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January 17, 2025 28 mins

Two lives, two tragedies, one chilling pattern. From Joan Marie Dymond’s mysterious disappearance in Wilkes-Barre to Mary Jo Kopechne’s death at Chappaquiddick, this episode unravels the eerie connections that reveal a deeper narrative. Are these ‘Mirror Image Murders’ part of a hidden script targeting faith and truth? Discover the symbolic ties, timelines, and why the Ted Kennedy narrative might not be what it seems.

Listen now and uncover the shocking truths behind these mysteries.

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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Robert Antonellis (00:19):
Hi and welcome to PSYOPWARS - Decoding
the Deep State.
I'm Robert Antonellis.
This is Episode 2, mirror ImageMurders Mary Jo and Joan Marie.
In today's episode we dive deepinto the chilling connections
and symbolic ties between twoseemingly unrelated tragedies of

(00:40):
the summer of 1969, exposing anarrative crafted far away by
some very evil people.
Today, we're tearing apart oneof the most infamous lies in
American history the scriptedstory of Ted Kennedy as the
reckless driver atChappaquiddick.
This isn't just a sensationaltale of political scandal.
It's a carefully craftednarrative that has kept the real

(01:02):
truth buried for over 50 years,a truth so explosive it could
rewrite everything you think youknow about that night.
Here's the twist.
My evidence, now under reviewby both the Massachusetts and
Pennsylvania State Police,suggests something far darker A
calculated crime, not anaccident, but a murder, a

(01:25):
first-degree murder,meticulously covered up and
hidden in plain sight.
So why has the truth stayedburied for so long?
And why was Ted Kennedy, a manborn into privilege and power,
willing to play the fall guy?
Stay with me as we unravel thisweb of lies, expose the unseen

(01:46):
forces behind it and uncover theshocking connections that tie
it all together.
Before we talk about Mary JoKopechny, a quick word from our
sponsor.
Uncover the shocking truthbehind the Camelot murders.
What if the murders, suicidesand so-called accidental deaths
of the Kennedy era weren'tdisconnected tragedies but part

(02:06):
of a sinister interconnected web?
Dive into the Camelot murdersand the crucifixion of Mary Jo,
a groundbreaking investigationthat reveals how these events
were deliberately orchestratedto shape America's destiny.
From the occult sacrifice ofMary Jo Kopechny to the untold
truth behind the Kennedy legacy,this book exposes the dark
forces pulling the stringsbehind America's most haunting

(02:29):
conspiracies.
Unlock the hidden patterns,decode the symbols and uncover
the truths they never wanted youto know.
Available now Don't just readhistory, rewrite it.
Order the Camelot Murders todayon Amazoncom or visit
psyopwordscom to explore more.
Join the movement to expose thesecrets of the deep state.

(02:50):
What if I told you that Mary JoKopechny's death wasn't an
isolated tragedy, that it wasn'tan accident at all, but part of
what I call the mirror imagemurders two eerily similar
deaths connected by chillingsymbolism and occurring just 23
days apart?
Both women, mary Jo Kopechnyand Joan Marie Dymond, spelled

(03:11):
D-Y-M-O-N-D were natives ofWilkes-Barre, pennsylvania, a
city perfectly due west ofChappaquiddick.
Joan Marie Diamond was thefirst to die, kidnapped from her
hometown of Wilkes-Barre in thewest.
Mary Jo followed perishing inthe east, entombed in what was
practically her prearrangedcoffin a black Delmont 88.

(03:34):
This wasn't coincidence.
It was calculated, scripted.
The Delmont 88 wasn't just acar, it was a symbol as
preordained as the moon landingitself.
And here's the reality Murderhas no statute of limitations.
This isn't just aboutconnecting dots or exposing a
hidden narrative.
It's about justice.

(03:55):
Wilkes-barre, chappaquiddick,east and West.
Until we confront the truthsabout these murders, the killers
remain untouchable and the liesfester.
It's time to ask the hardquestions and it's time for
justice.
Joan Marie Diamond,affectionately known as Joanie,
vanished on June 25th 1969 fromher Wilkes Bar neighborhood in

(04:19):
Pennsylvania, the same smallcity where Mary Jo Kopechny was
born and raised.
At just 14 years old, joaniekissed her parents goodbye and
walked out the door, never toreturn.
She was last seen heading toAndover Street Park after dinner
, blissfully unaware of thehorrors awaiting her.

(04:40):
How could she know that herinnocence, her Catholic faith
and even her name, joan Marie,had drawn the attention of
something far darker than arandom crime, as the world
around her buzzed withexcitement over the upcoming
Apollo 11 launch, 21 days later,a moment of hope that would
unknowingly cast a shadow overher tragic fate.

(05:03):
For over four decades, herstory was buried, her voice
silenced and her memory all buterased.
Unlike Mary Jo Kopechny, whosedeath became a national headline
, joan Marie was discarded.
Her remains hidden in anabandoned coal mine operation
until their accidental discoveryon November, the 17th 2012.

(05:26):
Even then, she was nameless,known only as Jane Newport Doe,
until genetic genealogy finallyidentified her on September, the
16th 2022.
But the signs of her death, herremains, found alone discarded
in the desolate ruins of anabandoned mine, suggest
something far more sinister thana simple disappearance.

(05:48):
Did her killers act withcalculated brutality, preying on
a defenseless girl in thedarkness?
The Zodiac sign of cancerloomed over the summer of 1969,
connecting Jo Marie's death toMary Jo's weeks later.
Was this too deliberate?
And what about the brutalpatterns seen before, patterns

(06:09):
that echo back to the streets ofLondon in 1888, where another
predator hunted women with nameslike Mary?
The same darkness that foundJoan Marie would soon claim Mary
Jo, revealing an even morechilling script at work.
Joan Marie's disappearance inthe West marked the beginning of
a chilling sequence thatstretched from Wilkes-Barre to

(06:32):
the islands off Cape Cod,massachusetts.
Just 23 days later, and onlytwo days after the historic
Apollo 11 moon launch.
Mary Jo Kopechny, from thesmall town of Forty Fort, just
2.5 miles from Wilkes-Barre, mether tragic end in the east at
Chappaquiddick.
Why were two young Catholicwomen with mirror image names

(06:56):
from such close-knit origins,seemingly targeted in a pattern
that spanned west to east, as ifpart of a deliberate and
calculated design?
Mary Jo's Last Supper tookplace in house number 44, a
seemingly mundane detail, yetone that carries chilling weight
in the context of premeditation.
She'd come from Forty Fort, aname that already ties her to

(07:20):
the symbolism of 44.
Could this connection between44, house number 44, and April
the 4th, when Martin Luther KingJr was assassinated, point to a
deliberate, calculated design?
Do these parallels suggestsomething far darker, even the
pre-planning of first-degreemurder?
The brutality inflicted on JoanMarie and Mary Jo echoes

(07:42):
something deeper, a pattern thatreaches back decades.
Consider the infamous BlackDahlia murder in Hollywood,
january 1947, a case shrouded inlayers of deception, media
frenzy and unresolved questions.
Elizabeth Short, known by herstage name, the Black Dahlia,
was born in Boston and grew upin Medford, massachusetts, the

(08:06):
very city I now call home.
Like Joan Marie and Mary Jo,elizabeth was a young woman
whose tragic end became a symbolof something much darker.
What connects these events,separated by centuries,
geography and circumstance?
Is it possible that Joan Marie,mary Jo and even the Black

(08:26):
Dahlia were unwittingly part ofa deliberate script partially
written in Hollywood?
Joan Marie Diamond's story mayhave begun in Wilkes Bar, but it
did not end there.
The script that ended her lifecontinued its course, moving
from the forgotten coal mines ofPennsylvania to the skies above
and the brackish waters offChappaquiddick.

(08:47):
On July 16, 1969, exactly 21days after Joanie's
disappearance, the Apollo 11moon launch captivated the world
as millions watched humanitytake its first steps towards the
stars.
They may not have realized theancient significance of this
moment.
For thousands of years,occultists had dreamed of

(09:08):
reaching the moon, its mystiquetied to myths, power and control
.
But what should have been atriumph of science and human
ambition became, for some, anopportunity to seize power.
Powerful forces, both visibleand hidden, were already licking
their chops at the prospect ofgaining access to NASA's

(09:30):
treasure trove of technology.
President Nixon'sadministration stood poised to
claim credit for this historicachievement, but the questions
loomed.
Who stood to gain the most?
The Soviet Union, china?
Or was it the remnants of theThird Reich, whose fingerprints
were unmistakably embedded inNASA's success?

(09:51):
The Nazi connection to NASA wasan open secret.
Many of the architects of themoon landing had once built
Hitler's fearsome V-2 rocketprogram, weapons that rained
terror on London and beyondduring World War II.
Men like Wernher von Braun, agenius of rocketry and former SS

(10:12):
officer, became central figuresin America's space race.
Their dark pasts swept aside inthe pursuit of Cold War victory
, did these same minds alsoweave symbols into their work,
embedding ancient rituals intomodern science?
And as the moon landingcaptured global attention, was

(10:33):
its timing just a coincidence orpart of a carefully
choreographed script designed tocoincide with darker events
unfolding on Earth?
Meanwhile, due east ofWilkes-Barre, mary Jo Kopechny,
a young Catholic woman withstriking parallels to Joan Marie
, was unknowingly living herfinal days.

(10:54):
Two days after the moon launch,mary Jo would meet her fate in
the brackish waters offChappaquiddick.
Her death, coming just two daysbefore the lunar landing, is
often remembered as a politicalscandal involving Ted Kennedy.
Like Joan Marie's, her story isfar more complex and far more
sinister.

(11:14):
The Apollo 11 spacecraft washalfway to the moon when this
tragedy unfolded.
This was the peak of America'spreeminence, the pinnacle of a
scientific and technologicalachievement, and for those
waiting in the shadows, thismoment of triumph was the
perfect time to strike.
So who was the driver of thatDelmont 88 where Mary Jo

(11:36):
Kopechny perished?
Officially it was Ted Kennedy,the man who was the future of
the Democrat Party.
But does that story hold anywater?
Kennedy walked away without somuch as a scratch, with not a
hair out of place.
His public statements werealways filled with
inconsistencies and Known liesand half-truths.
Yet he played his roleperfectly, taking the fall,

(11:59):
bowing to the script andensuring that a proper murder
investigation was never opened.
But now, with the emergence ofmy book the Camelot Murders and
the Crucifixion of Mary Jo, thecracks in that narrative are
widening.
Digital fingerprints long hiddenare coming to light, discussed
not just in private circles butnow by the state police of

(12:22):
Massachusetts and Pennsylvania.
Take the license plate of theDelmont 88, a detail that
carries layers of secrets.
It's not just a random set ofnumbers and letters.
It holds meaning, pointing to adeeper, darker script.
These digital fingerprints,when pieced together, start to
form a roadmap of premeditatedviolence, one that spans from

(12:43):
Wilkes-Barre to Chappaquiddickand far beyond.
The plate reads L78207.
That L doesn't just stand forlicense.
It can symbolically turn MaryJo Kopechny's initials MJK into
MLK Jr, another victim of thosewho murder by digit.
The number 77, two serpentsguarding the body of the message

(13:06):
, and the lightly encoded numberis 820.
For those dark numerologists,with H as the eighth letter, the
88 in Delmont 88 stands for HHHeil Hitler.
If 88 means power, does 820mean water, where the 8 is
replaced with an H, h20.
H20, the compound thatsurrounded and suffocated Mary

(13:28):
Jo.
So if it wasn't Ted Kennedydriving the car, who was behind
the wheel?
Hank Look, the chief of policeof Edgartownachusetts at that
time, reported seeing a vehiclematching the description of the
delmont eighty eight stopped andthen speeding off toward the
dyke bridge.
Hank look specificallyidentified mary joe kopechny as

(13:48):
being in the vehicle, referringto him simply as a male, without
explicitly naming Ted Kennedy.
Could this omission be becausethe driver wasn't Kennedy at all
?
This operation, I believe, wasabout building a new
anti-Christian, anti-catholic,pro-communist Democrat party

(14:08):
with the Kennedy envisioned asits future a departure from his
late brothers, john and Bobby,who represented the party's past
.
The Chappaquiddick incident wasnot just a tragic accident but,
in my opinion, a massivepsychological operation, a PSYOP
, a tactic our government hadmastered long before 1969.

(14:29):
My podcast, psyop Wars,decoding the Deep State is named
PSYOP for a reason.
Governments have long usedoperations like these, often
referred to as false flags, tomislead the public, fuel fear
and manipulate citizens intosurrendering their
constitutional and propertyrights under the guise of
protection.
The scope of this operation,including its potential

(14:51):
connections to Joan MarieDimon's disappearance in
Pennsylvania and CharlesManson's Helter Skelter murders,
strongly suggests theinvolvement of the CIA.
Programs like MKUltra, aninfamous secret mind control
operation orchestrated by theCIA, employed brainwashing,
sleep deprivation, narcotics andother methods to manipulate

(15:14):
individuals into committingunthinkable acts.
Adding to this, the integrationof former Nazi scientists and
operatives into both the CIA andNASA under Operation Paperclip
further deepens the web ofintrigue.
In my opinion, the driver of theDelmont 88 in those critical
final moments was likely a CIAor FBI agent, or perhaps even a

(15:38):
professional stunt driverconnected to a covert operation
or secret society.
Such individuals are trainedfor high-stakes missions and
perhaps even for carrying outacts of killing.
Just wait until you uncover thechilling connection hidden in
the initials of Jack theRipper's fifth victim in the
upcoming episode of PSYOP Wars.

(16:00):
One question we must answer iswho registered the Delmont 88?
This critical detail is underinvestigation and I'm in
communications with theMassachusetts State Police to
uncover the truth.
Was it Ted Kennedy himself whoregistered the vehicle, fully
aware of its implications, orwas it orchestrated by someone
else, someone powerful enough tobypass standard procedures and

(16:24):
embed the vehicle with itsominous death wish?
This is a question that couldshed light on how this car
became Mary Jo Kopechny's coffin.
Then there's a hauntingconnection to Helter Skelter,
the Manson family's infamouskilling spree, which erupted
just 21 days after Mary Jo'sdeath.
The murders weren't random actsof violence.
They were carried out accordingto a grim script.

(16:47):
Look at the Tate-LaBiancamurders, particularly the name
Rosemary, which reappears withsymbolic weight.
Rosemary LaBianca's name echoesthrough history, linking to
Rosemary Kennedy, another victimsilenced by darkness, though in
a very different way.
The parallels don't end there.
The murders of Mary Jo and JoanMarie Diamond show patterns

(17:10):
that are calculated, symbolicand tied to a broader narrative.
These weren't isolatedtragedies.
They were pieces of a largerstory, one written by forces
operating in the shadows.
Mary Jo's death, like JoanMarie's, wasn't an accident.
It was murder, but not just anymurder.
It was a calculated actembedded with a chilling

(17:32):
timeline stretching far beyond1969.
The matching 21-day intervalsare no coincidence.
21 days after Joan Marievanished came the Apollo 11 moon
launch.
21 days after Mary Jo's murdercame Helter Skelter.
These deliberate intervals forma macabre timeline, one I call

(17:52):
the mirror image murders.
Imagine the sheer audacity ofmarking America's greatest
achievement, the Apollo 11 moonlaunch.
With the mark of the beast,these monsters twisted an event
of eternal pride into agrotesque 21-gun salute, one
that honored not triumph, butthe abduction and murder of
14-year-old Joan Marie Diamond.

(18:14):
The connections are chillingthe Black Delmont 88, the
calculated targeting of youngwomen with specific names and
the eerie connections of theManson family murders.
These aren't random events.
They're chapters in a dark anddeliberate script.
In episode three we'll go evendeeper From Rosemary Kennedy to

(18:37):
Rosemary's baby, fromChappaquiddick to Hollywood, and
from the horrors of HelterSkelter to the broader War on
Mary.
What about JFK Jr?
Could his death, like Marychose, be another chapter in
this benevolent story?
Join me as we pull back thecurtain further and confront the
forces that have long hidden inthe shadows.

(19:00):
Another question that lingersis why would Ted Kennedy take
the blame for a crime he didn'tcommit If he wasn't the driver?
Why not say so?
The answer lies in what wouldhave followed a nationwide
outcry demanding the truth andan intense investigation,
possibly exposing the driver asan agent of one of the
government's three-letteragencies.

(19:21):
To avoid this, ted took theblame despite not having a
scratch on him, effectivelythwarting a real criminal
investigation.
Notice how eerily silent themedia was when he confessed.
It seems the narrative wasprotected at the highest levels.
But who crafted his alibi?
That's a question for anotherday.
This I call the villain is thevictim crime, a classic PSYOP

(19:45):
tactic.
Ted's admission wasn't just aconfession.
It was a move to assume thevictim role, a defensible
position that turned scrutinyaway from the bigger story.
I'll explore this further in afuture episode Villain as the
Victim where we'll discuss howsimilar tactics have played out
from Jussie Smollett's stagedattack to the Weather

(20:06):
Underground's Greenwich Villageexplosion on March the 6th 1970.
The accidental blast killedthree, including Belair's
girlfriend, and left ChesaBodine's mother fleeing the
scene stark naked.
These tactics, psyops designedto hide viciousness behind the
guise of victimhood, or thefoundation of modern deception.

(20:27):
Stay tuned for more revelations.
A quick look at the crime scene.
The Wampanoags called itChappaquiddick, meaning a place
of separation, symbolizing MaryJo's forced separation from her
life, faith and truth.
However, the English literalmeaning reveals four British
words embedded in the name Chappa quid money dick exploitation,

(20:50):
suggesting father-on-sonprostitution one of the greatest
possible insults to Catholicismand morality.
Dyke's bridge name mockstraditional womanhood and
Catholic values, with dykemeaning lesbian, poocha pond
meaning dog pond, dehumanizesMary Jo through its profane
connotation.

(21:10):
So the scripting for thesacrifice of Mary Jo Kopechny
was in place long beforeHollywood even had a name.
In the cases of Mary Jo Kopechnyand Joan Marie Diamond, the
evidence of premeditation,deliberation and malice is
undeniable.
These weren't random acts.
They were carefully planned,symbolic and ritualistic.

(21:31):
For premeditation and intentthe H2O license plate on the
Black Delmont 88 directly tiesto Mary Jo's death by
suffocation in Poochapond.
This symbolic clue, ifintentionally chosen,
demonstrates clear forethought.
Locations like Poochapond andthe mine where Joe Marie's body
was found reflect deliberateefforts to conceal both the

(21:53):
crime and its meaningDeliberation.
The calculated use of patternslike the 21-day intervals
between Joan's disappearance,the Apollo 11 launch, mary Jo's
death and Helter Skelter, pointsto precision planning.
Names and locations likeChappaquiddick, place of
separation, reinforce thesymbolic narrative separating

(22:16):
Mary Jo from her life, faith andtruth.
Malice aforethought Both womentied to Catholic values and the
name Mary were deliberatelytargeted with contempt.
The symbolic desecration oftheir identities was a
ritualistic attack on faith,womanhood and morality.
These events symbolic clues,precise patterns and deliberate

(22:38):
cruelty demand thoroughinvestigation.
The 1969 crimes clearly meetthe threshold of first-degree
murder Before we reveal thelikely cause of Joan Marie
Dimon's tragic death.
Here's a quick message aboutretiring campaign debt and
keeping the fight alive In 2024,.
I ran to take on ElizabethWarren and defeat liberalism at

(23:02):
its core in Boston, Harvard,cambridge.
This campaign wasn't just aboutan election in Boston, harvard,
cambridge.
This campaign wasn't just aboutan election.
It was about standing for truth, protecting our values and
putting America first to securea stronger future.
Campaigns come at a cost andI'm reaching out to those who
believe in this mission.
Your support can help retirecampaign debt and keep the fight
alive.
Whether it's $10, $25, orwhatever you can contribute,

(23:27):
every dollar counts For creditcard donations, visit bob4macom
or send a check payable toRobert Antonellis for US Senate.
To Robert Antonellis, 165Middlesex Avenue, number 1132,
somerville, mass, 02145.
Thank you for standing with methen, now and in the battles

(23:52):
ahead.
Now let's return to uncoveringthe truth behind Joan Marie
Diamond's tragic death.
These elements demand closerexamination by investigating
patterns, symbolic connectionsand the calculated use of
locations.
Law enforcement in Pennsylvania, massachusetts and California
can collaborate to uncover thetruth behind these premeditated

(24:13):
crimes.
For Joan Marie Diamond, theexact cause of death remains
unknown, but the PennsylvaniaState Police classified her case
as a homicide due to suspiciousor foul play circumstances.
In early communications withthe Pennsylvania State Police, I
proposed that Joan Marie'sdeath might share similarities
with Mary Jo Kopechny and JFK Jr, both of whom also died under

(24:36):
the Zodiac sign of cancer.
Cancer traits wet cold waterecho the circumstances of their
deaths.
However, new findings, whichI'll explore in the next episode
, the Endless War on Mary reveala stunning turn.
Connections to victims chosenby Jack the Ripper, the infamous
Black Dahlia murder and eventhe Manson family killings

(24:59):
suggest a far more sinisternarrative.
Based on this research, I nolonger propose testing for
diatoms in Joan Marie's bonemarrow, as my updated findings
suggest an entirely differentmotive and method.
The abandoned coal mine whereher remains were found may have
served a much darker purpose.
Remains were found may haveserved a much darker purpose.

(25:22):
Historical cases such as Jackthe Ripper and the Black Dahlia
suggest Joan Marie may have beenthe victim of ritualistic
brutality.
Her death a grotesque tableaudesigned as a symbolic statement
.
If the coal mine was not merelya burial site but the murder
scene itself, it could hold moresecrets.
Could nearby pits containfurther evidence, body parts,
tools or artifacts?

(25:42):
Advanced forensic tools likeground-penetrating radar could
locate hidden evidence withoutdisturbing the site.
This raises a profound questionWas Joe Marie's death part of a
larger ritualistic pattern,carefully designed to convey a
chilling message far beyondWilkes-Barre?
The implications are hauntingand the answers may forever

(26:03):
shape our understanding of thiscase.
In conclusion, mary Jo Kopechnyand Joan Marie Diamond didn't
just die.
They were sacrificed.
Their deaths were part of abroader narrative crafted by
forces that thrive ondesecration and division.
From the crime scenes atChappaquiddick in the desolate
mine, to the symbols embedded intheir stories, the evidence is

(26:25):
clear these were premeditated,ritualistic acts.
This narrative, rooted inoccult planning and
anti-Catholic sentiment, spanscenturies.
It connects the twin Marys ofJack the Ripper in 1888 to the
twin Marys of 1969, withHollywood amplifying the script
along the way.
The deliberate mirroring ofnames, ages and circumstances

(26:48):
points to a calculated attack onfaith, purity and morality.
The task now is to act.
Law enforcement in Pennsylvania, massachusetts and California
must collaborate to uncover thefull truth.
The evidence symbolic,ritualistic and criminal is
there.
These crimes weren't randomacts of violence.
They were chapters in a muchlarger story, written to

(27:11):
manipulate, divide and desecrate.
It's time to break the silenceand bring justice to Mary Jo,
Joan, marie and all thosetargeted by this centuries-old
script.
In the next episode, we'llreveal how narratives written
centuries ago found theirperfect stage in Hollywood,
where the Twin Marys, ritualsacrifices and occult symbols

(27:35):
were woven into stories thatstill haunt us today.
And occult symbols were woveninto stories that still haunt us
today, from Rosemary Kennedy toRosemary's Baby, from
Chappaquiddick to Hollywood andfrom the darkness of Helter
Skelter to the broader endlesswar on Mary will expose the
patterns, signatures andsymbolic warfare hidden in plain
sight.
And what about JFK Jr?

(27:56):
Was his death, like Mary Jo's,part of this deliberate script?
And how does the Wicked Witchof the West, an enduring symbol
of Hollywood, who also met herend in wet cold water, tie into
this narrative of destructionand desecration?
Join me next time as we pullback the curtain even further,

(28:17):
revealing not just the murdersbut the calculated attacks on
faith, morality and truth thathave shaped history itself.

(28:45):
I'm Robert Antonellis.
May God bless America.
Thanks for watching.
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