Grab. Those. Usher. Tickets.

Ever found yourself in the middle of a sibling squabble about something as silly as a podcast intro? That's exactly where we land at the start of our latest episode, setting the stage for a whirlwind discussion that's part deep dive into black culture and part light-hearted familial shenanigans. We're sparring over Usher's timeless charm, musing on our favorite tracks, and even debating whether a latte should turn into a full-blown feast when someone else is picking up the tab. Buckle up for a joyride through music history, the weighty spectrum of representation, and the unwritten rules of coffee etiquette.

Strap in as we navigate the choppy waters of financial boundaries in relationships, all while our living room turns into an impromptu DJ booth. We're not holding back on calling out each other's tendencies to turn a bill into a financial game of chicken; you might even catch yourself nodding along as we recount those all-too-familiar moments of shared living. And for those of you wondering, "Is it just me, or do hotel room carpets always feel a bit icky?" you're in good company. Prepare for nods of agreement and bursts of laughter as we share our personal hotel stay deal-breakers.

Wrapping things up, we don't just tell you where to find us online; we're pulling back the curtain on the realities of social media promotion and the ups and downs of staying updated in the fast-paced world of music. Whether you're here for the behind-the-scenes sibling antics, the soulful sounds of R&B, or the social intricacies that make our lives so richly complex, this episode has a beat you won't want to miss. So tune in, and let's get this familial symposium started!


We let the AI write this one. Enjoy! 

Episode Transcript

Speaker 1 (00:00):
Cause ain't nothing but a cheap bang baby To blow
them jeans.
So we crazy Death grown getsthe label that pays man
Unfaithable.
So please don't try to fadethis.
But I'm back to the lecture athand.
Seven o'clock on my dot, I'm inmy dry top Cruisin' the street.

(00:21):
Yeah, I got a real pretty,pretty little thing.

Speaker 2 (00:27):
That's waitin' on me.
I don't want this podcast toturn into a podcast where you're
singing.

Speaker 1 (00:32):
I'll pull up Anticipating.
Good luck, girl, don't keep mewaitin', I got hand Plans plans
plans, plans to put my Hands inplaces.

Speaker 2 (00:51):
I've never been.
Do you know what I mean?

Speaker 1 (00:52):
Give my ticket to a place nice and quiet.
Hey, this is the origins, andI'd even do it back to the
lecture or legend at hand.
The origins of RMB Doug Waswhen I was so do you?

Speaker 2 (01:09):
have you not picked one or not decided on legend or
lecture?

Speaker 1 (01:13):
Why are you keep doing that.
I told you this is like a.
It's like a sitcom intro.
They do the same thing over andover again.

Speaker 2 (01:21):
Because that's what people do, you know.
I'm just saying like is itbecause you're a lack of effort
to actually Google what thelyrics are?

Speaker 1 (01:27):
Is it just like your signature?
You could actually also Googlethe lyrics.

Speaker 2 (01:30):
But I'm saying like, if I do, Hold on, if I do, you
could.
Google the lyrics.
If I, if I, do Google thelyrics, are you going to stick
to one or are you going tocontinue to do the lecture?

Speaker 1 (01:42):
or legend.
You could Google the lyrics.

Speaker 2 (01:45):
Answer the question.

Speaker 1 (01:46):
You could Google the lyrics.

Speaker 2 (01:48):
No, I'm saying, if I do, and I tell you which one it
is.

Speaker 1 (01:50):
The age was about.

Speaker 2 (01:52):
That's rude.
Why did you that's rude?

Speaker 1 (01:55):
That's not rude because you could.
It's, it's, it's part of theshow Yemi.

Speaker 2 (01:59):
So if it is, I just think it's tired.

Speaker 1 (02:01):
No, it's not tired.
Okay, you think everything istired.

Speaker 2 (02:04):
I'm tired.

Speaker 1 (02:05):
Yeah, so shut up anyways.

Speaker 2 (02:08):
Don't tell me to shut up and we record no podcast.

Speaker 1 (02:11):
How about you don't but interrupt me over some
foolishness?
I've been doing that since thebeginning, yemi.

Speaker 2 (02:16):
And I'm and that's what I'm asking like it's tired.

Speaker 1 (02:18):
So if I find out, y'all let me know if you tired
of it.
Okay y'all, let me know.

Speaker 2 (02:21):
Yeah, like if the joke is past, do it's okay, it's
not about it being a joke.

Speaker 1 (02:25):
It's the way I start to show okay, Okay the lecture
or legend at hand.

Speaker 2 (02:28):
Okay, that's what I'm saying.
Like is it, doesn't?

Speaker 1 (02:31):
dateline do it good evening.
From dateline.

Speaker 2 (02:33):
Yeah, if it's, if it's a bit of yours, I'm okay
with that.
Just let me know.

Speaker 1 (02:37):
So I know why would?
Why would I need to do that?
So you'll want to be annoyingthis on this podcast is what
you're saying.

Speaker 2 (02:42):
No, I'm just saying let me know, so I know how to
move forward To be, annoying.
No, so I don't say anything.

Speaker 1 (02:49):
You see, this is the problem clear communication.
This is why, sometimes, whenyou're a sibling a little sister
.

Speaker 2 (02:54):
We already know, we already know where you're gonna
go.
That's what I'm saying.
Your bits are you're, they'retired.

Speaker 1 (02:59):
They're not sorry, because that's not actually why
I was gonna say how would youlet me speak?
Okay, thank you for jumpingdown my throat.

Speaker 2 (03:03):
Go ahead.

Speaker 1 (03:03):
I don't have bits.
First of all, yemi, I'm acomedian, I'm naturally funny.
My jokes come from situationalSituations, so anyways then
guess what.

Speaker 2 (03:13):
Yemi how situations will arise, and we're talking
about us here today.
See, that's why they pay me thebig bucks.
No, no money.
Thank you and they don't payyou the big bucks because you
said it.
You set yourself up for a joke.

Speaker 1 (03:27):
All right, so you didn't even.
You think I didn't do that onpurpose.

Speaker 2 (03:30):
No, you didn't.
You didn't.
You did it because you didn'tsay it afterwards.
Anyways, stop talking so I canI do the intro.

Speaker 1 (03:37):
Can I do the intro?

Speaker 2 (03:37):
Yes, get there.

Speaker 1 (03:39):
Right, yeah, because I can't get there when somebody
keep cutting me off.
Why?

Speaker 2 (03:41):
are you yelling?

Speaker 1 (03:42):
because I'm looking what keep talking that you don't
want to shut the hell up, it'sjust me, you.
I I know that.
Thank you, yemi.

Speaker 2 (03:49):
I talk like this.

Speaker 1 (03:49):
Normally Do I not.
Thank you Anyways.
It can be one, only you,anyways she just said that she
didn't want to make this asinging podcast, and you sang
more than I have, anyways that'snot sure any ways.
Let me say it one more time anyways, the age was 10.

Speaker 2 (04:08):
Mm-hmm.
This is when, to be quitehonest, I feel like you've
already told this story for adifferent episode.

Speaker 1 (04:13):
I haven't, so actually I have not okay.
You want to loyal fans you wantto kill me off one more time.
Let me start a.
Let me.
Maybe, if I start talking, yemiwon't cut me off.
How about we do that?

Speaker 2 (04:23):
if you okay.

Speaker 1 (04:24):
Because you keep doing it.
I would tell the story.

Speaker 2 (04:26):
No, I have no problem with you telling the story, but
this is not the daisy monologuepodcast, so it's not a
monologue game.

Speaker 1 (04:32):
You cut me into five seconds and that's what I'm
saying.

Speaker 2 (04:35):
This is not the monologue podcast, so if I have
something to say, I'm gonna sayhow about?

Speaker 1 (04:40):
you just let me get.
Can we get to this, because?
All I was gonna say is that youhave first five minutes and
they'd be like they beefing,they arguing.
Please let's move on.

Speaker 2 (04:47):
This is banter.

Speaker 1 (04:48):
This is banter, it's not banter, banter, banter
anyways what.
Thank you, since Yemi doesn'twant me to tell that story.
No, I'm not saying that's not astory, nope.

Speaker 2 (04:58):
I'm just saying I have, I have other Stories and
you yelling over me is not good.

Speaker 1 (05:04):
I have other yummy.
You keep cutting me off, bro.
I've said two words, youjumping down the throat.

Speaker 2 (05:08):
I, let me, let me finish.

Speaker 1 (05:11):
Let me finish.

Speaker 2 (05:12):
No, but I have to interrupt you because I have to
make it a point.
I didn't want you to go on andtell a story you have already
told me.

Speaker 1 (05:17):
I haven't told that story.
You have, I have not okay.
Go ahead and tell it again, didyou?

Speaker 2 (05:23):
this is what happens I tell you something and you
negate anyways.

Speaker 1 (05:26):
I'm moving on.
Okay, I'm moving on.

Speaker 2 (05:28):
Thank you.
I'm trying to move mountainsand you ask.

Speaker 1 (05:30):
You keep on trying to keep me in a place.

Speaker 2 (05:32):
Here you go.
You should have said.
You should have said in thisclub no, because we're in the
house, please.

Speaker 1 (05:38):
I'm not trading no places, anyways, oh.

Speaker 2 (05:47):
You know, you got the spotter fire.

Speaker 1 (05:51):
I don't have spotter fire.
She lied to you.

Speaker 2 (05:54):
Oh, I don't have anything open.

Speaker 1 (05:55):
This is just because I know usher Right.
Anyways, let me confess.

Speaker 2 (06:03):
Let me confess you, you burning right now.
You burning right now.
You ain't gotta say nothing buta word you are burning right
now.

Speaker 1 (06:11):
So you know there's certain times in your life where
you have full circle moments.
You know what I'm saying.
I was going to start off Ofwhen I bought that album at 10
years old and albums used tocost $10.
I bought the cd at walmart.
You had me bought destinychilds.
I don't remember the album, butI was, destiny fulfilled.

(06:33):
Destiny fulfilled.
It was the brown with the withthe champagne gold.
Whatever, you know the album.

Speaker 2 (06:37):
It was black.
They had two cds, whatever.

Speaker 1 (06:41):
I was going to start with that, and then I was going
to end but we already told thatstory.
Nope, I was going to end withthis.
You'll be having these fullcircle moments and y'all know if
you, if you listen to Ourdreamville episode or if you
watch the vlog it's better, ifyou watch the vlog, the level of
excitement I had when I seenusher.

Speaker 2 (07:04):
Yeah.

Speaker 1 (07:06):
Could only be explained as childlike wonder
glee glee, joy, happiness,ecstatic, ecstatic.

Speaker 2 (07:17):
What ecstatic what?

Speaker 1 (07:21):
I was ecstatic.
What do you mean?
Okay, to see that man on that,on that, uh, on that stage.
A static is a word, yeah.
I know it's a word and Be in themoment To where you know you
hear songs like yeah, yeah, yeah, yeah, yeah, you know, and then

(07:43):
you hear them caught up, unitcaught up, or Confessions these
are my confessions, man, allthose things.
And To hear that this man isgoing on tour and I'm finally at
the age where I realize, if Idon't go start seeing the people

(08:05):
who I was, who the people Ienjoyed in my youth, Say, for
instance, like a Steph Curry,say a LeBron James, LeBron James
say a Carmelo Anthony before heretired.
If I don't see them now, I mightmiss my opportunity to actually
have that full enjoyment, youknow, and Usher in all his craze

(08:31):
, all this excitement, thegenius that he is says I'm gonna
give y'all a sneak peek of whata tour at 50 something Looks
like.

Speaker 2 (08:42):
He's not 50.

Speaker 1 (08:44):
How does he?
I mean?

Speaker 2 (08:45):
He's probably like the same age as Beyonce hold his
Beyonce like 30, 40, 41,beyonce's 41.

Speaker 1 (08:53):
Okay, look, look up usher Raymond's age, since you
want to always refuse me onsomething.

Speaker 2 (08:57):
I'm not trying to refuse you, I just think that
he's not 50.

Speaker 1 (09:01):
So the level of excitement that I have when I
seen usher Raymond Turned thewhole world into the a he's 45.
Hmm, I was closer than you werethe Level of excitement I had
when usher Raymond turned thewhole world into the a yeah

(09:24):
saying mama, we made it.
Yeah, I Was overjoyed one Torelive my youth.
Usher brings me back to asimpler time when I was ten,
didn't know nothing about whathis songs meant or life.
Or life.
Yeah, and I would just besinging all of these songs from
caught up To all the way toTrade and places round to.

(09:48):
You've been me, I've been you.

Speaker 2 (09:55):
Honestly, I really did like that song.

Speaker 1 (09:56):
That's a good song, I know that's a really good one.
That's like a top usher song,that is a top usher song the way
I used to be playing dreaded.

Speaker 2 (10:05):
You don't know what my favorite usher song is what
we'll get there.

Speaker 1 (10:08):
Okay allow me to lead the show no problem because
what I was going to go into isthat full circle moment.

Speaker 2 (10:13):
If we don't do it your way, it's no way.

Speaker 1 (10:16):
That's a lot.

Speaker 2 (10:16):
Okay.

Speaker 1 (10:18):
The full circle moment I thought, was that
dreamville, not?

Speaker 2 (10:21):
dream was a good it's good show.
Also, I wish I was like Maybelike 15% soberer, because by the
time usher came out I was drunkand I would say the room was
spinning but we was outside, soI was just spinning and like I
was getting videos and I was,but I just wanted to be in that
experience.
But yeah, dream though.

Speaker 1 (10:43):
No, all I was gonna say is I thought I had a full
circle moment and now to see thebeauty of music transcend
generations, yeah I think is oneof the coolest experiences that
I'm actually getting to be apart of, because to see my niece
Dance to usher like she was I,like I was dancing to usher, ten

(11:03):
years old- Well, you wasdancing to usher that night and
I was dancing to usher thatnight, holding by a niece, yn,
and I'm just so happy like itwas a really cool moment to see
One.
A whole entire family enjoyedmusic good music.
Yes black music.

(11:23):
Yes, yes in a black ass way.
Yes and I was just like this iswhat life should be.

Speaker 2 (11:30):
Yeah.

Speaker 1 (11:30):
I'm saying like we were showing the kiddies good
music.
It wasn't really all thatwholesome, but what he was doing
on that stage the boy boughtour roller skates white people,
you don't even know the rollerskate culture, you don't even
know how big that was for him toshow.

Speaker 2 (11:44):
So today we're talking about usher at the Super
Bowl.

Speaker 1 (11:47):
Y'all don't even understand.
I hate to say it.
I'm not even gonna use notother culture, I wipe people.
You don't understand howmonumental that is.

Speaker 2 (11:54):
Some people do, but the ones for the majority, the
people who were watching theSuper Bowl for show autumn in
the in the sky Bucks would tellus what probably like oh, why is
he roller skating?

Speaker 1 (12:02):
because that is so Atlanta.
Yeah man, if y'all watch ATL,holla at your boy.
Tip was a tip, new, new.

Speaker 2 (12:14):
Rashad Rashad.

Speaker 1 (12:15):
Rashad.
There we go.
I was trying to get thereanyways To see that and to see
honestly what sometimes I truly,truly forget is Really the
number of hits usher has byhimself.
But the number of hits he hasWith probably some of the most
famous artists, like ever andwe'd even really get to hear

(12:35):
here.
Y'all heard us talk about good,good.
I can't wait to see him performthat in.
October, because guess whobought tickets during the Super
Bowl.

Speaker 2 (12:42):
That's a no.
You bought them before like Ibought them during oh, before,
but before I should perform,correct, yes, before I should
perform, because I said as soonas this man perform, them
tickets is going to go up andthey already was up.
They was already up before theyeven went on regular sale.
So everybody pre-sale.
I don't know how fuck they didit.

(13:03):
You were able to get on thepre-sale, but Like it was just
ridiculous.
So and I told him, I said, hey,these tickets are going to go
up.
I sent them to you as soon asthey dropped the pre-sale and I
was just like these tickets aregoing to go up and they're, and
they go on sale the day afterthe Super Bowl, because it's a
smart ass tactic that it ismaking so much money.

Speaker 1 (13:25):
Oh, 100%.
Yeah, I think it's reallyingenious what he did, because
he still has his residency inVegas, but I think he's gonna
obviously take a break whilehe's on tour, yeah and he can
charge whatever price, becausenot only is he getting so this
is why it's so genius Not onlyis he getting new fans, but he's
getting the old fans that haveappreciated his catalog, like

(13:48):
I'm thinking about all the ushersongs that I know and I'm like
I know Three, almost fourdecades of this.
I know, actually I know fourdecades of this man's music 90s,
2000s, 10s and now the 20s.
This is incredible.
His show ought to be four hoursand, honestly, I'm gonna be
here for it.

Speaker 2 (14:09):
I got a seat.
You know he's standing for fourhours.

Speaker 1 (14:12):
We got VIP relax.

Speaker 2 (14:15):
You slip that in there.

Speaker 1 (14:16):
No, I didn't.

Speaker 2 (14:18):
Just cuz you wanted to flex, no I did not want to
flex.

Speaker 1 (14:20):
That's the truth.
No, actually you made me giveVIP because you said you would
not go unless you get VIP.

Speaker 2 (14:25):
So no, no, no.
I never said that.
I never said that.

Speaker 1 (14:27):
Yeah.

Speaker 2 (14:28):
I never said that.

Speaker 1 (14:29):
Okay, that I never said sure.

Speaker 2 (14:31):
I just said if you're going to pay for seats at the
United Center, the 100 level isnot that great of a seat,
because when I was at 50 centwho I love.
I don't care about thecontroversy behind him, I don't
care about what y'all have tosay.
People.
People don't like him.
They think he's a jack-aI Canhear all that.

(14:52):
I can hear all that and stillknow that 50 cent does it for me
and I was in the 100 level.
I paid $300 for my ticket forthat and and I was still far as
hell and it was 100 level.

Speaker 1 (15:05):
So if you're gonna be in that experience, also cuz
you're blind, I would no, no, Ihave my glasses.

Speaker 2 (15:10):
On what with my glasses, my vision is perfect.

Speaker 1 (15:12):
So we were in Madison Square Garden at the hundred
level.
It's the same thing.

Speaker 2 (15:16):
It just depends on the stadium.

Speaker 1 (15:18):
No, I don't think so.

Speaker 2 (15:19):
I think it does, I think it is.
I don't think so, I don't thinkso.
But anyway, exactly, oh sure.

Speaker 1 (15:28):
Oh sure, so it was, uh, it was.
So I went from full circuit toa full circle is to appreciation
, because so, remember, I justwant you to realize she was
getting on me about singing andI wasn't singing, I was just
Three times.
I was just a number of timesthat you ever have sang and
count the many times of us.

Speaker 2 (15:48):
And you said like eight songs once.

Speaker 1 (15:51):
Okay, once you're once.

Speaker 2 (15:53):
I'm gonna tell the people at your job that you
can't count once.

Speaker 1 (15:56):
Anyways, the Level of appreciation I had was so fun
because to see the kids getexcited because the adults are
getting excited, that's how youshare Sorry.

Speaker 2 (16:12):
I yawned and I my head was back, but then, when I
came forward, my mouth was stillopen.

Speaker 1 (16:18):
Anyways, you, you, you see how cool music can be,
and I feel like sometimes youforget that because we all get
super into our playlist andMusic is an experience that is
always meant to be shared.
That's why, yes, yes.
And in that moment becausereally I did not care about the
Super Bowl.
I thought the Super Bowl wasactually a waste of time.

Speaker 2 (16:39):
It was so boring.
Oh my goodness, these thingscould not score no touchdowns,
like it's rigged it had to berigged.

Speaker 1 (16:47):
I'm just gonna say this I think the I don't think
the NFL is really ready for ablack, dark-skinned quarterback
with corn, with braids, to winin the NFL and that be the face
of the NFL.
So for that reason I'm not boy.

Speaker 2 (16:59):
Yeah, they throw.
They throw in Patrick Mahomesat us like, yeah, he's half
black.

Speaker 1 (17:03):
Is he?
He is, yummy, he is.
He's.
His daddy is black as hell.
Is that is black as hell?

Speaker 2 (17:11):
and then we need to talk about blackness because,
like yes, not right now we canmake that its own episode,
because we still need to talkabout black history month.
But blackness is it has to bemore than just like skin.
It has to be more than justblackness is a culture, which
means that if you don't identifywith the culture in certain
aspects, why would PatrickMahomes not identify with the

(17:33):
culture?

Speaker 1 (17:33):
Please tell me, because this is all your
perception.
You don't know who he is inthis house.
You don't know how who he is.

Speaker 2 (17:38):
You can't.
You can't be black in the housewith a white person laying next
to you.

Speaker 1 (17:42):
What I.

Speaker 2 (17:44):
Don't know what I'm talking about.

Speaker 1 (17:45):
No, you don't, you just saying stuff.

Speaker 2 (17:47):
I'm not.

Speaker 1 (17:49):
All his friends is black, are they?
He acts black as hell does he?
So you're my point.
I I believe in the school of DrUmar if at today, johnson and
as he says, you believe in ahotel as you believe in a hotel,
as he states in his practiceand is as he states practice and

(18:16):
his belief you know, to snowbuddies, and I believe that as
well.
Okay, no to snow.
You're not saying anything ofsubstance.

Speaker 2 (18:24):
You're just saying something because the people who
, the people who need to get it.
I'm not trying to be funny.

Speaker 1 (18:29):
I get what you're saying, but that doesn't mean
anything.
You can't say that somebody isso like who made you?
I'm not saying that I am.
Somebody's blackness.

Speaker 2 (18:38):
No, no, no, I'm not.
I'm just asking is is he?
Because blackness is, is morethan just who you came from,
that happened to be black, butthese are all social constructs
that were created by people whowere.

Speaker 1 (18:54):
The main oppressors of life trying to exile people
at the Kool-Aid.
Why are you trying to take outa green?
It's out the Kool-Aid.
I don't care what you drink,you you've been.

Speaker 2 (19:01):
This is what they call it.

Speaker 1 (19:04):
So black people are one of the few people that
always go on this elitist hilllike who cares?

Speaker 2 (19:09):
I don't think there's a problem with being so you
lack elitist like elitisttowards Other races, not in a
way that others them in anegative way, but in a way that
celebrates us being elitistwhite being elitist and being,
can you stop?
Interrupting me.
You've been doing that to methe whole episode, but now I

(19:29):
have since stopped.
Okay, go ahead and I let you goon our tangent about beautiful.
Here you go, interrupted me you, carrying, you carrying let's
move on.

Speaker 1 (19:43):
Yeah, you carrying.
Anyways, explain bed and Carson.

Speaker 2 (19:47):
I'm not.
I said let's move on.

Speaker 1 (19:49):
I'm not talking about this with you.

Speaker 2 (19:50):
Why?
Because you keep interruptingme.

Speaker 1 (19:53):
So don't get upset when some of it, when you've
been doing it to hold no, no,and I stopped a G you went on a
whole stop.
You did not stop.
You interrupted me three timeslike don't, don't.
And I stopped that.
Yummy, don't do that.

Speaker 2 (20:05):
And you went on talking about how the
beautifulness of I let you, Idid not interrupt you that whole
time.
Yes, okay.

Speaker 1 (20:13):
So what are you talking about?
You're lying.
We could play this playback.
We all have to find out toargue with you.
We don't hear it, so go ahead.

Speaker 2 (20:20):
Let's move on.
I don't care about Ben Carson.
Fuck that nigga right my point.

Speaker 1 (20:24):
You not black.
He got a black wife.
Okay, camilla Harris, I'msaying like Camilla Harris.

Speaker 2 (20:31):
Camilla Harris.
That's the first vice presidentof the.

Speaker 1 (20:36):
United States right, but got a white man, jewish man
at that too.

Speaker 2 (20:39):
And I'm not here to argue what's blackness and
what's not.

Speaker 1 (20:42):
I just I'm not.

Speaker 2 (20:44):
I didn't argue with you about Patrick Mahomes.
I just asked is he?
I didn't argue.
That's not a argument.
A question is not an argument.

Speaker 1 (20:51):
I feel like if you question anybody, that's an
argument.

Speaker 2 (20:54):
I Didn't engage in any conversation past the is he
you Went and turned into anargument.
I do that all the time.
I ask questions that I'm not.

Speaker 1 (21:06):
You.

Speaker 2 (21:08):
Nothing do usher, let's get back on the rock of
office, have white.
Okay, what are you saying?
I said I'm following thepractice of Dr Umar.

Speaker 1 (21:22):
if a tune day right, hotel, Johnson hotel okay and in
his practice he says no snowbunnies.

Speaker 2 (21:32):
Okay and that's all I have to say about that, because
if you believe in black people,then you need to believe in the
black woman.
Okay and you need to believe inthe black nuclear family.

Speaker 1 (21:45):
Yeah, yeah, yeah.

Speaker 2 (21:46):
Because blackness is going to become extinct at a
certain point because of themixing no, but I hear you, but
then that you can say that itmay get diluted in a way.

Speaker 1 (21:59):
You can say that for every ethnicity.

Speaker 2 (22:02):
We're not talking about them.
Why would I be talking aboutother?

Speaker 1 (22:06):
Say you you, you took it another way and I was just
trying to.

Speaker 2 (22:09):
Well, I told you to, let's move on.

Speaker 1 (22:15):
Carson because I don't care about that guy.
I gave you about three or fourothers.
I gave you about three or fourothers.
Who else did you say?
I said come out, kamala Harris.
Mm-hmm if you want to go thatway, we can go.

Speaker 2 (22:27):
Colin Powell, there's your name more with more people
who aren't usher.
Let's talk about the topic, thetopic in here and we're talking
about.

Speaker 1 (22:35):
I'm just giving you all these people who's mixed.

Speaker 2 (22:37):
I don't know why you know all these mixed people.

Speaker 1 (22:39):
These are some of the most powerful people in our
country.
What are you talking about?

Speaker 2 (22:42):
What is Colin Powell do?
Was was.

Speaker 1 (22:47):
This was the secretary of defense was, which
is like the third or fourthperson and we've been fighting
for our lives Since before andafter and during his term.
Condoleezza rice was also thesecretary was.

Speaker 2 (23:00):
Defense and guess what?

Speaker 1 (23:03):
we have been defenseless when they were
serving so what are you makingpeople is y'all gotta know y'all
y'all.
This is why history isimportant, cuz everybody was
like who are any of these people?

Speaker 2 (23:11):
No, I know who consulate the rice is and who is
Colin Powell cuz consulate riceactually served under George
Bush.
So what are you talking aboutand who are you talking about?
You not go out smart me, I knowwhat the fuck I'm saying.

Speaker 1 (23:23):
I'm just, I'm a ghetto intellectual.
What was God?
What was God the leavescondolence arise?
What was she a?

Speaker 2 (23:29):
Black woman.
What are?

Speaker 1 (23:30):
you saying no, she was a Republican, you didn't
know that you didn't know youcouldn't do.

Speaker 2 (23:37):
What was kind of these rights?
I could have said anything.
A weed smoker like aLeft-handed bitch, I don't know.
I could have said anything.
I was I supposed to know youwas thinking Republican.

Speaker 1 (23:46):
What the hell.

Speaker 2 (23:50):
He said what is she?

Speaker 1 (23:51):
like I could have said anything.
What did you think about hishalf-time?
I?

Speaker 2 (23:53):
thought it was amazing.
I thought it was great.
I was great.
It was a beautiful show.
I loved how black it was and Ilove that it was black as hell
At this white-ass sporting event, even though football is
predominantly a black sport.
I just meant like the teamslike we wanted to see Detroit
versus Baltimore, and we did notget that.
Quarterback is white but I'm nottalking about from the

(24:15):
standpoint of the quarterbackand the players, the, the
figureheads of the of the teams.
I'm talking about more so theculture.
Like Detroit is a black-assarea.
Baltimore is literally namedthe chocolate city.
It's a part of DC where blackpeople resonate in full, in, in
fullness.
So I that's what we wereexpecting.

(24:35):
And then we got San Franciscoand Kansas City, which isn't as
bad.
Is it Kansas City, missouri orKansas City, kansas?

Speaker 1 (24:42):
Kansas.

Speaker 2 (24:43):
Kansas.
Okay.
So yeah, white, like I said.
So I feel like it borders.
I know I know a borders becauseI've been to Kansas City,
missouri, and I've been toKansas City, kansas.
It's literally like, like, likea, like a white line or a red
line rather, and you can justcross over and you're in one
state or another.
So I just feel like, given thatthe teams were not the teams

(25:05):
that us black-ass people wantedand that's no shade to the
people who aren't black-asspeople, if you're just like a
regular black person, we don'thave to get into that, but like
to have us sure you just comingat every like, did you just
watch dr Umar or something?
No, I just you know, I'm just soto watch us sure give this
black-ass performance betweenthe strippers and the roller

(25:25):
skates and the HBCU band andThen ending off saying,
literally, I brought the world,I brought the eight to the world
.
It was great, it was beautiful,I loved it, I love all.
I loved all those things.

Speaker 1 (25:37):
Yeah, the only thing I was confused about too many
transitions of songs.
No, but that's cuz he had to.

Speaker 2 (25:42):
well, he has too much music, yeah and also like if
you have Ludacris and littleJohn on the same stage and you
didn't do.

Speaker 1 (25:52):
Lovers of France, that's all I was expecting.
You was over here doing a wholeanother.
I was like, can we just do boththe?

Speaker 2 (26:00):
songs.
He had Alicia Keys and AliciaKeys fucked up that note.
Wait, that's not even.
That's only Alicia Keys song.

Speaker 1 (26:13):
I think they did a remix no Okay did she?
I wasn't being exactly, exactly.

Speaker 2 (26:22):
But she was, it was not, it was sure.

Speaker 1 (26:26):
And then he brought will I am and I was like why is
will I am?

Speaker 2 (26:28):
couldn't hear him, couldn't hear I was confused why
he was wearing a mask.

Speaker 1 (26:32):
Yeah, I was just like do you?

Speaker 2 (26:33):
not.
You know, he's weird, he's afuturistic guy, so that's like a
part of his aesthetic to nothave an identity.
Yeah, okay.
Oh my gosh, he could left thatout, to be quite honest.

Speaker 1 (26:46):
Yeah, he should have did.
Loving this club part two babyhe should have loved in this
club, part two.
And then little Wayne wouldhave said she kissed my neck.

Speaker 2 (26:56):
You know that we all think he would have did that on
there.

Speaker 1 (26:59):
Why not?

Speaker 2 (27:00):
There's you know sometimes Beyonce and little.

Speaker 1 (27:02):
Wayne.

Speaker 2 (27:05):
Little Wayne would have been cool.
Little Wayne would have beencool, but I feel like little
Wayne could do his own half time, like next year, because it's
gonna be in New Orleans.
That'd be perfect.

Speaker 1 (27:14):
Uh yeah, but they'll probably do somebody like her.

Speaker 2 (27:17):
I heard.
I heard SZA maybe on the list.

Speaker 1 (27:19):
Her is from New Orleans, if you want to pick
somebody.

Speaker 2 (27:22):
Oh, it's her from New Orleans.
Yes, how do you know that?
That's right, I think she wasfrom Hawaii, California.

Speaker 1 (27:31):
Oakland the Bay.
Yeah, she feel like a baby.
Maybe I was.

Speaker 2 (27:34):
I was like put some money down that she's from, from
New Orleans, because I know youlying, you know I just be
making up shit.

Speaker 1 (27:40):
Okay, where is Andre from?

Speaker 2 (27:42):
New Orleans Okay.

Speaker 1 (27:43):
Yeah, juvenile, bring out you that's what I'm saying,
like if they don't do it in NewOrleans.

Speaker 2 (27:47):
They need to do it in New Orleans, Like why people
know back that ass up?
Why do you know back that assup for show?
Because he did a tiny desk.
And so fire so up for show likeyeah, make it just like a.

Speaker 1 (28:00):
But yeah, little Wayne would be little Wayne
would be really fun.

Speaker 2 (28:03):
I'd be really fun.
Little Wayne would be fun.

Speaker 1 (28:06):
You could probably bring out taking the bangers,
but nobody.

Speaker 2 (28:09):
I doubt that, I Don't know, but we do like them.
They are great taking thebangers are amazing.
So can we talk about yourfavorite?

Speaker 1 (28:21):
a sure song while we have you, sure, if you want to
talk about it, yeah, mine is?

Speaker 2 (28:28):
I can't think of the exact name of it.
I think it's called calm.
Maybe, if you sign on.

Speaker 1 (28:39):
Yeah.

Speaker 2 (28:41):
I'll make you that's when people actually used to be
lyrical.
Like he's talking about sex,but he's making it relate to
everything, like the wordplay isin the scheme.
Rather is is about likecomputers.
Correct, I'm gonna do it.
Let me see what's the name ofthe song, is you?

Speaker 1 (29:01):
sang again.
Honestly.
Y'all should drink every timeyou ever sing, because this
episode is not really about me,I'm just saying well.
This is you know.

Speaker 2 (29:11):
It's actually called calm.

Speaker 1 (29:12):
Yeah, I know, I said you were right.

Speaker 2 (29:15):
So sexy, so sexy.
We don't own the copyrights toany of this, but it is really
sexy.
I like.
I like sexy music, just ingeneral.

Speaker 1 (29:25):
Um, if I fit.
That's such a tough questionfor me because I feel like I
just like usher overall, but onesong I used to play on repeat
is Supermodel.
What you know about aSupermodel?

Speaker 2 (29:40):
That's not the name of the song.
Bad, bad girl.

Speaker 1 (29:43):
Oh, I'm sorry, bad girl, yeah, bad girl.
Oh, work me baby.
Yes, coming to me tonight.
Yep, I'm ready.
To be bad, yep.
Yeah, that was my shit.
That was like that's onconfession there.
I think so.
Maybe part two or might be onconfessions.
But I like that song because,like, as I started to get older

(30:04):
I was like I need that energyfrom a woman, like, just know,
just I.

Speaker 2 (30:09):
Never heard you say any of this stuff before you,
just this isn't my thought, youdon't.

Speaker 1 (30:14):
You're not in the recess of my mind.
No but doesn't it make sensenow thinking about the women I
be dating?

Speaker 2 (30:20):
Maybe not when you was in.
Oh sorry, let's move on, badgirl.
And what else?
I really do need to go to bed.
I'm so tired.
I've been up since 6 30 in themorning, tired.

Speaker 1 (30:36):
Buzz killing 10.

Speaker 2 (30:38):
Apologies.

Speaker 1 (30:39):
I be up all the time bro.

Speaker 2 (30:41):
Okay, we know, did you?
You do everything and anythingbetter than everybody.
First what like.

Speaker 1 (30:47):
Oh, this bit is tired .
There's bit is sold as bitter�yeah get an.
You get a new one Anyways.
So yeah, that was my favorite,but if I had to go after that,
I've always been.

Speaker 2 (31:06):
I like loving this club.
Loving this club when he did itat Dreamville because he had
the live band and they said do,do, do, do, do, do, do, do do,
or it was even not the live bandhe didn't do loving the club at
Dreamville.
He did.
It was either the live band orwhen the bass come in, like I
think it went.

Speaker 1 (31:25):
Was it part two?
I like loving this club.

Speaker 2 (31:26):
part two yeah, I mean it was only him.
So one or two.
I think his verse is the same,but it either went quiet or like
it was a break, and then hecame in with the and him and the
dancers were just grooving.
I have the video.
I should probably post it if Ican find it.

Speaker 1 (31:43):
I just want to let you know you cut me off to tell
that story because I was aboutto tell my next favorite of your
song.
But I just wanted to say that Ilet you finish.
But you know he was talking allthat shit about how I've been
cutting you off and you just didit to me.
But anyways, Shumbo, we move on.

Speaker 2 (31:59):
You're 12.

Speaker 1 (32:00):
I'm my 12.

Speaker 2 (32:02):
I'm 20.
I'm 20.
You're the police, and thenyou're also childish.

Speaker 1 (32:06):
Sure, but my favorite song is obviously I said
trading places.
I just feel like that's areally good song, because at the
end we said you've been me,I've been you, so you're going
to switch this thing up, andthen whatever he says after that
, but then I was going to gowith daddy's home.

(32:27):
That was always a good one.

Speaker 2 (32:29):
Yeah, that album, whatever is on that album.

Speaker 1 (32:32):
Is it like usher Raymond?
Some Raymond.

Speaker 2 (32:35):
Sure, didn't he have, like an album, usher versus
usher or something?

Speaker 1 (32:38):
like that.

Speaker 2 (32:38):
Yeah, I feel like it's a sure versus Raymond,
because I remember like thealbum cover and it's like his
face breaking and it's likewhite, because it mountains,
moving mountains.

Speaker 1 (32:48):
Was on that song or on that album.

Speaker 2 (32:51):
Maybe, maybe not.

Speaker 1 (32:52):
I think so.

Speaker 2 (32:53):
I don't know his whole discography.

Speaker 1 (32:55):
You know there is.
Let me see how the.
How many usher songs can youname?
Do you think you can name 20?

Speaker 2 (33:00):
No, probably.
But I was going to say, okay,let's see if we can name 20
together.
Confessions, confessions to Letit Burn.
Caught up, bad girl, littlefreakcom Love in this club.
Did I already say that one?

Speaker 1 (33:21):
Love in this club?

Speaker 2 (33:22):
I don't think daddy's home Trading places.
Yeah, my boo.

Speaker 1 (33:32):
Yeah, OMG.

Speaker 2 (33:35):
Lovers and friends.

Speaker 1 (33:37):
My way.

Speaker 2 (33:38):
My way.
We're going to need five more.

Speaker 1 (33:45):
What's the one that goes?
What's the one that goes I?

Speaker 2 (33:48):
don't mind If you work at the club.
I don't mind Chris Brown, theold Chris Brown, and then the
one with Rick Ross that I likeHot Toddy.

Speaker 1 (34:00):
No, the one I was thinking of is this what is made
for?

Speaker 2 (34:04):
You know I got it.
That's what it's literallycalled.
That's what it's made for.
That's one of my top five too.

Speaker 1 (34:08):
Two more DG.

Speaker 2 (34:11):
Caught up.
Three said that already.
I'm trying to think about itcan be one, only you.

Speaker 1 (34:21):
What's it go when you've been buying.
You already know.

Speaker 2 (34:25):
Yeah, keep going, keep going to make you change.
I was going to sing, but youkeep talking about every time I
sing.

Speaker 1 (34:30):
So let it burn?
No yeah.
Yeah, we already said that.

Speaker 2 (34:46):
We already said that DG Let it burn.

Speaker 1 (34:49):
Oh, was that a little burn yeah?

Speaker 2 (34:51):
Good, good, what the hell Good.

Speaker 1 (34:53):
Good.

Speaker 2 (34:53):
Yeah, we just have an episode about that and then one
for the road.

Speaker 1 (35:04):
There's probably more .
I should start to know, becauseI'm trying to think about what
you formed.
He has same girl, but I guess Ican't believe that we even that
was a really good song.

Speaker 2 (35:15):
I'm sorry and I love the video too.

Speaker 1 (35:18):
I love that it was just and it was twins.
That's what made it so.

Speaker 2 (35:21):
I was into it.
I was like oh, this girl isscared to land.

Speaker 1 (35:25):
That's when music videos made sense.

Speaker 2 (35:28):
That's when they made made sense.

Speaker 1 (35:30):
But that was a really good song.
I can't believe that me.
We've been messing around withthe same damn girl and I have a
belief, and I want to say thisbecause I don't know we probably
got to 20, but you could keeptrack and if you could name
songs that we completely forgot,go ahead and let us know.
I'm going to say this I thinkthere needs to be a versus

(35:51):
between Chris Brown and usher,for whatever reason.
Nobody thinks what I should say.
Nobody in my household thinksthat would be a good versus.

Speaker 2 (35:58):
We don't think we don't doubt that it would be a
good versus and excuse me forcutting you off, I just think
that, like usher, could play onealbum all the way through that
has 20 songs we couldn't evenname.
No, if that was his, if that washis catalog for the versus
excuse me, if that was hiscatalog for the versus, he would

(36:20):
demolish Chris Brown.
Chris Brown might get a coupleat the beginning, but that nigga
not going to play wall to walland think he's going to be
loving this club.
What is Chris Brown actuallygoing to play?

Speaker 1 (36:30):
So just that's recent , just because I came prepared,
I'm just going to, I'm justgoing to read off usher song.

Speaker 2 (36:37):
So we have you didn't come prepared.
I'm looking at you, look atyour phone.

Speaker 1 (36:40):
Right, that's prepared, because I'm not
because you, because you Googleit real quick.
No, so we have confessions.
Yeah you got it the song, wasyou got it bad?

Speaker 2 (36:49):
Okay.

Speaker 1 (36:49):
It was.
That's the.

Speaker 2 (36:50):
I want to let it burn , yeah, okay.

Speaker 1 (36:53):
Good kisser.
Oh yeah, here, here I stand.
I don't remember that.
No bad girl.

Speaker 2 (36:58):
Yeah.

Speaker 1 (36:59):
Can you handle?

Speaker 2 (37:00):
it.
Yeah, if I go that's, that's itin my top five as well.

Speaker 1 (37:04):
You don't have to call.

Speaker 2 (37:05):
Oh, wow, yeah, I don't know how we forgot that
little freak.
Yeah, I said that.

Speaker 1 (37:10):
That's what it's made for.

Speaker 2 (37:12):
That's what it's made for.

Speaker 1 (37:13):
Yeah, hey, daddy, hey hey.

Speaker 2 (37:16):
Yeah.

Speaker 1 (37:17):
There goes.

Speaker 2 (37:18):
Wow, yeah, that was a good one to get got so many
songs my way.

Speaker 1 (37:24):
Good, good, burn my boo.
You remind me of oh my God, weforgot about climax.

Speaker 2 (37:33):
I don't know if I really like that one too much.
He was too falsetto for me.
It was a good song for when itcame out, because it was like
very dramatic, because I thinkit was like after his divorce.

Speaker 1 (37:45):
Yes.
Yeah you remind me?
Okay, I said that right.

Speaker 2 (37:49):
You remind me of my G throwback.

Speaker 1 (37:51):
That's our killer love in this club.
Part two my boo.
We said that, yeah, you make mewant to nice and slow.
We didn't say that one.

Speaker 2 (37:59):
Wow, and I, since lows in my top five too.
Okay, so I have four alreadysuperstar, superstar.
You know, superstar wasn't evena single, it was just on the
album and it just turned upbecause of his him performing it
at the tiny desk.

Speaker 1 (38:14):
Of course, I remember that this tiny this was
actually very good, like yousaid, hot toddy, do it for me,
can you help me?
Papers, papers, papers.
Again.
That makes sense after hisdivorce, right?
All right?
Yeah, moving mountains, like Isaid, all right, so that's at

(38:34):
least 20 caught up.
I'm just gonna mention that.
And now, if you look at ChrisBrown, I like, I feel like I,
when I was telling you and someday this, yeah, I was just being
like, like, feeling like I wasjust trying, because you know I
like to.

Speaker 2 (38:48):
Also.
I just think it's disrespectfulto to usher's legacy.
Okay, let's assure, as anartist, to be like oh yeah,
we're gonna put your guns, chrisBrown, like that's my son and
Doesn't matter and that's whaty'all like to do with Nicki
Minaj like these are my.
Okay, go ahead fine Chinasensational sensational fine
China.

Speaker 1 (39:09):
Don't think they know , don't think they know mid.

Speaker 2 (39:13):
Yo okay, yeah, yo can be a contender, but I sure
could just play something off ofone of his old Like there's
something in this liquor midUsher Usher could beat that.

Speaker 1 (39:28):
It's not what liquor was a hit usher could beat that
easily.
Okay, anyways, she ain't you.
Be that easily okay, under theinfluence I.

Speaker 2 (39:43):
Do like under the influence, but that sounds like
every other one of his songs, tobe quite honest.
Take you down, take you down asa top competitor of his run it.
Okay, another one, but thoseare.
These are old Chris Brown.
Like Chris Brown, doesn't havenew stuff now.

Speaker 1 (39:59):
No BS, that's a good song.

Speaker 2 (40:01):
I do like Chris.
I'm not saying I don't likeChris Brown.

Speaker 1 (40:03):
I'm telling you, this is what makes them good like no
Got it sex music?
No, definitely not with Drake.
No, look at me now.

Speaker 2 (40:11):
Poppin, no poppin.
Yes, poppin is quality, but hedidn't write that.
I mean.
I mean he probably don't writemajority.
Neither one of them write themajority of their back to sleep.
No, and the reason why I'msaying no as well is because a
lot of these songs are Are likesamples kiss, kiss, kiss his
quality, but it's an old song.
So I'm saying, like his oldstuff for sure, but can that

(40:33):
nigga give me current stuff?

Speaker 1 (40:34):
with you, say goodbye Loyal, like I'm just saying,
like it would be a lot closerthan loyalist is Like commercial
.
What is?
Oh my god Cross over.

Speaker 2 (40:48):
I didn't know I wouldn't, I wouldn't even put
that in my 20.
I know he would.
I know he would because I was anumber one.
Give me that and then, likeChris Brown would probably pick
like yeah, yeah, yeah, yeah,yeah, three times or like when
he was in that era, and OMG isbetter.
Give me that is good to yournaming old stuff though but
that's what we would do.

Speaker 1 (41:03):
A usher Give man, amen Give man.
When he came, I was on firefolks, I'll tell you if there
was a versus, it would becomparable, yeah, I think
they're done doing versus,though, like the steam has lost
itself.

Speaker 2 (41:17):
But it shouldn't have lost itself, because I mean
once they sold it to Apple musicand turn it away from like new
flame.
They're both on that.

Speaker 1 (41:25):
Yeah, I'm saying, oh yeah, that's why they could end
it.
You get on it.
Yeah yeah, but anyways, IUnderstand in totality.
What I'm saying is that I thinkit'd be a very enjoyable like
that was one versus.
I was really waiting for.
But, shumbo, why are we talkingabout usher?
Because, as you heard earlierin the episode, yeah, me and I

(41:47):
bought the usher tickets onHalloween right on Halloween.
Mm-hmm, I was very upset because, me and yummy, we do do this
thing where we like to seeartists in their city, or the
city that was.

Speaker 2 (41:58):
Atlanta sold out.

Speaker 1 (41:59):
Yes, unless you.

Speaker 2 (42:01):
I told you that.

Speaker 1 (42:02):
Well, you should have bought them when you, when you
send me the thing.

Speaker 2 (42:05):
I don't think the only problem I have with, like,
trying to make plans with you isyou.
You've even said it you don'tcare about anybody else when you
make plans.
For no, no, no.

Speaker 1 (42:13):
That's not what I said.
You like to do this thing whereI'll make plans with you, and
then you like to bail out thelast minute and then when I find
somebody else to go with, andthen I'm like you still trying
to go, and then you'd be tryingto make me feel guilty and I'm
like I not know you who I thinkthat's separate of this.

Speaker 2 (42:30):
I would say, like in situations I'd be like, oh yeah,
let's do it, let's go, and thenyou take forever in a day to
actually finalize Not this timewhat I'm saying, like like for
my birthday example, I was like,oh yeah, I want to go here for
my birthday.
You're like I need to see myschedule, I need to do all this,
I need to do all this just foryou, yeah.
And then we ended up having tospend more money on the hotel

(42:51):
and the flight because youwaited so long, I didn't get to
go to the place that I actuallywanted to go to, and then you
still ended up working For themajority of the trip because we
got there on a Thursday bills.
No problem, no problem, but Idid all this to accommodate you
and it was my birthday.
Then you spent all of Thursdayand all of Friday working.

Speaker 1 (43:12):
You don't pay my bills.

Speaker 2 (43:13):
No problem, I would, and I took the time off.

Speaker 1 (43:15):
But again, what am I supposed to do, shumbo?
What am I supposed to do?
Not work if you took the timeoff, but at that point I
couldn't do it because I wouldeven have brought my laptop
because of the constraint thatwe were under.
That's what I'm trying to say.

Speaker 2 (43:27):
Anyway.
But yeah, this is about Ishould.
It's not about your job.

Speaker 1 (43:30):
I Was a make.
It is a bye-bye job.

Speaker 2 (43:32):
I'm just giving you just you just saying that you
will be unreasonable.
Okay, you are very unreasonable.
I even told you one of the mostunreasonable people.

Speaker 1 (43:40):
I know between you and my mama there is no reason
in this house there is no space.
I'm not yelling.
Stop doing that.
Yeah, I mean, first of all, youknow I have a deep voice.
I'm not even.
I'm not even remotely yelling.
See, this is what people liketo do.
You ever like to do thisreverse psychology shit where
she?

Speaker 2 (43:55):
says I really wish I was doing reverse.
I was asking you why you'reyelling you like I wasn't being
unreasonable.
I even changed I.
I made accommodations for you.
The flight that we took was anaccommodation for you honestly
the, the.
What we're gonna say?
The place that we went wasaccommodation for you, because I
was not even my first option,but you said it's too expensive.

(44:18):
Cool, cool, I find somewhereelse to go, no pee.
So what are you saying?
And tell the truth.

Speaker 1 (44:28):
What I'm saying is, as y'all listen to this episode,
please count the number oftimes that yummy cut me off.
Just count it, because she wasreally on my throat.
Y'all heard earlier in theepisode.
Now I'm coming back full circle.
Shorty keep cutting me off.
Okay, and I usually let it cuther off, but she wanted to make
a point today that I've beencutting her off because she's
used to speaking all the time.
Now she's trying to cut me offTo your point.

(44:51):
Yes, I was being very cognitiveof how we were spending money.
Why shambles?
I mean Keeney.

Speaker 2 (45:00):
Keeney is what.

Speaker 1 (45:01):
What is why?

Speaker 2 (45:03):
Have to think about it.
Yeah, exactly, why is?

Speaker 1 (45:06):
what fast forward to this day and age?
Oh, I had it and I also forgotit fast forward to this day and
age February, valentine's Day,february 14th, and all that me
and yummy are doing in May sense, I still took the bullet, but I
had to be cognitive of cuz Iwas thinking for the future.
Now, what are you?

Speaker 2 (45:26):
talking about off camera or just off mic, just.

Speaker 1 (45:30):
What are we in the process of doing?

Speaker 2 (45:31):
Okay, okay, okay.
I mean I Money coming, money golike you.
You act like the money you havespent thus far is, is is more
than you know like you wouldn'thave made that back if we would
have went to this is if we wouldhave went to Dominican Republic
for my birthday in July.
It's February of a new year.
I don't know if I want to gothis year.

(45:52):
I have to figure out where Iwant to go, but I have been
thinking about it because I dowant to make sure I'm planning
ahead, but also, like I don'twant to go somewhere Crazy not
crazy but I don't want to gosomewhere, you know, like for my
birthday and be there like bymyself or with you, like I want
to do something like I don'tknow.

(46:13):
It's a lot to think about andwe're talking about a show.
We're not talking about me?

Speaker 1 (46:16):
It's not, but I hear you.

Speaker 2 (46:19):
I just feel like I went to Jamaica and then you
know, that was kind of like thethe the top of the top, not the
top of the top, but I just feellike I'm running out of places
that are like that makes senseto go to.

Speaker 1 (46:30):
Yeah, of course you just cut me off again, but
anyways what I was gonna say Iwas still in making my point,
though anyways Shumbo.
Actually I was gonna say but.
But what I wanted to endbecause I mean I feel like we
are all usher out is that Iwanted to do kilo, kilo.
Do a challenge a challenge.

(46:51):
The challenge is Name yourfavorite usher feature.
That is it.

Speaker 2 (47:03):
Where he's featured on the song or where someone's
featured on his song where usheris featured.

Speaker 1 (47:07):
I.

Speaker 2 (47:08):
Wouldn't be able to do that for you.

Speaker 1 (47:11):
That's why I'm making it a salon.

Speaker 2 (47:13):
Yeah, we're gonna challenge for the people
listening correct Shalonsfavorite usher challenge or
feature.
Yeah, I wouldn't be able to dothat, cuz I don't anybody asked
you to.

Speaker 1 (47:24):
Oh Sorry, now let's move into the next segment.

Speaker 2 (47:28):
Oh my goodness, yeah, we were spending a lot of time
talking about usher.

Speaker 1 (47:32):
Not really.
We've been spending more timeof you just cutting me off.

Speaker 2 (47:35):
Yeah, go.
This is Things I send a G onTwitter, did you?
I sent you a tweet.
The day is Friday, excuse me.
The tweet is this what's yourhotel red flag?

(47:57):
My hotel rough flag is why doyou think I sent you this on
Twitter?

Speaker 1 (48:06):
But yes, I mean probably because you feel like I
don't book the best hotels.
But if you don't feel like that, you could book the hotels
yourself.

Speaker 2 (48:12):
Yeah, and then I send you the options and you take
forever to pick one and by thetime you do it's expensive.

Speaker 1 (48:17):
It happened in Atlanta and then you complain
about the one that I picked.
That's not how hotels work.

Speaker 2 (48:22):
That is actually not how to yes, if you wait too long
, the price goes up.

Speaker 1 (48:25):
No, it's a hotel, bro , you could literally book.

Speaker 2 (48:28):
Oh, lord, please, please, tell me I'm rock you are
wrong.
Okay, I'm talking about thepeople.
Please tell me I'm right youare wrong cuz.
If you wait longer, the hotelcosts more money when, when,
when, yummy, when when, when wewere going to Atlanta when when.
What's a hotel red flag for youwhen?

(48:49):
Cuz you just saying when wewent to Atlanta, we went to
Atlanta multiple the last timewe went to Atlanta in October,
when we were there for one musicfest.

Speaker 1 (48:56):
What would make you think that the price went up?
Because we waited till the lastminute, because it did no, the
price went up because you Likethese expensive ass hotels.
I'd be trying to buy value tiervalue tier, value tier,
something where you could getyou a little 120 to 150 a night.
But you guys be trying to staysome shit.
You can say it's like 273 for355 a night.
Okay, I'm gonna play one littlelife of luxury but don't want

(49:19):
to act like it costs a lot oflittle infrastructure.
Yeah, yeah, I'm gonna fuckingseal me.
I'm not talking fast, I'mbecause I'm trying to be funny.
I'm talking fast because I'mvery passionate about what I'm
talking about.
Motherfuckers want to pay 350 totwo for two, 25 for a night in
a hotel and then get bad at mebecause I don't want to do that.
I'm a fuck like me.
I'm a fucking like me.
Motherfucking like me Want tostay at a place where I could do

(49:39):
a little 150, 125, you feel me.
And then you know at the end,yeah, the baby about full $500,
but yeah, maybe, damn, air,seven, eight hundred dollars.
But they want to get mad at me.
I don't feel like you shouldpay a whole, whole, a thousand
dollars for a hotel and I loveme a good luxury, luxury hotel,
boutique hotel, okay, butsomebody gotta let motherfuckers
know that.
You know that shit, shit costs,shit costs.

(50:02):
Hey, I'm gonna be doing thisthing, I'm gonna pay you back.
Yeah me do this thing.
Where she'd be like I'm gonnapay you back.
But paying me back mean I'm notgonna see that money for two To
three months.
So I have to be very cognitiveof that her.
She won them over, like nextweek me two, three weeks, two or
three months.
So y'all tell me what y'alldoing, because I am beholden and
beside myself, becauseeverybody want to think I take

(50:23):
my sweet ass time to do things.
I don't take my sweet ass timeto do things.
Okay, like my dad always said,his if it was slide, I do things
in my own time, on my time.
That don't mean I do it.
I don't take my time to do shit.
It's all my time.
Yeah, maybe the latestmotherfucker ever.
Yeah, but don't never be ontime.
I'll be on time.
I Be on time.

(50:46):
It might be 10 15 minutes late,but I'd be on time.
Yeah, it will be a whole 30 40minutes late.
You see how she didn't come meoff, because you know I'm right.

Speaker 2 (50:57):
Because I wanted to prove a point that if you allow
him to just talk, it's justnonsense that comes out of his
house.

Speaker 1 (51:03):
That nonsense.
Everything I said wascompletely right.
It wasn't DG it was completelyright.

Speaker 2 (51:07):
You just lied on yourself, and then you came back
and said I don't lie myself yousaid that you'd be on time, and
then you just said you'd be 15to 20 minutes late.

Speaker 1 (51:13):
That's called a joke.
That's called that's a.
That's a joke.

Speaker 2 (51:16):
Oh, I didn't laugh, I missed it.

Speaker 1 (51:19):
It's a joke, okay.
Anyways, and that's the onething you said, notice how you
didn't talk about the hotel.

Speaker 2 (51:24):
I could have got on there too.
Oh, you do be doing that youknow.

Speaker 1 (51:27):
You know you.
You don't understand, buddy,you just be like they did.
Can we afford this?
And then I have to tell you yesor no.

Speaker 2 (51:33):
That's what you do, yeah because I'm only asking
because I know I can, and that'sno shade.

Speaker 1 (51:39):
Don't you ever be disrespectful on this?

Speaker 2 (51:41):
I'm literally not.

Speaker 1 (51:42):
Respectable?
Yeah, I don't.

Speaker 2 (51:45):
Don't you ever be disrespectful.
They just calm down and let mespeak real quick.
You're hype, you're hype, I'vejust cut your hype.

Speaker 1 (51:51):
Oh, you're tired, I'm .

Speaker 2 (51:53):
I'm just saying let me talk, let me talk, let me
just talk.

Speaker 1 (51:55):
You talk at all episode.

Speaker 2 (51:57):
Very true, because that's what is the podcast for
us, so one of us can't be theonly one talking.
I Forgot the point because youtalked so much.
Sure, I'm tired.
Yeah, right, anyways, I mean no,I wasn't trying to disrespect
you when I was talking about thehotels.
I I'm fully aware of how muchI'm willing to spend on a hotel,

(52:19):
and that's how I pick the onesthat I want to stay at.
But then I have to ask you ifthis is okay, which is crazy,
because what the fuck?
But if I was to get my ownhotel and you were to get your
own hotel, it would be a problem.

Speaker 1 (52:31):
So I'm trying to be a problem.
It would never be a problem.
If you want to start doing that, start doing that.

Speaker 2 (52:35):
Yeah, but I mean, when we go places, you gonna
have to come to me, I'm gonnahave to come to you.

Speaker 1 (52:42):
So there's a lot more where we have to do it.
So right, that's that.
You see, it's crazy.
It's crazy when you know it'sjust about compromise, because I
do feel like don't compromise.

Speaker 2 (52:54):
No, I feel like I try to make accommodations for you
and your lack of doing thingsearly and Calling it doing it on
your time, because that'sliterally what you just said is
that's to be trying to do that.
But if anybody is listening tothis, they will fully tell you
that if you wait longer, theprice of the hotel is going to
increase.

(53:14):
They don't have a locked in fee, because they vary.

Speaker 1 (53:18):
They charge by the day.
And what is going on in thecity?

Speaker 2 (53:21):
That's it.
And as it gets closer and herrooms start to get booked up,
prices will increase.
I'm not gonna argue that withyou.
I know for a fact that thathappens.

Speaker 1 (53:29):
I know for a fact that happens.
I'm not arguing that, but thetimes we've had, that's not why
the-.

Speaker 2 (53:34):
You just like to pick , I can promise you I can go
through you just like to pick$250 a night or $275 a night
hotel, I can promise you, if Igo through our text messages, I
will show you a screenshot of apicture that shows how much a
price of a hotel costs on aMonday, and then I can show you
on a Friday that it increased.

Speaker 1 (53:53):
Right, because I just said the days that you book,
the price itself doesn't change.
Let's move forward.

Speaker 2 (53:59):
That's what I'm trying to say.
What are your hotel red flags?
Because you still have yet toanswer the question.

Speaker 1 (54:04):
Don't get a little out of it.

Speaker 2 (54:05):
Just so I know.
So for next time I decide tobook a hotel-.

Speaker 1 (54:08):
No, you try to be funny.
No, man, my red flags arealways the same right Flags, bro
.
Say them Thanks, I mean I wasgetting there.
You want to cut me off one moretime?

Speaker 2 (54:17):
No, just go ahead.

Speaker 1 (54:19):
You can cut me off Two words, one, two.
Okay, all right.
Well, my red flags are simple.
I'm trying to get away fromcarpet and if the bathroom has
hair on the walls, yeah, thoseare my reflects.

(54:39):
Also if the toilet paper is notfolded.
Those are my reflects, becausethat means they just did a rush
job.

Speaker 2 (54:47):
All that stuff costs money.
So these are things that I amfully aware of and I know that,
and those do cost money when youupgrade from a red roofing to a
AC hotel.
That's all I'm gonna say.
My hotel red flags are yeah, ifthey don't have hardwood,
because I feel like it's easierto clean hardwood than it is to

(55:09):
clean carpet and I dooccasionally like to walk
barefoot.
Another thing is the lighting.
Hotel lighting is alwaysterrible.
Third thing is they don't havelike a smart TV.
You don't need to have a Vizioin there, even though they are
very smart TVs, but if it's justlike a regular ass TV and it

(55:32):
don't have no cable.
I don't know.
The beginning of the year Istayed in the Langham, which is
like a luxury five star hotel,and I'm kind of like I haven't
stayed in a hotel since.
But I just feel like I will becomparing every hotel to that
experience, because it was agreat experience.

Speaker 1 (55:48):
And you see what I'm saying the value tier.
And then motherfucker wannastay in a five star.

Speaker 2 (55:52):
Yeah, but I mean, I wasn't going on like a trip
where I was not gonna be in thehotel, it was a staycation.
So the primary point of beingin the hotel was or booking that
hotel, was to spend time in thehotel, and I'm sure that
they're aware of that, thepeople who built the hotel are
aware of that, which is why theymake the hotel experience one
that you don't wanna leave.

Speaker 1 (56:11):
I just feel like they had, they're all gone.
Cause I was talking about thehotel experience.
Yeah, I was gonna say they hadexcuse me like multiple
restaurants on the main floor.

Speaker 2 (56:24):
They called you, mrs when you checked in.
They asked you what you werethere for.
They had somebody playing theharp.
The harp, they had a spa it wasa lot of stuff a pool, a lot of
stuff and they were like alsoplaying the harp, a pool, a lot
of stuff.
And there were also peoplethere who were there for
staycations and one of thepeople I met in the hotel was

(56:47):
saying like these are thedifferent hotels you need to go
to if you're looking to do likeChicago staycations.

Speaker 1 (56:51):
So yeah, I have a good recommendation.
It's a really nice one.

Speaker 2 (56:55):
Great, do you wanna say?

Speaker 1 (56:57):
it, or should we?
I've said it to you already.
Oh, okay, I was gonna say thebed and breakfast one.

Speaker 2 (57:01):
Oh, yes, you did, you did, you did.

Speaker 1 (57:02):
That one's really nice.

Speaker 2 (57:04):
I was gonna ask if you would like to move on to Get
On Intellectual.

Speaker 1 (57:08):
Yes, I would like to move on.

Speaker 2 (57:09):
Go ahead, get On Intellectual question for today.
I don't even have to thinkabout it because it just
happened on Monday.
And this Get On Intellectualquestion is more so for the
listeners because Daisy and Ialready disagree on this and I
told him I was gonna make this aGet On Intellectual.
So I need y'all to sound offand I need you to be quiet,
laughing, move away from the micso they can hear me ask the

(57:30):
question, because I feel likeyou're trying to cloud up the
sound.

Speaker 1 (57:35):
You just all went today.
That's it.
I'm really not.

Speaker 2 (57:38):
Because this happened on Monday.
So I said I was gonna ask onthe next time we were recording.
You just all went there.
Just move from the mic, becauseI don't want you laughing.
I want them to be able to hearme so they can fully answer.

Speaker 1 (57:46):
Go ask the question, y'all.

Speaker 2 (57:48):
And you're yelling.
The question is this I'm notyelling.
If you and someone go out forcoffee, if you and somebody go
out for lattes like oh yeah,let's go get a latte together,
and you're like I'll pay for it,my treat and y'all get to the

(58:13):
Dunkin Donuts and they decide toorder the latte, but then they
start putting other shit on thetab.
The ghetto intellectualquestion is this Are you just
going to pay for the lattes orare you including all the extra
things that they added to thebill?

(58:35):
And do you think that themadding extra things to the bill
is them taking advantage of thefact that they don't have to pay
for it?
Get on to the actual questionNow.
You can give your response, butreally I just want the audience
to sound off on this one,because I personally feel like I

(58:55):
was getting taken advantage ofbecause it was my wallet.
Make it quick too.

Speaker 1 (59:02):
I'm going to give you good as full context.
Don't rush me.

Speaker 2 (59:07):
I'm just saying we've been here for an hour already,
Don't rush me.

Speaker 1 (59:10):
Full context Every Monday, me and Yemi go to the
gym.
We box in the morning, we go tothe gym and then we get a
smoothie.
The first time I paid, or didyou pay?
I paid, she paid, I didn't getnone, I got my smoothie.

Speaker 2 (59:25):
No, you still got a sandwich.

Speaker 1 (59:27):
No, I didn't.
I did that the second time.

Speaker 2 (59:28):
No, you didn't.

Speaker 1 (59:30):
Oh, I did do that the first time.
I did that the first time.
So, me and Yemi, every Mondayfor about the last month, we go,
we work out, we get oursmoothies.
I get my little green smoothie,do a little one, two with it,
and then I get myself a littlebreakfast sandwich Not even a
breakfast sandwich, a breakfastburrito, which is a bunch of
protein.
It may be like six bucks.

Speaker 2 (59:50):
It's not, it is.
It's like $8.
$9.
It's $6.59.
It's like $9.
It's $6.59.

Speaker 1 (59:55):
OK, Maybe after a tax it come out to $9.

Speaker 2 (59:58):
Go off.

Speaker 1 (59:59):
But anyways, I do that.
And Yemi over here, deji, Idon't want you buying that,
that's too much.
Or if you buy it, just put iton your tab and, like I said,
it's so interesting when theyounger sibling got to pay for
stuff.

Speaker 2 (01:00:17):
Here you go.

Speaker 1 (01:00:20):
And everything is up for debate, every line item.
I don't feel like I should payfor this.
You doing too much.

Speaker 2 (01:00:25):
Because the smoothie is already $9.
And you want to add.

Speaker 1 (01:00:28):
Don't buy a smoothie then.

Speaker 2 (01:00:29):
Don't buy a smoothie.
I don't have no problem buyingone.

Speaker 1 (01:00:32):
No, I will go right here.
It's as simple as you asksomebody to dinner, they order
an appetizer and you don't like.

Speaker 2 (01:00:39):
You share it, but I'm not drinking, I'm not eating.
If you order an appetizer forthis, no.

Speaker 1 (01:00:44):
Yemi.

Speaker 2 (01:00:45):
You can't pick and choose.
If you go pay, you go pay.
This is a great intellectualGetto intellectual.

Speaker 1 (01:00:50):
I can't wait to hear this response.
I've been a part of both right.
Because if you really take thisanother step further.
I was on a date one time with ashorty I was.
You know we was doing what wewere doing.
Shorty ordered five drinks tomy one.
So what am I supposed to say?
Like she fun to foot that mypoint is.

Speaker 2 (01:01:09):
But I mean that's a date DG, we're not going out on
dates.

Speaker 1 (01:01:12):
We are going out on dates.
We're just not romantic.
Don't do that, Yemi.
I don't think they're dates.

Speaker 2 (01:01:17):
It's just we went to the gym.
I mean, of course, gyms can bedate, like you can go on a gym
date, but I'm literally just.
The whole point is, if we goingout for smoothies and I said
lattes to make it general forpeople if we're going out for
smoothies and we're gettingsmoothies and I'm only getting a
smoothie, and then you want toget a smoothie with four

(01:01:40):
different add-ons, and then youwant to get a breakfast burrito,
do that on your when it's yourturn to pay.
First of all, I don't do thatwhen it's my turn to pay,
because when it's my turn, topay when it's you and it's me
and I'm just ordering, I don'tdo all that, I just get my
smoothie.
That's $8, and I keep itpushing.

Speaker 1 (01:01:57):
And just to prove my point, I ordered the same thing
and I even ordered me anotherbreakfast burrito when I paid.
So the thing is, you ever tryto act like I'm taking an
advantage of her when I'm not.

Speaker 2 (01:02:08):
Surely you just don't be like I just don't feel like
I should have to pay for yourdrink and your If I'm getting
something to eat as well, forsure we can both get our wraps
and we can both get oursmoothies.
But if I'm opening my purse topay for a meal for you-.

Speaker 1 (01:02:23):
I don't think I have to deal with loud ass music
every fucking Friday when Yemiwanna start practicing her DJ
sets.
But guess what I do?
I just dug it out because welive in a house but Yemi wanna
act like every space is hers.
She come and do it.

Speaker 2 (01:02:38):
I'm sure you're not talking about me.

Speaker 1 (01:02:40):
I am talking about you.
I'm sure you can't be.
I am talking about you.
Who else am I gonna talk about?
Who practices every Friday atabout seven, at six, five,
thirty five o'clock Work?

Speaker 2 (01:02:52):
day is over.

Speaker 1 (01:02:52):
Yeah, practice your DJ set, do a little, one, two,
so you can get a mix for theTikTok, for your social medias
and because you like to practice.
And then the whole house beloud as hell.
And then I'm over here in theother room watching Netflix or
something, trying to wind downbecause you know it's Friday, my
day is slowly winding down andI have to be like, hey, yemi,
put the music down, I gotta meetit or hey, yemi, I'm trying to

(01:03:13):
work or I'm trying to watchsomething.
I deal with that.
I deal with that.

Speaker 2 (01:03:21):
Me.

Speaker 1 (01:03:22):
I so what the hell?
What is yours?
I don't feel like I have to payfor that.

Speaker 2 (01:03:26):
I'm not saying don't.

Speaker 1 (01:03:28):
I don't think you should be putting that on my top
.

Speaker 2 (01:03:31):
I'm not saying don't get the smoothie.

Speaker 1 (01:03:32):
I'm not eating the smoothie.

Speaker 2 (01:03:34):
I will for sure pay for the smoothie, but I feel
like you getting extra stuff isplaying with my pockets, so
please let me know what y'allthink.

Speaker 1 (01:03:43):
If anything I helped them pockets, please let me know
I helped you grow them pockets.

Speaker 2 (01:03:48):
It seems very manipulative for you to say that
.
Oh, so now it's manipulative.
No, I just oh, my God.

Speaker 1 (01:03:56):
I can't, I can't win.
Today y'all You're watching anepisode or you're listening to
an episode where Yemi is.

Speaker 2 (01:04:02):
I just feel like this is me.

Speaker 1 (01:04:03):
This is Yemi being a hater on Diction.

Speaker 2 (01:04:04):
I'm not being a hater , I just feel like, why do you
feel like?
Why do you feel like me talkingabout me?
Spending money is an innatereason for you to be like you
wouldn't have that if it wasn'tfor me, type shit.

Speaker 1 (01:04:15):
It's like and I can say why do you think every time
you have to spend money on meit's a hassle?
I don't think it's a hassle.

Speaker 2 (01:04:20):
So you just did no, no, no, I'm not saying it's a
hassle, you're saying it's ahassle.

Speaker 1 (01:04:23):
I'm just saying you taking advantage because and
nobody taking advantage of you,Shorty it may and honestly, Over
a $7.
Let's overanalyze this Over a$7.
Hold on, hold on, let'soveranalyze this.

Speaker 2 (01:04:34):
Let's overanalyze this.
What if, in a way, you feellike it's OK for you to add
things to the bill because youfeel like you are the reason why
I have the money that I have?
Now Talk about that with yourtherapist and see what they have
to say.

Speaker 1 (01:04:47):
Because I would say, first of all, you're making a
leap because you know you are, Idon't know.

Speaker 2 (01:04:51):
I'm not saying that, I just thought about it right
now.
I never thought about thatuntil we talked about this, yeah
that's fine.

Speaker 1 (01:04:56):
You can make that connection yourself.
But I'm telling you you'remaking a leap because I make a
lot of considerations for you.
So for you to even make thatstatement is very emotionally
immature of you.

Speaker 2 (01:05:05):
Name.
The last time you made aconsideration for me, I asked
you to clean out the tub fromyour hair, from the shower, this
whole entire process.

Speaker 1 (01:05:13):
The only reason why I have not accelerated to what
we're doing is because I've beenthinking that your ass is
probably going to be where I'mgoing to be.
You wanted to take the wholemotherfucker up, you wanted to
regulate me to the dungeon andyou wanted to have the palace.

Speaker 2 (01:05:31):
Rough, rough, like a dungeon yeah so think about that
.

Speaker 1 (01:05:34):
Why are you talking all that shit?

Speaker 2 (01:05:35):
Let's move forward.
Yeah, that's right, because nowyou know I'm right.
No, I know I'm right.

Speaker 1 (01:05:41):
I don't think you're right.
I don't think you're right.
I don't think you're right.
You know that, you do, I know.
Ok, I know, that's the topicfor a different day.
But like I'm saying, you liketo have this amnesia Like I like
it.

Speaker 2 (01:05:54):
You like your own ass , but it's just, I don't want to
keep talking about it becauseyou keep interrupting me.
Oh, oh, I keep interrupting youand then you talk over me.
I keep interrupting you, butthat may be something to talk
about for real?

Speaker 1 (01:06:08):
No, it's not, because it's not.

Speaker 2 (01:06:10):
And I'm being so sincere I'm not even trying to
say that, but you're wrong andalso you're being very
insensitive, because now you'retrying to tell me what I'm
perceiving.
No, no, no, I'm not eventhinking that it may be
unbeknownst to you.

Speaker 1 (01:06:21):
It's not unbeknownst to me.

Speaker 2 (01:06:23):
No, it's not Mark me.

Speaker 1 (01:06:24):
I'm not mocking you.
It's not because you're sayingstuff and I'm telling you no, I
know what I feel.
I know I did it.
I was hungry, I'd be workingout, but I'd be you be doing the
same thing as me and you'd belike, yeah, you'd be like why do
you do this, daisy?
Yes, I push myself to theextremes.
So if I want a motherfuckingbreakfast sandwich, or burrito.

Speaker 2 (01:06:45):
One, no problem, but get it on your own bill.
And that's the ghettointellectual question.
You're not.
You're wrong.
Should you be adding stuff tothe bill just because you know
you're not paying for it?
Thank you so much for listening.
I really want you to sign offon that because I think we're
both.
We both make great points forour argument, but it's good to
have someone who's outside ofthe conversation sounding off.

(01:07:06):
I'm outside with me, whatever,and I'm OK with that, but I
think that there may be, out ofevery three people that side
with you, there may be one ortwo that side with me and me and
them two people go right to thewheels fall off.
So thank you so much forlistening to today's podcast.
I hope you really enjoyed it.
You can follow us on our socialmedias.
I am Suki G's S-U-K-I-G doubleeasy Because I make everything

(01:07:29):
that I try look twice as easy.
That's on Twitter and Instagram.
I am also on TikTok.
Tiktok is DJ Suki G, so DJS-U-K-I-G double easy.
I'm tired.
You can follow nothing but a Gthing on social medias.
We are on Instagram and TikTokat Nothing spelled all the way
out Capital B, capital A,capital G, capital T.

(01:07:52):
We are on TikTok, as Nothingspelled all the way out Capital
B, capital A, capital G thingspelled all the way out.
I don't know.
Something happened and somebodytook our name on TikTok.
We also have YouTube, excuse me, and our YouTube is Nothing.
Capital B, capital A, capital G, capital T.
Thank you so much, y'all.

Speaker 1 (01:08:14):
You can follow me on Twitter and IG at thermbthugcom.
Y'all keep it lovely.

Speaker 2 (01:08:21):
Oh sure.
Go grab them tickets now,Because they ain't nothing but a
cheap thing.
Baby To blow down G, so wecrazy Death grow against the
label that pays that Unfaithable.

Speaker 1 (01:08:35):
so please don't try to fake this.
But I'm back to the lecture atHayes.