Pretty Much Pop: A Culture Podcast

Purported the first summer blockbuster, Jaws has now hit 50 years, and so we discuss this wonderful early Spielberg film, its ill-conceived sequels, some of the making-of docs, and the legacy of shark/big carnivore films that it spawned.

Is the film as flawless as it's made out to be? Are the sequels as awful as typically described? Mark, Lawrence, Sarahlyn, and Al discuss!

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In light of the new film Ballerina, we discuss the John Wick franchise that kicked off in 2014 with four films plus a (bad) Peacock TV show. We also watched the recent documentary Wick Is Pain.

Mark, Lawrence, Sarahlyn and Al are joined by Brian Casey to mostly talk about the main four films in the series: They have a formula, but is that bad?

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In immediate reaction to the Apple TV+ Seth Rogan show The Studio, we talk about Hollywood's obsession with itself and how studio dynamics interfere with what exactly we all get to see. Also, what's with the fascination with old Hollywood? What's the appeal of Hollywood gossip?

Erica our first-season co-host returns to join Mark, Lawrence, Sarahlyn, and Al.

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On the eight-film action series that launched in 1996 (based on the 1966 TV series) in light of its apparently final film. Featuring Mark, Lawrence, Sarahlyn and Al.

Is this a coherent narrative as the last film would have you believe, or just an excuse for a series of Tom Cruise physical challenges? Maybe the latter is enough for us!

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Mark, Lawrence, Sarahlyn, and Al discuss Tony Gilroy's Star Wars Disney+ two-season TV show. Should this actually be a Star Wars show given how different in tone it was? The show adds meat (and banality!) to the evil of the Empire and the rough life of a rebel. We talk characters, themes, settings, and all that other literary stuff.

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Mark, Lawrence, Sarahlyn, and Al discuss The Pitt and other medical dramas like ER, Gray's Anatomy, ad nauseam. 

Doctors and patients grappling with life and death stakes seems a strong premise for drama, but how many of these shows do we need? We talk about the gore, the pacing, the characters, the politics, and the other considerations that make The Pitt a great show (at this point).

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Luvell Anderson (Philosophy prof. at U of Illinois in Urbana-Champaign) joins Mark, Lawrence, Sarahlyn, and Al to discuss Ryan Coogler's new vampire siege/black studies film starring Michael B. Jordan. We talk about the film's comments on black freedom, black music, the church, why the film needed twins, whether the vampires were even necessary, the film's humor and structure, and more.

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We discuss the HBO dramedy about rich people having existential crises at a luxury resort in light of its third season. What exactly made this latest season less satisfying than the others? Does the show have a sustainable formula? What is the show saying about enlightenment? Travel? Sexuality?

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We watched the 4-part British crime series that's become #1 in 80 countries, breaking Netflix's records for an original series. And man, was it a bummer. But important!

We reflect on the purpose of the show, its one-take-per-episode format, the choice of whose perspectives to show, the crazy good acting by such a young person, and we get a little education about incel culture. How have things changed since we were kids?

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Mark, Lawrence, Sarahlyn and Al here discuss the sci-fi/office dramedy in light of its second season. We might normally wait until the end of the show, but given that season 1 was 2022, and it took three years to get us season 2, who knows it it'll actually finish? And who knows if it will not be massively disappointing at that point? We strike while the show is culturally relevant!

But did even this season measure up to its phenom...

We acknowledge this hugely popular form of "entertainment" recently embodied by The Baldwins, but popularized by shows like The Osbournes and The Kardashians, wherein some celebrity and/or family just shows off their life, Mark, Lawrence, Sarahlyn and Al are joined by returning guest Kayla Dryesse to talk about why this kind of show exists, its variations, and its redeeming value (if any). Is The Baldwins basically just a lengthy I...

Are we taking for granted this unique, talent-filled weekly nationally televised live comedy event that's been around for 50 years? (as in "What do we think this show is? Chopped liver?") Does its format even make sense at this time given YouTube and streaming? What will its legacy be? Mark, Lawrence, Sarahlyn, and Al discuss the casts, highlights, and the recent anniversary specials.

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Mark, Lawrence, Sarahlyn and Al discuss the Coralie Fargeat/Demi Moore film The Substance in light of its Oscar nominations, along with related reflections on lost youth, e.g. Sunset Boulevard (1950), Death Becomes Her (1992), and Neon Demon (2016). We also touch on other cloning scenarios.

Is this film a serious meditation on aging in Hollywood, or just a particularly vivid but logically confused Twilight Zone episode? Is the mess...

In light of the recent release of the James Mangold film A Complete Unknown, Mark, Lawrence, Sarahlyn, and Dylan superfan Al discuss the man, the myth, and the music.

The film clearly aimed to make the music, environment, and political activity of the '60s come alive today, but does the simplification required to make a coherent film undermine that goal? We also touch on his Chronicles, plus I'm Not There and other Dylan-related fi...

In light of Robert Eggers' film Nosferatu and the end of What We Do in Shadows, Mark, Lawrence, Sarahlyn, and Al discuss the many vampire shows and films all the way back to Bram Stoker's 1897 novel.

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For our annual holiday episode, Mark, Lawrence, Sarahlyn and Al talk about Santa qua mythical and cultural figure, getting into the history of the character, his film appearances, and how the emphasis on kids' belief compares to religious belief. Plus, grading Xmas movies on a curve and Black Santa!

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We're coming up on the 125th anniversary of L. Frank Baum's children's book, The Wizard of Oz, and the film version of (the first half of) the musical Wicked has been released. Mark, Lawrence, Sarahlyn and Al talk about the landmark 1939 film musical, the 1978 film The Wiz, Gregory Maguire's 1995 novel Wicked, the stage musical, the other Oz books by Baum, Maguire, et al, and other films like 1985's Return to Oz and 2013's Oz the G...

Steve Martin was the biggest comic celebrity in the late '70s, became a huge movie star, and now delivers gentle comedy and fast banjo licks according to his desired rich guy schedule. In light of the popularity of Only Murders in the Building, we consider his many talents. Our 50ish hosts Mark and Sarahlyn are all in on this guy, but our 40ish hosts Lawrence and Al are not necessarily tickled.

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Many people use shows like Last Week Tonight or The Daily Show to not just satirize the news but to provide us with our news. Late night shows, SNL, and many other shows get in on this, and conservative media is catching up via Gutfield! How does the comedy news format relate to panel shows, podcasts, and other light-hearted political talk?

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