BLUTANG ALBUM REVIEW- CripJesus Rivers El

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:10):
what's going on, everybody?
It's ron brown lmt, thepeople's fitness professional,
aka soul brother number onereporting for duty.
I have my brother mikey fever,in the building, of course,
peace, peace.
So brother number two don'tnumber two yourself, Nah nah,
mecca, mecca, we're going likethat.

Speaker 2 (00:34):
Yo CL Smoove of podcasting.

Speaker 1 (00:36):
Uh-oh, I like that.
Alright alright.
King L in the building, theBlack Illuminati.
Peace to the God.
What's going on?
G?
Right now we're about tofeature, or review, the God's
album.
I heard the whole shiz it.
Yeah, man, yo I'm feeling itand you know, just to let you

(00:58):
know, man, I kind of like took abreak from hip hop because you
know, I usually, honestly, Ilike to listen a lot of uh,
violence and foolishness and itwas, it was messing with my head
.
So I had to, I had to take abreak and then I listened to
crip jesus, joint, um and um.
It was a nice balance.

(01:19):
It was something that I couldactually I could keep, I could
listen to.
Yeah, it was something I couldI actually I could keep, I could
listen to.
You know what I mean.
It was something that I couldlisten to.

Speaker 4 (01:27):
It wasn't conditioning and all that.

Speaker 1 (01:28):
Yeah, yeah, yeah, it was like so full.
You're about to hear it.
You'll see what's going on.

Speaker 4 (01:36):
Just to give a little backstory.
I appreciate y'all having mehere.
Man, you know what I mean.
It's my third time.
I'm really grateful.
And here, man, you know what Imean, it's my third time, I'm
really grateful.
And Bluetang is a play off ofWu-Tang.
It is based on me being Crip,jesus and all that.
But I want to say this, firstand foremost I did not come up
with that name.
Killer Priest himself came upwith that name.
Now he didn't say hey, go makean album named Bluetang.

(01:59):
I was playing with him.
One day they throw the wasplaying with him one day, like
you know.
You know they thought the wlike this and I was talking to
w's.
I said we're gonna connect westcoast wu-tang, w-w-w.
I was just playing.
Then he was like blue tang.
And I'm like oh, because healways said like he'd say all
praises blue or he always takesdifferent things in in a
revolution, like he always doesthat with with when I'm involved

(02:22):
.
So he said blue tang.
That was funny, that was cute,I used in a couple raps and when
I use on that song with planetasia, it's stuck.
People used to hear that verseand laugh blue tang, blue tang.
So I'm like man, uh, I actuallywas working on a project with
his, with his group.
He has, like, another group buta clique, so it's, you know, a
royal priesthood.

(02:42):
I don't know if you rememberwhen he made that album.
That's the album he made whenhe left rizza, so it's, it's.
It's a symbology behind that,you know, when he, when he
finally started his own movement, it was royal priesthood.
His album was called that.
His father priest in thepriesthood.
Right, don't forget fourhorless, four headless horsemen.
I was a super fan of that whenI was growing up.
For y'all that don't know outthere, that's what you call a

(03:03):
hip-hop super group.
It was cannabis from canada,corrupt from la uh, killer,
priest from wu-tang and rascass,west coast legends, wu-tang,
cannabis, just crazy.
Bar bar, bar, bar bar.
I grew up off that.

(03:24):
So a lot of people you know dueto the hulu series came with
the wu-tang later.
No, no, no, I'm a real woo head.
I don't look at killer priestas anything else, but I heard
him on woo.
I remember fourth chamber.
I remember uh, bible basicinstruction before leaving earth
.
I remember sons of man and youknow I was a kid then, bro, so I

(03:45):
was a west coast kid gettingclowned by the other kids.
Are you listening to that stuff?
We were listening to dub c.
You listen to mac 10?
What you listening to?
Food, you know, I mean, I waslistening to back then.
So when I was with his clickand we put it together, I was
very serious about the sound,extremely so I had the purple
tape.
I wasn't just later on claim, Iknow.
My brother was way older thanme.
He used to breakdance and allthat.

(04:06):
He was born in the 70s, so Ihad a copy of the purple tape
that he left behind.
You, feel me, I had exposure toSons of man, killer Army, woo,
syndicate, killer Bees, bobby,digital, black Knights Come on,
man, a lot of Dark men.
Come on, man a lot of dark men,so when I got added into the

(04:33):
equation, I told you to click,listen, y'all can make whatever
y'all want for fun, but thisproject we finna put together,
it has to sonically be on thatwavelength.
We ain't gonna copy, but youknow what I mean.
We can't be representing Killaor Wu-tang, none of that, and be
the sound sounding like theradio or something you know I'm
talking about, because theydidn't sound like the radio back
then.
So it's produced his buddy, uh,the in-house producer.

(04:56):
They click a little da vinci,but the sound that you're loving
is actually from nitro g shout,nitro g's.
As I worked on the project andit just went wherever it went we
just all these different movingpieces I decided, you know what
, let me, let me drop one.
I've been waiting to drop mywhole life.
You know I've been stuck behindthis crypt shell.
You know what I'm saying.

(05:16):
I just finally went.
You know it took me back tohitting it with his click and
all of that beat around, clickand all of that beat around.
It took me back to that spacewhen I was younger.
So I actually wrote this albumlike.
I actually put pen to paper.
I actually sat down and studied, listening to all the killer,
priest albums, rizz's albums.
I actually went to producersand spent the night at their
house and made them redo thebeats.
We really worked on this one tomake it have like a new york

(05:42):
and la, or la and new york.
Like I said, the five percentcrip or whatever you would call
it, that mixture that I am.
I feel like it's balanced andrepresented on this project.

Speaker 1 (05:50):
You know I'm saying yeah, I can hear it, though I
can hear everything you justsaid.
Yeah, I can.
I can hear it because I wasgonna ask you, like, who did the
beats and and and how did youselect the beats?
Like, like, how did you createthat flow where it was like it
started on like a high and then,and then it went like away so,

(06:14):
coming into this, the idea wasto make it like a, like a
movement, like some, like wereally were feeling the routine
vibe.

Speaker 4 (06:20):
So we had planned to make four volumes, which we
still do.
So I'm answering, basicallysaying we made so many songs not
including all the songs I madewith Lil Da Vinci when I was
working with Royal Priesthood,some of them verses.
I reused, some of them verses,I used this part of it that half
of it start high, go low, startlow, go high, redo it again.

(06:41):
I redid stuff, I trieddifferent flows, I experimented,
I did things and then went backto the hood and played it for
people and then let them know itwas me.
They go oh, oh and I go backand retweak it.
I really worked.
We probably made 30 or 40 songsto pick this 10.
And the other one's going to besprinkled throughout the other

(07:07):
values which we're going to notgoing to push till next year,
cause we're going to push videosfor all of these and all that.
Like we really working, youknow yeah.

Speaker 1 (07:11):
Yeah, that's a good idea, man.
All right, so let's go into itso people can hear exactly what
I'm hearing and what you'resaying.

Speaker 4 (07:19):
So, um, yeah, Nitro G's with the beat selection.
Nitro G's is somebody I'veactually known ever since I got
out of prison.
The homie introduced me to himthe first time we met.
We kicked it for like a day anda half, two days.
We record nothing.
He left us and stood together.
He came back.
He said I know y'all got like20 songs.
They hear it.

(07:39):
I mean, we ain't got nothing.
I was like, well, I was likeman, I met my twin up in here
man, end up in here man.
So every time we work it'smagical and we've never done a
project.
We've always link up.
Ain't seen each other in a yearor two, knock out a song or two
, chop it up.
Our relationship is really moreabout you know, I mean,
personal things.
So this is the first time wedid a project together or a
bunch of songs together.
It was just the energy and thewhole blue tank and all of that.

(08:01):
Just.
You know.
Then, after I was working withpriesthood and it wasn't really
progressing, I thought that wasthe only person I trust, like
that anyway, you know I mean.
So he came about in the.
Some of these songs were like.
Some of these were beats hegave to me and I made somewhere
else some I made there.
It was just we were really justworking, you know I mean so
just to kick it off.

(08:22):
This right here is one of theam I still in there?
Yeah, you there, one of thefirst joints on there late night
trap music, just to give y'allan idea of where we're going
with it.

Speaker 1 (08:40):
This is my shit right here, boy.

Speaker 5 (09:34):
This is my shit.
Right here, boy.
This is my shit.
We'll be right back.
That's tough.
That's tough.
We gon' get them privacy and goto the funeral.
Rest in peace, JD, you know it.

Speaker 2 (09:47):
That's tough, that's tough.

Speaker 3 (09:54):
Rest in peace.
Jd, you know it.
Yeah, I'm not a nobody to you.

Speaker 5 (09:59):
Uh-huh, yeah, Late night trap music uh-huh yeah
late night trap music you like$999 you close, but you not.

Speaker 2 (10:12):
A G that's tough, bro , that is my shit, bro.

Speaker 4 (10:19):
That was a snippet on that one.
I go full on the other one, butI just wanted to give him a
snippet of that one.
Make sure y'all tap in.

Speaker 2 (10:24):
Yo, mike, that's number one.
For a reason, snippet on thatone, I go full on the other one
but I just wanted to give him asnippet of that one.

Speaker 4 (10:25):
Make sure y'all tap in.
Give him a snippet.

Speaker 3 (10:25):
Make sure y'all tap in on that one.

Speaker 4 (10:28):
That's number one for a reason.

Speaker 2 (10:30):
No, it's tough, Yo, bro, that's tough, like it's
flow on there the bounce, thevibe, bro, that's a vibe right
there, bro Yo.

Speaker 1 (10:37):
what's that verse?

Speaker 4 (10:37):
you said for something and no, that's okay.
So, so that's what I'm talkingabout.
So it's like I craft the lyricswhere it's like okay, I hate
when dudes have the signs butthey get preaching.
You know, I mean, I always likethe rappers like.
One thing about tang and them Ilike is that they spit the

(10:58):
knowledge as they're maneuveringthe conversation.
You pick it up, you feel me?
So instead of saying ayahuascais just, you know, put it in
there.
And if you're really on thattype of wavelength, you know I'm
saying you might have somethingelse to rhyme it, right?
So ayahuasca is already one,like what's that?
Then?
Ashwagandha is another one.

(11:18):
So I'm like, oh, you rhyme themand throw it in the like.
I did that on purpose.

Speaker 2 (11:23):
You know I what I mean.
I'm like okay, jesus like youknow, you have to instigate it,
you know what.

Speaker 1 (11:28):
I'm saying yeah, yeah , yeah those, those are
mushrooms, I think, or somethinglike that Ashwagand, to help
them purge, like you know,internal conflict and issues

(11:48):
it's, it's deep, yeah, yeah,yeah, I want, I want to rock
with one of them, jaces it'sreal big in, like the native
community and anybody dealingwith the science.

Speaker 4 (11:55):
You feel me of self.
Yeah, you know, it's just moreof the uh.
Stimulants in, uh, in healthand herbs benefit us, coming
straight from the earth.
That really has more to do withonce you start identifying.
So for those that's up on it,like yourself y'all hear it, oh,
you know what I mean Sparks,the mental, or, if you ain't up
on it, maybe you go look for itnow.

(12:16):
What was he talking about?
You see what I'm saying, right?

Speaker 1 (12:19):
Now I's that.

Speaker 4 (12:28):
Oh, so that's my nephew.
He actually was murdered 2022,by some Bloods, not too far from
where I'm at right now.
But here's the crazy thing Eventhough I'm Crip Jesus and it
was Bloods, it wasn't a.
This is going to show how LA is.
You know, everybody's kind ofaffiliated.
It wasn't a Blood Crip thing.
The dude was outside beating uphis female.

(12:50):
She was quite younger and mynephew had two daughters in the
house.
This is happening right there.
Now, we know, you know mostdudes are kind of like, so he
went out to prove a point forthem and it didn't end well.
So the uh, it was just how Iflowed into it.
You know, I mean it's got a lotof love.

(13:11):
So, you know, I mean that'sjust the real.
You know, uh, kind of like.
That's why I put late nighttrap music.
It's kind of like.
You know, at nighttime, youknow, you smoking, you hustling
you up, you thinking it's allthem thoughts something good,
something bad.
You know I mean right, youhustling you up, you thinking
it's all them thoughts somethinggood, something bad.
You know what I mean, right,it's almost like a streamline of
thoughts.

Speaker 2 (13:29):
Yeah, the beat selection, it fits the narrative
perfectly the beat selectionbecause you know in late-night
thoughts you want something to.
You know, ride out to somethingmetal, like some Marvin Gaye.

Speaker 4 (13:40):
Right right.

Speaker 2 (13:48):
It just fits everything man like.
Right, exactly this is dope bro.

Speaker 1 (13:50):
I'm gonna go ride around in my car playing, that
you gotta hear this whole thing.
See, he's just playing snippets, though.

Speaker 4 (13:54):
No, no, no we're gonna play the whole thing.
I just want to play a snippeton that one.
I want to make sure I leave himhungry for something you know.
I mean yeah, yeah, now thisright here.
If y'all ain't seen it, tap inthis is the Ghost of Nipsey.
This was the first Song Ireleased.
This is the only song Actuallyreleased from it.
It's in video form Right out,right now.
You can go Check it out.
This is gonna be track two.

(14:15):

Speaker 11 (14:18):
I'm not from this world, you from, bro.
I don't go by these rules,homie, and I've been to jail.
That don't threaten me, bro.
Trust me.
If I had a bad day, I'd havetested your jaw and I'd have got
my homegirl to test your jaw,okay?

Speaker 3 (14:30):
and y'all gonna go to jail and you just said you've
been before.

Speaker 11 (14:32):
I'm not tripping on jail, I trip on respect.
Okay, I'm willing to die behindmine, let alone go to jail.

Speaker 4 (14:46):
Please.
It is a blessing on me.
I still see the ghosts ofNipsey, hussle and Crenshaw
standing in blue laces.
Real, recognize real.
Y'all niggas got new faces.

Speaker 5 (14:55):
I still smell gun smoke.
I still hear the bombs breaking.

Speaker 4 (14:58):
Remember conversations I had with Satan.
Remember Mace turned to PastorMason.
I wonder what secrets he knowabout diddy.
Daddy ain't saying I'm from ablock where there's no
complaining and niggas get shotfor their names, ending up in
the math of davis straight fromthe bible's lost pages.
You know them devils want to,but they'll never trade places
still dodging cases, the court'sstill racist, skip the

(15:20):
arraignment judge and theplaintiff.
I hop on the plane, touchdownJFK, black Illuminati, tap in
with the Masons.
Fake food laced with ADHD,fentanyl, shit, dangerous.
Shout out everybody trying toback it off the Matrix.
I'm Neo.
Set the free to free from allof this fake ass trap.
Rap should be illegal.
Go desert eagles like El Chapo.

(15:42):
When they see my truck they runup like I'm selling tacos.
The big homie.

Speaker 3 (15:48):
He's a mercy on me.

Speaker 4 (15:56):
Amen To all the homies locked in cages, like
Nelson Mandela.
We hold it down till you getout in 2000,.
Whatever, may Allah bless allof our endeavors, whatever we
got to go through to get throughthis weather.
However, wear a hat, look likea sweater till the days get
better.
We mobsters, without the funnysuits and hats with the feathers
, went from Glock 9s to M9Berettas, queens to LA, like

(16:18):
world peace better.
Shout out to Almighty and AllahDominic we done, hustled in
every hood on the continent.
The stories will never be told.
All written is forbidden, onlypermitted to real niggas.
That's initiated.
Stay ten toes on the block.
You participated, got they nameand they game up.
I mean, they graduated Niggas,got body in.

(16:38):
They raps.
That's imagination.
Left my bitch for these blueslips.
I'm infatuated.
Swing swords like I'm KingDavid as decapitation.
Just ate a couple shrooms now.
I'm activated.
I just ate a couple shrooms.
Now I'm activated.
It's a mercy on me.

Speaker 11 (17:07):
And you, lucky.
I wasn't on no bullshit today,because I would have tested your
jaw.
Trust me, you feel me.
Call me on that Nightbook.
A victory lap on the way, okay,okay.

Speaker 2 (17:15):
All right bro.

Speaker 4 (17:19):
How'd I get to Nipsey Hussle Square?

Speaker 11 (17:21):
Nipsey Hussle Square .
Yeah, I'm going to be honest.
I don't be over that way.
You got to ask one of them overthere in my bathroom.

Speaker 3 (17:28):
All right Thank you Bye.
Now arriving at Park Station atTrenshaw and Saucon.

Speaker 5 (17:37):
Exit here for Nipsey Hussle Square.

Speaker 4 (17:42):
Yeah, now I thought that was interesting because I
know a lot of people don't eventhink la got trains or subways
or nothing like that to know wegot one, a spot called nipsey
hustle square.
I thought that just, you know.
I mean, if I the town like I'mnot gonna lie.

Speaker 1 (17:56):
I never knew that.
I didn't think it.
That's the tweet.

Speaker 4 (17:58):
I was like huh, like you know what I'm saying so I
had to make sure I put that inyeah, that threw me off.

Speaker 1 (18:02):
I'm like, oh shit, yeah, you know what?

Speaker 4 (18:06):
I mean Word.
So now let me tell you how thatcame together.
I actually that's another one.
I'm not from this world, youfuck.
It was put together like thaton purpose.
So it started off as a verse.
What's the brother's name?
Producer Plug plug.
He was on the killer priest andhe sent me a beat.
He's like man, hop on this,jesus.

(18:26):
Yeah, so I hop on it, I do myverse, I cash out, go to studio.

Speaker 12 (18:29):
I'm like come on, they go like it.

Speaker 4 (18:37):
So I went back to the draw board.
I said now for the, make thisverse a thousand times hotter.
So the verse originally said Ican still hear.
What did it say?
I can still hear voicesscreaming in Africa and Cape
Verde.
No, I can still hear voices inAfrica and Cape Verde screaming
in Portuguese.
It was a conscious rap, but itstarted off like that I still
hear the voices in Africa.

(18:57):
So I said I don't like the wayhe dismissed my verse.
Man, I got to make some shit.
That's just obviously hard.
So I thought I could still seethe ghost of Nipsey Hussle.
I said yeah, can't nobody denythat, because we right here,
right, and I'm from LA, that'swhat you want to hear, right, it
relates more.
I said if I kick the verse offlike that, where else I'm going
to go with it?
Because now I'm going to gocrazy.

(19:21):
When I came out with the blue,when I let the world know I was
making blue tank bro, peoplestarted tapping in with me.
So that was one of my actualstudents.
I've been reading the blueBible, buying books from me,
buying lessons, all that Right,and building with me for a
couple of years.
He said, man, you know I dobeats and me and my homies was
going to make a project like WuTang, uh, and my homies was

(19:42):
going to make a project likeWu-Tang inspired a few years
back.
But we never did.
I got some beats.
I said, yeah, send them through.
That was the first one he sent.
I said oh, I'm on this.
I still see the goal.
I already had that verse ondeck.
Some of these things kind ofwrite themselves.
Once I said that to that beat,I said go get some skits.
I already knew what skit I wantbecause that's my favorite, you
know little clip of Nipsey.

(20:04):
So every time I play it, peoplebe like oh, I know that, I know
that.
That's when he pressed the yeahcultural, you know what I mean
cultural, you know for sure.

Speaker 2 (20:15):
I would have tested your jaw.
Hell yeah, exactly what's up,bro?
Nip man rest in peace man, thattrack was tough man.

Speaker 4 (20:25):
This, that track was tough, man.
This next one was one.
I actually got invited to astudio to hop on this joint and
I heard it Some months passed.
What you doing with that oneman.
You know I'm about to do thisblue tank thing.
You might want to get on there.
You might want to slide that.
I put a little visual to it butit's called no Stop Signs yeah,

(20:51):
that's a deep one right there.

Speaker 1 (20:56):
Yeah, man, that one right there had me to thinking.

Speaker 3 (21:01):
I'm the highest mountain thinking I'm the
highest mountain to reach thefurthest sky.

Speaker 13 (21:19):
Damn, you know what I'm saying.

(21:40):
We need schools, we need funds.
Yeah, crips need Jesus too.
I pop up like Beetlejuice onyour living room the spoon for
you, the gospel of the 22s, andUzi's too.
Check a finger cuticles iscovered in gum residue.
Inevitable episodes of niggaswalking out they going.
That's another one gone At thecorner store.
Another mama on the sun.
Daddy is a vagabond.

(22:00):
The whole block on the corner.
Another visual candles burn.
How little help we learn Fromthe city that we turn and the
wazars from all malls.
You get served like horsd'oeuvres.
There's no words, it's on sight.
No, stopping at no stop sign.
You bond first, it's alright.
That grave works in that mainline One time, for the one time.
You run alive by sunrise.
You be a'ight, take my advice.
No, stopping at no stop signs.

(22:21):
There's no words, it's on site.
The prime first, it's all right.
That gray horse in that mainline.
One time, for the one time, runalive by sunrise.
You be all right, take myadvice.

Speaker 4 (22:53):
No stopping at no stop sign.
You got yours, I got mine.
On the front line Every onetime, let's go.
I got in with my constituentsForced to use instruments like
4-5s, 9s and hecklers Atgrandma's house where they
tucked in the sweater.
It's cold outside, inshallah.
He changed the weather.
He shamed it all good, but I'mjust glad that it got better.
I'd rather be just by 12 thancarried by 6.

(23:16):
That's why we keep big-asssticks even at picnics.

Speaker 5 (23:20):
Yeah, if you got chores and I got mine.
No stopping at, no stop signs.

Speaker 4 (23:23):
When it pop off from the one time every one time.

Speaker 5 (23:25):
Fuck, one time every one time.
I was on the run, running stopsigns for the one time.
No, stopping at no stop signs.

Speaker 4 (23:44):
Yo, that was tough bro, that's tough, that one
right there, I know you had thefull version where you got the
little skit at the end talkingabout how America has the most
guns in any nation in the world.
Yeah, that's what I'm saying.
I got to tap in with the albumbecause the album got a little
extra.
You know what I'm talking aboutyeah.

Speaker 1 (24:00):
But, Yo, but you know what these visuals right here
tells a?

Speaker 2 (24:05):
story, and what's so deep about it too, was the that
beat.
If those who know shorty wantto be a thug like the, elements
of that it captures all that.
So I was like yo, he and he'sspeaking to this generation,
because when you say unalive,that's the, that's the language
they use online, the East EndEdge yo, it's crazy bro dope and

(24:27):
then, don't forget, g Herbojust flipped that beat.

Speaker 4 (24:31):
And then see, we know , originally Pac right, but
there's been a few people flipthat beat since then.
Kanye, oh, kanye did that beat.
Yeah, kanye, drive slow.
Yeah, right, kanye, drivewhat's that song we be like get
off, get off.
Oh, kanye did that beat.
Yeah Kanye Drive Slow, yeahRight, kanye Drive Slow.
What's that song where it belike get off, get off?

(24:52):
You remember?

Speaker 2 (24:54):
that was like a dance song that had flipped it.
I don't know.

Speaker 4 (24:56):
I don't know.
It was like from like Detroitor something.
So, yeah, a lot of people hadflipped that beat.
I ain't going to lie.
At first, I I was like,especially when G Herbo came, I
was like you know what?
Though?
Nah, that's what's up.
This is our version what wetalking about.
So it ain't Tang nothingwithout some Kung Fu, though

(25:19):
let's be real.

Speaker 2 (25:20):
Of course.

Speaker 4 (25:21):
You can pop all that you want to, you can put your
little avant-garde beats, youcan scream and yell and use your
big words.
That's cool.
But wu-tang the name literallycomes from kung fu, which is
very important because what wesee today in hip-hop is a
separation between intelligenceand militancy, intelligence and

(25:42):
violence or masculinity.
They want violence, masculinity, militancy to be separate and
secluded only to stupidity,self-destruction, you know, I
mean ignorance.
So kung fu is where that meets,where discipline and
intelligence meets the militancy, violence, strength,
masculinity.
So without that you missed thewhole point of Wu-Tang.

(26:03):
I couldn't create Wu-Tang likeit's the Crip version.
No, it's the same.
We on the West Coast do it outthere.
It's the same science.
So number four now check thisout.
I know y'all gonna rememberthis.
Wu-tang actually had a song itwas on GZA album where they said
Crip.
I remember growing up that wasa big thing.

(26:24):
It was like we showed thatkiller priest said it on there
something something that's onfourth chamber.
yeah, that's on fourth chamber,right, yeah, I'm from 40s.
I went to the homie super lowabout the project.
He said what he put up hisshirt, showed me a blue I mean a
wu-tang tattoo he had on him.

(26:45):
I said what he's like?
Yeah, I gotta be with this.
So we came together and made40th Chamber Nice, 40th Chamber
straight from the bird park.
You know what I'm saying?
Nice, yeah.
So hold on, let me see how do Ipresent this.
Okay, stop, hold on, let me seehow do I present this?

Speaker 1 (27:14):
okay, stop the screen present it's 40th chamber.

Speaker 9 (27:16):
40th chamber, here we go.
Let me go first those men.
They need to see that we're notscared of them.
Maybe when they they see we'renot afraid, they may even back
off my sword.

Speaker 4 (27:28):
And it was written that the king would come.
For those who thought the kingwas on that, who shot your hoes
through your heart?
Sifra, in the Pinot Glen, yourmedulla oblongata?
I'm like palm trees on Crenshaw.
My roots is ghetto.
Got carbon-15s that can shootthrough metal.
The kid on my throne gatheraround Mother.
Blow this bitch up, bro.

(27:49):
I'm counting it down, so take10 rappers hit them with nines,
with eight shots east.

Speaker 5 (27:53):
That's seven of them laid six feet deep.
Let's go.

Speaker 4 (27:56):
You got it for five, I got it for four and I got
three left.
So if you cop two, you can getone more.
Let's go, muhammad Ali, smoke awhole pound and laugh at you.

(28:22):
Fake Rapping ass, capping ass.
No bars, danny Bars, inside thebackpack, ass rappers.
That's the way it's said whenwe smoke a whole pound and laugh
at you.
Fake Rapping ass, capping ass.
No bars, danny Bars inside thebackpack ass rappers.

Speaker 10 (28:39):
Knowledge, cypher coach, knowledge, boom, god, god
, we living in all times, mymind's, my nine, my pills, my
Mac-10, my Target.
You cappin' ass, nine, rappin'ass, fuck nigga Soon, as I hear
your bars I'm like fuck Niggasreally runnin' round this bitch
exposed with they shirts up.
You spit a verse and I'mfeelin' like it's the worst shit
I ever heard.
I just giggle and smoke my herb.

(28:59):
Let it run past the thirddegree.
We'll be right back when youland.

Speaker 2 (29:39):
And sound hard, hard, come on and got.

Speaker 4 (29:47):
Shaolin in there.
It ain't the time y'allmentioned Shaolin.

Speaker 3 (29:51):
One time come on now for sure, for sure, this was
really about showing the culture.

Speaker 4 (29:56):
That's what I meant.
Show every track.
Reflect some part of thatculture.

Speaker 1 (30:03):
Nah, but you went.
First of all, we gotta talkabout that.
You said something, somethinggo through your heart, chakra
come on, let's talk about it whoshot you?

Speaker 4 (30:11):
hold through your heart, chakra.
See, that's just me on myrapper tip.
But forcing the consciousness,that's what I mean.
Like okay, if I was justrapping, who's like that's,
that's just me, that's just mebeing a hip-hop dude.
Start a verse with who shot you?
Like biggie, like that'salready who shot you, and then I

(30:34):
come in and say some other shit.
So I was already just me.
Being the type of dude I am andinfluenced by new york, I would
rhyme it with something perfect.
Anyway, I do that syllablecamera type rap, you know, I
mean I mean Shacha.
You know Coppa Doctor, operaAqua, frank Sinatra, you know
what I mean.
I would rhyme it with somethinglike that anyway.
So, because I know I'm talkingto the conscious meaning, it's

(30:57):
like if I'm talking to the guysand I throw a cypher in there or
I throw equality in there, oohright, it's the language.
Right, it's the language.
You know.
I mean, if I'm talking, if I'mspinning the verse and the crypt
is here and then I throw a cuzor a loke in there, oh right.
So I said, if I throw chakra inthere, it don't matter who it
is, because they already know,even if a dude don't even know
he's like oh he on that deepshit right so I said, I said

(31:19):
that, I said go harder I saidI'm like palm trees on Crenshaw
my roots is ghetto.
I was trying to just hit everybar.
You know Kung Fu you know, yeah, yeah, yeah.

Speaker 1 (31:44):
Yeah.
I heard that that would be likeon some battle rap, like you
know.

Speaker 4 (31:46):
I mean let's come in here and show what we got.
You know what I'm saying yeah,yeah, yeah, yeah yeah.
I heard that that would be likeon some battle rap.
You know what I mean?

Speaker 1 (31:52):
Let's come in here and show what we got Actual fact
.

Speaker 4 (31:54):
You know what?
I'm going to keep it real.
I like when we get on that,because I'm going to just say it
I hate rappers, that rap abouthow they rap, Like, bro, you
have to actually rap before youkeep telling me how you rap.
I'm the greatest, the illest,the realest, the wildest.
My rhymes smash and death.
Like hold on how they do allthat without me hearing them.
Let me hear them.

(32:14):
Let me hear you rap aboutdifferent stuff.
Okay, my bars did that.
So because I have that criticismbecause I talk that mess I try
to always make when I do spit arap.
That's saying I rap and youdon't rap.
I got some bars in there thatprove that.
Like that ain't saying aboutthe rap.

Speaker 10 (32:32):
You feel?

Speaker 4 (32:32):
me.
Yeah, so who shot you?
You know that's Coach Ro BiggieChakra, madula Abugana.
Ooh, you know what I mean.
So, yeah, yeah, we working hard, bro.
That one bar alone is a lot ofbrain cells.

Speaker 1 (32:45):
You know what I'm saying, yo, when I heard that, I
said oh shit.
I was like let me hear thatagain.
You know what?
Like the way you rap makes youwant to rewind it.
Like we're kind of missing.
That we're kind of missing thatit makes you want to rewind it.
It makes you want to recite ityourself.

Speaker 2 (33:05):
Break it down, yeah.

Speaker 1 (33:08):
You get what I'm saying.
So, yeah, that's real hip-hopshit, that's the element you're
bringing back.

Speaker 2 (33:11):
That's what I was like.
It's that movement, we needthat.
Run that back again, bro.
Let's catch up on what he saidit's like the lay bars that hit
you after the hold.

Speaker 4 (33:21):
Holds your heart chakra in the penile gland Right
.
I'm basically saying I justshot you in your chest and your
head, but I just made it fancyRight.

Speaker 2 (33:32):
Double the tangerines with that.
Make you think yeah.

Speaker 9 (33:35):
I like that yeah.

Speaker 2 (33:36):
Right, you feel me yeah.
He got the tiki bars.
Yeah, he's not spoon-feedingyou those lyrics.

Speaker 4 (33:48):
This is one.
No, like he said, I did that onpurpose, right?
Because, like I said, I don'twant to be preachy.
For example, I liked the Nas alot growing up, not because I
would skip the songs where he gotoo, too deep, or I may come to
him at one in the morning orsomething like that, when I'm
ready to understand it.
But what I like about even hishard songs like Come and Get Me
or you Can Hate Me.

(34:08):
Now, even the songs where Nasis like, those aren't songs
where he's preaching to you, butbecause he is personally so
deep, even the way the wordsthat he chooses to use to
describe things, the way he goesabout describing it, the places
and locations he names, eventhe weapons he says he's gonna
say the regular, give me a glock.
He's gonna say some like them90 with the extra.

(34:30):
You know I mean like, like thisis intellectual gangster rap.
You know I mean that's how Iused to feel listening to nas.
You know I mean kuji rap, uh,even, you know, like a exhibit.
You know I mean stuff like theyeven nip.
Stuff like that, they even nip.
So I tried to make sure I didthat, like he said, sneaking in
there.
But I do have a couple where wejust go in.

(34:56):
This is one of them.
So this track you're about tohear.
I went through a couple names,but the final name is Internet.
It's a skit on here that ain'ton here.
Y'all can listen to it on thealbum.
But this is actually a verse Iwrote in prison and I forgot it.
And when a beat hits me hardenough and a moment hits me and
a whole vibe hits me, sometimesa whole verse comes back to me

(35:17):
from the past.
Like this is that feeling.
That's what it was, this verseand what we was on at the time.
It all hit me and I spit thisout like, oh, remember this, you
know what I mean yo.

Speaker 1 (35:31):
Peace to a bin.
Peace to a bin.
What's up, brother?

Speaker 4 (36:01):
oh, hold up my bad Amen.
Carl Ross, the farviens thatsmoked a tree of knowledge to
learn what's in the hearts ofmen.
This is food for thought.
So take my offering.
The government is filled withDr Kevorkians, snakes and
scorpions, taxes and extortions.
They lock us in cages to giveour women abortions to stop the
birth of the gods and goddessesCreated plagues and AIDS, but

(36:22):
still the prophets live.
Until I see my date, I'll be anenemy of the state, the CIA,
prisons and the PIAs, corruptbusinesses, false religions and
science.
This is the 666.

Speaker 5 (36:33):
I know some witnesses that saw things like celestial
beings, extraterrestrials thatforeseen the federal scheme.

Speaker 4 (36:40):
Triple beams, infrared beams what does it all
mean?

Speaker 5 (36:43):
Could it be we all trapped in the same bad dream?

Speaker 3 (36:48):
Wake up me.
Could it be we all trapped inthe same bad dream?
And wake up.
There's nothing here.

Speaker 4 (37:07):
My life went on you he went high science on that one
, bro, yeah yeah he went thereand to be real, true, like being
out here amongst the ethers,amongst everything that's going
on.
I'm not gonna say I can't ofcourse I could still rap like
that but just to spaz out and goin like that, you know what I

(37:28):
mean.
It wasn't surprising to me thatit came to me from prison.
Now, imagine I was just sittingaround somebody.
They wouldn't even know I wouldjust start spitting.
I think somebody was there.
They was like damn, I was likeI wrote that a long time ago.
I shouldn't even have told him.
You know what I?

Speaker 1 (37:46):
mean?
Well, first off, let me shoutout Ben, thank you for the
knowledge.
Cypher, thank you for the $10.
Really appreciate you, ben.
Ben, we want to play his albumon Monday.
We'll see how that.
Let's see if that happens.
Man, you know, we're justfiguring this thing out, man,

(38:07):
crypt Jesus actually helped usout.
Definitely we were having somedifficulties on our end.
Well, I say on my end you know,take full account, you know
responsibility for whateverfucked up on my end.
But yeah, it happens, ithappens Technology it happens,
it happens, it happens.

Speaker 2 (38:24):
Technology, it happens, it happens.
You know Crypt Jesus, it's anhonor man to have you on here.
It's an honor to have you on.

Speaker 4 (38:29):
I appreciate y'all man.
You know I've been getting youknow, like I said, I've been
watching y'all thing for a whileand I always knew.
I said it's one thing to be youknow the guy or any of these
organizations, but you havecertain people where that bitch,
that's they.
You know what I mean, that'sthey lane and that's y'all lane
as far as the same exact lane asme, like the Moors, the Fires,

(38:50):
you know, because now theconscious community is kind of
split into different groups, soI would say, like the Asiatics,
all the Asiatic groups, likeyeah, and so I always say I say
once I make enough noise outhere they're going to call me so

(39:16):
to be up here presenting thealbum with the knowledge and all
that, this is like a fullcircle moment bro.

Speaker 1 (39:16):
so I just really I'm glad indeed appreciate you,
brother, so uh oh, brother benmy brother, I'll be ready.
All right, man, I'm gonna makethat, I'm gonna make that live
stream tonight for you.
Man, monday night, man, we'regonna feature, we're gonna
review your album, um, all right, so what's the next joint?
What was that?
Number five or six?
That was number five, that wasnumber five.

Speaker 4 (39:32):
That would be the end of A-Side.
When y'all get the album it'sgoing to have a skit right there
that joint's called theInternet.
We're going to talk aboutAdam-22 and 1090, jake,
basically.
That's why I went so highscience, because we take it back
down at the end the show likenow look at what y'all watching,
now look at what's going on theinternet.
Yeah, so after that, at the endof that skit, we say it's no

(39:57):
longer our thing, it belongs tothem.
Then this song comes on.
Well, I like about this song.
This song is called blue tanganthem.
It was made before I eventhought of the concept of Blue
Tang.
It's five people that's Cripson here and they're all from the
same set.
This is the 40 Crips.
I don't know if you've beenindulging in the crap with Adam

(40:17):
and 22 and them, but these aresome of the most popular homies
in LA right now X-Fo, fo',extras, runner, tanika I can go
on and on.
So Dodie Sixx that was just onthe Kendrick Lamar album.
So I'm from that same hood andI'm bringing a different element
.
So it's not just me by myself,like people may think.
It's just some homies with mewho also be building on high

(40:39):
signs.
Like you heard, super Loco onthe last joint, I mean number
four, so I didn't have time toput a video together for this
one, but I think the song willspeak for itself.
So y'all check this out.
And I wouldn't even dare to gofar as to say it has a little
bit of a New York drill type ofedge to it.
So we really took it there forthe culture.
And the point of this one, wheny'all hear the define us what

(41:08):
we got going, who we are, whatwe got going on, you know what I
mean.

Speaker 2 (41:13):
That's a fact.

Speaker 1 (41:15):
They inspired us to make this platform, to bring
some balance to this shit.
Yeah, definitely.
They lied too much, yeah, andthey put a bad, a whole bad
image on our people.
Man, that's enough.

Speaker 2 (41:30):
We had enough of that shit man Profit off our pain
and the problem is we got foolsthat give them access to us to
perpetuate that behavior oncamera.
Exactly, yeah, man.

Speaker 4 (41:40):
I'm trying to—hold on .

Speaker 1 (41:45):
What song is it?
Okay, hold up, put it on yourheart man.

Speaker 4 (41:50):
Okay, so this is the Blue Tang Anthem.

Speaker 2 (41:55):
Huh, and I ain't calling it that for no reason.

Speaker 4 (41:58):
So it's me, my homie Tiny Gun, my homie Super Lope,
my homie no Sense, the homieC-Boy and the singer Homie
Quality, that's right, nate Dahl.
Ha ha, ha ha, huh, yeah, hey,true religion full of Benjamins.

(42:27):
I'm staying double G'd up.
What that mean?
I'm a gangsta and gentleman.

Speaker 5 (42:31):
Like 50 cents in.
Many men Wish death on me, so Ikeep this tech on me.

Speaker 10 (42:36):
Speak some respect on me.
Loyal to the set.
Tattoo this F on me.

Speaker 6 (42:40):
For the love of the sad.
Homie Got quoted on and I'm init to death.
Homie, she can go left.
Homie, you know I'm a crip andshootin' this rap homie, fuck 12
and the rap homie, I'm a risktaker.
I'm mindin' my business,buildin' a brand.
To finish the sentence Fear it,niggas, is where you can hear
it.
48 hours in this bitch, 100shells in this cliff, all my

(43:00):
money on the bitch Can't changethe niggas I grew with.
Can't change the niggas I bangwith.
Big homie told me don't switchOn the block.
She get flipped.
Couple pills.
She get none.
White girl got her done.
These suck my dick.
She go done Chopper sprees.
Make her cum that burger bag.
She want one.

Speaker 4 (43:18):
It's the black Illuminati With a joint catcher
body White girl off a molly Chuga four like a mozzie Blue.
Get his blue, gotty Black.

Speaker 12 (43:25):
Illuminati Wanna join catch a body.
We ain't fuckin' with noJohnny's, only real niggas
rockin'.
Black Illuminati Wanna join?
Catch a body.
We ain't fuckin' with noJohnny's, only real niggas
rockin'.

Speaker 9 (43:40):
Run and tell him better stop it.
Nigga Takin' off like a rockin'nigga.
Tell these clowns better stopit.
Nigga, steve Francis with therocket with him.
Young niggas so relentlessGettin' off like a rockin' nigga
.
Tell these clowns better stopit.
Nigga, steve Francis with therocket with him.
Young niggas so relentlessGettin' faded.
Y'all bent, bitch Turned up.
Yeah, we in this, all my niggasgotta get rich.
I do this shit on the regular.
I do not see no competitor.
Got the Nina and Beretta tough,so you better not go try your

(44:02):
luck.
Black Illuminati in the cup Inthe wind.
Yeah, you know what's up.
Super low.
Yeah, you know what's up.
Try to gas up and show themstuff.

Speaker 6 (44:09):
I told them niggas, don't play with me.
I'm in my zone, no weed andPatron, and they laced me up
back in 83 so I stay with mychrome.
My nigga.
I'm grown and I don't playaround with you.
Sucker niggas.
Touch a nigga like an arrowchip.
Heavy metal, that's that Aeros.

Speaker 10 (44:23):
We don't fuckin' with no jotties, Only real
niggas robbin'.
It's the Black Illuminati Wannajoin?
Catch a body.

Speaker 12 (44:50):
We ain't fuckin' with no jotties, Only real
niggas robbin'.
It's the Black Illuminati whenniggas gotta catch a body and
all my niggas gotta hammy.
It's the Black Illuminati whenniggas gotta catch a body and
all my niggas gotta have me.
Oh yeah.

Speaker 1 (45:20):
Oh, yo man, yo y'all gotta hear this with a sound
system though Y'all hearing itlike this.
You gotta put it in the car,bang it in the car, man in the
car in the crib.
You gonna hear like that's oneof my favorite tracks on that
joint yeah, it got sturdy withthe dance on there for sure the

(45:43):
workout, yeah, that's for sure.

Speaker 4 (45:46):
The turn up, oh yeah.
So on there, for sure theworkout, yeah, yeah, yeah,
that's for sure, the turn up, ohyeah.
So that was just to let y'allknow and remind everybody.
Like, even when we go dark withit, we still got our swag and
our style to it.
You feel me?
That's something I appreciateabout Wu-Tang, because, I ain't
gonna lie, I didn't have thattrack on there when I first put
it together.
I said hold on, bro, puttogether.
I said hold on, bro.

(46:06):
Not only do you for sure haveto have a crew song, but
everything can't be preaching.
That ain't what Wu-Tang did.
Now, I know you went to KillerPriest, but nah, you said Blue
Tang, come on now.
So I said I got one for him.
I went up in the archives.
I had that right there.
But taking it back to OuterSpace, though, you know what I'm
talking about outer space,though you know what I'm talking

(46:28):
about.
There's a brother, remember Itold you Killer Priest got a
clique called Royal Priesthood.
There's a brother I met aboutthe Royal Priesthood named
Menkepra.
Like the Egyptian guy.

Speaker 10 (46:39):
Yeah.

Speaker 4 (46:39):
Menkepra, menkepra, a lot, he got a body.
Menkepra the Great is hisentertainment name.
We played it for killer he was,he was.
He was like blown away.
We played on the podcast.
It was like man, I didn't havehim hop on there.

Speaker 1 (46:59):
It's called new world order on the topic of racism uh
, the fact that you think thataliens built the pyramids.
The only reason why you thinkthat is because you're racist
really.

Speaker 4 (47:18):
That's the only reason hey, y'all kill a priest.
Priesthood men kept raw law.
Royal priesthood Killer.
Priest Priesthood Menkep Rolla.
Royal Priesthood.
The Goss is back yo, yo alright,yo, it was Imhotep, the name of

(47:44):
the architect responsible forthe blueprints of the steps to
heaven gates in Egypt.
Yeah, they call them pyramids,but they was more like airports
For the guys to get in chargebefore they head back to the
stars.
We spent time on Mars.
No cap, you can Google it.
Nasa got the pictures online.
This ain't no movie shit.
Lost civilizations likeAtlantis under the water.

Speaker 5 (48:09):
This information's hidden by the new world order
Order order.
This information's hidden bythe new world order Order order.

Speaker 4 (48:18):
This information's hidden by the new world order yo
.

Speaker 14 (48:22):
The Crypt.
Jesus, the new world order,tell them, call Sergeant
Slaughter, cause they gon' needa bodyguard.
After all this garbage, youknow who manifested existence,
plus the pyramids.
You silly kid, look at all thework we did.
Civilization starts withdarkness.
Then out comes the lightManifested to particles of solid

(48:42):
matter.
Whoever said that black mattermatters Need to face the rapture
.
It's time to seize and capturenew degrees of fraction.
Time stops and then your mindis split into an atom capsule.

Speaker 4 (48:57):
Whoa, yo, I see cyborg babies born with our
umbilical cords, ai vocal cords.
We don't even talk, no more.
The rich versus the poor, thefinal holy war, book of
Revelations, caesar, satanversus the Moors, microchip
thought processes, stretch minds, defi physics you can see a

(49:18):
whole year in a minute.
And these new drugs turnniggas' brains in the water.
This information's hidden bythe New World Order.
This information is hidden bythe new world order.
This information is hidden bythe new world order.

Speaker 6 (49:39):
This information is hidden by the new world order.

Speaker 9 (49:41):
Master Talaat Muhammad pointed out to him a
dreadful looking plane in thesky.

Speaker 12 (49:50):
A half a mile by a half a mile, built like the
universe itself.
It's circular and it holdswithin it 1500 little wheel like
planes.
Since 1930 they have known thatthis plane exists, but why

(50:13):
won't they tell the Americanpeople?

Speaker 6 (50:22):
It is because the white man does not want to admit
that there is a technology inthe world and a power in the
world too tough, too tough manwho they lucky man.

Speaker 4 (50:29):
I don't know what happened too tough, too tough
what happened?
What?

Speaker 1 (50:33):
happened.
I don't know what happened.

Speaker 4 (50:35):
That joint went off right no, y'all gotta get, I
don't know what happened.

Speaker 1 (50:42):
That was too tough man yo, yo, that was weird bro
that was too tough bro it's alittle more than a speech.
Yo, but you remember whenBrother Ben was on the podcast.

Speaker 2 (50:54):
Brother, ben, brother Ben.

Speaker 1 (50:55):
Brother Ben X, Brother Ben X Ben X.

Speaker 2 (50:57):
Yeah, that happened yeah.

Speaker 1 (50:59):
Yeah, no, no, he said on the podcast.
I think he said something aboutthey took his channel down
because he was posting likeFarrakhan or something like that
, yeah, next to that hate speech.
Oh yeah, I think that's whathappened.
It could be.

Speaker 2 (51:17):
Let me tell you that track right there, bro, and the
visuals you have to be awakenedto understand the visuals I just
do that on there.

Speaker 4 (51:29):
I just barely even kind of put that together.

Speaker 2 (51:30):
But it synced up so well.

Speaker 4 (51:32):
That was really from a Killer Priest King Anu video.
Somebody else had piecestogether and I just took it and
chopped it up and put it on topof that song.
Okay, but it matched though.
Yeah, like even the scenes asthey change.

Speaker 2 (51:45):
That's what I'm saying.
Yeah, bro.

Speaker 4 (51:50):
Yeah, what they say.
I'm not the best planter, Ijust follow, you know.
Follow the flow.
That's number, that's God,that's number God Build is.
You know, he her, so that'swhat me.
And so he has a sister in thecrew, neruda for Fuji, which she
called herself Neruda for FujiMe and called herself Neruda for

(52:11):
Fuji Me and her got a songtogether called blue Tang ninjas
.
Okay, so we've been back to thekind of food, so I couldn't
make it an anomaly Like oh yeah,you know, blue Tang got that
one Chinese song or the one KungFu song.
Nah nah, nah, that's still thetheme.

Speaker 14 (52:38):
You know theme.
You know I mean that's why thecover got us up there like
ninjas with the blunts and allthat, like right, it's still the
theme, you know I'm saying sohere we go, y'all you recognize
the blue team, the first niggawarrior on some chinese.

Speaker 8 (52:46):
One of the best negro martial artists to ever wear
the uniform, master Nicaroto,the leader and the captain of
the team.
He is Negro, one of theChehalem Knights, first
defenders from Whitey.
The Chehalem Knights, mastersof the Negro arts, chehalem.

Speaker 3 (53:10):
What you are now listening to are the words of a
pharaoh reincarnated in theflesh, true and living.
Let's go.

Speaker 5 (53:22):
Who shot your hose through your heart, chakra and
your penile gland and medulla.
I've got a montage like Sinatra.
All the differences arecomplicated by the unsolved.
Like Big Papa, take notes,we'll be right back Kansas, my

(53:45):
four-four magnum throw tantrums.

Speaker 3 (53:47):
And got my pants sagging.

Speaker 5 (53:48):
The pit is still on the corners dragging, while my
niggas still in the spot baggingwhat's happening.

Speaker 3 (53:54):
West from the Voodoo, west from the Pharaoh.
I'm Medusa.

Speaker 12 (54:07):
He meant some music.
I thought I was a Pharaoh.

Speaker 15 (54:09):
Poisoned by the boosters, GMO, maybe sterile.
Forshadow the future with myMadura to be for terrible.
Leave a metaphor with mypresence.
Have us make it the original.
The history that you know isfictional.
You don't want to listen though.
It's giving Keenan Kelch show.

Speaker 9 (54:23):
All here, though, leave a hit or throw, and every
effort and every timeline, yo Yo.

Speaker 1 (54:57):
Somebody in the chat is going in.
Who is?

Speaker 2 (55:00):
that I don't know who that is.

Speaker 4 (55:02):
Who is that?
That's my boy, rakib.
What did he say?
Show bros free use, I bros freeuse.
I don't know, but yeah, shestamped, though for sure she's
been on tour with that name, sheknow, you know she ran into
them and all that.
Oh, okay, okay, yeah, she ispopular.

(55:22):
So here go another one I didn'thave time to do a video for,
but it's very important.
So the same brother I made 40thchamber with, we're gonna do a
whole project because he'sreally serious about this
wu-tang thing.
He is so happy I came with this.
He gives him an excuse now tolet it out.
You know, I mean because he, helike been around, you know, I

(55:48):
mean he a little older than me,so and he been popping like all
the time I was in prison.
He been around, you know, Imean he a little older than me,
so, and he been popping like allthe time I was in prison.
He was dropping, you know,videos, documentaries and all
that.
So the homies ain't really seenthis side of him, you know, I
mean.
So it's like it's it'sbeautiful to his catalog too, at
a whole new element, you know,I mean.
So, yeah, he's excited, we'regonna put one together.
There's the other one we hadcalled False Gods.

(56:08):
He actually dropped this joint.
He gave me this one.
This was supposed to be for thenext one and it was so hot I
said, no, I just got to go onthere.
Show bros movies, you ain't getCopyright straight.
I don't know what the hell hetalking about Anyway, so check
this one out.
Hey, hey, bro have mercy.

(56:32):
Yeah, the internet man hold on.

Speaker 1 (56:33):
Okay, I got it yo, that's one thing about the
internet, boy man, you meet allkind of people boy yes, you do.

Speaker 4 (56:51):
now I took a couple shots on here.
All right, it is what it is.

Speaker 2 (56:56):
Oh, what was it?
Elixirs Shouts to the Elixir oryou take a shot at that.

Speaker 1 (57:05):
Yeah, oh yeah.
This is my joint right here,Peace y'all, peace y'all.

Speaker 4 (57:11):
It's the mathematics, these niggas, false gods, false
gods, false gods.
They all idols, they all rivals.
To go against the one, thesuicidal.
La, la, la, la la.
The hour has come.
The moon is split.

(57:31):
Your whole life written onmicrochips.
Escape on the mothership.
Let's go to another plane, anew dimension filled with pink
clouds and purple rain.
I'm from where the shooter'sfrom.
The first that's in my head waswritten by Medusala You're
praying to the white man, you'repraying to Jupiter.
See, y'all niggas do too much.
Raise the roof when the coop goup.
I had to bring the light tothese niggas like Lucifer Luca,

(57:54):
I'm your father, darth Vader,I'm really him.
Niggas say they God, but theyworking for Jewish men.
Claiming you the God, shitfaking it.
Rock him.
Wait.
Claiming you the God shitfaking it fares like 50 cent
snitches like born in LA.
The blue guys coming here, weain't going away.
Yeah, snitching like born in LA.

(58:15):
The blue guys staying here, weain't going away.
These niggas, false guys, falseguys, false guys.
They all idols, they all rivalsTo go against the one.
The suicidal Lie, lie, lie.
How, bro, these niggas?

Speaker 6 (58:32):
artificial, no referee whistle wet tissue, soft
, but playing hard with you, Ikeep a pistol and watch how they
maneuver.

Speaker 10 (58:41):
Most these niggas maneuver hiding behind computers
hiding behind a pseudoauthority, niggas boring me on
lower level frequencies, hatingeach other secretly Claiming we
brothers undercover Hidingdeceit from me.
I'm black like shake butter.
The motherland is deep in me,they say we not from Africa.

Speaker 4 (58:58):
I laugh at you as evident and I don't need no
evidence your opinionsirrelevancy.
I don't live in fear.

Speaker 6 (59:05):
So I know God when I hear him.

Speaker 4 (59:07):
It's clear I lost telling me and searching for
answers Till I recognized thecancers.
I walked with the panthers.
While y'all live in confusionlike Jojo Dancer, I know that
really bother you my heartbeatis bobbing.
Ooh they false gods, but reallive devils Like Net and Yahoo.

Speaker 1 (59:29):
Real live dev's like nah.
Y'all heard I was talking aboutthat one.

Speaker 4 (59:31):
But I said you know what?
Nah we not biting our tongue?
Drop that shit, nah Wait holdon.

Speaker 1 (59:36):
You said something about Rod Kim, though Hold up.
Yeah, I did yeah yeah, yeah, Imean, we got.

Speaker 4 (59:43):
Let's talk about it.

Speaker 1 (59:44):
Let's talk about it Listen, it's not enough time,
man.

Speaker 2 (59:48):
Ah, okay, all right, because that's what I said.

Speaker 1 (59:52):
I'm like yo, he's Yo, because yo I want to say so
much but I'm going to wait, I'mgoing to wait.
I got to wait.
I got to wait until a certainlevel.
You know what I mean, Because Iwant to be heard.
I want to be heard.
I want to be heard, man.
But that Rod Kim shit rightthere.
I like that one.
That was a good one right there, that's dope man.

Speaker 4 (01:00:19):
You know, man, we're wrapping it up.
Like I said, I didn't haveenough time to do all of them,
but all of them got concepts.
You got to love that.
Very deep Features dope yougotta love that Very deep Actual
videos for these Features dope.
Like you said, I really put thework in on this one.

Speaker 2 (01:00:35):
No, you did.
It's the messages Open up yourmind.
It's not that hickory dickorytic-tac-toe rap, come on.
It's that real, you know.
Put your mind to work.
He's not spoon feeding you bars, he wants you to think that's
the objective.

Speaker 4 (01:00:52):
He just wants you to think.
Now this one's called Vultures.
This is the one where thebrother that's producing the
majority album, Nitro G, heactually speaks on this one.

Speaker 1 (01:00:59):
You know what I'm talking about this Nitro G right
here on the screen.
Right, Get that Money TV.

Speaker 4 (01:01:03):
Exactly, yeah, so he actually owned this one.
This is the last one Vultures,Is it on the screen?
Nah, let me select it.

(01:01:23):
The last one on the jointVultures.
And I want y'all to know toothis ain't the end of it.
This is the digital release.
I'm still going to make a CDversion Come after that a vinyl
version, merch, and those aregoing to have a little more
songs on it.
I got to have a coupleexclusives.
You know what I'm saying?

Speaker 5 (01:01:40):
Yeah, Unreleased one or two on there at least.

Speaker 13 (01:01:59):
You know, what so?

Speaker 7 (01:02:02):
this is Vultures.
Me and Nitro G's Never tooknothing for granted, hitting it
big like Larry June with myPorsches, and Spanish Took it
further than imagine thefortress in Chad.

Speaker 6 (01:02:13):
Of course I'm endorsing my chances with the
home court advantage, then we bebandied.

Speaker 7 (01:02:18):
Bitch.
I'm Big Wolf on the campus.
I used my passion.
Now we fucked around and gotestablished.
I want to get away and fly awaylike Lenny Kravitz.

(01:02:39):
It'll kill us in that G5 foryou, big fanatics, you ever want
something?
We'll be right back the beastup off the culture.
These niggas is vultures,taxidermist.
I'm a poacher, cold likeMinnesota and in this soda I
promise you ain't no Pepsi colaAlready overblowing kush with
the heavy.
I tried to told you Way to theworld up on my shoulder, niggas,

(01:03:01):
vultures.
In the room full of people.
I'm a loner Hopping out theroad like it came with the
shovel, son of a gun, comingfresh up out the holster.
That's.

Speaker 4 (01:03:12):
Tyson Holywater, son of a pharaoh's daughter, came
from the seas of Egypt to Harlem, to Nicaragua, to the blocks of
South Central where they killedNipsey the Prophet.
I'm doing a lot of shit.
Changed my name to Muhammad,cause I really be hustling.
Saved all my niggas fromstruggling Remember Janky was
banging?
He made a million from nothing.
Still got love for my cousins.

(01:03:33):
Still we don't fuck with eachother.
Nobody understand me, my ownfather and mother.
I spent some nights cold andlonely in prisons undercovers.
I spent some nights with somehoes I ain't know who's
undercovers.
When I look in your face I canstill see you, my brother, but
the sad part is we'll never fuckwith each other.
I'm g by arm, leg, leg, arm,supreme, the real ones, black,

(01:03:57):
illuminati, free, supreme.
Peace to the gods in the earth.
Peace to god.
Peace to free bar, high cypher.
Peace to black knowledge.
Medina, medina, tap in with me.
Guy, peace, guy.
Peace to Allah.
Eru.
Free my king, fuck all thecitizens.
Free, king 7, allah, god, blue,god is back, we here.

(01:04:18):
King 5, allah, we here.

Speaker 3 (01:04:21):
This is Global Conflict.
You have a prepaid call from anincarcerated individual.
Send Quentin to the locationcenter.
Send Quentin to the locationcenter.

(01:05:02):
Yeah, thank you, son, of a guncoming fresh up out the holster.

Speaker 1 (01:05:10):
Yo Shawty, you gotta hear the whole album bro.

Speaker 3 (01:05:24):
You gotta hear the whole album.

Speaker 4 (01:05:28):
That was the ending with some jazz.
You know what I'm saying, right, right, right.
You know what I mean Because wemade a few that night, that we
made that.
But when I heard that themhorns and the way the beat had
the soft snare like it'sfloating, like it don't really
drop, I said oh no, no, that'sit.

Speaker 1 (01:05:44):
Yo.
So I wanted to ask you this howdid you, like you grew up in a
household, Well, what kind ofmusic playing?
Because I could hear themusician more in you than
anything.
Yeah, so you pointed out.
You mentioned like a rapper raplike a rapper-y rap type
motherfucker, no, you called it.

Speaker 4 (01:06:01):
So my mom used to sing and she listened.
This was crazy with my mom.
She sung.
She didn't like new music.
I think my whole life I saw mymom buy like two albums.
She bought one of the MariahCareys what was that?
Honey or something like that.
And then she bought Erykah BaduBaduism.

(01:06:23):
She wore that thing out.
She played that over and overand over and over and over.

Speaker 2 (01:06:27):
Now it's tough.

Speaker 4 (01:06:29):
So I say that for a reason.
So when it came to my mom, wejust listened to funk music.
She don't really listen to alot of new stuff, you know what
I mean.
So I had that in me with herstep pops, that's all they
listen to.
But my father actually producedmusic and he didn't do hip hop.
So I actually I don't talkabout it a lot, but I actually

(01:06:52):
grew up like around like peopleyou know playing the rock guitar
, the piano and the flute,sitting in the studio watching
them.
You know lay down the guitarriff for four hours.
You know I mean sitting withthis white dude while he sits on
the floor on his back and youknow I mean yeah.
So I actually get likefrustrated with a lot of rappers
.
They come in.
They just kind of like, yeah,ain't nothing, I don't even

(01:07:12):
write.
I'm like, bro, do you know howmuch goes into making a classic?
It's cool, make your littlejoints.
I said sometimes I think weforget that there's people out
here like bad bunny, right.
Do people know what that islike?
That's the biggest artist inthe world, right?
And these people are jammingthese joints out.
And you got like kanye's andall of them where they're real

(01:07:33):
creators.
So to compete in that higherarena, not even talking about
money wise or number wise, justeven on the on the sonic level,
you know I mean, you got to beserious.
So what you're hearing is myinfluences from my upbringing,
my parents yeah, my fatheractually plays the bass, the
piano, a few instruments wow,yeah, my pop is a drummer.

Speaker 1 (01:08:01):
Dude is nice.
My pop is nice with it, crazywith it.
Yeah, my pop can sing, play thedrums.
You know like my pop is nicewith it, you know I mean so like
I could hear, like I grew up ina in that household with my pop
player it'd be like like likein the living room.
I'll be in the living room.
You got dudes drinking, smokinga little cigarettes I'm the

(01:08:23):
only kid in there but we got a.
We got my pops playing thedrums.
We got we got ronnie t onplaying the bass.
Then we got another T onplaying the bass.
Then we got another playingkeys Ray was playing the keys,
ronnie T singing, my popssinging.
It's like live jam sessions inthe living room, you know what I

(01:08:43):
mean.

Speaker 4 (01:08:44):
That sounds incredible.
I got the traditional littleghetto story.
Me and my pop relationshipain't the tightest, so I don't
know how to play none of thoseinstruments actually.
But that's what you're hearingis like the influence.
You get what I'm saying because, like, even though I didn't, he
didn't tell me how to play him,I still sat there with him.
I still heard chords beingcrafted, I still heard, you know

(01:09:07):
, I mean I still was witnessingin part of these procedures and
processes.
So that still sticks with me asfar as my ear, how I judge the
music right chords I choose whenI'm harmonizing.
Sometimes I'll rap and itsounds like I got a harmony in
the verse.
It's not because I'm trying tobe like the new age rappers.
That's really how you know.
I mean, that's how I do it.

Speaker 2 (01:09:27):
Right Indeed.

Speaker 1 (01:09:30):
Indeed, yo man, but thank you for coming out this
evening, man.
That was a dope show, a dopealbum.

Speaker 2 (01:09:38):
Hell yeah.

Speaker 1 (01:09:38):
I listened to that joint like three times already.
I'm going to be playing itagain tomorrow.
Fire joint.
Where could they find thisalbum?

Speaker 4 (01:09:49):
So it's going to be on all digital platforms.
It was supposed to be out today.
Something weird happened.
I had to re-drop it again.
It's going to be out officiallyMonday For all, y'all watching
and everybody's going to seethis video.
After, go ahead, jam that thingand get ready for Monday.
Get ready for Monday.
Crypt Jesus Blu-Tang.
Let your cousin know, let mamaknow, this ain't no ghetto

(01:10:15):
ratchet album, you know.
I mean, everybody could bangthis.
You bang this for the kids,they learning something and they
having a good time joining.

Speaker 1 (01:10:18):
So hold on so I can find crip jesus on uh spotify
hold on oh yeah, all thatspotify, pandora, pandora,
deezer, iheartradio, soundcloud,youtube, there we go.

Speaker 4 (01:10:33):
You know what I'm saying, or?

Speaker 1 (01:10:35):
Apple.

Speaker 4 (01:10:35):
Music alright.

Speaker 1 (01:10:38):
I'm about to follow your joint.
I just followed your joint.
Cool, that was peace.
Anything you want to say beforewe cut out?

Speaker 4 (01:10:51):
yeah, peace is divine .
Family.
Tap in with me on, uh, myyoutube crib jesus, my instagram
crib jesus music underscore, orthe black illuminati underscore
you feel I'm saying, and tap inwith this album.
This is going to be availableon Spotify, apple Music,
instagram, tiktok, youtube,amazon, pandora, deezer, tidal,

(01:11:15):
iheartradio and man whereverelse.
You can think of Some of theseplaces I haven't even heard of,
so it's going down.
Please stream this as much aspossible, because these ain't
just songs, these are vibrations, these are vibes.
You know what I mean For sure.

Speaker 1 (01:11:32):
Indeed.
On that note, thank you forcoming out.
Peace to Mikey Fever.
Peace to everybody in the chat.
Peace to everybody watching.
Peace to everybody who watched.
Peace to the people who aregonna watch.

Speaker 2 (01:11:43):
Yes, comment like share.

Speaker 4 (01:11:45):
Subscribe.
Crypt Jesus.

Speaker 2 (01:11:47):
Amen Peace.

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