The Miami Strangler

Episode Transcript
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Speaker 1 (00:00):
Between nineteen sixty four and nineteen seventy, a ghost haunted
the sun drenched streets of Miami. He left behind a
trail of at least nine victims, each won a chilling
testament to his brutality. In modern true crime circles, he
is known as the Miami Strangler, but back then the
press didn't have a single tidy name for him. To

(00:20):
the police, he was a baffling series of clues in
multiple suspects, with one major problem. The killer didn't seem
to exist. He was a phantom, a whisper in the
humid Florida air, a force that struck with terrifying randomness
and then just dissolved back into the city shadows. This
is the story of how he got away with it,

(00:40):
how a major American city was held in a grip
of fear, and how the man responsible vanished from history,
leaving behind a string of cold cases that still perplex
investigators today. This is the story of the Miami Strangler. Hi,

(01:04):
and welcome to One Crime and a Time. I am Shannon,
and today we are covering the crimes of the Miami Strangler.
Before we get into it, I just want to remind
you that you can reach out to us at one
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you like what we do here, you can join our
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(01:26):
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thank our newest Patreon members Adrian Daniel, Crystal King, Diana Beakley,
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Thank you all so much. Your support is greatly appreciated.

(01:46):
If you want to help out the show for free,
you can always support us by giving us a like
and review. All links will be in the description for
this episode. Now on with our story. To really get
the fear that gripped Miami, you have to picture the
city back in the nineteen sixties. This wasn't the neon

(02:07):
soaked high finance metropolis we know today. In the sixties,
Miami was a city in transition, known more as a
sun bleached destination for retirees and tourists than a bustling hub.
It was a city of stark contrasts. You had the
picture perfect beaches, a playground for vacationers, but you also

(02:29):
had deep social issues from racial tension to the Cold
War playing out just ninety miles off the coast in Cuba.
The arrival of Cuban immigrants was reshaping the city, turning
it from a sleepy southern town into the vibrant multicultural
center it would become. But that kind of rapid growth

(02:51):
comes with challenges. The city was expanding, but just beneath
the surface of that sunny paradise, a darkness was starting
to fest. And it was in this environment of change
and tension that a predator began to operate, using the
anonymity of a growing city to turn the one place
you should feel safe, your own home, into a stage

(03:14):
for unimaginable violence. An unidentified killer, now dubbed the Miami Strangler,
took the lives of at least nine women between nineteen
sixty four and nineteen seventy. These crimes all occurred in
or around downtown Miami, often targeting lone women in their
homes or immediate neighborhoods. In a city nicknamed the Magic

(03:37):
City for its rapid growth, the juxtaposition of sunlit beaches
and urban blight became the backdrop for a chilling crime spree.
Despite the high profile nature of the slayings. The killer
was never caught or identified, leaving Miami gripped by fear
and confusion. The terror began quietly on August seventeenth, nineteen

(04:00):
sixty four. The first victim was sixty four year old
Mary E. McGreevy, a respected woman who had worked as
a representative for William's Cosmetic Company until she retired. She
was originally from Scranton, Pennsylvania, but had lived at the
Clyde Court Hotel apartments at sixty eight Southeast Second Street

(04:21):
for seven years. Mary lived alone and was described as independent, reliable,
and known for maintaining a structured routine. When she failed
to show up for appointments and stopped answering her phone,
concern quickly spread among her clients and colleagues. Inside the
quiet of her own home, Mary was found dead on

(04:41):
her bed. She hadn't been shot or stabbed. The killer
had used a pillow from her own bed to smother her.
It was a silent, intimate, and brutal act. There was
no sign of a break in, no ransacking. Investigators noted
the lack of forced entry and minimal disturbance at the scene,
suggesting a non violent intr ptrusion. Or that Mary willingly

(05:02):
let someone in with no weapon recovered or finger prints preserved,
The case remained limited to circumstantial evidence. To police, the
crime scene was perplexing, with no obvious motive like robbery,
and no overt signs of assault. It was registered as
a single, tragic and isolated homicide. No one suspected it

(05:24):
was the work of a budding serial predator. That city
wide panic would come later. For now, it was a
brutal murder that marked the unnoticed beginning of a six
year reign of terror. The Ghost had claimed his first victim,
and no one even knew he was there. For six
long months after the murder of Mary McGreevy, Miami remained unaware.

(05:46):
The ghost was quiet, but on the evening of March eighth,
nineteen sixty five, he stirred again. The second victim was
thirty eight year old Sylvia Valdez, who embodied the post
war image of independence. She was mis ticulous, stylish, and
well put together, evident from the black silk scarf and
diamond ring she wore. Her story starts with a simple,

(06:08):
sinister bit of bad luck. Around nine thirty pm, she
left her job at Lana's women's apparel shop where she
worked as a saleswoman, and walked to her car at
the all Right parking lot at one twenty one Northwest
First Street, only to find her car had a flat tire.
A parking lot attendant came to help and called Triangle
Garage for someone to come change her tire. A man

(06:31):
named Calvin Jones Junior was working at the garage that
night and came and changed her tire around ten thirty pm.
He finished the job and left, becoming one of the
last people to see her alive. He would later tell
police he noticed Valdez talking to two unidentified Cuban men.
The next morning, Sylvia Valdez was found dead inside her

(06:52):
car in a parking lot south of where she had
originally been parked. Her black silk scarf was wrapped tightly
around her neck, and she had been shot twice behind
the right ear with a twenty two caliber pistol. In
a grotesque detail, her skirt was pulled over her head,
obscuring her identity. Police believed the scene may have been
staged to look like a robbery. Valdeza's purse and car

(07:15):
keys were missing, but her valuable diamond ring was left
on her finger. No sexual assault was reported. Was it
a robbery gone wrong, a crime of passion, or something
else entirely. The mix of strangulation, shooting, and ritualistic staging
created a forensic nightmare. This inconsistency would become his greatest weapon,

(07:38):
a shield of confusion that led him cut a deadly
path through Miami for the next five years. Almost a
year passed, then in February of nineteen sixty six, he returned.
Forty four year old Bernaditta Gonzalez was a divorcee from Caracas, Venezuela.
On the afternoon of February fifth, nineteen sixty six, Bernaditta

(07:59):
had her her hair lightened at Ulysses's beauty salon on
Coral Way. Other patrons reported that while there, she made
two phone calls without looking up the phone numbers. These
calls were never traced. She walked out the back door
and vanished. For eight long weeks, she was simply a
missing person. Her family and friends left in agonizing suspense.

(08:20):
Her fate remained a mystery until a highway patrolman made
a grim discovery in Levitt's Lake. Bernaditta's body was found
floating face down in the water. The medical examiner determined
her cause of death wasn't strangulation but savage blunt force
trauma to the skull, possibly from a hatchet, but decomposition

(08:42):
complicated the collection of forensic evidence. No weapon was retrieved
from the scene. The method was different again, but the
disturbing sexual signature was there. The killer had taken her underwear, yet,
just like what Sylvia Valdez had left her jewelry behind.
The brutal bludgeoning contrasted with the subtler methods used in

(09:04):
earlier cases, but the disturbing personal violation mirrored the emerging
signature of Miami's shadowy killer. Three victims, three different methods, smothering, strangling,
and shooting and bludgeoning. To police in the nineteen sixties,
these cases seemed tragically unrelated, but a pattern was hiding

(09:26):
in the details, the posing of the victims and the
targeting of lone vulnerable women. The city lived in an
uneasy piece for another three years. Then, on August sixteenth,
nineteen sixty nine, the killer claimed his fourth victim, twenty
one year old Cherevon Dolores Wooton. At just twenty one,

(09:48):
Cherevon was the youngest of the Miami Strangler's known victims.
Full of potential, She had her whole life ahead of her.
On the night of her murder, she left her home,
presumably for a brief outing, and never returned. Her body
was discovered on a desolate dirt road, discarded like trash
between two houses. She had been strangled to death with

(10:09):
such force that clear fingernail marks were imprinted on her neck,
a silent testament to her final desperate struggle. The positioning
of the body suggested staging, but forensic efforts yielded little
Beyond the visible wounds. No identified weapon or physical fibers
that could be traced were found. Like the others, her

(10:29):
clothes were hiked over her breasts, another mark of the
killer's sickening ritual. Sherry's murder was deeply personal and frenzied,
breaking from the earlier pattern of targeting older women. The
randomness and intensity of the crime suggested the killer was
evolving or unraveling. The pace of the murders now began accelerating.

(10:51):
Mary Louise Clark Danford was a sixty four year old
woman who lived alone in a quiet Miami neighborhood. She
was referred to as the rose Lade as she managed
her Rose Garden nursery in the neighborhood. Her friends described
her as sociable and dependable. This is why on May fifth,
nineteen seventy, alarm bells rang when she suddenly stopped returning

(11:14):
phone calls. The worried friends of Mary Louise Clark Danford
went to check on her, and their concern turned to
horror when they found her in her home on her bed.
She had been strangled, her turtle neck sweater pushed up,
and her underwear was missing. The now familiar sickening signature
was unmistakable. Neighbors reported seeing a man near her home

(11:36):
in the days before her death, but he was never identified.
The killer had slipped into her home through an unlocked window,
again leaving no sign of forced entry. Her death reinforced
a chilling reality the killer wasn't just attacking women on
the streets. He was inside their homes, waiting in the silence.

(11:58):
The next victim was sixty four year old Ruth Bayner.
She was a former major and historian in the Air Force.
She was from Bridgewater, Massachusetts, and had moved into room
five zero nine at the Cortes Hotel at two forty
one Northeast First Avenue about a month before June second,

(12:19):
nineteen seventy. On that day, Ruth Bayner was found dead
inside her room. Her cause of death was blunt force
trauma to the head, neck, and jaw. Additionally, Bayner had
been strangled, which caused her hyoid bone to break. Her
night gown was also pulled up and her clothes were disheveled.

(12:43):
There was no evidence of forced entry into the apartment.
Her apartment was slightly disturbed. Crime lab swabs were taken,
but yielded no suspect DNA or finger prints. The combination
of methods, beating and strangling marked the killer's escalating violence.
The close timing of her murder with Danford's pointed to

(13:06):
an escalating frenzy. This was no longer a ghost killer
in hiding. This was a spree. The summer of nineteen
seventy became a season of death. On August fifth, the
killer targeted his oldest victim, eighty four year old great
grandmother Mattie Ophelia Harris. Her advanced age and frailty should

(13:32):
have made her the least likely target for a violent crime,
yet she became one of the killer's most tragic victims.
She was found in her kitchen, strangled with a man's necktie.
Her nightgown was pulled up, and her house had been ransacked.
A new chaotic element, but the intimate nature of her

(13:52):
killing fit the same pattern. The core elements remained an
older woman alone in her home, killed with brutal intimacy.
The tie was collected as evidence, but it couldn't be
traced to a suspect. No latent fingerprints were successfully extracted.
Mattie's murder shocked even seasoned detectives. How could someone do

(14:15):
this to a woman so elderly and vulnerable? It was
another escalation and cruelty. Two months later, on October tenth,
nineteen seventy, the strangler committed what was perhaps his most
sadistic murder. The victim was Regina Banano, a forty eight
year old deaf mute woman living alone. Despite her challenges,

(14:40):
Regina lived independently, which spoke to her resilience and strength.
She was known to walk downtown selling pencils and passing
out cards that read I am a deaf mute, but
her disability also rendered her especially vulnerable. She was found
bound to her bed a bra and a scarf had

(15:02):
been tied around her neck. But his cruelty didn't stop there.
He had stuffed her own panties into her mouth and
shoved her head inside a pillowcase, as if to brutally
erase her identity entirely. The elaborate staging and extreme overkill
clearly signaled a sexually driven crime, but again, no weapon

(15:23):
was recovered and no usable forensic evidence was found. This
scene of extreme overkilling humiliation went far beyond what was
needed to kill her. Regina's murder was perhaps the most
sadistic of all, reflecting the killer's complete descent into depravity.
The Strangler's final confirmed victim came just sixteen days later.

(15:46):
Patrese Finer Newkirk was a thirty six year old account's
receivable supervisor for Biscayne Chemical Company. She was separated from
her husband and was living alone at one four to
six zero Northwest fifty second Street. On October twenty first,
nineteen seventy, Patrice telephoned her mother and sister from outside

(16:06):
a temple on Miami Beach and stated she was going
to Miami Dade Junior College to pick up some test papers.
Police would later conclude This had been a lie, as
she was not enrolled that semester at the college. Neighbors
would later see her leaving her duplex at around nine
thirty p m. A tall black man was with her.

(16:28):
Days later, on October twenty third, after not hearing from her,
her family filed a missing person's report. A few hours later,
her nineteen seventy Pawntieye was found at Manor Park, about
three blocks from her home. The keys were missing, so
her mother had the car towed to her apartment building.
Her mother hired private detective William Conley to trace her daughter.

(16:51):
Conley noticed an odor and opened the trunk of the car.
Newkirk's body was found bludgeoned in the trunk. She had
suffered massive head trauma likened to a fall from a building,
and a torn piece of her dress was tied around
her neck. Her purse, car, keys, shoes, and underwear were missing,
but as in earlier cases, a significant piece of jewelry,

(17:15):
a pin from her father's watch, was inexplicably left behind
the scene provided more evidence. Some fibers and blood spatter
were collected. Her car was wiped clean of prints. Police
were uncertain of the actual scene of the crime, although
they did find twenty drops of blood in her bedroom,
trailing into her bathroom and two more drops on the

(17:37):
carpet near the front door. She was the ninth and
final canonical victim in a murder spree that had spanned
six years, Nine women aged twenty one to eighty four,
linked by a killer who seemed to change his methods
at will, but never his cruel, sexually charged signature. With
Patrice Knwkirk's body, the city of Miami was left with

(17:59):
a terrorifying question who would be next? With nine victims
dead and the city terrified, the public was demanding answers,
Who was this phantom and why couldn't the police catch him?
The answer is complicated, a product of the times, the
killer's cunning, and a series of roadblocks that turned the
hunt for this killer into one of the most frustrating

(18:22):
cold cases in Florida history. Investigators recognize a broad pattern
linking the slayings. Almost all victims were lone women, typically
middle aged or elderly, found in or near their own
homes in urban Miami. The crimes involved either strangulation, smothering,
or severe blunt force, often with the bodies posed or

(18:44):
partially disrobed, suggesting a sexually motivated attack. Police concluded that
the killer was likely a sexual sadist, preying on vulnerable
women at night or in isolated settings. However, the strangler's
greatest advance was his inconsistency. Unlike many serial killers, he

(19:04):
showed no single modus operandi. One victim was suffocated with
a pillow, another shot, others bludgeoned or garrotted. Without a
consistent weapon or method, linking cases became difficult. Forensic science
in the nineteen sixties offered little help. There was no
DNA analysis, and fingerprints could not be matched without a

(19:26):
suspect on file. In short, each crime scene offered only
circumstantial clues. The police were forced to rely on common
threads downtown location, victim profile, and the grotesque posing of
bodies to tie the murders together. Even so, the killer's signature,
manipulation of the victim's clothing, and use of a ligature

(19:48):
scarves neckties made it painfully clear that a sexual predator
was at work at many of the Strangler's crime scenes,
especially inside homes. The scenes were either wiped clean or
so contaminated that isolating a suspect was nearly impossible. The
science of criminal profiling was still in its infancy. The

(20:11):
term serial killer wasn't even widely used. Police were working
with traditional detective work, motive, opportunity, and physical evidence. Another
critical factor was the lack of forced entry in so
many of the murders. This pointed to two terrifying possibilities.
The first was that the killer was a charmer, a

(20:32):
man who could talk his way into a woman's home,
maybe posing as a repair man or someone needing help,
a wolf in sheep's clothing like Ted Bundy. The second
possibility was that he was just an opportunist who scouted
neighborhoods for unlocked doors and windows. This would require no
social skills at all, just patience and a predator's eye.

(20:54):
Both scenarios meant he slipped in and out like a ghost,
leaving detectives with the crime scene that began not at
the door, but at the moment of the attack. Public
engagement was also more limited compared to today. Investigators released appeals
through newspapers and circulated composite images, but there was no

(21:16):
coordinated media strategy or widespread television involvement to drive community tips. Ultimately,
the investigation into the Miami strangle was hampered by its time,
lacking modern forensic tools, burdened by an offender who changed
his methods frequently, and dependent on traditional detective work that

(21:38):
couldn't quite close the case. Despite the tireless efforts of detectives,
the killer remained a ghost, unidentified and unstoppable, leaving a
trail of fear and unanswered questions behind him. The investigation
wasn't without leads, but each one just seemed to dissolve.

(21:59):
In the case of silk Via Valdez, the parking lot
attendants saw her talking to two men, but they were
never identified. Were they the killers or just innocent bystanders.
These tantalizing but ultimately useless clues defined the case. The
police had pieces, but they couldn't assemble the puzzle. This

(22:20):
case is just a labyrinth of unanswered questions. The more
you dig into it, the more you realize how this
killer managed to operate right under everyone's noses. If you're
finding this look into one of America's most elusive phantoms
as compelling as I do, take a second to hit
the like button and subscribe. It really helps us keep

(22:41):
diving into these complex cases. Now, with the police stalled,
a few individuals started to surface who couldn't be ignored.
Let's talk about the suspects. In a case defined by
a phantom killer, investigators were desperate for a face to
put to the terror. Over the years, several names were

(23:01):
whispered in connection with the murders, but one man rose
to the top of the list, a man whose life
brushed up against the crimes in a way that was
too coincidental to ignore. His name was Calvin Jones Junior.
Calvin Jones Junior was a truck driver with a criminal
record when the murders began, he had recently been released

(23:24):
from prison. His name first surfaced in the investigation of
Sylvia Valdez, the woman shot and strangled after her tire
went flat. Some sources identified Jones as the very attendant
who changed Valdez's tire that night. This would have placed
him at the scene interacting with her just hours, maybe

(23:44):
even minutes before she died. It was a stunning connection,
but it wasn't the only one. Investigators soon discovered that
Calvin Jones Junior also personally knew another of the strangler's victims,
Patrice Knew Kirk, the final confirmed victim who was found
bludgeoned in the trunk of her car. Two victims, one

(24:07):
man in a homicide investigation. That's a massive red flag.
Police finally had a person of interest who wasn't just
a shadow, but a man with a name and a history.
They questioned him intensely. They dug into his past, his movements,
his alibis. Here was a man who was present at

(24:28):
one murder scene and knew another victim. To law enforcement,
it must have felt like they had found their guy. However,
having a prime suspect and having the evidence to convict
him are two very different things. The connections were entirely circumstantial. Yes,
he may have changed Sylvia Valdez's tire, but he wasn't

(24:51):
the only one there. Valdez was also seen speaking with
two other unidentified men, and just knowing Patry Newkirk wasn't
proof of murder. The police had proximity and association, but
they had no physical evidence, no fingerprints, no murder weapon,
no confession. Despite their strong suspicions, they couldn't build a

(25:16):
case that would hold up in court. Calvin Jones Junior
was questioned and scrutinized, but he was never charged. He
remains the primary name suspect, a tantalizing what if that
has hung over the case for decades. Beyond Calvin Jones Junior,
the field of suspects gets much murkier. Witness reports were minimal.

(25:40):
Apart from the parking attendant. Only one neighbor reported seeing
a suspicious man outside of victim's home, and that description
went nowhere. Because the methods were so varied, there's always
been a theory that there wasn't just one killer. Some
investigators wondered if a pair of killers or copycats were
involved given the different methods, but the consistent elements lone

(26:05):
female victims, posed bodies strongly pointed to a single individual.
In the end, police had to accept that without a
breakthrough clue, the case would remain unsolved. As Miami homicide
detectives later observed, all they had were fragments of a
puzzle they could never complete. The chilling reality is that,

(26:29):
aside from their focus on Calvin Jones Junior, the police
had very little to go on. This killer was a
ghost in the system, and then, just as suddenly as
a terror had escalated, it stopped. After Patrise Nwkirk's murder
in October nineteen seventy, the killer, who had taken five

(26:50):
lives in just over a year, simply vanished. For Miami,
the silence was a relief, but for investigator it was
just another layer to the mystery. Why would a prolific killer,
seemingly at the height of his compulsion suddenly stop. One
common theory is that the killer was arrested for an

(27:13):
unrelated crime and sent to prison for a long time.
If that happened, he'd be physically incapable of continuing his spree,
his identity as the strangler forever hidden behind a conviction
for a lesser crime. Another grim possibility is that the
killer died. He could have been in an accident, died

(27:34):
of natural causes, or even become a victim of a
crime himself. His secrets would have died with him. A
third theory is that he moved away. He might have
felt the net was tightening and decided to disappear, possibly
to continue his horrific acts in another city. The final
and maybe most disturbing theory is that he just stopped.

(28:00):
How rare, some serial killers have been known to quote
unquote burnout, It means he may have lived out the
rest of his life in quiet anonymity. A grandfather, a coworker,
a neighbor with a monstrous secret. However, the story might
not have ended. In October nineteen seventy two, more murders
have been speculatively linked to the strangler, suggesting maybe he

(28:22):
didn't vanish but just took a brief break. Mary Francis
Simms was a thirty one year old housewife who lived
with her husband at sixty seven hundred Northwest Fifth Avenue.
On March twenty fifth, nineteen seventy one, her husband, Melvin,
returned home for lunch at around twelve oh five pm
to find her dead. She was lying face down on

(28:44):
the bed. She had been strangled, sexually assaulted, and stabbed
in the throat. The combination of methods sexual violence, strangulation,
and stabbing suggested an unusually brutal killer, possibly the same
one who had plagued Miami for us years. Her murder
wasn't officially included in the Miami Strangler case file, but

(29:05):
it fit many elements. A woman alone, attacked in the
supposed safety of her home and left violated and lifeless. Then,
on September twelfth, nineteen seventy one, the body of twenty
five year old Clara Jane Armilly was discovered by her
estranged husband at her home at a one thirty Southwest

(29:26):
ninety eighth Avenue. Like Simms, she was lying face down
in her bedroom. She had been strangled. Once again, there
were no signs of forced entry in an electrical cord.
A potential ligature was found nearby. Like Mary Francis Simms,
Clara Armilly fit the profile, but again this potential link

(29:46):
is purely speculative. The FBI and police never confirmed these
as the Miami stranglers work, and they remain officially unsolved.
After Armilly's death in nineteen seventy one, the trail grew completely.
No further crimes matching the pattern occurred, at least none
that police publicly connected, and the Miami Strangler seemingly faded

(30:08):
into history. There is one little known murder that may
also be the Miami Strangler's work. This murder took place
in July of nineteen sixty eight, after the murder of
the third canonical victim, Bernditta Gonzales in nineteen sixty six,
and before the murder of the fourth canonical victim, Sheryvon
Dolores Wootten in nineteen sixty nine. On July twenty second,

(30:33):
a sixty five year old woman who remains unnamed in
public records was discovered inside her home, strangled and partially disrobed.
Her nightgown had been pulled up, and there were no
signs of forced entry, suggesting she may have known her
killer or inadvertently left her door unlocked. Though little is
known about her personal life, the fact that she was

(30:54):
living alone in an urban area made her tragically an
easy target for the predator now stalking Miami Sis aging population.
If her murder was the work of the strangler, this
would mean the killer did not take a three year
hiatus as originally believed. For over half a century, the
case of the Miami Strangler has remained a dark chapter

(31:14):
in the city's history. It's a story with no final chapter,
a mystery with no solution. At least nine women and
possibly more, had their lives stolen by a predator who
moved through the city like a phantom. He was a
killer of terrifying contradictions, sometimes patient, other times a storm
of chaos. His ability to change his methods and leave

(31:36):
so few clues made him an investigator's nightmare. He exploited
the trust of his victims and the limitations of the era,
turning the sunny paradise of Miami into his personal hunting ground.
Despite robust investigative techniques for the era witness interviews, victimology,
public appeals, intense suspect interrogation, the Miami Strangler case suffered

(31:59):
from one fatal weakness no physical evidence to anchor any lead.
Without DNA or fingerprint databases, and before the turn of
modern forensic profiling, law enforcement was forced to rely on patterns,
behavioral assumptions, and circumstantial proximity, all of which fell short.
The investigation, for all its efforts, was chasing a ghost

(32:21):
with a constantly shifting face. Was he Calvin Jones Junior
the one suspect with ties to two victims? Or was
Jones just an unlucky man in the wrong place at
the wrong time. Was the killer one man or several?
Did he go to prison, die, or just move on,
leaving Miami's fear in his rear view mirror. These questions

(32:44):
have echoed through the decades unanswered. The legacy of the
Miami Strangler isn't just in the cold case files gathering dust.
It's in the lingering sense of unease that a case
like this creates. It's a stark reminder that even in
a bustling city under a war arms sun, a monster
can walk unseen. He got away with it through a

(33:04):
combination of brutal cunning and sheer circumstance. The most chilling
truth of this case is that we will likely never
know who he was, why he did it, or where
he went. He simply vanished, becoming another one of history's ghosts,
his identity forever lost to time. The theories surrounding the

(33:25):
Miami strangler are as numerous as they are chilling. What
do you think happened? Do you believe Calvin Jones Junior
was the killer or was it someone else entirely? And
what is your theory on why the killing stopped? Did
he die, was he imprisoned or did he just fade
back into society. Share your theories and thoughts with us
and we can discuss this fascinating and disturbing case. You

(33:48):
can reach out to us on our social media at
one crime Pod, or you can join our community over
on Patreon. Again. Links are in the description. Thank you
for listening. I am Shannon and I will see you
in the next episode.

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