6:17 - Camp One Clap 2024: Day 17
For notes and details about the episode, check out the website here:
Bailey Patterson and Marcus Viney are back with part 2 of "Chronicles from the Crypt!" Our crypt-keepers promise to elevate your speaking skills by dissecting two unforgettable national final round performances. Discover how Tess Segal's 2022 informative speech on water access transforms a basic topic into an enthralling narrative, and why Taylor Headrick's 2019 humorous piece on Halloween continues to leave audiences in stitches with her daring creativity and unique characterizations. Get ready for a spine-chilling, maniacal-laughter-filled episode that will keep you on the edge of your seat!
If you’d like to join the discussion here at One Clap Speech and Debate, shoot me an email at lylewiley@gmail.com or reach out here on the website.
You could also contact me on social media:
Facebook: @oneclappodcast
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YouTube: www.youtube.com/channel/UCyvpV56859lLA-X-EvHVYUg
Your voice matters!
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Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Lyle Wiley (00:09):
hey campers, it is the 17th day of the clapocalypse
.
Hopefully you're ready for somespooky content today because
bailey patterson and marcusviney have returned with part
two of their terrifyinglybrilliant series chronicles from
the Crypt.
I'm your camp director and hostof the One Clap Speech and
Debate podcast, lyle Wiley.
Today's ep might just give younightmares, but hopefully camp
(00:33):
is giving you some excitementfor the new speech and debate
season just around the corner.
Quick reminder check the OneClap socials.
For today's social mediachallenge, I just got even more
camp stickers and magnets, so besure to engage and I'll reach
out to get you some camp swag atthe end of the clapocalypse.
With us today are camp alumniand good friends of the podcast,
marcus Viney and BaileyPatterson.
(00:55):
Marcus Viney is head coach ofthe Speech and Debate program at
Cheyenne East High School,where he's been coaching for 10
years.
He has master's degrees inphilosophy and English from
Colorado State University.
He currently serves as thedistrict chair of the Hole in
the Wall District for theNational Speech and Debate
Association.
Marcus has celebrated multiplestate and national championships
(01:16):
with the East High team and wasinducted into the Wyoming
Speech and Debate Coach Hall ofFame in 2021.
However, he is best known forhis local celebrity pug Hall of
Fame in 2021.
However, he is best known forhis local celebrity pug Junebug.
Bailey Patterson is acommunication and creative arts
instructor at Laramie CountyCommunity College.
She earned her master's ofcommunication from the
University of Wyoming in 2021and recently graduated with her
(01:37):
master of fine arts, theater,performance and pedagogy degree
from Texas Tech University.
Last December, she was awardedthe National Irene Ryan Acting
Award from the Kennedy Center inWashington DC and named the
2022 Jane Alexander EmergingArtist from the College of
Fellows of the American Theater.
She is a former Wyoming StateChampion in drama duo and poetry
(01:57):
and a national semifinalist indramatic interpretation.
She enjoys staying active inthe speech and debate community
by volunteer judging andcoaching.
It's time for the thrillingconclusion of Chronicles of the
Crypt with Marcus and Bailey.
Marcus Viney (02:13):
For our episode, we're going to throw a summer
ween party at our house.
It's going to be the greatestthing ever.
Bailey Patterson (02:18):
Someone will die.
A fun end of murder.
Marcus Viney (02:21):
There's going to be root beer pumpkins, bloody
goblins fake ones.
It's going to be root beerpumpkins, bloody goblins With
fake ones.
It's going to be awesome.
We have decorations, deadpeople that we just murdered Not
murdered, but pictures of deadpeople from TV or movies.
Mutilated bodies, but fake ones, candy dancing, all kinds of
food and snacks.
Blood orphans no, blood orphans.
I don't know what that is.
Bailey Patterson (02:43):
Welcome to the One Clap Speech and Debate
Podcast.
Clapocalypse.
This is Chronicles from theCrypt.
We're your hosts.
Bailey Patterson.
Marcus Viney (02:50):
And Marcus Viney.
Bailey Patterson (02:51):
And we couldn't pass up the opportunity
to make a Parks and Recreationreference for our new series.
Marcus Viney (02:56):
You might remember us from our series Troop Leader
Talks last summer and we'reback trading in our flashlights
for lanterns with a very specialSummerween series.
Bailey Patterson (03:11):
Today we are going to unearth spooky national
speech and debate final roundperformances from the past and
analyze what makes thesespeeches not only amazing for
their time but artifacts worthyof study today.
Marcus Viney (03:18):
As we all know, the best way to improve as a
speaker is to speak, but thesecond best way is to watch
other people speak.
So we've dug into the NSDAfinal round crypt and handpicked
four spine-tinglingsummerween-themed speeches to
watch, review and reveal whatmade these speeches so
spooktacular.
Bailey Patterson (03:38):
Join us as we dissect legendary performances
in oratory duo, informative andhumor, revealing secrets from
each event that can help elevateyour own speech.
Marcus Viney (03:49):
While we're reviewing speeches from the
final stage, watching anyone andeveryone you can will help you
become a better speaker.
In other words, just because itdoesn't make the final round
doesn't mean it's not worthwatching, analyzing and learning
from.
Bailey Patterson (04:04):
The best speech and debate.
Competitors and coachesrecognize the importance of
learning from other speakers inthe community.
So, whether you're afresh-faced novice or just
earned your fourth coachingdiamond, light your candles and
gather round as we unlock wisdomfrom the crypt.
Marcus Viney (04:22):
This is Chronicles from the Crypt, and today we
are resurrecting the 2022informative speech Blood in the
Water by Tess Siegel and the2019 humor Killer Halloween
performed by Taylor Hedrick.
Let's begin with informative.
Bailey Patterson (04:37):
In this speech , tess explores the critical
role of water in our world,addressing how its availability
or lack thereof can fuelconflict.
She begins by debunking commonmyths about global water supply
and then delves into thecommercialization of this basic
resource, highlighting howcorporations often prioritize
profit over access Fromsinkholes to water wars.
(05:00):
This speech covers impressive,albeit terrifying, ground.
However, the speech concludeson a more hopeful note,
showcasing positive trends andefforts to restore balance and
ensure universal access to water.
Marcus Viney (05:15):
Now, besides the chilling title, blood in the
Water the first element of thisspeech worth contemplating is
topic selection water.
The first element of thisspeech worth contemplating is
topic selection.
Last episode, we discussed how,in oratory, originality often
comes from putting a unique orpersonal spin on familiar ideas,
rather than seeking out themost obscure topic.
This speech is a perfectexample of that principle.
(05:37):
While the topic of water mightseem unexciting or overdone, the
speaker shows how it can betransformed into a potent
performance.
I would be willing to bet thatthe majority of competitors
gearing up to compete ininformative this season would
pass on the basic topic of waterand others like it.
However, instead of treatingwater as a dull subject, she
(06:00):
takes us down interesting pathswe might not have otherwise
considered.
A good example is her firstparagraph, where she tackles the
misconception that water is aninfinitely replenishable
resource.
Rather than repeating basicwater cycle science, she
personalizes the issue byframing the ideas in a story
(06:21):
about how she learnedmisinformation from her high
school teacher, all the whileusing her voice and humor to
make the information engagingand memorable.
This approach illustrates thateven obvious topics can be
revitalized with creativity andpersonal insight, proving that
it's not the topic, but how youpresent it that truly matters.
(06:43):
To prove the point further, mysecond bet is that the topic of
water isn't done yet.
My guess is that there will beothers that emerge as new events
unfold in the world and newinformation is discovered.
Bailey Patterson (06:56):
The next standout element to analyze is
her use of visual aids.
The key virtue here is variety.
You'll notice she employs astrong mix of self-created art,
like what appears to be oilpastels, along with handheld
objects like water jugs andwater bottles and typical to
nationals, high qualityprintouts.
(07:17):
But the lesson here isn't aboutspending a lot of money to
impress.
It's about understanding thetrue purpose of visual aids.
Their role, as their nameimplies, is to aid and support
your speech, not to overshadowit.
This is why she can use someless polished images without
distracting or detracting fromher message.
(07:40):
Two standout examples of hervisual aids include first, a
five-gallon jug of waterrepresenting the Earth's total
water supply, contrasted with atiny amount to symbolize usable
water.
This striking visual metaphoruses familiar everyday objects
to illustrate an otherwisedifficult-to-im imagine reality.
(08:02):
Second, she employs anothervisual metaphor with her Hungry,
hungry Hippos board to depictthe chaotic and competitive
nature of corporations vying forcontrol over water resources.
Most people are familiar withthe board game and immediately
grasp her point.
The bottom line is that goodvisual aids are less about the
(08:23):
cost and more about beingthoughtful and effective with
what you do have.
Marcus Viney (08:29):
The last element to highlight is her use of
humanity.
A common pitfall in informativespeeches is taking informative
too literally, resulting in apresentation packed with facts
and data that feels more like atextbook than an engaging speech
.
Tess avoids this trap by makingthe information relevant to
real people.
While her speech is about water, she skillfully connects it to
(08:53):
broader issues of human accessto water.
By the end, we realize that herspeech is not just about water,
but about how the fight foraccess to this resource impacts
real lives across the globe.
She uses her final bodyparagraph to reveal how
corporate practices and the pushfor the privatization adversely
affect people worldwide,supported by a striking example.
(09:17):
In one Mexican city, coca-colaflows more freely than water,
leading people to drink moreCoke than water.
Good informative speeches gobeyond mere facts.
They illustrate why a topicmatters.
Tess achieves this by showingus the human side of the issue,
effectively persuading us tocare about what we're learning
(09:37):
about.
Without crossing into overtpersuasion, she demonstrates
that an informative speech canbe both educational and
impactful, but it's time to moveon to another performance from
the crypt.
Bailey Patterson (09:49):
Something killer.
Marcus Viney (09:51):
Yep, that's right.
The 2019 humor Killer Halloweenperformed by Taylor Hedrick.
Bailey Patterson (09:56):
If you haven't watched this humor, you should
and while you're at it, watchthe entire final round from this
year.
It is jam-packed with talentand at least two other
creepy-themed summerween humorsSpooky Dog and the Teenage Gang
Mysteries.
And the national champion of2019, kicking and Screaming.
Marcus Viney (10:17):
But because it's summerween clapocalypse, we have
to go with Killer Halloween, ascript inspired by classic
slasher films like Friday the13th and Scream, but with a
humorous twist.
The story kicks off with themurder of a local TV reporter,
triggering a series of eventsthat leads the killer to our
main character's house whereshe's babysitting her
(10:39):
grandfather, gramps, after oneof her close friends is killed.
She must confront the Halloweenkiller in a climactic showdown.
Will she survive?
You'll need to watch to findout.
Bailey Patterson (10:49):
The first notable element here is
characterization, which involvesusing voice, body and face to
create clear and distinctcharacters within a performance.
In the early moments of herperformance, there is so much to
learn.
A common issue for humorinterpretations is the blurring
of characters or voices, whichcan lead to a confusing story
(11:12):
for the judge and, in the worstcase, make it really difficult,
if not impossible, to follow.
However, taylor excels incharacterization, passing what
we might call the radio mutetest.
When watching the teaser, sheintroduces two characters that
are both hilarious and easilydistinguishable.
Her skill is so advanced thatif you only heard the speech
(11:35):
over the radio meaning you couldonly hear her voice you could
still identify which characteris speaking and follow the
storyline.
On the flip side, if you mutethe video and watch the speech,
you can immediately recognizewhich character she is embodying
without ever hearing them.
Taylor's use of posture, handgesture and surprisingly
(11:58):
expressive eye and mouthmovements truly shines in the
world of humorous interpretation.
Mastery of characterization iscritical in this event, and
Taylor demonstrates this withremarkable work.
Marcus Viney (12:10):
The second noteworthy element is her use of
reactions, specifically facialexpressions.
Another common problem in humoris the belief that funny or
even inappropriate lines arenecessary to make an audience
laugh.
But often the humor comes notfrom what characters say, but
from how characters react towhat is said.
One powerful example is nearthe end, when the Halloween
(12:34):
killer makes a threatening callto the ditzy character Sue for
the second time.
As she picks up the phone, thekiller asks Hello, sue, remember
me?
And she quickly replies Uh-huh.
Taylor immediately pops backinto the killer and reacts with
a full defeated sigh whichconveys multiple emotions and
(12:54):
meanings Disappointment that thekiller isn't actually
threatening and annoyance thatsues lack of intelligence.
This single simple momentgarners laughs from the audience
without any spoken lines.
Taylor's performance highlightsa key insight into humor and
interpretation events moregenerally.
The magic isn't in the scriptbut in you, the performer.
(13:17):
You don't always needlaugh-out-loud lines to make
people laugh.
It's the reactions and howcharacters deal with what others
say that truly brings out thehumor.
Bailey Patterson (13:27):
Finally, we would be remiss if we didn't
highlight one of the moststandout moments of her entire
performance the introduction.
If you haven't seen it,watching Taylor rap the entire
introduction and get theaudience to clap along is a must
for full effect.
We're not suggesting that youshould wrap all of your
(13:48):
introductions or copy her ideas,but the lesson here is that she
was not afraid to make boldchoices.
In humor, the expectations arehigh and judges are looking to
be entertained.
It's not just about thedecision itself, but the spirit
of the decision that matters.
As a humor competitor,embracing bold choices without
(14:09):
fear of embarrassment is crucial.
Just like Amy Poehler says,there is power in looking silly
and not caring that you do.
Taylor owns the room and createsexcitement about her
performance, sending a clearmessage you are going to
absolutely love this.
Watch me.
Put simply in humor, boldnessis rewarded.
(14:31):
Other brave choices she makesinclude the psycho-like knife,
sound effects for when acharacter is murdered and her
seemingly impossible transitionof this is Halloween from the
Nightmare Before Christmas, butshe does it without even opening
her mouth.
Without a doubt, this goes downas one of the most fun and
(14:53):
killer humors from the crypt.
Well, I think that does it, Yep, as we wrap up this episode of
Chronicles from the Crypt, wehope you've found fresh
inspiration in thesespooktacular performances.
Marcus Viney (15:06):
From the powerful exposure of the corporate
takeover of essential resourcesand blood in the water to the
incredible expressive approachto humor in Killer Halloween,
it's clear that mastery inspeech and debate derives from
more than what sits on the page.
Bailey Patterson (15:21):
Remember, the key to a powerful performance
lies in how you present yourstory, as much as in the story
itself.
Thank you for joining us forthe Chronicles from the Crypt
series.
We hope to see you this season.
Enjoy the rest of surviving theclapocalypse and we will be
back next summer.
Marcus Viney (15:39):
Now it's your turn .
Bailey Patterson (15:44):
Yeah thanks.
Lyle Wiley (15:46):
Thank you so much to our creepy crypt keepers,
marcus and Bailey.
That was a spooky good time.
What's going on in theclapocalypse tomorrow?
Well, jaden Roccaforte's secondepisode is up and it's a doozy.
You're going to love it.
So make sure you tune in.
Remember to check the socialmedia challenges on our socials
and we'll see you tomorrow.
Campers, oh, here's somethingour crypt keepers will
(16:07):
appreciate.
Did you hear about the guy whowas buried alive last week?
Yeah, it was a grave situationindeed For Camp One Clap.
This is Camp Director Wileysigning off.
hey campers, it is the 17th day of the clapocalypse
.
Hopefully you're ready for somespooky content today because
bailey patterson and marcusviney have returned with part
two of their terrifyinglybrilliant series chronicles from
the Crypt.
I'm your camp director and hostof the One Clap Speech and
Debate podcast, lyle Wiley.
Today's ep might just give younightmares, but hopefully camp
(00:33):
is giving you some excitementfor the new speech and debate
season just around the corner.
Quick reminder check the OneClap socials.
For today's social mediachallenge, I just got even more
camp stickers and magnets, so besure to engage and I'll reach
out to get you some camp swag atthe end of the clapocalypse.
With us today are camp alumniand good friends of the podcast,
marcus Viney and BaileyPatterson.
(00:55):
Marcus Viney is head coach ofthe Speech and Debate program at
Cheyenne East High School,where he's been coaching for 10
years.
He has master's degrees inphilosophy and English from
Colorado State University.
He currently serves as thedistrict chair of the Hole in
the Wall District for theNational Speech and Debate
Association.
Marcus has celebrated multiplestate and national championships
(01:16):
with the East High team and wasinducted into the Wyoming
Speech and Debate Coach Hall ofFame in 2021.
However, he is best known forhis local celebrity pug Hall of
Fame in 2021.
However, he is best known forhis local celebrity pug Junebug.
Bailey Patterson is acommunication and creative arts
instructor at Laramie CountyCommunity College.
She earned her master's ofcommunication from the
University of Wyoming in 2021and recently graduated with her
(01:37):
master of fine arts, theater,performance and pedagogy degree
from Texas Tech University.
Last December, she was awardedthe National Irene Ryan Acting
Award from the Kennedy Center inWashington DC and named the
2022 Jane Alexander EmergingArtist from the College of
Fellows of the American Theater.
She is a former Wyoming StateChampion in drama duo and poetry
(01:57):
and a national semifinalist indramatic interpretation.
She enjoys staying active inthe speech and debate community
by volunteer judging andcoaching.
It's time for the thrillingconclusion of Chronicles of the
Crypt with Marcus and Bailey.
Marcus Viney (02:13):
For our episode, we're going to throw a summer
ween party at our house.
It's going to be the greatestthing ever.
Bailey Patterson (02:18):
Someone will die.
A fun end of murder.
Marcus Viney (02:21):
There's going to be root beer pumpkins, bloody
goblins fake ones.
It's going to be root beerpumpkins, bloody goblins With
fake ones.
It's going to be awesome.
We have decorations, deadpeople that we just murdered Not
murdered, but pictures of deadpeople from TV or movies.
Mutilated bodies, but fake ones, candy dancing, all kinds of
food and snacks.
Blood orphans no, blood orphans.
I don't know what that is.
Bailey Patterson (02:43):
Welcome to the One Clap Speech and Debate
Podcast.
Clapocalypse.
This is Chronicles from theCrypt.
We're your hosts.
Bailey Patterson.
Marcus Viney (02:50):
And Marcus Viney.
Bailey Patterson (02:51):
And we couldn't pass up the opportunity
to make a Parks and Recreationreference for our new series.
Marcus Viney (02:56):
You might remember us from our series Troop Leader
Talks last summer and we'reback trading in our flashlights
for lanterns with a very specialSummerween series.
Bailey Patterson (03:11):
Today we are going to unearth spooky national
speech and debate final roundperformances from the past and
analyze what makes thesespeeches not only amazing for
their time but artifacts worthyof study today.
Marcus Viney (03:18):
As we all know, the best way to improve as a
speaker is to speak, but thesecond best way is to watch
other people speak.
So we've dug into the NSDAfinal round crypt and handpicked
four spine-tinglingsummerween-themed speeches to
watch, review and reveal whatmade these speeches so
spooktacular.
Bailey Patterson (03:38):
Join us as we dissect legendary performances
in oratory duo, informative andhumor, revealing secrets from
each event that can help elevateyour own speech.
Marcus Viney (03:49):
While we're reviewing speeches from the
final stage, watching anyone andeveryone you can will help you
become a better speaker.
In other words, just because itdoesn't make the final round
doesn't mean it's not worthwatching, analyzing and learning
from.
Bailey Patterson (04:04):
The best speech and debate.
Competitors and coachesrecognize the importance of
learning from other speakers inthe community.
So, whether you're afresh-faced novice or just
earned your fourth coachingdiamond, light your candles and
gather round as we unlock wisdomfrom the crypt.
Marcus Viney (04:22):
This is Chronicles from the Crypt, and today we
are resurrecting the 2022informative speech Blood in the
Water by Tess Siegel and the2019 humor Killer Halloween
performed by Taylor Hedrick.
Let's begin with informative.
Bailey Patterson (04:37):
In this speech , tess explores the critical
role of water in our world,addressing how its availability
or lack thereof can fuelconflict.
She begins by debunking commonmyths about global water supply
and then delves into thecommercialization of this basic
resource, highlighting howcorporations often prioritize
profit over access Fromsinkholes to water wars.
(05:00):
This speech covers impressive,albeit terrifying, ground.
However, the speech concludeson a more hopeful note,
showcasing positive trends andefforts to restore balance and
ensure universal access to water.
Marcus Viney (05:15):
Now, besides the chilling title, blood in the
Water the first element of thisspeech worth contemplating is
topic selection water.
The first element of thisspeech worth contemplating is
topic selection.
Last episode, we discussed how,in oratory, originality often
comes from putting a unique orpersonal spin on familiar ideas,
rather than seeking out themost obscure topic.
This speech is a perfectexample of that principle.
(05:37):
While the topic of water mightseem unexciting or overdone, the
speaker shows how it can betransformed into a potent
performance.
I would be willing to bet thatthe majority of competitors
gearing up to compete ininformative this season would
pass on the basic topic of waterand others like it.
However, instead of treatingwater as a dull subject, she
(06:00):
takes us down interesting pathswe might not have otherwise
considered.
A good example is her firstparagraph, where she tackles the
misconception that water is aninfinitely replenishable
resource.
Rather than repeating basicwater cycle science, she
personalizes the issue byframing the ideas in a story
(06:21):
about how she learnedmisinformation from her high
school teacher, all the whileusing her voice and humor to
make the information engagingand memorable.
This approach illustrates thateven obvious topics can be
revitalized with creativity andpersonal insight, proving that
it's not the topic, but how youpresent it that truly matters.
(06:43):
To prove the point further, mysecond bet is that the topic of
water isn't done yet.
My guess is that there will beothers that emerge as new events
unfold in the world and newinformation is discovered.
Bailey Patterson (06:56):
The next standout element to analyze is
her use of visual aids.
The key virtue here is variety.
You'll notice she employs astrong mix of self-created art,
like what appears to be oilpastels, along with handheld
objects like water jugs andwater bottles and typical to
nationals, high qualityprintouts.
(07:17):
But the lesson here isn't aboutspending a lot of money to
impress.
It's about understanding thetrue purpose of visual aids.
Their role, as their nameimplies, is to aid and support
your speech, not to overshadowit.
This is why she can use someless polished images without
distracting or detracting fromher message.
(07:40):
Two standout examples of hervisual aids include first, a
five-gallon jug of waterrepresenting the Earth's total
water supply, contrasted with atiny amount to symbolize usable
water.
This striking visual metaphoruses familiar everyday objects
to illustrate an otherwisedifficult-to-im imagine reality.
(08:02):
Second, she employs anothervisual metaphor with her Hungry,
hungry Hippos board to depictthe chaotic and competitive
nature of corporations vying forcontrol over water resources.
Most people are familiar withthe board game and immediately
grasp her point.
The bottom line is that goodvisual aids are less about the
(08:23):
cost and more about beingthoughtful and effective with
what you do have.
Marcus Viney (08:29):
The last element to highlight is her use of
humanity.
A common pitfall in informativespeeches is taking informative
too literally, resulting in apresentation packed with facts
and data that feels more like atextbook than an engaging speech
.
Tess avoids this trap by makingthe information relevant to
real people.
While her speech is about water, she skillfully connects it to
(08:53):
broader issues of human accessto water.
By the end, we realize that herspeech is not just about water,
but about how the fight foraccess to this resource impacts
real lives across the globe.
She uses her final bodyparagraph to reveal how
corporate practices and the pushfor the privatization adversely
affect people worldwide,supported by a striking example.
(09:17):
In one Mexican city, coca-colaflows more freely than water,
leading people to drink moreCoke than water.
Good informative speeches gobeyond mere facts.
They illustrate why a topicmatters.
Tess achieves this by showingus the human side of the issue,
effectively persuading us tocare about what we're learning
(09:37):
about.
Without crossing into overtpersuasion, she demonstrates
that an informative speech canbe both educational and
impactful, but it's time to moveon to another performance from
the crypt.
Bailey Patterson (09:49):
Something killer.
Marcus Viney (09:51):
Yep, that's right.
The 2019 humor Killer Halloweenperformed by Taylor Hedrick.
Bailey Patterson (09:56):
If you haven't watched this humor, you should
and while you're at it, watchthe entire final round from this
year.
It is jam-packed with talentand at least two other
creepy-themed summerween humorsSpooky Dog and the Teenage Gang
Mysteries.
And the national champion of2019, kicking and Screaming.
Marcus Viney (10:17):
But because it's summerween clapocalypse, we have
to go with Killer Halloween, ascript inspired by classic
slasher films like Friday the13th and Scream, but with a
humorous twist.
The story kicks off with themurder of a local TV reporter,
triggering a series of eventsthat leads the killer to our
main character's house whereshe's babysitting her
(10:39):
grandfather, gramps, after oneof her close friends is killed.
She must confront the Halloweenkiller in a climactic showdown.
Will she survive?
You'll need to watch to findout.
Bailey Patterson (10:49):
The first notable element here is
characterization, which involvesusing voice, body and face to
create clear and distinctcharacters within a performance.
In the early moments of herperformance, there is so much to
learn.
A common issue for humorinterpretations is the blurring
of characters or voices, whichcan lead to a confusing story
(11:12):
for the judge and, in the worstcase, make it really difficult,
if not impossible, to follow.
However, taylor excels incharacterization, passing what
we might call the radio mutetest.
When watching the teaser, sheintroduces two characters that
are both hilarious and easilydistinguishable.
Her skill is so advanced thatif you only heard the speech
(11:35):
over the radio meaning you couldonly hear her voice you could
still identify which characteris speaking and follow the
storyline.
On the flip side, if you mutethe video and watch the speech,
you can immediately recognizewhich character she is embodying
without ever hearing them.
Taylor's use of posture, handgesture and surprisingly
(11:58):
expressive eye and mouthmovements truly shines in the
world of humorous interpretation.
Mastery of characterization iscritical in this event, and
Taylor demonstrates this withremarkable work.
Marcus Viney (12:10):
The second noteworthy element is her use of
reactions, specifically facialexpressions.
Another common problem in humoris the belief that funny or
even inappropriate lines arenecessary to make an audience
laugh.
But often the humor comes notfrom what characters say, but
from how characters react towhat is said.
One powerful example is nearthe end, when the Halloween
(12:34):
killer makes a threatening callto the ditzy character Sue for
the second time.
As she picks up the phone, thekiller asks Hello, sue, remember
me?
And she quickly replies Uh-huh.
Taylor immediately pops backinto the killer and reacts with
a full defeated sigh whichconveys multiple emotions and
(12:54):
meanings Disappointment that thekiller isn't actually
threatening and annoyance thatsues lack of intelligence.
This single simple momentgarners laughs from the audience
without any spoken lines.
Taylor's performance highlightsa key insight into humor and
interpretation events moregenerally.
The magic isn't in the scriptbut in you, the performer.
(13:17):
You don't always needlaugh-out-loud lines to make
people laugh.
It's the reactions and howcharacters deal with what others
say that truly brings out thehumor.
Bailey Patterson (13:27):
Finally, we would be remiss if we didn't
highlight one of the moststandout moments of her entire
performance the introduction.
If you haven't seen it,watching Taylor rap the entire
introduction and get theaudience to clap along is a must
for full effect.
We're not suggesting that youshould wrap all of your
(13:48):
introductions or copy her ideas,but the lesson here is that she
was not afraid to make boldchoices.
In humor, the expectations arehigh and judges are looking to
be entertained.
It's not just about thedecision itself, but the spirit
of the decision that matters.
As a humor competitor,embracing bold choices without
(14:09):
fear of embarrassment is crucial.
Just like Amy Poehler says,there is power in looking silly
and not caring that you do.
Taylor owns the room and createsexcitement about her
performance, sending a clearmessage you are going to
absolutely love this.
Watch me.
Put simply in humor, boldnessis rewarded.
(14:31):
Other brave choices she makesinclude the psycho-like knife,
sound effects for when acharacter is murdered and her
seemingly impossible transitionof this is Halloween from the
Nightmare Before Christmas, butshe does it without even opening
her mouth.
Without a doubt, this goes downas one of the most fun and
(14:53):
killer humors from the crypt.
Well, I think that does it, Yep, as we wrap up this episode of
Chronicles from the Crypt, wehope you've found fresh
inspiration in thesespooktacular performances.
Marcus Viney (15:06):
From the powerful exposure of the corporate
takeover of essential resourcesand blood in the water to the
incredible expressive approachto humor in Killer Halloween,
it's clear that mastery inspeech and debate derives from
more than what sits on the page.
Bailey Patterson (15:21):
Remember, the key to a powerful performance
lies in how you present yourstory, as much as in the story
itself.
Thank you for joining us forthe Chronicles from the Crypt
series.
We hope to see you this season.
Enjoy the rest of surviving theclapocalypse and we will be
back next summer.
Marcus Viney (15:39):
Now it's your turn .
Bailey Patterson (15:44):
Yeah thanks.
Lyle Wiley (15:46):
Thank you so much to our creepy crypt keepers,
marcus and Bailey.
That was a spooky good time.
What's going on in theclapocalypse tomorrow?
Well, jaden Roccaforte's secondepisode is up and it's a doozy.
You're going to love it.
So make sure you tune in.
Remember to check the socialmedia challenges on our socials
and we'll see you tomorrow.
Campers, oh, here's somethingour crypt keepers will
(16:07):
appreciate.
Did you hear about the guy whowas buried alive last week?
Yeah, it was a grave situationindeed For Camp One Clap.
This is Camp Director Wileysigning off.
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