Another big Government announcement – and another row in the Commons row about why it wasn’t made to MPs first. We look at why ministers keep breaking their own Ministerial Code by choosing to make important announcements to the media instead of in the Chamber – and wonder whether, in a shifting media landscape, they might be less likely to muddle their message if they returned to delivering statements on major issues like their Strategic Defence Review from the Despatch Box.
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The Lords vs the Tech Lords: the Data Use and Access Bill has become the focus of a prolonged tug-of-war between the House of Lords and the Commons. At the heart of the dispute is whether tech companies should be allowed to use content to train artificial intelligence systems without compensating the original creators. Peers in the Lords have repeatedly amended the bill to protect creators copyright by requiring payment and safeguards, only for the Government to reject those changes in the Commons. As the Lords look set to concede, Ruth and Mark explore what this clash reveals about the limits of the upper chamber’s influence — and the growing political weight of Big Tech.
Critics claim the Terminally Ill Adults (End of Life) Bill hasn't had enough scrutiny. Armed with figures comparing the times spent debating other legislation, Ruth and Mark reject the claim that the Bill has been under-debated compared to other legislation. The problem, they argue, is that Westminster’s law-making processes are generally ineffective and badly in need of an upgrade.
A Speaker’s Conference is digging into how to improve security for MPs and candidates. Ninety six percent of MPs say they have personally experienced threatening behaviour during their time in office. But tackling political intimidation is anything but straightforward. Ruth and Mark unpack the Conference’s interim findings and recommendations — and explore where its spotlight will fall next.
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Parliament Matters is a Hansard Society production supported by the Joseph Rowntree Charitable Trust.
Presenters: Mark D’Arcy and Ruth Fox
Producer: Richard Townsend
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