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November 20, 2023 50 mins

Let’s have a party! There’s a full moon in the sky!

Join us as we sing the praises of one of Oingo Boingo’s gleefully macabre songs from 1985, No One Lives Forever. We explore the moral philosophy of mortality, examine genre influences, and discover a new OBSAS drinking game.

Let’s drink to bones that turn to dust!

Song Clips:

  • “No One Lives Forever” - Oingo Boingo, Dead Man’s Party (1985)
  • “No One Lives Forever” - Oingo Boingo, Boingo Alive (1988)
  • “Main Titles” - Danny Elfman, Beetlejuice - Original Motion Picture Soundtrack (1988)
  • “No One Lives Forever” - Oingo Boingo, Farewell: Live from the Universal Amphitheater (1996)
  • “Hava Nagila Klezmer” - Hagevtron, Shmuel Achizer, Klezmer (Clarinet & Violin Best Jewish Music) (2001)
  • “Hey! Zhankoye!” - The Burning Bush, Yiddish, Klezmer & Sephardic Music (2011)
  • “No One Lives Forever” - Oingo Boingo Former Members, Dead Man’s Party Single (2023)
  • “No One Lives Forever” - Danny Elfman, Hollywood Bowl, 10-29-2022, dannyelfman.com

Fan-Supplied Content:

  • “Goodbye-Goodbye” - The Mystic Knights of the Oingo Boingo, bootleg demo 
  • “No One Lives Forever” - Oingo Boingo, Utah State Fairgrounds, Logan, UT, 11-12-1985
  • “No One Lives Forever” - Oingo Boingo, Riviera Theatre, Chicago, IL, 11-09-1988
  • “No One Lives Forever” - Oingo Boingo, Universal Amphitheater, Los Angeles, CA, 11-02-1991
  • “No One Lives Forever” - Oingo Boingo, Universal Amphitheater, Los Angeles, CA, 1-15-1993
  • “No One Lives Forever” - Oingo Boingo, Sacramento Community Center, Sacramento, CA, 7-22-1994

The Oingo Boingo Secret Appreciation Society Podcast is produced/hosted by Robynne Winchester & produced/edited by Matt Ellsworth. Patreon is operated by Adam Burr.

Thoughts? Send OBSAS a Text Message! (Please note, we can't respond directly to texts, but we read them all!)

Please note: The music and film clips included in this podcast (listed above) fall under the "Fair Use Doctrine" as defined by Section 107 of the Copyright Act. The law allows for use of music clips for purposes of criticism, comment, parody, and education.

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