02:05:15):
No, chuck and John Pinozzo sticks, sticks, yep, great
rhythm section.
I mean twins.
Twins have to be a good rhythmsection.
There were twins.

Scott (02:05:26):
Yeah, twins born on this day in 1946, mick Rogers from
Manfred man's earth band yeah,let's see.
Born on this day in 1945, sweetP Atkinson, american R&B singer
.
And pretty much, that's it,gentlemen.
We did it in two hours, andfive minutes.

Mark (02:05:47):
Hey, scott Mary Martin just joined in.

Scott (02:05:51):
Ah, okay, well she's going to watch the rea.
She's going to watch the replay.

Mark (02:05:55):
And she saw sticks in concert.

Lou (02:05:58):
I'm Gels Thompson, thompson , twins, oh, thompson, so.

Scott (02:06:00):
I saw the Thompson twins at the Orpheum Theater in Boston
probably around 80, 83, 82.
Great concert.
They actually did put on areally good show.

Mark (02:06:12):
That's what I heard.

Scott (02:06:13):
I like the Thompson twins .
I still like them to this day.

Lou (02:06:16):
Yeah.

Scott (02:06:17):
I don't think there's a song that I hear from them that
I go.
Ah, it's played out, yeah, yeah, but saw them at the Orpheum
Theater in Boston.
That's one of the T's in my Ato Z concerts that I've seen, ah
, yeah.
Well, gentlemen, that's it andwe're getting marked a bit early
tonight.

Mark (02:06:38):
Really it's before 10.
I haven't eaten dinner yet, sohe's staying a pickle.
I had a pickle.
I'm going to have 99.
I'm going to have 99 hardboiled eggs.
You say you ain't no pickle,and you know Paul Newman really
did eat 99 eggs.
I heard he did.
Oh true, I heard that it was onWikipedia.
It's got to be true.

Lou (02:06:58):
So when his belly was all swollen, that was really oh,
he's so belly.

Mark (02:07:01):
Yeah, I heard Janice Joplin.

Scott (02:07:04):
I heard Janice Joplin was a woman too.

Lou (02:07:06):
It's got to be the morning after when you have to eat that
many hard boiled eggs.
Oh geez.

Scott (02:07:11):
Anyways, like I always say, gentlemen, thank you for
your time, thank you for yourinput, thank you for your
knowledge and thank you for yourfriendship.
I truly, truly, trulyappreciate all of it.
We do, patty.
Thank you for watching as usual, you're the bestest you know.
Thank you for watching.

(02:07:31):
Thank you for listening.
If you like it, share it If youdidn't.
Well, thanks for watching fortwo hours and seven minutes, or
listening for two hours andseven minutes.
Cool, we appreciate your time.
You know, you guys are theengine that runs this machine
without you, and just be metalking with these guys.
And well, yeah, what the hell?
Why not?
I do it anyways, I do itanyways.

(02:07:53):
The thing is, these guys righthere, the wrecking two, are
absolute fucking music junkies,because I do one podcast a week.
I do this, this podcast.
They're going to go on a Sundaynight and do the music relish
show, which is like.
These guys are like just theanimals, your animals, gentlemen
.

Lou (02:08:11):
We enjoy it, the dedication to music is absolutely
admirable.

Mark (02:08:17):
Absolutely admirable.
You got to be happy, you got toenjoy it and we enjoy it.

Lou (02:08:20):
There's always something to find.
Yeah, and it's alwaysinteresting.
You would ask me to do a littledeep dive on little Richard
last week.

Scott (02:08:27):
Next week.
That's right, you should havereminded me.

Lou (02:08:30):
We'll get another half hours to just keep Mark up.

Scott (02:08:34):
I've already into my close out, so I'm already
checking out.
In other words, I'm alreadychecking out.

Lou (02:08:41):
But next week, that's right .

Scott (02:08:42):
I forgot to do that, I forgot to talk about that.
But remind me, lou, sure,remind me.
And, as I always say, doing theshow for you, to quote my
favorite artist, morrissey, thepleasure, the privilege is mine.
We will be back next Wednesdaynight, hopefully if all three of
us are in an operating order ofmy laptop and Lou will still.

(02:09:05):
Maybe he'll be in Paris, maybehe'll be on the porn couch next
week, who knows?
Lose the mystery man.
But all right, gentlemen, allright, listeners, viewers, thank
you and we'll see you next week.
Bye.

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Ep.118 - Rewind to 1967: The Year That Changed Music Forever

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Ep.118 - Rewind to 1967: The Year That Changed Music Forever