BIGGER THAN THE PROGRAM | FEAT. HOOD TALIP | | RTM PODCAST | SZN 3 | EP 18 |

Send us a text

Hood Tally steps into the Rilla the Most studio for a refreshingly candid conversation that shatters expectations. The Philadelphia artist – typically known for his energetic street presence – reveals himself as a calculated strategist with business acumen that belies his years.

"I'm going to do it, but I'm doing it how I want to do it," Tally declares, summarizing his philosophy toward building a music career that serves him rather than the other way around. This approach becomes evident as he shares how he recorded approximately 50 songs before ever dropping his first video, demonstrating a patient quality-over-quantity mindset rarely associated with emerging artists. His background growing up between West Philly and Germantown, with early education at the discipline-focused Harambee Institute, clearly shaped this methodical approach.

What truly captivates is Tally's shrewd navigation of the music business. Despite his rising profile, he reveals he's largely avoided entertaining label offers, understanding that leverage is everything in negotiations. "I ain't even really allow nobody to offer me no bread for real, for real," he explains, showcasing remarkable restraint in an industry where many artists rush into potentially restrictive deals. Meanwhile, he's quietly expanded his reach beyond Philadelphia, building a substantial fanbase in Chicago – a city he casually mentions living in, much to his interviewers' surprise.

Beyond the business talk, we get glimpses of the person behind the persona – from his close relationship with his mother who raised him young while introducing him to artists like Amerie and Mary J. Blige, to his plans for a more melodic EP showcasing his versatility. Hood Tally emerges not as the impulsive figure some might expect, but as a thoughtful artist building infrastructure and positioning himself for sustainable success while proudly representing Philadelphia.

Ready to see the calculated mind behind one of Philly's most magnetic new voices? This episode pulls back the curtain on an artist determined to succeed on his own terms. Subscribe now and join the conversation.

Support the show

Episode Transcript

Speaker 1 (00:00):
Real Ones Motion Picture Association of America
Inc.
The show advertised has beenrated R.
The content discussed may coversensitive topics.
Listener discretion is advisedIf you feel that any content may
be triggering or distressing.
Please take care of yourwell-being first.

Speaker 2 (00:11):
It's White Boy D2A.
I'm rolling and we just wrappedup the craziest, craziest
interview, sam holding it downfor the light-skinned niggas.
Yeah, yeah, I got my fuckingboys.
I'm not even willing to move.

Speaker 1 (00:20):
I'm not even willing to move.
Y'all didn't know that.
Yeah, I'm not even willing tomove.
Yeah, yeah, yeah, yeah, yeah,yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah yeah.

Speaker 3 (00:26):
Yeah, yeah, yeah, yeah yeah.

Speaker 2 (00:55):
Yeah, is One.

Speaker 1 (01:04):
Oh man.

Speaker 3 (01:06):
This is about to be crazy man.
We got the top top, top boy inthe building, man.
Y'all already know man, TTG,TTK.

Speaker 2 (01:14):
How you want to do this, white boy.
I mean, there's only one way todo it.
It's the Rilla.
The Most way you feel me.
I'm Rilla, I'm white boy, d2eand y'all tuned in to the Rilla.

Speaker 3 (01:22):
I'm White Boy D2E.
Y'all tuned in to the Rilla,the Most podcast.
Yes, sir-ski, y'all heard Tallyin the building man yes sir-ski
, now listen, this is about toget real, real, real, real.
You know what I'm saying.

Speaker 4 (01:33):
Yeah, yeah, it's feeling good Real Rilla the.

Speaker 2 (01:36):
Most the energy real good in there.
You know what's going on, Imean.
I mean like yo, it'd be crazy,how like it'd be crazy, bro,
we'd be on the run and then we'dclick right back into work.
That should be crazy.
Like work ain't never stop, butit's like we ain't been
recording in Philly.
I don't know, and it's beenlike as soon as we like you feel

(01:57):
me.

Speaker 3 (01:58):
Wham Hood Tally, Do the rundown real quick, man.

Speaker 2 (02:02):
Okay, so like how you feel, though.

Speaker 3 (02:04):
Oh, I feel good, man.
I feel like, uh, I just feellike we got a lot of work ahead
of us.
You know what I'm saying.
So I'm not.
I'm in a space where, as though, I feel like we know what we
doing.
You know what I mean, yeah, andthat's cool, that's cool, but I

(02:26):
want to get to a place where,as though, like, we deserve a
check out of this.
You feel me so no question,that's where.

Speaker 2 (02:31):
That's where I'm at with it yeah, no question, it's
coming, it's just you know, wejust working and sometimes like
it just work for people likebrick, brick by brick.
Sometimes it don't happen likeovernight.
You know what I mean it justyou know what I mean.
It take time, you know what Imean.
Patience, you know what I'msaying, prayer, and just hard

(02:55):
work and consistency, bro, and Imust say so myself, like we've
been on a good path when itcomes to like doing that.
So yeah, It'll come my boy, comeon man.
Hey man, I said tolly gonna bein here man, yeah, I here man,
yeah, I get it.

Speaker 3 (03:25):
Better come correct, man, I get it.
I get it man.

Speaker 2 (03:28):
That boy be popping it.
You hear me?
I like Tally, bro, and we goingto get into it.
How you feeling?
I feel good, bro, like I justsaid, right, come on.
Come on, I don't know.

Speaker 3 (03:41):
That was an accident.
All phones Right, come on.
Come on, I don't know that wasan accident.
My phone, all phones on silent,you're speeding Mm-hmm.

Speaker 2 (03:46):
So yeah, like I mean we've been, you know what I mean
.
We get right back into work andI mean filling up the schedule.
We got a full month ahead of us, a full next month ahead of us.

Speaker 3 (04:01):
So it's like, you know, it's like let's ball bro,
yeah whoever y'all don't see usuh like, really like moving
around with they, probably notreally the most, you know I'm
saying so if you need to contactreally the most, make sure it's
white boy, or call, you knowI'm saying anybody else, burn
you out your money.
Probably, uh, uh, send you on adummy mission.
Have you calling a thousandniggas to get to us?

(04:23):
But yo contact Rilla and WhiteBoy, you cool Direct connection.
You know what I'm saying.
But yeah, man, we got her tallyin the building.

Speaker 2 (04:32):
We on that.
It's Rilla the host man.

Speaker 3 (04:33):
So you know, like you know, he's supposed to have
been up here too, man.
He was on the list.

Speaker 2 (04:38):
He was like season list Most definitely, definitely
on the first season list.
So you know, it's just like nowwe got him here, so, and that
I'm just glad that we get to siton the couch and get the people
to understand that he ain'treally just one of them like the
dumb YNs, like you know whatI'm saying, and there's like,

(05:01):
there's layers to him, so like.

Speaker 3 (05:06):
He's not a YN.

Speaker 2 (05:07):
no more either, though, yeah we're going to get
to that.
But of course, from the outside, looking in, it just looked
like organized chaos.
You know what I'm saying.
But if you get to actually sitdown with him and pick his brain
and talk to him, you'llunderstand.
It's a method to the madnessfor real, for real.
Yeah, we're gonna get into thata little bit today, my man I

(05:30):
can't give him the blueprintthough no, no, no no things, man
, you know how to talk rightyeah man, no blueprint man.

Speaker 3 (05:38):
But look, before we get into it, make sure y'all
share, like, subscribe, comment.
If you don't, you're amotherfucking hater.
Why?
Because it's free, it's thateasy.
Go to relativemostpodcastcomand go check out our latest
contentwwwrelativemostpodcastcom
already know um.
So yeah, do how you normally,do you already know where you

(06:01):
from, bro I'm from west philly,but I grew up in germantown,
true avenue.

Speaker 4 (06:08):
You know what I'm saying okay I went to school,
and I was going to school on ronbay, then I uh, we got a crib
in germantown you went downrobin, yeah, I went down I went
down ron back.

Speaker 2 (06:18):
Yeah, the first cedar , oh one I went down
kindergarten second grade.
I went there from seventh toeighth Baba K.

Speaker 4 (06:27):
Yeah, you Baba K Baba .

Speaker 2 (06:28):
Island.
I don't remember.
Mama Karen, you feel me, butthat shit.

Speaker 4 (06:34):
I remember doing the At the end of the school.
They getting a circle and shit.

Speaker 2 (06:38):
Oh, yeah, yeah, and you go to the Harambee's and
shit Emoji Circle.
Yeah, yeah, yeah.
I Lil Jon Z, lil Jon Z, lil JonZ, lil Jon Z, lil Jon Z, lil
Jon Z, lil Jon Z.

Speaker 1 (06:52):
Lil.

Speaker 3 (06:52):
Jon Z Lil, jon Z Lil.
Jon Z Lil, jon Z Lil, jon Z Lil.
Jon Z Lil.

Speaker 1 (06:55):
Jon Z Lil, jon Z Lil, jon Z Lil Jon Z.

Speaker 2 (06:56):
Lil Jon.

Speaker 3 (06:58):
Z Lil Jon Z.

Speaker 2 (06:59):
Lil Jon Z.
Lil Jon Z.

Speaker 3 (07:00):
Lil when Fresh and Amir Ali, amir Ali Pop was.

Speaker 2 (07:03):
John Skeets he was his grandpa Was the one who
started Harambe and he, like Iwas like getting in trouble and
my mom took me right to him andshe said he put me right in
Harambe.

Speaker 4 (07:17):
Harambe didn't get on your ass.

Speaker 2 (07:19):
What Discipline was crazy?
Push up position and all that.

Speaker 4 (07:24):
What.

Speaker 2 (07:25):
They discipline you for real, for sure.

Speaker 3 (07:28):
Because I watch her Italian.
He do move with discipline.
You know what I'm saying.

Speaker 2 (07:34):
So with him saying that he went to.

Speaker 3 (07:36):
Harambe.
That changed the wholenarrative.

Speaker 2 (07:37):
How I look at it, it explains a lot Because one thing
Harambe going to do for you isgive you militancy and
discipline, and it's gonna haveyou understand, young, why you
like, why are you black and whyyou here all that Christopher
Columbus type of teachingthey're not giving you that all.
Swahili Africa pro-black likethey don't play that.

(08:00):
Yeah, I mean the first man andall that, they don't't Speaker.
2.
Yeah, for sure Speaker.
1.
They giving you real game.
I love.

Speaker 3 (08:05):
Harambe Speaker.
2.
So the knowledge is sharp?
Speaker.
3.
Yeah, it's different Speaker.

Speaker 4 (08:09):
1.
Yeah, it is Speaker 2.
Especially going there, you inkindergarten, first, second,
third.
I probably like it probably didteach me a lot.
I just don't even notice itbecause it's not regular.

Speaker 2 (08:21):
So when you walk through the halls, you have to
walk through the halls with yourhands across, and the girls got
to walk with their hands likethis.

Speaker 1 (08:27):
Yeah, like this.

Speaker 2 (08:28):
That's why nobody get to touch each other.
There ain't no reason fornobody to touch each other if
you're walking through the hallsLike they teach you so much.

Speaker 1 (08:34):
We definitely did that's crazy.

Speaker 2 (08:37):
It'll hang you sharp, I ain't going to lie it shirt.
So yeah that I ain't gonna lie.
That's dope, that's dope,that's real.
Like you get west andgermantown, so it's like you get
to see kind of like both sidesof how, how shit, how shit going
on in the city no for sure.
So that's that's kind of dope.
So, um, but you growing up andum, and you know, you growing up
and I'm both sides, give melike a few of your influences

(08:59):
coming up.
When I say like influences, Imean like the people that might
have been right inside yourhouse or right outside your door
, type of influences I mean justlike it wasn't really.

Speaker 4 (09:11):
I used to be like we used to all be on YouTube Niggas
I got cool with around there.
I just got cool with niggasfrom my school and shit.
But you got to think we infourth grade, so we just with
each other, we playing wrestlingmen and playing the game and
shit like that.
Just being kids.
You feel me.
We just was on some kid shit.
So that's like really like.

(09:31):
That's like who I grew uparound, but like we'd be looking
at shit like Fire Nation, coolkids, shit like that you get
what I'm saying.
Like we used to Dollar Boys,all that shit.
Like that's what we used tolike, that's what niggas really
used to want to do, like be likeand shit Like we'd be in the
crib dancing shit like that,like practicing dances, like it

(09:53):
really was like childhood shit.

Speaker 2 (09:55):
We going to.

Speaker 4 (09:56):
Mallory playing basketball, shit like that.
Now, like it's just a lot ofshit going on around this, but
we really oblivious to it, causeyou a kid, you get what I'm
saying.

Speaker 2 (10:05):
We just play basketball and shit like that,
but we know, though you feel me,how influential was your mother
growing up for you.

Speaker 4 (10:12):
It was just me and her, for real, just your mom,
yeah, like I had my grandma andmy aunts and shit.
But I was around my pop when Iwas younger and shit.
But it just got to a pointwhere I just stopped being
around my pops.
So it was just.
You mean, my mom had me whenshe was young, so we like grew
up together.
Type you for me that's fine.

Speaker 2 (10:28):
I always hear you talk about your bob a lot yeah,
that's my heart right there,yeah so yeah, that's dope, I
like that.
So, um, you know, coming upwith a young mother, my mom had
me early.
I I I'm saying my mom had me 18, top of 18, sharp.
So I resonate with that and,coming up, I feel like I grew up

(10:52):
in hip-hop because that's thesoundtrack of my life.

Speaker 4 (10:54):
Yeah, for sure.
How about you?
Yeah, I can say that my momused to have me listen to a lot
of A Marie shit like that.

Speaker 2 (11:02):
You get what I'm saying.
We used to be listening to alot of shit like that, like that
like you get what I'm saying,like we used to be listening to
a lot of like that's how I gotput on like monica mary jay,
like tether pendergrass that'swhat, bro, and I take my son to
school every morning.
I don't play no rap, you feelme, I play all that, yeah, for
sure so.
and it take me back to like that, like I'll be thinking

(11:22):
sometimes, like why do I evenplay this type of music?
And all that is just what sentme, it's what instilled in me
from what I've been hearing allthese years Rob Markman.

Speaker 3 (11:29):
Take you back to memories.
Nelly T it used to have melistening.

Speaker 4 (11:32):
I used to be listening to Nelly and shit.
I used to get band aids.

Speaker 1 (11:35):
Put them under my jerseys, all that type of shit.

Speaker 2 (11:42):
Rob Markman, that's crazy about nelly.
I'm gonna give you some historyon nelly.
When he first came out, right,he was influenced by philly,
yeah.
So he was um signed touniversal.
He had came out.
He was signed to universal.
Cool to love was his manager,who also managed mace okay, and
universal at the time had alsosigned ram squad okay, and ram

(12:02):
squad had a deal with nelly andthey came out.
They song actually came outbefore Nelly's came out.
I see nothing but ballers up inhere, I see nothing but players
up in here.

Speaker 4 (12:13):
I heard it, I heard it.
I didn't listen to it.
That was that word, nelly, inthe video.
Yeah, I ain't never seen thevideo.
That's crazy Wow.

Speaker 2 (12:22):
That's crazy, we ain't going to need to play
though so yeah, coming up, giveme a few of your influences
musically growing up like whenyou first started listening to
music.

Speaker 4 (12:31):
I ain't going to lie, I used to listen to Lil Wayne a
lot.
I don't know if that's aninfluence, though, but I used to
listen to Lil Wayne a lot.
Everybody I used to listen toFabulous Lil Wayne, fabulous.

Speaker 3 (12:46):
Dipset shit like that .
I got to stop.
You know, that's definitely aninfluence.
You got tats on your face, bro.

Speaker 4 (12:50):
I don't got no tat.
I don't got no tat.

Speaker 3 (12:52):
No.

Speaker 4 (12:52):
That's my birthmark For real, yeah.

Speaker 3 (12:54):
I don't got no tat I.
This is not a birthmark.
Damn Ain't no tear drop, nothis is my fault bro, I thought
you was on the OG.

Speaker 4 (13:05):
Bobby Johnson, I was born with this.
You heard me.
Yeah, on my baby pictures.

Speaker 3 (13:10):
I had a birthmark.
I ain't used to, but I used tobe insecure about my birthmark.

Speaker 4 (13:21):
That's going to be a drop used to like that shit when
I was like going to school andshit I used to like have no
birthmark on my, you know aboutA$AP Yams.
Yeah, I know what you'retalking about.
You see his drums.

Speaker 2 (13:30):
Yeah, you got to lean into that shit.
That should be play.
No, I don't give a fucking damn.

Speaker 3 (13:45):
Once I got like just getting used to it and like,
like I, like I ain't.
Yeah, you'd be even forgettingmy brother used to have a
birthmark right here, right hereon his eye.

Speaker 4 (13:50):
Yeah, I'll be glad I got my birthmark now.
I'm glad my birthmark rightthere man you don't, you talk
about you?

Speaker 2 (13:55):
you wasn't.

Speaker 3 (13:56):
You're crazy bro look , there's probably fans out
there right now.

Speaker 4 (14:02):
My secret weapon Look there's probably fans out there
right now.
That ain't no birthmark.

Speaker 2 (14:05):
That's a birthmark.
They probably definitely thinkit's a tat.
They probably definitely do.

Speaker 4 (14:08):
I wouldn't tat my feet.

Speaker 3 (14:09):
No.

Speaker 4 (14:10):
No, I ain't trying to hurt my mom and all that you
see what I'm saying.

Speaker 3 (14:14):
He go right back to that.

Speaker 2 (14:15):
That's fire, bro.
He go right back to thatNigga's a lot.

Speaker 4 (14:21):
I wouldn't even do like nothing.
I wouldn't do none of that shit.
That's fire.
I ain't going to take my feet.

Speaker 3 (14:26):
All right, all right, so Wayne probably still an
influence, though.

Speaker 1 (14:30):
Yeah, yeah.

Speaker 2 (14:31):
I'm trying to think who else?

Speaker 3 (14:32):
Because I'm thinking of the age limit, though because
Wayne was smoking for thatperiod of time Probably like.

Speaker 4 (14:39):
I did.
I used to be watching 106 andPark and shit a lot, bro.
I used to like the game.
I used to like a lot of rappers, bro Right, I just can't really
think off the top of my headbut like Lil Wayne for sure,
yeah, and he was young.
So you get what I'm saying.

Speaker 2 (14:52):
Yeah, he like a young nigga yeah he was like yeah,
man, yeah, that's respectable,because shit too like in my era
coming up.
Nah, man, like we used to, weused to with wayne coming up.

Speaker 4 (15:04):
He went through so many errors yeah, part of the uh
he's still out here and allthem and all that, like when
young money came out.
I was listening to that.

Speaker 2 (15:12):
Yeah you feel me that's a whole never, ever a
wayne, that's like a little theydon't need they skaters?

Speaker 4 (15:17):
skinny jeans.
Yeah, it was on fire too.
Skinny jeans.
Shit, you feel me yeah.

Speaker 1 (15:21):
It was on fire too.

Speaker 4 (15:24):
Drake.
Everybody, though Like whenDrake first started dropping.

Speaker 2 (15:28):
So, like when you listening to them, did you ever
think like in them times likedamn, I'm going to be a rapper
or I could be a rapper?

Speaker 4 (15:35):
No, I ain't going to lie.
No, I used to just like I'd bein the crib, like just as a pup,
and like try mimic their videosand like like that.
But I ain't never think I'd beno rapper and but I always did
like like watching, like rapvideos and the outfits and like
like that.
You feel me?
It's crazy because bt award.

Speaker 2 (15:57):
I always watch that how I be looking at your right
is, like you, one of them that,like you, had to be popular
growing up.
I was.
I I was cool, bro, because it'dbe like to me, right, I'd be
thinking like that him like,since, like it's like you wreck,
it's like you don't want, it'slike sometimes you don't want to

(16:19):
, but you do it because you knowyou can and you got all the fan
base that you got.
But but it's like you don't belike jacking it for real, for
real.

Speaker 4 (16:26):
Yeah, that's really how it is, though that's really
how it is, though.

Speaker 3 (16:30):
Yo, he just broke it down, though.

Speaker 4 (16:31):
That's crazy, that's how it look from the outside,
looking in.

Speaker 3 (16:34):
Because to me it's like you don't need it.

Speaker 2 (16:47):
It's like no, not even like on the sense of like
he play with it, I, when I feellike with it, I with it and I go
crazy, and when I don't, I justit's just not that now, I mean,
and it's like just because,like, I guess because of like,
how they respond to you and theresults you get from when you do
drop is like you do what youwant when you want that's.

Speaker 3 (17:03):
That's how I look at this boy.

Speaker 4 (17:05):
Do what he want, yeah I do do what I want, but it's
like when I, if I'm not driving,it ain't it, ain't even knowing
there's no.
No, it's that it's not like it,but we, just we just want
something else.
Right now you feel me like we onsomething else right now, like
we gotta get some paper,whatever you feel me, like it,
just like I don't.
I don't want to be.
I'm not just the type of personI am.

(17:27):
I'm not going to record if mymind might be somewhere else.
All right, I got to get thisright real fast.
You feel me, rob Markman, youneed stuff to talk about DJ
Premieres.
So yeah, you feel me.
So then we get this shit right.
All right, now I can pop it youget what I'm saying.

Speaker 3 (17:39):
Rob Markman yeah, he ain't no fake rapper.

Speaker 2 (17:41):
So look, so you coming up what you was doing
growing up Sports.

Speaker 4 (17:45):
No, I ain't really played sports or nothing like
that.
I ain't going to lie.
I just used to be playingoutside with my friends and shit
, just doing regular kid shit.
But I just always used to likecap guns and guns and shit.
You feel me?
So my grandma and my grandmaand Barbara she died and shit,
but she'll always take them fromme.

(18:06):
Nobody can't go to the storebuy me no cap guns and shit.
But I just was like shit, Iwanted to be a fucking wrestler
or something.
I wanted to be on DisneyChannel growing up, you get what
I'm saying?

Speaker 2 (18:17):
Reckless shit.
So when did you have thethoughts of being a rapper?
When did that come along?
When you just playing aroundwith words and like starting to
rap?
When did you pick it up?

Speaker 4 (18:34):
All right.
So like I don't know how old Iwas, when I probably like first
ever recorded, I probably waslike I made a song like my man.

Speaker 1 (18:37):
What song was out?

Speaker 4 (18:38):
I ain't putting no song out.
My man was rapping, though myman still was rapping.
So like around that time that'slike probably when I first
recorded a song ever I probablywas like 16 when I recorded the
song you feel me?
But I ain't put that shit outthough, it just was me playing
around.
And then I probably I think Irecorded another song after that

(18:59):
After that and I was justplaying around with that shit.
It didn't really say all right,I'm a rap till like Damn near
2020 before me, but I wasrecording 2019.
Like I was recording a lot ofsongs in 2019, probably not like
the whole year, but like lateron towards the end of the year.
Yeah, and then I just finallywas like I'm gonna drop a video,

(19:22):
you for me, and then I droppedthe video.
So by the time I dropped myvideo, I probably already had
like 50 songs.

Speaker 3 (19:29):
That's what you was doing.

Speaker 2 (19:32):
I'm trying to figure out the timeframe and the
duration from when you startrapping, because for me it's
like you go from nobody fuckingknowing you to everybody fucking
knowing you.
Rob Markman Jr.
Yeah, so how did in the betweentime?
What the fuck, rob Markman?

Speaker 3 (19:50):
Jr.
He was heating it up already.
How did that?

Speaker 4 (19:51):
happen Bro, it just.

Speaker 3 (19:53):
Nah, he don't even know, Like I ain't going live,
bro.

Speaker 4 (19:57):
I probably had like fucking 500 followers on
Instagram, bro.
I don't like.
I just like I had aconversation with my pop, when
we start getting back to talkingand shit, but I had already got
shot all type of shit.
I already got a fucking son onthe way by the time I started

(20:19):
talking to him.
So I'm like man, I done beenthrough all this shit, you feel
me?
Boom, but I guess this was himfinding a way to spend time with
me.
So he used to rap and shit.
But fucking he start.
He told me if I go to thestudio with him, basically he
going to pay me.
But that was like a littlefinesse, you feel me.

(20:40):
But I just started recordingand shit and I started liking it
.
You feel me.
I started liking it, so Istarted writing and then I just
was recording.
That was just a way we'd besmoking and shit.
You know what I mean, just away for me to chill off being
outside, go to the studio andjust was recording and shit.

(21:00):
All right, but I wasn't goingto.
Like I knew in my head, likeI'm not about to just drop this
shit Like this, like I got to,like you know what I mean about
to just drop this shit, like,like this, like I gotta, like,
you mean saying you feel me, Isound the one way that I started
.

Speaker 2 (21:13):
You get what I'm saying.
Did you think, like when youdid drop, that you would get all
the views and that you that youwould get coming out it?

Speaker 4 (21:18):
was like 50, 50.
I probably like, probably like.
No, it was probably like like,like, probably like 60, 40.
I'm like I I know, I know, butI don't know, you feel me, so
I'm like I'm gonna see, but ifit don't work then I'm gonna
just say it you get what I'msaying, yeah, but once I seen

(21:39):
the actual video, like before itcame out, and I'm like this job
might go.

Speaker 2 (21:44):
So I just was like you mean yeah, no because, this
just seemed like like I saidcome on, player I thought it was
on silent man like I said, umit you, it's like you.
You came out and hit the groundrunning I mean normally people

(22:05):
and to get them type of viewsand attention that you begin and
that was good when you firstcame out and it take people 10
or 20 years I done watched it.

Speaker 4 (22:14):
No, for sure.

Speaker 2 (22:15):
So, like for me to be like damn, that's crazy, how
you get the eyes on you likethat.
That's like.
That's something I be wantingto learn.
You know what?

Speaker 4 (22:22):
I mean Just be organic though, and that's good,
that's the best way People belike you guys got like oh, some
people be attracted to that shit.
I get it, though, Because it'slike damn who the fuck is this.
You feel me?
They got all this shit in thevideo Niggas.
Probably like damn who the fuckis this, but that's why I knew
it probably is going to catch.
It was like that's themotherfuckers we wanted to see.

Speaker 2 (22:44):
That always was the game plan for it to catch right
away.

Speaker 4 (22:48):
I ain't really had no game plan.
I just was like if it catch it,do catch it.
But I got a feeling that it isgoing to catch.
You get what I'm saying.
But if it don't, then I'm goingto, just If it don't.

Speaker 2 (23:00):
I wasn't going to be like all right, I'm going to
just build it up, no.

Speaker 4 (23:03):
I was just going to be like fuck it Okay, so it went
down.

Speaker 2 (23:07):
okay, so it went down .
That, with you coming out, andnow that you are getting the
results and the recognition thatyou get, like, what's your
mindset at that point?
All right, let's go, let's ball.
Is it like?
All right?
What's next?

Speaker 4 (23:19):
Like what's the?

Speaker 2 (23:20):
game plan at that point.

Speaker 4 (23:22):
It's like just get rich off this shit by all means.
You feel me I can't do it andthen just feed off on that shit?
No, I'm going to do it.
I'm going to do it.
You feel me?
I'm going to do it, but I'mdoing it how I want to do it.
You feel me, if that makessense, you feel me.

Speaker 2 (23:40):
Yeah well, frank Sinatra, my way.

Speaker 4 (23:42):
Like you feel me I ain't going All money I know all
money ain't good money.
You feel me I ain't quick tojump into no money whatever.
I gonna figure that shit outand just like we gonna come
together and figure this shitout, we all gonna.

Speaker 3 (23:57):
Did you see something in it, like in this shit, that
make you be like, that made youfeel the way you feel about this
shit?

Speaker 4 (24:06):
Yeah, a lot of shit.
Certain shit, I can't reallyspeak on camera and shit.
But just the environment, thatshit crazy.

Speaker 3 (24:15):
I heard young Chris say you got to hang with these
lames to get a little bit ofchange.
Y'all real shit.
You know what I'm saying.
I was just wondering was itsome of those type of things
going on?

Speaker 4 (24:25):
Man, it be like certain shit, like if you don't
do something, a nigga might notfuck with you.
Like that shit be like youcould be like damn, I don't want
to sign that or sign with you,feel me.

Speaker 3 (24:41):
Yeah.

Speaker 4 (24:42):
Niggas will feel some type of way for a bit, Like it
be a lot of shit.

Speaker 2 (24:47):
So, what you like, OK , what you like, what you coming
in and then, like you know it,building, and then it being
organic you start.
Well, you had already hadrelationships with Skrilla
Mm-hmm.
Tell me how that come about andlike y'all curating it over the

(25:09):
years and staying tight.

Speaker 4 (25:11):
Yeah, so it was like like like I was like growing up,
like when, like over the yearsI ain't gonna say like we stayed
in touch, but we always followeach other on social media and
shit you feel me.
But like I just bro just usedto be up there.
He used to be up Germantown andshit, and he used to be across
the street from emily, but thisparty I'm trying to think, by

(25:33):
time I probably was like out ofemily and where I probably was
like I probably was in likeseventh grade, some like that.
So I used to be seeing bro andlike going up the pleasant and
like that, like up there, and soI used to always just see bro
up there.
We just we used to be cool andshit.
You feel me, sometimes he'llmind with us, sometimes he'll

(25:55):
just be out there, you feel me.

Speaker 3 (25:56):
But everybody up there we already have these are
real friends you feel me likethat shit just was like that's
fire for both of y'all to bedoing what y'all doing now no,
for sure.

Speaker 4 (26:07):
That's why I look so dope no, for sure you know what
I'm saying and it's like anorganic relationship.
That's why I was telling regalhaving a glass like.

Speaker 2 (26:14):
They've been cool on the same type of time and I'm I
ain't even peeped.
Squirrel was in and lucas I'mlike jive started a video.

Speaker 3 (26:23):
Yeah, right soon they come on, lucas.
Was that soon?

Speaker 2 (26:26):
lucas, come on right there and and seeing that and
I'm like wow to see where theyat today.
It's like damn, that's dope noreal, and that's like a whole
little slew of uh kids that wascoming out at that time, man
that whole generation is isbecause y'all got a high level
of talent and if, if we couldstructure it the right way,

(26:51):
y'all could actually take careof yourself and your family for
the rest of your life Know whatI'm saying.
That's why I be looking at itlike yo, it's so dope and he put
a team together.
He put a team together, he puta team together.

Speaker 3 (27:03):
everybody come together and we work, and that's
why we actually got realer thanmost so we could shine a light
on what y'all actually doingwork-wise, because there's a lot
that go into what they gotgoing on.
You know what I'm sayingCreating videos, doing studio
time, keeping up with the socialmedia.
To y'all it's probably like awalk in the park, that shit be

(27:25):
stressful, bro.

Speaker 4 (27:26):
Yeah, dealing with all that shit, bro, that shit
Like just being a rapper period,like yeah a motherfucker might
think I'm a rapper, I'm a rapper, I got his bitches and that
shit like that shit do be likeannoying sometimes.
Right, that shit be annoyingsometimes.
You just want to be, you justwant to disappear from that shit

(27:49):
, but you can't.
So it's like, I mean, you gotan image, you got to uphold all
type of so what you saying?

Speaker 1 (27:55):
that imagine somebody like uzi yeah, like that I can
only imagine what the he gothrough.

Speaker 4 (28:05):
He probably got all coming from all different sides.

Speaker 2 (28:09):
We probably got to deal with that shit coming from
all different sides Damn, but no, that's what it see, that's
what it, that's what it's allabout I ain't even speak on the
business side of it In order tobe a star.
You got to be able to withholdyourself in all those situations
.
That's what it's all about Now.
I mean because when you make itto a certain point, everybody
looking at you like or foranswers, or to do something for

(28:30):
them.
You know what I mean.

Speaker 4 (28:30):
It's crazy out here and like being like that type of
star, bro.
It's like, bro, you like.
You get what I'm saying.

Speaker 2 (28:42):
The magnifying glasses.
Come on, man, it's like itdon't never stop.

Speaker 4 (28:46):
Them with the labels and the games they try to play.

Speaker 1 (28:48):
that shit Don't ever stop Stress with the labels and
the games they try to play.
That shit Don't ever stop.
Stressful, bro, Stressful, buteverybody look at it like it's
the dream I don't want to blowup and be like no drink or
nothing like that.

Speaker 3 (28:59):
That's too much.

Speaker 4 (29:00):
I just want to disappear for a bit and be able
to take care of everybody aroundme.
I'm cool with all thatsuperstar tour, world tour, shit
.
I'm cool.

Speaker 2 (29:11):
Yeah, yeah, they go through a lot bro and damn, and
people don't factor that inbecause they look at it like
everything cool, because theyrich, I think about all that
because it's a different gamenow.

Speaker 3 (29:23):
Like it's not the same.
Like you just don't rap andjust get in the camera or
freestyle on the corner no more,it's not the same.
No, like the rappers that wasback then.
The corner no more, it's notthe same.
No, like the rappers that wasback then.
They wondering where they at,where the rappers from back on
the DVD time.
You gotta be able to do this.

Speaker 2 (29:39):
Yeah, studio time, everything.

Speaker 4 (29:43):
All my homies like me and all my homies, we'll tell
you we'll be cool with not beingon the gram.
Got the J and the clothes andall that shit.
We don't gotta pose, gotta beno grant, we still.
They still get the same amountof females or that.
We just don't Cars, whateveryou, for me look without that

(30:04):
shit.
Being a rapper, you gotta, likeI mean, hold the image.
I'm about to just hit somebody.
Run my page, though.
Delete that shit off my phone.

Speaker 2 (30:16):
I sound smart.
That's what the team for, sothat's not smart, what you
having, a, what you doing,everything that you're doing it
and you know you haven't likeyou putting out Singles and and
and they like receptive to itand things is happening.
You moving around chicagoreceptive to you got a chicago

(30:38):
fan base talk about talk aboutthat how that come about,
because everybody can't do thatyeah, it's like.

Speaker 4 (30:44):
That's like, that's like my second home for real,
though I, I with a lot, lot ofreal niggas out there and shit,
you feel me.

Speaker 3 (30:51):
But again, you'd be from Philly and just say that's
my second home.

Speaker 4 (30:55):
I was living out there, bro, I had a crib out
there bro.

Speaker 3 (30:59):
I was living out there for like.
He said I'm going out there.

Speaker 2 (31:07):
Who gonna move the shit there?
He said that shit like it wasMiami.
Palm trees and shit.
What's wrong with me, bro?
You saw it like that.
I went and moved out there,where, where.

Speaker 4 (31:18):
It was.
It was 4th of July.
It was fucking 4th of July.
It was 4th of July 2022.
I'm in the middle of the south.
I'm in the middle of southsouth side of Chicago.

Speaker 3 (31:31):
Bro, you is wild dog who does say they move from
Philly to the shadow.
I never even heard that I'mliving out of.

Speaker 4 (31:38):
Atlanta.

Speaker 1 (31:39):
I had moved from.

Speaker 3 (31:39):
Atlanta to Chicago.

Speaker 4 (31:41):
But I go back and forth between Chicago, Atlanta
and Philly For real, yeah.

Speaker 2 (31:47):
You wild dog.
It's wild as shit out there youtalking about.
That's my second home.

Speaker 3 (31:52):
Like it's straight up there, Like you look up on
trees.
I hear Chicago niggas sayPhilly, my second home.
You're crazy man.
I don't never hear Phillyniggas be like yeah, sean, my
second home.

Speaker 4 (32:05):
And how I be out there.
A lot of nigg it's dangerousout there, bro.

Speaker 2 (32:09):
What are you talking about?
Of course, yeah, man, I know,but it's like that's why, I'm
like I already know how to moveout here.

Speaker 4 (32:17):
Like you get what I'm saying.
Like I know how to move outthere and I don't like the same
way.
Like niggas be Joe as shit.
Bro, can't be like.
You know what I mean.

Speaker 3 (32:26):
You can't be too all.
You know what I mean.
That'll get you hurt sometimes.
You know what I'm saying.
Especially in the wrong city.

Speaker 2 (32:33):
It's dope to see your shit transition, though Like
you know what I mean Going fromlike everybody fucking with it
in Philly and having it like.
You know what I mean, you knowas you one of the top guys, and
then you knowceptive of it.
It's just dope for me to see,because it's like all right now.
You can take it to the nextstate and then the next state,

(32:54):
after that and then the nextstate.
Because there's real niggaseverywhere.

Speaker 4 (32:57):
I ain't going to lie.
We love the road man.
You know what?
I'm saying I hit that road.
That's one thing I do be doing,though.
I hit that road.
I might not even be recordingmy own song, but y'all might, I
might y'all probably don't knowLike I done did like five
features.
So niggas dropping these shit.
So it's not like I'm notrapping, it's just like I just

(33:20):
be on some other shit.
You feel me, sometimes we justgotta do it.
We gonna go here and dofeatures and shit like that and
that shit work though that shitdope.

Speaker 2 (33:30):
Everybody can't do that, bro, I'm going to keep it
real.

Speaker 1 (33:33):
That's why I be like why would I stop?

Speaker 4 (33:34):
Motherfucker can't get up and all right, I'm going
to go two hours real fast andmake X amount of dollars and
shit and then you come back.
Now you could have been flat,like flat.
That shit brought me right back.
Like that shit.
Motherfucker, wake up, go make$10,000 off of Reva for two
minutes.

Speaker 2 (33:52):
I ain't gonna lie.

Speaker 3 (33:55):
That's crazy, that's crazy.

Speaker 2 (33:57):
Now you talking.

Speaker 3 (33:59):
Yeah, now I'm liking it now, see, because now when
you add that factor into it it'slike why not you feel me?

Speaker 2 (34:07):
And like I was just saying, let's go to the next
state and do that.
Let's go to the next state anddo that, let's go to the next
state and do that again like youfeel me, because philly is a
ceiling, my man, and it ain't noresources here.
And even if it was right, theperson that's in the middle of
of the pers, the person that'sin the middle of you get into
the resource, is going gatekeepyou know, philly is a great

(34:27):
place to come to get your artrespected I know my, I know my
worth, bro.

Speaker 4 (34:32):
So ain't that's it like we hit the road, not ain't
gonna come, petty that, sinceyou some throwing them drawings
to a band.
Fifteen hundred, yeah, twobands, no right, twenty five
hundred gotta stand stern threek, no, we, yeah, yeah, come with
that, pete, and I ain't gonnabullshit that, don't you so yeah

(34:56):
.

Speaker 2 (34:57):
So, since you've been on pop and doing music, how
many deals have you had on thetable?

Speaker 4 (35:05):
I just recently entertained one.
Like it never even got to apoint where, like, like a lot,
lot of labels like trying toargue they want to talk.
I'm like, when y'all want toset up a meeting and I ate that
shit Like I wouldn't do it, solike it ain't.

Speaker 2 (35:22):
I ain't even really allow nobody to offer me no
bread for real, for real, butsomebody recently did, but I
ain't take that job how you feelabout like that part of it,
like, um having to navigate thebusiness part of it and um
making sure everything aroundyou is up to par, so that way

(35:43):
you can execute the right playto take care of you and your
family so all right, like, likeas far as the labels and shit, I
never really like entertainedthem because I already was like
I don't got no leverage, youfeel me?

Speaker 4 (35:56):
So I'm like all right , I just waited out until I
built my leverage to where Icould get what I want or close
to what I want.
You feel me?
You get what I'm saying.
So it was like a leverage thingas far as the label and shit,
but just like period.
You get what I'm saying.
So it was like a leverage thingfor us to leave on shit, but
just like period, with the wholebusiness of my music, like

(36:17):
shooting videos and shit.
Like I got, bro, I got I gotlike a real engine behind me,
bro.
Like that shit.
I got some real like yeah,behind me, bro, Like that's why
I was living out of Chicago,like shit like that.
You feel me Like it ain't justI got some real shit going on
behind me.
You feel me?
So, like we got, we all gotlike a real game plan on what we

(36:42):
want and what I'm trying to do.
You feel me Right.
So, boom, when I do it, I'mgoing to be straight for the
rest of my life, yeah.

Speaker 2 (36:50):
Yeah, yeah, building that infrastructure to execute
when it's time.

Speaker 4 (36:54):
That's why I like him .
Damn Nigga could have beenjumped and made something.
All I got to do is pick up aphone.
You can press a button, pick upa phone and call.
All right, we want to sit downand talk to y'all.

Speaker 2 (37:14):
What y' going to give me 200 000, 250 000, okay and
get this and next week, but it'slike no we.
I respect that I put in too muchand I respect that and streams
what I didn't need, that man,what I tell you.
Before we started I said I saidsitting down with us is going
to be little bit different.
It's going to make the peopleunderstand who you really are
and how you really navigate andout here, especially when it

(37:35):
comes to that part, because youknow they think you just a while
younger than me.
And and sometimes you know Imean we understand why they
think that, but like it's stillalso another side that they had
to learn that you are, becauseit's layers to life.
You know what I mean.
And of course you can't justlive in that one layer because

(37:59):
you're trying to live you knowwhat I mean?

Speaker 4 (38:01):
Yeah, for sure, and not to cut you off, but what I'm
saying for real, for real, I weain't like hey, I'm 25.
I'm like one of the youngestbro.
We not doing all that arguing,talking.
We not doing none of that, bro.
If it's going to be, it's goingto be whatever with whoever.
It's going to be that you feelme.

(38:22):
But all that crashing out andon video and all that, that shit
dead.
You feel me Like we ain't doingnone of that shit.
You feel me, that shit dead.

Speaker 3 (38:30):
With that being said, do you consider yourself a
drill rapper?

Speaker 4 (38:34):
No, I really don't.

Speaker 3 (38:35):
Or an artist.

Speaker 4 (38:37):
I'd be on the tip Like I'd just be, because I'd
really just be talking my shit,bro Popping, I'm going there and
preaching, I'm popping, but Idon't be like I'm a drill rapper
and shit.
You feel me?

Speaker 3 (38:53):
Rob Markman, you thinking about making any other
type of music besides like yeah,probably like Rob Markman,
Because you said you grew up inthe soul.
And all that listening to thattype of music, man.

Speaker 4 (39:04):
Yeah, I couldn't.
I don't know, bro, rob.

Speaker 3 (39:07):
Markman, you ever rap to him.
Rob Markman, this is what I'mgoing to do.
Rob Markman, you ever rap onsome?

Speaker 4 (39:09):
Smooth.
Rob Markman, yeah, rob MarkmanTo the ladies.
Rob Markman, he got my songs.
Rob Markman, oh, I need RobMarkman.

Speaker 3 (39:14):
They old bro.

Speaker 4 (39:26):
Rob Markman Yo before y' an EP.
Five song EP.
It's going to be all girls.
Girls songs, love songs, yeah.

Speaker 2 (39:33):
That's fire.
Yeah, show them a differentside.

Speaker 3 (39:35):
Yeah, I want some artists in the city to really
like get into that man.

Speaker 4 (39:40):
Like let's start having more fun, let's start
making music for the ladies I'mprobably I'm going to drop a
tape like within the next, like45 days.

Speaker 2 (39:52):
So we get to a point down like, all right, it's it's
a game board you beat the.
You beat a certain part of theboard where all the young niggas
is behind you you did what youdid, you may have lost some
people in the way.
All right, now it's time to like, really attack.
This gets us a paper now.
The artist that you are nowit's time for you now.
All right, let me finddifferent ways to express myself

(40:15):
and artistry wise, so that wayI can attack the game for
multiple ways.
You feel me?
It's also a big world out hereand millions of people that
listen to different types ofmusic all over it.
Now, I mean so you don't haveto just attack it from the
so-called drill facet of it.

Speaker 3 (40:33):
You don't, you really don't bro.

Speaker 2 (40:35):
When you already got the people you hood Tali, so now
they're going to listen to you,regardless of what you put out.

Speaker 3 (40:40):
You know, what I mean , Because you already know
what's thorough.
You know what I'm saying.

Speaker 4 (40:44):
That's what it be, though, I'd be like how they
going to take it, but like isthey going to fuck with it.
But I ain't going to lie, I'mgoing to really drop that during
the summertime, yeah.

Speaker 2 (40:53):
Dude, I think about it At some point.
Like you plan on being here,you ain't going to be the you
not going to be the person youis today, in five years.
Know what I'm saying?
No, for sure.
Like we all to make thingsshake and grow.
You know what I mean.
We've been stagnated for toolong.

Speaker 3 (41:13):
I know you know how to make different music, for the
simple fact you said DollarBoys all this other stuff.
I do know how to make differentmusic, I know you know how to
go in there and make somethinggo crazy for a party or
something.

Speaker 4 (41:24):
I ain't going to lie A lot of this shit just never
came out bro.

Speaker 3 (41:28):
Yeah.

Speaker 4 (41:29):
And it's just like it's 2025.

Speaker 3 (41:31):
We want to see it.
I ain't driving no shit from2025.
Come on, man, we want to seeyou switch it up real quick.
Let's see something else comeout.

Speaker 4 (41:39):
Man, I got some shit, though I ain't going to say I
got some shit, but I'm about toput a tape on.

Speaker 3 (41:45):
But stay you though?
No, for sure, stay you, forsure, for sure, Stay you, you
know what I mean.

Speaker 4 (41:50):
Man drive a T Bippin ain't easy.
I like that.

Speaker 2 (41:54):
I like that a lot, that's our whole thing.
Bippin to the max.
That's our whole thing.

Speaker 3 (41:59):
That's all we doing over here, we bit for nothing
Major.
Bippin Major.

Speaker 2 (42:06):
Bippin, we bit for no reason.
Real talk Maximum capacity.
That's what we on.
I'm talking all the bitch shit.

Speaker 3 (42:17):
I like that With that being said, make sure y'all
share, like, subscribe, commentif you don't you a motherfucking
hater?

Speaker 2 (42:24):
Why?
Because it's free.

Speaker 3 (42:26):
Come on, man you dig.
Yo.

Speaker 2 (42:28):
Tap on wwwrelative have been WWW dot really the
most podcast dot com.
You did go check out our latestepisodes.
They on there.
So yeah, yeah, and it's likeyou understand that who you are
and now you like a fixture inthe arm and Philly hip-hop scene

(42:49):
and your name is like a forceto be reckoned with.
How that make you feel.
When it's like when it's likeyou say something it's law, or
like when you say something itis.
That's what it is like type,because that's the type of time
to be on.
You feel me like could tollysay something.
I mean that's what they on.

Speaker 4 (43:06):
How that make you feel they on how that make you
feel you're going to smoke.
I don't know, bro, that cool,but that ain't cool like I don't
know that come with a lot ofresponsibility.

Speaker 2 (43:19):
You're even so you took the words on my mouth, bro.
This was where you say that,like, just having that, you got.
You got to have a lot on yourshoulders, because people are
looking forward to what youabout to say or what it is that
you're gonna say.

Speaker 1 (43:34):
Mm-hmm.

Speaker 2 (43:34):
Yeah, so it's like you got a guard, your tongue.

Speaker 4 (43:37):
Yeah, I watch you say yeah.
And I'm a type nigga.
I am like around the guys.
It's just like I didn't saywhatever, you're me.
So I learned how to likecontrol this.

Speaker 3 (43:48):
You feel me, rob Markman?
You really don't though.
No, you control it.
But I'm saying you really don'tsay anything though, because I
was watching you on live onetime, bro.
You was like all right, that'scute, all right, that's cool.
You really don't.
You're not one of them that bejust popping it all crazy.

Speaker 2 (44:05):
Yeah, but it's certain motherfuckers that can
get me there that get you there,yeah, I know, it's just like
when you shop when you grow youget to, you start to understand
like everything don't need aresponse.
You know what I'm sayingEverything don't need a response
to because when the only waythat the person that you even

(44:31):
responded to even get the lightis if you respond to them Other
than added a fall under deafears.
That's how I'd be looking atshit, because these don't be
having really not going on.

Speaker 3 (44:41):
What they be doing.

Speaker 2 (44:42):
They just be talking yeah, how sodium.

Speaker 4 (44:46):
No.

Speaker 2 (44:47):
See, look when you eat like art and be the food
they eat.
Is high sodium?
Like all right.
It be the food they eat, bro.
Like fuck.
Break it down?
Like all right, it's a drug.

Speaker 4 (44:57):
Oodles of noodles is high in sodium.
You know what I?

Speaker 2 (44:58):
mean, and then they drink that green syrup.

Speaker 1 (45:00):
And eat and sugar be up, it be like a lot, it be like
high.

Speaker 4 (45:03):
No, bro, because blood pressure be running high,
mix with the oodles of noodles,mix with and all that that shit
be Like hate motion.

Speaker 3 (45:25):
That's like the easiest way to break it down you
know what I mean.
They start wearing fake shitall types of shit.

Speaker 2 (45:34):
You want to manage your crazy out here from these
guys.
They be hot, running highsodium and pull you in a high
blood pressure.

Speaker 4 (45:42):
The rules should be for all the cups or some crush.

Speaker 2 (45:47):
Yeah, man, you've got the culture, bro, and it's like
yeah, I mean it's damage.

Speaker 4 (45:52):
I get my credit though, bro.
That's important.
You see, you get an damage, I'mgetting my credit though, bro.

Speaker 2 (45:54):
That's important.
You see, you get an order, soyou just starting to worry about
different things.
That's gonna take you farther.
I like that.
You know you gotta have,because you can't take no street
credibility inside a PNC andsay, let me get a credit card.

Speaker 4 (46:06):
It's not gonna work but like on the tip, like what I
did like for the own music shitlike in Philly, like just Just
how niggas be in they videos, orcertain shit niggas say in they
rap, or even bro, even Bippinnot saying that I started the
word because I did that itoriginated in Philly but this

(46:28):
our lingo and everybody this isour lingo Every now.
Everybody this is our lingo.
This is the crowd of people thatI be around lingo and now
everybody's saying you get them.
Well, how you feel about that,I really don't care, but it's
like like y'all got it.

(46:49):
Everybody just got to knowwhere originated from.

Speaker 2 (46:51):
You got to like it, just like because it may just,
you just want the credit, like.

Speaker 3 (46:55):
all right, I don't know.

Speaker 4 (46:57):
It's like everybody already know, though, but you
gotta think like niggas isputting this shit in.
They raps like to where it'slike.
It's like nigga heard on thesong.
The song called how to BipFucking.
I mean Lucky said Bippin' inthe song.

Speaker 3 (47:15):
So wait, wait, it go that far.

Speaker 4 (47:17):
Bro Lucky, I forgot what song it was we was
listening to Lucky.
Lucky said Bippin' in the song.
Meek said it in the song.

Speaker 2 (47:24):
Niggas that say they don't fuck with us say it in the
song See, see, see, philly, westart a lot of things that
people take and run with.
You know what I mean, the world, you know what I mean.
It's just like a form offlattery.
Imitation is a form of flattery.
You take it in stride.

Speaker 3 (47:43):
But hey, like you said, you got to know where it
came from.

Speaker 4 (47:46):
The Morris brothers.
They just was on their podcast.

Speaker 2 (47:49):
They saying Bippin on there.
Uh-huh yeah.

Speaker 3 (47:57):
You know, that's look , that's low word, look love
bippin, that's all you say yo,we say that shit.
We don't even know y'all.
It's good to know.
It's good to know where it camefrom, though we got that from
YGG Tate like Baltimore and shitFree.

(48:18):
Ygg man, yeah, yeah, fuck him,he hot.

Speaker 4 (48:21):
Yeah.
He definitely hot, we justlisten.

Speaker 3 (48:24):
That's what I was listening to Heavy like so you
got it from Baltimore, nigga.

Speaker 4 (48:28):
Right before I start rappingate the word.

Speaker 3 (48:30):
Shout out to Baltimore, though we can't do
that.
Shout out to.

Speaker 4 (48:32):
Baltimore, but I just was going to take, like this
did our lingo though.
Like damn you, bippin', youfeel me Y'all bought a hair
though, yeah, you feel me, so Idefinitely like that, like that
could be like somebody I sayinfluence.
I was a who, I was reallylistening to heavy.

Speaker 2 (48:50):
Yeah, I like cuz he hot.

Speaker 4 (48:54):
So you'll collab with him, yeah, but he in the feds,
yeah.
Yeah, he in the feds.
They give him some time too.

Speaker 2 (49:00):
If you had a chance to collab with anybody, though,
who would that be?

Speaker 4 (49:03):
Yeah, I'm trying to think If I had a chance to
collab with anybody, who wouldit be?
It'd probably be like I'dprobably Choice of collaboration
.
I'd probably be like I probably.

Speaker 3 (49:16):
Choice of collaboration I probably like
anybody, anybody, you got yourchoice.

Speaker 4 (49:19):
Like it's going to get me, get me, like you mean
Budget open.
I'm saying like I'll make somepaywall, your budget open.

Speaker 2 (49:27):
I'm the label.
I just gave you a blank check.
Tell you to go get whoever youwant.

Speaker 4 (49:31):
Whatever you want to do, I'm going to go to get Drake
.
I'm going to keep it at being.
I'm going to get Drake.
Bro, just for like on the tip.
Like all right, I want to go.
I want to get a big ass songand go number one.
Yeah, but like just like allright, who I would pick?
I'd do like Youngboy, I'd getthe song with Youngboy.

Speaker 2 (49:52):
Youngboy yeah.

Speaker 3 (49:54):
That's crazy.

Speaker 2 (49:55):
I like that too.
I like that.

Speaker 4 (49:59):
Look, the whole gang said, yeah, the whole gang said
yeah, I don't know how.
Like weird, like you meanthough.

Speaker 2 (50:06):
Yeah.

Speaker 4 (50:07):
Like if it was like a personal interaction, like I
don't know how we going to do it.

Speaker 3 (50:11):
Okay, I don't think he click with nobody.
That's what I'm saying, thatboy.

Speaker 2 (50:18):
I mean, he just yeah.

Speaker 3 (50:20):
He different.

Speaker 2 (50:20):
Yes, he is that been against the wall for a long time
, so you know what I mean.

Speaker 4 (50:25):
I feel where he coming from Yo.

Speaker 3 (50:26):
Freehung, like you said, this should have drive you
crazy.
You said it yourself.
You said I don't even want tobe that high.
I don't even want to be thathigh.
I don't even want to be on thatlevel because I don't know how
I'm going to act.
Like, look how NBA is he on thelevel?
Yo NBA.
I remember NBA when he wasstarting off.
Man Like Lil Snoop was morepopular than NBA.
You know, what I'm saying.

Speaker 2 (50:52):
And now NBA is like one of the biggest, if not the
biggest, right now In the game.

Speaker 4 (50:54):
Yeah, he is Because he's so young.
Yeah, he got some Lil Wayneshit.

Speaker 3 (51:00):
He's so young he could take some time and still
come back out.

Speaker 4 (51:08):
He's young, but he is big as like.

Speaker 3 (51:10):
I would say he is big as like.
No, he is big as like drinkingthem bro.

Speaker 2 (51:13):
Like he really is big as drinking them.
Hell yeah, he, he's stadium boy.

Speaker 4 (51:16):
he could sell out a stadium hell yeah, like he in,
like juice world and all themcategory so you, uh, you ever do
a big performance um, I didn't,I didn't do no like I did, like
like in the club, like that,you that, you like performing?
No, not really.

(51:36):
I be forgetting my lyrics, bro.
They pay.
Now I be knowing the newerdrums, but like they pay some
older shit.
I'm like, damn, I fucked up thelyric on that drum, I ain't
gonna lie.

Speaker 2 (51:48):
I had a set playlist.

Speaker 4 (51:49):
But performances be cool though they be cool, yeah,
it be cool.
Be cool though they be coolyeah, it'd be cool, I'd be in my
head watching everybodyreaction business.

Speaker 3 (51:58):
That's part of the job though that's how, that's
what I like.
That gets you, that gets youlike in your bed that's part of
the job.

Speaker 2 (52:02):
That's how I look at that.
They're like yeah, man, thatcome with like having a hot song
.
You got a hot song, you won'thave to perform it no at some
point.

Speaker 4 (52:10):
Yeah, I ain't got like no stage fright.

Speaker 3 (52:12):
I like that, though I want to see you and Skrilla go
off one time.

Speaker 4 (52:15):
It's crazy.
I ain't perform, though, butwhen he had his show I was there
, yeah, when.

Speaker 1 (52:23):
At the TLA.

Speaker 4 (52:24):
Lucky had his show.
Lucky, he from Chicago, andshit, lucky had his show.
He brung out Skrilla.
I ain't perform, though, but Icame out, shit, and I was that.
Shit, fuck my head up, cuz alot of people Was screaming my
name and shit yeah.
I had jumped down when thecrowd Damn right now, I Gotta

(52:47):
give it to my man 50, my man 50,to turn this you 50 blood him,
but 50 hot vert hot, um, boogiehot.

Speaker 3 (52:56):
What's his name that made me mad.
What's his name?

Speaker 4 (53:02):
uh, uh.
What's his name you talkingabout screwly?
Screwy screwy yeah, it's reallyreally hot he's not from
chicago, though he's not indiana, but all right yeah, but bro,
like that's my dog right there,that's my dog.
We got some he different we gotsome, I ain't gonna lie.

Speaker 3 (53:20):
We got a couple songs , that's all I'll be saying I
made me mad, what?

Speaker 2 (53:26):
else you got coming up, get a video shot whatever
what you got coming up right nowwhatever features you got
coming up and like I mean I gotsome coming with.

Speaker 4 (53:32):
Mean I got some shit coming with.
I got some some more shitcoming with 50.
I mean 50 got a lot of songs todo.
We got we was going to put atape together, me 50 and screwy.

Speaker 3 (53:46):
All right we are.

Speaker 4 (53:47):
But it's going to be a lot of like they get shit, got
to get clearances and shit likethat That'd be free.
They both are about to say Iain't that.

Speaker 3 (53:54):
That'd be crazy.
You know they both signed.
I'm about to say they signed.

Speaker 1 (53:56):
I ain't signing until it's like it be a lot of
clearances.

Speaker 4 (53:57):
Shit gotta be clear for this, like shit, like that,
so it can't Skruly Q50,.

Speaker 3 (54:03):
Real of the Moves Hood Tally.
We need to make that happen,though That'd be crazy man.

Speaker 4 (54:10):
At least one track, I got this shit in my notes.
I got this shit.
We got songs.
I got opens.
I got to hop on for Skruly, Meand Skruly.
We got three songs Me and 50probably got five.

Speaker 3 (54:27):
That's the tape right there.
A label need to get behind that.
Get behind that tape rightthere.
Y'all going to make what thelabel need to sell right there.
Y'all making it.
Y'all gonna make what the labelneed to sell right there.
Y'all need to.
Yo, here go the project.
Y'all need to get behind thisright here.

Speaker 4 (54:41):
Bottom line we gotta finish it though, because we
gotta like we gotta finish it,and then like bro might be one,
please, he might be one please.
I might be one, please you feelme yeah so it's like once
everything lined up and shit.
When we around each other, it'slike brothers.
You feel me?
So it's like once everythinglined up and shit.

Speaker 3 (54:55):
When we around each other, it's like brothers you
feel me, if y'all know what Iknow.
I don't know who y'all need tolike.
Who hearing this, who watchingthis?
Somebody, one of y'all, yoGotti, one of y'all.
Y'all hear this.
Go put that tape together forthem, boys.
Man, this tape is right.
Y'all labels whatever.
Put this tape together, man.
We waiting on it.
The people want it.

(55:15):
Um, we got a few games we play,though, like where everybody
that comes sit with us.
Man, they like there's nothingcrazy or nothing.
It's like no shade.
We really just shine a light onthe people that we talk about,
so like if we saying thesepeople names, it's pretty much
like a shout out yeah but uh,it's.
It's one called Fast Track andone called one got to go

(55:38):
Breakdown Fast.

Speaker 2 (55:39):
Track before we do fast.
Not too crazy, I'm just fasttrack, it ain't not too crazy.
I just say two things and youpick one or the other, all right
.
All right, so is a low agedifference, so I want to.
All Alright, let's do this.
Bloodhounds or Go-Getters,bloodhounds, okay, okay.

(56:03):
Lil' Baby or Lil' Dirt Dirt,lil' Dirt, yeah, um Uh.

Speaker 1 (56:15):
Hmm.

Speaker 2 (56:16):
NBA Youngboy, nba, nba boy, nba man.
That's why I was trying tothink of somebody hard.
I knew he was going to justpick him automatically.

Speaker 3 (56:26):
He over everybody, man he over everybody right here
yeah.

Speaker 2 (56:31):
Dang.

Speaker 3 (56:32):
Let me do one.
Go ahead, lil Dirt, lil Baby, Ijust said that.

Speaker 1 (56:36):
You said that.
Oh damn, I didn't hear you saythat.

Speaker 3 (56:38):
My fault, you always spew.

Speaker 2 (56:39):
My fault.

Speaker 3 (56:40):
I be reversing too.
Go ahead, go ahead, man Allright.

Speaker 1 (56:45):
Future or Slime.

Speaker 3 (56:46):
Okay, damn Future.
Okay, you said that real fast.
Future, slum, slum.
Yeah, I knew it was going to bea little difficult to you
somewhere, but what you saying,what you say.

Speaker 4 (57:02):
Future, future, yeah, pluto, future gonna be it for
sure, pluto.

Speaker 2 (57:06):
Slum, slum, usher or Chris Brown.

Speaker 4 (57:10):
Usher, or Chris Brown , usher Chris.

Speaker 3 (57:13):
Brown Usher, chris Brown, chris Brown Usher.
We set up a debacle over here.
We set up a little settlementUsher.
Usher.
Y'all got to be about thatlater, man Usher got more
classics than Chris Brown.

Speaker 4 (57:24):
Facts you on point.

Speaker 2 (57:25):
Usher yeah, they on point, he on point All right,
usher, don't got no confessionSexy Red or Glow-Rella.

Speaker 4 (57:33):
Glow.

Speaker 2 (57:34):
Sexy.

Speaker 4 (57:35):
Sexy Music director.
Sexy or Glow-Rella.

Speaker 3 (57:38):
Whatever you choose, whatever you choose.

Speaker 4 (57:40):
Look better with Sexy Red.
She got the music shit.

Speaker 3 (57:43):
He trying to break it down?
Who?
You figure, sexy, sexy Allright, sexy.

Speaker 2 (57:52):
Okay, prada or Balenciaga.

Speaker 4 (57:56):
Prada, prada, prada.

Speaker 1 (58:02):
How I like the dress, though.

Speaker 4 (58:03):
I like it.
It be clean, it's not doing toomuch.
You're down there, don't evenknow what this shit is, so I say
Prada, and they bring the oldcups back.

Speaker 2 (58:13):
Yeah the old cup.
I ain't going front.
I'm ready to get me the GrandParade.
Yeah, the old cup right there,I ain't going front, I'm ready
to get me a pair Pride With thegreat shoe laces With the great
shoe laces.

Speaker 4 (58:20):
But Balenci right after it though.

Speaker 2 (58:23):
I'm going Balenci first, though.

Speaker 3 (58:27):
No, he don't play about Balenci.

Speaker 4 (58:28):
Balenci be snapping.

Speaker 2 (58:29):
Yeah, yeah, All right so how about Rough?

Speaker 4 (58:38):
Riders or Rockefeller .

Speaker 2 (58:42):
Rockefeller G-Unit or Dipset.

Speaker 4 (58:48):
Dipset, dipset.

Speaker 2 (58:54):
Dipset Yo Gotti or Gucci man Gucci man Jada kissed
Beanie Seagull.

Speaker 4 (59:02):
Beanie Seagull, Gucci , man nigga you trippin' he said
Jada.

Speaker 3 (59:09):
He said it, he bubbled it in, he like hold on,
I don't know.

Speaker 2 (59:14):
Mack on his way too.
Damn Beans, Beans.

Speaker 3 (59:21):
Beans raised me On the music, tip man.

Speaker 2 (59:26):
How about?
How about I'm trying to gogroups.

Speaker 3 (59:33):
Do R&B groups All right?

Speaker 2 (59:37):
Two of them Jagged Edge or 112.
They ain't that young.

Speaker 3 (59:45):
They too, they don't know I know Jagged Edge they too
, I'm trying to think, but like,all right, any of you.

Speaker 2 (59:49):
Look, he said what's the song?
All right, but look so, look,it's crazy.
Look, this is that's that it'scrazy, but that's a whole
another conversation.
What me, what, uh, male r bgroups is in between that time?
After them, it's none.
I was born in 2000 see.
So all right, who, who, damn,b2k, b2k like who was.

(01:00:14):
So who, who, who, who wouldthey be in his time mr jones.

Speaker 3 (01:00:20):
What's his name?
B2k that's what I'm saying allthem, yeah them dudes, you don't
know them, dude, you don't knowthem.
Yeah, we ain't doing themmillennium tour, right now, you
don't know them, you don't knoweverybody.
I don't know what you got.

Speaker 2 (01:00:34):
Don't know them, you don't know everybody on there
what you got serious I got tosee it.

Speaker 3 (01:00:37):
He don't know, he don't know, he don't know.
No R&B groups right now.

Speaker 2 (01:00:41):
You told me they're my R&B group.

Speaker 3 (01:00:42):
Hey man.

Speaker 1 (01:00:43):
I like the Temptations.

Speaker 2 (01:00:46):
See, see this nigga, always playing man I'm dead
serious.

Speaker 4 (01:00:50):
I know all these songs, bro, you could have went
old school with them Bro.
Yeah, my mom used to listen tothem, but I used to always like
the movie.
And then my mom had this.
It was like a DVD but it waslike all the performances.

Speaker 3 (01:01:05):
Marvin Gaye or Teddy.

Speaker 4 (01:01:06):
Pendergrass Marvin Gaye.
Over who, Teddy Pendergrass?
Yeah?

Speaker 2 (01:01:12):
you trippin' what.
I don't even know who that is.

Speaker 4 (01:01:15):
I just know more Marvin Gaye songs.
We about to close this hole.
I'm going to shut this wholeshit down.
Let's song Teddy Pendergrass.
We got one more game.
Wait, that's just who I like.

Speaker 3 (01:01:26):
No, you definitely won't pick Teddy.

Speaker 4 (01:01:28):
I heard more Marvin Gaye than Teddy Pendergrass.
Yeah, you playing.
You playing right now, I don'tknow, bro, he playing.

Speaker 2 (01:01:38):
I don't know, teddy, been at Lincoln Drive man, that
Rose, he was big.
I'm trying to tell you, yeah,tell a bitch, turn the lights
off.

Speaker 4 (01:01:45):
You going Teddy, you going Teddy.
I got to hear the song.

Speaker 2 (01:01:48):
Turn them off.
Turn off the lights.

Speaker 3 (01:01:51):
Turn off the lights.

Speaker 4 (01:01:52):
I probably got to hear a song.

Speaker 1 (01:01:54):
My mind used to have me listening to you got to think
though, put Teddy on, you ain'tgoing to have to do nothing.

Speaker 3 (01:01:58):
My mind used to be listening to like more so, like
Tina Marie and shit like that.

Speaker 4 (01:02:02):
All right, there we go there, we go, go on that lane
, but I don't know Tina, marieand shit like that bro.

Speaker 2 (01:02:08):
I don't know.
All right, let's.

Speaker 4 (01:02:11):
A Marie.
I know her songs.
I know her songs, a Marie.
I don't know what happened to AMarie, though.

Speaker 3 (01:02:19):
All right, let's go into One.
Gotta Go real quick, all right.

Speaker 2 (01:02:22):
One Gotta Go is like the opposite.
We're going to say four peopleand you're going to have to pick
one to go.
When they go, everything underthem go as well.
So they just don't exist.
So everything under them don'texist as well.
Let's go.
Meek Mill, Quilly Mill, JoeyJahad, Meek Mill, Quilly Mill,

(01:02:44):
Joey Jahad and Reed Dollaz Onegotta go.

Speaker 3 (01:02:48):
Damn, you can't do that though.

Speaker 1 (01:02:51):
That's what you think One gotta go.

Speaker 2 (01:02:55):
They all made each other for real.
One gotta go, one gotta go, Ichoose one who gotta go out of
that, joey gotta go, joey gottago.

Speaker 3 (01:03:02):
Yeah, that's what I was thinking.

Speaker 1 (01:03:05):
Because like.

Speaker 4 (01:03:07):
I gotta pick Reed over Joey Reed like Joey gotta
go, joey gotta go, that's a goodone.
All right, here gotta go, joeygotta go, that's a good one.

Speaker 3 (01:03:15):
All right here we go.
Let me do one no, hold on, Goahead go ahead go ahead, go
ahead, let's go, because I wasthinking Kour.

Speaker 2 (01:03:23):
Tor Kwani Skrilla, one gotta go.
Mmm, mmm, that ain't hard thatain't hard.

Speaker 4 (01:03:37):
I'm about to drool.

Speaker 1 (01:03:38):
I already know who that ain't hard.

Speaker 3 (01:03:39):
That ain't hard.
I'm about to drool.
I already know who you're goingto say.
Who is it?
I?

Speaker 4 (01:03:44):
didn't think that he playing Skrilla got to go.

Speaker 3 (01:03:49):
Come on he coming up here to bar bro he playing.

Speaker 4 (01:03:54):
He's going to come up here to bar Skrilli got to go
Yo.
That's my final job, Yo oh myGod.

Speaker 1 (01:04:00):
Where is that.
All right, here we go Yo, allright.

Speaker 2 (01:04:08):
Gucci man.
Yo Gotti Lil Wayne, jeezy Onegot to go Jeezy.
Oh, yo Gotti Lil Wayne, jeezyOne gotta go Jeezy.

Speaker 4 (01:04:17):
Yo Gotti.

Speaker 3 (01:04:18):
He the one that don't gotta go.

Speaker 4 (01:04:20):
Matter of fact, gucci Mane, yo Gotti Lil.

Speaker 2 (01:04:23):
Wayne.

Speaker 4 (01:04:23):
Gucci Mane Lil Wayne.

Speaker 2 (01:04:24):
Or Jeezy Lil.

Speaker 3 (01:04:25):
Wayne gotta go.

Speaker 4 (01:04:28):
Nah, the Lil Wayne gotta go, because Lil Wayne cool
but motherfuckers related more.
That's the trap.
Shit, you feel me?
Gucci Mane, Jeezy and YoGoddard.

Speaker 3 (01:04:38):
Out of that circle.

Speaker 4 (01:04:40):
Lil Wayne is just like a rapper.
Rapper, you feel me?

Speaker 3 (01:04:43):
They like rapping for the trenches.
You get what I'm saying, youdon't belong with them.

Speaker 4 (01:04:47):
Yeah, then we going to say like I don't know bro.

Speaker 3 (01:04:51):
We used to say TI, right there.
We used to say TI, buteverybody say TI got to go.
Yeah, it's too easy.

Speaker 4 (01:04:59):
I'm going to put me personally, I'm going to put Lil
Wayne out Over Yo Gotti andJeezy and Gucci Mane.

Speaker 3 (01:05:06):
There's nobody else to go there for real for real.

Speaker 4 (01:05:09):
I'm going to put Yo Gotti out.
All right If I substitute it'sbetween, because I want to say
Jeezy and Lil Wayne, but I don'twant to say Jeezy and Lil Wayne
, but I want to say Yo Gotti,but I don't want to say Yo Gotti
, Yo Gotti made millionairesBecause Yo Gotti is like he made
a lot of millionaires on thatteam.

Speaker 3 (01:05:29):
Gucci made Migos.

Speaker 1 (01:05:31):
Gucci got a lot of people signed, he got Slime and
all of them on Gucci like a godof people signed.

Speaker 3 (01:05:37):
He got slime and all of them on Gucci.
Like a god damn thing, gucci,that nigga bro.

Speaker 4 (01:05:39):
It wouldn't be no Young Thug, nobody without Gucci
.
So I'm going to take out LilWayne.
That's my final job.
No drink, no.
Nicki Minaj I got Future andThug.
What do I need them for?
All right, I ain't evenlistening to them on the regular
Damn.
Yeah, I got Future and Thug.
What do I need them?

Speaker 3 (01:05:57):
for I don't even listen to them on the regular,
damn yeah.

Speaker 2 (01:06:05):
Lil Baby Lil Durk Slime.
Lil Baby Lil Durk Slime andPluto.
Which one Lil Baby Front of RipYo nah, damn yeah.
You know how you cool, tell meyou cool.

Speaker 3 (01:06:29):
You good brody, got stocked up.

Speaker 2 (01:06:30):
now y'all All right, I got you.
Okay, you already know.
Yeah, so oh, you said Lil Baby.

Speaker 4 (01:06:38):
Yeah, lil Baby gotta go.
I can't keep it.
I have to live without Lil Baby.

Speaker 2 (01:06:42):
Yeah, yeah, all right , here we go, here we go, here
we go.

Speaker 3 (01:06:45):
I'm gonna make up one real quick though, Go ahead,
here we go, here we go.

Speaker 2 (01:06:53):
Glorilla Ice Spice, glorilla Ice Spice.
Sexy Red Cash Doll.

Speaker 4 (01:07:13):
One gotta go Cash, doll Ice.

Speaker 1 (01:07:15):
Spice.

Speaker 4 (01:07:16):
Ice Spice, ice Spice, ice Spice.
That's what he got to say, notme.
No disrespect to Ice Spice.

Speaker 1 (01:07:25):
He like I'm saving my chain.

Speaker 4 (01:07:27):
No, I don't want Ice Spice.
That ain't my type.
I would put damn who I say.
You said Glow Ritter Ice Spice,sexy Ray and Cash Doll.
I ain't my type, but I wouldput damn who I say.

Speaker 1 (01:07:38):
You said Glowrita, ice Spice, sexy Red and.

Speaker 4 (01:07:39):
Cashdow, cashdow.
Look like she big, though YoLike she tall as shit.
So yeah, I put Cashdow on.
She older shit too.
So Cashdow not old, sheprobably like shit too.
Cash down not old, she probablylike 40.
No Cash down like 27.
What she's, not 27, bro, that'sa girl and a woman right there.

Speaker 3 (01:08:04):
She like 30.
She like 30.
She like 30.
She like 30.
She's Yo.
I got to double check that.

Speaker 1 (01:08:09):
All right.

Speaker 2 (01:08:10):
All right, I'm keeping Cash now, and here we go
.

Speaker 1 (01:08:12):
Here we go here we go .

Speaker 2 (01:08:14):
Here we go.

Speaker 1 (01:08:15):
You know, we got

Speaker 4 (01:08:17):
she was how old?
He says she five, five.

Speaker 3 (01:08:19):
Oh, how old is she she was five, five, she was.

Speaker 4 (01:08:23):
she was six foot five .

Speaker 3 (01:08:25):
Eleven.
I mean she did let's go, let'sgo.
I was going to say, let's go,told you damn near 40, my 40.

Speaker 2 (01:08:34):
My cake was a.

Speaker 3 (01:08:37):
Uh huh.

Speaker 2 (01:08:38):
AP the psycho Uh huh, look, you look at like.
China.

Speaker 3 (01:08:48):
China, okay, china.

Speaker 2 (01:08:50):
Lou James.

Speaker 3 (01:08:52):
Robbie.
Good Lord I'm hoping we amazing.

Speaker 2 (01:08:56):
Oh OK, china, luciane , um rocky, um good lord I'm
helping you leave me.

Speaker 1 (01:08:59):
Oh okay, they all gotta go all right, that's the
real of the most podcast man,you're the last one, bro we out.
Bro, we had a wonderfulinterview.
No, don't do that.

Speaker 3 (01:09:12):
We out bro.
We had a wonderful interview.
No, don't do that, I do this,my boy don't do that.
Why, boy?

Speaker 2 (01:09:19):
all right, here we go , the biggest labels real quick,
man Jay-Z Birdman, p Diddy, drDre one got to go.

Speaker 3 (01:09:28):
He did it.
Now, mind you, when you say oneguy go, everybody sign,
everybody ever put on, theygoing to be Diddy, diddy got to
go to the world, a better placewithout Diddy.

Speaker 2 (01:09:43):
It's the real of the most podcast man.
I'm white boy.

Speaker 1 (01:09:47):
We got out of here.

Speaker 3 (01:09:50):
We got a building.

Speaker 2 (01:09:51):
It's amazing.

Speak (01:09:57):
Relativemostpodcastcomcom .
You know what I mean.

Speaker 1 (01:10:02):
They can't though.

Speaker 3 (01:10:05):
Alright man.

Speaker 2 (01:10:05):
We out.

Speaker 3 (01:10:08):
Alright, we just need a drop man.

Speaker 4 (01:10:10):
Yo, Tyler, you was great.

Speaker 3 (01:10:15):
He said it's a better place.
He's amazing with his stage.
All right, bro, I had to go.