Episode 106: The 2024 Roundup Of Music You Need to Hear

IT’S THE FINAL EPISODE OF 2024!

Join Planet LP host Ted Asregadoo and Popdose's Keith Creighton as they wrap up an incredible year of music! In this jam-packed episode, Ted and Keith dive into their favorite songs and albums of 2024—not with a ranked list, but with thematic categories that make for a thoughtful and entertaining retrospective.

In the first segment, Keith and Ted talk about bigger music trends like: -- The deluge of streaming content. -- The impact of AI on music creation -- and how Spotify reaps the profits from these non-human-created songs. -- The importance of human creativity in cultural expressions like music.

Breakthroughs and Debuts

Keith talks up the music by and film about Kneecap -- a hip-hop trio whose raps are entirely in Galic. Their current album Fine Art is available now. Fat Dog also tops Keith's breakthroughs and debuts this year. If you're into the early Ministry and that whole industrial genre, you'll love Woof by Fat Dog. Finally, The Waeve, a UK duo featuring singer-songwriters Graham Coxon and Rose Elinor Dougall. Keith said that if he did rank his albums this year, City Lights by The Waeve would top his list. Ted's Single Play picks are: "The Flood" by Allie Sandt. If you're a fan of Fleetwood Mac, Steely Dan, Paul Simon, or Madison Cunningham, Allie's music is a must-listen. With songwriting that reflects the depth and wisdom of an old soul, Allie weaves timeless influences into a sound that's uniquely her own. Her heartfelt lyrics and melodic craftsmanship show incredible promise, and Ted is rooting for her career to take off— because she truly deserves it.

The second song is As For The Future's track "The Mob" -- a sly, samba-infused commentary on populism that's as counter-cultural as it is catchy. If you're a fan of Sergio Mendes and Brazil '66 or were hooked on Swing Out Sister back in 1987, this song will strike a chord. With its smooth grooves and clever lyrics, "The Mob" blends nostalgia with a fresh, modern edge—proof that As For The Future knows how to make a bold musical statement.

Another UK Invasion

The Last Dinner Party is a UK band that formed during COVID-19. Surprisingly, before they had a single out, they opened for The Rolling Stones. The Last Dinner Party is what Keith called a total "buzz band" that entertained the public and press with their live shows, fashion, and visual style. Their album, Prelude To Ecstasy did deliver the goods -- as it were -- and lived up to its hype. Irish shoegaze band NewDad, which Keith describes as "very sweet, tender, dark, shoegazing music," reminds him of Lush -- which made him spin the album many times since its release. And while Brigitte Calls Me Baby are not from the UK (they are from Chicago), Keith connected with their music because their style reminds him of The Smiths crossed with Elvis Presley. Their debut album is The Future Is Our Way Out.

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