July 10, 2025 • 42 mins
Few conversations capture the raw reality of the music industry like this candid discussion with Baltimore's own Bandle Hunter Izzy. From the moment he walks into the studio, Izzy brings an authenticity that cuts through the typical industry talk, delivering straight truth about his journey through the music business.
The story of how Izzy landed his Republic Records deal reads like a movie script – accompanying another artist to a meeting, executives mistaking him for the main talent, and walking away with a contract himself. But what followed reveals the darker side of major label politics. With remarkable honesty, Izzy details how a cultural misunderstanding led to being blackballed, effectively shelved despite his potential. "They wanted me to shy away from that shit," he explains, describing the pressure to abandon his authentic style for more mainstream appeal.
Beyond career challenges, the conversation takes a deeply personal turn when Izzy opens up about losing his brother in December 2023. The emotion is palpable as he describes how this profound loss affected both his personal life and creative process. "Seeing my brother on that ground... that fucked my mind up a lot," he shares, giving listeners rare insight into how artists navigate creating music while processing grief. His struggle to balance making honest music without letting sadness define his entire catalog speaks to the complex relationship between art and personal experience.
Throughout the episode, Izzy champions Baltimore's underrecognized hip-hop scene, passionately listing talents like Tate, YG Tech, and Skola who haven't received deserved national attention. His perspective on legacy reveals a wisdom beyond the music itself: "Baltimore made me who I was, but it won't define who I become." This philosophy – focusing on genuine connections rather than broad validation – offers a powerful takeaway for anyone pursuing their passions against challenging odds.
Whether you're an aspiring artist, music industry professional, or simply appreciate authentic storytelling, this episode delivers invaluable insights about resilience, creative integrity, and finding your path despite unexpected obstacles. Subscribe now and join the conversation about what it really takes to navigate today's complex music landscape.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
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The content discussed may coversensitive topics.
Listener discretion is advisedIf you feel that any content may
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Speaker 2 (00:15):
It's White Boy D2A.
I'm Roland and we just wrappedup the craziest, craziest
interview.
Sam, hold me down for the lightskin niggas.
Yeah, yeah.
Speaker 3 (00:45):
I Hold me down for the light skin niggas and a
certain thing is a certain lane,is a certain pocket y'all
trying to be in.
I might have to do certainlittle things that might get me
to trust them.
Speaker 2 (00:51):
But if this is really the most, powerful thing, keep
it going, keep going, keep going, keep going.
Really the most powerful.
Speaker 3 (01:07):
I'm cool.
Speaker 2 (01:08):
What I'm white boy D2E.
Speaker 3 (01:12):
Yo man, they made me change my name bro.
Speaker 2 (01:13):
Damn bro.
Speaker 3 (01:15):
I'm not saying Rilla no more, it's cool networking.
Nice to meet you, how you doingyou, white boy D2E right White
boy D2E Scrappy.
Speaker 2 (01:22):
Why can't be cool networking?
You can be whatever the fuckyou want.
Bitch.
You already know I'm corenetworking.
I'm white boy D2E man and thisis the real of the most podcast.
And check us the fuck out bro.
Check us out Skate.
Speaker 3 (01:33):
Yeah, I think when you doing different seasons, you
post the upgrade.
No, no, that's a fact, you knowwhat I'm saying, that's a fact.
And and look, look who we gotin the building today.
Good Essentials, come on, man,oh man.
Speaker 2 (01:46):
My man.
Speaker 3 (01:47):
I like the way that look.
I mean you know you know, getmy man a why you can't be realer
though.
Huh.
Speaker 1 (01:54):
Why you can't be realer, no more.
Speaker 3 (01:55):
You know, like because they said something like
when you searching in the otherrhythm for certain things.
Okay, okay, Like my name willprobably pop up instead of the
brand.
Speaker 2 (02:05):
You know what I'm saying.
I ain't going to hold you.
You type whiteboyW-H-Y-T-E-B-O-I.
I'm popping up instantly onInstagram.
Speaker 1 (02:12):
There you go, there you go, you just got to make
yourself bigger than everythingthat'll pop up.
Speaker 3 (02:17):
Right, right, really Right.
You right, you right about thatman.
Listen man, I'm Rilla.
Speaker 2 (02:23):
I'm White Boy D2E man .
Speaker 3 (02:24):
This the Rilla the most podcast Motherfucking
better know it, we got BandleHunter Izzy in the building
nigga.
Speaker 2 (02:32):
It's Bandle Hunter, bandle Hunter.
Speaker 3 (02:32):
Izzy.
Speaker 1 (02:33):
Bandle Hunter Izzy my fault.
I always say that too, though.
Speaker 3 (02:37):
Always say, that too my fault.
Speaker 2 (02:45):
I you that too.
It was just early in the showthat we mentioning it how you
doing, white boy, I'm doing.
Well, bro, you know, I'm sayinghow your week going.
We in the hay man, you know, Imean we are working no, tell
them how your week really going,though you know, it's just,
it's just going, man, you know Imean shit going restless.
Yeah, no, sleep young, restlessshit getting goofy man, you
gotta get rest though, bro.
Yeah, I know right, you know I'msaying it's in the future for
(03:05):
me.
I see it in the Goofy man.
You gotta get Russ, though, bro.
Yeah, I know right, you knowwhat I'm saying.
It's in the future for me.
I see it in the future for me.
Speaker 3 (03:10):
So, uh, I'm gonna sit my ass down somewhere.
Speaker 1 (03:13):
One day.
Yeah, how you feeling bro.
Speaker 2 (03:16):
I be feeling behind, bro, so I be having a speed.
Speaker 1 (03:22):
How you feeling bro, I'm cool because, like I'm just
chilling he's a real player no,I'll be on the same shit
chilling, all right I'm movingaround.
Speaker 2 (03:31):
I don't sit in one spot for two, bro.
That's how light-skinned niggasdo, bro, I mean take everything
cool it ain't the light skinman.
Speaker 3 (03:42):
Yo Don't feel left out, so I can't be chilling, no
you be chilling still, I'm likewhat you know what I'm saying Yo
, we going to get into it, man,yeah.
Let's do a rundown real quick.
Speaker 2 (03:56):
So you know, we got Izzy in the building today.
Baltimore, right, you know whatI mean.
Known rapper Right, main knownrapper right, very known rapper.
You know what I'm saying.
Baltimore d1 entertainment cameup with with a bunch of rappers
under that, under that label.
You know what?
Speaker 1 (04:10):
I'm saying I came up with d1, okay it ain't.
No, I don't know no more d1,but I still got love for most of
the people that was in thereright, okay, not all of them,
not all of them.
Speaker 2 (04:22):
Yeah, you know, you know what I'm saying and not all
of them.
Yeah, you know you know whatI'm saying and you know, back
and back, when they was comingwith the uh record label and all
that you know.
I mean it was the top, topartist on the um label.
I mean uh.
So you know, at the time he, uh, you got your adult republic.
Speaker 1 (04:43):
Yeah, I was with Republic.
Yeah, that's a branch ofuniversity, right?
Right, I mean I said universityUniversal.
Speaker 2 (04:49):
Universal yeah, so you know.
Speaker 3 (04:52):
How you wanna take However you take it.
However, you take it.
Speaker 2 (04:55):
So you know, I ain't no character, tom, it's just
like Say it to me Out the hoodyou know the game industry.
We gonna get into a few thingstoday.
You know what I'm saying.
He wanted them guys from done.
Dated a few women in the game Iseen him on a video all.
Speaker 3 (05:09):
I seen chop was in a video chop, chop, chop, chop,
chop some sticks.
Speaker 2 (05:23):
That was back in the day.
That shit was probably fake,bro.
Speaker 3 (05:25):
It was back in the day.
Props it wasn't on.
Speaker 2 (05:27):
Yeah, that shit was probably fake girl.
Speaker 3 (05:29):
Yeah, y'all had the prompt drawings, though I
remember.
Speaker 2 (05:32):
I remember.
Speaker 3 (05:33):
Damn.
Speaker 1 (05:35):
That's crazy.
Speaker 3 (05:36):
Yeah, yeah, that's how y'all get down in the music
industry, man, you know.
Speaker 1 (05:40):
You know everything be fabricated Like.
Speaker 3 (05:42):
Yeah.
Speaker 1 (05:43):
Like the Like.
When you sign with a label Like, they'll tell you like you need
to keep doing this, but yougotta do it in a legal way.
So they'll just tell you likeI'll switch it up like that.
Speaker 2 (05:50):
I ain't gonna front that's crazy that you just you
said that, and because you saidthat, we might as well just get
right into it Might as well.
Alright.
So I wanted to you D1 promartist.
You feel me, you strike thedeal at Republic.
Now, when you get the deal atRepublic, it's looking good for
you.
But then I'm like damn, likewhat the fuck going on over
(06:12):
there?
You know, I mean major label.
What's the hold up?
And then when I get to askingquestions and figuring out like
oh shit, so I heard that theywanted you to kind of like lean
into, like the gang crip typeshit or like whatever that was
going on around you or type sometype time, and I don't know if
(06:33):
that's what you like, reallywanted to do.
Speaker 1 (06:35):
No more so like I got blackballed from them, but it
was more so like it wasn'tbecause of that.
Ok they wanted me to shy awayfrom that shit.
Shout out, saint.
That was my A&R there.
Speaker 2 (06:45):
Like he tell me, like bro, you got to venture off to
the like.
Speaker 1 (06:50):
Cater to the women in mainstream.
This this and that.
Yeah, yeah, yeah, I really hadgot like black ball, because you
know just me being young fromthe trenches, like just the way
we think and the way we talk andshit, like it don't cater to
other people.
Well, right and I had told likeone of the people who was
working there, like suck my dickor something okay, and she went
and told.
She went and told, but I wasjoking though I ain't matter of
(07:12):
fact, I ain't say suck my dick,motherfucking.
They was making, we was makingjokes and a girl I ain't gonna
say her name was acting like wewas cool.
You feel me?
So it's like the way we talk.
When I'm cool with somebody,it's like.
She was laughing At anothernigga joke.
That was about me and I'm likeDamn you sucking dick, ain't you
?
Speaker 2 (07:29):
And then I get the joke and again she's like what
the fuck?
Speaker 1 (07:31):
And she went and told the president of the label that
.
I told her To suck my dick, sothey basically Shelf me after
that.
Speaker 2 (07:39):
I said, damn Like they signed you and then
Whatever fell, which then theywent and got Blueface, and then
they, and then they kinda likeoh, I don't really know Like.
Yeah, no, I'll be.
I'll be paying attention Tolike labels and shit.
Like that, so I'll just be likePaying attention to like moves
and what they do.
Speaker 1 (07:58):
Yeah, I don't really.
I don't really know about whatthey was doing With other people
, like it was more so like how Igot signed up there.
D1 had will.
The rapper from dc yeah, and hehad a crazy song called pull up
high about.
This.
Shit was going crazy, so shorty.
I pulled up.
No nigga will the rapper he's arapper yeah, so I pulled up
with him.
I was just coming.
I'm going to dc I mean notgoing to dc.
(08:19):
I'm going to new york and fuckwith them.
You feel me go to the label andshit.
And they seen me and theythought I had made the song like
because you know, like, likebro, like he like that's my
brother, like, but he like fromthe trenches, like so it's like
he more, so he still got thatlook yeah, so it's like I come
in tall light skin.
They might thinking, oh damn, he, that's the rapper, that's the
(08:39):
one.
No, but that's it.
But so that once they seen methey want to sign me too.
Speaker 2 (08:42):
For for real.
Speaker 1 (08:44):
Damn.
So they played a song that wehad and was like oh, we want to
sign him too for real.
So that's really how I got thisshit, but I don't even know
about nobody else that they wasdealing with.
Speaker 2 (08:52):
Hey bro, your life crazy to just do some shit.
No, not for real, though itgets crazy.
You feel me bro Going to thelabel and they just shot with my
wife.
Speaker 1 (09:01):
RGP yeah, no cap.
Speaker 2 (09:04):
Ain't that crazy, bro .
Speaker 3 (09:05):
That's a crazy come up though.
Speaker 1 (09:06):
But I ain't gonna lie .
I've been dealing with thattype of shit my whole life,
though, like just going in roomsand like your presence being
noticed and shit.
Speaker 2 (09:18):
Yeah, just that.
What you will go in the roomand do what you not even going
in there To do People is likeWorking to do you know what.
I'm saying Hell yeah, so.
Nah man, we gotta Nah man payattention to.
Speaker 1 (09:32):
But you can't take advantage of it, neither like
you can't take it for granted.
Speaker 2 (09:36):
Nah, hell no.
Speaker 1 (09:36):
You still gotta work Just as hard as them people.
Yeah, nah, hell yeah Likethat's like a nigga with natural
athletic ability you still?
Speaker 2 (09:42):
gotta work just as hard as the nigga who been
grinding shooting a thousandshots, yeah right so it's like
you still gotta put that work inbut with the ups and downs in
the game, like so, like you likeit being independent or being
assigned to a major label.
Better which one would youwould?
You say is is better for yoursystem.
Speaker 1 (10:02):
For my system it really like I could do either or
.
But like I would say like eachgot their perks.
Like if you were to label, it'slike you, they gonna have the
money.
Like they gonna have the backend to push you.
There's some shame behind you,but you gotta listen to they
creative and it's like sometimesit might not be what you want
to do for real.
Speaker 2 (10:22):
Yeah, I can't get with that right now.
Speaker 1 (10:23):
Yeah, me, and that's what really was fucking me up,
because it's like I'm like bro,you want me to do all these
shits.
I always wrote my own musicsince I was a kid.
So it's like you want me to goget with a writer and you got me
saying some whole left shitthat I wouldn't even say for
real but they got the money topush it and they are making a
record, but it's not authentic.
(10:44):
But when you buy it yourself,you got to put all your money
behind it.
So if you ain't got the moneyto do it, then you're fucked.
Because them labels is puttinghundreds of thousands of dollars
just in radio.
Yeah, yeah, if you sit thereand watch the breakdown of what
they're doing.
They talk about some.
Oh yeah, we about to put300,000 in radio.
Bitch, give me $300,000 and I'mabout to flood the streets.
(11:06):
I ain't going to need y'all forreal.
Speaker 3 (11:07):
That's just how I be thinking.
Speaker 2 (11:08):
That's how we be looking at it.
Speaker 3 (11:09):
That's how we look at it.
But for real, you really needthat money for you to pilot and
go where you need to go at.
You know what I'm saying.
Speaker 1 (11:18):
You might need money for features.
You might need money for media.
Speaker 3 (11:21):
You need money for media, you need money for radio
Studio time.
Speaker 1 (11:23):
You need money for studio time, travel, travel you
need money for everything.
Speaker 3 (11:27):
Everything To live, breathe oh my goodness, that's
for sure.
Speaker 2 (11:30):
The music business.
Speaker 3 (11:30):
You definitely got to have that paper.
Yeah, the music business is agift and a curse.
Speaker 1 (11:34):
Niggas don't be understanding they be like yo.
Why you ain't drop, why you ainbeats that this nigga's trying
to hit me on the head for 5 000,for the exclusive rights, for
the beat you want me for thatall right everything costs as
long as you get that label stamp.
Speaker 3 (11:49):
Everybody think you, you rich I heard you say you've
been writing music since a kidnot writing, but like I ain't
like, music was really somethingmaking your own music?
Speaker 1 (11:59):
yeah, my, brother yeah, my brother, he like used
to like rapping and that, thatpast and shit.
So motherfucking.
I used to just rap with him,but I just knew I knew how to do
it.
Speaker 3 (12:09):
He was one of your influences doing rap.
It was just me and him together.
Speaker 1 (12:13):
He was only a year older than me for real, so it's
like you know same mother.
So it's like shit.
That's how my brother was.
Speaker 3 (12:20):
And it's like he rapping.
Speaker 1 (12:22):
Well, he not, he wasn't even rapping Like, he
just knew how to.
He was good at shit Like thatnigga walk around in a circle in
a studio while the beat playing, and then I'm sitting there
trying to write.
He is walking that bitch andrap it off the head, he
remembering everything in hismind and it's just like damn.
So I'm trying to keep up withhim the whole time, and that's
what really made me just get onsome bullshit.
Speaker 2 (12:45):
Nice.
That's dope, though, because,like so, big Bro rapping, you
following at the helm, you downthere, just as good, and then it
happened for you.
That don't normally happen likethat.
Speaker 1 (12:56):
Yeah, and that was like kind of the conflict of
interest, because like we wasdoing it together and then just
like image-wise and all that,niggas gravitated towards me and
grabbed me, but it's like itnever brung.
No conflict between me and bro,but it was more so like just
like it'd be kind of hard tryingto do my own thing to put
niggas on, and but then niggasexpected me to stake with the
(13:19):
foundation that we had and I'mlike shit if I'm getting an
opportunity to do it for us youfeel me, then it.
It'll be better for us if ifit's not going how we planned it
to go, but long live him man.
He just passed December 23rd2023 for real got killed.
We was leaving the party andshit, yeah, that shit up.
Speaker 3 (13:40):
Man like that's like I done seen pass, I done that.
Speaker 1 (13:42):
Yeah, that shit fucked up.
Man Like that's like.
I done seen niggas pass.
I done seen niggas get killed.
I done seen everything.
But seeing my brother on thatground, like my blood brother
who is he's holding me as a babyon the ground, dead Like that,
fucked my mind up a lot.
Speaker 3 (13:58):
Yeah, Bro, the same here.
I seen my brother die too bro.
Yeah, that shit ever die toobro.
Yeah, same here.
Speaker 2 (14:07):
That's a that's a like a life-changing moment it
is.
Speaker 3 (14:08):
Yeah, I think about that every day, literally.
It can't, it'll never leaveyour mind.
It's something you're gonnakeep thinking about, like I.
Speaker 1 (14:13):
I it's just something you keep thinking about yeah,
it's like you guys, not youcan't erase it, I mean it just
it just makes you who you is,though help you move a little
differently stronger militant.
Speaker 3 (14:25):
Yeah, I mean definitely make you think oh
yeah, um, wow.
So how about?
How about?
After the after, uh, livingafter that, oh, shit.
Speaker 1 (14:38):
I mean it's I go through.
I went through phases like,yeah, it's going on like almost
two years now.
So it's like motherfucking,drinking hard, drugging hard you
feel me, you just trying to getyour mind off the shit, fall
back from the music you tryingnot to you feel me relapse and
do some old shit that you wouldhave did.
(14:59):
But then you sitting therethinking about, damn, like what
he would have did for me or whathe expect from me.
And it's just.
I mean it's just a lot ofthoughts and shit, but it come
with maturing, though.
I got four kids bro, so it'slike can't really just jump out
there and risk everything,because it's like damn what the
fuck my kids going to do for me.
Speaker 3 (15:17):
Yeah, you're not a kid.
Speaker 1 (15:18):
Yeah, and then he got kids, so it's like.
I'm not good to nobody If I'mlocked up or dead, so it's just
you thinking about that Too, soit's like shit.
So it's just like you know, youjust gotta get back Behind the
steering wheel.
Speaker 2 (15:32):
And go the right way.
That's all I be thinking butafter that I ain't gonna lie.
Speaker 1 (15:35):
It was hard, but it's just like Having the right
people In your corner orseparating yourself from the
people who ain't right for youtype shit.
Speaker 2 (15:42):
Right, and sometimes life just get out of control.
You just got to take control.
You know what I'm sayingDefinitely and make all the
decisions for yourself.
You know what I'm saying.
Sometimes we just let things goor let things fall in the hands
of you know what I mean.
Speaker 1 (15:56):
It'd have been a million If I was on like Lord
Dirk status or Drake status.
It'd have been a Lord Dirkstatus or Drake status and a
million motherfuckers Talkingabout Spin, spin, go, do this,
go, do that.
Speaker 2 (16:06):
Ain't nobody about to ?
Speaker 1 (16:07):
Ain't nobody about to Come to your funeral?
Speaker 2 (16:09):
Ain't nobody about to Take care of the kids?
Nothing.
Speaker 1 (16:12):
You can't think about that type of shit.
Speaker 2 (16:14):
You gotta think about what's best for you For real.
Speaker 1 (16:16):
And at the end Like what the fuck?
So and so Will want to do whatyou will want you to do for them
yeah, because they don't knowme man, go ahead, go get rich do
something just look at me, lookout for my folks, look out for
your focus that do that take onewrong move to change everything
gosh a two-second move you takeone right move to change
(16:37):
everything and wait
Speaker 2 (16:40):
when you bless the light, had an opportunity to be
signed or to showcase yourtalent in front of the world.
Like, go ahead, man, take themopportunities.
You know what I'm saying.
And every type of way we'regonna put the.
We're gonna put the energy,we're gonna put the positive
energy into this thing.
I'm saying and and move likethat and see what come up under
that because, like, we've beenliving like wrong for so long
(17:03):
god damn.
Let's see what right feels likelet's do something.
Speaker 1 (17:05):
Let's see what right feels like yeah, let's do
something different.
Speaker 3 (17:07):
Let's see what right feels.
Like you got to be able to livethrough these moments.
Like I want to know, all right,so what I meant by how I was
living after that.
Like, what's your creativeprocess now?
Are you working?
Are you making music right now?
Are you getting back to it now?
Speaker 1 (17:24):
Yeah, I've been making a lot of music, but it's
just like it be kind of you feelme like no disrespect to Rod
Wave because I love his musicbut I don't want to be in there
on no like nigga sad while I'min that bitch.
I be trying to turn him up.
I be trying to.
I be thinking I think more sofuture, like I think when I'm in
the studio I be like boom, thiswill get the club going or this
(17:46):
will get them in their feelings.
It depends on my mood, but I'vedefinitely been recording like
heavy, heavy, heavy.
I just don't be trying torecord sad.
Speaker 2 (17:54):
Yeah.
Speaker 1 (17:54):
Because I know it's a lot of people that can relate
to that shit, but I don't wantmy music to be based on that
shit.
Speaker 3 (18:00):
Do you got one of those though, oh my gosh.
Speaker 1 (18:03):
I got too control my feelings.
Speaker 2 (18:04):
He like I'm just trying to stop making it so to
like, so to like, get you into,like the different mindset, the
make different type of music,what you think that is like or
what, or what you think thestart of that would be, you feel
me, the vibes, the vibes, theenvironment.
Speaker 1 (18:19):
Yeah, like I need.
I need good studio good liquor,bad bitches.
Speaker 2 (18:24):
Good liquor, mm-hmm.
Speaker 1 (18:27):
Bad bitches.
I don't got to be fucking withnone of them.
Speaker 2 (18:29):
Just the energy, just the way they you can hear the
conversation.
Yeah, the conversation.
Speaker 1 (18:33):
When I'm in a booth and I'm looking and I see them
heads rocking and them startshaking their ass and shit.
Then it's just like oh yeah, Iknow, I got one.
Right you feel me I need theybecause it's like they not
biased.
Speaker 2 (18:43):
Yeah.
Speaker 1 (18:44):
You feel me.
Speaker 2 (18:44):
Yeah, yeah, yeah.
Speaker 1 (18:45):
Their body's going to show it, just like if you
fucking a bitch, their body'sgoing to show if you like it, if
they like it or not.
Speaker 2 (18:50):
No, for sure.
So it's like if they like themusic.
Speaker 1 (18:51):
They're going to be in there rocking.
They might stand up, startdancing.
You feel me, you need that.
Speaker 3 (18:55):
That's also how you pick your producers for your
music too, yeah.
Speaker 1 (19:03):
Well, shit up for real, because these other niggas
coming crazy, but I know thatthey are.
They are, you know, workingnigga with the price, because
they know I'm independent, theyindependent, be friends yeah,
these other niggas gonna wax youfor real.
So I'm trying to tell them likeman, I'm trying to go this way,
I'm trying to go this way anddon't send me no pack.
That's just going to cater tohow you think I'm a sound.
Yeah, go ahead, send me variety.
Whereas I could be like damn,I'm about to go whole left field
(19:25):
.
I got this one song.
It sound like Pharrell made thebeat.
I'm like yes, I needed that.
Speaker 2 (19:31):
Being out here with all these, everybody, the
creatives that be out here.
It's like you could go in thisroom and you never know who
going to be in there, what typeof producer going to be in there
.
I just feel like we in the landof creation Black people too,
atlanta, yeah, atlanta, be inthere.
So it's like I just felt likewe in atlanta creation, uh,
black people, atlanta, yeah,atlanta, yeah bro, I didn't walk
(19:51):
in the room I didn't want withmy, with my homeboy.
Speaker 1 (19:54):
Pirate man shout out pirates.
We went to high school together.
He's one of the greatestproducers, but he done took me
in a room metro sitting there,I'm like metro brought me in the
room with south side, southside.
So he said, hey, I fuck withyou.
Speaker 3 (20:09):
Yeah.
Speaker 1 (20:09):
You fuck with me.
Speaker 3 (20:11):
He gave me a pack, Like 20 packs that was.
Speaker 1 (20:15):
Southside man I'm about to go.
Huh, Take this 20 pack.
Let me know what you fuck with.
Speaker 3 (20:19):
That's fire.
He got him.
He got thousands of beats.
Speaker 1 (20:22):
Yeah.
Speaker 3 (20:23):
Take a 20.
That's what I'm saying.
Speaker 1 (20:25):
My nigga Go Grizz.
He's still going crazy, Likeall them niggas, still going
crazy, but Go Grizz.
Speaker 2 (20:29):
Yeah.
Speaker 1 (20:30):
Man Go Grizz.
I fuck with him Every time hesee me.
What's up he play on the bottom.
I say y'all too dude.
Speaker 2 (20:36):
Too, he be doing that type of shit Go Grizz.
Speaker 1 (20:38):
he tough as a bitch.
My nigga Cheese Like you'll bearound Hella niggas.
But it's just like you gottatell them like hey, bitch, I'm
independent, cause if they knowyou with a label.
Speaker 2 (20:51):
No disrespect to producers.
Speaker 1 (20:53):
But if they know you with a label and you got a
budget.
Like you might talk To thempersonally, like man, just Just
give me a band.
They talk to them labels.
I need a 20 ball For the beat.
Nah, for real, that's the game.
That's the game and I needpercentage too.
It's the game they waxing theirass.
I'm like damn, but yeah Gottaget the label.
Speaker 2 (21:08):
I tell a nigga if I sign with a label.
Speaker 1 (21:10):
I tell him man, I'm with a label, bro, Tell him this
and give me this off of that,Tell him 50, matter of fact.
Speaker 2 (21:16):
Tell him 50.
Speaker 1 (21:17):
Give me 10.
You keep 40.
Fuck it.
Yeah, might as well just giveme that shit up front.
Speaker 2 (21:26):
So you see, like I look at it, like when you create
and write, you never know whenthe hit gonna be a hit and you
never know who gonna be in theroom or how you gonna create it.
So that's why I just alwaysencourage the artist to always
create, always create, alwayskeep working, always get in the
moods, Always find yourself inthose environments where there's
(21:48):
work involved and you producingand getting working, always get
in the moods, always findyourself in those environments
where is work involved and youproducing and getting results
yeah, 70 percent of the time theartist ain't gonna like their
hit yeah, they're not gonna likeit.
Speaker 1 (21:58):
Everybody else around them gonna have to tell them
like that yeah, and then they belike are you sure?
And drop like the how to robshit.
That's my biggest song ever Ididn't want to drop that shit
didn't want to do.
Speaker 3 (22:07):
I didn't want to drop that you know, that's the one I
was talking about too.
Speaker 1 (22:10):
Oh, for real, I didn't want to do that well I
wanted to do it but it was moreso, me and my homeboy playing
around in the studio, we in lapyrex in there, who I was
talking about, he put a beat onand and, bro, like man, you
should just do because, like 51,like one of my all-time goats.
He's's like man you should do aHotter Rob.
Speaker 3 (22:26):
Yeah.
Speaker 1 (22:27):
So we just in there, he in the booth with me, he's
scrolling through academics.
We just picking rappers offacademics and making bars for
him.
We going back to back.
He damn near giving me everybar I'm going oh, come on, we
didn't say this.
Speaker 2 (22:43):
We didn't say that are real talk, telling you
that's every I'm talking aboutevery last label that shit cause
problems, though that was likegood, but it caused problems,
yeah because it's talking aboutit.
Speaker 1 (22:53):
The type of song.
It was the type of song it was,and it's like they wasn't our
generation our generation.
They don't they don't know thehistory and they don't know,
like the 50 cent the how to ride.
Speaker 3 (23:03):
So it's like you might like take offense to it
off and like they might think,like oh, nigga, ooh, crash out.
Speaker 1 (23:09):
And it's like, bro, a lot of them niggas knew me
already.
Yeah, and we done hadconversations Right right, right
, so it's like for you to takethat personally is to show your
character for real.
Speaker 2 (23:18):
And if you want to take it anywhere else we can do
that.
But who really you to do it?
Speaker 1 (23:30):
but that's how I know up north.
Speaker 2 (23:31):
Let me know I'm popping no, that let me know.
Speaker 1 (23:33):
That's how I know up north is different, because the
only who really showed loveabout the was oozing.
Yeah man, amina, shout out.
Amina, my manager, and she um,with uzi heavy.
She took me to one of his shows.
I'm standing standing there onthe side he performing and shit.
He look over and look back overand see me over there.
After he done performing, hestraight come over there.
(23:54):
Uzi older he walk up to me andsay I was going to ride a little
Uzi with a big pump.
I was going to ride a littlepump with a big Uzi and I just
dabbed my butt.
Yeah, hell yeah.
Speaker 2 (24:04):
That's her brother, man.
Speaker 3 (24:10):
Look, I've been around you a few times, right?
Mookie Moop, yeah, yeah,mookie's long-time Shout out.
Mookie Moop man, we was downhere.
Speaker 1 (24:18):
That shit hurt me.
I flew to.
I mean, I went to.
Philly did all the music andshit.
I hit him like where were youat Pulled up in the studio we
made music?
He made sure I was straightdown there moving correct.
Speaker 3 (24:33):
Moot wanted on, yeah, Moot wanted on man we came down
here we was working on.
We was working.
I had the opportunity to watchyou and Mookie Moot shoot a
video.
It was a good experience justto watch how the industry worked
for real for real, like how to,how it go, like with the with
(24:56):
the videos with the the house,the smoke, the yeah everything.
Speaker 1 (25:01):
They was having trouble with the smoke.
Yeah, they was playing with thesmoke, yeah it was smoking
there, it was 8k oh they were,they were props.
Speaker 2 (25:09):
They were props, whoever?
Listening time and lighting.
Speaker 1 (25:12):
You know how it go yeah it was until you were on
set.
Yeah, but that's how I beat uplike it.
Uh, you'll link up on somemusic and then, if y'all just do
the same time y'all link up.
Speaker 2 (25:23):
Yeah, after that every real nigga that sit on
that couch.
They in my phone I'm talkingabout.
Speaker 1 (25:31):
Yeah, they just fuck with you.
They fuck with you.
Yeah, they call out.
Speaker 3 (25:33):
They can feel the vibe bro.
Speaker 2 (25:36):
I'd be like I interview these guys and we have
long-term relationships.
Speaker 3 (25:40):
It should be crazy what y'all got going on, who
y'all need.
Speaker 1 (25:44):
Who y'all need me to reach out to?
What can I do?
What?
I could do for y'all Just beingin this light, or like just me.
Speaker 3 (25:49):
All love.
Speaker 2 (25:50):
Like this being my job, this the dream job.
Yeah, I couldn't be doingnothing better with myself, bro.
Yeah, I feel you, you feel me,I'm in the pocket.
Speaker 1 (26:02):
That's how I be feeling.
I'm friend, she was like youyou went to work today, so I
ain't got no job.
I ain't never had one of themmoney.
I'm just like doing what the Iwant to do.
That's just how it is, withthat being said how you stay
motivated, though right now man,I stay motivated just being
around.
I would say family, but a lotof times family don't be Family,
(26:27):
but a lot of times family don'tbe like enough, Like because
family, they your bloodline.
Speaker 2 (26:34):
But like it's just like they get used to your
lifestyle.
Yeah, it's just like.
Speaker 1 (26:37):
Yeah, it's like, there you go they don't really
expect shit from me, though,because they don't, but it's
just like no, they expect you tobe you.
Speaker 2 (26:43):
They don't expect you to be you.
Speaker 1 (26:45):
Yeah, so they.
It be my niggas that bemotivating me when I go back to
Baltimore and shit, and I go tothe studio, shout out Rab to
Compound Studios, best studio inBaltimore.
That been my brother for a longtime and he been with me since
the start.
He was a part of D1.
Right and he got a studio thereand he'll just let me go in
there, motherfucker, rock out,and I invite all my niggas and
(27:07):
just the conversations that betaking place.
It be like I got to get theseniggas out of here.
So that's the motivation.
Like man, let me like, damnlike, because it's a fucked up
feeling when you know, like you,away from this shit, but you
need to get other niggas awayfrom this shit.
That was sleeping on themfloors with you for real life.
We sleep on the same floor.
We was walking to the storetogether in the fucking snow.
We was walking to the storetogether In the fucking snow
Snow to our knees.
(27:28):
We just trying to.
We scraping up change, tryingto get a black and mild Cause
it's cold as a bitch.
We been trying to smoke.
Like it's just like, damn, likeI gotta get these niggas out of
here.
That be the motivation for me.
Speaker 2 (27:38):
Bro, we be on, we be having the same thoughts, cause
it be like Like we be doing whatwe be doing and we'll meet like
a person like you and then ourfriends, but we'd be like you,
feel me, we, we like to see thatthey look at us for it down.
(28:01):
I mean like leave, and I meanso?
Speaker 1 (28:02):
we're trying to look at me for we just be trying to
push you in them.
You know what I mean.
So we just be trying to push.
Don't look at me for it.
We just be trying to pushharder, though Don't look at me
for it.
I'm going to get there andyou're going to see it, but just
don't look to me.
Speaker 2 (28:11):
But like no, not on that, but Philly don't have shit
bro.
Speaker 1 (28:21):
We don't have shit, we don't got too much to look
for man who you know fromBaltimore, that's big.
Speaker 3 (28:25):
There we go, hold on.
Speaker 1 (28:26):
I'm talking about who's a major artist from
Baltimore.
Speaker 3 (28:28):
He about to speed pass my question.
I was about to say you don'tknow nobody, you don't Look.
Do you think Baltimore getenough?
Speaker 2 (28:36):
credit for their artists.
Speaker 1 (28:37):
All right, lomo the singer.
Yeah, yeah, yeah, but that's agirl singer.
Speaker 3 (28:42):
You think y'all get enough credit though Y?
Y'all get enough credit, thoughY'all do have artists, but do
you think y'all get enoughcredit?
Y'all?
Lineup was crazy, bro.
Speaker 2 (28:48):
Y'all got meek midway Y'all got meek.
Midway Y'all got artists.
Y'all just don't get credit,bro.
Yeah, I know what you mean, Isee what you mean.
Speaker 1 (28:54):
Y'all got niggas to be like this.
Way it work, neo.
Ain't that nigga from Mario?
Mario, mario, y'all don't evenknow Mario from Baltimore.
Speaker 3 (29:08):
No, we don't.
Ot used to bring him to Philly.
We talk about that For real,yeah.
Speaker 1 (29:11):
I didn't know that nigga from Baltimore, ot used to
bring that nigga to SouthPhilly.
We talk about him.
Speaker 2 (29:15):
Omar Teagle brought that nigga to 24th.
Speaker 3 (29:17):
Street, I else down Baltimore.
Were you talking about whatwere?
Speaker 2 (29:20):
you talking about All the niggas that's on the wire
and all that yeah what were you?
Talking about Like Snoop, likeSnoop and it's just like All
right.
No, because they put DMVtogether, that's what they tend
to do.
Speaker 3 (29:40):
I know y'all separate y'all stuff, y'all don't play
that.
Speaker 2 (29:42):
I know that you know what I'm saying, but y'all got a
few, it's just shine a light onthem.
Speaker 3 (29:48):
Shine a light on somebody right now.
Speaker 1 (29:50):
We don't got nobody that's on a major platform.
Who?
Speaker 2 (29:53):
popping down there right now, shorty, shorty Tate
Coldang Wild Da Rapper.
Speaker 1 (29:57):
Young Crazy.
We got Tate Young Crazy fromVirginia.
Speaker 3 (30:01):
Yeah, I mean, that's my brother, that's my brother,
he's the hardest nigga out ofVirginia.
Speaker 1 (30:05):
I don't give a fuck.
It's the biggest rapper outthere.
That nigga is the hardest niggafrom Virginia, but we got
motherfucking YG Tech.
Speaker 3 (30:11):
Right.
Speaker 1 (30:11):
That nigga super hard .
Speaker 3 (30:12):
Hard.
Speaker 1 (30:13):
We got Long Live Scooter.
Long Live G-Rock.
Them niggas was the ones thatgave us a platform.
We got Skola.
He's wide behind Skola.
Speaker 3 (30:23):
That's my school.
We got OTR.
Speaker 1 (30:24):
Chaz.
That's my doggy.
He's tough though, but I'm notjust naming niggas, I'm cool
with it.
I'm naming niggas.
Speaker 2 (30:29):
You're naming niggas.
That's popping, that's playingthat work.
Speaker 1 (30:31):
You feel me I'm motherfucking.
Speaker 3 (30:33):
Shout out to them too , me of course.
Speaker 2 (30:40):
No, I'm tapping into these niggas?
Speaker 1 (30:42):
Yeah, slowed down.
Um man, who else in the citybut the young um?
Speaker 3 (30:47):
see most of them names.
You guys said I know I knowthem.
Speaker 2 (30:51):
Why'd you check?
He on fire?
Speaker 3 (30:53):
I know why'd you check I don't know about that.
He on fire, know about him bro,yes, that yeah he gone, but
that thing has been happeningfor so long and they don't even
be knowing like bro been puttingwork in.
That's the definition now hereI go.
I'm going back to what I'msaying.
Speaker 2 (31:07):
Y'all don't get enough credit, bro.
Speaker 3 (31:09):
Y'all got some rappers, Nigga say.
Speaker 1 (31:12):
I don't do no dick riding, but I give credit where
it's due and I don't give a fuckabout the dick riding shit, bro
.
He's one of them niggas whereyou could say that's a nigga
businessman, yeah, and his hisstreet credibility and he's a
great rapper, so it's likeincredible yeah it's like boom I
gotta tell you, I could justtell about how you could tell
(31:33):
what he's talking and how you'regiving it up.
Speaker 3 (31:36):
If you're not that kind of person, you can't talk
like that 90 day run.
Speaker 2 (31:40):
You can't even talk like that.
You feel me bro you know whatI'm saying turn his life around.
Speaker 3 (31:44):
but but Tate though, Can he talk like Tate.
Speaker 1 (31:48):
I'm going to say YG, Tech and Tate is the two.
That I would say is what aBaltimore nigga should aspire to
be in me.
I'm not trying to includemyself.
I like that though, because Idone, made it out of there.
Speaker 3 (32:01):
I like that though.
I like that, though, becauseyou showing love, but you
putting yourself down, yeah themniggas, but you're showing love
too, so that's dope.
I can respect that.
Yeah them niggas.
Speaker 2 (32:10):
Respect that.
Speaker 3 (32:11):
Well, I was going to say, like I was saying, I think
y'all got artists.
Y'all just need the recognition, man.
Speaker 1 (32:18):
Yeah, but we starting to get that shit man.
Speaker 2 (32:29):
And Skola, though what you're doing right now sean
pouring a light on everybodyeverybody when you got the light
.
That's what we got to do.
People, people be having this,this thing in their head where
they don't want to show love, orthey think that because you
show them love is them they like.
No, yeah, I'm that.
I'm that to the point, rightlittle reggie, lord reggie.
Speaker 1 (32:43):
We got to shout out a little reggie, he's not a
rapper, he's a streamer.
But he just got on with.
Speaker 2 (32:46):
Kai and them.
You know, kai, bro Reggie.
Speaker 1 (32:50):
Lil Reggie Niggas think he Lil Rodney or something
, because he did that littlethat interview.
I mean not the interview, thatskit or whatever, but he's one
of the best comedians from thecity.
But Kai motherfucking seen him.
Kai's seen him to the crib outthe A yeah, and he got the crib
with the other streamers, thelittle Clover boys and that
nigga been putting on for thecity super crazy.
So Reggie too, he one of themones, yeah, but that's fire, bro
(33:12):
, that's super fire I ain'tgonna front.
Speaker 2 (33:14):
That's why, when you shine in the light and give, and
it's just more blessings cometo you.
Speaker 1 (33:22):
You know what I because that's the type of I'm
is.
I don't even need you to shineno light on me, I'm gonna make
my own.
But yeah, it's just like I doit, because why not?
Speaker 2 (33:30):
I ain't no hater, do what you do bro, you know how
hard it is to make it out theeast coast no, it's super hard
to people I had to, I had todrop everything, be so surprised
about what they'd be.
Speaker 1 (33:40):
Like bro, like damn you.
It's from bartlemore but youmoved to atlanta and then you
moved to Houston.
I don't mind droppingeverything and going.
I find a way when I'm there.
That's hard to do bro yeahniggas be scared to do it East.
Speaker 3 (33:54):
Coast guys.
They don't do that Becausethey're not themselves man, I'm
good, though, no we don't dothat.
Speaker 2 (33:59):
You gotta be able to go wherever, drop everything and
move.
I'm not can play bro, that'show you die.
No, I ain't gonna front you'dbe stuck and you moving.
There is a whole new challengelike you shake shit up like that
it's a whole personal bro, likeyou can relate to me if I give
you the time to get to know mefor real.
Speaker 1 (34:14):
So it's like I'm the type of nigga bro I go to the
bar by myself I like to go tothe bar by myself, drink, just
chill, sit at the bar, see whatwhat conversations come past.
Next thing you know you madefriends not friends associates,
but then they become.
Next thing you know you madefriends Damn, not friends
associates, but then they becomefriends.
Speaker 2 (34:29):
Next, thing you know you calling, they phone.
Speaker 1 (34:30):
What you doing today, what's?
Speaker 3 (34:31):
going on Popping out Like shit.
Speaker 1 (34:33):
all right, I'm coming with y'all.
Speaker 3 (34:34):
Nah, real talk.
Speaker 1 (34:35):
Then you in a whole nother state doing a whole
different thing.
Speaker 3 (34:42):
You don't even gotta Like.
When did you get like?
Speaker 1 (34:44):
that my mother the same way as me, man, my mother,
get up and go my mother from NewYork.
Like my mother, was from theBronx.
But she motherfucking met myfather in Baltimore.
Yeah, stay there, motherfucking.
I moved to Atlanta.
She moved to Atlanta.
She left Atlanta, she moved toRaleigh.
Speaker 2 (35:03):
She left Raleigh moved to Charlotte.
I'm like, damn, we on the sametight time.
That's the only way you cangrow when you challenge yourself
.
Speaker 1 (35:10):
Yeah, I put myself in them positions.
I want to see what's about tohappen.
Speaker 2 (35:14):
Ain't no progress without struggle.
Speaker 1 (35:16):
And then it's like I ain't scared of no nigga, I
ain't scared of what's going tohappen.
Speaker 2 (35:19):
So it's like what the hell.
Speaker 1 (35:22):
And I ain't no mom, the only reason you have a
problem with me is if you knowme or you got a real problem.
Speaker 2 (35:26):
And growing up in the environments we grew up in and
surviving in them.
We could live anywhere.
Oh my God, I'd be looking atthis shit like this, this shit
like this.
Speaker 1 (35:33):
I'd be like man.
This shit be crazy man.
I used to go outside like thiswhat the fuck are these niggas
about?
Out of Baltimore, now right youdown in Texas, yeah.
Speaker 3 (35:50):
So, just being in Baltimore, growing up from
Baltimore, I know you still goback and you get your motivation
from the friends and the people, that's, from the community.
What kind of impact you tryingto leave with Baltimore?
Speaker 1 (36:12):
Like how you want Baltimore to look at Izzy.
You know, honestly, I neverthought about how I want
Baltimore to look at me.
Speaker 3 (36:18):
Because it's just like Because you work and stuff.
Speaker 1 (36:20):
No, because it's just like it kind of sounds fucked
up to say but it's like it's thepeople you impact.
Like fuck the city.
Like like it's the people youimpact.
Like, fuck the city.
Like it's the people you impactbecause it's like anybody that
anybody that uh done been around.
I left an imprint on where is itlike?
Oh, he's a real one, like, butthe majority of the people where
you would say the city, theydon't know you for real, so
(36:42):
they're going to think what theywant to think and, whatever you
do, probably ain't even enoughlike Like I could like bro
niggas killed Scooter.
Bro, that was our biggestrapper, bro, you know he was
coming from a charity event.
This nigga was leaving abasketball charity event and
niggas killed you.
So it's like do I give a fuckabout what Baltimore think about
me or who I touch?
Speaker 2 (37:01):
We just had one One of them.
Situations are so.
Speaker 1 (37:04):
It's who the fuck I touch bro, it's sad.
Speaker 2 (37:06):
So it is who you touch, it don't matter where
they at.
Speaker 1 (37:08):
I could touch as many people as I want in this city
and that's who I care about.
I don't really care about whatthe mass think, because they
don't know me.
Right, right, right, and youcan hear something and they'll
probably run with that beforethey run with the good.
(37:32):
So you, you grounded, and, and,and probably the older guys,
because that's what I grew upwith, my older guys keep me
grounded and they make sure theylook at me and tell me I don't
give a what who you think you is, I'm not letting you do that.
Speaker 3 (37:36):
Yeah, and it's like I gotta respect this.
Forget where I'm from.
It's about being who I am.
Speaker 1 (37:41):
You know what I'm saying it's forget where you're
from, because it's like youcould be from one side of
baltimoreiggas.
Say that you ain't like that.
Yeah, so it's like even niggasin the city, don't even fuck
with you.
So it's like, bro, why should Icare about what the fuck you
think, or you think, or youthink it's about character and
who I touch and who I make thisshit for, because we gonna be
(38:03):
thinking about oh we ain't dobye today, man what the fuck
happened to Baltimore?
Who gives a fuck my peoples isgone, yeah.
You ready Baltimore made me whoI was, but it won't define who
I become.
Speaker 3 (38:15):
You don't know about this part, but we about to tell
you man, wait, we'll break itdown for them real quick,
alright we gonna play a, a quickgame called Fast Track.
Speaker 2 (38:23):
It's where I name two things and you just pick one or
the other, all right, all right, go ahead, go ahead, go ahead.
Speaker 3 (38:28):
All right, break it down all the way though that's
just fast track all right, butyeah, so we're just going.
Speaker 2 (38:33):
I'm gonna say two things.
You pick one or the other.
It's sweet, uh, baltimore, solet's go the wire bmf.
Speaker 1 (38:50):
The why or a BMF.
I got a real homeboy.
That's real BMF.
But I would say the why Justbecause you talking about TV
shows, yeah, oh, you askingwhich TV show I like more, yeah,
the why, because I know Wellthe why.
It's a representation ofBaltimore.
It's not all the way correct,it kind of dumbed down, but it's
(39:11):
real shit.
That's going on.
Okay, bmf, I don't know howtrue the story is.
Alright, you said you got ahomie in BMF though.
Yeah, hell yeah, my niggaCalico.
Shout out to Calico.
Speaker 2 (39:19):
Oh, Calico.
Speaker 1 (39:19):
Yeah, that's my brother man, that's your brother
.
Speaker 2 (39:21):
Yeah, tell yeah.
Speaker 1 (39:22):
I tell them to come up here, yeah.
Speaker 2 (39:24):
I bet I was just with him yesterday.
Speaker 3 (39:26):
This boy crazy.
He booking shows in the middleof a show, all right.
Speaker 2 (39:30):
State property or major figures.
Speaker 1 (39:33):
I never even seen major figures bro State property
yeah.
What's your best hand Damn.
Speaker 3 (39:40):
Cleon the comedian, or Donna Jess Hilarious.
Speaker 1 (39:43):
Yeah, Jess Hilarious.
You said Cleon or Jess.
Speaker 2 (39:46):
Over this way.
Speaker 1 (39:47):
You said Cleon or Jess yeah, cleon or.
Speaker 3 (39:49):
Jess Cleon a comedian , or Jess Hilarious.
Speaker 1 (39:51):
I'm gonna have to Like I love Jess but I'm gonna
have to say Cleon, he was theoriginator Of this shit.
Like he was Probably the firstcomedian In the city that niggas
actually laughed at and went togo look at his shit and all
that.
Like Like niggas was makingwhole sayings, like niggas had
Baltimore slang off of Cleon.
Like calling niggas Cleon-assniggas Like you a Cleon-ass
nigga Like bluffing.
Speaker 3 (40:09):
Damn, because he was joking and shit.
Shut up, cleon, my boy.
Speaker 1 (40:13):
So nigga like nigga, cleon Like niggas had it Okay,
okay, I get it.
Speaker 2 (40:21):
That's fine.
Tate, tate.
Nah, I'm just saying that, no,like Tate better Shorty.
Speaker 1 (40:28):
He did his shit For the city and he still putting on
.
But you gotta do the historyRight.
Tate's first tour.
Speaker 2 (40:35):
Shorty.
He brought Shorty Shorty in andwith him Like that's his folk.
Speaker 1 (40:38):
So it's like you know you gotta give credit To.
It's like Same motherfucking.
Speaker 2 (40:42):
He the one.
Speaker 1 (40:43):
Like the you feel me.
Speaker 2 (40:44):
I get it, I get it Shorty definitely did some shit
for the city and he exceeded togo.
Speaker 1 (40:52):
Yo was the only nigga in Baltimore with a platinum
record.
Speaker 3 (40:57):
Before we continue, make sure you share like.
Subscribe comment, if you don'tUse a muff.
Speaker 2 (41:03):
I hate it.
Why?
Because it's free.
Speaker 3 (41:05):
Now let's do One.
Gotta Go you ready, I'm ready,alright, because it's free.
Speaker 2 (41:07):
Now let's do One Gotta.
Speaker 3 (41:08):
Go, you ready.
Speaker 2 (41:08):
I'm ready, all right, one Gotta Go a little bit
different.
I'm going to name four people.
You're going to pick one to go,but when they go, everything go
.
They got pecking back.
They hold existence goingEverything under them.
Go too, but you're going topick four people though.
Yeah, it's easy, jesus gotta go.
(41:35):
Yeah, all right.
Uh, sexy red glorella.
Ooh uh, ice spice, ice Spiceand Mega Rap.
Bro, let me see my IOs.
Speaker 1 (41:56):
Bro, what you say say it again he said Sexy Red.
Speaker 2 (42:01):
Sexy Red Glow Ice Spice come on.
Speaker 3 (42:06):
you know who Lotto?
Oh yeah, lotto, ice Spice, iceSpice Come on.
Speaker 2 (42:09):
You know who Lotto?
Oh yeah, lotto, ice Spice.
Ice Spice got to go.
Speaker 1 (42:12):
Yeah, all the other ones put in for the trenches All
right, that's the last oneright here.
Speaker 2 (42:15):
That's the last one.
Jay-z Birdman Diddy.
Speaker 1 (42:22):
Diddy got to go, brother, I don't even need to
hear that Yo this the Real ofthe most podcast man.
Speaker 3 (42:27):
We got a band that is here to build it y'all.
Speaker 2 (42:30):
I'm Guy, I'm Kool Network, I'm Whiteboy D2A.
Speaker 3 (42:34):
Y'all already know, man, stay tuned in To the real
of the most podcast.
Go get more content On www.
Speaker 2 (42:40):
Real of the most podcastcom.
You already know Check us outy'all we out of here Real of the
most podcast.
Chakas out y'all Yadda.
The following show has been approved for
appropriate audiences by theReal Ones Motion Picture
Association of America Inc.
The show advertised has beenrated R.
The content discussed may coversensitive topics.
Listener discretion is advisedIf you feel that any content may
be triggering or distressing.
Please take care of yourwell-being first.
Speaker 2 (00:15):
It's White Boy D2A.
I'm Roland and we just wrappedup the craziest, craziest
interview.
Sam, hold me down for the lightskin niggas.
Yeah, yeah.
Speaker 3 (00:45):
I Hold me down for the light skin niggas and a
certain thing is a certain lane,is a certain pocket y'all
trying to be in.
I might have to do certainlittle things that might get me
to trust them.
Speaker 2 (00:51):
But if this is really the most, powerful thing, keep
it going, keep going, keep going, keep going.
Really the most powerful.
Speaker 3 (01:07):
I'm cool.
Speaker 2 (01:08):
What I'm white boy D2E.
Speaker 3 (01:12):
Yo man, they made me change my name bro.
Speaker 2 (01:13):
Damn bro.
Speaker 3 (01:15):
I'm not saying Rilla no more, it's cool networking.
Nice to meet you, how you doingyou, white boy D2E right White
boy D2E Scrappy.
Speaker 2 (01:22):
Why can't be cool networking?
You can be whatever the fuckyou want.
Bitch.
You already know I'm corenetworking.
I'm white boy D2E man and thisis the real of the most podcast.
And check us the fuck out bro.
Check us out Skate.
Speaker 3 (01:33):
Yeah, I think when you doing different seasons, you
post the upgrade.
No, no, that's a fact, you knowwhat I'm saying, that's a fact.
And and look, look who we gotin the building today.
Good Essentials, come on, man,oh man.
Speaker 2 (01:46):
My man.
Speaker 3 (01:47):
I like the way that look.
I mean you know you know, getmy man a why you can't be realer
though.
Huh.
Speaker 1 (01:54):
Why you can't be realer, no more.
Speaker 3 (01:55):
You know, like because they said something like
when you searching in the otherrhythm for certain things.
Okay, okay, Like my name willprobably pop up instead of the
brand.
Speaker 2 (02:05):
You know what I'm saying.
I ain't going to hold you.
You type whiteboyW-H-Y-T-E-B-O-I.
I'm popping up instantly onInstagram.
Speaker 1 (02:12):
There you go, there you go, you just got to make
yourself bigger than everythingthat'll pop up.
Speaker 3 (02:17):
Right, right, really Right.
You right, you right about thatman.
Listen man, I'm Rilla.
Speaker 2 (02:23):
I'm White Boy D2E man .
Speaker 3 (02:24):
This the Rilla the most podcast Motherfucking
better know it, we got BandleHunter Izzy in the building
nigga.
Speaker 2 (02:32):
It's Bandle Hunter, bandle Hunter.
Speaker 3 (02:32):
Izzy.
Speaker 1 (02:33):
Bandle Hunter Izzy my fault.
I always say that too, though.
Speaker 3 (02:37):
Always say, that too my fault.
Speaker 2 (02:45):
I you that too.
It was just early in the showthat we mentioning it how you
doing, white boy, I'm doing.
Well, bro, you know, I'm sayinghow your week going.
We in the hay man, you know, Imean we are working no, tell
them how your week really going,though you know, it's just,
it's just going, man, you know Imean shit going restless.
Yeah, no, sleep young, restlessshit getting goofy man, you
gotta get rest though, bro.
Yeah, I know right, you know I'msaying it's in the future for
(03:05):
me.
I see it in the Goofy man.
You gotta get Russ, though, bro.
Yeah, I know right, you knowwhat I'm saying.
It's in the future for me.
I see it in the future for me.
Speaker 3 (03:10):
So, uh, I'm gonna sit my ass down somewhere.
Speaker 1 (03:13):
One day.
Yeah, how you feeling bro.
Speaker 2 (03:16):
I be feeling behind, bro, so I be having a speed.
Speaker 1 (03:22):
How you feeling bro, I'm cool because, like I'm just
chilling he's a real player no,I'll be on the same shit
chilling, all right I'm movingaround.
Speaker 2 (03:31):
I don't sit in one spot for two, bro.
That's how light-skinned niggasdo, bro, I mean take everything
cool it ain't the light skinman.
Speaker 3 (03:42):
Yo Don't feel left out, so I can't be chilling, no
you be chilling still, I'm likewhat you know what I'm saying Yo
, we going to get into it, man,yeah.
Let's do a rundown real quick.
Speaker 2 (03:56):
So you know, we got Izzy in the building today.
Baltimore, right, you know whatI mean.
Known rapper Right, main knownrapper right, very known rapper.
You know what I'm saying.
Baltimore d1 entertainment cameup with with a bunch of rappers
under that, under that label.
You know what?
Speaker 1 (04:10):
I'm saying I came up with d1, okay it ain't.
No, I don't know no more d1,but I still got love for most of
the people that was in thereright, okay, not all of them,
not all of them.
Speaker 2 (04:22):
Yeah, you know, you know what I'm saying and not all
of them.
Yeah, you know you know whatI'm saying and you know, back
and back, when they was comingwith the uh record label and all
that you know.
I mean it was the top, topartist on the um label.
I mean uh.
So you know, at the time he, uh, you got your adult republic.
Speaker 1 (04:43):
Yeah, I was with Republic.
Yeah, that's a branch ofuniversity, right?
Right, I mean I said universityUniversal.
Speaker 2 (04:49):
Universal yeah, so you know.
Speaker 3 (04:52):
How you wanna take However you take it.
However, you take it.
Speaker 2 (04:55):
So you know, I ain't no character, tom, it's just
like Say it to me Out the hoodyou know the game industry.
We gonna get into a few thingstoday.
You know what I'm saying.
He wanted them guys from done.
Dated a few women in the game Iseen him on a video all.
Speaker 3 (05:09):
I seen chop was in a video chop, chop, chop, chop,
chop some sticks.
Speaker 2 (05:23):
That was back in the day.
That shit was probably fake,bro.
Speaker 3 (05:25):
It was back in the day.
Props it wasn't on.
Speaker 2 (05:27):
Yeah, that shit was probably fake girl.
Speaker 3 (05:29):
Yeah, y'all had the prompt drawings, though I
remember.
Speaker 2 (05:32):
I remember.
Speaker 3 (05:33):
Damn.
Speaker 1 (05:35):
That's crazy.
Speaker 3 (05:36):
Yeah, yeah, that's how y'all get down in the music
industry, man, you know.
Speaker 1 (05:40):
You know everything be fabricated Like.
Speaker 3 (05:42):
Yeah.
Speaker 1 (05:43):
Like the Like.
When you sign with a label Like, they'll tell you like you need
to keep doing this, but yougotta do it in a legal way.
So they'll just tell you likeI'll switch it up like that.
Speaker 2 (05:50):
I ain't gonna front that's crazy that you just you
said that, and because you saidthat, we might as well just get
right into it Might as well.
Alright.
So I wanted to you D1 promartist.
You feel me, you strike thedeal at Republic.
Now, when you get the deal atRepublic, it's looking good for
you.
But then I'm like damn, likewhat the fuck going on over
(06:12):
there?
You know, I mean major label.
What's the hold up?
And then when I get to askingquestions and figuring out like
oh shit, so I heard that theywanted you to kind of like lean
into, like the gang crip typeshit or like whatever that was
going on around you or type sometype time, and I don't know if
(06:33):
that's what you like, reallywanted to do.
Speaker 1 (06:35):
No more so like I got blackballed from them, but it
was more so like it wasn'tbecause of that.
Ok they wanted me to shy awayfrom that shit.
Shout out, saint.
That was my A&R there.
Speaker 2 (06:45):
Like he tell me, like bro, you got to venture off to
the like.
Speaker 1 (06:50):
Cater to the women in mainstream.
This this and that.
Yeah, yeah, yeah, I really hadgot like black ball, because you
know just me being young fromthe trenches, like just the way
we think and the way we talk andshit, like it don't cater to
other people.
Well, right and I had told likeone of the people who was
working there, like suck my dickor something okay, and she went
and told.
She went and told, but I wasjoking though I ain't matter of
(07:12):
fact, I ain't say suck my dick,motherfucking.
They was making, we was makingjokes and a girl I ain't gonna
say her name was acting like wewas cool.
You feel me?
So it's like the way we talk.
When I'm cool with somebody,it's like.
She was laughing At anothernigga joke.
That was about me and I'm likeDamn you sucking dick, ain't you
?
Speaker 2 (07:29):
And then I get the joke and again she's like what
the fuck?
Speaker 1 (07:31):
And she went and told the president of the label that
.
I told her To suck my dick, sothey basically Shelf me after
that.
Speaker 2 (07:39):
I said, damn Like they signed you and then
Whatever fell, which then theywent and got Blueface, and then
they, and then they kinda likeoh, I don't really know Like.
Yeah, no, I'll be.
I'll be paying attention Tolike labels and shit.
Like that, so I'll just be likePaying attention to like moves
and what they do.
Speaker 1 (07:58):
Yeah, I don't really.
I don't really know about whatthey was doing With other people
, like it was more so like how Igot signed up there.
D1 had will.
The rapper from dc yeah, and hehad a crazy song called pull up
high about.
This.
Shit was going crazy, so shorty.
I pulled up.
No nigga will the rapper he's arapper yeah, so I pulled up
with him.
I was just coming.
I'm going to dc I mean notgoing to dc.
(08:19):
I'm going to new york and fuckwith them.
You feel me go to the label andshit.
And they seen me and theythought I had made the song like
because you know, like, likebro, like he like that's my
brother, like, but he like fromthe trenches, like so it's like
he more, so he still got thatlook yeah, so it's like I come
in tall light skin.
They might thinking, oh damn, he, that's the rapper, that's the
(08:39):
one.
No, but that's it.
But so that once they seen methey want to sign me too.
Speaker 2 (08:42):
For for real.
Speaker 1 (08:44):
Damn.
So they played a song that wehad and was like oh, we want to
sign him too for real.
So that's really how I got thisshit, but I don't even know
about nobody else that they wasdealing with.
Speaker 2 (08:52):
Hey bro, your life crazy to just do some shit.
No, not for real, though itgets crazy.
You feel me bro Going to thelabel and they just shot with my
wife.
Speaker 1 (09:01):
RGP yeah, no cap.
Speaker 2 (09:04):
Ain't that crazy, bro .
Speaker 3 (09:05):
That's a crazy come up though.
Speaker 1 (09:06):
But I ain't gonna lie .
I've been dealing with thattype of shit my whole life,
though, like just going in roomsand like your presence being
noticed and shit.
Speaker 2 (09:18):
Yeah, just that.
What you will go in the roomand do what you not even going
in there To do People is likeWorking to do you know what.
I'm saying Hell yeah, so.
Nah man, we gotta Nah man payattention to.
Speaker 1 (09:32):
But you can't take advantage of it, neither like
you can't take it for granted.
Speaker 2 (09:36):
Nah, hell no.
Speaker 1 (09:36):
You still gotta work Just as hard as them people.
Yeah, nah, hell yeah Likethat's like a nigga with natural
athletic ability you still?
Speaker 2 (09:42):
gotta work just as hard as the nigga who been
grinding shooting a thousandshots, yeah right so it's like
you still gotta put that work inbut with the ups and downs in
the game, like so, like you likeit being independent or being
assigned to a major label.
Better which one would youwould?
You say is is better for yoursystem.
Speaker 1 (10:02):
For my system it really like I could do either or
.
But like I would say like eachgot their perks.
Like if you were to label, it'slike you, they gonna have the
money.
Like they gonna have the backend to push you.
There's some shame behind you,but you gotta listen to they
creative and it's like sometimesit might not be what you want
to do for real.
Speaker 2 (10:22):
Yeah, I can't get with that right now.
Speaker 1 (10:23):
Yeah, me, and that's what really was fucking me up,
because it's like I'm like bro,you want me to do all these
shits.
I always wrote my own musicsince I was a kid.
So it's like you want me to goget with a writer and you got me
saying some whole left shitthat I wouldn't even say for
real but they got the money topush it and they are making a
record, but it's not authentic.
(10:44):
But when you buy it yourself,you got to put all your money
behind it.
So if you ain't got the moneyto do it, then you're fucked.
Because them labels is puttinghundreds of thousands of dollars
just in radio.
Yeah, yeah, if you sit thereand watch the breakdown of what
they're doing.
They talk about some.
Oh yeah, we about to put300,000 in radio.
Bitch, give me $300,000 and I'mabout to flood the streets.
(11:06):
I ain't going to need y'all forreal.
Speaker 3 (11:07):
That's just how I be thinking.
Speaker 2 (11:08):
That's how we be looking at it.
Speaker 3 (11:09):
That's how we look at it.
But for real, you really needthat money for you to pilot and
go where you need to go at.
You know what I'm saying.
Speaker 1 (11:18):
You might need money for features.
You might need money for media.
Speaker 3 (11:21):
You need money for media, you need money for radio
Studio time.
Speaker 1 (11:23):
You need money for studio time, travel, travel you
need money for everything.
Speaker 3 (11:27):
Everything To live, breathe oh my goodness, that's
for sure.
Speaker 2 (11:30):
The music business.
Speaker 3 (11:30):
You definitely got to have that paper.
Yeah, the music business is agift and a curse.
Speaker 1 (11:34):
Niggas don't be understanding they be like yo.
Why you ain't drop, why you ainbeats that this nigga's trying
to hit me on the head for 5 000,for the exclusive rights, for
the beat you want me for thatall right everything costs as
long as you get that label stamp.
Speaker 3 (11:49):
Everybody think you, you rich I heard you say you've
been writing music since a kidnot writing, but like I ain't
like, music was really somethingmaking your own music?
Speaker 1 (11:59):
yeah, my, brother yeah, my brother, he like used
to like rapping and that, thatpast and shit.
So motherfucking.
I used to just rap with him,but I just knew I knew how to do
it.
Speaker 3 (12:09):
He was one of your influences doing rap.
It was just me and him together.
Speaker 1 (12:13):
He was only a year older than me for real, so it's
like you know same mother.
So it's like shit.
That's how my brother was.
Speaker 3 (12:20):
And it's like he rapping.
Speaker 1 (12:22):
Well, he not, he wasn't even rapping Like, he
just knew how to.
He was good at shit Like thatnigga walk around in a circle in
a studio while the beat playing, and then I'm sitting there
trying to write.
He is walking that bitch andrap it off the head, he
remembering everything in hismind and it's just like damn.
So I'm trying to keep up withhim the whole time, and that's
what really made me just get onsome bullshit.
Speaker 2 (12:45):
Nice.
That's dope, though, because,like so, big Bro rapping, you
following at the helm, you downthere, just as good, and then it
happened for you.
That don't normally happen likethat.
Speaker 1 (12:56):
Yeah, and that was like kind of the conflict of
interest, because like we wasdoing it together and then just
like image-wise and all that,niggas gravitated towards me and
grabbed me, but it's like itnever brung.
No conflict between me and bro,but it was more so like just
like it'd be kind of hard tryingto do my own thing to put
niggas on, and but then niggasexpected me to stake with the
(13:19):
foundation that we had and I'mlike shit if I'm getting an
opportunity to do it for us youfeel me, then it.
It'll be better for us if ifit's not going how we planned it
to go, but long live him man.
He just passed December 23rd2023 for real got killed.
We was leaving the party andshit, yeah, that shit up.
Speaker 3 (13:40):
Man like that's like I done seen pass, I done that.
Speaker 1 (13:42):
Yeah, that shit fucked up.
Man Like that's like.
I done seen niggas pass.
I done seen niggas get killed.
I done seen everything.
But seeing my brother on thatground, like my blood brother
who is he's holding me as a babyon the ground, dead Like that,
fucked my mind up a lot.
Speaker 3 (13:58):
Yeah, Bro, the same here.
I seen my brother die too bro.
Yeah, that shit ever die toobro.
Yeah, same here.
Speaker 2 (14:07):
That's a that's a like a life-changing moment it
is.
Speaker 3 (14:08):
Yeah, I think about that every day, literally.
It can't, it'll never leaveyour mind.
It's something you're gonnakeep thinking about, like I.
Speaker 1 (14:13):
I it's just something you keep thinking about yeah,
it's like you guys, not youcan't erase it, I mean it just
it just makes you who you is,though help you move a little
differently stronger militant.
Speaker 3 (14:25):
Yeah, I mean definitely make you think oh
yeah, um, wow.
So how about?
How about?
After the after, uh, livingafter that, oh, shit.
Speaker 1 (14:38):
I mean it's I go through.
I went through phases like,yeah, it's going on like almost
two years now.
So it's like motherfucking,drinking hard, drugging hard you
feel me, you just trying to getyour mind off the shit, fall
back from the music you tryingnot to you feel me relapse and
do some old shit that you wouldhave did.
(14:59):
But then you sitting therethinking about, damn, like what
he would have did for me or whathe expect from me.
And it's just.
I mean it's just a lot ofthoughts and shit, but it come
with maturing, though.
I got four kids bro, so it'slike can't really just jump out
there and risk everything,because it's like damn what the
fuck my kids going to do for me.
Speaker 3 (15:17):
Yeah, you're not a kid.
Speaker 1 (15:18):
Yeah, and then he got kids, so it's like.
I'm not good to nobody If I'mlocked up or dead, so it's just
you thinking about that Too, soit's like shit.
So it's just like you know, youjust gotta get back Behind the
steering wheel.
Speaker 2 (15:32):
And go the right way.
That's all I be thinking butafter that I ain't gonna lie.
Speaker 1 (15:35):
It was hard, but it's just like Having the right
people In your corner orseparating yourself from the
people who ain't right for youtype shit.
Speaker 2 (15:42):
Right, and sometimes life just get out of control.
You just got to take control.
You know what I'm sayingDefinitely and make all the
decisions for yourself.
You know what I'm saying.
Sometimes we just let things goor let things fall in the hands
of you know what I mean.
Speaker 1 (15:56):
It'd have been a million If I was on like Lord
Dirk status or Drake status.
It'd have been a Lord Dirkstatus or Drake status and a
million motherfuckers Talkingabout Spin, spin, go, do this,
go, do that.
Speaker 2 (16:06):
Ain't nobody about to ?
Speaker 1 (16:07):
Ain't nobody about to Come to your funeral?
Speaker 2 (16:09):
Ain't nobody about to Take care of the kids?
Nothing.
Speaker 1 (16:12):
You can't think about that type of shit.
Speaker 2 (16:14):
You gotta think about what's best for you For real.
Speaker 1 (16:16):
And at the end Like what the fuck?
So and so Will want to do whatyou will want you to do for them
yeah, because they don't knowme man, go ahead, go get rich do
something just look at me, lookout for my folks, look out for
your focus that do that take onewrong move to change everything
gosh a two-second move you takeone right move to change
(16:37):
everything and wait
Speaker 2 (16:40):
when you bless the light, had an opportunity to be
signed or to showcase yourtalent in front of the world.
Like, go ahead, man, take themopportunities.
You know what I'm saying.
And every type of way we'regonna put the.
We're gonna put the energy,we're gonna put the positive
energy into this thing.
I'm saying and and move likethat and see what come up under
that because, like, we've beenliving like wrong for so long
(17:03):
god damn.
Let's see what right feels likelet's do something.
Speaker 1 (17:05):
Let's see what right feels like yeah, let's do
something different.
Speaker 3 (17:07):
Let's see what right feels.
Like you got to be able to livethrough these moments.
Like I want to know, all right,so what I meant by how I was
living after that.
Like, what's your creativeprocess now?
Are you working?
Are you making music right now?
Are you getting back to it now?
Speaker 1 (17:24):
Yeah, I've been making a lot of music, but it's
just like it be kind of you feelme like no disrespect to Rod
Wave because I love his musicbut I don't want to be in there
on no like nigga sad while I'min that bitch.
I be trying to turn him up.
I be trying to.
I be thinking I think more sofuture, like I think when I'm in
the studio I be like boom, thiswill get the club going or this
(17:46):
will get them in their feelings.
It depends on my mood, but I'vedefinitely been recording like
heavy, heavy, heavy.
I just don't be trying torecord sad.
Speaker 2 (17:54):
Yeah.
Speaker 1 (17:54):
Because I know it's a lot of people that can relate
to that shit, but I don't wantmy music to be based on that
shit.
Speaker 3 (18:00):
Do you got one of those though, oh my gosh.
Speaker 1 (18:03):
I got too control my feelings.
Speaker 2 (18:04):
He like I'm just trying to stop making it so to
like, so to like, get you into,like the different mindset, the
make different type of music,what you think that is like or
what, or what you think thestart of that would be, you feel
me, the vibes, the vibes, theenvironment.
Speaker 1 (18:19):
Yeah, like I need.
I need good studio good liquor,bad bitches.
Speaker 2 (18:24):
Good liquor, mm-hmm.
Speaker 1 (18:27):
Bad bitches.
I don't got to be fucking withnone of them.
Speaker 2 (18:29):
Just the energy, just the way they you can hear the
conversation.
Yeah, the conversation.
Speaker 1 (18:33):
When I'm in a booth and I'm looking and I see them
heads rocking and them startshaking their ass and shit.
Then it's just like oh yeah, Iknow, I got one.
Right you feel me I need theybecause it's like they not
biased.
Speaker 2 (18:43):
Yeah.
Speaker 1 (18:44):
You feel me.
Speaker 2 (18:44):
Yeah, yeah, yeah.
Speaker 1 (18:45):
Their body's going to show it, just like if you
fucking a bitch, their body'sgoing to show if you like it, if
they like it or not.
Speaker 2 (18:50):
No, for sure.
So it's like if they like themusic.
Speaker 1 (18:51):
They're going to be in there rocking.
They might stand up, startdancing.
You feel me, you need that.
Speaker 3 (18:55):
That's also how you pick your producers for your
music too, yeah.
Speaker 1 (19:03):
Well, shit up for real, because these other niggas
coming crazy, but I know thatthey are.
They are, you know, workingnigga with the price, because
they know I'm independent, theyindependent, be friends yeah,
these other niggas gonna wax youfor real.
So I'm trying to tell them likeman, I'm trying to go this way,
I'm trying to go this way anddon't send me no pack.
That's just going to cater tohow you think I'm a sound.
Yeah, go ahead, send me variety.
Whereas I could be like damn,I'm about to go whole left field
(19:25):
.
I got this one song.
It sound like Pharrell made thebeat.
I'm like yes, I needed that.
Speaker 2 (19:31):
Being out here with all these, everybody, the
creatives that be out here.
It's like you could go in thisroom and you never know who
going to be in there, what typeof producer going to be in there
.
I just feel like we in the landof creation Black people too,
atlanta, yeah, atlanta, be inthere.
So it's like I just felt likewe in atlanta creation, uh,
black people, atlanta, yeah,atlanta, yeah bro, I didn't walk
(19:51):
in the room I didn't want withmy, with my homeboy.
Speaker 1 (19:54):
Pirate man shout out pirates.
We went to high school together.
He's one of the greatestproducers, but he done took me
in a room metro sitting there,I'm like metro brought me in the
room with south side, southside.
So he said, hey, I fuck withyou.
Speaker 3 (20:09):
Yeah.
Speaker 1 (20:09):
You fuck with me.
Speaker 3 (20:11):
He gave me a pack, Like 20 packs that was.
Speaker 1 (20:15):
Southside man I'm about to go.
Huh, Take this 20 pack.
Let me know what you fuck with.
Speaker 3 (20:19):
That's fire.
He got him.
He got thousands of beats.
Speaker 1 (20:22):
Yeah.
Speaker 3 (20:23):
Take a 20.
That's what I'm saying.
Speaker 1 (20:25):
My nigga Go Grizz.
He's still going crazy, Likeall them niggas, still going
crazy, but Go Grizz.
Speaker 2 (20:29):
Yeah.
Speaker 1 (20:30):
Man Go Grizz.
I fuck with him Every time hesee me.
What's up he play on the bottom.
I say y'all too dude.
Speaker 2 (20:36):
Too, he be doing that type of shit Go Grizz.
Speaker 1 (20:38):
he tough as a bitch.
My nigga Cheese Like you'll bearound Hella niggas.
But it's just like you gottatell them like hey, bitch, I'm
independent, cause if they knowyou with a label.
Speaker 2 (20:51):
No disrespect to producers.
Speaker 1 (20:53):
But if they know you with a label and you got a
budget.
Like you might talk To thempersonally, like man, just Just
give me a band.
They talk to them labels.
I need a 20 ball For the beat.
Nah, for real, that's the game.
That's the game and I needpercentage too.
It's the game they waxing theirass.
I'm like damn, but yeah Gottaget the label.
Speaker 2 (21:08):
I tell a nigga if I sign with a label.
Speaker 1 (21:10):
I tell him man, I'm with a label, bro, Tell him this
and give me this off of that,Tell him 50, matter of fact.
Speaker 2 (21:16):
Tell him 50.
Speaker 1 (21:17):
Give me 10.
You keep 40.
Fuck it.
Yeah, might as well just giveme that shit up front.
Speaker 2 (21:26):
So you see, like I look at it, like when you create
and write, you never know whenthe hit gonna be a hit and you
never know who gonna be in theroom or how you gonna create it.
So that's why I just alwaysencourage the artist to always
create, always create, alwayskeep working, always get in the
moods, Always find yourself inthose environments where there's
(21:48):
work involved and you producingand getting working, always get
in the moods, always findyourself in those environments
where is work involved and youproducing and getting results
yeah, 70 percent of the time theartist ain't gonna like their
hit yeah, they're not gonna likeit.
Speaker 1 (21:58):
Everybody else around them gonna have to tell them
like that yeah, and then they belike are you sure?
And drop like the how to robshit.
That's my biggest song ever Ididn't want to drop that shit
didn't want to do.
Speaker 3 (22:07):
I didn't want to drop that you know, that's the one I
was talking about too.
Speaker 1 (22:10):
Oh, for real, I didn't want to do that well I
wanted to do it but it was moreso, me and my homeboy playing
around in the studio, we in lapyrex in there, who I was
talking about, he put a beat onand and, bro, like man, you
should just do because, like 51,like one of my all-time goats.
He's's like man you should do aHotter Rob.
Speaker 3 (22:26):
Yeah.
Speaker 1 (22:27):
So we just in there, he in the booth with me, he's
scrolling through academics.
We just picking rappers offacademics and making bars for
him.
We going back to back.
He damn near giving me everybar I'm going oh, come on, we
didn't say this.
Speaker 2 (22:43):
We didn't say that are real talk, telling you
that's every I'm talking aboutevery last label that shit cause
problems, though that was likegood, but it caused problems,
yeah because it's talking aboutit.
Speaker 1 (22:53):
The type of song.
It was the type of song it was,and it's like they wasn't our
generation our generation.
They don't they don't know thehistory and they don't know,
like the 50 cent the how to ride.
Speaker 3 (23:03):
So it's like you might like take offense to it
off and like they might think,like oh, nigga, ooh, crash out.
Speaker 1 (23:09):
And it's like, bro, a lot of them niggas knew me
already.
Yeah, and we done hadconversations Right right, right
, so it's like for you to takethat personally is to show your
character for real.
Speaker 2 (23:18):
And if you want to take it anywhere else we can do
that.
But who really you to do it?
Speaker 1 (23:30):
but that's how I know up north.
Speaker 2 (23:31):
Let me know I'm popping no, that let me know.
Speaker 1 (23:33):
That's how I know up north is different, because the
only who really showed loveabout the was oozing.
Yeah man, amina, shout out.
Amina, my manager, and she um,with uzi heavy.
She took me to one of his shows.
I'm standing standing there onthe side he performing and shit.
He look over and look back overand see me over there.
After he done performing, hestraight come over there.
(23:54):
Uzi older he walk up to me andsay I was going to ride a little
Uzi with a big pump.
I was going to ride a littlepump with a big Uzi and I just
dabbed my butt.
Yeah, hell yeah.
Speaker 2 (24:04):
That's her brother, man.
Speaker 3 (24:10):
Look, I've been around you a few times, right?
Mookie Moop, yeah, yeah,mookie's long-time Shout out.
Mookie Moop man, we was downhere.
Speaker 1 (24:18):
That shit hurt me.
I flew to.
I mean, I went to.
Philly did all the music andshit.
I hit him like where were youat Pulled up in the studio we
made music?
He made sure I was straightdown there moving correct.
Speaker 3 (24:33):
Moot wanted on, yeah, Moot wanted on man we came down
here we was working on.
We was working.
I had the opportunity to watchyou and Mookie Moot shoot a
video.
It was a good experience justto watch how the industry worked
for real for real, like how to,how it go, like with the with
(24:56):
the videos with the the house,the smoke, the yeah everything.
Speaker 1 (25:01):
They was having trouble with the smoke.
Yeah, they was playing with thesmoke, yeah it was smoking
there, it was 8k oh they were,they were props.
Speaker 2 (25:09):
They were props, whoever?
Listening time and lighting.
Speaker 1 (25:12):
You know how it go yeah it was until you were on
set.
Yeah, but that's how I beat uplike it.
Uh, you'll link up on somemusic and then, if y'all just do
the same time y'all link up.
Speaker 2 (25:23):
Yeah, after that every real nigga that sit on
that couch.
They in my phone I'm talkingabout.
Speaker 1 (25:31):
Yeah, they just fuck with you.
They fuck with you.
Yeah, they call out.
Speaker 3 (25:33):
They can feel the vibe bro.
Speaker 2 (25:36):
I'd be like I interview these guys and we have
long-term relationships.
Speaker 3 (25:40):
It should be crazy what y'all got going on, who
y'all need.
Speaker 1 (25:44):
Who y'all need me to reach out to?
What can I do?
What?
I could do for y'all Just beingin this light, or like just me.
Speaker 3 (25:49):
All love.
Speaker 2 (25:50):
Like this being my job, this the dream job.
Yeah, I couldn't be doingnothing better with myself, bro.
Yeah, I feel you, you feel me,I'm in the pocket.
Speaker 1 (26:02):
That's how I be feeling.
I'm friend, she was like youyou went to work today, so I
ain't got no job.
I ain't never had one of themmoney.
I'm just like doing what the Iwant to do.
That's just how it is, withthat being said how you stay
motivated, though right now man,I stay motivated just being
around.
I would say family, but a lotof times family don't be Family,
(26:27):
but a lot of times family don'tbe like enough, Like because
family, they your bloodline.
Speaker 2 (26:34):
But like it's just like they get used to your
lifestyle.
Yeah, it's just like.
Speaker 1 (26:37):
Yeah, it's like, there you go they don't really
expect shit from me, though,because they don't, but it's
just like no, they expect you tobe you.
Speaker 2 (26:43):
They don't expect you to be you.
Speaker 1 (26:45):
Yeah, so they.
It be my niggas that bemotivating me when I go back to
Baltimore and shit, and I go tothe studio, shout out Rab to
Compound Studios, best studio inBaltimore.
That been my brother for a longtime and he been with me since
the start.
He was a part of D1.
Right and he got a studio thereand he'll just let me go in
there, motherfucker, rock out,and I invite all my niggas and
(27:07):
just the conversations that betaking place.
It be like I got to get theseniggas out of here.
So that's the motivation.
Like man, let me like, damnlike, because it's a fucked up
feeling when you know, like you,away from this shit, but you
need to get other niggas awayfrom this shit.
That was sleeping on themfloors with you for real life.
We sleep on the same floor.
We was walking to the storetogether in the fucking snow.
We was walking to the storetogether In the fucking snow
Snow to our knees.
(27:28):
We just trying to.
We scraping up change, tryingto get a black and mild Cause
it's cold as a bitch.
We been trying to smoke.
Like it's just like, damn, likeI gotta get these niggas out of
here.
That be the motivation for me.
Speaker 2 (27:38):
Bro, we be on, we be having the same thoughts, cause
it be like Like we be doing whatwe be doing and we'll meet like
a person like you and then ourfriends, but we'd be like you,
feel me, we, we like to see thatthey look at us for it down.
(28:01):
I mean like leave, and I meanso?
Speaker 1 (28:02):
we're trying to look at me for we just be trying to
push you in them.
You know what I mean.
So we just be trying to push.
Don't look at me for it.
We just be trying to pushharder, though Don't look at me
for it.
I'm going to get there andyou're going to see it, but just
don't look to me.
Speaker 2 (28:11):
But like no, not on that, but Philly don't have shit
bro.
Speaker 1 (28:21):
We don't have shit, we don't got too much to look
for man who you know fromBaltimore, that's big.
Speaker 3 (28:25):
There we go, hold on.
Speaker 1 (28:26):
I'm talking about who's a major artist from
Baltimore.
Speaker 3 (28:28):
He about to speed pass my question.
I was about to say you don'tknow nobody, you don't Look.
Do you think Baltimore getenough?
Speaker 2 (28:36):
credit for their artists.
Speaker 1 (28:37):
All right, lomo the singer.
Yeah, yeah, yeah, but that's agirl singer.
Speaker 3 (28:42):
You think y'all get enough credit though Y?
Y'all get enough credit, thoughY'all do have artists, but do
you think y'all get enoughcredit?
Y'all?
Lineup was crazy, bro.
Speaker 2 (28:48):
Y'all got meek midway Y'all got meek.
Midway Y'all got artists.
Y'all just don't get credit,bro.
Yeah, I know what you mean, Isee what you mean.
Speaker 1 (28:54):
Y'all got niggas to be like this.
Way it work, neo.
Ain't that nigga from Mario?
Mario, mario, y'all don't evenknow Mario from Baltimore.
Speaker 3 (29:08):
No, we don't.
Ot used to bring him to Philly.
We talk about that For real,yeah.
Speaker 1 (29:11):
I didn't know that nigga from Baltimore, ot used to
bring that nigga to SouthPhilly.
We talk about him.
Speaker 2 (29:15):
Omar Teagle brought that nigga to 24th.
Speaker 3 (29:17):
Street, I else down Baltimore.
Were you talking about whatwere?
Speaker 2 (29:20):
you talking about All the niggas that's on the wire
and all that yeah what were you?
Talking about Like Snoop, likeSnoop and it's just like All
right.
No, because they put DMVtogether, that's what they tend
to do.
Speaker 3 (29:40):
I know y'all separate y'all stuff, y'all don't play
that.
Speaker 2 (29:42):
I know that you know what I'm saying, but y'all got a
few, it's just shine a light onthem.
Speaker 3 (29:48):
Shine a light on somebody right now.
Speaker 1 (29:50):
We don't got nobody that's on a major platform.
Who?
Speaker 2 (29:53):
popping down there right now, shorty, shorty Tate
Coldang Wild Da Rapper.
Speaker 1 (29:57):
Young Crazy.
We got Tate Young Crazy fromVirginia.
Speaker 3 (30:01):
Yeah, I mean, that's my brother, that's my brother,
he's the hardest nigga out ofVirginia.
Speaker 1 (30:05):
I don't give a fuck.
It's the biggest rapper outthere.
That nigga is the hardest niggafrom Virginia, but we got
motherfucking YG Tech.
Speaker 3 (30:11):
Right.
Speaker 1 (30:11):
That nigga super hard .
Speaker 3 (30:12):
Hard.
Speaker 1 (30:13):
We got Long Live Scooter.
Long Live G-Rock.
Them niggas was the ones thatgave us a platform.
We got Skola.
He's wide behind Skola.
Speaker 3 (30:23):
That's my school.
We got OTR.
Speaker 1 (30:24):
Chaz.
That's my doggy.
He's tough though, but I'm notjust naming niggas, I'm cool
with it.
I'm naming niggas.
Speaker 2 (30:29):
You're naming niggas.
That's popping, that's playingthat work.
Speaker 1 (30:31):
You feel me I'm motherfucking.
Speaker 3 (30:33):
Shout out to them too , me of course.
Speaker 2 (30:40):
No, I'm tapping into these niggas?
Speaker 1 (30:42):
Yeah, slowed down.
Um man, who else in the citybut the young um?
Speaker 3 (30:47):
see most of them names.
You guys said I know I knowthem.
Speaker 2 (30:51):
Why'd you check?
He on fire?
Speaker 3 (30:53):
I know why'd you check I don't know about that.
He on fire, know about him bro,yes, that yeah he gone, but
that thing has been happeningfor so long and they don't even
be knowing like bro been puttingwork in.
That's the definition now hereI go.
I'm going back to what I'msaying.
Speaker 2 (31:07):
Y'all don't get enough credit, bro.
Speaker 3 (31:09):
Y'all got some rappers, Nigga say.
Speaker 1 (31:12):
I don't do no dick riding, but I give credit where
it's due and I don't give a fuckabout the dick riding shit, bro
.
He's one of them niggas whereyou could say that's a nigga
businessman, yeah, and his hisstreet credibility and he's a
great rapper, so it's likeincredible yeah it's like boom I
gotta tell you, I could justtell about how you could tell
(31:33):
what he's talking and how you'regiving it up.
Speaker 3 (31:36):
If you're not that kind of person, you can't talk
like that 90 day run.
Speaker 2 (31:40):
You can't even talk like that.
You feel me bro you know whatI'm saying turn his life around.
Speaker 3 (31:44):
but but Tate though, Can he talk like Tate.
Speaker 1 (31:48):
I'm going to say YG, Tech and Tate is the two.
That I would say is what aBaltimore nigga should aspire to
be in me.
I'm not trying to includemyself.
I like that though, because Idone, made it out of there.
Speaker 3 (32:01):
I like that though.
I like that, though, becauseyou showing love, but you
putting yourself down, yeah themniggas, but you're showing love
too, so that's dope.
I can respect that.
Yeah them niggas.
Speaker 2 (32:10):
Respect that.
Speaker 3 (32:11):
Well, I was going to say, like I was saying, I think
y'all got artists.
Y'all just need the recognition, man.
Speaker 1 (32:18):
Yeah, but we starting to get that shit man.
Speaker 2 (32:29):
And Skola, though what you're doing right now sean
pouring a light on everybodyeverybody when you got the light
.
That's what we got to do.
People, people be having this,this thing in their head where
they don't want to show love, orthey think that because you
show them love is them they like.
No, yeah, I'm that.
I'm that to the point, rightlittle reggie, lord reggie.
Speaker 1 (32:43):
We got to shout out a little reggie, he's not a
rapper, he's a streamer.
But he just got on with.
Speaker 2 (32:46):
Kai and them.
You know, kai, bro Reggie.
Speaker 1 (32:50):
Lil Reggie Niggas think he Lil Rodney or something
, because he did that littlethat interview.
I mean not the interview, thatskit or whatever, but he's one
of the best comedians from thecity.
But Kai motherfucking seen him.
Kai's seen him to the crib outthe A yeah, and he got the crib
with the other streamers, thelittle Clover boys and that
nigga been putting on for thecity super crazy.
So Reggie too, he one of themones, yeah, but that's fire, bro
(33:12):
, that's super fire I ain'tgonna front.
Speaker 2 (33:14):
That's why, when you shine in the light and give, and
it's just more blessings cometo you.
Speaker 1 (33:22):
You know what I because that's the type of I'm
is.
I don't even need you to shineno light on me, I'm gonna make
my own.
But yeah, it's just like I doit, because why not?
Speaker 2 (33:30):
I ain't no hater, do what you do bro, you know how
hard it is to make it out theeast coast no, it's super hard
to people I had to, I had todrop everything, be so surprised
about what they'd be.
Speaker 1 (33:40):
Like bro, like damn you.
It's from bartlemore but youmoved to atlanta and then you
moved to Houston.
I don't mind droppingeverything and going.
I find a way when I'm there.
That's hard to do bro yeahniggas be scared to do it East.
Speaker 3 (33:54):
Coast guys.
They don't do that Becausethey're not themselves man, I'm
good, though, no we don't dothat.
Speaker 2 (33:59):
You gotta be able to go wherever, drop everything and
move.
I'm not can play bro, that'show you die.
No, I ain't gonna front you'dbe stuck and you moving.
There is a whole new challengelike you shake shit up like that
it's a whole personal bro, likeyou can relate to me if I give
you the time to get to know mefor real.
Speaker 1 (34:14):
So it's like I'm the type of nigga bro I go to the
bar by myself I like to go tothe bar by myself, drink, just
chill, sit at the bar, see whatwhat conversations come past.
Next thing you know you madefriends not friends associates,
but then they become.
Next thing you know you madefriends Damn, not friends
associates, but then they becomefriends.
Speaker 2 (34:29):
Next, thing you know you calling, they phone.
Speaker 1 (34:30):
What you doing today, what's?
Speaker 3 (34:31):
going on Popping out Like shit.
Speaker 1 (34:33):
all right, I'm coming with y'all.
Speaker 3 (34:34):
Nah, real talk.
Speaker 1 (34:35):
Then you in a whole nother state doing a whole
different thing.
Speaker 3 (34:42):
You don't even gotta Like.
When did you get like?
Speaker 1 (34:44):
that my mother the same way as me, man, my mother,
get up and go my mother from NewYork.
Like my mother, was from theBronx.
But she motherfucking met myfather in Baltimore.
Yeah, stay there, motherfucking.
I moved to Atlanta.
She moved to Atlanta.
She left Atlanta, she moved toRaleigh.
Speaker 2 (35:03):
She left Raleigh moved to Charlotte.
I'm like, damn, we on the sametight time.
That's the only way you cangrow when you challenge yourself
.
Speaker 1 (35:10):
Yeah, I put myself in them positions.
I want to see what's about tohappen.
Speaker 2 (35:14):
Ain't no progress without struggle.
Speaker 1 (35:16):
And then it's like I ain't scared of no nigga, I
ain't scared of what's going tohappen.
Speaker 2 (35:19):
So it's like what the hell.
Speaker 1 (35:22):
And I ain't no mom, the only reason you have a
problem with me is if you knowme or you got a real problem.
Speaker 2 (35:26):
And growing up in the environments we grew up in and
surviving in them.
We could live anywhere.
Oh my God, I'd be looking atthis shit like this, this shit
like this.
Speaker 1 (35:33):
I'd be like man.
This shit be crazy man.
I used to go outside like thiswhat the fuck are these niggas
about?
Out of Baltimore, now right youdown in Texas, yeah.
Speaker 3 (35:50):
So, just being in Baltimore, growing up from
Baltimore, I know you still goback and you get your motivation
from the friends and the people, that's, from the community.
What kind of impact you tryingto leave with Baltimore?
Speaker 1 (36:12):
Like how you want Baltimore to look at Izzy.
You know, honestly, I neverthought about how I want
Baltimore to look at me.
Speaker 3 (36:18):
Because it's just like Because you work and stuff.
Speaker 1 (36:20):
No, because it's just like it kind of sounds fucked
up to say but it's like it's thepeople you impact.
Like fuck the city.
Like like it's the people youimpact.
Like, fuck the city.
Like it's the people you impactbecause it's like anybody that
anybody that uh done been around.
I left an imprint on where is itlike?
Oh, he's a real one, like, butthe majority of the people where
you would say the city, theydon't know you for real, so
(36:42):
they're going to think what theywant to think and, whatever you
do, probably ain't even enoughlike Like I could like bro
niggas killed Scooter.
Bro, that was our biggestrapper, bro, you know he was
coming from a charity event.
This nigga was leaving abasketball charity event and
niggas killed you.
So it's like do I give a fuckabout what Baltimore think about
me or who I touch?
Speaker 2 (37:01):
We just had one One of them.
Situations are so.
Speaker 1 (37:04):
It's who the fuck I touch bro, it's sad.
Speaker 2 (37:06):
So it is who you touch, it don't matter where
they at.
Speaker 1 (37:08):
I could touch as many people as I want in this city
and that's who I care about.
I don't really care about whatthe mass think, because they
don't know me.
Right, right, right, and youcan hear something and they'll
probably run with that beforethey run with the good.
(37:32):
So you, you grounded, and, and,and probably the older guys,
because that's what I grew upwith, my older guys keep me
grounded and they make sure theylook at me and tell me I don't
give a what who you think you is, I'm not letting you do that.
Speaker 3 (37:36):
Yeah, and it's like I gotta respect this.
Forget where I'm from.
It's about being who I am.
Speaker 1 (37:41):
You know what I'm saying it's forget where you're
from, because it's like youcould be from one side of
baltimoreiggas.
Say that you ain't like that.
Yeah, so it's like even niggasin the city, don't even fuck
with you.
So it's like, bro, why should Icare about what the fuck you
think, or you think, or youthink it's about character and
who I touch and who I make thisshit for, because we gonna be
(38:03):
thinking about oh we ain't dobye today, man what the fuck
happened to Baltimore?
Who gives a fuck my peoples isgone, yeah.
You ready Baltimore made me whoI was, but it won't define who
I become.
Speaker 3 (38:15):
You don't know about this part, but we about to tell
you man, wait, we'll break itdown for them real quick,
alright we gonna play a, a quickgame called Fast Track.
Speaker 2 (38:23):
It's where I name two things and you just pick one or
the other, all right, all right, go ahead, go ahead, go ahead.
Speaker 3 (38:28):
All right, break it down all the way though that's
just fast track all right, butyeah, so we're just going.
Speaker 2 (38:33):
I'm gonna say two things.
You pick one or the other.
It's sweet, uh, baltimore, solet's go the wire bmf.
Speaker 1 (38:50):
The why or a BMF.
I got a real homeboy.
That's real BMF.
But I would say the why Justbecause you talking about TV
shows, yeah, oh, you askingwhich TV show I like more, yeah,
the why, because I know Wellthe why.
It's a representation ofBaltimore.
It's not all the way correct,it kind of dumbed down, but it's
(39:11):
real shit.
That's going on.
Okay, bmf, I don't know howtrue the story is.
Alright, you said you got ahomie in BMF though.
Yeah, hell yeah, my niggaCalico.
Shout out to Calico.
Speaker 2 (39:19):
Oh, Calico.
Speaker 1 (39:19):
Yeah, that's my brother man, that's your brother
.
Speaker 2 (39:21):
Yeah, tell yeah.
Speaker 1 (39:22):
I tell them to come up here, yeah.
Speaker 2 (39:24):
I bet I was just with him yesterday.
Speaker 3 (39:26):
This boy crazy.
He booking shows in the middleof a show, all right.
Speaker 2 (39:30):
State property or major figures.
Speaker 1 (39:33):
I never even seen major figures bro State property
yeah.
What's your best hand Damn.
Speaker 3 (39:40):
Cleon the comedian, or Donna Jess Hilarious.
Speaker 1 (39:43):
Yeah, Jess Hilarious.
You said Cleon or Jess.
Speaker 2 (39:46):
Over this way.
Speaker 1 (39:47):
You said Cleon or Jess yeah, cleon or.
Speaker 3 (39:49):
Jess Cleon a comedian , or Jess Hilarious.
Speaker 1 (39:51):
I'm gonna have to Like I love Jess but I'm gonna
have to say Cleon, he was theoriginator Of this shit.
Like he was Probably the firstcomedian In the city that niggas
actually laughed at and went togo look at his shit and all
that.
Like Like niggas was makingwhole sayings, like niggas had
Baltimore slang off of Cleon.
Like calling niggas Cleon-assniggas Like you a Cleon-ass
nigga Like bluffing.
Speaker 3 (40:09):
Damn, because he was joking and shit.
Shut up, cleon, my boy.
Speaker 1 (40:13):
So nigga like nigga, cleon Like niggas had it Okay,
okay, I get it.
Speaker 2 (40:21):
That's fine.
Tate, tate.
Nah, I'm just saying that, no,like Tate better Shorty.
Speaker 1 (40:28):
He did his shit For the city and he still putting on
.
But you gotta do the historyRight.
Tate's first tour.
Speaker 2 (40:35):
Shorty.
He brought Shorty Shorty in andwith him Like that's his folk.
Speaker 1 (40:38):
So it's like you know you gotta give credit To.
It's like Same motherfucking.
Speaker 2 (40:42):
He the one.
Speaker 1 (40:43):
Like the you feel me.
Speaker 2 (40:44):
I get it, I get it Shorty definitely did some shit
for the city and he exceeded togo.
Speaker 1 (40:52):
Yo was the only nigga in Baltimore with a platinum
record.
Speaker 3 (40:57):
Before we continue, make sure you share like.
Subscribe comment, if you don'tUse a muff.
Speaker 2 (41:03):
I hate it.
Why?
Because it's free.
Speaker 3 (41:05):
Now let's do One.
Gotta Go you ready, I'm ready,alright, because it's free.
Speaker 2 (41:07):
Now let's do One Gotta.
Speaker 3 (41:08):
Go, you ready.
Speaker 2 (41:08):
I'm ready, all right, one Gotta Go a little bit
different.
I'm going to name four people.
You're going to pick one to go,but when they go, everything go
.
They got pecking back.
They hold existence goingEverything under them.
Go too, but you're going topick four people though.
Yeah, it's easy, jesus gotta go.
(41:35):
Yeah, all right.
Uh, sexy red glorella.
Ooh uh, ice spice, ice Spiceand Mega Rap.
Bro, let me see my IOs.
Speaker 1 (41:56):
Bro, what you say say it again he said Sexy Red.
Speaker 2 (42:01):
Sexy Red Glow Ice Spice come on.
Speaker 3 (42:06):
you know who Lotto?
Oh yeah, lotto, ice Spice, iceSpice Come on.
Speaker 2 (42:09):
You know who Lotto?
Oh yeah, lotto, ice Spice.
Ice Spice got to go.
Speaker 1 (42:12):
Yeah, all the other ones put in for the trenches All
right, that's the last oneright here.
Speaker 2 (42:15):
That's the last one.
Jay-z Birdman Diddy.
Speaker 1 (42:22):
Diddy got to go, brother, I don't even need to
hear that Yo this the Real ofthe most podcast man.
Speaker 3 (42:27):
We got a band that is here to build it y'all.
Speaker 2 (42:30):
I'm Guy, I'm Kool Network, I'm Whiteboy D2A.
Speaker 3 (42:34):
Y'all already know, man, stay tuned in To the real
of the most podcast.
Go get more content On www.
Speaker 2 (42:40):
Real of the most podcastcom.
You already know Check us outy'all we out of here Real of the
most podcast.
Chakas out y'all Yadda.
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