R2RB Podcast Series with Indie Artist, Bruce Neilson of the Immaculate Crows

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The discussion centered on Bruce Neilsen, the founder of The Immaculate Crows, an alternative band that originated in Australia in the early 1980s and reformed in 2020. Bruce provided insights into the band's evolution, including the diverse lineup of vocalists and instrumentalists that contribute to their current sound.

Bruce recounted the band's early days, highlighting the vibrant indie music scene in Brisbane and their initial success with community radio. He discussed the challenges faced, particularly with a drummer whose style conflicted with the band's vision, leading to internal strife. Despite these difficulties, memorable performances, such as one at Festival Hall, marked significant milestones in their journey. Bruce's songwriting process evolved over time, influenced by personal experiences and a transition from poetry to music, which became a vital form of artistic expression.

The conversation also delved into Bruce's music production journey, detailing his collaboration with Carolyn, who took on production responsibilities after Mark Hocknell's departure. They adopted artificial intelligence for mastering, which allowed for efficient music production without sacrificing quality. Bruce is nearing completion of his third LP, drawing inspiration from various themes, including social issues like domestic violence and bullying, while maintaining a balance between heavier and lighter musical elements.

Concerns regarding the impact of artificial intelligence on the indie music landscape were discussed, with both Bruce and Debra LaMotta expressing ambivalence about its role. They acknowledged the challenges indie artists face in promoting their work, particularly with social media restrictions and the risks of scams. Looking ahead, Bruce shared plans for the next album, which will explore a mix of genres and feature collaborations with other artists, emphasizing the importance of creative partnerships in their musical endeavors.

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