How did Black Women become magical? In episode 138, Ellie and David talk to Lindsey Stewart about her book, The Conjuring of America: Mojos, Mermaids, Medicine, and 400 Years of Black Women's Magic. They talk about how the concept of ‘conjure’ shifted from its origin in the West African tradition to how it manifests in African American communities today. They discuss how Yoruba religion traveled to the US with slavery, as well as exploring the impact of historical images like the Mammy and the Voodoo Queen. What are the dangers of rhetoric of Black women being magical? How has Christianity influenced the ignorance that many Americans have around conjure? Is Beyonce magical? And does her album Cowboy Carter invoke the West African concept of Sankofa? In the Substack bonus segment, Ellie and David talk about magic on a larger scale, and parse out the differences between magic, religion and science.
Works Discussed:
Keisha L. Bentley-Edwards and Valerie N. Adams, “I am not (your) superwoman, Black girl magic, or beautiful struggle: Rethinking the resilience of Black women and girls”
Kim R. Harris, “Beyoncé’s ‘Cowboy Carter’ embraces country music, Black history and religious imagery”
Lindsey Stewart, The Conjuring of America: Mojos, Mermaids, Medicine, and 400 Years of Black Women's Magic
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