CRAZY WORLD WE LIVE IN I FEAT DJ CRAZY I RTM PODCAST I SZN O2 | EP. 16 - Realer Than Most Podcast

Episode Transcript
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Speaker 1 (00:20):
We'll see you next time, rilla the Moose.

Speaker 2 (00:22):
Podcast it's the Rilla, the Moose Podcast.
I'm Rilla, I'm Outta World Cash.
I'm White Boy D2A.
We got a special guest in thebuilding today man Family in

(00:42):
here today.
Hell yeah man, we gotta sayit's family in the building.
Man, I'm tripping how we doingit, man, how y' building today.
Man, family in here today?
Hell yeah, man, we got to sayit's family in the building.
Man, I'm tripping how we doingit, man, how y'all feeling?
Man, that's how we got to startthis one.

Speaker 1 (00:52):
Who, who, who, you asking first?
Oh man, I'm going to go with Iwant first to last time, it's
your turn All right, go ahead.

Speaker 2 (01:00):
White boy.
Oh man, you know, feel good man.
We got crazy in here tonightExecuting.
Well, you know what I mean.
Feel good y'all.
Mm-hmm.
Yep, one of them ones.
Y'all know that feel.

Speaker 1 (01:16):
Yep, yep, me, me next .
Yeah, let's do it Yo.
I ain't going to lie man, I'mjust feeling real.
I'm feeling like executionstyle type.
I mean everything gettingexecuted, everything getting
planned out right, we sharpeningstill.
You know what I'm saying?

(01:36):
We got a pioneer sitting inhere with us right now.
We gonna get into that.
But with all that said, I feelgood.
I feel great, man.
I feel great.
All right, how?

Speaker 4 (01:51):
you feeling Prestige?

Speaker 1 (01:54):
Prestige, prestige.

Speaker 2 (01:57):
I'm going to the next level.
Prestige I like that Prestige,prestige.
It's time to hit another level.
You hear me?

Speaker 1 (02:05):
Hell yeah man.

Speaker 4 (02:06):
What's up?
Dj Crazy, crazy man.

Speaker 2 (02:09):
How you feel man.

Speaker 4 (02:10):
Crazy man, how you feeling?
I'm blessed to be here, man.
I've been seeing the platformy'all created go up.
A lot of new artists that I A&Ris on y'all platform, a lot
platform, a lot of artists thatI didn't came up with.
Work with y'all just shook someman I just saw a lot of y'all

(02:31):
saw a lot of shaking shook someshit all right.
So obviously that on tour.
So I'm back.
So for me to be blessed to gethit up by my man, white ball
there, come on here.
I know we all all got our ownpersonal relationships and, with
whiteboard being him to try andmake this happen, we finally
did it.
You know what I'm saying.
I'm feeling great man my boy, Ireally appreciate you, man
feeling good well, look, man.

Speaker 1 (02:54):
I mean you know, we got a lot of listeners yeah,
real quick we oh, yeah, um when,when, when we went well grim,
we lose, we'll cry the blues man, and that's just, that's one of
our models.
Shout out the sun bomb, likethat's one of our models.
We go by and like, yeah, Iain't gonna lie, like we got

(03:16):
listeners.
That's not from philly, so wegonna have to break brody down,
you feel me.
But for those who, in philly,y'all know, like ain't no reason
to even talk.
The catalog is there, the um,the influence, the, you know
everything, and and and one inone bowl and the recipe is there

(03:37):
with bro.
But for the ones, who's notfrom philly listening, he, he
responsible for for with% of theworld doing right now and we
gonna get there.
We responsible for it.
I wanna I want to touch onsomething after the introduction
.
But we got DJ crazy man roundof applause for my boy.

(04:04):
I'm gonna do, I'm gonna do this.
I'm gonna do a natural round ofapplause god tell me he deserve
it.

Speaker 2 (04:11):
He deserve it already , man, it's well deserved for
sure um.

Speaker 1 (04:17):
So we started off a certain way.
We're gonna let white boy takeit away.
You feel me all right.

Speaker 2 (04:24):
So up here on the real of the most podcast, we do
our due diligence banners thoughyou family.
I really watched your wholecareer bro yo turn up like
literally, bro.
I really watch you come up,watch your whole career.
I watch you shake up and turnover, bro.
So, with that being said, wegot to get our listeners the

(04:46):
story.
So we're going to walk it down.
Dj Crazy, where are you from?

Speaker 4 (04:50):
I'm originally from Baltimore.

Speaker 2 (04:53):
Okay.

Speaker 4 (04:53):
I came to Philly, nicetown, pennsylvania, nicetown
, pa when I was 13.
Okay, then I moved to Jerseywhen I was 16, my sophomore year
.
I've been living in Jersey eversince, but just commuting back
to nice town, baltimore, duringholiday times.
Speaker 1.
Speaking to the mic crazySpeaker 2.
Speaker 1.
Speaker 3.

Speaker 2 (05:13):
Speaker.
4.
Speaker, 5.
Speaker, 6.
Speaker, 7.
Speaker, 8.
Speaker, 9.
Speaker, 10.
Speaker, 11.
Speaker, 12.
Speaker, 13.
Speaker, 14.
Speaker.
15 with all the party musicfrom all the towns.
Okay, so, growing up and comingup in Baltimore, then moving to
Philly as a teenager, thenmoving to Jersey as well, like,

(05:34):
give me a few of your influencesand when I say influences I
don't mean like people in theindustry or none of that I'm
talking about like the peoplethat's even in your house, or
like right outside your door,type shit.
Give me a few of thoseinfluences coming up.
That's a different question.

Speaker 4 (05:50):
All right, baltimore, I was influenced by the 12
o'clock boys.
My cousin was a part of thefirst wave of that.
Okay, sean, rest in peace.
I was raised by a majority ofwomen.
My woman was 95% woman in 98.
You know, I was raised by amajority of women.
My woman was 95% of women in 98.
Right, probably 95 now, but 98%of women when I was growing up.

(06:11):
So you know I was raised bythat and just you know, I grew
up Christian.
Yeah, you know, and that's myBaltimore bringing out.
Came up around like playingsports, bro.
I played 12 sports my wholelife.
Okay, came up around likeplaying sports, bro.
I played 12 sports my whole life.
Okay, and um, when I tried thecelebrity is when I stopped the
whole sports, so that wasn't myfirst thing.

(06:31):
And um, you know like who myparents was.
My parents had dope lineagestories in baltimore growing up.
You know my dad had two tatalaw books on him to this day.
My mom was a.
She was one of the biggestpageant models in the city so
she was a runway model, apageant model.
So my family, my Baltimorefamily, a bunch of creators,

(06:56):
christians, people that maketheir own clothes for prom and
get their stuff made.
You know, coming to Philly whenI was 13, and this is why my
name did your credit 215, howpeople really don't really know
nice town changed my name.
You feel me okay.
It's like me and rico having at13.

(07:16):
You feel me meeting.

Speaker 1 (07:18):
I know you said not celebrities, but this fix, don't
do it, just fix it.
Don't take it.

Speaker 2 (07:24):
Just fix it, just fan it.

Speaker 1 (07:29):
Excuse the technical difficulties, just tell them
whatever they're doing, do it inthe room.

Speaker 3 (07:33):
Don't do it right under.

Speaker 1 (07:34):
Go ahead bro.

Speaker 4 (07:38):
Yeah, so I can say, like then, coming to Philly when
I was 13, you know how I meteverybody bro, everybody bro.
It's like I could say that'swhat I was inspired by, philly.
I felt that brotherly lovestuff when I first came here.
Okay, stepping yeah, and ohead'stelling you the union from
baltimore, no more, you fromphilly like and not
disrespecting it, just Iunderstood the love and the like

(08:01):
, you know, yeah, them taking mein as an orphan bro, right and
then, and then jersey.
Uh, the last thing, while I wasinspired by that corporate, I
went to high school musical typeschool okay with um like a
music like cheetah girls andyeah damn like this look like
zach and cody or something youlike, corey you like corbin blue

(08:22):
, didn't you, bro?

Speaker 2 (08:23):
that was my cody or something you like core, you
like corbin blue didn't you brothat was my like look, look, I
did all the school plays.

Speaker 4 (08:35):
I was the first black dj and, like I said it was, it
was like high school musical,meaning like spirit day.
Yeah, you know the uh,experiencing what senior day was
I?
Never, you know I did my firsttwo years at Grax before I went
there Totally different.
It was like a culture shock,bro, totally different.
It was like I don't.
It was, like I said, the bestway to explain it was like a
fucking.

Speaker 2 (08:54):
Disney Channel movie Damn.

Speaker 4 (08:54):
It saved my life because it made me not want to
go back to Philly.
Right, you know what I'm saying, right?

Speaker 2 (08:59):
Okay, okay, okay, okay.
So, growing up, philly, jersey,baltimore, family-ass
influences coming up and youcoming to Philly, rico Havoc
being one of your earlyinfluences, me and him.
Okay, when you meet him and himbeing your influence, was that
like his dollar boy era?

Speaker 4 (09:19):
This was right post Okay.
This was right when he wasabout to become Okay.
So I always like to start theRico Hav, rico havoc story
because that was like my first.
He taught me how to make beats.
You know, I'm saying if I'm 13,rico havoc is nine years old.
People don't understand what Imean when I say he was a super

(09:39):
baby.
That's what I still attractniggas like him to this day.
I got goddaughter, that's justit.
Remind me just of Rico Meaningthis.
Nigga knew how to work Audacity, fl Studio, photoshop, all
these things at nine years old.
Bro, if you really think aboutthat, that's like you feel me,

(10:00):
him as a dancer.
I met him at nine.
Nigga know how to do this movecalled a flare.
If you look up what a flare islike, you got kids white boy,
yeah, alright.
So you would have to put yourkids in gymnastic class, paying
like 20 bands a month, to learnthis particular move and this
move gotta take you like a yearor two years to master this shit
.

Speaker 1 (10:20):
Nigga knew how to do like 10 of them and he knew how
to do like 10 of them.

Speaker 4 (10:23):
At nine, bro, that was like amazing to me.
You feel me so like Rico comefrom, like that real family
ground, same like me, like mymom, you know.
She got clean and moved.
She got custody of me and movedMe and my other two siblings,
me and my other little brother,philly.
So you could say Rico's mom andthem was overprotective, so

(10:46):
like he was over my man housefor the summer.
That's how I met him man.
He's he's kin to Neve Buck,like the young guns Chris.
So I culture shock nigga, I'mliving three doors down from
fucking you feel me, chris andNeef folks.
Chris and Neef.
I see, I see Chris Every timeI'm going there To make beats
and shit, so.

(11:07):
So so basically, bro told mehow I make beats.
The exchange was like Alright,bro, you come outside Like I'm
about to lead Dollar Boys andmake my group Teenage, and then,
with his cousin, you feel me.
So his mom just trusted us Typeshit.
Yeah, you know what I'm saying.

Speaker 2 (11:24):
So that was the first time you made a beat.

Speaker 4 (11:25):
Yeah, it was that summer.
Damn you feel me, that was myfirst and last, just a summer,
you know what I'm saying.
Then we was going outside.
That was the exchange.
He was outside.
That's why you see him earlyvideos.
And then, you feel me, we built, like we built that real
foundation with the Dollar Boys.

(11:46):
Yeah, him and Woody startedthat generation without me.
I was gone.
After that I was turned teamH&M, which turned out to be team
Nike.
You feel me, I converted mygroup into that with team Nike.
Shout out to niggas like FreshCY, all the original members and
shit.
People don't know that name comefrom the young guns.
That was a nice thing.

Speaker 2 (12:04):
Okay, all right, know that name come from the young
guns.
That was a nice thing, so.
So, okay, all right, would yousay so?
Would you say?
Your style then was morebaltimore than philly or more
jersey than baltimore.

Speaker 4 (12:14):
At that time it was all baltimore, all baltimore,
right, it was baltimore typeshit.

Speaker 2 (12:18):
Okay, okay, you know yeah before we continue, I want
y'all to share, like, subscribe,comment.
It's the real of the mostpodcast.
You're a motherfucking hater.
Why?
Because it's free.
All right I ain't going to lieman.
Make sure my boy's here with me.

Speaker 1 (12:34):
I ain't going to lie.
Yo we here.
I'm not going to lie.

Speaker 2 (12:37):
Crazy is an interesting soul.

Speaker 1 (12:39):
No, look, this is the crazy, this, this the crazy
thing.
Right, right, you know I'm 26,bro, so like that was my ever,
like that's where I knew youfrom.

Speaker 3 (12:58):
Like before all this shake that and all that like it
was that I was in dollar boysand fire nation feel them change
.

Speaker 1 (13:05):
Yeah, like this thing was shitty.
Yeah, I'll shrink it right now,right in front of y'all.
Stop it stop it the head,shaking all that.
Yeah, he don't understand.
He don't understand.
But it's crazy because you busta Wu-Tang move, bro.

(13:33):
We were on the road.
You see me on the road john, Iwas yeah but it's your little
kick was on.
It's crazy yeah, I'm trying totell you, bro, it's there and
there's something about that era.
You just never forget it.
You never lose anything youlearned in that era, you was on
in that era but I was like theTeam Nikes, the Fire Knee,

(13:55):
everybody be trying to be allgangsta and thorough now.
I love that era.
I love that we came from thatera.
People be trying to hide itthat we came from that era.

Speaker 2 (14:08):
People be trying to hide it, bro.
Bro world rap.
I love that, nizzy.
Yeah, we go havoc all thepeople down south philly, that's
like that was rapping and had alittle buzz.

Speaker 1 (14:13):
They were always in the dark, like rico havoc was as
big as a star before lucas hewas the best dancer from
philadelphia.

Speaker 2 (14:22):
He used to backflip talk about it.
Yeah, he was the best dancerfor that perry though you know,
but that's.

Speaker 4 (14:29):
I'm glad you spoke on that because that's why I
wanted to create the whole shapethat way, because you know
every other I wouldn't say youknow every other rapper
entertainment from our city.
They experience what we talkingabout from the lineage story
that they going to tell.
I want to tell that story, thestory of nigga.

Speaker 1 (14:49):
You wasn't cool unless you was in the group yeah
or you was dancing or you hadto be affiliated with a group
you had your own party song, oryou was in the house playing a
game that was my ever man.
Yeah, that was my ever.

Speaker 2 (15:00):
Yeah, I'm a little older.
So what y'all saying that?
I kind of get it.

Speaker 1 (15:04):
Yeah, I ain't know that Like you know how hard, so
you had to be a part.

Speaker 2 (15:09):
It was like the Warriors.

Speaker 1 (15:10):
Yeah, you know another thing.

Speaker 2 (15:11):
Yes, bro, I was older than y'all.
Yeah, like if you watch thatit's like the Warriors.

Speaker 1 (15:15):
Even if it wasn't a big group and it was your own,
you still had to get your buzzup At the end of the day it was
competition and y'all had to gohead to head.
If you had a party.
Song DJ Bay DJ or DJ Young Gunor.
Dj Pop you was bull.
Back in the day who was what?

Speaker 2 (15:36):
The biggest DJ.

Speaker 1 (15:37):
He wasn't.
No he wasn't a DJ at all.

Speaker 2 (15:42):
Who was.

Speaker 1 (15:43):
Gunna was one of them .
No, I wasn't a DJ at all no no.

Speaker 4 (15:45):
I'm gonna keep it.

Speaker 1 (15:46):
I'm a kid, no, are, who was?

Speaker 4 (15:47):
yours, not the biggest.
The biggest name, obviously, Iwas the club king.

Speaker 2 (15:53):
Yeah.

Speaker 1 (15:56):
DJ babe work is ridiculous.
That's how he known from that.

Speaker 2 (16:11):
DJ.

Speaker 4 (16:11):
Bay.

Speaker 1 (16:15):
That's how he know DJ Bay from back.
Dj tis gonna ray.
You had to be around this niggaa million times, bro.
I DJ Tiz Gunna Ray.

Speaker 4 (16:26):
DJ Get Em DJ Ray.

Speaker 1 (16:28):
Gunna, that's DJ.
Get Em, that's Gunna Give methe.

Speaker 3 (16:30):
Wall-E's.

Speaker 4 (16:32):
That was DJ RL and YB .

Speaker 3 (16:33):
Freak.

Speaker 4 (16:34):
YB Freak, yeah, freak .

Speaker 3 (16:37):
Yeah, I tell that yo, yeah, but look look, look, look
, look, look, look, look, look.

Speaker 4 (16:41):
You see the energy we just created.
Bro, it was about that it wasdifferent.

Speaker 1 (16:45):
It was about being a brand.
Rest in peace, Mookie.

Speaker 2 (16:46):
Mook man Like.

Speaker 4 (16:47):
I always say like you have to be a Mookie.
Mook Real red Rest in peace.
You have to be a Hotshot.
Shakur a Like the nigga was oneof the Cole Gangsta.
He was bro.
No, nigga was a big promoter.

Speaker 3 (17:06):
That shit was the best childhood.

Speaker 1 (17:07):
Well, what was you about to say, though?

Speaker 4 (17:08):
Bro, the nigga, the nigga I always say the names
because the females from thatera were understated, even the
niggas bro was being hot shot.
I just had a sit down the otherday and we said I said, bro,
that's why I always ask you Nowin the chart rappers, y'all come
to me, bro.
Y'all niggas had the city,y'all was bringing out, y'all

(17:30):
was selling out Nine, two, three, making 10,000, 20,000 at 13,
14 years old, them niggas wasdoing that shit.
Right now, this just alight-skinned, pretty boy,
that's it.
He used to get chased.
The niggas used to beat him upjust because he used to just get
too much pussy.
That was the concept of bro.
He was a light-skinned niggathat promoted by himself.
He didn't need none of this.
He would sell out 9-2-3, 3-2-10, blue Horizon by himself.

(17:53):
Swear it, mr DMG.
Another one Protectors was likeour cousin, like no pics where
that name came from niggas.
That really that didn't give afuck.

Speaker 1 (18:04):
Those were the head.
They were street dudes thatwere shooting people and coming
to parties.
That's when it came.
Those that was the only onedoing that.

Speaker 4 (18:12):
It is crazy when you look at that shit was like
organized, like it remind melike Organized real 90s gang,
because even if we had no picsand that name was so crazy, the
shooting we had back it wasn'teven out of control.
I lost one friend to a copnamed Billy from Aerie.
Rest in peace, billy Wood.
You feel me that was the worstrandom shooting that you.
You get what I'm saying or likea kid playing with a gun and it

(18:33):
going off type shit, you feelme, even with having a group
called no.

Speaker 3 (18:37):
Picks.
They was protected.

Speaker 4 (18:38):
They was out of control.
You feel me they was our firstshooters.
That's what really.
You know what I'm saying, butthey was like it wasn't you
would've think what a crazy namelike that Even what they was
known for, cause they was, like,known for no pics.
That's where this shit camefrom.

Speaker 2 (18:51):
These niggas?

Speaker 4 (18:52):
It still, it wasn't.

Speaker 2 (18:52):
This shit is crazy, hold on.

Speaker 4 (18:54):
Where the crime at right now.

Speaker 1 (18:58):
We'll get into that later, cause I shit because we
start going hand, but I feel asthough, like the biggest one, I
feel as though it was eras whenit came to the biggest people,
facts, but the biggest oneoverall, it gotta, it gotta be
swizzy, mac, bro swizzy yeah,because he started going to

(19:19):
london and japan.
Off of party music, bro, l EarlyJapan, early Like Bro.
Let me tell you something, bro,let me tell you something
Everybody who's my age, or even30 and down, was in that, like
they could be all tough, shootem up, bing bing and all that.
You was in it, like, and if youwasn't in it you was a weirdo

(19:42):
Right Like that was the coolthing, yeah.

Speaker 4 (19:45):
Bro, he right bro.
You could be normal in thisshit, bro.
Yeah, Like Beauty Kills PocketDollies, Bro.
That's crazy Like dancing wastrapping.

Speaker 1 (19:53):
Trapping now was dancing in our era.

Speaker 4 (19:56):
Cause you had to go.

Speaker 1 (19:57):
Like, you had to wear the bright sweat suit.
Yeah, you had to know how totop rock Wu-Tang.
You had to be in a certaingroup.
You had to have a party song tobe like the bull.
You feel me Like middle school,elementary school.

Speaker 2 (20:11):
That's why y'all all know how to do it we all yeah.
I understand it now.
I ain't get it, though I ain'tknow that.

Speaker 1 (20:17):
It's dope to hear it, though I ain't going to front.

Speaker 2 (20:25):
And it's funny because I was going to tell us,
because our era we couldn'treally dance Tough as niggas.

Speaker 3 (20:27):
It's like no, don't say that, bro, y'all wasn't
dancing.
Don't say that People wasHarlem shaking bro the Hilltoe.
They was Harlem shaking.

Speaker 1 (20:31):
They was Harlem shaking.
Crazy, that dude's mad.
That is not dancing.
That's Harlem shaking.

Speaker 2 (20:39):
Bro, when no, they was not bro.

Speaker 1 (20:42):
His era was dancing, break, dancing, yeah, no pop
locking, but he got a lot of era.
I don't know.

Speaker 2 (20:48):
I came out with you too, cause so like.

Speaker 1 (20:50):
But yo let me, let me tell you something that's crazy
though Yo Nah bro, I seenpeople dancing bro.
I like I like come back.

Speaker 2 (20:58):
I like that, though it always just come back, bro.

Speaker 3 (21:01):
That's the era I broke up from, too, that Meacham
era.

Speaker 1 (21:02):
Then always just come back bro that meet you in them
era and they faded and the erawe talking about.

Speaker 2 (21:06):
Then it faded and he don't get back again.

Speaker 1 (21:08):
It always come back, but I want I want, I want, I
want to tell this, I want, Iwant to say this right, I
remember when the first time Iever seen crazy bro I was.
I was 11.
How old you I?

Speaker 4 (21:23):
don't know was 11, 10 years ago.
I'm late 20s Late 20s Alrightso it was 11, like 10 years ago,
though.

Speaker 2 (21:30):
I was 11, 14 years ago, still so black with his
breath.

Speaker 1 (21:34):
I was 11 Come here, let me burp you.
I was 11, my baby boy, and wewent to he crazy.

Speaker 3 (21:42):
He was 11, remember the Huntington Park Cookouts we
used to.

Speaker 1 (21:44):
Remember the Huntington Park cookouts we used
to have.

Speaker 2 (21:47):
We used to go in the dorm.

Speaker 1 (21:49):
And go in the pavilion.
Now, I'll never forget it wasBay DJing and I was in Fire
Nation.
So I'm over there with Wayneand Bay and Butter and y'all was
over there.
Team Nike was over there and wejust like what's up, everybody
rowdy and all that.
Yeah, and y'all was over there.
Team nike was over there and wejust like what's up, everybody
rowdy and all that.
So we go over to them and it'son youtube.

(22:11):
Yeah, remember, remember whenyou remember when you was
dancing, yeah, in the, in theblue shirt, the blue nike shirt
yeah, you was like tinging andwhat I'm like what the fuck?
and it's crazy, becauseeverybody was like with me, like
who who is?
Because team nike got so big,they started like bringing

(22:33):
different people, like bro, youcan really see girls in the
background.
Like like to him, like cause hejust drawing, like just cooking
and I'm like what the I'mlearning y'all shit.
And then from there you juststart seeing him and you start

(22:55):
seeing him just fucking it.
Harry Potter fucking it up.
You start seeing him more andmore.
Then he just like became one ofthe staples, like with.
Corey Flocka and with all them,people like P like became one
of the staples.
Like with Corey Flocker andwith all them.
People like pops, like that.
That's the person who like.
I knew this was what happened,though your story is so
intriguing.

Speaker 2 (23:13):
It's just crazy.
I knew it would be like this,but look, let's try to introduce
this though.
All right, so look I used tojust see you dance even back
then, right Even back then, evenback then, even back then.
What you like?
You just now getting a whiff ofPhilly, you learning the dance
moves, like you, just yougetting to learn how to make
beats, you got, you got similarstyle.

(23:34):
I mean, you got multiple styles.
Baltimore, philly, like, didyou know?
Like, which was soon to createor be a band and soon to create.

Speaker 4 (23:43):
Yo, it's crazy.
You say this, this, right?
So I always tell this storyhonest to god.
Honest to god, I'm a baltimorenigga with a philly attitude
like that.
Live in jersey I always at fiveI knew I was gonna be
responsible for club music damnbeing.
let me repair that.
I knew I would be known forblowing club music up, Even

(24:05):
knowing around that age, bro.
Young I say.
When I was growing up, bro, Istill had that feeling.
I was like 11.
Shout out to DJ K-Swift she'sthe one that put Baltimore club
K-Swift.

Speaker 2 (24:16):
That's the queen, yeah.

Speaker 4 (24:18):
I remember when she got Baltimore to where Sway
Shout out to Sway.

Speaker 2 (24:22):
Sway in the morning.

Speaker 4 (24:23):
Sway in the morning.
Sway in the morning he did awhole MTV joint on Baltimore.
Okay, you feel me.

Speaker 2 (24:29):
Yeah, the biggest.
Thing.

Speaker 4 (24:31):
Yeah, now I'm experiencing people like you
know, like Rara and shit, blowit up.
Okay, you feel me, she gotsigned to Mad.
Decent, you was talking aboutSwizzy.
Now she got signed to MadDecent.
She was fucking with Diplo andshit.
She wound up signing the MIAHighlight paper playing.
She was one of the firstsuperstars on club music.

(24:52):
You feel me.

Speaker 1 (24:53):
Yeah.

Speaker 4 (24:54):
So, with that being said, even me seeing at a young
age, I still felt like I wasgoing to be this or a club.
I knew I had a different niche.
You feel me From a young boy.
I knew this was going to makeme stick out like a sore thumb
and I would take this shit tothe next level, even though it
was big back then.

Speaker 1 (25:13):
You feel me, y'all made me not well, y'all, because
you responsible for the music,but, like I said, like how y'all
be talking to me, y'all be likeBeck and I ever da, da, da, da.
This is my era that we talkabout, and I always tell people
that that ever made me crossover, like from just liking rap,

(25:37):
like being as though that wasmy era, and they go do, do, do,
do, do, like that automaticallymake you like pop automatically
make you like alternative umlike them jersey shores all that
I are ever, when I ever waswhat it was
it was like, yeah, epd all that,yeah, so like darn our ever.

(26:02):
When I, during our era, whenI'm like before that, when I'm
in Macy's and hearing elevatormusic and all that, I'm just
like.
But when that era came out andyou hear a little Taylor Swift
type of joint, you like, oh, youhit the Shazam on the side real
quick.
You don't tell your homies youlike this song and all that.
But you feel me and I alwayssaid that like damn, like I'm

(26:26):
glad I came up in that ever.
That's why we be up heretalking about music and bands
and all that.

Speaker 2 (26:32):
I'll be knowing what I'm talking about people be
looking at me crazy because myever was not hip-hop tell us,
tell us in game, future andfuture work, because work Future
, future Work he going to sayWork.

Speaker 1 (26:43):
Work, he going to say , the one with future on there.
Whoa end game.

Speaker 2 (26:48):
Listen, man Work.
You're so right about that.

Speaker 4 (26:51):
I say that, like, look at a lot of people that
came from the era.
There's a lot of us.
That's special, bro.
We was part of that creativeshit.
We had our own hippie.
That was like a hippie creativeshit.
We would just be ourselves andtry shit.
You had to get dressed.
You had to think about whatyour name was.
You had to make your mind spacea certain way.
You was an artist or whatever.

Speaker 2 (27:11):
You had to learn how to DJ or dance.

Speaker 4 (27:13):
So that's opening up all this creativity and little
black children.
Bro, we was finding our own, sothat's why I believe, even with
you, to come out to who you was.
That was destined because, likeI say, we come from that.
It's not rap, it's not R&B,it's not that neo soul from
Philly, it's not the battle rapscene.
We come from the creativedancing.
Yeah, it was deeper than dance,bro.

(27:36):
Came down to how you dressedlike the slang we had the words
we created.
We created the word buzz.

Speaker 1 (27:41):
Tweaker.

Speaker 3 (27:42):
Twe created the word buzz tweaker tweaker, all that,
it's all art, it's all creatinglike.

Speaker 1 (27:46):
That's why I tell people, bro, like it's all about
creating.
To me it's not about that songor that is about creating.
That's why I'm a catalog person, because if you see a person
over time just keep creating andthen can make the concept one
for 15 years, like kanye withthe bear on his head, like stuff

(28:08):
is art and that's my era,that's really what I come up
like.
Just think about it.
Like a rapper could just belike I'm a rapper now and just
youtube, and back then you'd belike all right, I'm gonna be a
dj for parties.
You gotta have a name.
You gotta think of a creativename.
Then you gotta have a littleniche like is you gonna be the

(28:29):
dancer boy or the cool boy withthe girls?
You gotta think about how youdressing.
You gotta think about all that.
Before you even start ever putout anything, you gotta think of
all that.
So it's just a little different.
That's why I say like crazy.
That's that's where I know himfrom, like a lot of people know
him from being one of the crazy.

Speaker 2 (28:50):
Let me uh, you feel me ask you a question, uh, where
you get your name from?

Speaker 4 (28:56):
damn dj crazy.
Uh, myspace man.
I used to what we createdbefore before.
My first group ever was with mynightstand homies called Fall
Out Boys.
That's why I was like we waslike weirdo boys.

Speaker 1 (29:10):
Oh, you just said that.
Right, that's what you got yourname from.

Speaker 2 (29:12):
Yeah, philly, right?
Yeah, we used to be Fall OutBoys.
Did Philly get you your name?

Speaker 4 (29:16):
Yep.
Then I changed it to now wetrying to be teenage.

Speaker 3 (29:19):
What was it before that though?

Speaker 4 (29:21):
it was uh, what?
Uh, it was just, it wasn'tcrazy, yet okay, it was just jr,
actually jr okay.
Okay, I bought him more like jrokay so, uh, yeah, so I'm
creating team, team h m.
So you know our thing at thetime.
You know, we just discoveredurban outfitters h m we

(29:43):
discovered, we discovered.

Speaker 3 (29:44):
Urban Outfitters H&M.

Speaker 4 (29:45):
We discovered fucking American Appeal.
We used to get these fucking.
We set this trend I swear bro,if you around my age I'm about
to say one of the biggest trends, I don't know if niggas
remember it these $60 shirtsfrom American Appeal.
Only thing this shit said waslike letter F, lowercase f.
Oh, all right.

Speaker 2 (30:02):
This shit was lit.
Oh no, y'all did.
Y'all, did you remember?

Speaker 1 (30:05):
that shit, y'all did Y'all did Lowercase C.

Speaker 2 (30:07):
I thought it was Team Nike, but it was lowercase C,
lowercase C.

Speaker 4 (30:10):
I remember them, shit they just started trying with
everybody in the city, bro.
They started just going toAmerican Apparel and scarf h and
m says corny as fuck hat scarfgloves.
You feel me do my little editson you?
It was this edit.
You had to use pick stitch Idon't know if you remember that,

(30:31):
like it's all my space, I'mtalking about coding and then
make this move.
So every time I used to do my,I used to always end with damn,
crazy work, crazy, crazy bull,crazy this, crazy that, crazy
that.
So, like my dad did 13 years inthe feds man, I one-on-one like
uh, I want to say I met my.
I always change it up sayingthat I met my parents at 13

(30:54):
because now I understand whatthe power of tongue is.
I got a relationship with mydad at 13.

Speaker 2 (30:58):
He just came home from, so y'all was communicating
.

Speaker 4 (31:01):
Yeah right, because my dad, like when I tell you the
story of him, he was like oneof a powerful dude, so he was
like I was seeing him.
You get him saying he did itlike right before he did his bed
, you know I see, see him.
But as far as me, like, like,having, like my own knowledge of
being a man, that's when I gotmy relationship with my dad he
caught me the whole bit.

(31:22):
Yeah, but so now rico to teachme how to make beats.
Summertime.
Bro, it's crazy.
My mom just got clean right.
Philadelphia is where all thefiends from baltimore come in to
get clean.
Now you feel me, okay, lehighis where all the drug programs.
Yeah, it actually.
I don't know why this where?

Speaker 2 (31:40):
that's where baltimore is that going to the
worst place?
Yeah, that's where.

Speaker 4 (31:43):
Baltimore is at Going to the worst place, and it's
crazy, bro.
My little brother Dad is themanager of the drug program,
still to this day.
That's how he met my mom.
That's how I got my last littlebrother.
That was born in Philly oh okay,okay, I got one Philly-born
little brother.
Okay, but yeah, long-streetshirt.
You know, rico taught me how tomake beats.
My dad just came home from thefeds.

(32:08):
My mom just ripped me from.
I felt like at the time my momsaid she just ripped me from my
dad.
She came home paying twofucking sports.
I'm becoming this lit dancer inBaltimore, you feel me.
And now I'm over here cominghome.
So now I'm heightened.
On the first day of filming inBaltimore every fucking weekend,
my dad came home to bring it.
My dad was that dude Came homewith the money.
So I got the computer.
Now, you feel me, I download myown shit on the phone with Rico

(32:29):
, you feel me.
And I had to come up with afucking name, like he said like
all right, you about to do thisshit.
It's producer DJ, shit, nigga,you got it.
What's your name?
So at the time, nigga Tagwasn't tags.
You have to make your tags.
Rego taught me this way.
It's still on fl to this day.
It's like this robotic, right,we knew how to control siri.
That's why I say I give regohis.

(32:49):
The knew how to make siri voiceor it's like a program you can
use fl to type in your name yeah, like dj crazy or a siri voice
or yeah, just a robot type ai.
I know what you years ago,though we talk about my space
era with my FL.

Speaker 2 (33:06):
What is this FL?

Speaker 4 (33:07):
eight, ok, fl eight, I'm with you.
So I got come up my name.
I look up and this is rightthere.
I just see crazy, crazy.
First, you know, I don't go myreal name, you feel me, I was
like, nah, it was just justright there.
And then now I just say aftereverything, I, I, everything, I

(33:28):
am crazy, is organized chaos.
You feel me?
Yeah, you know.

Speaker 2 (33:32):
uh, like, my company is called chaotic records, my
production company is calledpsychotic production, my studios
is called the asylum, bro,organized chaos I just want to
say, bro, from 13, him at 9,y'all was just like geniuses in
there bro, cracking, cool, likethat shit, crazy bro 9, 13.

Speaker 4 (33:53):
That's amazing man.

Speaker 1 (33:54):
I'm going to get on with it, but I'm going to.
Actually, before that I want tojust shout out Rico Havoc man,
because a lot of people don'tknow Rico Havoc come from a real
, real, like real, effed upstory.
You feel me when it come tolike his family and everything,
yeah, and I ain't going to gettoo deep into it.

Speaker 2 (34:17):
Yeah, you're going to bring him up.
Yeah, no, I ran into himyesterday.

Speaker 1 (34:20):
Moop and Fetty, and them was my family and they was
his family, and so we family andthat's how a lot of stuff.
So I know, but shout out toHavoc because he really like
really.

Speaker 2 (34:32):
He a pioneer out here .

Speaker 1 (34:33):
man Like with a lot, though, especially when it come
to the dancing, with a lotthough, rapping, making the yeah
, hell yeah, and then him forhim to just and certain dance
moves and certain moves.
Yeah, no to just certain dancemoves and certain moves.
Yeah, no for him to just top itoff with the uh, the songs and
everything and the music, likewhen everybody was like luke and
I'm like y'all late, like youngboy been a star, like he been

(34:54):
here, he been this, but shoutout to him, so i'ma just get on
with it real quick.
When do you feel like that everended, like the ever we just
was so hype about?
I've been waiting for that yeah,when you feel like it ended
when we start dicky in here, wego.

Speaker 3 (35:10):
I'm about to get real philly political no I'll get
the talk about it

Speaker 1 (35:14):
because, we still dicky in.

Speaker 4 (35:16):
So I mean probably love it.
Yeah, the real always know thatwe are neo soul, we are real
R&B bro.
We real dancers, we real B-boys.
That's where the DJs startedFacts, that's our lineage Facts.
So it's like, bro, we ran fromthat.
I can say this.
I'm going to give you a timewhen we got RU26, right, so it

(35:43):
was the era when, you know, itwas like that, that, that junior
year era when everybody feltlike they was getting too cool
for dancing dancing for weirdos,dancing for kids, you feel me.
And then it was post.
It was post.
That's when they say shout outto Bay, but they say, when Bay
starts speeding it up, puttingtoo much sirens on it, it made

(36:05):
the adults get you know becausethis when we're going to get
into the Shake that story, why Ifeel like, why Shake?
That is the one that really blewclub music up, but it got too
annoying for adults because ofthe sirens and the chopping and
all of that shit, right, right.
And then it's like you know,the girls start throwing shots
at it.
You feel me?

(36:26):
Uh-huh.
Then it creates a versus withyou and yourself, right, you
either going to love yourself,be yourself, or you going to go
with the homie shit, go with theThomas.
And then now we get hit with.
You know the plan from the man.
Them guns start popping up myheritage.
We ain't had we get hit with.
You know the plan from the manthem guns start popping up my

(36:46):
hair with that.
We ain't had no guns, right, weprobably what.
I had one little 22, likefucking little caliber that me
and my homie had to go to likethe Italians down.
So it was a lot to get a.
He was 13 and them still youfeel me Like it was.
That's how rare I'm talkingabout a gun was so.

Speaker 2 (37:02):
I didn't like all of that.

Speaker 4 (37:04):
Listen I know a gumball.
I just said, right at timeslike the timing.
Yeah now it's too cool, Nowit's the successful gun.
Now it's like you even got yourfriends over there.
That's playing with them andyou know, now your old is not
smacking you for playing withthem and smacking me for a track
.
They encourage and I see myalways from nice down.
They encourage that shit.

(37:25):
My old heads from nighttimedidn't encourage this shit.
Street niggas would just be thestreet niggas by themselves.
They did not recruit us bro wegot recruited.
I feel like it was a plant andit's like.
I'll get into that later.
But this is why I wanted tobring back club music, bro,
because I felt like, when Imoved to Philly, bro, what made
me want to be here?
Because I was going toBaltimore.
I didn't want to be here was thefact that, bro, we was going

(37:48):
downtown still in clothes to go,look, to go dance in them for
girls, that's it.
You feel me.
We had Boys and Girls Club togo have Team Nike's Fire Nation
meetings.
We had downtown to go havethese meetings.
We had Love Park, we had thePearl Movie Night, it's all this
shit.
So that shit was taken from thekids.
You feel me Like that generationof us being too cool for them

(38:10):
because we did it to ourselves.
We was the dickies.
So I said I'm a man of God, bro, my God, that is Muslim
Christian.
You got self choice.
So it's like we had choice, bro.
So I feel like my whole thing,what I wanted to do was force
this, not even force it.
Like bring back something thatwas there, bro, like these kids

(38:30):
need a platform to expressthemselves, that's it.
You feel me like you know, westill got the switches and the
young boys and and ski mans, butI feel like now I didn't save
the little percentage.
Like they'd rather put theirphone up and you know, blick,
again, you feel me it remind meof us.
We was wanting to go downtown,go to Macy's, go to these stores
, go to 923, get a cut.
All of this shit.
You feel me we had, man, wedon't got that.

(38:53):
You feel me I feel like weain't have it.
That's what I wanted to createagain that aesthetic with the
Philly Goats right.
But I thought, about now mixingwith y'all.
Y'all like, okay, y'all likethese rappers and shit.

Speaker 1 (39:05):
Watch how they look.

Speaker 4 (39:06):
It's really good.
Look, how do you?
They all look like Think aboutit, bro.
It's like I compared my youngboys, all of them.
Now it's like imagine if LilBaby can dance.
Would you still be thinking?
Would you fuck with?
Imagine meat was up there, likeyeah girls, will you know what
I'm saying?
Girls, like a street dude, likeI'll be trying to say you know

(39:28):
what I'm trying to say yeah,bagged our girls off dancing.

Speaker 1 (39:31):
We was doing it, we was doing it point blank period
we all was in the streets, butour activities just was that.

Speaker 2 (39:38):
Yeah, that's how I had my son so, so, so, so would
you uh at the end of that, theend of that uh, era, and like
you not giving up on yourselfand you saying like, damn, it's
the end of this era, but I don'twant to quit, let me, um, let
me continue to work and and boom, here come, shake that now,
we'll shake that coming out, orwould you create and shake that?

(40:00):
Did you know at that time?
Like, all right, I'm ready toreally shake that shit up,
nonetheless, with the word, butI'm really ready to shake up
with this sound right here yeah,white boy, you see, he almost
did it.

Speaker 4 (40:14):
Yeah, yeah, white boy , yeah, yeah, yeah yeah, I'll
say this man, man shout out tomy ara, bro, like he told me
years ago, a lot of my mentorscalled it, did I know?
My whole plan was to get outthe club scene, bro.
I felt like Philly was takingadvantage of me, so my concept

(40:36):
was to put people Takingadvantage of you on what DJing,
djing at venues.
What you mean about that?
I feel like, bro, I've been alocal celebrity since I was a
kid, so I've been having hits.
You know I probably had a hitthat took me over, but I had a
hit that always had me showmoney in philly yeah, I was a
kid, so meaning like bro youpainting your whole event around

(40:58):
me.
You know how you got.
Y'all got dj homies, it's gonnabe like music.
By this whole flyer.
It says you're crazy, crazy.
I've been having security sinceI was younger.
You feel me?
Girls are bum rushing me as I'mgoing to the DJ booth in your
little ass bar establishment.

Speaker 2 (41:12):
So I had to put in my work A lot of people didn't.

Speaker 4 (41:15):
Certain people respected it.
I'll shout out certain people,like Level 38.
They invested in the shit thatwas the last club I spent for,
like it's, certain clubs andspots that respected it and
certain people that was tryingto take advantage of it.
I don't want to cut you off,bro, but when you, when the
first time you start needingsecurity and stuff, the first

(41:39):
time I start coming back toPhilly to be real Like it was
post, because like I left when Iwas my sophomore year, yeah
like I lost myself off my year,so I got picked up.
Who turned me into a celebritywas a or a the most gangsta top
goon in the city.

Speaker 2 (41:58):
Yeah, shout out the ad.
Free ad man, I was his dj hiscreative director.

Speaker 4 (42:03):
You feel me.
I was OBA's Gooney Gangcreative director.
All the cookouts I did thecreative direction around it.
If you ever been to a GooneyGang cookout, that was my stage.
Sound lighting, that was my.

Speaker 1 (42:12):

Speaker 4 (42:13):
Yeah, I did all the Young Ball creative shit Shout
out to Ab when rock became PnBhe gave MF and Love and Bam,
that call like just a young boythat's going to get you across
that.
You know, like that line hemade that call.
That's how I got over there androck.
You know I became a rock DJ,new Lane creative director.
That's how I got to Zy Sosa.
You know, zy Sosa, new Lane,Keep walking it down.

Speaker 2 (42:36):
You're walking it down my guy Perfectly.

Speaker 4 (42:38):
That was the yeah so so Ab kicked me off as a
celebrity.

Speaker 2 (42:42):
Okay so.

Speaker 4 (42:43):
Ab brought me back to Philly.
I was fucking Jersey up.
I just created Jersey Team Nikefor years.
So I just created what we feltin Philly.
I created in Jersey just mylast high school run.
So I was responsible for thenightlife over there.
So I bought Jacquees a jersey.
That's how me and Jacquees gotour relationship.
So me doing that, I was able tobook Jacquees over like four or

(43:04):
five times you feel me youkicking murder right now and
that shit had Philly going crazy.
To where now?

Speaker 2 (43:10):
niggas in.

Speaker 4 (43:10):
Philly, hear about me .
So the boy Nile Nichols.
So Nile Nichols, owner of ClubHonor, he was the owner of
Cheerleaders in Jersey.
So I come from being corporate.
So Nile Ab, Ab grabbing me up,you feel me PNB Rock and Ab get

(43:31):
me with Rock.
I do the return in the Mac showBeanie Seagull, first time home
.

Speaker 3 (43:35):
That's crazy, you feel me, this was before the
accident.
Why, boy, you knew that?

Speaker 4 (43:38):
It's the first home Okay.
So this, the first joint, andwhat is me?
Pnb, rock, lee Mazin and Robbombed that shit bro.
I took rock so serious bro.
I used to come up there with myown banner speakers in the
trunk, my own mics.
Rock was a star, bro from therich.
So, not so.
Club Onyx.
Now Nichols is there.

(43:59):
He recruited me, walked up tome like young boy Start, start
this shit's crazy bro.
This like this.
Not Nichols, bro.
We don't know who Nah is.
Bro, this is Club Onyx.
This is the porn star scene.
This is the nigga who put theporn star out, this nigga who
did Onyx.
So all I got to say you feel me.
So he walked up to me likeyoung boy I fucking believe in

(44:19):
you, I love your energy.
He said I thought aboutInstagram before it happened,
right, Right, and I right, and Ihad this team, I hired and they
dropped the ball and guess what?
Instagram became Instagram.
Bro, I'm a creative, just likeyou.
I'm a oh shit.
So he like.
So look, here's the concept.
He fucked with me.
He believed in me.
Look, it's a real story theconcept is he want to recruit me

(44:44):
to be.
He want me to run Onyx Radio.
A lot of people think I.

Speaker 2 (44:47):
DJ.

Speaker 4 (44:48):
Onyx bro.
No, I, no, I was thereinterviewing celebrities.
So he had the concept of havingthis first idea, the first clip
club radio station in the world.
So and I was going to be thedude.
So he gave me the key to Onyx.
That's why I say and I tell youthis, bro, this shit weird.
This is my first conversationwith this dude.
I had the and access to Onyx.

(45:10):
If I tell you, I never talkedto this nigga like that again.
Listen, I haven't had a sitdown with Nah like that.
That's why I say a nigga, giveyou an opportunity.
He gave me the brand to workwith and I took it to another
level.
So I made Club Onyx Radio.
That's how I became a celebritybooker.
That's how, when I startedworrying about my music, I had
all these relationships Foryears at Onyx I was walking up

(45:35):
the without even contract.
This idea he had, bro, and italways worked.
How you doing my name, dj crazy, uh.
Pnb rock official dj air ab.
Official dj program director.
Club onyx, nice.
To meet you.
By the time you shake my hand,you on my energy, the cameras
recording you, feel me, you,even if I'm, if I got you in the
back, honest, you even want meto hit the stage with you or
like.
Like, if I got you, let's sayif I popped up at the Roots
picnic, nigga, I just bought upAb.
That's a protection affiliate,you know what I'm saying.
I bought up Rock.
He's the new biggest thing.

(46:05):
I ain't spent a pussy yet.
You don't want to come with me.
So I was able to, like, wasjust creating behind the scenes,
but, being a corporate nigga, Ibecame the program director of
Onyx Radio and interviewing allthe celebrities.
Bro, that shit took my shit to awhole nother level.
I used to record the Friday.
Onyx, that voice you hear Luckyand shit.
I used to record that shit inthe back of Onyxx.

Speaker 2 (46:27):
We had a studio and onyx and speaking of creative
and and content and you uh,making new, bringing new things
to the game.
How you come up with a littlecrazy the mascot a little crazy.

Speaker 4 (46:42):
A little crazy man.
Um, shout out, I come from acostume background.
My first job, you know.
You had to get your workingpapers and shit back in the day.

Speaker 1 (46:53):
Yeah.

Speaker 4 (46:53):
So I come from ICANN Entertainment.
We got sued by Disney.
So shout out to ICANN they theonly costume company that cannot
use Disney.
You feel me?
So another costume companyyears later reached out to me.
Jazzy the Clown.
You know she's the legendary.

Speaker 2 (47:07):
I remember her yeah, yeah, yeah, she did my son, she
retired or something.

Speaker 4 (47:11):
No, jazzy's still here, oh wow she's still here.

Speaker 2 (47:13):
She made this mascot, she actually made this for me.

Speaker 4 (47:16):
She wanted to do a song with me.
So you know me, man, I'mscreaming for numbers instead of
charging her or whatever.
I was just like damn, it makessense.
You know, make me a mascot,I'll do a track with you.
So we did like a little kidrecord little jingle and fire
that she took to the.
She did been doing it on thecircus and everything, yeah, so
yeah, so crazy gonna be, hegonna be.
Uh, I'm gonna have my own castof like you know, like you know

(47:38):
how mickey had disney goofy, andso it's gonna be like a
reflection of my life.
Like me, my siblings, my twodogs care of them all.
Yeah, they're gonna drop nextyear, so I'm just promoting him
right now.

Speaker 2 (47:49):
That's why he's been with me wow all my music videos
everywhere, everywhere, I seenyou out new york and you had,
you had him with you, they lovehim bro, yeah it was fire
breaking.

Speaker 1 (47:58):
So so, all right, boom right.
So you know the end of the era.
You feel me, everybody got they, they reasons or their opinions
why I ended.
So the era ended that we talkabout and if you could, if you
could like, estimate it likewhat year would you say?
That is damn, like the ever wewas talking about, like 2009 10

(48:26):
10.

Speaker 4 (48:27):
matter.

Speaker 1 (48:27):
All right, matter of fact, here it go Chief.

Speaker 4 (48:30):
Keef Chief.

Speaker 1 (48:30):
Keef yeah, that is the average, so 2012.
I think so, yeah.

Speaker 2 (48:34):
Chief Keef and that make much of it It'll make Keef
12.

Speaker 1 (48:36):
That makes sense, that makes sense, that makes
sense, because it flipped.

Speaker 2 (48:40):
It kind of flipped.

Speaker 1 (48:43):
No, everybody got gangsta became gangsters yeah,
so like the streets being thegangster was like the new norm
dog look.
This is why I don't like cameout that was over.

(49:03):
This is why I with it very bad.

Speaker 4 (49:06):
So I with dueling bro , because that's that shit I
don't like.

Speaker 2 (49:09):
That's that shit.
I don't like that shit.
I don't like.

Speaker 4 (49:13):
I was touring the world.
I was Ab DJ for seven years,right, we probably only did like
three shows in Philly.
I should tell you right now Iwas gone.
My whole childhood.
Ab came and got me bro when Iwas a baby.
I signed with Ab when I waslike 19 or some shit.
So he embraced it.

(49:34):
So now that is cool.
The hardest nigga to me fuckwith it.
The hardest group to me ain'ttrying to change me.
I got my skinny legs on myhilly's anywhere.
Shall want to try around.
These niggas is embracing darklow then, like you know, they
cool with like black Nero allthe rest of that era, bro,
that's how I met Freeway andE-Nuts and all these other

(49:55):
legends, and Chris and me.

Speaker 2 (49:56):
Rob Markman Shut up with them guys.

Speaker 4 (49:57):
DJ Premier.
Shout out to them guys, robMarkman, I got closer with them
because that's that era, youfeel me, gilly.
I got locked in with Gilly andshit.
So it's like I say that shit,bro, that shit helped me even
push the dance producing DJ evenmore.
Because now it's just like I'mgoing to stick out more like a
sore thumb Because, like I said,bitches always going to love
dancers, kids always going tolove club music and the niggas

(50:17):
going to love, like I said, wegoing to go off the girls.

Speaker 3 (50:23):
You feel me my music hits the kids.

Speaker 4 (50:26):
The kids is shaking their hips to where the mom
doing their hair.
The mom hear it Now.
The mom know the song.
Now the mom asking the dad tobuy the ticket to DJ Crazy Show.
Yeah Right.

Speaker 3 (50:35):
That's exactly how it is too.

Speaker 4 (50:37):
So that's the medicine that I saw.
The only thing I needed to dowas keep this shit consistent,
because the kids bro.
Yeah, I just got to get it towhere the kids was like us,
right was like us.
It was like over.
I had to over-exaggerate it.
It wasn't over-exaggerated yet,it was just sprinkled Like if
you think about any, if you askany DJ this question before you
shake that music, you will get afive minute club music set
maximum.
Think about it years ago youwould hear club songs to where

(51:00):
niggas then start looking at theDJ wrong, to where he got to
change it back up.

Speaker 3 (51:04):

Speaker 4 (51:05):
I'm telling you, that's how it's been, Because
now I was utilizing it to bedifferent.
I was the DJ that was forcingthis shit you feel me?
On top of doing my littlecelebrity shit like post-Shake,
that or whatever I come from.
My last two artists thatmotivated me to even work on
this album was Yak Yola andChyna.
I was managing Chyna and I wasDJing and being Yak Yola's

(51:26):
creative director.
My beat was the beat that gotYak signed to Alamo.

Speaker 1 (51:31):
So that's my first name.

Speaker 4 (51:32):
No, not Demon Flow.
Demon Flow was one of them too.
It was Go Get it, Go Get.
It was the one that had us like.

Speaker 1 (51:37):
Oh, him and Liv.

Speaker 4 (51:38):
Yeah, yeah, yeah.
So that shit, all that shithelped me as far as like post,
like when niggas saw like thatwork because I was already
forcing it you know what I'msaying.
So even like to get into it wasthat shit.
And then now you got Sloanethat just came out with
Chubotland Now Feast you knowit's COVID now.

Speaker 2 (52:00):
So now Feast right.

Speaker 4 (52:02):
Feast comes and re-breaks a song called Break
your Back right, because it'sthis spot called the uh, the uh.
Fuck, it's an after hour.
Damn, when I say the name,niggas going to know it the
Furniture Store right.
He break it at the look thisnigga.
Take a 10-year-old song andbreak it.

(52:23):
Break your back, so it's lit.
All the DJs we supporting it.
So you got this song calledBreak your Back.
You got True Bop Land withSloan and Lil C4.
Then you got Don't Call MeWhite Girl, right.

Speaker 2 (52:33):
Why you?

Speaker 4 (52:34):
Being Weird to Me.
So now these are the songs Igot.
Oh yeah, and we got Shark Baby,right, Baby.

Speaker 1 (52:40):
Shark Hold on Time out.
I thought that was Dame.
No, yeah, yeah.

Speaker 4 (52:43):
That's what I'm saying.
I'm about to explain.
These are songs I got.
I'm DJing in the club.

Speaker 2 (52:47):
Oh, oh, you got it To now utilize to make everybody
be they selves.

Speaker 4 (52:50):
Yeah, yeah, yeah.

Speaker 2 (52:51):
You feel me Like I said Chubacca Land's song is not
my song Longer than your fiveminute set.

Speaker 4 (52:56):
Yeah, so now this making my set expand and now go
into songs that we grew up on.

Speaker 2 (53:01):
Dollar Boy songs yeah yeah, now.

Speaker 4 (53:09):
I see it.
And now you know, like I said,personally, I'm going through my
stuff.
I feel like I'm a star, bro.
When I come out, I'm DJing forfour hours.
Bro, niggas be thinking I'll bedrunk and fucked up.
No, I don't drink it to the endof the night.
Probably my last hour, right?
Because you see that I gottaplay for Neato Dreams and
Nightmares.
I'm performing each song fromleft to right.
That's how I DJ.

(53:30):
That's how I'm different.
That's the DJ Krazy energy.
Everybody, you feel me, that'swhat y'all feeling that I'm mad
because I want a four-hour setof my shit.

Speaker 3 (53:38):
You feel me.

Speaker 4 (53:39):
And I got this club bro, building this whole event
around me.
Like I'm Lil Baby, you feel me.
Like you get me, Compensate me,bitch.
That's how I felt, so that'swhy I felt like Philly was
taking advantage of me, so Imade this plan to become a
$50,000.

Speaker 2 (53:53):
DJ $100,000.

Speaker 4 (53:54):
DJ it takes one song, bro Fact, and then I ain't
going to talk a hit or two, I'mjust going to give you all that
lineage.

Speaker 1 (54:00):
No nigga, you hear the talk?

Speaker 4 (54:07):
Right before this.
This is what really kicked mein my ass.

Speaker 2 (54:09):
You've been killing, Noto Look.

Speaker 4 (54:10):
I just shout out and look, this is crazy, because
that's how God works.
I'm trying to track you.
Noto is made for DJs like me.
If you peek, they booksuperstar DJs that got hit songs
and then they'll book artistson it with it, but it's a DJ

(54:32):
that's bringing out, you know,you know the county community or
whatever.
Yeah, so post, shake that.
Now, right, you got.
You got all this stuff that I'mgoing through.
The last things that happenedwas all right, china.
We decided to part ways.
We decided to be just brothersand sisters.
She went to another with China.
Be big China.
You know I'm saying so, I know,I just want to understand big.
China, so this is my last thatwas.

Speaker 1 (54:48):
If you know my way with cheese, you know that's'm
saying so I know I just wantedto say big china, so this is my
last.

Speaker 4 (54:49):
That was if you know my way with cheese, you know
that's why I shout out to herlike me, having her, her crazy
self, that helped me on how Ican work with all these
different energies after her,all these different kids and bro
well, that's my baby.
Like she helped me understandif I'm going to be motivated by
timberland.
How to mold a a missy elliot,how to mold a Demi Flau.

(55:10):
You feel me A fucking Aaliyah,you feel me so I lost her.
That made me creatively upset.
Yak, I could say Yak just wentback to his family.
You feel me Like he was.
We had him lit on fucking Alamo.
Yak just decided to.
You know, he just just went.
He wasn't anyone to do music.
No more long story short.

(55:30):
So that creatively made me madtoo.
Now I'm like damn every time Igo to work on this album, you
know I start managingmotherfuckers.
And then I stopped where Istopped my shit.
For me, I had this album now Iwas working at that time, bro,
that was year five for meputting it aside, so I'm like
fuck that bro then.
Then fully taking advantage ofme, fuck that bro.

(55:51):
And now I see my window, my god, bro, god, he's showing me like
take your risk, take your leap.
Then the last thing I'm at NodoDJing for Chris Brown.

Speaker 2 (56:02):
I'm blessed.

Speaker 4 (56:03):
You know I'm getting my one, two, this one thing I
had, this why I felt like I washim too.
Because, bro, y'all see megetting my 1500 at nodo for an
hour, or ac, or y'all seebirthdays bringing me out.
You feel me, y'all see thatalready.
This is before shake, that I'malready getting all of that.
You feel me, I'm already.
I come from ab and rock like,come on like, and I already had

(56:24):
my hits.
So I was like what the you'vebeen getting booked?
You feel me.
So, bro, I'm at no though bro,I'm blessed, thank.
Now this is.
This is one of them.
Events to where you know at thetime this ain't even page on.
Just blessed that somebodyhitting you to come over for
chris brown the promoters crazy,I got two bottles.
You got the set right beforechris brown what?

Speaker 2 (56:43):
let's go, let's go, I'm out Got me let's go, I'm out
Back.
Bro, I can't make this up.

Speaker 4 (56:50):
I snapped.
You ever see me live that night?
I wasn't this.
So I still treat everythinglike OD, like five people in a
row.
I'm a draw.
Like you feel me, you let me ina row.
I'm a draw.
This Chris Brown, I'm snapping.
I'm like hanging off thefucking drum.
I'm drawn.
I'm like jumping in the crowd.
I put on a.
I feel like one of the biggestperformance of my life.
Dj I ain't gonna say his name,superstar DJ, which is fuck,

(57:17):
probably like top, top, top 10.
Richest DJ in the world, reallythe most.

Speaker 2 (57:22):
This is really the most podcast.
Make sure you share, like,subscribe.
This nigga put on a mix.

Speaker 4 (57:30):
A mix ain't nothing wrong with it.
That's what the edm djs dosometimes.
Sometimes the rave djs that'swhere I want to be.
I want to be on the festivalssometimes is pre-recorded.
Sometimes you got jazzyjefferson, that's live, and like
dj crazies, that's live.

Speaker 2 (57:44):
Or college, that's live but I like how you, I like
what you did right there youfeel me yeah, I'm with you.

Speaker 4 (57:50):
I saw this nigga get a half an M bro or some crazy
ass.
It was like Stop playing.
Oh it's on, bitch, I need oneof them to get there.
Oh, it's on.
And the show I just put on thebitches love me.

(58:11):
And'm the one that got securityand you walking through normal,
you feel me because youprobably yeah, because he lit.
But you get what I'm saying.
Like as far as like how I felt.
Like nigga, I just put on theshow.
My life, I felt like I'mgetting grabbed.
All I need is one of them to bethat, to be chilling, because
he blessed up, he come and andcollecting that put on the mix.
What was your next move afterthat?
It was over.

(58:31):
I went to go locked in bro.
A month later I found thePhilly Goats.

Speaker 3 (58:36):
It happened all like that the China Yak shit.

Speaker 4 (58:39):
All of that, then that.

Speaker 3 (58:40):
No-No Night.

Speaker 4 (58:41):
It happened and it was over A month later, I was
locked in Go ahead Cash.

Speaker 1 (58:46):
So all right.
So you put it right where Iwanted you to land it so like
I'm gonna keep it real right zysosa he was.
He was.
It's crazy because our sosawave was kind of dying down.
That's the crazy part.
He was popping, he had the citylit he had.

Speaker 2 (59:05):
He got signed the stack of stars right or
something like like that.
Nah, that was previous.

Speaker 1 (59:10):
I'm talking about.

Speaker 2 (59:11):
Shake that Shit, but he had a song before that.

Speaker 1 (59:15):
He had a couple songs and the whole Already Paid
album and all that.

Speaker 4 (59:19):
Yeah, he talking about APA Right.

Speaker 1 (59:21):
But I'm saying Shake that Shit Now.
I only knew him.
I didn't know D-Sturdy, Ididn't know them.

Speaker 2 (59:33):
That was a breakout record for them.

Speaker 1 (59:35):
No, I don't even think they was rapping, was they
?
I don't even think they wasrappers.
I don't know no song beforethat.

Speaker 4 (59:43):
They had one song off A&R, the song called Broke Shit
.
That's the song that I was likeoh shit.

Speaker 1 (59:48):
And it was before shake that, all right, boom.
So they wasn't known like theyprobably was known in any hood,
but they wasn't known as.
Okay, so that alone, like alone,right there, before we even
start talking about anything,talking about anything, that

(01:00:14):
alone make you like legendaryfor taking three or four people
when only one of them was knownand he wasn't even a superstar
himself, he was just a poppinnorth philly rapper, and and and
and all these north phillyyoung bulls who not known as
musical talent, and for you tomake a song with them.
Right and the shit.
And I was arguing with a couplepeople to change the world not

(01:00:35):
not Philly not the United.
Yeah, I argue with him at thathe gonna act like he said that
shit, louis.
I said well, that shit changedthe world.

Speaker 2 (01:00:44):
I wanted him to make sense of it and then I thought
about it.
I I'm like it really did yeah.

Speaker 1 (01:00:50):
So how, all right.
So first of all, how did thateven like?
How did that?
I don't even usually ask this,but I got to know how that
studio session went All right.

Speaker 4 (01:01:03):
I got a lot of people .
Don't notice if you go to thatcover art man like, really look
at like my album cover art.
Don't notice if you go to thatcover art man like and really
look at, like my album cover art.
Or I lost my mom, grandmom anddad in that order working on
this project.
Once it was lock in time when Iwas done with china yak in the
club scene when it was just likeme in the because after china
like I had her studio so I putall the shit in my house.

(01:01:23):
I already had a little setup inmy crib already, but now it was
like a studio where I, we couldwe spent church.
So it was like I locked in forthat month.
How that went was I'm dj in astorefront.
I'm gonna tell you from being astorefront.
These little kids run up to me.

(01:01:43):
Bro, they four or five yearsold dj crazy.
Put on his, put on broke.
First of all, young boy, stopcursing at me.
I'm your uncle, I'm about tobeat you up where's the respect
talking about some broke, so Ibid whatever, whatever so I put
it on bro, these young boysstart hitting this, dance his
suit, shake that to the rightand get this hip.
Mind you, I'm living in jersey.

(01:02:04):
You know jersey rock their hipsfilm.
I see this on on crack because,bro, they dancing on it it's a
trap song.
It's like spot him, got him,you feel me?
It sounds just like beatbox.
I'm like who the fuck is thePhilly Goats right Now me and
Too Rare this is Too Rare justgot out of his deal, his first
deal.
This is no club music.
Too Rare, this is Too Rare beinga lit industry nigga being a

(01:02:29):
lit industry nigga, so we getbooked on the same melodic, yeah
, he was doing like his, like latype sound.
Yeah, I'm a big dripper, bigsound my back he doing all that
so he's he lit he got anindustry wave.
Um, so we on the same bill now.
Mind you, philly, too cool todance the dance.
Producing dj.
I just had a run with ab rock I.
I got the dancing shit lit.
I start dancing.
They don't want to dance.

(01:02:50):
Rare start dancing.
I'm like, oh my God, this youngboy's like you feel me.
Who the fuck?
We exchanged numbers whatever Ilook up, rare start doing like
the.
Rare be doing like the.
You know industry shit.
He remixed broke shit.
You feel me Because he just gotdone His.
He remixed Broke Shit.
You feel me Because he just gotdone His wave.
You feel what I'm saying?
He remixed Broke Shit.

(01:03:11):
That's how I saw the PhillyGoats, so it's like a whole
industry play, bro.
I'm like hold up this guy.
This is I.
Just these young boys was five,bro.
I come from 13-year-olds Ourera.

Speaker 3 (01:03:23):
Yeah.

Speaker 4 (01:03:31):
These are five roads walking up to me about philly
goats now where just remix thesong I'm like nah, you feel me
like.
You feel me like now.
I see dicey, now I dm dicey,picked him up and then ben's.
I couldn't afford no more.
Two donuts on the shit, amgbang could not afford this shit
no more.
Fuck, it took that south jerseyall the way to fucking.

Speaker 2 (01:03:47):
Uh, uh, uh bro bro that's an hour, two donuts bitch
.

Speaker 4 (01:03:51):
I'm riding like this picked up all of them so was the
back of the world up about thegoat's how we come from nothing.
They were fucking with me itwas like the best yo you feel me
?

Speaker 3 (01:04:02):
yeah, bet, all, right now I'll take them back to the
video, like I take them back tothe crib.

Speaker 4 (01:04:07):
I take them back to the crib.
The concept is like I said.
I'm like 80% done with my album.
I already got my joint with LilWayne, artist Drizzy.

Speaker 1 (01:04:18):
P.
Shout out to Drizzy P.

Speaker 4 (01:04:20):
You feel me?
Sloan didn't send his song inyet, so I don't know what's up
with Sloan.
So I'm like 80%, you feel me,but I'm locked, the fuck in.
So they get to my crib.
Sue Dicey Spence, I'm playingthem beats, I'm playing them
Mosh type of shit, the BPM 140,they bed, knowing me.
Oh hey, this your ass.
Oh hey, fuck out of here.

(01:04:40):
And this way this littlebrotherhood was formed because
we come from bed and we comefrom these young boys don't even
know me yet and they just in myhouse A nigga, not from Philly.
I feel disrespected.
You feel me they really likeBen, you know, fuck that shit
that shit ass Yo for real.
That aggression.
So I'm like, all right, bet,all right, let's just make some

(01:05:03):
shit.
So we making this joint fromShreds, one of my biggest songs,
the uh, one of the songs thatmy vocals on it's that philly
shade, you're making that beatfrom scratch.
All of us, mostly me and spencethat's why I love spence so he
made me speed this up to 165.
Right, that's fast, that's fast, as that's dollar boy, that's
db woody in them.
Error, that's club music gonnacrash.

(01:05:25):
All right, cool bet, may phillyshake bow hot.
Mind you, this album is aboutmental health, about my mom's
called let's go crazy with mymom, dad and grandmoms.
About mental health in phillythat we don't even as a black
community, we don't touch on.
I'm telling you, I'm crazy foryou.
You feel me?
That's the concept of the album.

(01:05:46):
Meaning, like bro, I just lostmy mom, my dad.
You feel me that's the conceptof the album.
Meaning, like bro, I just lostmy mom, my dad.
Did I become a shooter like myfather?
Or I found DJ crazy a platformto express myself?
I'll get into that whole reasonlater.
But this shit about my dadfolks, these young boys, go home
and leak my song.
That's like me coming to yourshow like yo, come give me a

(01:06:07):
feature and you leak it.

Speaker 2 (01:06:08):
Who the actual young boy that was just record.

Speaker 4 (01:06:10):
Yes, spence spence leaked it.
He's leaked boy whoa, I look up.
Yeah, I can feel some type ofway.
Right, I look up, bro, my lifechanged.
I'm viral.
It's 50 000 videos made to thissong.
I'm happy you feel me at.

Speaker 2 (01:06:26):
I had to even understand.

Speaker 4 (01:06:27):
Me as a creative.
I had to obviously digest, butGod picked my single Damn.
Look here's the thing.
Zy, my man, I was Zy DJ.
I did travel the world with Zy,so Zy make millions.
You feel me, zy?
We ain't getting on the samepage, really the most right,
this nigga not hitting me.
We ain't getting on the samepage, really the most right,

(01:06:49):
this nigga not hitting me.
We ain't getting on the samepage, I got a whole album of
fucking Zyde the concept to geton this project, real rap.
You got to give me a video andyou got to give me a show.
I need picture for the flyer,bro.
I need your promo video and Ineed that's how you're going to
get space on that shit.
We couldn't get on the samepage.

(01:07:12):
Now we shaking the world,philly shit go up.
I put the concept At first.
That's what I'm trying to callit.
The world is out.
Do you know how?
It was something new when YoungMA first popped, when Lil Uzi
first popped, when Big Dripfirst popped Fabio you on it,
you feel me Fucking Lil Uzifirst pop.
Or when Big Drip first pop,with Fabio you on it, you feel
me Like you on it.
First wave.

(01:07:32):
So I wanted to put the namebehind the dance.
So now it's going up.
Zy want to jump on a remix.
Everybody want parts of Shakethat.
Now it's just.
It's that Philly shake, it'snot Shake that shit.
So I Sturdy, hit me, yo, zy.
I want to jump on the remake.
I mean jump on it, because it'sjust a clip out.
I'm like you, sure.
I've been hitting up.
Call a little, bro Zy.
You've been bullshitting me,bro.

(01:07:53):
You sure you're going to come?
Yeah, crazy, I got you.
I've just been working.
All right, bet, we all meet up.
We come to my crib again.
Self, I'm like as a creative.
It didn't work for him to go onphilly shake.
That was this forcing it.

(01:08:13):
The to me was fire, you feel me.
So now I make shake that beforethe night before my it went
viral on my page because, like Isaid, they taught me how to
make shake that music.
Shake that music.
Tempo give y'all a little sauceit's 165 old club music that we
grew up on like 130 old clubmusic that we grew up on like
130, 140, boom, boom, boom, boom, you feel me, or so now it

(01:08:35):
wouldn't go viral because I gotthis.
I'm about to structure shakethat hit bro, because it's a
real song.
Hook burst is a melody that Iknow gonna control people from 8
to 80, you feel me.
I just basically I fixed whathappened with club music.
Club music got annoying.
If you listen to that song, heAin't Grazing President of the
Button is a real track, yougoing to fuck with it.

(01:08:56):
So I played them that beat.
Zyde started going he Ain'tGrazing, president of the Button
.
Then Sturdy started going thatwould be Dicey third time behind
a microphone His first time waswithout me to that trap song
Broke Shit and then after thatit was club music going on.
So what I did for the PhillyGhosts, I say you know, philly

(01:09:17):
Ghosts was already Philly Ghosts.
I A&R'd them.
I wanted to be a part of whatthey had going on.
I just saw the Dollar Boys Team, nike.
I gave them a platform toexpress themselves.
That's what Shake, that Musicdid for everybody.
Over 10 creators got signed off.
Club music, bro.
From producers to creators, Isay club music just gave all

(01:09:38):
them artists a platform to justbe themselves.
You feel me?

Speaker 1 (01:09:44):
And I ain't going to lie, that's a full circle moment
for you.
To Baltimore, Jersey, Phillyand all that.
Be as young as you was, getinto the party scene and you
saying you knew since you wasfive you was going to have
something to do with club music.
Then fast forward to Philly,the whole team, Nike Jersey.

(01:10:05):
That's a full circle moment.
To just come back around andthen be the pioneer for the
biggest.
It might be like I ain't goingto hold you.

Speaker 4 (01:10:15):
Your song got leaked too.

Speaker 1 (01:10:16):
Yeah, that's crazy.

Speaker 4 (01:10:18):
Look, I went home and did the same shit to Shake that
and then Shake that video.
That shit was like abnormal Bro.
Two days it got like this postshe's a runner, she's a track
star.
This post, no parties, coreyLee Way.
So we stopped, like I said,remember a lot of people was
starting to get signed offdances and shit from TikTok.

(01:10:40):
After the hips it was just allhip shit For the last three
years it's been hips you knowwhat.
I'm saying All hips, and that'swhy it's crazy, because no
fucking Boss Bandilo just kindof just flipped it on us, and
then the New Orleans Bounce shitthe trip out sound, yeah, yeah.

Speaker 3 (01:10:54):
You feel me, so my sound ran this shit for three
years as far as it changed.

Speaker 4 (01:10:58):
You feel me.

Speaker 2 (01:10:59):
Because of how everybody wanted to be a part of
this new dance that these youngboys created we just put real
music behind it, and there's abunch of young artists that was
able to provide for their familyfrom up under your umbrella
Exactly.
Yes, sir so that's the moreimportant part Over 10 people
getting signed up under yourumbrella.

Speaker 4 (01:11:14):
Just from that sound, you created Major deals bro, on
record labels that I'm samplingto create this shit.
Yeah, you feel me it got to getclear.

Speaker 3 (01:11:23):
Shout out to everybody.

Speaker 4 (01:11:24):
Fucking Sloan he's at Sony AWOL.
Fucking Rare.
Fucking Warner yeah, Fucking.

Speaker 2 (01:11:31):
Are you in it?

Speaker 4 (01:11:32):
though I'm independent.
I'm just signing with.

Speaker 2 (01:11:34):
Jahlil Beats you independent.
Jahlil Beats.
Jahlil Beats yeah, shout out.
Jahlil Beats, shout out.

Speaker 4 (01:11:38):
Jahlil man, me and him about to.
He can sign niggas, yeah, to dosome partnerships, but I ain't
ready to sign yet because I'mthe creator.
And it's not even just that,bro.
It's just waiting for the rightsituation to understand that,
bro.
I look up to Quincy Jones.
Bro, I look up to Khaled DJDrama.
I'm an idea.

(01:11:59):
So you can't edit this shit.
I just don't want your produceron your label I feel you.
I just don't want DJ forsomebody.
Nigga.
I'm the new, you know what I'msaying.
I feel like I'm my whole thing.
I want niggas.
The best way I could put it islike Chris Brown with turntables
, like if you don't understandthat idea.
Or like the black Skrillex,black Diplo you don't understand
that, like then, I'ma stay, meand y'all gonna stay independent

(01:12:21):
and keep bombing?

Speaker 1 (01:12:24):
Yeah, bro, just like.
Why would I you?

Speaker 4 (01:12:26):
know what I'm saying.
And two, the right situationmakes sense.
That's why me and Lil shout outto my manager Lil Beat Silk,
rick Danger, l Planets.
We about to do these one-offprojects, we about to do some
partnerships with some labelsand shit.
We got my first project aboutto come out.

Speaker 2 (01:12:42):
shit like that, that's Club Crazy is the name of
it, and it's heavy.
Would you drop in your tape,family getting a chance to drop
it, with everything that was onyour back to drop it, and the
city receiving it?
Well, like, give me the feelingof that time, like it actually
dropping, and you know what Imean.
You know grandma, mom, dad,everybody looking at you from up

(01:13:08):
top.
That was all done, and not onlyjust the city, excuse me, the
world is receptive to your musicand your tape.
Like, give me that time and howyou felt at that time, damn.

Speaker 4 (01:13:23):
I felt blessed man.
But I always say this, bro, tobe honest with you, and this can
probably be crazy, but I got tosay this because, bro, to be
honest with you, and this canprobably be crazy, but I got to
say this because I want my brandand what I'm standing for is
God, God, God, God, God, God,God.
I want to change some things,Bro.
I don't even like to beidolized, bro, Even though I
like attention.
I like the crowd, I like tocontrol people off music and

(01:13:45):
entertainment.
I like to start a fight offmusic.
I like to make people cry.
I music and entertainment.
I like to start a fight offmusic.
I like to make people cry.
I honestly don't like behindthe lines.
So when it happened, it wasmore like I had a spiritual
awakening to understand why mymom, dad and grandma passed.
They couldn't be here in thisphysical plane for that to work,
because I tried you know me,I've been trying to do this
music shit since we was kids.

(01:14:05):
I felt like they couldn't behere here so
that's the best way I could putit for me.
I just felt like this okay, Iget it.
I understand what life is.
I understand what a calling is.
Yeah, like why I'm called hereto bring people close to god
through music.
Right now it's hip, hips.
Okay, now it's club or or, uh,shake that music.
You feel me like.
So I just felt like, dang,that's what you're calling it,

(01:14:28):
this is what you know, I it.
Now, you get it, bro, I'mbringing people close to God
through my music.

Speaker 2 (01:14:34):
Yeah, that's dope.
Before we continue, make surey'all share, like, subscribe,
comment.
Yes, sir, if you don't follow,because if you don't You're a
motherfucking hater.
Why?
Because it's free.

Speaker 1 (01:14:46):
We got.

Speaker 2 (01:14:46):
DJ crazy in the building.
Wake up man.

Speaker 1 (01:14:48):
Y'all got to get crazy in here, man.

Speaker 2 (01:14:51):
So look, I ain't going front Like when you did
that, right, I'm looking right,I'm like damn man, this kid is a
fucking genius man.
It looked like he having funand that's the whole point,
because we was living in a timewhere kids weren't having fun,
man.
It was a lot of death, a lot ofviolence, a lot of drill music

(01:15:16):
the kids.
You know what I'm saying, yeah,so, but like that, when you just
like broke off and you wouldstart breaking the little
artists that was around you andbringing them up, and now they
got they sound and they danceand they look like they get
money and that shit just likewarm my heart, bro, because it's
like damn bro, it's likeanother way and my son love that
shit.
Nah, man, to kill my son, mynephew, they love that shit.

(01:15:39):
So I'd be like damn he.
It took a lot for him to get towhere he at, but he there.
That's the important part.
It took a lot for him to get towhere he at, but he there.
Right, that's the importantpart.
You got there and like you,using your platform as a vessel
to help other kids, and that'sthe main part.
Know what I mean.

(01:15:59):
Each one.
Teach one, know what.

Speaker 4 (01:16:00):
I mean, that's why it's crazy to be up here.

Speaker 2 (01:16:08):
Because you know, if can't nobody tell a story.

Speaker 4 (01:16:09):
I'm with the three niggas that know it.
That's why it's kind of justlike an eerie moment bro in a
good way, because it's like evenfor y'all.
I remember you was giving methe blueprints on what was going
to happen.
I remember just talking to ally'all just about like y'all next
moves and y'all creative career.

Speaker 2 (01:16:30):
Us rubbing shoulders and shit, just to know, like
damn, I'm here talking to y'allabout it, so I really asked the
right.
How do you feel, though?
How do you feel about yourmoment of being, like damn, I'm
crazy, like everywhere I go,like they know who you are?

Speaker 4 (01:16:38):
how you feel about that.
Bless man, like be able to likelike me.
And rare just got off aworldwide tour, bro.
Our last show was with chiefkeith.
To be a part of like that'sfrom my generation, bro.
I used to love, like, love,salsa, shit bro.
Like that helped my set to thisday.
So to be a part of the show youknow he got borrowed out of

(01:16:58):
Chicago years ago.
We was a part of the show thatyou know.
The mayor let him in and it'shis first time ever performing
in fucking years.
So to be a part of that shit.
And I'm performing my songs.
The one of the most crazymurder cabals in the world.
And this a legendary day forthis dude.
And ain't no hit music, bro.
That shit, really do somethingto me.

Speaker 2 (01:17:17):
Rob Markman, you ever have like a mama.

Speaker 4 (01:17:18):
I made it moment.
Lil Jon, hell, yeah, I actuallygot a song I just made called I
Made it yeah.
When I was in Portugalperforming Shake that in front
of like thousands of people.

Speaker 3 (01:17:28):
Bro, rob Markman, just kick the murder performance
.
Shake that in front of likethousands of people, like when I
was in Portugal.

Speaker 4 (01:17:31):
Right, yeah, bro and like.

Speaker 1 (01:17:32):
Where'd I see that I don't even know what I said?
I don't see that.

Speaker 4 (01:17:36):
Me and Red walking in this dude, this little young
boy like hearing, like our namesin other languages Tuva, tuva,
like that shit is crazy, broLike you know Because, look I
come from hustling too bro withthe artists, bro, like I'm not
an artist, like I break artistsstill to this day.
So having a picture artist thatthe crowd don't know, yeah,

(01:17:59):
that's what I'm trying to sayand now you're in a whole up a
country and these know your name.

Speaker 3 (01:18:05):
All right, damn, it's dope bro hey, I'm saying you've
been controlling the songs Imade in my living room, my like
how did I feel this was.

Speaker 4 (01:18:13):
This was like I got my dog when my mom left.
You feel me on my mom pad, soto make all that music off me,
you not losing my folks.
That's what shake that music is, bro, and to have it receive
it's like damn yeah mom, youwasn't tripping.

Speaker 2 (01:18:29):
That's the ultimate.

Speaker 1 (01:18:31):
That's the ultimate I want to ask you something real
quick, like I'm asking you, andat the same time, I want you to
like give information, likebecause us being from philly man
is like this, probably thisprobably the most important
question.
I could really excite us inyour position.
Like we from a city where it'slike easy to get peer pressure,

(01:18:54):
you feel me it's easy to likeyou want to be different, but
you got so many people on thesame type time on this block or
on a block you grew up on or theneighborhood you from.
It's easy for everybody to youknow be, it's easy for everybody
to do what the mass is doingand what the mass is thinking,

(01:19:16):
but it's hard for you to be likeyou know what, instead of like
being with this gang and shootthem up, bang, bang and sell
this and do that like everybodyelse want to do, or you can even
go to the other side, where youwant to be a athlete everybody
want to.
I want you to tell the peoplehow, like how you overcame stuff

(01:19:42):
like that and still stuck toyour guns, like when you was
five you knew you was going, hadsomething to do with, uh, club
music, and I want you to tellyou knew you was going to have
something to do with club musicand I want you to tell the
people how it was for you tojust stay on it.
You feel me Like not get peerpressure, not do it, because I'm
sure you had people.

(01:20:02):
You said you in Nicetown,that's the heart of it.
You mean, so how was?

Speaker 2 (01:20:08):
that for you how it went.

Speaker 1 (01:20:10):
Like like it got corny and motherfuckers yeah, it
got it got dead and all that.
So how was that for you?
Like going through that?

Speaker 4 (01:20:18):
damn, that's a great question.
The best way I could put it isI wouldn't say it was a
challenge.
Bro, if you're a real creativeand you got an idea right, it's
like like, like we all here liketo find each other right.
What I did over the years was Iattracted the people that were

(01:20:40):
sitting here for me, you for meon all levels of my career.
God brought me the people thatwere sitting here for me, my
team for me, to hear we worriedabout this idea.
The idea was the dance andproducing DJ and you really
can't be taunted by.
You can't be taunted byanything that's outside you and

(01:21:00):
your whoever you and your folksis, if they really run about
this idea, bro, it's like beingon your own planet.
Y'all really can't be tauntedby outside anything.
Yeah, no, you feel me and worryabout this idea and stay down
on it, but in in like tounderstand, like, if you, if you
become let's say you want tobecome a the first ai rapper,

(01:21:23):
that, that, that, that doafrican, you stay motherfucking
idea.
And if anybody try tomotherfucking tarnish that shit,
you and your team stay on it.

Speaker 1 (01:21:32):
Yeah, you good, oh, you good yeah.

Speaker 4 (01:21:35):
I say like, just stay locked in on your idea, bro,
and put God first yeah, godfirst.
Worry about being yourself.
That's one thing I fuck with.

Speaker 1 (01:21:55):
I always bring up up we go.

Speaker 4 (01:21:55):
And I said we go we ran into each other when he had
his atlantic wave and I wasspinning for ab and, like he's
always telling me crazy, I withyou because you always being
like bso you know when I was onstage bro, I forced this, it's
my me.

Speaker 2 (01:22:00):
Yeah, I can't you ain't about to edit me, bro,
like yeah, I always say thatlike I done been in more than 20
rooms with you, bro.
You always yourself, you alwayscontrol the room, you always
keep your energy and yourfrequency high.
Yeah, I mean you're a class act, bro.
And I just commend you brobecause, like he the question he
just asked you where I knowtimes got hard and where it's

(01:22:22):
like, damn, is this gonna work?
or is this corny or no?
By you just standing down andkeeping your realness and your
authenticity, you got to whereyou wanted to go.
You got the world attention,not just Philadelphia, baltimore
or Jersey.
No, you got the world attention.
Know what I mean.
So I just commend you and Iwant you to keep working hard.

(01:22:45):
And you bored out Rico Havoc.
How did y'all link back up toget to start doing music?

Speaker 4 (01:22:52):
again.
I wanted to bring that up realquick.
You had something my bad.
So that story is crazy.
So, rico, I was popping uparound Rico when I was working
with Edmund Rock and he got hisAtlantic move, so we was seeing
each other a lot.
We started to rub shoulders sowe really started locking back

(01:23:13):
in.
When I was fucking with BBMChina, he helped me with her.
He threw me a crazy feature tohelp stare her shit up back in
the city.
And then he was there when Iwas working with china.
But, like I said, I was workingon my album.
I was always working on myalbum, right.

(01:23:33):
So he was there when I wastrying to shit, you feel me, and
we.
We had records, but let's say Iwouldn't say that rico was one
of them creative niggas, friends, that was opposed to rapping on
at the time.
It just didn't work right, itdidn't work out.
We didn't try it.
So what happened was it wasshake that, shake that pop.

(01:23:55):
I called Rico like look.
I was like I was big with him.
I was like look these, yourchildren, the world dancing
again.
Bro, where's Woody at?
I said where's woody.
I said where's woody at that.
Then I told him, me and damedollar linked up.
That was the concept.
Me and dame had a conversationabout it and I was like yo, rico
, gotta get on this, right, yougotta get on it.

(01:24:17):
And then we invite him to thestudio and I don't believe in
ever sending nobody with records.
Only people I ever gave recordsto without me being there was
rico and D4M Salon.

Speaker 2 (01:24:27):
So you just do all your records yeah, everybody
else.
I created every record witheverybody else, that's fire
Because you know everybody wantto send records these days.
Send a record over Email.
Send a record.
Send a record Nope.

Speaker 4 (01:24:39):
I don't believe in that shit, if you fuck with
Shake that you like, any songsthat I like.
You can't edit how that wascreated.
You ain't gonna get the results.

Speaker 2 (01:24:46):
You know what?

Speaker 4 (01:24:47):
I'm saying so with Rico.
He left with Blick.
I woke up the next day thatnigga start campaigning.
He's the best promoter, bro.
You understand the promotingshit from our era.
He just start popping up withpeople and I look up.
Blick is lit Even when we footfor the set.
I said we had a conversationabout him popularizing the word

(01:25:08):
because the kids start saying it.

Speaker 2 (01:25:09):
Yeah, blick.
They start saying Blick.

Speaker 4 (01:25:10):
Blick, blick, blick.
I said get on it.
He called me like should I saythat, yeah, that's it Right.
So I just told the nigga that Ipopularized that word.
Then after that, you know, hehad a run with the Shake that
Artist.
So when the shit first popped,like when we doing our tours and
shit since Blick was a big song, right, yeah, it was Like two
years ago, when the shit waspopping, hell yeah.

(01:25:33):
He had a run.
But I say what Rico did was hestarted dropping his other stuff
.
I always told him like wesupposed to maximize that shit,
but he dropped the project thatwent successful and shit.
And then we linked back up likewe were still in a studio for
you, like he had pop up on mysessions and shop up, oh man.
But he put, pulled up with thisidea.

(01:25:54):
He had this song already madehis recent young you know.
Okay, it was a regular song, itwas a hip-hop song.
Yeah, um, he wanted me to do mything with it.
I'm like yo for us to work,let's start working.
Yeah, like so we start workingon more.
But the concept was we like, ifwe're gonna do this, you know
we're gonna make a hit, we'regonna do this, we gotta do it

(01:26:15):
the right way and have ideas.
There's only one way.
I'm saying so.
I just reformatted the song.
We made the beat, you know, putrich youngin up forward with
him to where it sound like it'sboth of their tracks and the
nigga, he did it again.
He got woke up, he campaigned,he went fucking meatball K-Glazy
.
Yeah, he there with it, therewith it.
Then we came up with the ideato take it on a press tour.

(01:26:36):
So we've been on a Circlespress tour, yeah.

Speaker 2 (01:26:39):
I've been saying that , so you just been working the
record.

Speaker 4 (01:26:43):
Yeah, no doubt.

Speaker 1 (01:26:45):
Nah, I ain't going to hold you though I maximize.
I'm here to tell you, bro, toyour face, you the epitome of
Philly.
Bro, I appreciate that my man.
For real.
You mean a lot For real, bro.
You know this is where the DJscome from.

Speaker 2 (01:27:03):
You feel me, and the dj's come from you feel me and
you still doing it.

Speaker 1 (01:27:11):
Yeah, you know what I'm saying at a high level, like
you're still doing it, like youfeel me and you you still.
I met dj crazy for the firsttime.
It was some club slag.
You feel me, the uh, the middleof your career was that and and
it's still that.
That's hard to do.
You see a lot of people tryingto rebrand because they did
something and it got it, got itran out, or it got corny to

(01:27:32):
others and or them and they tryto rebrand it, or you know,
people was not the same personfrom 10 years ago.
You feel me.
So for you to be able to dothat and be successful with it
again and again, and then yougot the biggest.
You got the biggest part, likeout of philly is the biggest

(01:27:53):
party song.

Speaker 2 (01:27:54):
Like the biggest party movement yeah, it's the
biggest one.
You know what I'm saying he'sgot movements and wu-tang and
the hill toe and all these thatPhilly come up with in eras and
times.
Your shit is the biggestmovement.
How you feel about Philly now,like everybody, like the Philly
scene, like with people workingtogether and stuff like that, do

(01:28:17):
you feel like it need to bemore unity?

Speaker 4 (01:28:19):
or you feel like we getting there.
That's why I'm trying to showthis shit bro.
I be telling motherfuckers likethis I have to understand what
value is on myself.
Most times when somebody catcha wave like me, you'll be like
unaccessible.
So I try to still create that.
Create those sessions to whereit's Rico Havoc, it's Two Rare,
it's managers, it's cameramen,it's podcasters.
In there it's fucking this,that and the third to where we

(01:28:41):
kill that bro kill that, bro.

Speaker 2 (01:28:49):
That's a philly disease that we got, bro, I feel
like, and it's really the most.

Speaker 4 (01:28:51):
And I also want to ask something over top of that
too it's really the most.
What go ahead like an era leftis, with that like that whole,
like not supporting each other,sneaking your mans and shit and
just not want to fuck with eachother, not fucking with the next
black man next to you in phillyera.
Left is with that.
That.
That that's the boop out there,man.
That's the damn.
I don't want to say no rapgroups, but it's the Errol, you

(01:29:11):
know them.

Speaker 2 (01:29:11):
Groups that was doing shit.
It been happening before we washere bro.

Speaker 4 (01:29:15):
I feel like, as the young boys, I feel like that
shit was cool and I feel like,damn, I got a hit song, Fuck you
on fuck you.
Yeah, ain't nobody support mecoming up, I got a popping shirt
, a clothing line?
Fuck you ain't nobody.
That's not hip-hop, that's not.
Even if you really like money,that's not.
You say you rapping abouttrapping how yeah, how you

(01:29:36):
turning people what the?

Speaker 2 (01:29:37):
fuck like, because if you like trapping like, if I
got this song, I'm shaking hands, kissing babies this shit is
called a game I'm not speakingon, probably like our culture
too, because like it's like itwas like a year, like a time
span.
Well, right now you can't evenspeak to nobody.
You just gotta keep it put.

(01:29:58):
You gotta walk by people andnot even speak to people because
you don't know how they'regonna react trying to stop, bro
like.

Speaker 4 (01:30:04):
I ain't create my music like that.

Speaker 2 (01:30:05):
I ain't none of this, bro, like so because you had
other, so because you had theluxury of like touring the world
and engaging with people inother states and saying how
people are like philly, just notlike that, I'm glad we're not
like that we walk right, you gotit, you got it you got to be
open-minded right now see thatthat you taught.

(01:30:27):
That's that closed mind.
It don't get us, nowhere don'tget us nowhere it.
It actually set us back it setsyou way back.

Speaker 4 (01:30:36):
If you create a product right, if you pop that,
you flip and trap and you get toan ounce, to a quarter pound,
you gotta take when you yourapping about that shit.
So, how could you be too coolfor anybody?

Speaker 2 (01:30:50):
You gotta go flip.

Speaker 1 (01:30:53):
That doesn't make sense to me.
When they do it, it be like youwon't be here next year, enjoy
your little hit Instantly turnthe business away.
I'm not gonna lie, bro.
I'm gonna keep it all the wayreal with you.
I really think this go for youas well, because I look at you
like this, like that's why wecannot let nobody take us for

(01:31:16):
granted because we differentpeople.
You know what I'm saying yeahlike I don't care if it, what
type of situation it?
is I don't care what I'm talkingabout Bad vibes, lion, backstab
, whatever.
We just different type ofpeople Like how you just said.

(01:31:36):
I'm glad we ain't like that.
Yeah, there's a lot.
It's not a lot of.
We ain't like that, yeah.

Speaker 2 (01:31:42):
So like a one percentile.

Speaker 1 (01:31:43):
Yeah, and I really look at bro like that bro, I
really look at it like that, bro.
I really look at it like that,so that's why I said like you
just, you just can't let peopletake you for for granted.
You can't let people misuse youlike at all.
Treat me like a fragile pieceof fucking trophy or something,
because because it ain't a lotof me, especially with bro,

(01:32:06):
thank you like the way he groundthe head you feel me, so it's
just like you walk in thebuilding, turn it right turn it
right up are you?

Speaker 2 (01:32:15):
different from everybody in the building like
everybody and then like underyour umbrella it.
You will fall under theumbrella or be a lead from the
tree and still wind up with adeal.
Come on, that's amazing, bro.
That's that's deal.
Come on, that's amazing, bro.
Yeah, come on, bro.
That's crazy.
That's why I asked you thatquestion of how you were able to
maintain that in Philadelphia.
Because it's a hard thing to do, still being around.

Speaker 1 (01:32:36):
Every time I see you with a group Right, you feel me,
you can be around anybody.
Yeah, you still maintainingthat knowing that you one of
them like opposite, leads on atree, like you feel what I'm
saying.
So I commend you for thatperiod.
Like, besides all the music andall that, I commend you for

(01:32:58):
that period Because if you knowwho DJ Crazy is, not being from
Philly from the beginning, makeyou come here and get
super-duper peer pressure.

Speaker 4 (01:33:07):
You feel what I'm saying.

Speaker 2 (01:33:07):
Share it with us, philly good at manipulation, bro
.
And then make you feel likewhat you created is corny when
they fuck what you are already.
You know how, philly is they?
Hate you, then they love you,then they hate you, then they
love you again.
Yeah.

Speaker 3 (01:33:23):
I ain't going long.

Speaker 2 (01:33:25):
We about to get crazy though.
Yeah, we definitely about toget crazy.

Speaker 1 (01:33:28):
Listen, we about to get crazy.
One thing I'm going to saybefore we get into that man you
absolutely a gem, you a pioneer.
You feel me For real.
You a pioneer, everybody alwaysbe saying yo, bro, you, you

(01:33:49):
throw that legend word aroundtoo loosely and then I tell
people how a person is a legend.
You may shake that, but you,that's just that's legendary,
super legendary, from the jumpit ain't.
No, I don't gotta get deep intoit, you gotta.
And people, and people thinkit's just that.
And up, bro, you got a catalogout this world.

Speaker 2 (01:34:08):
Out this world.

Speaker 1 (01:34:09):
You anybody?

Speaker 2 (01:34:10):
Non-stop work ethic.

Speaker 1 (01:34:12):
Anybody who's shaking the world up in Philly right
now.
You made, you worked with them.

Speaker 2 (01:34:17):
Yep, you worked with them Got.

Speaker 1 (01:34:19):
Beyonce and all that.

Speaker 2 (01:34:20):
Yeah.

Speaker 1 (01:34:21):
Shaking that on stage .
That's a part.
That's a part.

Speaker 2 (01:34:26):
That that that's the part of it when you told me he
came to work.
That's what clicked in my head.

Speaker 1 (01:34:30):
Yeah, bro, yeah, like different countries and all
yeah, so we couldn't, you andyou really the most family now,
man, we can't really do allright now, but before we go,
though, is there anything youwant to say, though, to our
people?

Speaker 2 (01:34:45):
like you, got anything coming, you want to
share your handles and all thatI'll say this man being a black
on loc.

Speaker 4 (01:34:52):
I tell people this I want to get some game.
This 95 relationships, fivepercent talent, look at your
career.
Everybody play motor combat.
You look at your career as thathealth bar right, your career
is all the green, that's 90.
So when the red that you feelme, that's your talent.

(01:35:16):
95 relationships, five percenttalent.
The five percent talent is yourgrandma.
That's your calling from God.
You was already caught here.
God installed that in there.
That's whoopty.
Do you know what I'm saying?
That's what I always say putthat in your back pocket and
kind of be like oblivious to it,because it's somebody next door

(01:35:37):
that's fired, just like you,right?
But what set us all apart inthis room?
We were in about the 95relationships.
Yeah, the five percent talent.
Right here, man, you can get inthe studio.
We know we can make a crazyalbum in a day.
So what's going to set us apart?
That 95% relationships?
And me and you going to do?
We going to take it to RL, wegoing to call Swizzy, we going

(01:36:00):
to utilize him.
You feel me?
We going to worry about that.
95% relationships.

Speaker 2 (01:36:04):
So that's what that's built around.

Speaker 4 (01:36:06):
That's why you are running to a fire-ass baby mom
with seven kids.
But that bitch can blow.
She think them seven kids holdher down.
You feel what I'm saying.
But that next bitch that'sprobably got five kids.
She fired because she worriedabout the relationship.
She said her baby dad was thisor her cousin was this.
She didn't get it.
You feel me Everybody this orher cousin was this, she ain't

(01:36:31):
get.
You feel me, everybody got that.
Five percent greatness in theessence.
It's really who we're about.
The that you don't want to do.
That's the revert, that's thereally, that's the 95
relationship.

Speaker 2 (01:36:34):
That's really the most.
Y'all, make sure y'all share,like, subscribe, comment, repost
.
Tag all that man, because ifyou don't you hate it.

Speaker 1 (01:36:43):
Why?

Speaker 2 (01:36:43):
because it's free man listen, man, we about to get
into these games, though, cash,you want to break them down.

Speaker 1 (01:36:49):
Yeah, yeah, yeah, yeah, all right, listen.
Oh, no, that's white boy job,my bad, my bad, All right.
So on the Real Estate Podcastwe play this game.

Speaker 2 (01:36:58):
It's called Fast Track, it ain't not too of the
other.
And because we from philly bro,I gotta start with this one
major figures of state property,state property, okay, okay, I

(01:37:23):
just I just did a show with themlike three days ago.
All that um, um, uh, uh.

Speaker 1 (01:37:25):
But you definitely work with everybody though dj
jazzy jeff or kid capri, damnjeff, let's get it, let's get it
started.
That was crazy got some foryour way all right, fucking kid
capri.

Speaker 4 (01:37:44):
I love you it's crazy y'all bringing up people.
I just met kid Capri.
I love you.
It's crazy Y'all bringing uppeople.

Speaker 3 (01:37:48):
I just met kid.

Speaker 4 (01:37:50):
Capri at BET Legend.
Fuck, that's crazy.
Y'all just All right, here wego.

Speaker 2 (01:38:00):
All right, here we go .

Speaker 1 (01:38:03):
DJ Funk, flex or DJ Clue.
There wasn't nobody like him.
Dj Clue, what'd you say?

Speaker 2 (01:38:06):
DJ Funk, flex or DJ Clue.

Speaker 3 (01:38:11):
We playing Def Anjetta.
Fight for New York bitch.

Speaker 2 (01:38:14):
It's the new version, dj Envy or DJ Self Envy, dj
Premier?
I don't know this.

Speaker 4 (01:38:23):
DJ.

Speaker 2 (01:38:24):
DJ, dj, dj, dj, dominic Cuts or DJ RL.

Speaker 3 (01:38:33):
That was great RL.
That's my mentor.

Speaker 4 (01:38:35):
But Cuts, that's my heart.

Speaker 3 (01:38:36):
I gotta go with RL.

Speaker 1 (01:38:38):
You gotta go.

Speaker 4 (01:38:38):
RL.
I just performed, with Cuts tooDamn.

Speaker 2 (01:38:41):
RL.
That's my mentor.
Who can we compare?

Speaker 1 (01:38:42):
the ball who.
For me, that's fucked up.

Speaker 2 (01:38:44):
No, no, no, no.
I bet DJ DJ who the the boypassed away, or dj dj, dj, dj,
no, not clark fat man scoop anddj's case slug.
You've been bad, that's.
Hey, no, dj, that's you can't.

Speaker 1 (01:39:03):
It's not really nobody you could put with school
.

Speaker 2 (01:39:05):
I know, know you can, it's not nobody.

Speaker 1 (01:39:08):
And you can be done with every generation.
And not even that he just hebore what he did, nobody else
did.
All right Like it ain't evennobody to put with him Joey
Jahad or Reid Dallas.
No, no, no, no no.

Speaker 3 (01:39:27):
You showed your head.

Speaker 2 (01:39:30):
He really crazy.
I know, y'all funny as shit.

Speaker 1 (01:39:34):
How about yo.
Y'all funny as shit.

Speaker 4 (01:39:38):
My heart beating fast right now At the whole
interview.
Why this part?

Speaker 2 (01:39:44):
Sloan or Rico Havoc.

Speaker 4 (01:39:49):
Damn, Damn.
I gotta go see Slone after this.

Speaker 3 (01:39:54):
Fuck.

Speaker 4 (01:39:58):
I'm going Rico.

Speaker 2 (01:39:59):
Alright, I got one Too Rare Raw G's.
I'm going Rare Lay Banks, orChyna Damn Raw G's.
I'm going rare Lay Banks, orChina Damn you playing.

Speaker 1 (01:40:15):
Y'all doing everybody .
I don't even know if it's.

Speaker 4 (01:40:19):
Go ahead.
Damn, I got to go with China.

Speaker 2 (01:40:22):
Lee Mazin Rocky.

Speaker 4 (01:40:27):
I'm going with Lee.

Speaker 1 (01:40:30):
Did you Rocky, I'm going with Lee?
Did you say I'm going with Lee?

Speaker 2 (01:40:32):
Alright Cash get one in, y'all saying every fucking
body, hey, get one in.

Speaker 1 (01:40:38):
Alright, let me see.
Let me see, I want to knowyours, timberland, or Pharrell.
Whoa, I want to know yours,timberland, or Pharrell.

Speaker 3 (01:40:48):
Whoa.

Speaker 1 (01:40:49):
I want to know yours.

Speaker 4 (01:40:50):
Damn, I'm going to let my manager choose.
They called me the other daylike damn, I got who you remind
me of because Through like allthe labels, I done had a lot of
label meetings, bro, since Shakethat Pop Turned down so many
deals and I became partners witha lot of labels.
Instead of just signing withthem, I just rather work with
the artists.

(01:41:11):
So they all compared me to LilJon.
That's what they've been sayingfor all these years.

Speaker 1 (01:41:15):
That's who you could have compared to Scoop.
That's exactly who.

Speaker 2 (01:41:18):
I could have said Lil Jon Fat man Scoop.

Speaker 1 (01:41:21):
That would have been crazy.
Shout out to DJ Drama.

Speaker 3 (01:41:24):
He gave me one of that.

Speaker 4 (01:41:27):
He Crazy.

Speaker 2 (01:41:27):
Fat man's school, desmarque, he gave me that.
No.
No, I'm going to say it's thesame type of trip, not on biz
level, bro.
Ooh, saying about levelTimberland.

Speaker 4 (01:41:34):
Timberland.
My man in Timberland said thatI'm reminded of.

Speaker 1 (01:41:37):
Timberland, damn yeah .

Speaker 4 (01:41:39):
Oh no, rick said that , rick Dane said that.

Speaker 1 (01:41:41):
All right, let me do one more, and I'm done.

Speaker 2 (01:41:43):
No produce another producer Go ahead.
Producers again, yeah yeah, onemore I want to say Swizzy or
Kanye.

Speaker 1 (01:41:51):
Kanye yeah, that ain't fair.

Speaker 2 (01:41:54):
Yeah, that ain't fair .

Speaker 1 (01:41:56):
Yeah that ain't fair.

Speaker 2 (01:41:58):
That ain't fair I pick Ye, ye, the top of the top,
though, but I like Swizz.

Speaker 4 (01:42:04):
Man.
Swizz is like my style comesfrom him, man.
He put how I pop with sloanlike I say like how my sound is.
Especially with hard artistslike swiss, I say his sound, bro
, he'd be using like sounds thathe like that showtime, showtime
that song like when he wasdoing that like his sounds, if

(01:42:26):
you, if you listen to X, to meDMX shit it worked because you
got this street dude rappingover female beats, bro, Like pop
shit.
I feel like beats that.
You know that's going to workin a club, the radio, white
people, girls, especially girls.
I feel like his sound was likegot this street nigga like
barking his shit over thisglittery ass beat.
You know what'm saying.
That's how I did with sloan.

(01:42:47):
I took that from swiss, so Ilike really study you're kind of
right though I like the greatsthat come with the artists
bringing the bounce to thestreets like yeah, that was
swizzy all right um Deadblow orSteve Aoki, steve.
Aoki, steve Aoki, I got to gowith Steve Steve.

Speaker 3 (01:43:08):
Aoki, I got to go with Steve.

Speaker 4 (01:43:09):
Shout out to Bac Nero , my man's son.
Shout out Bac Steve Aoki man.

Speaker 2 (01:43:13):
Lil Wayne or Young Thug.
Lil Wayne, of course, hellstaror Tear, or Denim, denim.
Denim Tear Hellstar.

Speaker 1 (01:43:28):
Hellstar denim, then I'm tearing that else that that
was star house star all right um.
I want to hear yours on um gowith.
I want to hear yours on umdrake or kendrick, or Kendrick,
kendrick.

(01:43:48):
Kendrick.

Speaker 4 (01:43:49):
Yeah, ayo, I gotta say something about this.
It's my first time, probably,saying something about this.
Should I say something aboutthis?
Should I say something aboutthis Go ahead son Go ahead.
I wanna work with him.
I wanna work with him.

Speaker 2 (01:44:04):
He was up on y'all for a minute.
He had too rare and shit in thevideo and all that.

Speaker 1 (01:44:07):
He fucked with us.
Yeah, I know he fucked with us.

Speaker 2 (01:44:08):
But, speak about it, though, what you was about to
say.

Speaker 4 (01:44:11):
I just feel like ah, shit, now my heart beating.
Oh my God.
No, all right, this is reallythe most right when I I'm a real
student where I research realbattles.
I remember when me too, like acouple ogs uh flip when I say
this when biggie said somethingabout kwame sweater and it was

(01:44:32):
like over for this.
Yeah, yeah, you feel me like,like, like that, bro, so it's
just like when you got time topop it, I think you should
really pop it a lot of I feellike a lot of them records.
I heard Drake just grabbing hisnuts too much.
He was being cocky.

Speaker 1 (01:44:50):
He was taking advantage every second, like
Kendrick did Kendrick pressedrecord he was going to lose
anyway, but that's why he gotdestroyed.
I get what you're saying yeah,because I think he was just like
nigga, I'm Drake.

Speaker 4 (01:45:00):
You feel me?
He going to make a good song.
He made good songs, you feel me, but I just feel like he didn't
take that like a battle.
Bro, when you battling, youtake advantage of every second.
I'm a dancer bro I'm going tofuck you up from the moment I
start.
You get me.
I just feel like he just wasjust the family man.
Like he did with me.

Speaker 1 (01:45:18):
Yeah, chilling.
All right, he should havepopped it like he did with me.
All right, look, that's what hedidn't do All right Cool, cool,
monica Keisha cool Fuck.

Speaker 4 (01:45:28):
Monica, try to hold us off a little bit.
Yeah, I ain't trying that shit.

Speaker 2 (01:45:32):
I just saw her live man White boy.
I didn't peep that he trying tohold us off a little bit.

Speaker 1 (01:45:37):
No, all right, chris Brown or Usher.

Speaker 3 (01:45:40):
Ooh Fuck.

Speaker 2 (01:45:46):
I'm going with us.

Speaker 4 (01:45:50):
Tank or Tyrese.

Speaker 3 (01:45:51):
Tyrese.

Speaker 1 (01:45:54):
One guy Gizzy.

Speaker 2 (01:45:56):
One guy go, one guy go.

Speaker 1 (01:45:57):
All right, look, this is the second game.
All right, One guy go Damn,it's the opposite.
We're going to say four things,we're kicking one out the house
.
One guy dip like ranch, allright things.
One guy dip like ranch, alright.

Speaker 4 (01:46:09):
One guy dip like ranch.
That's good, that's a good joke.

Speaker 3 (01:46:12):
Yeah.

Speaker 1 (01:46:13):
Alright, bet.
So we gonna do the first Phillyjoint.
Alright, you ready.
Alright, nh.
Reed, meek or Hattie, one gottago, one gotta get outta here,
one gotta go.

Speaker 4 (01:46:28):
One gotta get out of here Fuck.

Speaker 1 (01:46:31):
All right, I think they're going to steer in the
speech.

Speaker 2 (01:46:36):
I want to see what he's about to say.

Speaker 1 (01:46:37):
One gotta go.
Let's get it All right, hattie.

Speaker 4 (01:46:40):
I'm going to get rid of Hattie.
Okay, all right.

Speaker 1 (01:46:42):
Okay, okay, okay All right, all right, boom, all
right.

Speaker 4 (01:46:45):
look this is right, okay, okay, okay, all, right all
right, boom.

Speaker 1 (01:46:52):
All right, look, this is what we gonna do.
I hope I'm gonna have some nut.
Let's do this.
No, no, no.
Creator creating.
Let me go to creating route.
All right, go ahead, all right,creating.
All right.
Missy elliott ludacris Nelly.

Speaker 3 (01:47:17):
Busta Rhymes.

Speaker 1 (01:47:18):
Yeah, yeah, yeah, busta Rhymes.
Ludacris Missy Elliott PharrellDream One guy go Ludacris Missy
Elliott Pharrell Drayton Oneguy go Ludacris Missy Elliott
Pharrell.

Speaker 4 (01:47:37):
And Busta Ludacris Okay.

Speaker 2 (01:47:49):
Tia Ludacris, tia stand up Tia Jeezy, stand up Tia
Jeezy, the big Air Force.
Yeah, tia Jeezy.
Gucci Rick Ross.
One got to go.

Speaker 4 (01:48:19):
Tia Gucci Rick Ross one go, gucci Rick Ross, one
gotta go.

Speaker 1 (01:48:25):
I ain't gonna lie In that lineup.
Ross gotta go.

Speaker 4 (01:48:28):
He gotta go right In that lineup Because you're going
to fuck some culture up.

Speaker 1 (01:48:31):
You just named the biggest down south legend and
then a nigga from Florida.
I'm going to fuck some cultureup.

Speaker 2 (01:48:36):
He gotta go.
He the biggest too, like he the.
You know what I mean.

Speaker 1 (01:48:41):
If you get rid of him .
No, he a legend.

Speaker 2 (01:48:42):
I ain't want to put Luda in there.

Speaker 1 (01:48:43):
That's Fugati in there.
I was, you could pick Gotti inthere.

Speaker 2 (01:48:46):
I was.
I was Gucci TI Jeezy.

Speaker 1 (01:48:52):
Yeah.

Speaker 4 (01:48:53):
Gotti, hey Ross, if you could pick Gotti, yeah the
Gotti, All the niggas beingmotivated.

Speaker 1 (01:48:57):
Yeah, all traffic.

Speaker 4 (01:48:59):
If you could pick Gotti in there, jeezy got a lot
of street n morning.

Speaker 2 (01:49:09):
Yeah, hell yeah.

Speaker 4 (01:49:10):
Yeah, I did too.
No, hell, yeah, go to.

Speaker 2 (01:49:11):
Gucci Next time you do that.

Speaker 3 (01:49:13):
It's still going to be.
It's still going to be, Allright.

Speaker 1 (01:49:22):
All right, dj clue, dj drama, kid Capri, funk,
master Flex why?
Not go Shit.

Speaker 3 (01:49:30):
And go with it like that.

Speaker 4 (01:49:32):
I'm going to speak from this.
Damn, all right how I'm doingmy shit.
I'm protecting music,protecting culture, right.

Speaker 1 (01:49:41):
Okay, I like that, I like that DJ Kluge I like that.

Speaker 4 (01:49:46):
I'm going to fuck some shit, some up again.
I can't get rid of clue.
You're gonna up some tapesbeing made.

Speaker 2 (01:49:50):
All right, protect that some real things you don't
gotta explain it, go ahead, welisten.

Speaker 1 (01:49:56):
He wanna, he want us to throw the angle I get it too.
Uh, just from you saying that Iknow who you're gonna pick now.
All right, just from you sayingthat, I know who you're going
to pick now, all right, bet Metoo.

Speaker 4 (01:50:06):
Who the other one?

Speaker 1 (01:50:07):
Clue DJ Drama Funkmaster Flex Kid Capri, I got
to keep.

Speaker 4 (01:50:11):
Funk.
I mean I got to keep DramaCulture, the tapes he created,
yeah, the mixtape era.

Speaker 2 (01:50:18):
I don't know how are you going to get rid of anybody
else on this show.

Speaker 1 (01:50:21):
I'm about to tell you I might be mad he about to
bring it down Flex and.

Speaker 4 (01:50:25):
Kid Capri, bro Kid Capri, they at the top.
I got to keep him because hecome from the first team, so
you're telling me you about toget rid of Flex Got to.

Speaker 2 (01:50:34):
Whoa the tunnel Over, drama Damn.

Speaker 4 (01:50:38):
Drama over Flex.
Yes, I don't see no better DJor anything.

Speaker 2 (01:50:41):
Gangsta Grill?
Yeah, gangsta Grills.
Damn man trippin', that's allthe dedications.
Yeah, all the dedications, yeahthat shit damn Damn.

Speaker 4 (01:50:48):
I'm talking about us being inspired by some shit.
Just think about us, I feel youman.
I'm with you, like we wasinspired by a lot of that shit
yeah.

Speaker 1 (01:50:56):
I'm with you.

Speaker 4 (01:50:57):
Funk Bro Flex In this a lot.
He did, he did a lot, bro, hedid, he did, he did so much An
overhaul for a lot of people,bro.

Speaker 2 (01:51:09):
Oh my gosh, the tunnel To get rid of Flex in New
York is going to go crazy onyou.

Speaker 1 (01:51:14):
Every DJ we just said got more to give up than.

Speaker 2 (01:51:19):
The tunnel was a hard place to come up in.

Speaker 1 (01:51:21):
That was a hard jump.

Speaker 2 (01:51:22):
I ain't gonna lie, that was crazy.

Speaker 1 (01:51:24):
We gonna do our heavy hitter.
That's a good jump so when wesay this right, I'm gonna ask
niggas that you got, you got,you got all personal yeah and
make sure.

Speaker 2 (01:51:34):
He's about yeah.

Speaker 1 (01:51:36):
I'm gonna take y'all in that Like yo, cause people be
stealing.
Bro, blame really the most.

Speaker 4 (01:51:41):
Yo Drama.

Speaker 3 (01:51:42):
Flex.
Who wasn't Drama?
Who wasn't drama?

Speaker 2 (01:51:45):
I'm doing that.
Kid Capri and Clue.
That's a hard jump Watch this.

Speaker 4 (01:51:52):
That's a hard jump, bro.
My nigga's back against thewall with the camera recording.

Speaker 2 (01:51:58):
Capri did the biggest parties ever.
That's what I'm saying.

Speaker 4 (01:52:03):
I found out some shit while I was in documentary he
started on we Gon' Get Fucked Upwith Def Jam.
Like I found awesome shit.
Watch the documentary hestarted and we're going to get
fucked up with that jam.
The comedy show.

Speaker 2 (01:52:09):
Yeah, it's, the DJ Did that, so it's like you get
rid of home before I think youfeel me before.
Before the big one let's go,let's do the big job.
No, before that.

Speaker 3 (01:52:21):
No.

Speaker 4 (01:52:24):
I'm going to kill us.
Crazy, all right, oh shit.
They're going to kill us.

Speaker 2 (01:52:30):
D-Sturdy, oh D-Sturdy .
Rico Havoc Zy Sosa, uh-huhSpence.

Speaker 1 (01:52:44):
Oh, Lee Banks, bro Lee.

Speaker 2 (01:52:45):
Banks.
All right, how y'all do that?
D-stur Banks, d-sturdy, zy Sosa, d-sturdy, d-sturdy.

Speaker 1 (01:52:57):
D-Sturdy Too Rare Lay .

Speaker 2 (01:53:00):
Banks.
Rico Havoc One gotta go in thehouse.

Speaker 1 (01:53:05):
You gotta kick somebody out the house, bro.
I got it.
Now I got theoc.
One guy go in the house.

Speaker 2 (01:53:05):
That's probably the hardest you got to kick somebody
out the house.

Speaker 1 (01:53:07):
bro, I got it.

Speaker 4 (01:53:08):
Now I got the blueprint.
Who you kicking out the house?
Rare Can't get it out becausehe blew up the sound.
He got the first free record.

Speaker 2 (01:53:14):
Somebody got to get out the house.

Speaker 4 (01:53:17):
Dirk, he blew it up.
Rare blew up the sound.

Speaker 2 (01:53:20):
Keisha, lelika Zeta Latina.
He said Sturdy no D.

Speaker 4 (01:53:25):
Sturdy.
Sturdy created Shake, that.
He created the sound.
He created Shake that.

Speaker 2 (01:53:32):
Who you kicking out the house.
Then you said who else LayBanks, lay Banks and Rico.

Speaker 4 (01:53:39):
Havoc, the culture he created.
Yeah, I wouldn't be a producer.

Speaker 1 (01:53:47):
Right To make none of this, so everybody would have
yeah, yeah, so so what you don'twant to get rid of, nobody.

Speaker 3 (01:53:54):
No, he's a lay back.

Speaker 2 (01:53:55):
All right, but all right, now the heavy hitter.
All right, the heavy hitter,let's go.

Speaker 1 (01:53:59):
All right.
So all personal things aside,just just about them and the
entertainment world.
But if you pick them,everything they had something to
do.
It is going all right, allright, everything he has
something to do with it, whoeverthey signed wall and I'm out.

Speaker 2 (01:54:17):
You, you taking all the rights dr Dre, doctor get
them.

Speaker 1 (01:54:21):
they was one guy go, so one guy go yeah I might say
it, but no personal things.
All right, dr.
Dre diddy, birdman jay-z oneguy damn one guy get up out of
here, man how much you love theculture right how much?

(01:54:45):
You really love this shit?
How much you really love thecoach, motherfucker.

Speaker 2 (01:54:49):
We're going to see who you get rid of.
Say it again.

Speaker 1 (01:54:53):
Dr Dre Birdman Diddy Jay-Z.

Speaker 2 (01:54:59):
Who's going to get mad at him?

Speaker 1 (01:55:00):
y'all he asking his team.
Look his whole team.
They start texting and shit.
What are you saying?
Oh man, no, who you getting ridof?
What?

Speaker 4 (01:55:08):
the hell is Tomb had on the answer?
Crazy what you think.
Getting rid of Dr J a lot ofshit don't happen, right?

Speaker 1 (01:55:17):
You don't get a lot of shit.
Uskoos, don't happen, period.
We going to have Eminem, 50Cent, all of them.

Speaker 4 (01:55:25):
Yeah, we going to the .

Speaker 2 (01:55:27):
Chronic nigga Kendrick Lamar the Chronic.

Speaker 1 (01:55:30):
You can't lose the Chronic Top 10 best hip hop.
No, I got Keith Drake.

Speaker 4 (01:55:34):
I'm keeping Drake from the rip.

Speaker 1 (01:55:37):
All right, you said who left?

Speaker 4 (01:55:39):
We got Diddy left.

Speaker 1 (01:55:40):
And Jay-Z.

Speaker 4 (01:55:41):
Jay-Z and who else we got left Did and who else we
got left Diddy, jay-z andBirdman.
Yeah, fuck, if I get rid ofBirdman I don't got the hot boy
shit Back, that ass up Drake.

Speaker 1 (01:55:53):
Fuck that, you don't got none of them.
Yeah, back that ass up for him.

Speaker 2 (01:55:56):
Yeah, drake, nicki, back that ass up, should be
enough.

Speaker 4 (01:55:59):
And I need a hot girl Juvenile.
All Juvie records, all Juvierecords.
Y'all might look at me like I'mcrazy who.

Speaker 2 (01:56:07):
Rich on me, Quan and Thug.

Speaker 4 (01:56:09):
Going for it.
It's going to make sense to me.
Because look how we just brokeeverything down.
Seagull on Ho, I'm getting ridof Ho.
Ah, because, if not, hold up,hold up, hold up.

Speaker 2 (01:56:20):
I'm getting rid of Ho Chris Neif.

Speaker 1 (01:56:21):
Wait, wait, wait, hold on, Don't say that.

Speaker 2 (01:56:23):
Because, if I get rid of who Don't persuade.

Speaker 1 (01:56:25):
He said it already.

Speaker 4 (01:56:27):
All right, let me just try and understand.
I'm trying to see what theculture you created.
Can I live without it?
Let him do that.
Fuck.
I'm with them.
I ain't all right.

Speaker 2 (01:56:36):
No deal Yo you getting rid of Mac you getting
rid of Yeezy Reebok?
I meant the.

Speaker 3 (01:56:44):
Yeezys out the way You're crazy Adidas.

Speaker 4 (01:56:48):
Whatever Can.
I go without you know how weirdthem bitches.

Speaker 2 (01:56:52):
If it's D versus.
Jay-z right now as far asculture, if I'm thinking about
what I'm going to lose.
So you're going to get rid ofMary J.

Speaker 1 (01:57:01):
What's in the world without this, bro Mase, the
world that we all grew up in,when our mom was cooking on the
fucking stove Mase who would.
I go what are you talking about?
Yeah, you gotta get the fuckabout it.

Speaker 4 (01:57:11):
man, I'm being too personal with the Philly shit,
because I could live without Yeand them three compared.

Speaker 2 (01:57:17):
Pusha T 2 Chainz.
All them boys could go tooright.

Speaker 1 (01:57:20):
Pusha wasn't founded by.

Speaker 2 (01:57:21):
Good music, man.
That's the one of the mostpodcasts.
Keep boarding back to life.

Speaker 4 (01:57:26):
I'm chilling.
Fuck this game.
This shit hurt my heart.

Speaker 3 (01:57:32):
I'm going to do this to you niggas too.
I'm going to get y'all drunk.

Speaker 4 (01:57:36):
The difference is my shit going to be written down,
my shit going to be strategic.

Speaker 1 (01:57:40):
We got recorded too.

Speaker 4 (01:57:41):
I'm picking it up that y'all got coming up with
y'all show.

Speaker 2 (01:57:47):
We got recorded.

Speaker 1 (01:57:47):
Fuck that shit, we got you I always said I want
somebody to do the game on us.
Yeah with us.

Speaker 4 (01:57:54):
We always wanted that that's a good joint.

Speaker 2 (01:57:57):
That's crazy man, that was a good one man.

Speaker 4 (01:58:00):
Y'all real music lovers man, I appreciate y'all.
Come on, man, I just be puttingthem on.

Speaker 1 (01:58:05):
Yo, we got DJ Crazy in the building.

Speaker 2 (01:58:07):

Speaker 1 (01:58:09):
You feel me.

Speaker 3 (01:58:11):
Pirate Air Legend I'm really the most podcast.

Speaker 2 (01:58:16):
It's the realest of those podcasts.
Hey, DJ Crazy, is thereanything you want to leave our
guests with?
You want to tell them anything?
Go crazy.

Speaker 4 (01:58:23):
You working on yes sir.

Speaker 2 (01:58:30):
What's going?

Speaker 4 (01:58:30):
on Shake.
That Music is running the worldright now.
Know that it ain't lying.
Tell them where to follow you.
It's running the world at DJCrazy 215 on social media right
now.
We got Circles Out.

Speaker 1 (01:58:35):
Me and Rico have it, y'all got Circles Out.
Oh, oh, all right, not bad.

Speaker 2 (01:58:42):
Oh, don't start talking this.
The Rula the Most Moose podcast.

Speaker 1 (01:58:44):
My name is Rilla, I'm Outta World Cash.

Speaker 2 (01:58:46):
I'm White Boy.
D2a.
And we got circles out.

Speaker 1 (01:58:52):
Don't get us indicted .
He ain't talking about, he gotcircles.

Speaker 4 (01:59:00):
Rilla the Moose podcast.

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CRAZY WORLD WE LIVE IN I FEAT DJ CRAZY I RTM PODCAST I SZN O2 | EP. 16

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}CRAZY WORLD WE LIVE IN I FEAT DJ CRAZY I RTM PODCAST I SZN O2 | EP. 16