Opera - We love singing
Music, and more particularly singing is always with us. A certain day we may find ourselves moody and with a melody from La forza del destino playing over and over again in our head. Or maybe we feel like a superhero as we've doing great at work and then we feel like Calaf solving the 3 riddles that Turandot has proposed. First, we would like to share that this is not a place for the platitudes that are everywhere, telling my favorite singer is always the greatest in everything he's sung; and at the same time, we avoid being one of those toxic places where there's endless criticism around the minimum error of a given singer. We need more places where we can be respectful and still express our differences, as art is perception and no one perceives art equally to one another. Our second proposal is to come and share, both Katia and I are pretty sure there are a million questions you have always asked yourself about singing and as singers are sometimes not the most approachable people, well we hope can answers some of those questions!! You can join our channel in Telegram: https://t.me/OperaWeLoveSinging
Episodes
This July 26 at the Auditorio Ruíz de Alarcón in the city of Puebla we were so happy of presenting this program for you all who follow us in over 1000 cities in 96 countries.
This is part 1 and comprises a tour around several composers, nationalities and styles.
1. V'adoro pupille - Giulio Cesare. Haendel.
2. An Cloë. W.A. Mozart
3. Olympia's Les oiseaux dans la charmille
4. Ya mis horas felices. La del Soto del...
This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms.
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging
In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Tosca by Maestro Puccini?
This aria is not so easy to tag, is is beautiful? impressive? distressing? maybe all of them and none at the same time. Here we understand Scarpia's dark motivation.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the int...
So in January we managed to get together and prepare a small concert for you all, we celebrated the 2 years of our podcast.
Many things went horribly wrong, to start with the pianist not being able to attend for a last minute injury and some other technical problems.
A song that we could not really nail back then is the song Volvere from Mexican composer María Grever. This extraordinary piece of music deserves some tim...
*NOTICE OCCASIONAL CONSTRUCTION NOISE PROBLEMS*
This time things did not play in our favor but still we did this episode with the same enthusiasm of always. From construction problems that could not be eliminated to several audio/disconnections on Raffa's parties. We beg your understanding.
What a better way to express our emotions than music? This season is a tour around a number of very well-known popular songs, ...
This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms.
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging
In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Don Carlo by Maestro Verdi?
By far, one of the most beautiful melodies ever written for the bass voice. There is no bass who doesn't want to have it in his repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on t...
The number of listeners in Paris has grown consistently and so much that it takes a clear lead. Paris is the top city that listens to our content, the number 1 among other 889 cities. That is so amazing!!! Thank you for listening to these programs, that we prepare with so much love for singing.
This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of ep...
Just read or listen to the news or check "X" (formerly Twitter) to find the many of these "world leaders" looking for reasons to send their people to die for a war. Luciano Pavarotti in collaboration with other artists gave visibility to the horrible situation happening in Bosnia in the 90s of the past century. More than 30 years later, this song and the voice of Pavarotti can witness that nothing ...
What a better way to express our emotions than music? This season is a tour around a number of very well-known popular songs, so popular that many Opera singers have made them part of their repertoire. How well do they achieve it? Thumbs-up or down?
For this season we are having Raffa co-hosting these episodes. He has an immense passion for music and is also an experienced musician.
In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Tosca by Maestro Puccini?
By far, one of the most beautiful melodies ever written for the soprano voice. There is no soprano who doesn't want to have it in her repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based o...
This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms.
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging
What a better way to express our emotions than music? This season is a tour around a number of very well-known popular songs, so popular that many Opera singers have made them part of their repertoire. How well do they achieve it? Thumbs-up or down?
For this season we are having Raffa co-hosting these episodes. He has an immense passion for music and is also an experienced musician.
In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Tosca by Maestro Puccini?
By far, one of the most beautiful melodies ever written for the tenor voice. There is no tenor who doesn't want to have it in his repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the...
This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms.
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging
What a better way to express our emotions than music? This season is a tour around a number of very well-known popular songs, so popular that many Opera singers have made them part of their repertoire. How well do they achieve it? Thumbs-up or down?
For this season we are having Raffa co-hosting these episodes. He has an immense passion for music and is also an experienced musician.
In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Madama Butterfly by Maestro Puccini?
By far, one of the most beautiful melodies ever written for the soprano voice. There is no soprano who doesn't have it in her repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation base...
In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Carmen by Maestro Bizet?
By far, a very popular piece for the tenor voice. There is no tenor who doesn't want to have it in his repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is ...
This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms.
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging
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