After 12 years as a composer for media, David Bertok is branching out into the world of concert music with his most recent project, ONE, which will be released in October. He joins Christine in this episode to discuss his journey through music, his belief in the human touch of music, and the perfection in imperfection and experimentation.
Topics include:
*David’s background from Germany to LA
*The value of a wide range of skills
*With new technology is human creativity necessary?
*Will AI make us appreciate live performances and creativity more in the future?
*What AI cannot do.
*What is the composing process for “ONE”
*David’s favorite pieces
*Improvising Baroque Counterpoint?
*Why create a neoclassical?
*From the DAW to the recording stage
*The advantages of live instruments
*The perfection in imperfection
*Advice for aspiring musicians
About our Guest:
https://www.davidbertok.com/
Composer of the award winning feature films "Peace by Chocolate" and "Botero", David Bertok writes for film, TV and the concert hall. After graduating from music college in Germany, David enjoyed a busy career as a live musician touring Europe with progressive rock bands opening for acts such as Scorpions and Saga. His band, Subsignal, reached the German album charts twice during his tenure as keyboarder, songwriter, lyricist and producer.
In 2012, he relocated to Los Angeles on a Fulbright Scholarship admitted to the famed Scoring for Motion Picture and Television Program at USC. David's creativity extends to songwriting, producing and more. After 12 years as a composer for media, David is branching out into the world of concert music with his most recent project, ONE, which will be released in October.
https://frostedlens.com/musicians-vs-the-world/f/david-bertok-on-his-neoclassical-album-one