December 2, 2024 • 42 mins
In the infamous words of Matthew "here's a nicie piece of shit"
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Music:
Material Gurl - A Spooky Night In
Material Gurl - Bats in The Foundry
Material Gurl - Vaudeville
Links:
Social Media:
Twitter: @monstermadpod
Instagram: @monstermadnesspod
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Merch:
Teepublic: http://tee.pub/lic/zpJgzEGy3QA
Want to support the show?
Ko-Fi: https://ko-fi.com/monstermadnesspod
Patreon: https://www.patreon.com/monstermadness
Artwork:
Original logo and banner by Ian Gray
Illustrations by Phil Rood
Dig Phil’s art? Check out his website: philrood.com
His Ko-fi shop: https://ko-fi.com/philrood
His podcast The Picture Show! : https://podcasts.apple.com/us/podcast/the-picture-show-with-austin-and-phil-rood/id1523101342
Listener Advisory by Jackie Sauer
Find Jack’s work here: https://www.thelastofuspodcast.com/
Instagram: @jadedvader
Source:
https://www.imdb.com/title/tt8110652/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_bodies%2520bo
https://en.wikipedia.org/wiki/Bodies_Bodies_Bodies
Become a supporter of this podcast: https://www.spreaker.com/podcast/monster-madness--4303842/support.
--------
Music:
Material Gurl - A Spooky Night In
Material Gurl - Bats in The Foundry
Material Gurl - Vaudeville
Links:
Social Media:
Twitter: @monstermadpod
Instagram: @monstermadnesspod
Discord: https://discord.gg/PCP2ZmyWPE
Twitch: https://www.twitch.tv/monstermadnesspod
Facebook: https://www.facebook.com/monstermadnesspod
Merch:
Teepublic: http://tee.pub/lic/zpJgzEGy3QA
Want to support the show?
Ko-Fi: https://ko-fi.com/monstermadnesspod
Patreon: https://www.patreon.com/monstermadness
Artwork:
Original logo and banner by Ian Gray
Illustrations by Phil Rood
Dig Phil’s art? Check out his website: philrood.com
His Ko-fi shop: https://ko-fi.com/philrood
His podcast The Picture Show! : https://podcasts.apple.com/us/podcast/the-picture-show-with-austin-and-phil-rood/id1523101342
Listener Advisory by Jackie Sauer
Find Jack’s work here: https://www.thelastofuspodcast.com/
Instagram: @jadedvader
Source:
https://www.imdb.com/title/tt8110652/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_bodies%2520bo
https://en.wikipedia.org/wiki/Bodies_Bodies_Bodies
Become a supporter of this podcast: https://www.spreaker.com/podcast/monster-madness--4303842/support.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:06):
Come one and all to the following segment of Enjoyment
and an Escape from reality. But beware the show you
are about to bear witness to will not hold back
when it comes to spoilers, language, and things not appropriate
for work or children.
Speaker 2 (00:21):
If you continue on, we hope.
Speaker 1 (00:22):
That you laugh at the banter, that you are thrilled
by the topic of discussion, and marvel at the host's
dedication to their craft, because you can only get that
type of treatment here at Monster Madness.
Speaker 2 (00:34):
You have been warned you.
Speaker 3 (00:39):
I mean, he's like like your mom would be like, oh,
he's hot. Not your mom, I mean moms in general,
moms that have been married for like ten fifteen years
and they see like him going out of a starbars Alice.
Speaker 4 (00:49):
Got to bring somewhere without telling them, so you do
read the chat? Why is everyone so obsessed with the chat?
Speaker 3 (00:54):
Here?
Speaker 4 (00:54):
Here, here, I'm here when here together?
Speaker 5 (00:56):
Right? Why are we worrying about the chat.
Speaker 4 (00:58):
When we could just live in the month.
Speaker 3 (01:00):
Yeah, it's because you went to rehab and you're not
on drugs, so like everything's like, why don't we just
all be cool?
Speaker 5 (01:06):
Man?
Speaker 4 (01:08):
You have a little problem with Greg.
Speaker 3 (01:11):
November Jack the New Pod I'm not used to it
inhaling yet.
Speaker 4 (01:15):
What is he like forty?
Speaker 3 (01:17):
I know, I think I Alic found him on tender
or some shit. Apparently he was in Afghanistan. I think
he was in the army or some shit. So, well,
that's hot, he's not He's not like that.
Speaker 5 (01:27):
Pop.
Speaker 4 (01:28):
You don't have to think he's attractive. Only Alice has
to think that he's attractive. Like I feel like I'm
more attractive than that. You do, absolutely, what are the
features that your brains? Well, I just look like I fuck.
Speaker 3 (01:41):
You know what I mean?
Speaker 4 (01:42):
I look like I fuck. And that's the vibe I
like to put out there.
Speaker 3 (01:46):
Yeah, no, yeah, he's he's really handsome.
Speaker 4 (01:49):
Whatever. We don't have to talk about it all the time.
Speaker 2 (01:53):
Hi, Hello, and welcome to this week's episode of Monster Man.
It's a podcast dedicated to all sorts of creatures, features
and l I'm Erica and joined with me as a
man who is feeling the Christmas spirit flow through him
my delightful.
Speaker 4 (02:07):
Co host Matt number once who I ever said those
words together? Because I'm very vocal about the fact that
I could really take or leave Christmas.
Speaker 2 (02:16):
You literally said it last episode vehemently vehement discussion vement.
Speaker 4 (02:21):
I know you're on this big AI train. Did you
ai my voice to say it? Or did I get
magically super drunk and say it and I forgot about it.
Speaker 2 (02:29):
We were talking about because Thanksgiving was the last episode,
and we were talking about holidays, and then you went
on a tangent about.
Speaker 6 (02:36):
Christmas and how I don't really care for it. I
could take her leave it, yes, yeah.
Speaker 2 (02:41):
Yeah, but now we're in December, we have to talk
about Christmas.
Speaker 4 (02:44):
Oh no, no, thank you.
Speaker 2 (02:50):
You can find Monstermanis on all your favorite podcasts and platforms,
social media sites and things of that nature. Matt does
stream video games and drum sessions from time to time,
so you could check that out on our Twitch channel.
To support this show, you could do so in many
different ways, such as buying merrich, donating to the show,
or simply leaving a review on your favorite podcasting provider.
Those five stars go a long way. All links for
(03:10):
the aforementioned things will be posted in our show notes. Matt,
you got anything, does anything fuck for you? This week?
I'm switching things up already.
Speaker 4 (03:19):
We had Frederick's brand Potato chips, which are a Myyer
brand Jalapino chips. Those are really fucking good. Trying to
think of what I hate. I haven't tried the international
Pringles yet, I said, I have those. Fucking there's like
a new Pringle chip thing. I have those. I haven't
tried them yet. I know. I'm just like, I have
all these things, but I don't know who they are.
Speaker 2 (03:40):
Well, per your advisement, While you're thinking Pringles mingles, what
the hell.
Speaker 4 (03:46):
Is that light airy crispy? I got the sharp white
cheddar and ranch. Apparently have Dill Picklin ranch, which I
didn't know was an option before.
Speaker 2 (03:56):
Oh where did you find?
Speaker 4 (03:58):
Usually I come on a towel, but a bag would
work too.
Speaker 2 (04:01):
Disgusting.
Speaker 4 (04:02):
Yeah, I saw there's some solid shit coming out though.
Speaker 2 (04:06):
Oh I want to try the all dressed Springles.
Speaker 4 (04:08):
Dude, those are so good? Literally should I'm not? I'm
shit you not. The last like four times I've gotten Pringles,
they've always been the all dressed ones, and I just
kill like half a tube at a time. They're so good.
I love all dress like I'm so picky with vinegar.
The older I get, the more I like it. But
the all dressed flavors Pringles specifically it's like the right
amount of vinegar.
Speaker 2 (04:29):
First of all, Pringles has the perfect slogan once you pop,
you can't stop, because it is the truest thing I've
ever experienced. I can't stop. They are so good.
Speaker 6 (04:40):
Yeah, yeah, nay.
Speaker 2 (04:42):
I actually can't even think of a Pringle that I've
tried that. I'm like, I hated it.
Speaker 4 (04:53):
I feel like there was one the everything bagel wasn't
great and the Mexican street corn was very, very open.
Speaker 2 (05:00):
That's fair. I feel like anything that's like we're everything flavored,
like bagel flavored or whatever, those are always kind of
fall flat. I've had chips that were everything flavored and
I'm like, eh, but I love all dressed. I want
to try them now.
Speaker 4 (05:14):
I goes Sorry, there's a new hot Ones one.
Speaker 2 (05:19):
Now I'm gonna go to Walmart this week. Barbarica, get
myself some mingles. I don't like Barbacoa, I don't hate it.
Speaker 4 (05:26):
The Harvest blends are really good too. It's like the
Sweet Potato Mix forever reason like even some chips, like
the black Bean, some chips I really like. I don't
know if you ever talked about those, Yeah, but like
it's it's the texture of like the bean weany graininess
that is delightful.
Speaker 2 (05:48):
Yeah, So, per your advisement, I tried the chicken Mac.
I got Extra Max sauce on it, Big Max sauce
on it.
Speaker 4 (05:57):
Delicious, And that's what I told you. Like, I think
because you like Big Max so much.
Speaker 2 (06:02):
That you were going to be a crazy I like
them a fair amount.
Speaker 4 (06:06):
I'm pretty sure at one point in my life you
told me that you would die for a big Mac.
Speaker 2 (06:11):
I feel like that's extreme.
Speaker 4 (06:12):
I feel like it's true.
Speaker 2 (06:15):
Was I inebriated and or pregnant at the time when
I said these?
Speaker 4 (06:19):
Probably pregnant, uh, because I think I was like, Hey,
I'm gonna go to McDonald's. And I think it was
you said I'd fucking die for a big Mac, or
I would walk through knee high grasshopper shit.
Speaker 2 (06:30):
For when I was pregnant with my second I just
wanted junk food like nobody's business. I remember one of
my happiest days was I went to go get Taco
Bell and someone didn't pick up their order before me,
and they're like, do you want this? And it was
like a whole box of tacos and I was like,
(06:50):
you just made my sentry. Yeah, I'm going to take
the fucking all of them, and sure enough, I ate
them all and my daughter turned out fine, still your child.
So yeah, she gave me a thumbs up while she
was taking a massive shit earlier, so I like popped
my head and to be like, hey, are you okay,
She's like I'm fine.
Speaker 4 (07:10):
Oh god, I thought it would be like the fucking
gift of the guy eating and he just like leans
out of the cubicle and gives the thumbs up.
Speaker 2 (07:16):
Well, like, I try, because she's she's still sick. She's three.
She's three, so she's she can't get on the toilet herself,
like I have to help her up because she's still
so tiny. And I'm like, okay, I'm gonna give you privacy.
And I walk out at the door and I just
kind of wait, like a few feet outside the bathroom,
(07:37):
and I was like okay, and all of a sudden
I hear and I just like peek a little bit
and she's leaning forward to see if she can see me,
and she's like I'm okay, and like just gives me
a thumbs up, and I'm like, oh.
Speaker 6 (07:49):
God, Jesus Christ.
Speaker 2 (07:52):
Yeah, parenthood it's the best for you, right, and then
I get to why ass? But yeah, Chicken, Big Max fuck.
Speaker 4 (08:04):
Best thousand dollars I ever spent. Not the Chicken, Big Mac,
the visectomy.
Speaker 2 (08:09):
Oh I know.
Speaker 4 (08:09):
I just was clarifying for the listener.
Speaker 2 (08:12):
It's been a while since I have getting snipped. It's
been a while.
Speaker 4 (08:17):
I did.
Speaker 2 (08:18):
I love that.
Speaker 4 (08:18):
I did buy Disturbed tickets recently too, So that's.
Speaker 2 (08:22):
Fucking right you did.
Speaker 4 (08:23):
What's the Sickness? Twenty fith anniversary seven Dust and Three
Days Grace opening. I don't give a fuck about Three
Days Grace, Big seven Dust guy back in the early thousands.
Speaker 2 (08:31):
Though, Oh my god, what is that fucking popular? A
song that Three Days Grace did? Oh that's what Spotify
is for true.
Speaker 4 (08:37):
Never too late, Animal, I have become so called life.
I'm just reading whatever pops up.
Speaker 2 (08:44):
Oh I hate everything about you.
Speaker 4 (08:46):
Oh yeah, I didn't realize that was them. Oh, I
can't wait to hear that song. Man, thirteen million monthly
listeners on Spotify. That song is eight hundred and twenty
two million fucking plays.
Speaker 2 (08:56):
That's crazy. Oh my god, that was what fuck? And
what year did that come out? That's probably like eighth
grade two thousand and three.
Speaker 4 (09:04):
Two thousand and three, Huh yeah, I was a junior.
Speaker 2 (09:08):
In high school, seventh grade. I think for me cool
seventh or sixth grade?
Speaker 4 (09:12):
Cool cool, cool cool cool TI tight.
Speaker 6 (09:14):
Tight tight, Sure, Grandpa, let's get you backed in the home.
Speaker 2 (09:19):
That's like the meme I was thinking about it. Sure thing, grandma.
Speaker 4 (09:23):
Fuck, speaking of angry people, I'm going to see Lewis
Black tomorrow night on an accident.
Speaker 2 (09:27):
Fuck. I've always wanted to see him live.
Speaker 4 (09:29):
Have I ever told you how this transpired?
Speaker 2 (09:32):
No, tell me more.
Speaker 4 (09:34):
Nathan text Ken, I am not going to describe who
these people are. If you've been listening to so long enough,
you know those names. And then all of a sudden
one day, Nate texts Ken and I and it's just
here's our tickets, and I just I legitimately sat there
for a couple of minutes, and I responded and I said,
did I get drunk and agreed to something I don't remember?
(09:55):
And then within thirty seconds Ken calls me. He goes, dude,
I'm sorry he was. You had just got done telling
me that you enjoyed Lewis Black's special on YouTube, And
I said to Nate, I bet Matt would be down,
and I said, hey, man, can you like, yeah, the
special was cool on my couch. I don't necessarily want
to go to Milwaukee. Can you please find someone to go?
And if you can't, like, I'll go. That was my
(10:17):
mistake because then I don't think Ken Treadroll. I saw
him ask one person and then he was just like, oh, yeah, sorry,
so this is like what happened. And I was like,
I know what you did. It's fine, but like, I
don't really want to be going, but it'll be fun.
At least it's like a seven pm show, so to
(10:37):
be early. And then I didn't realize this is his
last tour. So now I feel a little better about going.
Speaker 2 (10:43):
Oh is it?
Speaker 4 (10:43):
God?
Speaker 2 (10:44):
Damn it?
Speaker 4 (10:44):
Yeah, Well see he says it's his last tour, so
that is going to be.
Speaker 2 (10:52):
Really interesting, a really interesting show.
Speaker 4 (10:54):
I'd like to explain the ten the next ten days
of my life and what's happened, because it's like the
juxtaposition of what's happening now.
Speaker 2 (11:02):
I hate that word continue, do you really? Yeah? I
just hate it. You used it properly and not annoyingly,
and I think it's six years of friendship. That's the
first time I've ever heard you say it. So that's fine.
Speaker 4 (11:13):
Oh, I was like, it's not a word I really
say a whole lot.
Speaker 2 (11:15):
That's why it was fine. But I hate when people
discover how to use that word and they're like, jokes,
this should every chance they get.
Speaker 4 (11:25):
I try really hard not to use like smart sounding words.
They're like Pepper, like, use them sparingly and accordingly, and
then they're not annoying as fuck.
Speaker 2 (11:36):
Yes, continue, tell me your ten days.
Speaker 4 (11:38):
So tomorrow night's Lewis Black. Saturday night we're playing a
show that I whatever. Wednesday we're going to see Pink.
The following Monday is ICP.
Speaker 2 (11:48):
You're busy boy.
Speaker 4 (11:50):
Just think about that stand up comedy top forty Juggalos.
Speaker 2 (11:56):
You know, if I was going to describe your life.
Speaker 4 (12:01):
That's the best way to do it.
Speaker 2 (12:04):
It really is.
Speaker 4 (12:08):
And now Dylan's legend announcements out there, so we.
Speaker 2 (12:12):
Can talk about oh yeah, yeah, we can.
Speaker 4 (12:14):
The number of fucking text messages I got, what does
this mean? I'm like, I don't.
Speaker 6 (12:19):
Know, they gave money. You're not his keeper, I'm not
his fucking handler.
Speaker 2 (12:25):
Guys, I mean kind of are a little in.
Speaker 4 (12:29):
Some facets of life. I am trust me, I understand
that that's.
Speaker 2 (12:33):
And again, ten years ago, did you ever think no,
you would be where you are?
Speaker 4 (12:39):
No? Absolutely not, And I'm not complaining it is. It's weird.
It's a weird. It's a weird feeling. You and I
have talked about this is. It's just it's a weird thing,
for sure. I listened to his podcast. He says my
name and he only refers to me by full first
and last name, which is very odd to me. But
(12:59):
it's like a lot of people hear this. Not a
lot of people just heard my name. It's fucking weird.
Like I hate going out public with him because people
always stop him, and I know he hates it.
Speaker 2 (13:08):
He hates it.
Speaker 4 (13:09):
We went to Blank when he too, and I think
there was like seventeen people stopped him. Now I should
say no, Creed was seventeen, Blank was two.
Speaker 2 (13:17):
God's Mack was one And do they just say.
Speaker 4 (13:19):
Oh shit, it's hornswoggle and then he just tips his
hat and we keep walking. But then yeah, and I'm
always like, are you sure you don't want to talk
to him? Because it's it's fine.
Speaker 2 (13:28):
Okay, But I also don't think he's the type of
person and I could be wrong to be like if
someone was like, oh my god, I've loved you forever,
can like you sign this, like he'd be like, eat
a dick, No.
Speaker 4 (13:38):
One hundred percentyone. Yeah, we've talked, and I'm sure I've
told you. But he basically said, like, when people stop caring,
that's when it's a problem. So as long as people
still care, it's it's a good thing. But I just
I always feel bad because it's like he's just trying
to hang out with like his friends and his girlfriend
and shit, and people are stopping him.
Speaker 2 (13:56):
But at least it's still relevant exactly. Alrighty well, those
are the things that fuck. It's early in the show,
all right. This week on Monster Vannas, we are covering.
Speaker 6 (14:08):
Twenty twenties worst movie Ever.
Speaker 2 (14:11):
We're also known as Bodies, Bodies, Bodies. This film is
rated R. It has a runtime of one hour and
(14:31):
thirty four minutes. It was released on March fourteenth, twenty twenty,
twenty twenty. I don't know why I wrote twenty twenty two,
but or maybe I don't know. Am I wrong here?
Speaker 5 (14:41):
No? No?
Speaker 4 (14:42):
Yeah, March fourteenth, twenty twenty two is the actual release date.
I think it was film. Nope, you fucked up. I
thought somewhere maybe it was originally supposed to come out
in twenty twenty and then with the pandemic and everything. Yeah,
photography Perpsal photography started in May twenty twenty one.
Speaker 2 (14:57):
Oh my bad, twenty twenty twos. These bodies Bodies the
first mistake I've ever made on.
Speaker 4 (15:02):
This show, me too.
Speaker 2 (15:06):
The production companies are two AM and A twenty four.
It was distributed by A twenty four, TME Films, Columbia Pictures,
Sony Pictures. Special effects are Cadence Effects. It was directed
by Helena Regeen and it was written by Sarah de lap.
It is a story by Kristin Ropinian.
Speaker 4 (15:29):
I wish Kristen Rapinion would have kept this story in
her fucking head.
Speaker 2 (15:33):
Here's the thing. Her story is probably better than what
we saw one thousand percent. The stars are A Mandla,
It's not Amanda, it's Amandla Stenberg, Maria Baklova, Mikayla, Rachel Sante, Chase,
Sue Wonders, Pete Davidson, Lee Pace, and Connor O'Malley. Some
(16:00):
taglines for this film, this is not a safe space.
Who wants to play. They're dying to play awful. What's
the budget?
Speaker 4 (16:12):
Too much? Three million dollars, which probably one million of
that went to fucking Pete Davidson in his giant cock
It made fourteen million.
Speaker 2 (16:22):
That's shockingly high.
Speaker 4 (16:24):
It really is.
Speaker 2 (16:25):
I guarantee you. It's literally only because of Pete Davidson
that was the draw, and then it fell off because
of how much he sucks.
Speaker 4 (16:33):
Uh. Have you ever seen King of Staten Island?
Speaker 2 (16:36):
No? Because I really don't like him fair enough.
Speaker 4 (16:39):
It's not a bad movie, but like, he plays the
same character, the same style of character in this as
he doesn't fat which that is just kind of a
stretch bio pic of his life. But like so he
just plays himself, but it doesn't work in this situation.
I just I don't know. I fucking I'm fully transparent.
I didn't finish this be the first time I watched it.
(17:01):
It was very difficult for me to finish at this time,
and I hated it even more now that I finished it.
Shocking it's better not knowing the twist of the movie.
Speaker 2 (17:11):
I figured out what was going on almost immediately.
Speaker 4 (17:16):
What I don't want to jump ahead too far, but
like you knew that he accidentally killed himself.
Speaker 2 (17:25):
Within a few minutes of everybody panicking and stuff like that,
I was like, this, it was an accident. It's going
to be one of these situations where they think, because
they're all fucked up, they're all immature, they're all paranoid,
they're gonna think that something someone tried to kill him.
(17:45):
And in my head as the movie was going on,
I was like, not a single person has a legit motive.
It would be too obvious if it was the older dude,
it would be too obvious. If it was the girlfriend,
be too obvious if it was foreign chick. And then
you leave the best friend and then the fucking weirdo
(18:06):
Jordan I think her name was. It's like it just
I was like, there's no way, there's no reason for
this to be happening. And I was immediately turned off
from the movie. I was just like, I don't know
how he did it, but I could guarantee you if
it was an accident.
Speaker 6 (18:20):
Yeah, but before we.
Speaker 4 (18:23):
Shit all over this thing.
Speaker 2 (18:24):
Yeah, lead us in with the plot, sir, since we
already spoiled everything.
Speaker 4 (18:30):
Yeah, I mean, be a working class young woman from
eastern Europe travels with her wealthy girlfriend Sophie to a
hurricane party. You gotta be fucking kidding me. What someone
just messaged like six pm? Some guy fucking just straight
(18:50):
messages like this is a work thing. You should put
in a ticket. Be a working class young woman from
Eastern Europe travels to with her wealthy girlfriend Sophie to
a hurricane party in a mansion owned by a family
of David. Sophie's friend, I didn't know that real quick
hurricane parties are a real thing.
Speaker 2 (19:08):
I didn't know that was a real thing.
Speaker 4 (19:10):
A buddy of mine lived in South Carolina for a while,
and I said something when Alyssa got stuck in Georgia,
and he goes, yeah, I went to a hurricane party once,
like huh yeah. Other guests include David's aspiring actress girlfriend Emma,
the podcaster Alice, her much older new boyfriend Greg, and
the enigmatic Jordan Max, another guest left after a fight
(19:31):
with David the night before. Sophie and Bee arrived. After drinking,
using drugs, and dancing, the group decides to play Body's
Body's Bodies, a murder in the Dark style game. Greg
goes to bed early due to hostility throughout the game
with David, who also leaves soon after another fight with Emma.
As the storm worsens, the power goes out and the
girls scrambled to find a power source. Minutes later, B
finds David outside with his throat slashed a bloodstained cookery nearby.
(19:56):
Panicked and without SEBT reception, the group tries to go
for help in Sophie's car, finds its battery dead due
to be excidentally leaving its lights on. Group discovers Greg
has a go bag with a knife and a map
of the area, and becomes suspicious of him. They fearfully
confront Greg, who is hostile in return, at first believing
it might be part of the game. After a struggle,
B bludgeons him to death with a kettlebell out of fear.
Group doubts that Greg was the killer, and Emma theorizes
(20:17):
that Max, who had confessed feelings for her the night before,
returned to kill David. Sophie, as sober addict, relapses and
verbally attacks Emma. After apologizing, Emma kisses her to Sophie's confusion,
before accepting drugs. Alice later finds Emma dead from a
head wound at the bottom of the stairs and believes
the group is being killed one by one. Jordan and
Alice cast suspicion on Bee, revealing that no one with
her name is on record as having graduated from her college.
(20:41):
They throw Bee out into the hurricane. Returning to Sophie's car,
B finds underwear that matches Jordan's braw On the back seat.
She sees Jordan holding David's father's gun in a window,
then crawls back inside through a pet door. B confronts
the group, revealing that she dropped out of college to
take care of her mother, who has borderline personality disorder.
A vicious argument ensusan, which is revealed that Jordan was
the killer in the Body's Body's Bodies game. She reveals
(21:03):
resentment to Sophie Durr due to her drug addiction and
using David to regain access to her trust fund. She
claims Sophie cheated on Bee with him, which Sophie denies.
Sophie expresses why she would not date Jordan, that she
avoids her friends because their behavior challenges her sobriety, and
reveals that Jordan only hate listens to Alice's podcast after
Alice responds by insulting Jordan's insecurities. Jordan shoots Alice in
(21:25):
the leg. They struggle for the gun, and Alice is
fatally shot in the throat. That Sophie and Jordan fight,
Be pushes Jordan out the staircase banister with her dying breath.
Jordan tells Be to check Sophie's text messages and shoots
in the direction multiple times. The trustful distrustful Bee hides
from Sophie. When morning comes and the storm is blown over,
Sophie tearfully confesses to Be that she relapsed witnessed Emma
(21:47):
tripping and falling down the stairs to her death. However,
Be holds her at gunpoint, demanding to see her texts.
Sophie tosses her phone away and they struggle, inadvertently picking
up David's phone in the process, which shows that David
accidentally slashed his own throat while trying to use the
track curry to open a champagne bottle, which Greg had
done earlier for a TikTok video, revealing that there was
no real murder after all. Being Sophie realized the bloodshed
(22:10):
was all for nothing. It confused Max returns to the mansion.
Power returns. When Max acts what happened, b only says
that she now has service on her phone.
Speaker 5 (22:20):
Boo.
Speaker 2 (22:25):
Yeah, it was just not good, not good.
Speaker 4 (22:28):
Sorry. Pete Davidson's acting is fucking trash.
Speaker 2 (22:32):
All of their acting is trash.
Speaker 4 (22:34):
Yes, yes, but someone who's as well known as him,
and you should expect a little better, should you.
Speaker 2 (22:41):
I don't think so. I think that the only okay.
First off, to stay in line with the movie, the
only scene I enjoyed was when Alice got shot in
the leg and her reaction to that. I was like,
that was kind of funny, like just the complete of
being shot in the leg.
Speaker 4 (23:01):
But you made a really good point, is that was
kind of funny. There's no fucking humor in this movie.
There are things that are kind of funny, but nothing
that's truly funny. The fact that it was labeled in
this is no fault to you. Not it was on
a list, but exactly, and it's like it's labeled as
a horror comedy. It's on horror comedy lists. It's not
(23:23):
fucking comedy at all.
Speaker 2 (23:26):
What are like, what is like the like the rotten
tomatoes of this? Is it even good?
Speaker 4 (23:33):
I don't trust Rotten Tomatoes though. And I had this
conversation with someone because the movie Stream just came out
and Rotten Tomatoes is like ninety five percent. Someone I
know texted me and said, like, it's really bad outside
of all the cameos, which sucks because there's a ton
of cameos, but there was something. It's the guy people
who did terrify her. That's why I was so excited
(23:54):
about Stream. But point being, Rotten Tomatoes gave it a
fucking ninety five percent from the critic, So I'm curious
what they gave body bodies bodies.
Speaker 2 (24:05):
I mean, they gave what.
Speaker 4 (24:09):
Is the popcorn meter normal people and the tomato meters critics.
I think, so, yeah, eighty six percent is what.
Speaker 2 (24:18):
Critics bullshit and bullshit.
Speaker 4 (24:20):
The popcorn meter was sixty nine percent, which is still nice.
Even I think that's too high.
Speaker 2 (24:29):
So, I mean, it's way too high. But as you
have it up, look up, I blame society.
Speaker 4 (24:37):
Sorry, someone gave Salem Salem's Lot his awful reviews on here.
Speaker 2 (24:41):
I don't hate I didn't hate it. I watched it.
Speaker 4 (24:44):
Oh you've seen the new one?
Speaker 2 (24:45):
Yeah, I didn't know it was even.
Speaker 5 (24:49):
Oh Yeah.
Speaker 2 (24:49):
It came out on the fourth and my dad like
harassed me immediately because that's his favorite Stephen King, and
he loved it. I enjoyed it for what it was, Mike.
Here's the thing. If I want every single detail that's
in the book already.
Speaker 4 (25:03):
The book, So is it worth watching or not?
Speaker 2 (25:06):
I thought it was. I enjoyed.
Speaker 4 (25:08):
It's only it's only an hour fifty I expected when
you were talking about every detail, it's gonna be like
two and a half. No.
Speaker 2 (25:14):
I do think it was rushed quite a bit, and
it would have been better as like maybe like a
five episode mini series to really tell the story that
you need to tell. But I didn't hate it. It
was creepy.
Speaker 4 (25:29):
Yeah, it was good to answer your earlier question. I
blame society. Got a ninety percent on Rotten.
Speaker 2 (25:35):
You can't trust the Internet. You can't fucking trust the.
Speaker 4 (25:37):
Internet age because everything's bought. It's the same with review
like this is now. Why we have websites that validate
excuse me, validate reviews for things is because people just
get paid to do things like I don't want to
be on this planet anymore.
Speaker 2 (25:56):
That's why we have this podcast, because we're gonna tell
tell you the truth, so to reveal something because really quick,
ye are sleigh, I'm slaying.
Speaker 4 (26:05):
This movie same and then I'm gonna take a shit
on top of it. I'm gonna frost the.
Speaker 2 (26:10):
Cake insert slayer. But yeah, this is a major sleigh
because it just was not enjoyable. It was not enjoyable
at all.
Speaker 4 (26:24):
I have been dreading this moment since the day you
showed me the list of movies that we were gonna.
Speaker 2 (26:29):
Be watching for this What Bodies, Bodies Bodies.
Speaker 4 (26:31):
Yes, because I hated I watched it as soon as
it came out. I hated it, and now I finished
it and I hate it. I hate it more.
Speaker 2 (26:40):
Well, you know, let the hate flow through you. But
here's the thing. It was a Swiss cheese movie. First
of all, it was very obvious what was going on,
even though i'm AC didn't catch on to it. But
we forgive him.
Speaker 4 (26:55):
I will defend myself as I very much like I
don't like. I just want to be entertained, so I
don't really try to think. I don't try to figure
things out. I never have like I want to be entertained.
Speaker 2 (27:07):
I think I was getting so annoyed while watching it
trying to figure out what was going on, just so
I could kind of just mentally prepare full transparency.
Speaker 4 (27:16):
I was playing diabol of the whole time.
Speaker 2 (27:17):
That's fine, and I respect that. But in the same
vein last episode was actually supposed to be something different.
And if you listen to our freaky episode, which I
hope you did, that was the second time we recorded that.
Speaker 4 (27:31):
Yeah.
Speaker 2 (27:32):
During that same recording, we talked about a movie which
I will highlight very quickly called I Blame Society. The
fact that these movies are getting high percentage ratings on
the Internet is bullshit. Both of those movies suck so bad.
(27:53):
But you know what, there's someone out there that watches
that and watches Bodies, Bodies, Bodies and is like, this
is my favorite movie of all time and watches it frequently.
There has to be someone out there.
Speaker 4 (28:05):
It's the it's the fucking Nickelback argument. I don't care
that Nickelback exists. I care that there's a market for it. Yeah,
there's clearly a market for this shit. Like, if you
google someone sucking an asshole, Bodies Bodies, Bodies pops up.
I want to see a video of an adult sucking
another adults, asshole, you'll get bodies, bodies, bodies.
Speaker 2 (28:29):
There's a lot of imagery going on with that.
Speaker 4 (28:32):
That's how little I think of that movie.
Speaker 2 (28:35):
Yeah, it was. It was not good, And like there's
a scene at the very end that I actually rewound
and watched again because it doesn't make sense because go
figure b is trying to get away from Sophie and
then Sophie starts flipping out and tells her stuff that
(28:59):
she's already either witnessed or nose and I'm like, why
why is she repeating this shit?
Speaker 4 (29:04):
There's that. I also felt like there was just a
lot of like pandemic tropes that were just jammed in there,
like things that have become more prevalent after the pandemic
or sin since beginning of the pandemic. That like it
didn't make or break the movie, that she was a
recovering addict and now did drugs or liked it, and
a lot of the shit didn't fucking matter to anything. Yeah,
(29:26):
So I would be genuinely curious to get a summary
of this story. You don't pardon me, is reading anything
to find out like what they changed to make this
movie or anything. Was it like they thought Okay, we
have an idea if we put Pete Davison in it,
who's not even like the main character, if he wanted
him to be a more main male role in the movie,
(29:49):
make him the fucking weird tinder date as opposed to
the guy who owns the house. So he's around a
little longer, there's more interactions with him. It's just like
or changed one of the fucking females that make it
to the end to Pete Davidson and then someone else
fucking actually hacks themselves in the neck with a sword.
It just all right.
Speaker 2 (30:10):
So in the story that came out in twenty seventeen,
it was a short fiction story and it was a
psychological horror story. Kristen's short story, which appeared in her
collection You Know You Want This, also involves a murder
mystery party game. The story follows a similar setup where
a group of friends play a game where one person
is the murderer and others have to figure it out. However,
(30:32):
in the short story, the focus is more on the
psychological horror tension and the complex social dynamics between the characters.
The game is a metaphor for the underlying resentments and
issues between the group of friends, and the story leads
into a psychological unraveling of these tensions. The key differences
are the film itself is a visual and fast paced
thriller with humor disagree, while the short story is more
(30:56):
introspective and psychological in tone. The film leans into dark
comedy and social commentary, whereas the story is more serious,
exploring a more serious exploration of human psychology and tension.
While both center around a murder mystery game, the actual
events and outcomes of the movie and short short story
differ significantly, with the movie adding more layers of humor
(31:17):
and chaos to the horror thriller aspects. So it didn't
really tell me everything, obviously, But so from what I'm
gathering and now, I kind of want to read this
short story if they would have just kept it in
a serious tone and like really divult, like devolved this
group of friends, because that's the one thing that I
took from the movie while watching it. I was like,
(31:38):
when Sophie's confronting Jordan after they see Emma's dead, after
they know, like bees killed a fucking guy. You know,
Brent killed a guy.
Speaker 4 (31:46):
Me to talk to you about that, you're gonna want
to lay low for a while.
Speaker 2 (31:51):
You're still quoting. I was like, what do you need
to talk to me about that scene where she's just
literally Sophie's word vomiting everything that the group of friends like,
what's the what the problems are? And then she's just like,
I ghosted you guys because you guys enable me, and
you're fucking terrible for me, because like that's all I saw.
I'm like, you know, your friend is sober, you invited
(32:13):
her to a hurricane party, and you're just gonna get
fucked up, snort cocaine, drink and all that stuff. Yes,
she's putting herself in that situation.
Speaker 4 (32:22):
I was just gonna say this, like she could have
just said no, there was no path ever her being there.
Speaker 2 (32:27):
That too, they both made mistakes where it's like she
has the opportunity to say no, however she misses her friends,
but her friends do not have the wherewithal or the
maturity to be like, hey, we want to be a
part of your life. So when we do these things
and we hang out as a group, all of us,
we just will take a step back and not do
these things if it's going to trigger you or if
(32:50):
it's going to be an issue for you until you're
more comfortable being around us, and if not, then we
just don't do it. There's two two wrongs.
Speaker 4 (32:59):
That's a whole different story here, but I completely agree
with what you're saying.
Speaker 2 (33:03):
Is but if you're looking at the original story itself,
that's the only scene that represents all of that, where
she literally let like you hate listen to this girl's
podcast and make fun of her. You're a fucking blah
blah blah blah blah, You're a fucking bit blah blah blah,
Like just going down the list like we have. We
all have groups of friends where there are a I
(33:27):
think more when we were younger, when we're more inclined
to have like like more of like a group type
scenario with friends. I think as you get older, you
just kind of whittle out the people you don't really
want to associate with, and you know what have you.
But I remember having friends in high school where it's
just like this one group would always talk shit about
(33:51):
the other people if they weren't there. It's like, well,
why are you friends with them if you literally can't
stand them? But yet you're MySpace or your Facebook is
littered with these pictures of these people like me and
my bestie. It's like, clearly you're not, so why do
you act that way to their face? But that's, like
you said, a whole other argument for another day. I
(34:13):
don't know. Maybe that's because it's more amongst girls than
it would be dudes, because I went again. If you've
listened to this podcast for a long time, you know
that I've gone to an all girls Catholic high school.
A majority of my friends, you know, were girls for
a long time. And it's caddie and it's petty, and
it's all that type of shit that you see in
this movie. It's annoying. And at thirty three, I still
(34:36):
know people that are like this, which is why I
have like four friends and like three of them are men.
It's not like that with dudes, is it.
Speaker 4 (34:46):
Yeah?
Speaker 2 (34:46):
No, I'm talking about like when you were late high
school early college years with your group of friends. You
guys were just friends. It was probably simpler. You weren't
like did you see a fucking Joe was doing last weekend?
Or do you? I doubt it?
Speaker 4 (35:04):
I mean I feel like some people did, but overall, no,
Like I get what you're saying.
Speaker 2 (35:11):
Long story short, this movie sucks, so let's read some
monster minutias. As the film takes place almost exclusively in
a dark mansion, with the only source of light being
cell phones, a headlamp, and glow tubes, which is again
maybe the only other thing I enjoyed about the movie
is the lighting that they used. The cast had to
be instructed on how to light the scene themselves from
(35:33):
the cinematographer Jasper Wolf. Wolf proclaimed if any of the
casts misused their timing, the scenes would be unusable. You
would only see dark silhouettes. A man with Stenberg message
New York Times film critic Lena Wilson. After Wilson called
the film a ninety five minute advertisement for cleavage in
her review, Stenberg messaged her, saying, your review was great,
(35:58):
but maybe if you'd gotten your eyes off my tip,
you could have watched the movie. Shut the fuck up.
Speaker 4 (36:03):
Yeah, tits are great.
Speaker 2 (36:04):
They're not bad.
Speaker 4 (36:05):
But what do you mean they're not bad?
Speaker 2 (36:08):
No, they're pretty great.
Speaker 6 (36:09):
Yeah, but.
Speaker 2 (36:13):
The review of the movie was petty because the movie sucked.
Speaker 4 (36:16):
I completely agree. I'm just focused on tits.
Speaker 2 (36:19):
Besides the guy who played Greg and Pete Davidson you
haven't seen these people in any other shit guaranteed. Speaking
to Pete Davidson, he actually punched Lee Pace during the
tequila slap scene. However, Pace had given Davidson permission prior
to filming. The final line, I have reception sums up
(36:41):
the film for director Director Helena. Reception is more important
than anything. If we don't have reception, we don't have oxygen.
It seems.
Speaker 4 (36:50):
I would like to point out that Lee Pace has
not been in anything since this, so, regardless of the
fact that he was in the Hobbit movies, this appears
to be the end of his filmography for now.
Speaker 2 (37:00):
Hey man, sometimes you need a break.
Speaker 4 (37:02):
Sure. Uh.
Speaker 2 (37:03):
When Bee and Sophia arrive at the house, everyone is
holding their breath underwater in a reclining post. In reclining poses.
They all die by the end of the film. Uh,
the body count is five. David slices his own throat accidentally,
Greg is beaten in the head with a weight by Bee.
Emma brutally falls down the stairs, bashing open her own head.
(37:23):
Alice shot in the neck by Jordan in a scuffle
for the gun, and Jordan pushed over the railing into
tons of glass. Bottles by b Damn Bee, you got
two kills right there. And lastly, there's a lingering shot
of a dog door leading into the house, which is
how Bee gets back inside after being cast into the store.
Did you find that dog door to be weird? It
(37:44):
was like a fucking tunnel. Yeah.
Speaker 4 (37:46):
I mean at this point in the movie, I was
fucking whatever.
Speaker 2 (37:51):
I was fully and completely check the fuck out. I
don't want to talk about it anymore. I don't want
to me. Don't talk to me.
Speaker 4 (38:02):
What is that? I don't even know if that's from.
Speaker 2 (38:04):
But neither do eyes. That pudgy kid with a bowl cut,
don't call me, don't talk to me. That's how Matt
feels about most conversations with me. To be honest with you,
but any which way, that is your minuitious for Bodies,
Bodies Bodies, Me and Matt would not advise that you
(38:25):
watched this movie. It sucks ass as well as I
blame society. But I will never ever torture Matt again
talking about that movie. If I would have known that
Body's Body's Bodies was so bad, I would have cut it.
But here we are, we're already recording it. Hopefully Matt
doesn't lose the audio. Next time on Monster Badness, we
(38:49):
are at the penultimate. You, guys, we're gonna be talking
about a movie called Fresh. I have not seen this movie.
I don't know if Matt has.
Speaker 4 (38:58):
I know nothing about me neither.
Speaker 2 (39:01):
Again, it was on a list. I hope I wasn't
lied to. But yeah, this is the penultimate. We got
one more after this one, and then we are taking
our January break before we are back in February.
Speaker 4 (39:12):
So there's two left in the season. Yes, well, just
just clarifying because I had to do math and I
don't like that.
Speaker 2 (39:19):
I know your nose is bleeding.
Speaker 4 (39:20):
The problem is that Google says that people also search
for bodies, bodies bodies.
Speaker 2 (39:26):
Well, guys, if the movie Fresh sucks, then the next
movie is going to be something different. It might just
be me and Matt talking.
Speaker 4 (39:33):
Rotten Tomatoes give an eighty one percent. I am not hopeful.
Speaker 2 (39:38):
But we'll see what did it give I don't want
to say the name of the last last one that
we're watching. What did it give it on that? Where's
the rating on that?
Speaker 4 (39:47):
And I love that movie?
Speaker 1 (39:48):
Yeah you do.
Speaker 2 (39:49):
I'm excited to watch that. Yeah, son of a Bitch.
So fresh might not be great, but we will let
you know in two weeks about it, as we do.
But yeah, we're getting to the end of the season.
February kicks off when animals attack. That's already well underway
in the artistic stage, in the writing stage, in the
(40:11):
prep stage. I am very very excited. Matt is blase
as usual.
Speaker 4 (40:16):
Poop poop peepee poo poo stage.
Speaker 2 (40:19):
But yes, thank you so much for listening to this episode,
and we will see you on the next one.
Speaker 6 (40:25):
Oh bye, What the fuck are you doing here?
Speaker 4 (40:31):
Sir? I missed you. We both thought that's a lie.
Nobody's ever missed me.
Speaker 5 (41:00):
Mm hmmmmmmm.
Speaker 2 (41:46):
Move me to my correct spot.
Speaker 6 (41:48):
Yeah, that you're bigger over here, that's what she said.
Fucking once.
Speaker 2 (41:57):
Uh, there's the blueber
Come one and all to the following segment of Enjoyment
and an Escape from reality. But beware the show you
are about to bear witness to will not hold back
when it comes to spoilers, language, and things not appropriate
for work or children.
Speaker 2 (00:21):
If you continue on, we hope.
Speaker 1 (00:22):
That you laugh at the banter, that you are thrilled
by the topic of discussion, and marvel at the host's
dedication to their craft, because you can only get that
type of treatment here at Monster Madness.
Speaker 2 (00:34):
You have been warned you.
Speaker 3 (00:39):
I mean, he's like like your mom would be like, oh,
he's hot. Not your mom, I mean moms in general,
moms that have been married for like ten fifteen years
and they see like him going out of a starbars Alice.
Speaker 4 (00:49):
Got to bring somewhere without telling them, so you do
read the chat? Why is everyone so obsessed with the chat?
Speaker 3 (00:54):
Here?
Speaker 4 (00:54):
Here, here, I'm here when here together?
Speaker 5 (00:56):
Right? Why are we worrying about the chat.
Speaker 4 (00:58):
When we could just live in the month.
Speaker 3 (01:00):
Yeah, it's because you went to rehab and you're not
on drugs, so like everything's like, why don't we just
all be cool?
Speaker 5 (01:06):
Man?
Speaker 4 (01:08):
You have a little problem with Greg.
Speaker 3 (01:11):
November Jack the New Pod I'm not used to it
inhaling yet.
Speaker 4 (01:15):
What is he like forty?
Speaker 3 (01:17):
I know, I think I Alic found him on tender
or some shit. Apparently he was in Afghanistan. I think
he was in the army or some shit. So, well,
that's hot, he's not He's not like that.
Speaker 5 (01:27):
Pop.
Speaker 4 (01:28):
You don't have to think he's attractive. Only Alice has
to think that he's attractive. Like I feel like I'm
more attractive than that. You do, absolutely, what are the
features that your brains? Well, I just look like I fuck.
Speaker 3 (01:41):
You know what I mean?
Speaker 4 (01:42):
I look like I fuck. And that's the vibe I
like to put out there.
Speaker 3 (01:46):
Yeah, no, yeah, he's he's really handsome.
Speaker 4 (01:49):
Whatever. We don't have to talk about it all the time.
Speaker 2 (01:53):
Hi, Hello, and welcome to this week's episode of Monster Man.
It's a podcast dedicated to all sorts of creatures, features
and l I'm Erica and joined with me as a
man who is feeling the Christmas spirit flow through him
my delightful.
Speaker 4 (02:07):
Co host Matt number once who I ever said those
words together? Because I'm very vocal about the fact that
I could really take or leave Christmas.
Speaker 2 (02:16):
You literally said it last episode vehemently vehement discussion vement.
Speaker 4 (02:21):
I know you're on this big AI train. Did you
ai my voice to say it? Or did I get
magically super drunk and say it and I forgot about it.
Speaker 2 (02:29):
We were talking about because Thanksgiving was the last episode,
and we were talking about holidays, and then you went
on a tangent about.
Speaker 6 (02:36):
Christmas and how I don't really care for it. I
could take her leave it, yes, yeah.
Speaker 2 (02:41):
Yeah, but now we're in December, we have to talk
about Christmas.
Speaker 4 (02:44):
Oh no, no, thank you.
Speaker 2 (02:50):
You can find Monstermanis on all your favorite podcasts and platforms,
social media sites and things of that nature. Matt does
stream video games and drum sessions from time to time,
so you could check that out on our Twitch channel.
To support this show, you could do so in many
different ways, such as buying merrich, donating to the show,
or simply leaving a review on your favorite podcasting provider.
Those five stars go a long way. All links for
(03:10):
the aforementioned things will be posted in our show notes. Matt,
you got anything, does anything fuck for you? This week?
I'm switching things up already.
Speaker 4 (03:19):
We had Frederick's brand Potato chips, which are a Myyer
brand Jalapino chips. Those are really fucking good. Trying to
think of what I hate. I haven't tried the international
Pringles yet, I said, I have those. Fucking there's like
a new Pringle chip thing. I have those. I haven't
tried them yet. I know. I'm just like, I have
all these things, but I don't know who they are.
Speaker 2 (03:40):
Well, per your advisement, While you're thinking Pringles mingles, what
the hell.
Speaker 4 (03:46):
Is that light airy crispy? I got the sharp white
cheddar and ranch. Apparently have Dill Picklin ranch, which I
didn't know was an option before.
Speaker 2 (03:56):
Oh where did you find?
Speaker 4 (03:58):
Usually I come on a towel, but a bag would
work too.
Speaker 2 (04:01):
Disgusting.
Speaker 4 (04:02):
Yeah, I saw there's some solid shit coming out though.
Speaker 2 (04:06):
Oh I want to try the all dressed Springles.
Speaker 4 (04:08):
Dude, those are so good? Literally should I'm not? I'm
shit you not. The last like four times I've gotten Pringles,
they've always been the all dressed ones, and I just
kill like half a tube at a time. They're so good.
I love all dress like I'm so picky with vinegar.
The older I get, the more I like it. But
the all dressed flavors Pringles specifically it's like the right
amount of vinegar.
Speaker 2 (04:29):
First of all, Pringles has the perfect slogan once you pop,
you can't stop, because it is the truest thing I've
ever experienced. I can't stop. They are so good.
Speaker 6 (04:40):
Yeah, yeah, nay.
Speaker 2 (04:42):
I actually can't even think of a Pringle that I've
tried that. I'm like, I hated it.
Speaker 4 (04:53):
I feel like there was one the everything bagel wasn't
great and the Mexican street corn was very, very open.
Speaker 2 (05:00):
That's fair. I feel like anything that's like we're everything flavored,
like bagel flavored or whatever, those are always kind of
fall flat. I've had chips that were everything flavored and
I'm like, eh, but I love all dressed. I want
to try them now.
Speaker 4 (05:14):
I goes Sorry, there's a new hot Ones one.
Speaker 2 (05:19):
Now I'm gonna go to Walmart this week. Barbarica, get
myself some mingles. I don't like Barbacoa, I don't hate it.
Speaker 4 (05:26):
The Harvest blends are really good too. It's like the
Sweet Potato Mix forever reason like even some chips, like
the black Bean, some chips I really like. I don't
know if you ever talked about those, Yeah, but like
it's it's the texture of like the bean weany graininess
that is delightful.
Speaker 2 (05:48):
Yeah, So, per your advisement, I tried the chicken Mac.
I got Extra Max sauce on it, Big Max sauce
on it.
Speaker 4 (05:57):
Delicious, And that's what I told you. Like, I think
because you like Big Max so much.
Speaker 2 (06:02):
That you were going to be a crazy I like
them a fair amount.
Speaker 4 (06:06):
I'm pretty sure at one point in my life you
told me that you would die for a big Mac.
Speaker 2 (06:11):
I feel like that's extreme.
Speaker 4 (06:12):
I feel like it's true.
Speaker 2 (06:15):
Was I inebriated and or pregnant at the time when
I said these?
Speaker 4 (06:19):
Probably pregnant, uh, because I think I was like, Hey,
I'm gonna go to McDonald's. And I think it was
you said I'd fucking die for a big Mac, or
I would walk through knee high grasshopper shit.
Speaker 2 (06:30):
For when I was pregnant with my second I just
wanted junk food like nobody's business. I remember one of
my happiest days was I went to go get Taco
Bell and someone didn't pick up their order before me,
and they're like, do you want this? And it was
like a whole box of tacos and I was like,
(06:50):
you just made my sentry. Yeah, I'm going to take
the fucking all of them, and sure enough, I ate
them all and my daughter turned out fine, still your child.
So yeah, she gave me a thumbs up while she
was taking a massive shit earlier, so I like popped
my head and to be like, hey, are you okay,
She's like I'm fine.
Speaker 4 (07:10):
Oh god, I thought it would be like the fucking
gift of the guy eating and he just like leans
out of the cubicle and gives the thumbs up.
Speaker 2 (07:16):
Well, like, I try, because she's she's still sick. She's three.
She's three, so she's she can't get on the toilet herself,
like I have to help her up because she's still
so tiny. And I'm like, okay, I'm gonna give you privacy.
And I walk out at the door and I just
kind of wait, like a few feet outside the bathroom,
(07:37):
and I was like okay, and all of a sudden
I hear and I just like peek a little bit
and she's leaning forward to see if she can see me,
and she's like I'm okay, and like just gives me
a thumbs up, and I'm like, oh.
Speaker 6 (07:49):
God, Jesus Christ.
Speaker 2 (07:52):
Yeah, parenthood it's the best for you, right, and then
I get to why ass? But yeah, Chicken, Big Max fuck.
Speaker 4 (08:04):
Best thousand dollars I ever spent. Not the Chicken, Big Mac,
the visectomy.
Speaker 2 (08:09):
Oh I know.
Speaker 4 (08:09):
I just was clarifying for the listener.
Speaker 2 (08:12):
It's been a while since I have getting snipped. It's
been a while.
Speaker 4 (08:17):
I did.
Speaker 2 (08:18):
I love that.
Speaker 4 (08:18):
I did buy Disturbed tickets recently too, So that's.
Speaker 2 (08:22):
Fucking right you did.
Speaker 4 (08:23):
What's the Sickness? Twenty fith anniversary seven Dust and Three
Days Grace opening. I don't give a fuck about Three
Days Grace, Big seven Dust guy back in the early thousands.
Speaker 2 (08:31):
Though, Oh my god, what is that fucking popular? A
song that Three Days Grace did? Oh that's what Spotify
is for true.
Speaker 4 (08:37):
Never too late, Animal, I have become so called life.
I'm just reading whatever pops up.
Speaker 2 (08:44):
Oh I hate everything about you.
Speaker 4 (08:46):
Oh yeah, I didn't realize that was them. Oh, I
can't wait to hear that song. Man, thirteen million monthly
listeners on Spotify. That song is eight hundred and twenty
two million fucking plays.
Speaker 2 (08:56):
That's crazy. Oh my god, that was what fuck? And
what year did that come out? That's probably like eighth
grade two thousand and three.
Speaker 4 (09:04):
Two thousand and three, Huh yeah, I was a junior.
Speaker 2 (09:08):
In high school, seventh grade. I think for me cool
seventh or sixth grade?
Speaker 4 (09:12):
Cool cool, cool cool cool TI tight.
Speaker 6 (09:14):
Tight tight, Sure, Grandpa, let's get you backed in the home.
Speaker 2 (09:19):
That's like the meme I was thinking about it. Sure thing, grandma.
Speaker 4 (09:23):
Fuck, speaking of angry people, I'm going to see Lewis
Black tomorrow night on an accident.
Speaker 2 (09:27):
Fuck. I've always wanted to see him live.
Speaker 4 (09:29):
Have I ever told you how this transpired?
Speaker 2 (09:32):
No, tell me more.
Speaker 4 (09:34):
Nathan text Ken, I am not going to describe who
these people are. If you've been listening to so long enough,
you know those names. And then all of a sudden
one day, Nate texts Ken and I and it's just
here's our tickets, and I just I legitimately sat there
for a couple of minutes, and I responded and I said,
did I get drunk and agreed to something I don't remember?
(09:55):
And then within thirty seconds Ken calls me. He goes, dude,
I'm sorry he was. You had just got done telling
me that you enjoyed Lewis Black's special on YouTube, And
I said to Nate, I bet Matt would be down,
and I said, hey, man, can you like, yeah, the
special was cool on my couch. I don't necessarily want
to go to Milwaukee. Can you please find someone to go?
And if you can't, like, I'll go. That was my
(10:17):
mistake because then I don't think Ken Treadroll. I saw
him ask one person and then he was just like, oh, yeah, sorry,
so this is like what happened. And I was like,
I know what you did. It's fine, but like, I
don't really want to be going, but it'll be fun.
At least it's like a seven pm show, so to
(10:37):
be early. And then I didn't realize this is his
last tour. So now I feel a little better about going.
Speaker 2 (10:43):
Oh is it?
Speaker 4 (10:43):
God?
Speaker 2 (10:44):
Damn it?
Speaker 4 (10:44):
Yeah, Well see he says it's his last tour, so
that is going to be.
Speaker 2 (10:52):
Really interesting, a really interesting show.
Speaker 4 (10:54):
I'd like to explain the ten the next ten days
of my life and what's happened, because it's like the
juxtaposition of what's happening now.
Speaker 2 (11:02):
I hate that word continue, do you really? Yeah? I
just hate it. You used it properly and not annoyingly,
and I think it's six years of friendship. That's the
first time I've ever heard you say it. So that's fine.
Speaker 4 (11:13):
Oh, I was like, it's not a word I really
say a whole lot.
Speaker 2 (11:15):
That's why it was fine. But I hate when people
discover how to use that word and they're like, jokes,
this should every chance they get.
Speaker 4 (11:25):
I try really hard not to use like smart sounding words.
They're like Pepper, like, use them sparingly and accordingly, and
then they're not annoying as fuck.
Speaker 2 (11:36):
Yes, continue, tell me your ten days.
Speaker 4 (11:38):
So tomorrow night's Lewis Black. Saturday night we're playing a
show that I whatever. Wednesday we're going to see Pink.
The following Monday is ICP.
Speaker 2 (11:48):
You're busy boy.
Speaker 4 (11:50):
Just think about that stand up comedy top forty Juggalos.
Speaker 2 (11:56):
You know, if I was going to describe your life.
Speaker 4 (12:01):
That's the best way to do it.
Speaker 2 (12:04):
It really is.
Speaker 4 (12:08):
And now Dylan's legend announcements out there, so we.
Speaker 2 (12:12):
Can talk about oh yeah, yeah, we can.
Speaker 4 (12:14):
The number of fucking text messages I got, what does
this mean? I'm like, I don't.
Speaker 6 (12:19):
Know, they gave money. You're not his keeper, I'm not
his fucking handler.
Speaker 2 (12:25):
Guys, I mean kind of are a little in.
Speaker 4 (12:29):
Some facets of life. I am trust me, I understand
that that's.
Speaker 2 (12:33):
And again, ten years ago, did you ever think no,
you would be where you are?
Speaker 4 (12:39):
No? Absolutely not, And I'm not complaining it is. It's weird.
It's a weird. It's a weird feeling. You and I
have talked about this is. It's just it's a weird thing,
for sure. I listened to his podcast. He says my
name and he only refers to me by full first
and last name, which is very odd to me. But
(12:59):
it's like a lot of people hear this. Not a
lot of people just heard my name. It's fucking weird.
Like I hate going out public with him because people
always stop him, and I know he hates it.
Speaker 2 (13:08):
He hates it.
Speaker 4 (13:09):
We went to Blank when he too, and I think
there was like seventeen people stopped him. Now I should
say no, Creed was seventeen, Blank was two.
Speaker 2 (13:17):
God's Mack was one And do they just say.
Speaker 4 (13:19):
Oh shit, it's hornswoggle and then he just tips his
hat and we keep walking. But then yeah, and I'm
always like, are you sure you don't want to talk
to him? Because it's it's fine.
Speaker 2 (13:28):
Okay, But I also don't think he's the type of
person and I could be wrong to be like if
someone was like, oh my god, I've loved you forever,
can like you sign this, like he'd be like, eat
a dick, No.
Speaker 4 (13:38):
One hundred percentyone. Yeah, we've talked, and I'm sure I've
told you. But he basically said, like, when people stop caring,
that's when it's a problem. So as long as people
still care, it's it's a good thing. But I just
I always feel bad because it's like he's just trying
to hang out with like his friends and his girlfriend
and shit, and people are stopping him.
Speaker 2 (13:56):
But at least it's still relevant exactly. Alrighty well, those
are the things that fuck. It's early in the show,
all right. This week on Monster Vannas, we are covering.
Speaker 6 (14:08):
Twenty twenties worst movie Ever.
Speaker 2 (14:11):
We're also known as Bodies, Bodies, Bodies. This film is
rated R. It has a runtime of one hour and
(14:31):
thirty four minutes. It was released on March fourteenth, twenty twenty,
twenty twenty. I don't know why I wrote twenty twenty two,
but or maybe I don't know. Am I wrong here?
Speaker 5 (14:41):
No? No?
Speaker 4 (14:42):
Yeah, March fourteenth, twenty twenty two is the actual release date.
I think it was film. Nope, you fucked up. I
thought somewhere maybe it was originally supposed to come out
in twenty twenty and then with the pandemic and everything. Yeah,
photography Perpsal photography started in May twenty twenty one.
Speaker 2 (14:57):
Oh my bad, twenty twenty twos. These bodies Bodies the
first mistake I've ever made on.
Speaker 4 (15:02):
This show, me too.
Speaker 2 (15:06):
The production companies are two AM and A twenty four.
It was distributed by A twenty four, TME Films, Columbia Pictures,
Sony Pictures. Special effects are Cadence Effects. It was directed
by Helena Regeen and it was written by Sarah de lap.
It is a story by Kristin Ropinian.
Speaker 4 (15:29):
I wish Kristen Rapinion would have kept this story in
her fucking head.
Speaker 2 (15:33):
Here's the thing. Her story is probably better than what
we saw one thousand percent. The stars are A Mandla,
It's not Amanda, it's Amandla Stenberg, Maria Baklova, Mikayla, Rachel Sante, Chase,
Sue Wonders, Pete Davidson, Lee Pace, and Connor O'Malley. Some
(16:00):
taglines for this film, this is not a safe space.
Who wants to play. They're dying to play awful. What's
the budget?
Speaker 4 (16:12):
Too much? Three million dollars, which probably one million of
that went to fucking Pete Davidson in his giant cock
It made fourteen million.
Speaker 2 (16:22):
That's shockingly high.
Speaker 4 (16:24):
It really is.
Speaker 2 (16:25):
I guarantee you. It's literally only because of Pete Davidson
that was the draw, and then it fell off because
of how much he sucks.
Speaker 4 (16:33):
Uh. Have you ever seen King of Staten Island?
Speaker 2 (16:36):
No? Because I really don't like him fair enough.
Speaker 4 (16:39):
It's not a bad movie, but like, he plays the
same character, the same style of character in this as
he doesn't fat which that is just kind of a
stretch bio pic of his life. But like so he
just plays himself, but it doesn't work in this situation.
I just I don't know. I fucking I'm fully transparent.
I didn't finish this be the first time I watched it.
(17:01):
It was very difficult for me to finish at this time,
and I hated it even more now that I finished it.
Shocking it's better not knowing the twist of the movie.
Speaker 2 (17:11):
I figured out what was going on almost immediately.
Speaker 4 (17:16):
What I don't want to jump ahead too far, but
like you knew that he accidentally killed himself.
Speaker 2 (17:25):
Within a few minutes of everybody panicking and stuff like that,
I was like, this, it was an accident. It's going
to be one of these situations where they think, because
they're all fucked up, they're all immature, they're all paranoid,
they're gonna think that something someone tried to kill him.
(17:45):
And in my head as the movie was going on,
I was like, not a single person has a legit motive.
It would be too obvious if it was the older dude,
it would be too obvious. If it was the girlfriend,
be too obvious if it was foreign chick. And then
you leave the best friend and then the fucking weirdo
(18:06):
Jordan I think her name was. It's like it just
I was like, there's no way, there's no reason for
this to be happening. And I was immediately turned off
from the movie. I was just like, I don't know
how he did it, but I could guarantee you if
it was an accident.
Speaker 6 (18:20):
Yeah, but before we.
Speaker 4 (18:23):
Shit all over this thing.
Speaker 2 (18:24):
Yeah, lead us in with the plot, sir, since we
already spoiled everything.
Speaker 4 (18:30):
Yeah, I mean, be a working class young woman from
eastern Europe travels with her wealthy girlfriend Sophie to a
hurricane party. You gotta be fucking kidding me. What someone
just messaged like six pm? Some guy fucking just straight
(18:50):
messages like this is a work thing. You should put
in a ticket. Be a working class young woman from
Eastern Europe travels to with her wealthy girlfriend Sophie to
a hurricane party in a mansion owned by a family
of David. Sophie's friend, I didn't know that real quick
hurricane parties are a real thing.
Speaker 2 (19:08):
I didn't know that was a real thing.
Speaker 4 (19:10):
A buddy of mine lived in South Carolina for a while,
and I said something when Alyssa got stuck in Georgia,
and he goes, yeah, I went to a hurricane party once,
like huh yeah. Other guests include David's aspiring actress girlfriend Emma,
the podcaster Alice, her much older new boyfriend Greg, and
the enigmatic Jordan Max, another guest left after a fight
(19:31):
with David the night before. Sophie and Bee arrived. After drinking,
using drugs, and dancing, the group decides to play Body's
Body's Bodies, a murder in the Dark style game. Greg
goes to bed early due to hostility throughout the game
with David, who also leaves soon after another fight with Emma.
As the storm worsens, the power goes out and the
girls scrambled to find a power source. Minutes later, B
finds David outside with his throat slashed a bloodstained cookery nearby.
(19:56):
Panicked and without SEBT reception, the group tries to go
for help in Sophie's car, finds its battery dead due
to be excidentally leaving its lights on. Group discovers Greg
has a go bag with a knife and a map
of the area, and becomes suspicious of him. They fearfully
confront Greg, who is hostile in return, at first believing
it might be part of the game. After a struggle,
B bludgeons him to death with a kettlebell out of fear.
Group doubts that Greg was the killer, and Emma theorizes
(20:17):
that Max, who had confessed feelings for her the night before,
returned to kill David. Sophie, as sober addict, relapses and
verbally attacks Emma. After apologizing, Emma kisses her to Sophie's confusion,
before accepting drugs. Alice later finds Emma dead from a
head wound at the bottom of the stairs and believes
the group is being killed one by one. Jordan and
Alice cast suspicion on Bee, revealing that no one with
her name is on record as having graduated from her college.
(20:41):
They throw Bee out into the hurricane. Returning to Sophie's car,
B finds underwear that matches Jordan's braw On the back seat.
She sees Jordan holding David's father's gun in a window,
then crawls back inside through a pet door. B confronts
the group, revealing that she dropped out of college to
take care of her mother, who has borderline personality disorder.
A vicious argument ensusan, which is revealed that Jordan was
the killer in the Body's Body's Bodies game. She reveals
(21:03):
resentment to Sophie Durr due to her drug addiction and
using David to regain access to her trust fund. She
claims Sophie cheated on Bee with him, which Sophie denies.
Sophie expresses why she would not date Jordan, that she
avoids her friends because their behavior challenges her sobriety, and
reveals that Jordan only hate listens to Alice's podcast after
Alice responds by insulting Jordan's insecurities. Jordan shoots Alice in
(21:25):
the leg. They struggle for the gun, and Alice is
fatally shot in the throat. That Sophie and Jordan fight,
Be pushes Jordan out the staircase banister with her dying breath.
Jordan tells Be to check Sophie's text messages and shoots
in the direction multiple times. The trustful distrustful Bee hides
from Sophie. When morning comes and the storm is blown over,
Sophie tearfully confesses to Be that she relapsed witnessed Emma
(21:47):
tripping and falling down the stairs to her death. However,
Be holds her at gunpoint, demanding to see her texts.
Sophie tosses her phone away and they struggle, inadvertently picking
up David's phone in the process, which shows that David
accidentally slashed his own throat while trying to use the
track curry to open a champagne bottle, which Greg had
done earlier for a TikTok video, revealing that there was
no real murder after all. Being Sophie realized the bloodshed
(22:10):
was all for nothing. It confused Max returns to the mansion.
Power returns. When Max acts what happened, b only says
that she now has service on her phone.
Speaker 5 (22:20):
Boo.
Speaker 2 (22:25):
Yeah, it was just not good, not good.
Speaker 4 (22:28):
Sorry. Pete Davidson's acting is fucking trash.
Speaker 2 (22:32):
All of their acting is trash.
Speaker 4 (22:34):
Yes, yes, but someone who's as well known as him,
and you should expect a little better, should you.
Speaker 2 (22:41):
I don't think so. I think that the only okay.
First off, to stay in line with the movie, the
only scene I enjoyed was when Alice got shot in
the leg and her reaction to that. I was like,
that was kind of funny, like just the complete of
being shot in the leg.
Speaker 4 (23:01):
But you made a really good point, is that was
kind of funny. There's no fucking humor in this movie.
There are things that are kind of funny, but nothing
that's truly funny. The fact that it was labeled in
this is no fault to you. Not it was on
a list, but exactly, and it's like it's labeled as
a horror comedy. It's on horror comedy lists. It's not
(23:23):
fucking comedy at all.
Speaker 2 (23:26):
What are like, what is like the like the rotten
tomatoes of this? Is it even good?
Speaker 4 (23:33):
I don't trust Rotten Tomatoes though. And I had this
conversation with someone because the movie Stream just came out
and Rotten Tomatoes is like ninety five percent. Someone I
know texted me and said, like, it's really bad outside
of all the cameos, which sucks because there's a ton
of cameos, but there was something. It's the guy people
who did terrify her. That's why I was so excited
(23:54):
about Stream. But point being, Rotten Tomatoes gave it a
fucking ninety five percent from the critic, So I'm curious
what they gave body bodies bodies.
Speaker 2 (24:05):
I mean, they gave what.
Speaker 4 (24:09):
Is the popcorn meter normal people and the tomato meters critics.
I think, so, yeah, eighty six percent is what.
Speaker 2 (24:18):
Critics bullshit and bullshit.
Speaker 4 (24:20):
The popcorn meter was sixty nine percent, which is still nice.
Even I think that's too high.
Speaker 2 (24:29):
So, I mean, it's way too high. But as you
have it up, look up, I blame society.
Speaker 4 (24:37):
Sorry, someone gave Salem Salem's Lot his awful reviews on here.
Speaker 2 (24:41):
I don't hate I didn't hate it. I watched it.
Speaker 4 (24:44):
Oh you've seen the new one?
Speaker 2 (24:45):
Yeah, I didn't know it was even.
Speaker 5 (24:49):
Oh Yeah.
Speaker 2 (24:49):
It came out on the fourth and my dad like
harassed me immediately because that's his favorite Stephen King, and
he loved it. I enjoyed it for what it was, Mike.
Here's the thing. If I want every single detail that's
in the book already.
Speaker 4 (25:03):
The book, So is it worth watching or not?
Speaker 2 (25:06):
I thought it was. I enjoyed.
Speaker 4 (25:08):
It's only it's only an hour fifty I expected when
you were talking about every detail, it's gonna be like
two and a half. No.
Speaker 2 (25:14):
I do think it was rushed quite a bit, and
it would have been better as like maybe like a
five episode mini series to really tell the story that
you need to tell. But I didn't hate it. It
was creepy.
Speaker 4 (25:29):
Yeah, it was good to answer your earlier question. I
blame society. Got a ninety percent on Rotten.
Speaker 2 (25:35):
You can't trust the Internet. You can't fucking trust the.
Speaker 4 (25:37):
Internet age because everything's bought. It's the same with review
like this is now. Why we have websites that validate
excuse me, validate reviews for things is because people just
get paid to do things like I don't want to
be on this planet anymore.
Speaker 2 (25:56):
That's why we have this podcast, because we're gonna tell
tell you the truth, so to reveal something because really quick,
ye are sleigh, I'm slaying.
Speaker 4 (26:05):
This movie same and then I'm gonna take a shit
on top of it. I'm gonna frost the.
Speaker 2 (26:10):
Cake insert slayer. But yeah, this is a major sleigh
because it just was not enjoyable. It was not enjoyable
at all.
Speaker 4 (26:24):
I have been dreading this moment since the day you
showed me the list of movies that we were gonna.
Speaker 2 (26:29):
Be watching for this What Bodies, Bodies Bodies.
Speaker 4 (26:31):
Yes, because I hated I watched it as soon as
it came out. I hated it, and now I finished
it and I hate it. I hate it more.
Speaker 2 (26:40):
Well, you know, let the hate flow through you. But
here's the thing. It was a Swiss cheese movie. First
of all, it was very obvious what was going on,
even though i'm AC didn't catch on to it. But
we forgive him.
Speaker 4 (26:55):
I will defend myself as I very much like I
don't like. I just want to be entertained, so I
don't really try to think. I don't try to figure
things out. I never have like I want to be entertained.
Speaker 2 (27:07):
I think I was getting so annoyed while watching it
trying to figure out what was going on, just so
I could kind of just mentally prepare full transparency.
Speaker 4 (27:16):
I was playing diabol of the whole time.
Speaker 2 (27:17):
That's fine, and I respect that. But in the same
vein last episode was actually supposed to be something different.
And if you listen to our freaky episode, which I
hope you did, that was the second time we recorded that.
Speaker 4 (27:31):
Yeah.
Speaker 2 (27:32):
During that same recording, we talked about a movie which
I will highlight very quickly called I Blame Society. The
fact that these movies are getting high percentage ratings on
the Internet is bullshit. Both of those movies suck so bad.
(27:53):
But you know what, there's someone out there that watches
that and watches Bodies, Bodies, Bodies and is like, this
is my favorite movie of all time and watches it frequently.
There has to be someone out there.
Speaker 4 (28:05):
It's the it's the fucking Nickelback argument. I don't care
that Nickelback exists. I care that there's a market for it. Yeah,
there's clearly a market for this shit. Like, if you
google someone sucking an asshole, Bodies Bodies, Bodies pops up.
I want to see a video of an adult sucking
another adults, asshole, you'll get bodies, bodies, bodies.
Speaker 2 (28:29):
There's a lot of imagery going on with that.
Speaker 4 (28:32):
That's how little I think of that movie.
Speaker 2 (28:35):
Yeah, it was. It was not good, And like there's
a scene at the very end that I actually rewound
and watched again because it doesn't make sense because go
figure b is trying to get away from Sophie and
then Sophie starts flipping out and tells her stuff that
(28:59):
she's already either witnessed or nose and I'm like, why
why is she repeating this shit?
Speaker 4 (29:04):
There's that. I also felt like there was just a
lot of like pandemic tropes that were just jammed in there,
like things that have become more prevalent after the pandemic
or sin since beginning of the pandemic. That like it
didn't make or break the movie, that she was a
recovering addict and now did drugs or liked it, and
a lot of the shit didn't fucking matter to anything. Yeah,
(29:26):
So I would be genuinely curious to get a summary
of this story. You don't pardon me, is reading anything
to find out like what they changed to make this
movie or anything. Was it like they thought Okay, we
have an idea if we put Pete Davison in it,
who's not even like the main character, if he wanted
him to be a more main male role in the movie,
(29:49):
make him the fucking weird tinder date as opposed to
the guy who owns the house. So he's around a
little longer, there's more interactions with him. It's just like
or changed one of the fucking females that make it
to the end to Pete Davidson and then someone else
fucking actually hacks themselves in the neck with a sword.
It just all right.
Speaker 2 (30:10):
So in the story that came out in twenty seventeen,
it was a short fiction story and it was a
psychological horror story. Kristen's short story, which appeared in her
collection You Know You Want This, also involves a murder
mystery party game. The story follows a similar setup where
a group of friends play a game where one person
is the murderer and others have to figure it out. However,
(30:32):
in the short story, the focus is more on the
psychological horror tension and the complex social dynamics between the characters.
The game is a metaphor for the underlying resentments and
issues between the group of friends, and the story leads
into a psychological unraveling of these tensions. The key differences
are the film itself is a visual and fast paced
thriller with humor disagree, while the short story is more
(30:56):
introspective and psychological in tone. The film leans into dark
comedy and social commentary, whereas the story is more serious,
exploring a more serious exploration of human psychology and tension.
While both center around a murder mystery game, the actual
events and outcomes of the movie and short short story
differ significantly, with the movie adding more layers of humor
(31:17):
and chaos to the horror thriller aspects. So it didn't
really tell me everything, obviously, But so from what I'm
gathering and now, I kind of want to read this
short story if they would have just kept it in
a serious tone and like really divult, like devolved this
group of friends, because that's the one thing that I
took from the movie while watching it. I was like,
(31:38):
when Sophie's confronting Jordan after they see Emma's dead, after
they know, like bees killed a fucking guy. You know,
Brent killed a guy.
Speaker 4 (31:46):
Me to talk to you about that, you're gonna want
to lay low for a while.
Speaker 2 (31:51):
You're still quoting. I was like, what do you need
to talk to me about that scene where she's just
literally Sophie's word vomiting everything that the group of friends like,
what's the what the problems are? And then she's just like,
I ghosted you guys because you guys enable me, and
you're fucking terrible for me, because like that's all I saw.
I'm like, you know, your friend is sober, you invited
(32:13):
her to a hurricane party, and you're just gonna get
fucked up, snort cocaine, drink and all that stuff. Yes,
she's putting herself in that situation.
Speaker 4 (32:22):
I was just gonna say this, like she could have
just said no, there was no path ever her being there.
Speaker 2 (32:27):
That too, they both made mistakes where it's like she
has the opportunity to say no, however she misses her friends,
but her friends do not have the wherewithal or the
maturity to be like, hey, we want to be a
part of your life. So when we do these things
and we hang out as a group, all of us,
we just will take a step back and not do
these things if it's going to trigger you or if
(32:50):
it's going to be an issue for you until you're
more comfortable being around us, and if not, then we
just don't do it. There's two two wrongs.
Speaker 4 (32:59):
That's a whole different story here, but I completely agree
with what you're saying.
Speaker 2 (33:03):
Is but if you're looking at the original story itself,
that's the only scene that represents all of that, where
she literally let like you hate listen to this girl's
podcast and make fun of her. You're a fucking blah
blah blah blah blah, You're a fucking bit blah blah blah,
Like just going down the list like we have. We
all have groups of friends where there are a I
(33:27):
think more when we were younger, when we're more inclined
to have like like more of like a group type
scenario with friends. I think as you get older, you
just kind of whittle out the people you don't really
want to associate with, and you know what have you.
But I remember having friends in high school where it's
just like this one group would always talk shit about
(33:51):
the other people if they weren't there. It's like, well,
why are you friends with them if you literally can't
stand them? But yet you're MySpace or your Facebook is
littered with these pictures of these people like me and
my bestie. It's like, clearly you're not, so why do
you act that way to their face? But that's, like
you said, a whole other argument for another day. I
(34:13):
don't know. Maybe that's because it's more amongst girls than
it would be dudes, because I went again. If you've
listened to this podcast for a long time, you know
that I've gone to an all girls Catholic high school.
A majority of my friends, you know, were girls for
a long time. And it's caddie and it's petty, and
it's all that type of shit that you see in
this movie. It's annoying. And at thirty three, I still
(34:36):
know people that are like this, which is why I
have like four friends and like three of them are men.
It's not like that with dudes, is it.
Speaker 4 (34:46):
Yeah?
Speaker 2 (34:46):
No, I'm talking about like when you were late high
school early college years with your group of friends. You
guys were just friends. It was probably simpler. You weren't
like did you see a fucking Joe was doing last weekend?
Or do you? I doubt it?
Speaker 4 (35:04):
I mean I feel like some people did, but overall, no,
Like I get what you're saying.
Speaker 2 (35:11):
Long story short, this movie sucks, so let's read some
monster minutias. As the film takes place almost exclusively in
a dark mansion, with the only source of light being
cell phones, a headlamp, and glow tubes, which is again
maybe the only other thing I enjoyed about the movie
is the lighting that they used. The cast had to
be instructed on how to light the scene themselves from
(35:33):
the cinematographer Jasper Wolf. Wolf proclaimed if any of the
casts misused their timing, the scenes would be unusable. You
would only see dark silhouettes. A man with Stenberg message
New York Times film critic Lena Wilson. After Wilson called
the film a ninety five minute advertisement for cleavage in
her review, Stenberg messaged her, saying, your review was great,
(35:58):
but maybe if you'd gotten your eyes off my tip,
you could have watched the movie. Shut the fuck up.
Speaker 4 (36:03):
Yeah, tits are great.
Speaker 2 (36:04):
They're not bad.
Speaker 4 (36:05):
But what do you mean they're not bad?
Speaker 2 (36:08):
No, they're pretty great.
Speaker 6 (36:09):
Yeah, but.
Speaker 2 (36:13):
The review of the movie was petty because the movie sucked.
Speaker 4 (36:16):
I completely agree. I'm just focused on tits.
Speaker 2 (36:19):
Besides the guy who played Greg and Pete Davidson you
haven't seen these people in any other shit guaranteed. Speaking
to Pete Davidson, he actually punched Lee Pace during the
tequila slap scene. However, Pace had given Davidson permission prior
to filming. The final line, I have reception sums up
(36:41):
the film for director Director Helena. Reception is more important
than anything. If we don't have reception, we don't have oxygen.
It seems.
Speaker 4 (36:50):
I would like to point out that Lee Pace has
not been in anything since this, so, regardless of the
fact that he was in the Hobbit movies, this appears
to be the end of his filmography for now.
Speaker 2 (37:00):
Hey man, sometimes you need a break.
Speaker 4 (37:02):
Sure. Uh.
Speaker 2 (37:03):
When Bee and Sophia arrive at the house, everyone is
holding their breath underwater in a reclining post. In reclining poses.
They all die by the end of the film. Uh,
the body count is five. David slices his own throat accidentally,
Greg is beaten in the head with a weight by Bee.
Emma brutally falls down the stairs, bashing open her own head.
(37:23):
Alice shot in the neck by Jordan in a scuffle
for the gun, and Jordan pushed over the railing into
tons of glass. Bottles by b Damn Bee, you got
two kills right there. And lastly, there's a lingering shot
of a dog door leading into the house, which is
how Bee gets back inside after being cast into the store.
Did you find that dog door to be weird? It
(37:44):
was like a fucking tunnel. Yeah.
Speaker 4 (37:46):
I mean at this point in the movie, I was
fucking whatever.
Speaker 2 (37:51):
I was fully and completely check the fuck out. I
don't want to talk about it anymore. I don't want
to me. Don't talk to me.
Speaker 4 (38:02):
What is that? I don't even know if that's from.
Speaker 2 (38:04):
But neither do eyes. That pudgy kid with a bowl cut,
don't call me, don't talk to me. That's how Matt
feels about most conversations with me. To be honest with you,
but any which way, that is your minuitious for Bodies,
Bodies Bodies, Me and Matt would not advise that you
(38:25):
watched this movie. It sucks ass as well as I
blame society. But I will never ever torture Matt again
talking about that movie. If I would have known that
Body's Body's Bodies was so bad, I would have cut it.
But here we are, we're already recording it. Hopefully Matt
doesn't lose the audio. Next time on Monster Badness, we
(38:49):
are at the penultimate. You, guys, we're gonna be talking
about a movie called Fresh. I have not seen this movie.
I don't know if Matt has.
Speaker 4 (38:58):
I know nothing about me neither.
Speaker 2 (39:01):
Again, it was on a list. I hope I wasn't
lied to. But yeah, this is the penultimate. We got
one more after this one, and then we are taking
our January break before we are back in February.
Speaker 4 (39:12):
So there's two left in the season. Yes, well, just
just clarifying because I had to do math and I
don't like that.
Speaker 2 (39:19):
I know your nose is bleeding.
Speaker 4 (39:20):
The problem is that Google says that people also search
for bodies, bodies bodies.
Speaker 2 (39:26):
Well, guys, if the movie Fresh sucks, then the next
movie is going to be something different. It might just
be me and Matt talking.
Speaker 4 (39:33):
Rotten Tomatoes give an eighty one percent. I am not hopeful.
Speaker 2 (39:38):
But we'll see what did it give I don't want
to say the name of the last last one that
we're watching. What did it give it on that? Where's
the rating on that?
Speaker 4 (39:47):
And I love that movie?
Speaker 1 (39:48):
Yeah you do.
Speaker 2 (39:49):
I'm excited to watch that. Yeah, son of a Bitch.
So fresh might not be great, but we will let
you know in two weeks about it, as we do.
But yeah, we're getting to the end of the season.
February kicks off when animals attack. That's already well underway
in the artistic stage, in the writing stage, in the
(40:11):
prep stage. I am very very excited. Matt is blase
as usual.
Speaker 4 (40:16):
Poop poop peepee poo poo stage.
Speaker 2 (40:19):
But yes, thank you so much for listening to this episode,
and we will see you on the next one.
Speaker 6 (40:25):
Oh bye, What the fuck are you doing here?
Speaker 4 (40:31):
Sir? I missed you. We both thought that's a lie.
Nobody's ever missed me.
Speaker 5 (41:00):
Mm hmmmmmmm.
Speaker 2 (41:46):
Move me to my correct spot.
Speaker 6 (41:48):
Yeah, that you're bigger over here, that's what she said.
Fucking once.
Speaker 2 (41:57):
Uh, there's the blueber
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