Rants are a vital part of modern communication, often exposing our deepest frustrations and aspirations. This episode explores memorable celebrity meltdowns, examining their emotional weight and societal impact.
• Analyzing the power of rants in culture
• Celebrating listener engagement and appreciation
• Exploring memorable celebrity rants and their relevance
• Dennis Quaid’s unforgettable outburst and what it reveals
• Chuck Schumer’s half-hearted chant and its implications
• Casey Kasem’s hilarious studio meltdown
• Insights from Chris Berman’s heated moment
• Bobby Knight’s intense halftime breakdown
• Tommy Lasorda reflecting on a tough game
• The theme of satisfaction and sincerity in rants
Thank you for tuning in!
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 2 (00:05):
yeah, yeah, buddy fifth day of February 2025.
Speaker 1 (00:27):
Yeah, buddy, Looking out the studio window, I'm into
it, man.
Sunshine, the return of thebeautiful sunshine for Pat's
Peeps 204, February 5th 2025.
Welcome, how are you?
My name is Pat Walsh.
(00:47):
I am the host of the Pat WalshShow.
It's heard nationally,internationally on the free
iHeart app and then, of course,locally in Sacramento at KPK, 7
to 10 pm Monday through Fridayand now, and obviously, my Pat's
Peeps podcast 204.
Making our way to 300.
Um, beautiful day.
(01:09):
Like I said, I just feel sogood.
It's been a remarkable thing.
You know we have the sunshineand then we enjoy that.
At least I do.
We can't speak for everyone.
You know I'm enjoying to getenjoying the sunshine, get some
stuff done outside, outside,Then we get hit with the rain.
We enjoy that for a few days.
(01:29):
My mother never used to likerain.
I hate when it rains.
Sorry, Mom, I don't mean to usethat voice, but I hate when it
rains.
I think she got depressed orwasn't in a good mood and so
when I was a kid, I kind of likeoh it's raining Now I just
enjoy it all.
Rain, whatever, bring it onSunshine.
(01:52):
But I have to admit feeling very, very good today in terms of
just everything, Reallyeverything, and getting some
incredibly nice messages fromlisteners of my radio show.
I mean just the nicest.
You know.
You wake up and you get thesemessages that are just like
(02:14):
amazing.
People are very, very nice.
Let's see, and I just want tosay thank you to paul, being one
of those nice people, nicepeoples, One of the nice people
out there, one of the nice peepswho says again thank you, Paul,
(02:37):
if you're listening, Love thePat Wall show talking about my
show, the voice of common sense.
Thank you, Love the laugh, Veryenjoyable and entertaining.
You're the best, Pat.
Well, I don't know about allthat, Paul, but I'll tell you
this much you know, when I getnice messages like that, I mean
that really it motivates me andI appreciate that very, very
(03:01):
much.
Okay, so we'll just keep doingthis the podcast, hopefully the
radio show as long as we can.
You know, today I was thinkingabout a couple.
You know, here's what I wasthinking about.
I was thinking about rants,People who go on rants.
(03:22):
There's been so many of themthat it's just and you start
thinking about these famousrants.
I just thought of one, oh God,oh, I just I wanted to start
with the rant that I watchedtoday, but I just thought of one
(03:46):
that I'd forgotten about.
You know, people go on these atthe end of my show every day.
On the Pat Wall show I play alittle montage of things.
They just wham sauce the meatcrew.
Or Tiger Woods saying Iactivated my glutes the best I
could.
Or Tiger Woods saying Iactivated my glutes the best I
(04:07):
could.
There's a rant in there too,with Randy Quaid, and it's a
vile rant, and one of the thingshe says this is the most
unprofessional set I've everbeen on.
And when I first started myshow I said that's the first
thing that I want played at theend of my show every night as we
(04:27):
build this montage is RandyQuaid saying this is the most
unprofessional set I have everbeen on.
I love the self-deprecatinghumor, but I had thought of
another rant that will live onforever, From 2004,.
Speaker 4 (04:49):
Howard Dean you know something, you know something.
If you had told us one year agothat we were going to come in
third in Iowa, we would havegiven anything for that.
And you know something.
You know something.
Not only are we going to NewHampshire, tom Harkin, we're
going to South Carolina andOklahoma, and Arizona and North
(05:10):
Dakota and New Mexico.
Speaker 2 (05:12):
We're going to California and Texas and New
York and we're going to SouthDakota and Oregon and Washington
and Michigan and then we'regoing to Washington DC to take
back the White House.
Speaker 1 (05:24):
Yeah, that's one of the most famous screams ever and
it just did him in.
It did him in.
I hope I didn't get the Quaidbrother wrong.
(05:45):
There's Randy Quaid.
Now, who are the Quaid brothers?
It might be the one I wouldfeel bad.
I also feel bad.
Let me just bring this up.
I just thought about this.
Yesterday I was and maybe I'mjust imagining this when I was
playing Senator Chris Murphy,talking about how creepy 22 year
olds were when he during hisrant.
Any creepy 22 yearyear-oldswere during his rant.
Any creepy 22-year-old who'sworking for Elon Musk.
(06:06):
I may have said Chris Martin.
I hope I didn't, because I'mpretty sure Chris Martin from
Coldplay had nothing to do withit.
(06:27):
I don't think he did and I'm sosorry if I said that.
I don't know if I said that ornot.
I want to make sure that I'mnot getting the Quaid brother
wrong.
You know I should never, evergo on about any actor or
(06:50):
anything, unless it's De Niro.
It might not even be RandyQuaid.
Oh my God, it's just awful.
Dennis Quaid, dennis, it'sDennis Quaid.
My apologies, because, randy, Ilove him in so many things.
(07:13):
Was he in Kingpin ChristmasVacation?
Okay, see, I have to clarifythat it wasn't Randy, it was
Dennis Quaid.
So let me just say this I'mgoing to play some rants today.
(07:34):
You know me, I don't look forthe low bar when I'm doing my
podcast or my show.
I just look for things I'mthinking about and just kind of
I don't know, just stand out tome, could be anything.
That's the beauty of it, couldbe anything.
So just to let you know I'm notplaying any of these to be vile
(07:57):
, to lower the bar, but I amjust going to let you know these
are unfiltered rants andthey're not quite pleasant
either, but they're interestingand fun to listen to.
I'm just going to say so look,just so you know probably a lot
(08:17):
of cursing going on in these.
Not that anyone needs a triggerwarning, for God's sakes.
It's just the way that Iusually.
You know I don't curse on myshow a couple times, whatever I
mean on my podcast, pat's Peeps,but here on 204, I'm going to
play some of these.
So, hey, I hope you enjoy it,but they're pretty brutal.
(08:38):
Okay, lots of F-bombs, whatever.
It's not like we haven't heardit before.
It's the Dennis Quaid freakout.
I'll play some of this.
This is very angry and this iswhere I get the at the end of my
show.
This is the most unprofessionalset I have ever been on Dennis
Quaid.
Speaker 5 (08:58):
What the fuck, Keep going.
I am acting here and thisdickhead wanders onto my set.
I can't even get a line outuntil Dopey the Dick starts
whispering in your ear andyou're not even watching anymore
.
Speaker 1 (09:12):
Dopey the Dick.
Speaker 5 (09:12):
Don't fucking Dennis me, I am doing my job here.
Speaker 6 (09:16):
You are, I'm a pro.
Speaker 5 (09:17):
This is the most unprofessional set I have ever
been on.
This is horse shit.
I've got these fucking zombiesover here.
Speaker 1 (09:26):
So he gives you some context.
Speaker 5 (09:28):
I have a bunch of pussies staring at me and this
fucking baby.
Speaker 1 (09:33):
Oh my God, this is garbage.
Yes, sir.
Speaker 5 (09:38):
Blow me.
Speaker 1 (10:07):
Oh God, I told you.
I told you.
Here's the rants thatoriginally got me going
yesterday.
This is is the funniest, easilythe least passionate scripted
made-up rant I have ever in mylife seen or ever in my life
heard.
This is so, so bad and so phony.
Chuck Schumer leading a chantof we will win, we will win, we
won't rest, we won't rest.
Now the thing is he's gotMaxine Waters standing next to
(10:27):
him and it's this super phonychant that no one is getting
into.
The chanting around him of thisvery small group of Democrats
is very, very well, let's justsay it lacks passion.
You have Maxine Waters.
If you watch the video whenthey're clapping or whatever, in
(10:49):
one of these it could be, Idon't know who was speaking.
She's got a phone in her hand,she's, so she has zero passion.
She's barely looking at thespeaker and she's clapping her
phone with her hand on top ofthe phone, like yeah, whatever.
And the other dude to the left,he's holding a sign and he's
(11:09):
not even looking at the speakerand he's tapping the top of his
hand as his clap he's like yeah,because he doesn't want to let
go of his sign, so he's takingone hand and clapping the top of
his other hand.
Now, in this so-calledimpromptu rant that's supposed
to get everyone fired up, whenhe switches from we will win, we
(11:30):
will win, he puts up his finger, like, okay, here's where I'm
going to start doing this.
When he switches to we won'trest, he literally has to look
down at the script on his podiumto see oh, what was the next
line.
Oh yeah, we won't rest, he'sgoing, we will win.
And he's like win in a.
And he looks down.
Speaker 5 (11:50):
Oh yeah, we won't rest.
Speaker 6 (11:52):
I'm going to stand with you in this fight and we
will win, we will win, we willwin, we will win, we will win,
we will win, we will win, wewill win, we won't rest, we
won't rest, we won't rest, wewon't rest.
Speaker 5 (12:15):
Thank you everybody, oh God.
Chris, thank you everybody, ohGod.
Speaker 1 (12:22):
That is honestly just so bad.
It is just so bad.
Oh my goodness, I thought aboutmaybe making a song out of that
.
Let me see.
Is this it?
Let me see.
Speaker 6 (12:44):
See if we can make a little song out of that.
We won't rest, we won't rest,we won't rest, we won't rest, we
won't rest, we won't rest, wewon't rest.
Speaker 1 (13:04):
That's Peeps 204.
Speaker 6 (13:08):
We won't rest, we won't rest, we won't rest, we
won't rest, we won't rest, wewon't rest.
Speaker 1 (13:18):
I think this is going to be a hit seriously Number
one on the Pats Peeps chart.
God, very passionate Chuck,only to be outdone by a person
whose voice never is fatiguingwhatsoever Elizabeth Warren,
who's there to slam Musk andDoge at the Treasury Department
(13:41):
protest.
She says we will fight back.
Speaker 8 (13:44):
Elon Musk.
Speaker 1 (13:47):
Yes.
Speaker 8 (13:49):
Elon Musk wants everyone in America to be at the
mercy of Elon Musk.
We are here to fight back.
Speaker 1 (14:07):
I tell you, they're always wanting to fight, aren't
they?
They're always wanting to fight.
It's all about fighting, fight,fight, fight.
There we go, pat's Peeps 204.
Happy Wednesday, hope you'redoing well.
Thank you for listening.
Speaker 8 (14:26):
Elon Musk.
Elon Musk wants everyone inAmerica to be at the mercy of
Elon Musk.
We are here to fight back.
Speaker 1 (14:51):
I give, I give, I give, I give, I give.
Let's auto-tune this.
See what happens here.
I just like to mess withtunethis.
See what happens here.
I just like to mess with thisstuff.
See what we can come up withhere.
Speaker 9 (15:08):
We don't pledge allegiance to Elon Musk.
We don't pledge allegiance tothe creepy 22-year-old working
for Elon Musk, chris Murphy.
Speaker 1 (15:17):
Not to be mistaken with Chris Martin we don't
pledge allegiance to Elon Musk.
Speaker 9 (15:20):
We don't pledge allegiance to the creepy
22-year-old working for ElonMusk Clim't pledge allegiance to
Elon Musk Climbing up thecharts to number two on the Pats
(15:42):
Peeps charts.
Speaker 1 (15:43):
There you go.
We don't.
That's Chris Murphy, and wedon't pledge allegiance to Elon
Musk.
Thank you, everyone.
Hope you enjoyed that.
Let's see what else do we havefor you.
Speaking of Casey Kasem, god, Iloved American Top 40, didn't
you, hi Casey Kasem?
Speaker 10 (16:03):
And this is our countdown of the 40 most popular
songs in America.
Number 40.
Well, those three sisters fromOakland, california, the
Pointers have perseverance.
They spent three months climbingtheir way up the chart,
december 20th 1980.
It's now eight weeks later andthey're still in the countdown
(16:25):
At number 40.
This week, the pointers withhe's so Shy.
Here's the first of them.
It's the title tune from amovie starring Jane Fonda, lily
Tomlin and Dolly Parton.
Dolly Parton also wrote thesong and it's her recording of
it that enters the countdown nowat number 39.
Here's Dolly Parton and 9 to 5.
Speaker 2 (16:45):
Tumble out of bed and stumble to the kitchen pour
myself a cup of ambition andyawn and stretch and try to come
to life.
9 to 5.
Speaker 10 (16:54):
9 to 5.
Yeah, buddy, the Eagles, crosby, stills and me, I'm Casey Kasem
.
The second of the two new songsin this week's countdown is
also the first chart solo singlefor a man from Lubbock, texas,
the birthplace of Buddy Holly,coming in at number 38, delbert
McClinton, with Giving it Up Foryour Love.
Speaker 1 (17:13):
I remember that song, giving it up, feeling it up,
now Giving it up for your loveNow every night, I haven't heard
that forever.
Speaker 10 (17:22):
I haven't heard that forever.
It's called the Wanderer.
That's right.
Baby At number 37 on thecountdown this week, Falling a
notch with a former top 10record called the Wanderer.
Every week on American Top 40we count down the biggest hits
in the USA.
Speaker 1 (17:36):
That's right, Casey Kasem.
Nobody did it better.
But speaking of rants maybeyou've heard this before.
It's always a fun one to listento.
Here's Casey Kasem in the booth.
He's recording his American Top40.
When a meltdown occurs, here wego.
Speaker 10 (17:52):
The countdown will begin this Sunday afternoon at
1,.
Right here on the radio stationyou grew up with, music Radio
138.
Oh fuck, what the hell's goingon here.
Oh geez, well, isn't it thelast hour?
We got another hour to do.
Geez, I thought we were almostfinished.
Good golly, miss Molly Boy,this is fucking ponderous man.
Ponderous, fucking ponderous.
(18:15):
Hi, this is Casey Kasem.
Speaker 3 (18:20):
American Top 40 has moved to a new time.
Speaker 10 (18:21):
I hope you'll join me this Saturday morning and
every Saturday morning at 2, 2.
Now we're up to our longdistance dedication, and this
one is about kids and pets and asituation that we can all
understand, whether we have kidsor pets or neither.
It's from a man in Cincinnati,ohio, and here's what he writes
Dear Casey, this may seem to bea strange dedication request,
(18:42):
but I'm quite sincere and it'llmean a lot if you play it.
Recently there was a death inour family.
He was a little dog namedSnuggles, but he was most
certainly a part of.
Let's kind of start again.
I'm coming out of the record.
Play the record, okay, I'mcoming out of the record.
Play the record, okay.
Please See, when you come outof those up-tempo goddamn
(19:05):
numbers, man, it's impossible tomake those transitions.
And then you got to go intosomebody dying.
You know they do this to me allthe time.
I don't know what the hell theydo it for, but goddamn it if we
can't come out of a slow record.
I don't understand.
Is Don on the phone?
Okay, I want a goddamnconcerted effort to come out of
a record that isn't a fuckingup-tempo record.
Every time I do a goddamn deathdedication.
(19:26):
Now make it.
And I also want to know whathappened to the pictures I was
supposed to see this week.
This is the last goddamn time.
I want somebody to use hisfucking brain to not come out of
a goddamn record that's upCampo and I got to talk about a
fucking dog dying.
Speaker 1 (19:46):
American death top 40 with a death dedication.
There you go, Casey Kasem.
That is a classic.
I have some others that aren'tclassic though, Aren't as
classic, aren't as well-known.
For instance, who doesn't loveChris Berman of ESPN when he
(20:08):
would do those highlights?
Yes, I mean, I think he does agreat job on the NFL highlights.
Here he is getting ready forhis show and this is Chris
Berman melting down on set.
Speaker 7 (20:21):
When I'm doing TV and I got 18, god damn it.
Can't everybody stop for 10minutes?
I mean everybody seems thatthat's the only everybody.
Can we stick Jesus Christ?
I mean it's not that much toask, is that when everybody has
to move, when I'm trying toconcentrate Jesus, and you guys
thought I was a pain I mean it'sso rude, I can't believe it.
(20:42):
That's, it's so goddamn rude.
Why does everyone all of asudden have to move that two
fucking hours to move around?
Wait ten minutes, jesus beep.
Sorry to explode by guy that,but it's like no one's ever
worked on TV here before.
Jesus Beep man, chris, what thefuck do they think?
Speaker 1 (21:07):
I'm doing, bleeping it out for you, god.
Speaker 7 (21:14):
Chill out.
I actually can't believe what Ijust saw.
Speaker 6 (21:16):
No.
Speaker 7 (21:17):
It's like no one here has worked on TV before.
Speaker 6 (21:20):
Right.
Speaker 7 (21:23):
I heard a dial tone.
Speaker 1 (21:25):
Here's a dial tone.
Man, I haven't heard a dialtone in forever.
Speaker 7 (21:29):
Seven people, I mean Jesus.
We need to use the studio for15 fucking minutes ladies and
gentlemen, chris burman, oh god,how about this?
Speaker 1 (21:47):
here's, uh, on pat's peeps 204, william shatner
losing it in the recordingstudio.
This, this is entertaining.
I got to play this.
This is William Shatner.
Oh no, be quiet.
Stop that.
Stop that.
God.
How did I hear Howard Stern inmy headphones?
Give me a break, god, I used tolisten to that show.
(22:16):
All he does now is talk tocelebrities.
Wow, I don't know.
See, that ruined that wholething for me on the William
Shatner, just hearing that voice, ugh.
Hmm well, it was a good one.
(22:40):
Anyhow, it was a good one, butI'm gonna leave that off because
that ruined my mood for thatone.
Oh, it gets better from here,though.
Oh it gets.
Uh, I don't think I'm gonna playthat one.
I don't think I'm gonna playearl weaver.
I don't think I'm going to playEarl Weaver manager's corner.
That one, you got to listen tothat one for yourself.
(23:01):
I'm not going to play that.
Here's one of my favorites.
Here's Tommy Lasorda, myfavorite Dodger along with Vin
Scully.
Here he is being asked aboutDave Kingman hitting three home
runs against the Dodgers thatday.
Speaker 2 (23:16):
Just a few basic comments about your feelings on
the game.
Speaker 3 (23:21):
Well, naturally, I feel bad about losing a ballgame
like that.
There's no way you should losethat ballgame.
That just doesn't make sense.
What's your opinion ofKingman's performance?
What's my opinion of Kingman'sperformance?
What's my opinion of Kingman'sperformance?
What the do you think is myopinion of it?
I think it was put that in.
I don't opinion of hisperformance.
(23:43):
He beat us with three home runs.
What the do you mean?
What is my opinion of hisperformance?
How could you ask me a questionlike that?
What is my opinion of hisperformance?
His performance he hit threehome runs.
I'm off to lose the game.
(24:04):
And you asked me my opinion ofthis performance.
Well, that's a tough questionto ask me, isn't it?
Well, you tell me opinion ofhis performance?
Yes, it is.
I ask it and you gave me ananswer.
Well, I didn't give you.
I mean, that's a tough questionto ask me, isn't it?
What is my opinion of hisperformance?
Yes, it is.
I asked it and you gave me ananswer.
Well, I didn't give you a goodanswer because I'm mad, but I
mean that wasn't a good question.
That's a tough question to askme right now.
(24:24):
What is my opinion of hisperformance?
I mean, you want me to tell youwhat my opinion of his
performance is.
You just did that, isn't it.
Speaker 1 (24:36):
They just did.
That's right.
It hits three home runs againstus.
Just the sound of the beepcracks me up.
I love it, tommy.
Rest in peace.
I love you, brother, part ofthe reason I bleed blue.
I know if you're anti-Dodgersyou hate that, but speaking of
managers, it gets really crassright here.
This is really, really, really.
(24:59):
This is a.
This is lee ilia, who was theformer chicago cubs manager back
in 1983, talking about his, hisown fans, the fans of his own
team in chicago.
Speaker 11 (25:11):
I'll tell you one fucking thing I hope we get
fucking hotter than shit just tostuff it up them 3,000 fucking
people that show up everyfucking day, because if they're
the real Chicago fucking fans,they can kiss my fucking ass
right downtown and print it.
They're really, really behindyou around here, my fucking ass.
(25:35):
What the fuck am I supposed todo?
Go out there and let my fuckingplayers get destroyed every day
and be quiet about it?
For the fucking nickel-dimepeople to show up?
The motherfuckers don't evenwork.
That's why they're out at thefucking game.
They ought to go out and get afucking job and find out what
it's like to go out there andearn a fucking living.
Speaker 1 (25:58):
I bet he says the F-bomb more times than Joe Pesci
in what is that?
Is it Casino?
Is it Casino where they say allthe like it has more F-bombs
than any movie in the history,at least in my memory?
Lee Ely is giving them a runfor the money in his rants 50%
of the fucking world's working.
Speaker 11 (26:18):
The other 15 come out here.
A fucking playground for thecocksuckers.
Oh jeez, rip them,motherfuckers.
Rip them, cocksuckers like thefucking players.
Oh God, jeez, oh God.
Speaker 1 (26:33):
Oh God, that goes on and on, that, that goes on and
on, that just goes on and on.
You know, on and on, but maybe,not, maybe, but the most angry,
most angered speech, rant, Ishould say.
(26:58):
I told you there was a lot ofF-bombs in this.
Listen, I told you that.
Not that you can't take it, Iknow I can take it, but boy,
this is the most angered speechthat I've ever heard.
Or rant Brace yourselves, myfriends.
(27:18):
So this is a halftime speechfrom the late Indiana basketball
coach, indiana Hoosier coach,bobby Knight.
Halftime he wasn't very happy.
Speaker 12 (27:34):
What a point that I'm getting the fuck out of here
.
I mean, if you're not going torecover Greg Graham, he wasn't
even suffer.
Now I'm tired of this shit.
I'm sick and fucking tired ofeating 10 records.
I'm fucking tired of losing toPurdue.
(28:00):
I'm not here to fuck aroundthis week.
Now you may be, but I'm not Now.
I'm going to fucking guaranteeyou that if we don't play up
there Monday night, you're notgoing to believe the next four
fucking days.
I am not here to get my assbeat on Monday.
Speaker 1 (28:16):
Coach.
Can I use the?
Speaker 12 (28:17):
restroom.
You better fucking understandthat right now Coach.
Speaker 5 (28:21):
This is absolute fucking bullshit, Coach.
What if we don't play better?
Speaker 1 (28:24):
I'll fucking run your ass right into the ground.
Yeah, but what if we don't playin the second half better than
the first half?
We?
Speaker 12 (28:30):
don't fucking run you.
You'll think last night was afucking picnic.
I had to sit around for afucking year with an eight and
ten record in this fucking lake,ah and I mean, you will not put
me in that fucking positionagain.
Speaker 1 (28:43):
God damn, pay for it like you can't fucking believe
ah, now you better get your headout of your ass.
Good morning, there's bobbyknight.
Ladies and gentlemen, if thatdoesn't make you feel good and
warm and cuddly, I don't knowwhat does.
Serenity now.
(29:06):
Serenity now oh boy, I feellike getting to music now.
Gosh, I don't know if I want toplay the song now.
After all of that, I don't knowif I want to hear that one now.
I had something all lined up.
(29:27):
I might look at this otherrecord.
You know how, like you set amood by playing a rant and by
playing this record, I pulledtwo of them out today, and by
doing it or by listening to that, I don't think that that would
(29:48):
be, I don't know.
It just wouldn't match up withthe mood, and you have to kind
of match the mood.
So what I'm going to do here isI'm going to switch up and go
to this other record, because Ithink that it definitely matches
the mood.
So let me pull this record out,hold on a second here and I will
(30:08):
explain what record it is andwhat label.
Bear with me here.
I need to find it again.
Okay, record it is.
And what label bear with mehere.
I need to find it again.
Uh, okay, this is on scepterrecords.
Actually I got confused becauseI actually have two copies of
(30:28):
this in two different envelopes.
That's why I thought I had oneright in front of me, but but
anyhow, so it is on ScepterRecords.
I think that's the first timethat we've had anything on
Scepter Records and this is, letme see, on both of these it's
the same song on both sides oneach record, and one side on
(30:52):
each record is stereo and theother side is mono.
And, of course, when we werejust listening to these rants,
these are people expressingthemselves, right.
So there's a stamp from theradio station on this record
label, by the way, that saysSeptember 1974, promotional copy
(31:14):
Roadshow.
The record says Roadshow.
It's got like a I don't knowlike.
Maybe it looks like kind of a Idon't know an old VW bus or
something I can't really tell,not for sale, but that's cool,
it's got this little Roadshowthing on there.
So, anyhow, this song wasreleased from the debut album of
(31:36):
the same title and the songbecame really a great crossover
success.
It was noted for its hand clapsat the beginning as well as the
spoken portion in the middle ofthe song.
The short version, by the way,is less than three minutes.
The long version's over fiveminutes long.
I love the long version of it.
(31:57):
The song was consideredsuggestive of sexual intercourse
, especially for the repeatedlines in the coda section.
I'm satisfied.
The single went to number one onthe R&B singles charts for a
(32:19):
week during the autumn of 74.
So there you go, september 74.
There's the radio stationsticker.
Went to number two on theBillboard Hot 100 singles charts
for two weeks.
Whatever Gets you Through theNight by John Lennon and I Can
Help, by Billy Swan Boy.
I remember that that kept thesong from the number one spot.
(32:42):
This song was an early disco hitbut I never really quite I
don't put this so much into thedisco category, I just don't.
Okay, you can say it's disco.
Peaked at number eight on thedisco dance charts.
Okay, so legitimately somepeople would say it was disco.
Maybe it is, I don't know.
(33:02):
I just think it has a littlemore funk crossover you know
when they talk about crossover.
It just doesn't have thattypical bassy groove of disco.
It just has a different feel tome.
But anyhow, without further ado, all the people ranting were
(33:25):
ranting until they weresatisfied.
Here is BT Express on ScepterRecords the song from 1974, do
it Till You're Satisfied.
Remember this.
They play it on the radio allthe time.
I love this one.
Now let me think of it in thedisco realm and see if I change
(33:50):
my mind just a little bit.
I don't know, I just it's gotthat bass but not the.
It's not the.
(34:11):
What I think of a stereotypicaldisco bass yeah, it kind of
does have that little bassydisco sound to it.
I still like this song, thoughit's not like get down boogie
(34:32):
oogie oogie, you know what Imean.
Or ring my bell.
It's got like get down boogieoogie oogie, you know what I
mean.
Or ring my bell.
It's got some old school, likeyou could have temptations in
there.
Whatever it is, do it, do itSatisfy, do it, do it, do it
Satisfy.
Speaker 6 (34:51):
Whatever it is, do it , do it.
Speaker 1 (35:02):
Satisfy.
Everybody knows it's kind oflike early rap right there.
Spoken word Went to seven inCanada, 33 in Germany, 18 in the
(35:22):
Netherlands.
I've done it till I'm satisfiedand I appreciate you listening
Until you're satisfied.
Or maybe you tuned out earlierBecause you had enough of me.
Either way, thank you fortuning in at all.
(35:44):
We'll see you for Pat's Peeps205.
Happy Wednesday.
We'll see you on the radio.
yeah, yeah, buddy fifth day of February 2025.
Speaker 1 (00:27):
Yeah, buddy, Looking out the studio window, I'm into
it, man.
Sunshine, the return of thebeautiful sunshine for Pat's
Peeps 204, February 5th 2025.
Welcome, how are you?
My name is Pat Walsh.
(00:47):
I am the host of the Pat WalshShow.
It's heard nationally,internationally on the free
iHeart app and then, of course,locally in Sacramento at KPK, 7
to 10 pm Monday through Fridayand now, and obviously, my Pat's
Peeps podcast 204.
Making our way to 300.
Um, beautiful day.
(01:09):
Like I said, I just feel sogood.
It's been a remarkable thing.
You know we have the sunshineand then we enjoy that.
At least I do.
We can't speak for everyone.
You know I'm enjoying to getenjoying the sunshine, get some
stuff done outside, outside,Then we get hit with the rain.
We enjoy that for a few days.
(01:29):
My mother never used to likerain.
I hate when it rains.
Sorry, Mom, I don't mean to usethat voice, but I hate when it
rains.
I think she got depressed orwasn't in a good mood and so
when I was a kid, I kind of likeoh it's raining Now I just
enjoy it all.
Rain, whatever, bring it onSunshine.
(01:52):
But I have to admit feeling very, very good today in terms of
just everything, Reallyeverything, and getting some
incredibly nice messages fromlisteners of my radio show.
I mean just the nicest.
You know.
You wake up and you get thesemessages that are just like
(02:14):
amazing.
People are very, very nice.
Let's see, and I just want tosay thank you to paul, being one
of those nice people, nicepeoples, One of the nice people
out there, one of the nice peepswho says again thank you, Paul,
(02:37):
if you're listening, Love thePat Wall show talking about my
show, the voice of common sense.
Thank you, Love the laugh, Veryenjoyable and entertaining.
You're the best, Pat.
Well, I don't know about allthat, Paul, but I'll tell you
this much you know, when I getnice messages like that, I mean
that really it motivates me andI appreciate that very, very
(03:01):
much.
Okay, so we'll just keep doingthis the podcast, hopefully the
radio show as long as we can.
You know, today I was thinkingabout a couple.
You know, here's what I wasthinking about.
I was thinking about rants,People who go on rants.
(03:22):
There's been so many of themthat it's just and you start
thinking about these famousrants.
I just thought of one, oh God,oh, I just I wanted to start
with the rant that I watchedtoday, but I just thought of one
(03:46):
that I'd forgotten about.
You know, people go on these atthe end of my show every day.
On the Pat Wall show I play alittle montage of things.
They just wham sauce the meatcrew.
Or Tiger Woods saying Iactivated my glutes the best I
could.
Or Tiger Woods saying Iactivated my glutes the best I
(04:07):
could.
There's a rant in there too,with Randy Quaid, and it's a
vile rant, and one of the thingshe says this is the most
unprofessional set I've everbeen on.
And when I first started myshow I said that's the first
thing that I want played at theend of my show every night as we
(04:27):
build this montage is RandyQuaid saying this is the most
unprofessional set I have everbeen on.
I love the self-deprecatinghumor, but I had thought of
another rant that will live onforever, From 2004,.
Speaker 4 (04:49):
Howard Dean you know something, you know something.
If you had told us one year agothat we were going to come in
third in Iowa, we would havegiven anything for that.
And you know something.
You know something.
Not only are we going to NewHampshire, tom Harkin, we're
going to South Carolina andOklahoma, and Arizona and North
(05:10):
Dakota and New Mexico.
Speaker 2 (05:12):
We're going to California and Texas and New
York and we're going to SouthDakota and Oregon and Washington
and Michigan and then we'regoing to Washington DC to take
back the White House.
Speaker 1 (05:24):
Yeah, that's one of the most famous screams ever and
it just did him in.
It did him in.
I hope I didn't get the Quaidbrother wrong.
(05:45):
There's Randy Quaid.
Now, who are the Quaid brothers?
It might be the one I wouldfeel bad.
I also feel bad.
Let me just bring this up.
I just thought about this.
Yesterday I was and maybe I'mjust imagining this when I was
playing Senator Chris Murphy,talking about how creepy 22 year
olds were when he during hisrant.
Any creepy 22 yearyear-oldswere during his rant.
Any creepy 22-year-old who'sworking for Elon Musk.
(06:06):
I may have said Chris Martin.
I hope I didn't, because I'mpretty sure Chris Martin from
Coldplay had nothing to do withit.
(06:27):
I don't think he did and I'm sosorry if I said that.
I don't know if I said that ornot.
I want to make sure that I'mnot getting the Quaid brother
wrong.
You know I should never, evergo on about any actor or
(06:50):
anything, unless it's De Niro.
It might not even be RandyQuaid.
Oh my God, it's just awful.
Dennis Quaid, dennis, it'sDennis Quaid.
My apologies, because, randy, Ilove him in so many things.
(07:13):
Was he in Kingpin ChristmasVacation?
Okay, see, I have to clarifythat it wasn't Randy, it was
Dennis Quaid.
So let me just say this I'mgoing to play some rants today.
(07:34):
You know me, I don't look forthe low bar when I'm doing my
podcast or my show.
I just look for things I'mthinking about and just kind of
I don't know, just stand out tome, could be anything.
That's the beauty of it, couldbe anything.
So just to let you know I'm notplaying any of these to be vile
(07:57):
, to lower the bar, but I amjust going to let you know these
are unfiltered rants andthey're not quite pleasant
either, but they're interestingand fun to listen to.
I'm just going to say so look,just so you know probably a lot
(08:17):
of cursing going on in these.
Not that anyone needs a triggerwarning, for God's sakes.
It's just the way that Iusually.
You know I don't curse on myshow a couple times, whatever I
mean on my podcast, pat's Peeps,but here on 204, I'm going to
play some of these.
So, hey, I hope you enjoy it,but they're pretty brutal.
(08:38):
Okay, lots of F-bombs, whatever.
It's not like we haven't heardit before.
It's the Dennis Quaid freakout.
I'll play some of this.
This is very angry and this iswhere I get the at the end of my
show.
This is the most unprofessionalset I have ever been on Dennis
Quaid.
Speaker 5 (08:58):
What the fuck, Keep going.
I am acting here and thisdickhead wanders onto my set.
I can't even get a line outuntil Dopey the Dick starts
whispering in your ear andyou're not even watching anymore
.
Speaker 1 (09:12):
Dopey the Dick.
Speaker 5 (09:12):
Don't fucking Dennis me, I am doing my job here.
Speaker 6 (09:16):
You are, I'm a pro.
Speaker 5 (09:17):
This is the most unprofessional set I have ever
been on.
This is horse shit.
I've got these fucking zombiesover here.
Speaker 1 (09:26):
So he gives you some context.
Speaker 5 (09:28):
I have a bunch of pussies staring at me and this
fucking baby.
Speaker 1 (09:33):
Oh my God, this is garbage.
Yes, sir.
Speaker 5 (09:38):
Blow me.
Speaker 1 (10:07):
Oh God, I told you.
I told you.
Here's the rants thatoriginally got me going
yesterday.
This is is the funniest, easilythe least passionate scripted
made-up rant I have ever in mylife seen or ever in my life
heard.
This is so, so bad and so phony.
Chuck Schumer leading a chantof we will win, we will win, we
won't rest, we won't rest.
Now the thing is he's gotMaxine Waters standing next to
(10:27):
him and it's this super phonychant that no one is getting
into.
The chanting around him of thisvery small group of Democrats
is very, very well, let's justsay it lacks passion.
You have Maxine Waters.
If you watch the video whenthey're clapping or whatever, in
(10:49):
one of these it could be, Idon't know who was speaking.
She's got a phone in her hand,she's, so she has zero passion.
She's barely looking at thespeaker and she's clapping her
phone with her hand on top ofthe phone, like yeah, whatever.
And the other dude to the left,he's holding a sign and he's
(11:09):
not even looking at the speakerand he's tapping the top of his
hand as his clap he's like yeah,because he doesn't want to let
go of his sign, so he's takingone hand and clapping the top of
his other hand.
Now, in this so-calledimpromptu rant that's supposed
to get everyone fired up, whenhe switches from we will win, we
(11:30):
will win, he puts up his finger, like, okay, here's where I'm
going to start doing this.
When he switches to we won'trest, he literally has to look
down at the script on his podiumto see oh, what was the next
line.
Oh yeah, we won't rest, he'sgoing, we will win.
And he's like win in a.
And he looks down.
Speaker 5 (11:50):
Oh yeah, we won't rest.
Speaker 6 (11:52):
I'm going to stand with you in this fight and we
will win, we will win, we willwin, we will win, we will win,
we will win, we will win, wewill win, we won't rest, we
won't rest, we won't rest, wewon't rest.
Speaker 5 (12:15):
Thank you everybody, oh God.
Chris, thank you everybody, ohGod.
Speaker 1 (12:22):
That is honestly just so bad.
It is just so bad.
Oh my goodness, I thought aboutmaybe making a song out of that
.
Let me see.
Is this it?
Let me see.
Speaker 6 (12:44):
See if we can make a little song out of that.
We won't rest, we won't rest,we won't rest, we won't rest, we
won't rest, we won't rest, wewon't rest.
Speaker 1 (13:04):
That's Peeps 204.
Speaker 6 (13:08):
We won't rest, we won't rest, we won't rest, we
won't rest, we won't rest, wewon't rest.
Speaker 1 (13:18):
I think this is going to be a hit seriously Number
one on the Pats Peeps chart.
God, very passionate Chuck,only to be outdone by a person
whose voice never is fatiguingwhatsoever Elizabeth Warren,
who's there to slam Musk andDoge at the Treasury Department
(13:41):
protest.
She says we will fight back.
Speaker 8 (13:44):
Elon Musk.
Speaker 1 (13:47):
Yes.
Speaker 8 (13:49):
Elon Musk wants everyone in America to be at the
mercy of Elon Musk.
We are here to fight back.
Speaker 1 (14:07):
I tell you, they're always wanting to fight, aren't
they?
They're always wanting to fight.
It's all about fighting, fight,fight, fight.
There we go, pat's Peeps 204.
Happy Wednesday, hope you'redoing well.
Thank you for listening.
Speaker 8 (14:26):
Elon Musk.
Elon Musk wants everyone inAmerica to be at the mercy of
Elon Musk.
We are here to fight back.
Speaker 1 (14:51):
I give, I give, I give, I give, I give.
Let's auto-tune this.
See what happens here.
I just like to mess withtunethis.
See what happens here.
I just like to mess with thisstuff.
See what we can come up withhere.
Speaker 9 (15:08):
We don't pledge allegiance to Elon Musk.
We don't pledge allegiance tothe creepy 22-year-old working
for Elon Musk, chris Murphy.
Speaker 1 (15:17):
Not to be mistaken with Chris Martin we don't
pledge allegiance to Elon Musk.
Speaker 9 (15:20):
We don't pledge allegiance to the creepy
22-year-old working for ElonMusk Clim't pledge allegiance to
Elon Musk Climbing up thecharts to number two on the Pats
(15:42):
Peeps charts.
Speaker 1 (15:43):
There you go.
We don't.
That's Chris Murphy, and wedon't pledge allegiance to Elon
Musk.
Thank you, everyone.
Hope you enjoyed that.
Let's see what else do we havefor you.
Speaking of Casey Kasem, god, Iloved American Top 40, didn't
you, hi Casey Kasem?
Speaker 10 (16:03):
And this is our countdown of the 40 most popular
songs in America.
Number 40.
Well, those three sisters fromOakland, california, the
Pointers have perseverance.
They spent three months climbingtheir way up the chart,
december 20th 1980.
It's now eight weeks later andthey're still in the countdown
(16:25):
At number 40.
This week, the pointers withhe's so Shy.
Here's the first of them.
It's the title tune from amovie starring Jane Fonda, lily
Tomlin and Dolly Parton.
Dolly Parton also wrote thesong and it's her recording of
it that enters the countdown nowat number 39.
Here's Dolly Parton and 9 to 5.
Speaker 2 (16:45):
Tumble out of bed and stumble to the kitchen pour
myself a cup of ambition andyawn and stretch and try to come
to life.
9 to 5.
Speaker 10 (16:54):
9 to 5.
Yeah, buddy, the Eagles, crosby, stills and me, I'm Casey Kasem
.
The second of the two new songsin this week's countdown is
also the first chart solo singlefor a man from Lubbock, texas,
the birthplace of Buddy Holly,coming in at number 38, delbert
McClinton, with Giving it Up Foryour Love.
Speaker 1 (17:13):
I remember that song, giving it up, feeling it up,
now Giving it up for your loveNow every night, I haven't heard
that forever.
Speaker 10 (17:22):
I haven't heard that forever.
It's called the Wanderer.
That's right.
Baby At number 37 on thecountdown this week, Falling a
notch with a former top 10record called the Wanderer.
Every week on American Top 40we count down the biggest hits
in the USA.
Speaker 1 (17:36):
That's right, Casey Kasem.
Nobody did it better.
But speaking of rants maybeyou've heard this before.
It's always a fun one to listento.
Here's Casey Kasem in the booth.
He's recording his American Top40.
When a meltdown occurs, here wego.
Speaker 10 (17:52):
The countdown will begin this Sunday afternoon at
1,.
Right here on the radio stationyou grew up with, music Radio
138.
Oh fuck, what the hell's goingon here.
Oh geez, well, isn't it thelast hour?
We got another hour to do.
Geez, I thought we were almostfinished.
Good golly, miss Molly Boy,this is fucking ponderous man.
Ponderous, fucking ponderous.
(18:15):
Hi, this is Casey Kasem.
Speaker 3 (18:20):
American Top 40 has moved to a new time.
Speaker 10 (18:21):
I hope you'll join me this Saturday morning and
every Saturday morning at 2, 2.
Now we're up to our longdistance dedication, and this
one is about kids and pets and asituation that we can all
understand, whether we have kidsor pets or neither.
It's from a man in Cincinnati,ohio, and here's what he writes
Dear Casey, this may seem to bea strange dedication request,
(18:42):
but I'm quite sincere and it'llmean a lot if you play it.
Recently there was a death inour family.
He was a little dog namedSnuggles, but he was most
certainly a part of.
Let's kind of start again.
I'm coming out of the record.
Play the record, okay, I'mcoming out of the record.
Play the record, okay.
Please See, when you come outof those up-tempo goddamn
(19:05):
numbers, man, it's impossible tomake those transitions.
And then you got to go intosomebody dying.
You know they do this to me allthe time.
I don't know what the hell theydo it for, but goddamn it if we
can't come out of a slow record.
I don't understand.
Is Don on the phone?
Okay, I want a goddamnconcerted effort to come out of
a record that isn't a fuckingup-tempo record.
Every time I do a goddamn deathdedication.
(19:26):
Now make it.
And I also want to know whathappened to the pictures I was
supposed to see this week.
This is the last goddamn time.
I want somebody to use hisfucking brain to not come out of
a goddamn record that's upCampo and I got to talk about a
fucking dog dying.
Speaker 1 (19:46):
American death top 40 with a death dedication.
There you go, Casey Kasem.
That is a classic.
I have some others that aren'tclassic though, Aren't as
classic, aren't as well-known.
For instance, who doesn't loveChris Berman of ESPN when he
(20:08):
would do those highlights?
Yes, I mean, I think he does agreat job on the NFL highlights.
Here he is getting ready forhis show and this is Chris
Berman melting down on set.
Speaker 7 (20:21):
When I'm doing TV and I got 18, god damn it.
Can't everybody stop for 10minutes?
I mean everybody seems thatthat's the only everybody.
Can we stick Jesus Christ?
I mean it's not that much toask, is that when everybody has
to move, when I'm trying toconcentrate Jesus, and you guys
thought I was a pain I mean it'sso rude, I can't believe it.
(20:42):
That's, it's so goddamn rude.
Why does everyone all of asudden have to move that two
fucking hours to move around?
Wait ten minutes, jesus beep.
Sorry to explode by guy that,but it's like no one's ever
worked on TV here before.
Jesus Beep man, chris, what thefuck do they think?
Speaker 1 (21:07):
I'm doing, bleeping it out for you, god.
Speaker 7 (21:14):
Chill out.
I actually can't believe what Ijust saw.
Speaker 6 (21:16):
No.
Speaker 7 (21:17):
It's like no one here has worked on TV before.
Speaker 6 (21:20):
Right.
Speaker 7 (21:23):
I heard a dial tone.
Speaker 1 (21:25):
Here's a dial tone.
Man, I haven't heard a dialtone in forever.
Speaker 7 (21:29):
Seven people, I mean Jesus.
We need to use the studio for15 fucking minutes ladies and
gentlemen, chris burman, oh god,how about this?
Speaker 1 (21:47):
here's, uh, on pat's peeps 204, william shatner
losing it in the recordingstudio.
This, this is entertaining.
I got to play this.
This is William Shatner.
Oh no, be quiet.
Stop that.
Stop that.
God.
How did I hear Howard Stern inmy headphones?
Give me a break, god, I used tolisten to that show.
(22:16):
All he does now is talk tocelebrities.
Wow, I don't know.
See, that ruined that wholething for me on the William
Shatner, just hearing that voice, ugh.
Hmm well, it was a good one.
(22:40):
Anyhow, it was a good one, butI'm gonna leave that off because
that ruined my mood for thatone.
Oh, it gets better from here,though.
Oh it gets.
Uh, I don't think I'm gonna playthat one.
I don't think I'm gonna playearl weaver.
I don't think I'm going to playEarl Weaver manager's corner.
That one, you got to listen tothat one for yourself.
(23:01):
I'm not going to play that.
Here's one of my favorites.
Here's Tommy Lasorda, myfavorite Dodger along with Vin
Scully.
Here he is being asked aboutDave Kingman hitting three home
runs against the Dodgers thatday.
Speaker 2 (23:16):
Just a few basic comments about your feelings on
the game.
Speaker 3 (23:21):
Well, naturally, I feel bad about losing a ballgame
like that.
There's no way you should losethat ballgame.
That just doesn't make sense.
What's your opinion ofKingman's performance?
What's my opinion of Kingman'sperformance?
What's my opinion of Kingman'sperformance?
What the do you think is myopinion of it?
I think it was put that in.
I don't opinion of hisperformance.
(23:43):
He beat us with three home runs.
What the do you mean?
What is my opinion of hisperformance?
How could you ask me a questionlike that?
What is my opinion of hisperformance?
His performance he hit threehome runs.
I'm off to lose the game.
(24:04):
And you asked me my opinion ofthis performance.
Well, that's a tough questionto ask me, isn't it?
Well, you tell me opinion ofhis performance?
Yes, it is.
I ask it and you gave me ananswer.
Well, I didn't give you.
I mean, that's a tough questionto ask me, isn't it?
What is my opinion of hisperformance?
Yes, it is.
I asked it and you gave me ananswer.
Well, I didn't give you a goodanswer because I'm mad, but I
mean that wasn't a good question.
That's a tough question to askme right now.
(24:24):
What is my opinion of hisperformance?
I mean, you want me to tell youwhat my opinion of his
performance is.
You just did that, isn't it.
Speaker 1 (24:36):
They just did.
That's right.
It hits three home runs againstus.
Just the sound of the beepcracks me up.
I love it, tommy.
Rest in peace.
I love you, brother, part ofthe reason I bleed blue.
I know if you're anti-Dodgersyou hate that, but speaking of
managers, it gets really crassright here.
This is really, really, really.
(24:59):
This is a.
This is lee ilia, who was theformer chicago cubs manager back
in 1983, talking about his, hisown fans, the fans of his own
team in chicago.
Speaker 11 (25:11):
I'll tell you one fucking thing I hope we get
fucking hotter than shit just tostuff it up them 3,000 fucking
people that show up everyfucking day, because if they're
the real Chicago fucking fans,they can kiss my fucking ass
right downtown and print it.
They're really, really behindyou around here, my fucking ass.
(25:35):
What the fuck am I supposed todo?
Go out there and let my fuckingplayers get destroyed every day
and be quiet about it?
For the fucking nickel-dimepeople to show up?
The motherfuckers don't evenwork.
That's why they're out at thefucking game.
They ought to go out and get afucking job and find out what
it's like to go out there andearn a fucking living.
Speaker 1 (25:58):
I bet he says the F-bomb more times than Joe Pesci
in what is that?
Is it Casino?
Is it Casino where they say allthe like it has more F-bombs
than any movie in the history,at least in my memory?
Lee Ely is giving them a runfor the money in his rants 50%
of the fucking world's working.
Speaker 11 (26:18):
The other 15 come out here.
A fucking playground for thecocksuckers.
Oh jeez, rip them,motherfuckers.
Rip them, cocksuckers like thefucking players.
Oh God, jeez, oh God.
Speaker 1 (26:33):
Oh God, that goes on and on, that, that goes on and
on, that just goes on and on.
You know, on and on, but maybe,not, maybe, but the most angry,
most angered speech, rant, Ishould say.
(26:58):
I told you there was a lot ofF-bombs in this.
Listen, I told you that.
Not that you can't take it, Iknow I can take it, but boy,
this is the most angered speechthat I've ever heard.
Or rant Brace yourselves, myfriends.
(27:18):
So this is a halftime speechfrom the late Indiana basketball
coach, indiana Hoosier coach,bobby Knight.
Halftime he wasn't very happy.
Speaker 12 (27:34):
What a point that I'm getting the fuck out of here
.
I mean, if you're not going torecover Greg Graham, he wasn't
even suffer.
Now I'm tired of this shit.
I'm sick and fucking tired ofeating 10 records.
I'm fucking tired of losing toPurdue.
(28:00):
I'm not here to fuck aroundthis week.
Now you may be, but I'm not Now.
I'm going to fucking guaranteeyou that if we don't play up
there Monday night, you're notgoing to believe the next four
fucking days.
I am not here to get my assbeat on Monday.
Speaker 1 (28:16):
Coach.
Can I use the?
Speaker 12 (28:17):
restroom.
You better fucking understandthat right now Coach.
Speaker 5 (28:21):
This is absolute fucking bullshit, Coach.
What if we don't play better?
Speaker 1 (28:24):
I'll fucking run your ass right into the ground.
Yeah, but what if we don't playin the second half better than
the first half?
We?
Speaker 12 (28:30):
don't fucking run you.
You'll think last night was afucking picnic.
I had to sit around for afucking year with an eight and
ten record in this fucking lake,ah and I mean, you will not put
me in that fucking positionagain.
Speaker 1 (28:43):
God damn, pay for it like you can't fucking believe
ah, now you better get your headout of your ass.
Good morning, there's bobbyknight.
Ladies and gentlemen, if thatdoesn't make you feel good and
warm and cuddly, I don't knowwhat does.
Serenity now.
(29:06):
Serenity now oh boy, I feellike getting to music now.
Gosh, I don't know if I want toplay the song now.
After all of that, I don't knowif I want to hear that one now.
I had something all lined up.
(29:27):
I might look at this otherrecord.
You know how, like you set amood by playing a rant and by
playing this record, I pulledtwo of them out today, and by
doing it or by listening to that, I don't think that that would
(29:48):
be, I don't know.
It just wouldn't match up withthe mood, and you have to kind
of match the mood.
So what I'm going to do here isI'm going to switch up and go
to this other record, because Ithink that it definitely matches
the mood.
So let me pull this record out,hold on a second here and I will
(30:08):
explain what record it is andwhat label.
Bear with me here.
I need to find it again.
Okay, record it is.
And what label bear with mehere.
I need to find it again.
Uh, okay, this is on scepterrecords.
Actually I got confused becauseI actually have two copies of
(30:28):
this in two different envelopes.
That's why I thought I had oneright in front of me, but but
anyhow, so it is on ScepterRecords.
I think that's the first timethat we've had anything on
Scepter Records and this is, letme see, on both of these it's
the same song on both sides oneach record, and one side on
(30:52):
each record is stereo and theother side is mono.
And, of course, when we werejust listening to these rants,
these are people expressingthemselves, right.
So there's a stamp from theradio station on this record
label, by the way, that saysSeptember 1974, promotional copy
(31:14):
Roadshow.
The record says Roadshow.
It's got like a I don't knowlike.
Maybe it looks like kind of a Idon't know an old VW bus or
something I can't really tell,not for sale, but that's cool,
it's got this little Roadshowthing on there.
So, anyhow, this song wasreleased from the debut album of
(31:36):
the same title and the songbecame really a great crossover
success.
It was noted for its hand clapsat the beginning as well as the
spoken portion in the middle ofthe song.
The short version, by the way,is less than three minutes.
The long version's over fiveminutes long.
I love the long version of it.
(31:57):
The song was consideredsuggestive of sexual intercourse
, especially for the repeatedlines in the coda section.
I'm satisfied.
The single went to number one onthe R&B singles charts for a
(32:19):
week during the autumn of 74.
So there you go, september 74.
There's the radio stationsticker.
Went to number two on theBillboard Hot 100 singles charts
for two weeks.
Whatever Gets you Through theNight by John Lennon and I Can
Help, by Billy Swan Boy.
I remember that that kept thesong from the number one spot.
(32:42):
This song was an early disco hitbut I never really quite I
don't put this so much into thedisco category, I just don't.
Okay, you can say it's disco.
Peaked at number eight on thedisco dance charts.
Okay, so legitimately somepeople would say it was disco.
Maybe it is, I don't know.
(33:02):
I just think it has a littlemore funk crossover you know
when they talk about crossover.
It just doesn't have thattypical bassy groove of disco.
It just has a different feel tome.
But anyhow, without further ado, all the people ranting were
(33:25):
ranting until they weresatisfied.
Here is BT Express on ScepterRecords the song from 1974, do
it Till You're Satisfied.
Remember this.
They play it on the radio allthe time.
I love this one.
Now let me think of it in thedisco realm and see if I change
(33:50):
my mind just a little bit.
I don't know, I just it's gotthat bass but not the.
It's not the.
(34:11):
What I think of a stereotypicaldisco bass yeah, it kind of
does have that little bassydisco sound to it.
I still like this song, thoughit's not like get down boogie
(34:32):
oogie oogie, you know what Imean.
Or ring my bell.
It's got like get down boogieoogie oogie, you know what I
mean.
Or ring my bell.
It's got some old school, likeyou could have temptations in
there.
Whatever it is, do it, do itSatisfy, do it, do it, do it
Satisfy.
Speaker 6 (34:51):
Whatever it is, do it , do it.
Speaker 1 (35:02):
Satisfy.
Everybody knows it's kind oflike early rap right there.
Spoken word Went to seven inCanada, 33 in Germany, 18 in the
(35:22):
Netherlands.
I've done it till I'm satisfiedand I appreciate you listening
Until you're satisfied.
Or maybe you tuned out earlierBecause you had enough of me.
Either way, thank you fortuning in at all.
(35:44):
We'll see you for Pat's Peeps205.
Happy Wednesday.
We'll see you on the radio.
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